<?xml version="1.0" encoding="UTF-8"?>
<itemContainer xmlns="http://omeka.org/schemas/omeka-xml/v5" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://omeka.org/schemas/omeka-xml/v5 http://omeka.org/schemas/omeka-xml/v5/omeka-xml-5-0.xsd" uri="https://scottishchapbooks.lib.uoguelph.ca/items/browse?tags=Nature%3A+tree%28s%29&amp;output=omeka-xml" accessDate="2026-03-13T23:37:57+00:00">
  <miscellaneousContainer>
    <pagination>
      <pageNumber>1</pageNumber>
      <perPage>10</perPage>
      <totalResults>41</totalResults>
    </pagination>
  </miscellaneousContainer>
  <item itemId="1103" public="1" featured="0">
    <fileContainer>
      <file fileId="2523" order="1">
        <src>https://scottishchapbooks.lib.uoguelph.ca/files/original/fc65cdb57781f3e52b881697c5efb52a.pdf</src>
        <authentication>6ef3e4b5ca6068b7595891c062d03bc0</authentication>
      </file>
      <file fileId="4750">
        <src>https://scottishchapbooks.lib.uoguelph.ca/files/original/07dabcd175d6297a168fd7faa38dd9b6.jpg</src>
        <authentication>8c4c0e1c444076b397aa6d594ad01bac</authentication>
        <elementSetContainer>
          <elementSet elementSetId="1">
            <name>Dublin Core</name>
            <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
            <elementContainer>
              <element elementId="50">
                <name>Title</name>
                <description>A name given to the resource</description>
                <elementTextContainer>
                  <elementText elementTextId="24443">
                    <text>Woodcut in single-ruled rectangular border on title-page of a soldier with sword and shield wearing a bonnet and plaid socks. In the background are a house and trees. </text>
                  </elementText>
                </elementTextContainer>
              </element>
            </elementContainer>
          </elementSet>
        </elementSetContainer>
      </file>
      <file fileId="4751">
        <src>https://scottishchapbooks.lib.uoguelph.ca/files/original/7150491b6ebed3d45eb060e602e220ae.jpg</src>
        <authentication>3e874ca96e7b2c14700b3552eefdf3a5</authentication>
      </file>
      <file fileId="4752">
        <src>https://scottishchapbooks.lib.uoguelph.ca/files/original/b7c8ec8913d0856989d2498d057d36b7.jpg</src>
        <authentication>aeb4f52fafb3526f7d60a25bf36220fa</authentication>
      </file>
      <file fileId="4753">
        <src>https://scottishchapbooks.lib.uoguelph.ca/files/original/32989fac6b671a45f71f9fa81fc95dbc.jpg</src>
        <authentication>c052919616f56ad279bb16a9bb87ec69</authentication>
      </file>
      <file fileId="4754">
        <src>https://scottishchapbooks.lib.uoguelph.ca/files/original/e5526064386cab8ec8ee252591c5d58c.jpg</src>
        <authentication>04501b356650d6d0336f6f264fe449f3</authentication>
      </file>
      <file fileId="4755">
        <src>https://scottishchapbooks.lib.uoguelph.ca/files/original/a0f1075ea7d640a13cb7c7a26d021261.jpg</src>
        <authentication>82d3468d0ea2539f500c81585aef4f88</authentication>
      </file>
      <file fileId="4756">
        <src>https://scottishchapbooks.lib.uoguelph.ca/files/original/27d6bc84ae86fdbed2eaf2c7ead8b480.jpg</src>
        <authentication>bd3d42acac7d3a331f065175d7a9187e</authentication>
      </file>
      <file fileId="4757">
        <src>https://scottishchapbooks.lib.uoguelph.ca/files/original/a29fbe798189adeeb94b6fc16d39c122.jpg</src>
        <authentication>4f8b5540f8c6d7b980460618ad590a60</authentication>
      </file>
      <file fileId="4758">
        <src>https://scottishchapbooks.lib.uoguelph.ca/files/original/b8e3764757a9531ad7b25cb17b473a65.jpg</src>
        <authentication>011c9f403a004aa8287e9f59c7441ed4</authentication>
      </file>
      <file fileId="4759">
        <src>https://scottishchapbooks.lib.uoguelph.ca/files/original/a92fe15b0712830c0374154000948d3b.jpg</src>
        <authentication>e5cd04e0aa1a6624935dcb69459f1350</authentication>
      </file>
      <file fileId="4760">
        <src>https://scottishchapbooks.lib.uoguelph.ca/files/original/7846f497e79e3e8ad7fa246c9f5ab8f8.jpg</src>
        <authentication>06e5763f115b13cce96af40f4ea698e8</authentication>
      </file>
      <file fileId="4761">
        <src>https://scottishchapbooks.lib.uoguelph.ca/files/original/e4f223353a9fb24e23f0f43b06d9d4b9.jpg</src>
        <authentication>15285feac591978118eb547c6af2d949</authentication>
      </file>
      <file fileId="4762">
        <src>https://scottishchapbooks.lib.uoguelph.ca/files/original/0126a9448289333f40ce966aa224f54b.jpg</src>
        <authentication>5b624d68329dab638951d24237797507</authentication>
      </file>
      <file fileId="4763">
        <src>https://scottishchapbooks.lib.uoguelph.ca/files/original/242509a5e14dea11cce89c7c9f4d2957.jpg</src>
        <authentication>acfb612da37c3f14b28b6b1a8c1bf765</authentication>
      </file>
      <file fileId="4764">
        <src>https://scottishchapbooks.lib.uoguelph.ca/files/original/556af69b4fd82ecefc56774a97e80688.jpg</src>
        <authentication>ed8af56e9c8a2a0225e038d152ae839d</authentication>
      </file>
      <file fileId="4765">
        <src>https://scottishchapbooks.lib.uoguelph.ca/files/original/3431b88e770acf4662353a55e803dd95.jpg</src>
        <authentication>0355ab64713de6670a071b6f3d6d05f4</authentication>
      </file>
      <file fileId="4766">
        <src>https://scottishchapbooks.lib.uoguelph.ca/files/original/3c3211dadb3a5b216c75b0cad51e98c9.jpg</src>
        <authentication>b422c43d88b8bca098ad9e52f293e4bf</authentication>
      </file>
      <file fileId="4767">
        <src>https://scottishchapbooks.lib.uoguelph.ca/files/original/146eb08c030de3ad3a68bb98c95e48d7.jpg</src>
        <authentication>fd971684068383302ca79e23b3e4875f</authentication>
      </file>
      <file fileId="4768">
        <src>https://scottishchapbooks.lib.uoguelph.ca/files/original/4561d946501191ded01cafb83d0b82e2.jpg</src>
        <authentication>263ca939bc7687dc5bf2ebe7ec1969b8</authentication>
      </file>
      <file fileId="4769">
        <src>https://scottishchapbooks.lib.uoguelph.ca/files/original/ff1568e382b4fd3b7bc22742f4e2f9fc.jpg</src>
        <authentication>f4cf7ee4f41fffdd162fc32d020a78ea</authentication>
      </file>
      <file fileId="4770">
        <src>https://scottishchapbooks.lib.uoguelph.ca/files/original/a93e21b8e4903043795a1c882d287a56.jpg</src>
        <authentication>db8c9e42b02450d95625121a4e57c3d0</authentication>
      </file>
      <file fileId="4771">
        <src>https://scottishchapbooks.lib.uoguelph.ca/files/original/3569f47ae16890af004ce5833f038907.jpg</src>
        <authentication>d97561578fdc5ba78cf10ff0bd85e98e</authentication>
      </file>
      <file fileId="4772">
        <src>https://scottishchapbooks.lib.uoguelph.ca/files/original/d73b0c85724d4c8e8d9b993a0877a446.jpg</src>
        <authentication>137cff40d6dd557e38c371282ea4a9f7</authentication>
      </file>
      <file fileId="4773">
        <src>https://scottishchapbooks.lib.uoguelph.ca/files/original/44bc67a01b5c5e57bbb24aedb4b71d05.jpg</src>
        <authentication>2595568b1bc29355a9d5a38f5780b4f9</authentication>
      </file>
    </fileContainer>
    <collection collectionId="13">
      <elementSetContainer>
        <elementSet elementSetId="1">
          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="25383">
                  <text>Woodcut 010: Title-page illustration in single ruled rectangular border of a Highland soldier with sword and shield standing in outdoor scene with a house and trees in the background.</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="22883">
                <text>A Tale of Three Bonnets in Four Cantos</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="78">
            <name>Extent</name>
            <description>The size or duration of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="22885">
                <text>24 pages</text>
              </elementText>
              <elementText elementTextId="22893">
                <text>17 cm</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="22886">
                <text>&lt;a href="https://ocul-gue.primo.exlibrisgroup.com/permalink/01OCUL_GUE/mrqn4e/alma9951650233505154"&gt;s0031Ab027&lt;/a&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="37">
            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="22890">
                <text>Archival and Special Collections, University of Guelph Library, Guelph, Ontario, Canada</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="22892">
                <text>In the public domain; For high quality reproductions, contact Archival &amp; Special Collections, University of Guelph. libaspc@uoguelph.ca, 519-824-4120, Ext. 53413</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="24678">
                <text>JPEGs and PDF derived from master file, which was scanned from the original book in 24-bit color at 600 dpi in TIFF format using an Epson Expression 10000XL scanner.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="24679">
                <text>Ramsay, Allan, 1685-1758</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="24680">
                <text>Glasgow: J. &amp; M. Robertson</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="24681">
                <text>1787</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="26263">
                <text>Chapbooks - Scotland - Glasgow</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="26265">
                <text>Archival &amp; Special Collections, University of Guelph Library, Guelph, Ontario</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="26704">
                <text>poetry</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
    <tagContainer>
      <tag tagId="206">
        <name># of Woodcuts: 1</name>
      </tag>
      <tag tagId="98">
        <name>Architecture: house</name>
      </tag>
      <tag tagId="103">
        <name>Bib Context: title-page</name>
      </tag>
      <tag tagId="327">
        <name>Chapbook Date: 1781-1790</name>
      </tag>
      <tag tagId="200">
        <name>Chapbook Genre: poetry</name>
      </tag>
      <tag tagId="267">
        <name>Chapbook Publisher - Glasgow: J. &amp; M. Robertson</name>
      </tag>
      <tag tagId="396">
        <name>Fashion (Clothing): belted plaid</name>
      </tag>
      <tag tagId="367">
        <name>Fashion (Clothing): bonnet (military)</name>
      </tag>
      <tag tagId="332">
        <name>Fashion (Clothing): Highland attire</name>
      </tag>
      <tag tagId="286">
        <name>Fashion (Clothing): kilt</name>
      </tag>
      <tag tagId="287">
        <name>Fashion (Clothing): military</name>
      </tag>
      <tag tagId="91">
        <name>Gender: man/men</name>
      </tag>
      <tag tagId="158">
        <name>Nature: hill(s)</name>
      </tag>
      <tag tagId="144">
        <name>Nature: tree(s)</name>
      </tag>
      <tag tagId="248">
        <name>Occupation: soldier</name>
      </tag>
      <tag tagId="102">
        <name>Outdoor Scene</name>
      </tag>
      <tag tagId="279">
        <name>Weapons: shield(s)</name>
      </tag>
      <tag tagId="136">
        <name>Weapons: sword(s)</name>
      </tag>
    </tagContainer>
  </item>
  <item itemId="1079" public="1" featured="0">
    <fileContainer>
      <file fileId="3221" order="1">
        <src>https://scottishchapbooks.lib.uoguelph.ca/files/original/d80df8b00bcf3614620929c976b8056e.pdf</src>
        <authentication>156cdc74570ac2151b456a591ebd8d99</authentication>
      </file>
      <file fileId="4618" order="2">
        <src>https://scottishchapbooks.lib.uoguelph.ca/files/original/6cc20f62ae3795274428537e9df38ba9.jpg</src>
        <authentication>cd31815d80210e6077cbc1191584671d</authentication>
        <elementSetContainer>
          <elementSet elementSetId="1">
            <name>Dublin Core</name>
            <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
            <elementContainer>
              <element elementId="50">
                <name>Title</name>
                <description>A name given to the resource</description>
                <elementTextContainer>
                  <elementText elementTextId="24732">
                    <text>Woodcut on title-page portraying bird perched on a tree branch (yellow tint)</text>
                  </elementText>
                </elementTextContainer>
              </element>
            </elementContainer>
          </elementSet>
        </elementSetContainer>
      </file>
      <file fileId="4619" order="3">
        <src>https://scottishchapbooks.lib.uoguelph.ca/files/original/756a789012287ab7ac4a171f30ceff3c.jpg</src>
        <authentication>49ccd3ae87c8c54982cd6d7828b13a87</authentication>
      </file>
      <file fileId="4620" order="4">
        <src>https://scottishchapbooks.lib.uoguelph.ca/files/original/0f4a82f8d9541e65703433f76fcb0d29.jpg</src>
        <authentication>7ea54b9668313659b8d3a1e35b3d575a</authentication>
      </file>
      <file fileId="4621" order="5">
        <src>https://scottishchapbooks.lib.uoguelph.ca/files/original/0f42d7bd39bce1cd489743ed7fa2fba1.jpg</src>
        <authentication>d8e9567ddb4b3358b673c0813098422d</authentication>
      </file>
      <file fileId="4622" order="6">
        <src>https://scottishchapbooks.lib.uoguelph.ca/files/original/4fc0cfae83a4af35d6ce3efb487a5f05.jpg</src>
        <authentication>44e52e78d3a32a56161b9e2ca80d97de</authentication>
      </file>
      <file fileId="4623" order="7">
        <src>https://scottishchapbooks.lib.uoguelph.ca/files/original/4c995f249295210419ec66e02540ef7b.jpg</src>
        <authentication>d78fc50bf6f675e4c52600a54e6a802b</authentication>
      </file>
      <file fileId="4624" order="8">
        <src>https://scottishchapbooks.lib.uoguelph.ca/files/original/826af341463fe4ce229a5fb25a2366c1.jpg</src>
        <authentication>9fbb5aa5f66a2c8ce2a91b69d34a3959</authentication>
      </file>
      <file fileId="4625" order="9">
        <src>https://scottishchapbooks.lib.uoguelph.ca/files/original/1de835b85bb507d271135c1e0a7d2528.jpg</src>
        <authentication>24c1afdf0765b2bdf8c361d49fc2d84d</authentication>
      </file>
      <file fileId="4626" order="10">
        <src>https://scottishchapbooks.lib.uoguelph.ca/files/original/6f8e773c237dbabff0cc0cf1ee49d2de.jpg</src>
        <authentication>02d174ece7cfacd0358460ad30a15b6a</authentication>
      </file>
      <file fileId="4627" order="11">
        <src>https://scottishchapbooks.lib.uoguelph.ca/files/original/c3f406f502e9d7ffebc12a7603e62186.jpg</src>
        <authentication>06e5fd9f898eabe1826d49852bf7df2e</authentication>
      </file>
      <file fileId="4628" order="12">
        <src>https://scottishchapbooks.lib.uoguelph.ca/files/original/5ac88483d3493b0d62987724ccb795b7.jpg</src>
        <authentication>7fd6faccebbd6006646567dec4277ce5</authentication>
      </file>
      <file fileId="4629" order="13">
        <src>https://scottishchapbooks.lib.uoguelph.ca/files/original/802c5f5d611c2d11064c846fc74254ce.jpg</src>
        <authentication>c070ce7719d7e06666f3ce57c74e5e25</authentication>
      </file>
      <file fileId="4630" order="14">
        <src>https://scottishchapbooks.lib.uoguelph.ca/files/original/bcf064f4c11515c0dda7837561ed3f98.jpg</src>
        <authentication>5166b3fa6ea4bf92fd28b4c8e0db0533</authentication>
      </file>
      <file fileId="4631" order="15">
        <src>https://scottishchapbooks.lib.uoguelph.ca/files/original/f8f0d74f103acf70f0933176728b68f6.jpg</src>
        <authentication>b1f9ba764e356be6404d5f2d6457bad7</authentication>
      </file>
      <file fileId="4632" order="16">
        <src>https://scottishchapbooks.lib.uoguelph.ca/files/original/49de0cc9254610289d166fae1e5a6286.jpg</src>
        <authentication>eef6af7484f88345da6f9973962cad9f</authentication>
      </file>
      <file fileId="4633" order="17">
        <src>https://scottishchapbooks.lib.uoguelph.ca/files/original/891734db6a5251c21db506a510a83cbd.jpg</src>
        <authentication>1cae4f8d10e794d1ab4f8d82d95cc1b8</authentication>
      </file>
      <file fileId="4634" order="18">
        <src>https://scottishchapbooks.lib.uoguelph.ca/files/original/a26a177e20a11a8e8d819201505b6e76.jpg</src>
        <authentication>f8086717fb47de8773285a89b32caa12</authentication>
      </file>
      <file fileId="4635" order="19">
        <src>https://scottishchapbooks.lib.uoguelph.ca/files/original/d2e4e798a4e66e0c60428aeab06fbadd.jpg</src>
        <authentication>11b78c31a267c99a7a6a41e14a51c699</authentication>
      </file>
      <file fileId="4636" order="20">
        <src>https://scottishchapbooks.lib.uoguelph.ca/files/original/d4a1b570e83b9a846617cb772f0bd66c.jpg</src>
        <authentication>59eb3c7330cb01214615a06788ea925c</authentication>
      </file>
      <file fileId="4637" order="21">
        <src>https://scottishchapbooks.lib.uoguelph.ca/files/original/120ab4e8a67c8c35e1516b1112613f73.jpg</src>
        <authentication>653f360a581e6a783d504350917c787d</authentication>
      </file>
      <file fileId="4638">
        <src>https://scottishchapbooks.lib.uoguelph.ca/files/original/744aae070062f3897ed44a25c5e8299a.jpg</src>
        <authentication>a03d30b465ce8b1391b6cf1a658e02ec</authentication>
      </file>
      <file fileId="4639">
        <src>https://scottishchapbooks.lib.uoguelph.ca/files/original/0ec39402cca6e767e4f13cf6d44b0e3f.jpg</src>
        <authentication>62944bc016b0ab0c13c217733281404e</authentication>
      </file>
      <file fileId="4640">
        <src>https://scottishchapbooks.lib.uoguelph.ca/files/original/7104aa1eb20ccc8c7f36b5984e4448f3.jpg</src>
        <authentication>19e6bc2ac957f64e937189b508d115fb</authentication>
      </file>
      <file fileId="4641">
        <src>https://scottishchapbooks.lib.uoguelph.ca/files/original/ad19d5774ba41ef23f99628d6aa214fd.jpg</src>
        <authentication>7c62994d7519ac72443e33c410ea03f7</authentication>
      </file>
      <file fileId="4642">
        <src>https://scottishchapbooks.lib.uoguelph.ca/files/original/fa3d74c4b7f17a449272d089cf2430b4.jpg</src>
        <authentication>7e5f6ead63be7d1fdb0968bdabb8fd4e</authentication>
      </file>
      <file fileId="4643">
        <src>https://scottishchapbooks.lib.uoguelph.ca/files/original/afe7888d6c0740e5554e2ad57a060fcc.jpg</src>
        <authentication>c06def2e98777a693695c2d484590762</authentication>
      </file>
      <file fileId="4644">
        <src>https://scottishchapbooks.lib.uoguelph.ca/files/original/61dfd1b3200d3048eeda80fd7647ac17.jpg</src>
        <authentication>568357cf73e2f8135273a8efa4ce1c03</authentication>
      </file>
      <file fileId="4645">
        <src>https://scottishchapbooks.lib.uoguelph.ca/files/original/df2ed7e0dff950b66a8b39190b092b23.jpg</src>
        <authentication>c6860d2388249ea4ca86cf6ff8973535</authentication>
      </file>
      <file fileId="4646">
        <src>https://scottishchapbooks.lib.uoguelph.ca/files/original/de9b0d93ffbf6a51c92817bebf010d12.jpg</src>
        <authentication>099cd2eeb329461adfad2b214c96aa2f</authentication>
      </file>
      <file fileId="4647">
        <src>https://scottishchapbooks.lib.uoguelph.ca/files/original/7adaf1001b2047b2abaa6ad5ab698b93.jpg</src>
        <authentication>151ee71a37011fe212728d09cbe5c54e</authentication>
      </file>
      <file fileId="4648">
        <src>https://scottishchapbooks.lib.uoguelph.ca/files/original/88566000b51ead74f346e37e9b91e124.jpg</src>
        <authentication>2f0351bde86ff1d7bc6e60ee454512d5</authentication>
      </file>
      <file fileId="4649">
        <src>https://scottishchapbooks.lib.uoguelph.ca/files/original/5d7e53919e4c1458a93eb9368f76bd76.jpg</src>
        <authentication>00aecd9ec4971e25049634f828802cb0</authentication>
      </file>
      <file fileId="4650">
        <src>https://scottishchapbooks.lib.uoguelph.ca/files/original/fbd5d4196905fe175e0bc0f5e8535bc7.jpg</src>
        <authentication>332e917d30d19ba6da8e3a509c24263e</authentication>
      </file>
      <file fileId="4651">
        <src>https://scottishchapbooks.lib.uoguelph.ca/files/original/bbb587e1db7bef73c366bc089c4d7b78.jpg</src>
        <authentication>023878277d05474670fef30b19737268</authentication>
      </file>
      <file fileId="4652">
        <src>https://scottishchapbooks.lib.uoguelph.ca/files/original/928a6a584a4dba7978ff42ed3d1dd8d4.jpg</src>
        <authentication>5487937ff3c25d2df47c6199485e37ce</authentication>
      </file>
      <file fileId="4653">
        <src>https://scottishchapbooks.lib.uoguelph.ca/files/original/940ee7922c10ef991bca462a832000ac.jpg</src>
        <authentication>da838b08fe6c25eb5b64ca716b520450</authentication>
      </file>
      <file fileId="4654">
        <src>https://scottishchapbooks.lib.uoguelph.ca/files/original/769c0323c42875782fc0ae008dffbdd0.jpg</src>
        <authentication>38fada087452941bb9759858d0cc6f94</authentication>
      </file>
      <file fileId="4655">
        <src>https://scottishchapbooks.lib.uoguelph.ca/files/original/e0a9012fd43c20552faabeeaca54cb05.jpg</src>
        <authentication>650a641170259e25e691506a473096f9</authentication>
      </file>
      <file fileId="4656">
        <src>https://scottishchapbooks.lib.uoguelph.ca/files/original/6c156197713d96c7aa0dcc5612cbeff7.jpg</src>
        <authentication>f6bf1a8a6b2064022a3eebf3be1a4d0d</authentication>
      </file>
      <file fileId="4657">
        <src>https://scottishchapbooks.lib.uoguelph.ca/files/original/8ca5d60d25d131cc09603d846310c697.jpg</src>
        <authentication>d353ee387dab242970afa066b4ebdba4</authentication>
      </file>
    </fileContainer>
    <collection collectionId="17">
      <elementSetContainer>
        <elementSet elementSetId="1">
          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="26422">
                  <text>Woodcut 011_a:  Cover illustration in a circular border  of a bird perched on a tree branch. Printed on yellow paper.</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="22588">
                <text>The Story of the Bluebird: Embellished with Neat Woodcuts</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="22590">
                <text>ca. 1830</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="78">
            <name>Extent</name>
            <description>The size or duration of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="22591">
                <text>36 pages : woodcut illustrations </text>
              </elementText>
              <elementText elementTextId="24690">
                <text>14 cm</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="22592">
                <text>&lt;a href="https://ocul-gue.primo.exlibrisgroup.com/permalink/01OCUL_GUE/mrqn4e/alma9951098313505154"&gt;s0037Ab010&lt;/a&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="22594">
                <text>Chapbooks - Scotland - Edinburgh</text>
              </elementText>
              <elementText elementTextId="26269">
                <text>Children's books</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="37">
            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="22596">
                <text>Archival and Special Collections, University of Guelph Library, Guelph, Ontario, Canada&#13;
</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="22598">
                <text>In the public domain; For high quality reproductions, contact Archival &amp; Special Collections, University of Guelph. libaspc@uoguelph.ca, 519-824-4120, Ext. 53413</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="24691">
                <text>JPEGs and PDF derived from master file, which was scanned from the original book in 24-bit color at 600 dpi in TIFF format using an Epson Expression 10000XL scanner.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="24692">
                <text>Edinburgh: Oliver and Boyd</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="26271">
                <text>Archival &amp; Special Collections, University of Guelph Library, Guelph, Ontario</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="27147">
                <text>fairytale/folk lore</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
    <tagContainer>
      <tag tagId="217">
        <name># of Woodcuts: 11</name>
      </tag>
      <tag tagId="282">
        <name>Animal: bird(s)</name>
      </tag>
      <tag tagId="363">
        <name>Bib Context: cover</name>
      </tag>
      <tag tagId="109">
        <name>Chapbook Date: 1821-1830</name>
      </tag>
      <tag tagId="297">
        <name>Chapbook Genre: fairytale/folk tale</name>
      </tag>
      <tag tagId="128">
        <name>Chapbook Publisher - Edinburgh: Oliver &amp; Boyd</name>
      </tag>
      <tag tagId="144">
        <name>Nature: tree(s)</name>
      </tag>
      <tag tagId="102">
        <name>Outdoor Scene</name>
      </tag>
    </tagContainer>
  </item>
  <item itemId="1078" public="1" featured="0">
    <fileContainer>
      <file fileId="5672" order="1">
        <src>https://scottishchapbooks.lib.uoguelph.ca/files/original/a4e30d60ce08f1ae36130363c5c95a3e.jpg</src>
        <authentication>afc61f688be15b297b0aa332739af284</authentication>
        <elementSetContainer>
          <elementSet elementSetId="1">
            <name>Dublin Core</name>
            <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
            <elementContainer>
              <element elementId="50">
                <name>Title</name>
                <description>A name given to the resource</description>
                <elementTextContainer>
                  <elementText elementTextId="24733">
                    <text>Woodcut on title-page portraying Man reading a book under a tree; 8 birds flying over 2 hills in the background </text>
                  </elementText>
                </elementTextContainer>
              </element>
            </elementContainer>
          </elementSet>
        </elementSetContainer>
      </file>
      <file fileId="2018" order="2">
        <src>https://scottishchapbooks.lib.uoguelph.ca/files/original/e31572ae8a1f0c085be204e524c1bf44.jpg</src>
        <authentication>d565545857c37957ac4221f624b923a6</authentication>
      </file>
      <file fileId="2175" order="3">
        <src>https://scottishchapbooks.lib.uoguelph.ca/files/original/244a83b5dbd9fc67146e94c1e7cf5d8a.jpg</src>
        <authentication>e08cb7a2b10242a780371312e3308190</authentication>
      </file>
      <file fileId="2176" order="4">
        <src>https://scottishchapbooks.lib.uoguelph.ca/files/original/bee1392c96bcf4f2ffee65e702c91e05.jpg</src>
        <authentication>91f9d2750b6950f670176bc0dd59e952</authentication>
      </file>
      <file fileId="2177" order="5">
        <src>https://scottishchapbooks.lib.uoguelph.ca/files/original/65d9ab079e109f21474fe6e33fa5b49b.jpg</src>
        <authentication>440d6870feb9e06ea30258f52859eb83</authentication>
      </file>
      <file fileId="2178" order="6">
        <src>https://scottishchapbooks.lib.uoguelph.ca/files/original/3ed674d56c4b5f0c63bfd277beec33b0.jpg</src>
        <authentication>0e26483be15a46f5f406a40d5c61cd54</authentication>
      </file>
      <file fileId="2179" order="7">
        <src>https://scottishchapbooks.lib.uoguelph.ca/files/original/23c9d561c2402bbbeb49fb452bee7388.jpg</src>
        <authentication>d476c4832092fe03ae34d6d48945c4af</authentication>
      </file>
      <file fileId="2180" order="8">
        <src>https://scottishchapbooks.lib.uoguelph.ca/files/original/9a9f6aaf25c3478a5a7ddc44b82372c2.jpg</src>
        <authentication>2dbe5477716de4ce9f90c5afb1e1d8fc</authentication>
      </file>
      <file fileId="2181" order="9">
        <src>https://scottishchapbooks.lib.uoguelph.ca/files/original/be19ed9786c97abe92a51c4aa39499b6.jpg</src>
        <authentication>3d3b32b7e6222c097fdf28c245cbaaec</authentication>
      </file>
      <file fileId="2182" order="10">
        <src>https://scottishchapbooks.lib.uoguelph.ca/files/original/51436a7063d5bdb359eb816a412d6b5a.jpg</src>
        <authentication>5a2cf3024ade311fb35ce5f5ec74285a</authentication>
      </file>
      <file fileId="2183" order="11">
        <src>https://scottishchapbooks.lib.uoguelph.ca/files/original/f0fde5157883555e5750ca5591bf2777.jpg</src>
        <authentication>faae49e98924241b32ba04e8f053fa28</authentication>
      </file>
      <file fileId="2184" order="12">
        <src>https://scottishchapbooks.lib.uoguelph.ca/files/original/3f164775c3d8be306784d6dc8fb6b006.jpg</src>
        <authentication>f2ce922550fd8841366d08e0c275e3f4</authentication>
      </file>
      <file fileId="2185" order="13">
        <src>https://scottishchapbooks.lib.uoguelph.ca/files/original/728a579ffe02f750b667f7bd9c6647cd.jpg</src>
        <authentication>6eee33aaaf3aee46aaf84beeb6820237</authentication>
      </file>
      <file fileId="2186" order="14">
        <src>https://scottishchapbooks.lib.uoguelph.ca/files/original/026539c450b4d7b7db1b1a766cc975d4.jpg</src>
        <authentication>343d8af06bc87b05153c66d61918fd31</authentication>
      </file>
      <file fileId="2187" order="15">
        <src>https://scottishchapbooks.lib.uoguelph.ca/files/original/44fa9916a198513492c913238f5a0914.jpg</src>
        <authentication>ce14393bd2dfe25343192b3e2c8f2729</authentication>
      </file>
      <file fileId="2188" order="16">
        <src>https://scottishchapbooks.lib.uoguelph.ca/files/original/1699a25af826d089ed4f73e316e3a871.jpg</src>
        <authentication>ac2ab055e3ea84b003dce8fe820bcd81</authentication>
      </file>
      <file fileId="2189" order="17">
        <src>https://scottishchapbooks.lib.uoguelph.ca/files/original/97f03b802848c7fac16e3dc350fee2a9.jpg</src>
        <authentication>6bad492eab31084ef1c7d1f2e5764520</authentication>
      </file>
      <file fileId="2467" order="18">
        <src>https://scottishchapbooks.lib.uoguelph.ca/files/original/1368700e77cd279e69a1f3e66e2275d3.jpg</src>
        <authentication>4c2461868a5c3603b08148695a0e2bfe</authentication>
      </file>
      <file fileId="2468" order="19">
        <src>https://scottishchapbooks.lib.uoguelph.ca/files/original/46713e73a28de2930a5784b8eecb6fd0.jpg</src>
        <authentication>a6910ff683a7a9ad8449b379d59fdd5e</authentication>
      </file>
      <file fileId="2469" order="20">
        <src>https://scottishchapbooks.lib.uoguelph.ca/files/original/b76dd006bdad2f47d367995b5d126581.jpg</src>
        <authentication>ae60057d7d3a9dd3be5d5042e5ec48ed</authentication>
      </file>
      <file fileId="2470" order="21">
        <src>https://scottishchapbooks.lib.uoguelph.ca/files/original/8d7930b6bea043633383a8db1ba55792.jpg</src>
        <authentication>9bae52d0dcd1ebcb87d45f38e660692d</authentication>
      </file>
      <file fileId="2471" order="22">
        <src>https://scottishchapbooks.lib.uoguelph.ca/files/original/1efdbe5900d400c45c25819c32fd6482.jpg</src>
        <authentication>7d14fc8f7c34fdf388740e097bfc0b5d</authentication>
      </file>
      <file fileId="2019" order="23">
        <src>https://scottishchapbooks.lib.uoguelph.ca/files/original/e19d34e98f063854afbe314d38fb966a.pdf</src>
        <authentication>1f10db4b50644a88230f13563dde13b8</authentication>
      </file>
    </fileContainer>
    <collection collectionId="19">
      <elementSetContainer>
        <elementSet elementSetId="1">
          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="26424">
                  <text>Woodcut 012_a: Title-page illustration in a single ruled rectangular border of a man reading a book under a tree with a flock of birds flying over the hills in the background.</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="22577">
                <text>The Royal Alphabet : or, Child's Guide in the Road to Learning</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="22579">
                <text>ca. 1815</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="78">
            <name>Extent</name>
            <description>The size or duration of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="22580">
                <text>16 pages : woodcut illustrations </text>
              </elementText>
              <elementText elementTextId="24694">
                <text>10 cm</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="22581">
                <text>&lt;a href="https://ocul-gue.primo.exlibrisgroup.com/permalink/01OCUL_GUE/mrqn4e/alma9951097813505154"&gt;s0037Ab009&lt;/a&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="22582">
                <text>Incomplete. 4 pages missing</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="22583">
                <text>Chapbooks - Scotland - Edinburgh</text>
              </elementText>
              <elementText elementTextId="26272">
                <text>alphabet books</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="37">
            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="22585">
                <text>Archival and Special Collections, University of Guelph Library, Guelph, Ontario, Canada</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="22587">
                <text>In the public domain; For high quality reproductions, contact Archival &amp; Special Collections, University of Guelph. libaspc@uoguelph.ca, 519-824-4120, Ext. 53413</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="52">
            <name>Alternative Title</name>
            <description>An alternative name for the resource. The distinction between titles and alternative titles is application-specific.</description>
            <elementTextContainer>
              <elementText elementTextId="24693">
                <text>Child's guide in the road to learning</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="24695">
                <text>JPEGs and PDF derived from master file, which was scanned from the original book in 24-bit color at 600 dpi in TIFF format using an Epson Expression 10000XL scanner.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="24696">
                <text>Edinburgh : G. Ross</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="26290">
                <text>Archival &amp; Special Collections, University of Guelph Library, Guelph, Ontario</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="26710">
                <text>children's instruction book</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
    <tagContainer>
      <tag tagId="208">
        <name># of Woodcuts: 28</name>
      </tag>
      <tag tagId="130">
        <name>Activity: reading</name>
      </tag>
      <tag tagId="282">
        <name>Animal: bird(s)</name>
      </tag>
      <tag tagId="103">
        <name>Bib Context: title-page</name>
      </tag>
      <tag tagId="210">
        <name>Chapbook Date:  1811-1820</name>
      </tag>
      <tag tagId="209">
        <name>Chapbook Genre: alphabet book</name>
      </tag>
      <tag tagId="211">
        <name>Chapbook Publisher -  Edinburgh : G. Ross</name>
      </tag>
      <tag tagId="408">
        <name>Fashion (Clothing): bonnet</name>
      </tag>
      <tag tagId="417">
        <name>Fashion (Clothing): breeches</name>
      </tag>
      <tag tagId="421">
        <name>Fashion (Clothing): coat</name>
      </tag>
      <tag tagId="410">
        <name>Fashion (Clothing): jacket</name>
      </tag>
      <tag tagId="409">
        <name>Fashion (Clothing): pants</name>
      </tag>
      <tag tagId="330">
        <name>Fashion (Clothing): upper class</name>
      </tag>
      <tag tagId="91">
        <name>Gender: man/men</name>
      </tag>
      <tag tagId="158">
        <name>Nature: hill(s)</name>
      </tag>
      <tag tagId="144">
        <name>Nature: tree(s)</name>
      </tag>
      <tag tagId="96">
        <name>Object: book(s)</name>
      </tag>
      <tag tagId="102">
        <name>Outdoor Scene</name>
      </tag>
    </tagContainer>
  </item>
  <item itemId="1075" public="1" featured="0">
    <fileContainer>
      <file fileId="3154" order="1">
        <src>https://scottishchapbooks.lib.uoguelph.ca/files/original/e416657ac5160d531b34a2353d7b7112.pdf</src>
        <authentication>1603fd82e45e80912c4425cd5578840f</authentication>
      </file>
      <file fileId="4554">
        <src>https://scottishchapbooks.lib.uoguelph.ca/files/original/34bf8062423ac0ad38dd8f7a10e45b83.jpg</src>
        <authentication>a1f4d3bfdc5df3adad31afd0f32a3018</authentication>
        <elementSetContainer>
          <elementSet elementSetId="1">
            <name>Dublin Core</name>
            <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
            <elementContainer>
              <element elementId="50">
                <name>Title</name>
                <description>A name given to the resource</description>
                <elementTextContainer>
                  <elementText elementTextId="24736">
                    <text>Woodcut on title-page portraying man wearing a top hat with arm linked to  a woman holding a parasol; building, wall, and trees in background (blue tint)</text>
                  </elementText>
                </elementTextContainer>
              </element>
            </elementContainer>
          </elementSet>
        </elementSetContainer>
      </file>
      <file fileId="4555">
        <src>https://scottishchapbooks.lib.uoguelph.ca/files/original/5bed0fd92c9419868fdfae1c0deb0975.jpg</src>
        <authentication>451b97227edbb603340ece26eb4ec995</authentication>
        <elementSetContainer>
          <elementSet elementSetId="1">
            <name>Dublin Core</name>
            <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
            <elementContainer>
              <element elementId="50">
                <name>Title</name>
                <description>A name given to the resource</description>
                <elementTextContainer>
                  <elementText elementTextId="25379">
                    <text>Woodcut portrays an older man with a hat, pointy nose and chin, a hunched back outside a home and is holding canes; Circle frame</text>
                  </elementText>
                </elementTextContainer>
              </element>
            </elementContainer>
          </elementSet>
        </elementSetContainer>
      </file>
      <file fileId="4556">
        <src>https://scottishchapbooks.lib.uoguelph.ca/files/original/e8378d32e0dc06b997c85958a179aabd.jpg</src>
        <authentication>1bb25abb34bfec8d155e450b86a5ee13</authentication>
        <elementSetContainer>
          <elementSet elementSetId="1">
            <name>Dublin Core</name>
            <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
            <elementContainer>
              <element elementId="50">
                <name>Title</name>
                <description>A name given to the resource</description>
                <elementTextContainer>
                  <elementText elementTextId="25378">
                    <text>Woodcut portrays a sunset/sunrise coming over hills/mountain, a cottage is set near a body of water; circle frame</text>
                  </elementText>
                </elementTextContainer>
              </element>
            </elementContainer>
          </elementSet>
        </elementSetContainer>
      </file>
      <file fileId="4557">
        <src>https://scottishchapbooks.lib.uoguelph.ca/files/original/68f8193a14adb7fbaf6c97a10d11240d.jpg</src>
        <authentication>b1466f1f69c6cf098c21d3b0d2002515</authentication>
      </file>
      <file fileId="4558">
        <src>https://scottishchapbooks.lib.uoguelph.ca/files/original/b3127030ff397bed2334b60cb60fc13e.jpg</src>
        <authentication>e83df6b9b7482a0c53f71a24a262dbc8</authentication>
        <elementSetContainer>
          <elementSet elementSetId="1">
            <name>Dublin Core</name>
            <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
            <elementContainer>
              <element elementId="50">
                <name>Title</name>
                <description>A name given to the resource</description>
                <elementTextContainer>
                  <elementText elementTextId="25377">
                    <text>Woodcut portrays a bird nest with four baby birds with mouths open</text>
                  </elementText>
                </elementTextContainer>
              </element>
            </elementContainer>
          </elementSet>
        </elementSetContainer>
      </file>
      <file fileId="4559">
        <src>https://scottishchapbooks.lib.uoguelph.ca/files/original/06776d3cdd4caa7ca9ecfa68ca282a6e.jpg</src>
        <authentication>a4874b8358793d548eb0f6702e4e9193</authentication>
        <elementSetContainer>
          <elementSet elementSetId="1">
            <name>Dublin Core</name>
            <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
            <elementContainer>
              <element elementId="50">
                <name>Title</name>
                <description>A name given to the resource</description>
                <elementTextContainer>
                  <elementText elementTextId="25376">
                    <text>Woodcut on title-page portraying bird perched on a tree branch</text>
                  </elementText>
                </elementTextContainer>
              </element>
            </elementContainer>
          </elementSet>
        </elementSetContainer>
      </file>
      <file fileId="4560">
        <src>https://scottishchapbooks.lib.uoguelph.ca/files/original/c8252325f701abda3a0e6d57db0f5def.jpg</src>
        <authentication>e885565eded9382ef5ce30a7c91d4258</authentication>
        <elementSetContainer>
          <elementSet elementSetId="1">
            <name>Dublin Core</name>
            <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
            <elementContainer>
              <element elementId="50">
                <name>Title</name>
                <description>A name given to the resource</description>
                <elementTextContainer>
                  <elementText elementTextId="25375">
                    <text>Woodcut portrays an outdoor scene; older man with bent knees, hunched back, pointy nose and chin holding a cane is talking to a young man with a top hat</text>
                  </elementText>
                </elementTextContainer>
              </element>
            </elementContainer>
          </elementSet>
        </elementSetContainer>
      </file>
      <file fileId="4561">
        <src>https://scottishchapbooks.lib.uoguelph.ca/files/original/0168533bccca897e0f69ad361dae4718.jpg</src>
        <authentication>e8f314eb59261fcb48d9674be83a98ba</authentication>
        <elementSetContainer>
          <elementSet elementSetId="1">
            <name>Dublin Core</name>
            <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
            <elementContainer>
              <element elementId="50">
                <name>Title</name>
                <description>A name given to the resource</description>
                <elementTextContainer>
                  <elementText elementTextId="25374">
                    <text>Woodcut portrays an indoor scene where four children are interacting with various mathematical and geographical tools such as a globe</text>
                  </elementText>
                </elementTextContainer>
              </element>
            </elementContainer>
          </elementSet>
        </elementSetContainer>
      </file>
      <file fileId="4562">
        <src>https://scottishchapbooks.lib.uoguelph.ca/files/original/756aea18d1c6dcbd21787e0430276e8b.jpg</src>
        <authentication>7d260520b07a9a2ee30fdc0a52f99b38</authentication>
        <elementSetContainer>
          <elementSet elementSetId="1">
            <name>Dublin Core</name>
            <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
            <elementContainer>
              <element elementId="50">
                <name>Title</name>
                <description>A name given to the resource</description>
                <elementTextContainer>
                  <elementText elementTextId="25373">
                    <text>Woodcut portrays an indoor scene where a man is sitting on a chair reading to a young child who is sitting on his lap. The room has a window with sun shining through, and a table in front of the two figures. </text>
                  </elementText>
                </elementTextContainer>
              </element>
            </elementContainer>
          </elementSet>
        </elementSetContainer>
      </file>
      <file fileId="4563">
        <src>https://scottishchapbooks.lib.uoguelph.ca/files/original/d3ab0a8ce48392ea013cfb7c440327ff.jpg</src>
        <authentication>bee10bf8ecaf7cb50d894aa3dd393ca8</authentication>
        <elementSetContainer>
          <elementSet elementSetId="1">
            <name>Dublin Core</name>
            <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
            <elementContainer>
              <element elementId="50">
                <name>Title</name>
                <description>A name given to the resource</description>
                <elementTextContainer>
                  <elementText elementTextId="25372">
                    <text>Woodcut portrays a man sowing seed by hand </text>
                  </elementText>
                </elementTextContainer>
              </element>
            </elementContainer>
          </elementSet>
        </elementSetContainer>
      </file>
      <file fileId="4564">
        <src>https://scottishchapbooks.lib.uoguelph.ca/files/original/80bf2b4efacf16a39e933f218241ceda.jpg</src>
        <authentication>b12613654c877ae7f0756ba3cc8f3a4f</authentication>
        <elementSetContainer>
          <elementSet elementSetId="1">
            <name>Dublin Core</name>
            <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
            <elementContainer>
              <element elementId="50">
                <name>Title</name>
                <description>A name given to the resource</description>
                <elementTextContainer>
                  <elementText elementTextId="25371">
                    <text>Woodcut portrays a woman grabbing wheat from ground; text explains it is a woman gathering corn that was dropped by the reaper</text>
                  </elementText>
                </elementTextContainer>
              </element>
            </elementContainer>
          </elementSet>
        </elementSetContainer>
      </file>
      <file fileId="4565">
        <src>https://scottishchapbooks.lib.uoguelph.ca/files/original/50f606850888ebc1ae4e3743ee910154.jpg</src>
        <authentication>9c9751eae60c625c04b22710d66eb7e6</authentication>
        <elementSetContainer>
          <elementSet elementSetId="1">
            <name>Dublin Core</name>
            <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
            <elementContainer>
              <element elementId="50">
                <name>Title</name>
                <description>A name given to the resource</description>
                <elementTextContainer>
                  <elementText elementTextId="25370">
                    <text>Woodcut portrays a beehive sitting on a bench with flora around it; Bees are flying around hive.</text>
                  </elementText>
                </elementTextContainer>
              </element>
            </elementContainer>
          </elementSet>
        </elementSetContainer>
      </file>
      <file fileId="4566">
        <src>https://scottishchapbooks.lib.uoguelph.ca/files/original/be0267adaa14769d1b18f60343b7dc1f.jpg</src>
        <authentication>3dd3b0cf37410f1ec14ec26891f44115</authentication>
        <elementSetContainer>
          <elementSet elementSetId="1">
            <name>Dublin Core</name>
            <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
            <elementContainer>
              <element elementId="50">
                <name>Title</name>
                <description>A name given to the resource</description>
                <elementTextContainer>
                  <elementText elementTextId="25369">
                    <text>Woodcut portrays a still life of a flower arrangement in vase</text>
                  </elementText>
                </elementTextContainer>
              </element>
            </elementContainer>
          </elementSet>
        </elementSetContainer>
      </file>
      <file fileId="4567">
        <src>https://scottishchapbooks.lib.uoguelph.ca/files/original/9eda0705133f2296e6efade781b8719f.jpg</src>
        <authentication>50db14e0e8f5979bef650efd3cbcfd1d</authentication>
        <elementSetContainer>
          <elementSet elementSetId="1">
            <name>Dublin Core</name>
            <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
            <elementContainer>
              <element elementId="50">
                <name>Title</name>
                <description>A name given to the resource</description>
                <elementTextContainer>
                  <elementText elementTextId="25368">
                    <text>Woodcut portrays an indoor scene of a woman sitting on a chair with hands reaching out to a baby in a bassinet</text>
                  </elementText>
                </elementTextContainer>
              </element>
            </elementContainer>
          </elementSet>
        </elementSetContainer>
      </file>
      <file fileId="4568">
        <src>https://scottishchapbooks.lib.uoguelph.ca/files/original/0b00812e00e5258551a121ed9a4a4312.jpg</src>
        <authentication>81dea15e6f6c9c05be641440f6dc53ca</authentication>
      </file>
      <file fileId="4569">
        <src>https://scottishchapbooks.lib.uoguelph.ca/files/original/f0c13f94226ff815fc140b894baaf1c4.jpg</src>
        <authentication>a69c9f4df65b4ce63f8d9372c70d7c35</authentication>
        <elementSetContainer>
          <elementSet elementSetId="1">
            <name>Dublin Core</name>
            <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
            <elementContainer>
              <element elementId="50">
                <name>Title</name>
                <description>A name given to the resource</description>
                <elementTextContainer>
                  <elementText elementTextId="25367">
                    <text>Woodcut portrays a young woman who is downcast/sad, her elbow rests on a table and her face rests on her hand, a large vessel is also on the table; on blue paper</text>
                  </elementText>
                </elementTextContainer>
              </element>
            </elementContainer>
          </elementSet>
        </elementSetContainer>
      </file>
    </fileContainer>
    <collection collectionId="20">
      <elementSetContainer>
        <elementSet elementSetId="1">
          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="26425">
                  <text>Woodcut 015_a: Title-page illustration in single ruled octangular border of a well dressed man with his arm linked to a well dressed woman who is holding a parasol They are standing in front of a building. Printed on blue paper.</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="22549">
                <text>Familiar Objects Described </text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="37">
            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="22552">
                <text>Archival and Special Collections, University of Guelph Library, Guelph, Ontario, Canada</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="22554">
                <text>In the public domain; For high quality reproductions, contact Archival &amp; Special Collections, University of Guelph. libaspc@uoguelph.ca, 519-824-4120, Ext. 53413</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="22919">
                <text>&lt;a href="https://ocul-gue.primo.exlibrisgroup.com/permalink/01OCUL_GUE/mrqn4e/alma9951097683505154"&gt;s0037Ab006&lt;/a&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="78">
            <name>Extent</name>
            <description>The size or duration of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="22921">
                <text>16 pages</text>
              </elementText>
              <elementText elementTextId="24646">
                <text>10 cm</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="24644">
                <text>JPEGs and PDF derived from master file, which was scanned from the original book in 24-bit color at 600 dpi in TIFF format using an Epson Expression 10000XL scanner.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="24645">
                <text>ca.1830</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="26187">
                <text>Chapbooks - Scotland - Edinburgh</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="26188">
                <text>Archival &amp; Special Collections, University of Guelph Library, Guelph, Ontario</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="26713">
                <text>Edinburgh: Oliver and Boyd</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="26714">
                <text>children's instruction book</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
    <tagContainer>
      <tag tagId="212">
        <name>Architecture: fence</name>
      </tag>
      <tag tagId="98">
        <name>Architecture: house</name>
      </tag>
      <tag tagId="103">
        <name>Bib Context: title-page</name>
      </tag>
      <tag tagId="109">
        <name>Chapbook Date: 1821-1830</name>
      </tag>
      <tag tagId="131">
        <name>Chapbook Genre: children's instruction book</name>
      </tag>
      <tag tagId="128">
        <name>Chapbook Publisher - Edinburgh: Oliver &amp; Boyd</name>
      </tag>
      <tag tagId="408">
        <name>Fashion (Clothing): bonnet</name>
      </tag>
      <tag tagId="366">
        <name>Fashion (Clothing): bonnet (women)</name>
      </tag>
      <tag tagId="417">
        <name>Fashion (Clothing): breeches</name>
      </tag>
      <tag tagId="419">
        <name>Fashion (Clothing): cape</name>
      </tag>
      <tag tagId="421">
        <name>Fashion (Clothing): coat</name>
      </tag>
      <tag tagId="413">
        <name>Fashion (Clothing): dress</name>
      </tag>
      <tag tagId="410">
        <name>Fashion (Clothing): jacket</name>
      </tag>
      <tag tagId="409">
        <name>Fashion (Clothing): pants</name>
      </tag>
      <tag tagId="412">
        <name>Fashion (Clothing): scarves</name>
      </tag>
      <tag tagId="340">
        <name>Fashion (Clothing): top hat</name>
      </tag>
      <tag tagId="330">
        <name>Fashion (Clothing): upper class</name>
      </tag>
      <tag tagId="411">
        <name>Fashion (Clothing): waist coat</name>
      </tag>
      <tag tagId="91">
        <name>Gender: man/men</name>
      </tag>
      <tag tagId="120">
        <name>Gender: woman/women</name>
      </tag>
      <tag tagId="144">
        <name>Nature: tree(s)</name>
      </tag>
      <tag tagId="329">
        <name>Object: umbrella(s)</name>
      </tag>
      <tag tagId="102">
        <name>Outdoor Scene</name>
      </tag>
    </tagContainer>
  </item>
  <item itemId="1064" public="1" featured="0">
    <fileContainer>
      <file fileId="1991" order="1">
        <src>https://scottishchapbooks.lib.uoguelph.ca/files/original/2d13b74560b7910c2354948fe6d4203c.jpg</src>
        <authentication>e5b1c1760c7ef9a8f73f6ad1c71c4535</authentication>
        <elementSetContainer>
          <elementSet elementSetId="1">
            <name>Dublin Core</name>
            <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
            <elementContainer>
              <element elementId="50">
                <name>Title</name>
                <description>A name given to the resource</description>
                <elementTextContainer>
                  <elementText elementTextId="24742">
                    <text>Woodcut on title-page portraying man holding a bird holding up three fingers; 3 trees, and a bird in sky in background</text>
                  </elementText>
                </elementTextContainer>
              </element>
            </elementContainer>
          </elementSet>
        </elementSetContainer>
      </file>
      <file fileId="1992" order="2">
        <src>https://scottishchapbooks.lib.uoguelph.ca/files/original/c6cc288e7f3c437fb4d710ba1866ea9a.pdf</src>
        <authentication>934aa3cb4cc25fe56211a8c54bf15ea4</authentication>
        <elementSetContainer>
          <elementSet elementSetId="7">
            <name>PDF Text</name>
            <description/>
            <elementContainer>
              <element elementId="119">
                <name>Text</name>
                <description/>
                <elementTextContainer>
                  <elementText elementTextId="22241">
                    <text>A Collection of

POPULAR SONGS
VIZ.

Peggy wi' the gowdeaa hair.
Love's like a dizziness,
The weary pund o' tow,
The sailor's courtship,
AND

9

Braw lads o G alia water.

EDINBURGH.
PRINTED EOR THE BO0KSELLE»S»

�£

PEGGY W

i H E G O W D E N HAIR.

Ye roses, fa* at my love's feet*
Ye luies bend your heads and dee!
Your bom&gt;y beauties4 lang sae sweet.
Are now for erer lost on m e ;
For iho' ye sweetly bud and blaw,
To bufck the valley blooming fair*
There's ae sweet flrw r excels ye a',
Young Peggy wix the gowden hair.
I sigh at e'en, I sigh at a?orn,
Kae peace hae within my breast,
1 dander o'er the fields forlorn
To mu«c on her wham I lo'e best;
Sweet, sweeet she smiles, she%i kind and leal,
There*s nane like fter amang fhe fair,
Ht bonny glane* h lovers saft seal
Young Peggy wi' the gowden hair.
Blaw, blaw. ye w «ds, your nipping cauld
Wi' cia »eucr. cieeiis baith hill and shaw;
Your blasts i scorn—i,ve glow
hauld
F r her wha^s at own my heart awa.
v
Ye P wc's wha watch wi tehiie
Auy blessings on m bouies skahy
0 grant ae matchless boon to me,
Sweet Peggy wi' the gowdea hair.

�3

LOVE'S L I K E A DIZZINESS*
Tune— Paddy's Wedding.
I lately liv'd in quiet ease.
An' never wish'd to marry, O ;
But when I saw my Peggy*s fac»,
I felt a sad quandary 6 .
Thox wild as ony \thole deer,
She has trapan'd me fa?rly, O ?
Her cherry t reeks, anct eep sse cleat
Harass me late an' early? O,
O love, love, laddie,
Love x s like a dizziness,
It winaa let a puir ^ody
Gang about his business.
T o tell ray feats this single week
Wad make a curious dia;y, O i
I drave my cart agai ist a d \ k e ,
My h&amp;rsss in £ miry O :
I wear ray stockings whit:? an' blue,
M) love'fcr sas fierce art fi rv O,
I dr 11 t ie l i d that f sjoui p.ow,
An' p^ow the di lis entirely, O.
J L f - Sec
Soon as the dawn had brought the day,
I we it to thtek the stable, O ,

�4
I coost my coat, and vly\i away
As fast as I was able Q.
1 wrought n* morning ia and out
« A s I'd b/ err i euding fire, O ;
When 1 had done, and looked about,
Gnde faith it was the byre, O.
O love, &amp;c.
- "
. f , '; v* : a
Her wily glance I'll ne'er forget,
The dear, the lovely blinkinN 6%
Mas pierc'd me thro' and thro' thfe heart,
And plagues me wi' the prinklin' o't.
1 try*d to sing, L tryxd to pray,
I tryvd to drown't.wi' diinkin' o't;
I try'd wi' toil to driv't away,
But ne'e? car&gt; sleep for thinkmx ovt»
O love, &amp;c
Were Peggy's love to hire the job.
Jin' save my heart fr^e breakin' O,
I'd put a girdle round the globe,
Or dive in Corryvrekin* O
Or howk a grave at midnvgbt dark
In yonder vault sae eerie O :
Or gang av»' spier for M u ^ o Park,
ThroN Vfiica sae dreary, O.
O love &amp;c.
Ye little ken what pains I prove,
Or how severe my plisky, O,
I swear INm a-iirer drunk wiN love
Tfia e'er I was wix whisky, O.
For love has r^kvt me fore and aft,
I scarce can lift a leggy, 0 :
O love, &amp;c.

�5
I first grew dizzy then gaed daft,
An* now T'lldee for Peggy, O.
.'•:!...• 1 HTjfOIJ c^iU JI^'2 v m

T H E WE A ll y P U N D O* TO W,
The weary pun&lt;J, the weary pund,
The weary pund o' tow ;
I think my wife will ead her life
Before she spin her tow.
I bought my wife a stane o* lint,
as good as e'er did grow,
And a* that . he has made o* that
Is ae puir pund o* tow.
There sat a bottle in a nook
Ayonr. the ingle low
And ay she took the itber souk
to drouk the stourie tow.
Quoth
for shame, ye dirty dame,
Gae spin your tap o' tow ;
She took the rock, and wP a knock,
She brak it o'er my pow.
At last her feet, ( I sang to ses't)
Gaec-: foremost o'er a kr&gt;owe ;
And ere I wed another jade,
111 wallop in a frv

�\

T H E SAILOR'S COURTSHIP.
4*

It happened on a morning clear,
as dow 1 th e quay 1 walkedv
1
I chanced to meet a maiden fair.
who witfi her father talked,
Said lres your love is come on shore,
The only man you do adore,
Your folly now you must, give o'er,
Don't wed that tarry sailor.
O father dsir. do rot us part,
or strive to seperate ps,
For if you oo 'twill break my heart,
great grief it will create us;
Hi* love to me is m o i secure,
Autl mine to him Jnili firna endure,
Bcu h me life yr death I'm sure.
I'll wea
other ai?or.
Up comes young Jack as brisk's a bee&gt;
ano saying, my d e a ^ t Nancy,
Now I am safe i.tur vd to thee,
my heart'&amp; . tlight,»n'i fancy,;
I've beesi where ster^uy winds do blow,
Ana eften fae'd the deaily fo&lt;?.»
will )ou have me, yea or no,
Aim wsjft poor Jack the sailor?
Two hunared poands 5eft by her auat,
three hundred more I'd give her,

�9

7
But if she marry without consent
a farthing T wont leave her,
Besides to marry she'* too young,
A id sailors have a flattering tongue,
So from my presence quick begone,
II you wed that tariy jailor.
Says Jnck, I don't regard that sum,
my dear* I've gold in plenty;
Believe me; Sir, I dp not c o s e ,
to court with pockets empty {
Fiv hundred guineas in bright gold,
Upon the table there be told,
And stfept them in her aproMold,
Take that and Jack your sa.lor. ,
Her father seeing his honest heart,
that he behaved so e'ever;
Fa!d, " 'Tis a pity you to uarr,
and I'll not do it ever:
As yon so freely gave-your store,
And you each other do adore.
Now take ler Jack, here's as much mjre,
For you a clever sailoi
Now messmates we've got safe to port,
foi I aan sweetly married
I hope my lads we'll h ,ve same sport,
and crown the day with chret :
My frigate she is rigged tight,
With ilks aud rings most gay and bright
I'll swear my la ,s to bjard to night,
and prove myself a sailor.

�8

B R AW L A D S &amp; G A L L A W A T E R ,
B r aw, braw lads on Yarrow bra i s ,
Ye wander thro* the blooming heather;
But Yarrow braes, nor Etrick sftkwg,
Can match the lads o\ GaJla-wafer,
?
But there is ane a certain ane&gt;
Aboon them a ' I lo'e him better^
An' I'll be his. an' he'll
T h s bonny lad o 4 Galla-^ate"'-4*
r.
• ! 'J t

' . : . '.

Although hit daddy was nae laird,
An' though H i a e nae mefhle tocher,
Yet rich in kindest truest love
We'll tent our flocks by GalLi-water.
Itgne'er was wealth,at ne'er was wealth,
That coft contentment, peace or pleasure ;
The bands and bliss o'j mutual lovb:
O that's the wat Id's chiefest treasure.

• FINIS.
' :
; atiu iti
-c
^ll-tHgf pSUi}8 '4V.f5
ikt.l V
; S At. iO i w . '
iiwurj ti&lt;
3
• ..
i - ilk
U
? t « i v $ : $ .rrr
h w i?aljr
&lt;n £!
ti ji
si Vii''s

�</text>
                  </elementText>
                </elementTextContainer>
              </element>
            </elementContainer>
          </elementSet>
        </elementSetContainer>
      </file>
    </fileContainer>
    <collection collectionId="24">
      <elementSetContainer>
        <elementSet elementSetId="1">
          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="26429">
                  <text>Woodcut 019: Title-page illustration in double ruled square border of Christ holding up three fingers representing the Trinity. Outdoor scene depicting trees and a bird.</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="22229">
                <text>A collection of popular songs. viz. Peggy wi' the gowden hair, Love's like a dizziness, The weary pund o' tow, The sailor's courtship, and Braw lads o' Galla water.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="52">
            <name>Alternative Title</name>
            <description>An alternative name for the resource. The distinction between titles and alternative titles is application-specific.</description>
            <elementTextContainer>
              <elementText elementTextId="22230">
                <text>Peggy wi' the gowden hair</text>
              </elementText>
              <elementText elementTextId="22231">
                <text>Love's like a dizziness</text>
              </elementText>
              <elementText elementTextId="22232">
                <text>The weary pund o' tow</text>
              </elementText>
              <elementText elementTextId="22233">
                <text>The sailor's courtship</text>
              </elementText>
              <elementText elementTextId="22234">
                <text>Braw lads o' Galla water</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="78">
            <name>Extent</name>
            <description>The size or duration of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="22236">
                <text>8 pages</text>
              </elementText>
              <elementText elementTextId="24669">
                <text>16 cm</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="22237">
                <text>&lt;a href="https://ocul-gue.primo.exlibrisgroup.com/permalink/01OCUL_GUE/mrqn4e/alma9935661173505154"&gt;s0598b23&lt;/a&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="37">
            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="22238">
                <text>Archival and Special Collections, University of Guelph Library, Guelph, Ontario, Canada</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="22240">
                <text>In the public domain; For high quality reproductions, contact Archival &amp; Special Collections, University of Guelph. libaspc@uoguelph.ca, 519-824-4120, Ext. 53413</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="24668">
                <text>JPEGs and PDF derived from master file, which was scanned from the original book in 24-bit color at 600 dpi in TIFF format using an Epson Expression 10000XL scanner.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="24712">
                <text>Edinburgh: Printed for the Bookseller</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="26196">
                <text>Chapbooks - Scotland - Edinburgh</text>
              </elementText>
              <elementText elementTextId="26197">
                <text>Ballads and songs</text>
              </elementText>
              <elementText elementTextId="26198">
                <text>Courtship and Marriage</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="26199">
                <text>Archival &amp; Special Collections, University of Guelph Library, Guelph, Ontario</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
    <tagContainer>
      <tag tagId="282">
        <name>Animal: bird(s)</name>
      </tag>
      <tag tagId="103">
        <name>Bib Context: title-page</name>
      </tag>
      <tag tagId="125">
        <name>Chapbook Genre: ballads &amp; songs</name>
      </tag>
      <tag tagId="185">
        <name>Chapbook Publisher - Edinburgh: Printed for the Booksellers</name>
      </tag>
      <tag tagId="91">
        <name>Gender: man/men</name>
      </tag>
      <tag tagId="144">
        <name>Nature: tree(s)</name>
      </tag>
      <tag tagId="102">
        <name>Outdoor Scene</name>
      </tag>
    </tagContainer>
  </item>
  <item itemId="1063" public="1" featured="0">
    <fileContainer>
      <file fileId="1989" order="1">
        <src>https://scottishchapbooks.lib.uoguelph.ca/files/original/db65924097fbe8f5fa9815d2b381b1a4.jpg</src>
        <authentication>015fc486fc7da3852ab672a0f741a714</authentication>
        <elementSetContainer>
          <elementSet elementSetId="1">
            <name>Dublin Core</name>
            <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
            <elementContainer>
              <element elementId="45">
                <name>Publisher</name>
                <description>An entity responsible for making the resource available</description>
                <elementTextContainer>
                  <elementText elementTextId="24707">
                    <text>Glasgow: Printed for the Booksellers</text>
                  </elementText>
                </elementTextContainer>
              </element>
              <element elementId="50">
                <name>Title</name>
                <description>A name given to the resource</description>
                <elementTextContainer>
                  <elementText elementTextId="24744">
                    <text>Woodcut on title-page portraying a man wearing a long coat and part of a broken hat (top of hat on ground) with ball in raised hand; winged angel in tree holding fruit?; house and trees in background </text>
                  </elementText>
                </elementTextContainer>
              </element>
            </elementContainer>
          </elementSet>
        </elementSetContainer>
      </file>
      <file fileId="1990" order="2">
        <src>https://scottishchapbooks.lib.uoguelph.ca/files/original/6a089a53bb85b5bbb86ae324fceb0382.pdf</src>
        <authentication>eeeab63c4404e28a80d44ec1c34f14d1</authentication>
        <elementSetContainer>
          <elementSet elementSetId="7">
            <name>PDF Text</name>
            <description/>
            <elementContainer>
              <element elementId="119">
                <name>Text</name>
                <description/>
                <elementTextContainer>
                  <elementText elementTextId="22228">
                    <text>LIFE AND DEATH

OR THE

L O S T

A N D

U N D O N E

GLASGOW
P R I N T E D FOR T H E

BOOKSELLERS,

�HHT
H T A a o

(i ^ k

a n u

3 H T HO

i T A O CI VL U

G J A

T8

0 J

i

W O 0 8 A J O

.anajjae/iooa

aiiT hoi

ciaTmai

�THE
&gt;

ii([ lohffll

LOST

• hffffH .&lt;*[.«m v f,vV j .

t'

UNDONE SON OF PERDITION.

IT is to be observed, that the Scrijjfciiro makes mention of three Judases ; the first is Judas Maccabeus *
the second Judas the son of Jo^fcph, the reputed
father of our Lord; and third, Judas Iscariot, thb
son of a Tanner, living in depute M Joppa, or Japho,
a beautiful sea-port on the west of Oanaail, about
thirty-four miles North ivest of Jertisal^ ftoni
i i was
as it stood o n h i l l amidst a
jfl&amp;ih. IT^rfi rvt^i :rrs(Mro&lt;!
li{V.%rj,t KcSWfo th* m ^ ^ s of PokS^UmP UP
* i i' • rt' rhf' Antichrist inn war of
.
ot Orasctdo^ Lewis of France, and C4odfrey of
Boulogne, and others, repaired and adorned it;
but in these unhappy times, what was one year a
beautiful city, was oft in the next a heap of ruins.
At present, and for ages past, it hath but a bad
harbour, and is remarkable for nothing biit ruinous
remains of antiquity. This1' Judas who betrayed
our Lord, was his mother's first child, who dream
ed that the child in her womb would prove both a
thief and a murderer, and bring her and her generation to shame and disgrace : which so terrified her,
that she was like to go distracted ; but her husband
strove) to pacify her, bidding "her leave it to God the

�4
wise disposer of all things, who may take it away in
its infancy or endue it with more grace than ever
to be guilty of such dishonourable actions.— This
somewhat quieted her, and she was soon after delivered of a lovely male child; but under his left
breast was the following curious marks viz. a cross,
a gallows, twp daggers, and several pieces of money :
this likewise terrified his mother, who concealed it
from her husband, determining, as soon as she was
able, to go to a magician and know the signification
of these surprising marks. The child being circumcised, and she purified, according to the old Jewish
custom, she dressed herself in disguise, put a veil on
her face, and taking with her a kinswoman, went to
the magician's, and being introduced to him, she related her dream, her fears and the marks ifpon her
son, desiring the interpretation of the dream, and
the signification of the marks.
The magician replied, I am no interpreter of
dreams, neither do I justly know the signification of
marks ; and the whole of your story appears as
strange to me, as it can be amazing to you ; but if
you can tell me when the child was born, I will calculate its nativity, and see what it pretends. He
then called for pen, ink, and paper, and sitting down,
calculated his nativity ; and when he had finished it,
he shook his head, and his countenance waxed pale ;
which being perceived by Judass mother, she said
unto him, do not deceive me, but tell me true, hide
nothing from me, whether it be good or evil.—Then,
said the magician, to your sorrow, I have seen the
rules of the planet that reigned predominant at your
son's birth, that he would prove a thief and a murderer, and what is worse, he will, for lucre, betray
the Lord of Life ; for which act he will afterwards
despair of mercy, lay violent hands on himself, and

�5
come to a shameful end.—These words pierced the
mother's heart, who wringing her hands, wished she
had never been born, rather than to have been the
mother of such an unhappy child; and asked the
magician what she could do to prevent the bringing
of shame or disgrace on her family ? He told her he
knew no way of prevention, but by laying violent
hands on it, which might be now easily done in its
infancy and in a manner so as not to be discovered.
To this she replied, that she would not for ten thousand worlds commit such an act of violence on her
son ; for if her husband had the least suspicion of it,
he was so fond of Judas, that he would never be reconciled to her any more ; yet for the sake of her
family, she would by some means or other prevent it
without destroying it; and then told the magician,
that if she had a small boat made like a shell, with
a cover to go down close that no water might get in,
and a little vent to let in air at the top, and room in
it to lie soft and easy, she might without danger send
him down the river Jordan, and so commit him
wholly to the protection of providence, which might
conduct him to some distant shore, into the hands
of some tender persons, and thereby preserve his
life ; and if he afterwards commits those base actions
the shame will fall on his own head, as no one will
know from whom he is descended. The magician
highly commended her for her invention, and said
he would procure such a boat for her ; and-she promising him a good reward for his assistance, returned home. After she was gone, the magician
sent for one Rot, a very cunning Artist, a Joiner bv
trade, who undertook to make the boat, drawing
out with his pencil, the form of it, carried it home
with him, wrought upon it in private, and having
soon finished it, brought it to the magician's house,

�6
who paid him largely for it, and sent a semnt to
the house of Simon, who told Judas's mother, that
the matter which his master and she spoke of was
now finished. She understanding him, went next
morning to the magician's house, viewed the boat,
and liked it well, saying it was very convenient for
the end intended, but seemed perplexed how she
should do it privately, and keep it from -discovery,
as death was the consequence thereof. Her kinswoman begged her to leave that -to her, and all
should be safe enough ; for we will feign the child
sick for a day or two, in the meantime we will make
some inquiry in the city for the dead body of some
poor male child which we will buy of its parents,
and have it privately brought to our house to be
buried ; in the meantime we wffl dispatch your son
to sea, and make him believe the other child to be
his, and that he died during his absence ; so having
it buried, the matter can never be brought to light.
The mother liked the contrivance, and going
home with a promise af a g^eat reward, and her
friendship lor life, she swore her servants to secrecy,
and then said she, we must- act in this manner.
When your master comes home at night, I shall
put on very dejected looks, and when he asks the
cause, I shall tell him that Judas is not well, and
that I am apprehensive of his death, which you
must all testify and confirm. She accordingly put
this scheme into practice at night, when flier husband did all he could to comfort her, telling her that
they were young, they might, be parents of many
children : and going up stairs to see the child, the
maid then pinched its neck till it was black in the
face, and thinking it in convulsions, gjave it over
'o death, As soon -as he was gone out in the
morning, the mother and kinswoman took the child

�and went to the magician's house, in order to put
the child to sea. They put on him many warm
and rich garments, with an upper coat of oil, that
no water might penetrate it; and the magician, on
a piece of parchment, wrote the following words:
MY NAME IS JUI)AS.
which his mother sewed round his neck and pu^
him into the boat, and shutdown the coyer. At
parting with the child the mother was almost distracted, wringing her hands and keeping bitterly,
but being comforted by the magician, and her kinswoman she was at last pacified, and desired to go
home, as she could not bear to see the child put into
the water, so she and her kinswoman departed home.
The magician then took the boat -and carried it
down to his own garden, at thp foot of which ran
the river Jordan, and putting it in where a strong
stream ran, it was soon carried out of sight.
The mother when she got Jiorne fainted away,
but was revived by being informed by her maidservant, that during her absence, they had almost
brought the matter to a close, having found a neighbour's male 6hild, who had died the day before, and
was just of the same.age as Judas, for whose body
they had given the parents a small sum of ;moneyf
and paid the expense of burying a coffin full of
bones, by way of a blind : and the only thing that
remained was to deceive her "husband, and get this
phyd buried under the sanction of Judas's body.
The father coming hon,ie at night, and finding
his wife in tears, soon guessed the dismal pause ;
and inquiring of the servants, they with dissembled
grief informed him, that jthe child died in the
morning soon after his departure.. The man was

�8
much affected with the loss of his child, and thinking to prevent his wife's grief by the sight of the
body he had it removed to a kinsman's house, and
in a day or two interred it from thence, supposing
it to be his son Judas.
By this time Providence had conducted Judas,
alive and well, unto the coast of Iscariot, a kingdom in Palestine, where Pheophilus the king often
used to recreate himself, in beholding the ships
pass and repass at sea. It happened that the very
day that Judas was cast on the coast, the king and
his nobles came on that diversion, and as they were
standing on the top of the rock, looking into the
sea, the king espied a little boat floating upon the
water, and thinking it to be a chest of some wrecked ship, he ordered a servant to put out a boat and
fetch it; which being done, and brought to the
king, he ordered it to be broken open; when to
their great surprise, they found a lovely babe, who
look'd up, and smiled in the king's face. Then
said the king to the child, icelcome as my own child ;
and expressed much joy in being providentially
sent to preserve the babe's life, and taking it up in
his arms, said if thou wert a child begat by me, I
could not esteem or value thee more. Then he
espied about its neck the aforementioned parchment, viz:
MY NAME IS JUDAS.
Well, said the king, as thy name is Judas, I will
now double name thee, and then called him Judas
Iscariot, because he found him near the coast of
that name. He was then brought to court, treated
as the king's own child, and at a proper age educated well, and at last became a man of learning and

�9
genius and behaved himself so wisely, that the king
made him his principal steward.
Judas being arrived at this rank, still coveted
greater, and remembering the queen one day said,
that if the prince, her son died, Judas should be
her heir, he therefore set about contriving to kill
him, accordingly he professed great love and friendship for him; and one day being walking together,
Judas took occasion to quarrel with the prince, and
maliciously slew him, thinking all would go well
with him if he was dead.
Behold the serpent, which the king
Long nourished in his breast,
Grown warm, strikes forth his baneful sting,
And robb'd him of his rest.
Though none accused him of the murder, yet his
conscience so stung him, that he so#n quitted the
kingdom, leaving all his pomp and finery behind
him, and changing his name, took upon him the
mean employ of a servant, wandering about from
place to place, until at length he arrived at Joppa,
the place of his nativity ; here he soon got a place
in a nobleman's family, where he behaved so well
as to gain the esteem of his lord and lady, and all
that knew him. One day it happened that as his
lady was walking abroad big with child, she longed
for some fruit, which she saw in Judas's father's
garden, bidding him go and buy her some. He
took the money, but was resolved to steal the fruit;
and going to the garden, broke down the fences,
which as he was doing his father came out, and
seized him for the robbery ; and Judas to extricate
himself from the hand of justice murdered his
father upon the spot, and immediately escaped to

�10
about ;

Theba, a city
Seventy-mi leagties
Here lie continued ftmr years, in which time the
noise of the murder b&amp;ing blown over, he returned
back again, and got another place in a nobleman's
family, where he lived sometime, till hi£ own mother
accidentally seeing him fell in love with iand married
j^ggn't bad %rmtaoTgoewolo*iq od '{Igmb-iooon tmirf
About fivo yei&amp;rs alfer they had boeil married,
p.no morning in bed Judas -s shirt bosom lay open,
^hen she saw under his left breast the marks he
was born with ; upon wliieh she waked Hftii in an
agony, and told him the whole story of his birth,
and the part she had acted therein. Judas heard
this with wonder and astonishment, ancV on his part
confessed to her the many crimes he had been guilty
o f ; after which she desired him to depart from her,
and seek mercy of God in another country ; protesting she would never be carnally known to him any
gnuia oa soaoip&amp;mb
Judas full of grief and remorse of conscience, left
Joppa, and wandered about like a pilgrim, till he
heard of a mighty prophet, called Jesus of Nazareth,
in the land of Judea, who wrought many miracles,
and wonderful works; to hint he went, and liking
his doctrine and seeing his miracles, he begged of
our Lord to be admitted one of his followers: Our
Saviour chose him to be one of his- disciples, and
gave him the charge of what money or provision
he carried about with him. There is no evidence
that his rerligious instructions, or his preaching
the word, or miracles, were inferior to those of his
brethren: but covetousness still reigned in his
heart. Notwithstanding all this Judas could not
forget his covetousness, for when Mary Magdalene
brought a box of costly ointment, to anoint our dear
Lord's feet, at the house of Simon the Leper, Judas

�11
Wghly offended {hereai, because the value
thereof was not put into his bag. But our Lord
knowing his covetous and wicked heart, sharply rebtiked him; at \VliicIi he was so enraged, that he
fit revenge premeditated, and put into execution,
the worst action of all his life, and going to the
chief priests' and elders, he said unto them, what
will you give me, and I will betray him they call
Jesus into your hands ? And they agreed with
hfan for thirty pieces of silver; or £3, 8s. 5d.
English money.
The love of money is a i-ock
Which causes cafe and trouble,
And he that hastetli to fee rich,
He makes his sorrows double,
Money's a most alluring bait,
Conducive unto evil,
For this base Judas sold his God,
Himself unto the devil.
When 6\\± Lord was instituting his last supper,
he* £aidf unto his disciptfes, I have chosen you twelve,
but one of you is a devil. And again, Verify I say
urito you, one of yd* ttiis nio-ht shall betray me, and
lie it is* unfo whomsoever I shall give a sop: then
giving a sop tinto Jiiclas, he said unto him what
tten' dost do quietly. With the sop the devil entered into Judas, and lie went out from amongst
them.—cfect&amp;s then went to tlie chief priests, and
received tfie thirty pieces of silver ; so taking witli
hint an armed band of men, to apprehend his master, He led them to the Garden, of Gethsemane
Where Jesus was wont to retire for his devotion;
he went telling them, thai! whomsoever he should

�12
kiss, the same was he, hold him fast There our
Lord beheld his adversaries coming with burning
torches and lanterns, and weapons to apprehend
him; then spake he to his disciples, and said,
a Rise let us go ; behold Tie is at hand that will betray meAnd
while he was speaking, came Judas
the traitor, saying, Hail, Master, and kissed him.
For it is written, that it was the manner and custom
of our Lord Jesus towards his disciples, that when
at any time he had sent them out, at their return
again, he would receive them with a loving kiss.
Then they laid hands on the Lord, and bound him
as a thief and a murderer, and led him away to
the high Priest and Elders, who asked him many
questions ; to which our Lord gave them no answer,
but stood like a lamb dumb before his shearers.
And here let us behold our Lord Jesus, how patiently and meekly he receives that false and treacherous kiss from that unfaithful disciple, whose feet
he had vouchsafed to wash with his own hands,
and whom out of his unspeakable charity he refused
not to feed with the precious food of his blessed
oody. Consider likewise how meekly he suffered
himself to be taken, bound, struck, and furiously
dragged away, as if he had been a thief, or the
most wicked person in the world, void of power to
help himself. Contemplate also the great sorrow
and inward affliction he had of his disciples, who
fled and left him in the hands of those ravenous
wolves. And on the other side, consider the grief of
their hearts, since the cause of their leaving him was
not the perversity of their will, but the frailty of
their weak nature : for which they heartily mourn
and sigh, like poor orphans that know not what they
do, or whither to go ; and their sorrow was so much
the greater, as they knew in what villanous man-

�13
ner their Lord and master would be treated and
abused. Nevertheless, the whole assembly, though
they found nothing worthy of death in him, one by
one passed the following sentences on him.
tidi dleoijbde oil -ramrod

Us'jb lo viU'iow

n

JERUSALEM'S

BLACK T R I B U N A L ;
,eib 'woulw, siit

&gt; «iou 'io vJliiu)
1

OR THE

BLOODY SENTENCE OF THE JEWS,
AGAINST

OUR

BLESSED

LORD

JESUS

AND

SAVIOUR.

CHRIST.
.ofqosq eiijt qu

v

CAIPHAS.
Better one man should die, than all perish.

JEHOSOPHAT.
Let him be bound, and kept fast in chains.
A i F f X AJE&amp; u
Let us put him to death.

�F A R I A S ,
dguorii ,^{dJXft&gt;B£« olodw orfi
.Loaudst
Let us baaish him, or he will destroy our country,
.mirf no gooneinoa gnxwolfol
one

DIARRHIAS.

He is worthy of death, because he seduceth the
people.
. . . . . • ;T)
R A B I N T H .
Guilty or not, let the seducer die.
stir, 1
0

&lt;ewsi sh

ftRMA^

Yaoaia

Let us banwli him for ever,
,a v o i v a t

a k a a a o J aan 8 a j g n u o
C H I E R I E I S .

If lie be initoCefit h6%frhll did, bbcrtuse he stirreth
up the people.

FTOL.EMEUS.
Guilty or not g)iftfyflet us sentence him to death
or punrahmient.
. T A T E E A S .

It.

Either banish him, or send kim unto Csesar.

LEM^CH.
r.fjk MUM « | |i m i.i.fa
|M

—

'

Punish ftitiv with death.

�P O T I F H A K E 8
Let him be banished for seducing the people.
The mob also cried out to Pontius Pilate, if yoi
let this man go, you are not Ceesar's friend; therefore, crucify him ! crucify him !

THE

SENTENCE: OF D E A T H
PASSED

JESUS

ON

CHRIST
PJT

PONTIUS PILATE

1 PONTIUS PILATE, Judge m Jerusalem under the
most potent Tiberius, happy and prosperous be his
reign, having heard and known the accusation of
JESUS of NAZARETH, whom the Jews brought bound,
to pronounce his sentence ; seeing he, by presump
tuous expressions, called himself the SON of GOD,
and the KING of the JEWS, and said he would destroy
the TEMPLE of Solomon. Let him be condemned to
the cross with the two Thieves.

�IG
Thus was the Lord of Life condemn'd,
On Calv'ry's mount to die,
As Moses' Serpent so was he
There lifted up on high.
'Twas not for sins that were his own,
He there shed forth his blood,
But that such sinners yile as we,
Might be brought near to God.
Let us obey the gospel call,
Now while it is to-day,
Lest ere to-morrow Death should cry,
To judgment come away.

MISERABLE AND AWFUL END OF THE TRAITOR JUDAS.
NOW JUDAS, the Traitor, had no sooner seen
his master condemned by the Jewish council, than
his conscience upbraided him ; he brought back the
thirty pieces of silver, and confessed he had betrayed his innocent master. But the Jewish rulers
replied, that that was none of their business, he
might blame himself. And he threw back the
thirty pieces of silver and went out and hanged himself; but the rope breaking, or the tree giving way,
he fell and his body burst asunder, and his bowels
gushed out. Then the Jews, as they thought the
price of blood was not fit for the Treasury, they, as
agents for Judas, gave it for the Potters-field to
bury strangers in.

�17
T W Judas 'mongst the Apostles was
And with them took his part,
His awful end proved him to be
A traitor in his heart.

On the Evening after our Lord's resurrection he
appeared unto ten of the apostles, Judas being dead,
and Thomas absent: he renewed their mission, and
breathed on them, as a token of his sending the
Holy Ghost. After giving them repeated proofs of
his resurrection, he just before his ascension gave
them a formal commission, saying, " Go ye therefore,
and teach all nations, baptizing them in the name of
the Father, and of the Son, and of the Holy Ghost;
Teaching them to observe all things whatsoever I have
commanded you: andy lo, I am with you alway, even
unto the end of the world. Amen.11 After they had
witnessed their master's departure to the heavenly
mansions, Peter proposed, that one who had been a
constant witness of his marvellous sufferings and
conduct, should be chosen to fill the room of Judas.
The disciples chose Barsabas and Matthias for the
candidates. As the office was extraordinary, and
perhaps the votes equal, the final determination,
which of the two should be the apostle, was left to
the decision of God by the lot. After prayer, the
lots were cast, and it fell upon Matthias: he was
therefore numbered with the eleven apostles.
On the day of Pentecost, a feast appointed to
commemorate the giving of the law, the Holy Ghost,
in the shape of cloven tongues of fire, descended on
each of them; rendered them bold and infallible
in preaching the gospel; qualified them with power,
to speak in every language, to discern men's tem-

�lSf
pers, and to confer the miraculous influence of
speaking with tongues on others, by the laying on
of hands.
&lt; J oi mid bovoiq bm lirhrs «iH
M
Learn hence a lot's a sacred thing,
Let's not it vanity use,
Since God thereby has oft thought fit,
9H no
fo^j^qgrfft r, vainer!! mh nO
ifflttd M f o l
odi \o a9t otitis
fctwqy
Let's be content with what' s our lot,
Since God to us it gave,
Let's pray that Christ
be the gift,
Greater can't sinners have.
Correspondent to the twelve patriarchs, or twelve
tribes of Israel, our Saviour, in the second or third
year of his public ministry, first appointed, and then
sent forth twelve of this followers, whom fee named
Apostles. These he sent out
two's,
vlogvaarf edi oi
ihdj boeamii*
SIMON P E T E R , and A N D R E W Ms brother ;
JAMErS the son rof Z E B E D E E , and J O H N his
brother $
P H I L I P , and B A R T H O L O M E W : ;
THOMAS, and M A T T H E W ;
JAMES the son of A L P H E U S , And JUDE lids
forother;
SIMON 4be G&amp;naanite, and JUDAS ISC ARIOT ;
M A T T H I A S , succeeded Judas after the resurrection of our Lord.

�19
A S C E N S I O N

;xla uo\ %atHaw 7 on A 0 -I o £ DO.

•
»

OUR LORD AND SAVIOUR JESUS CHRIST.

TOUCHING the wonderful ascension of our Lord
Jesus, it behoves thee, pious reader, to awaken thy
heart, and render thyself with more than ordinarly
attention to all that is here said or done, relating
to this subject, if thou desire to feed thy soul with
heavenly comfort, and reap the spiritual ^notion,
which plentifully flows from the devout contemplation of so divine a subject _ hfaorfa YQffa ffatforfi
On the fortieth day after the resurrectiou, our
Lord Jesus, knowing that his time was new come to
depart from this world, and to pass hence to his
Father, taking with him the holy patrian?hs, prophets, and others, who after his xesiu'iiefttion were
in the terrestrial paradise, and blessjlng. Enoch
and Elias, who remained there still aliye, he came
to his apostles, who were gathered together on
Mount Sion, which was the place F^pe be made
his last supper the night before his passion. There
were likewise with the apostles at this place, the
Messed Virgin, and many other disciples; and our
Lord appearing to :tliem said, that he would eat
with them before he departed from them, as a
special token and memorial of the love he tore them.
And as they were all eating, bej.^g full of joy and
spiritual comfort at this last refection of our Lord
Jesus, lie said to them&gt; " The time is now come in
which I must return again to him that sent me:
but you shall remain in the city till you are clothed
with tlie yirtue descending from above ; for within

�(Tf
20
a few days you shall be filled with the Holy Ghost,
as I before promised you. After which, you shall
be dispersed throughout the whole world, to preach
my gospel, baptizing all that shall believe in me, so
that you shall be my witnesses to the utmost confines of the earth." He likewise reproved them
for their incredulity in not believing them who had
seen him rise, that is the angels. This he chose to
do at the time ho was speaking to them of preaching his gospel, to give them to understand, that
they ought to have believed the angels, even before they saw him, much sooner than they ought to
be believed by those to whom they were to preach,
who, nevertheless, would believe them (the apostles)
though they should not see him, (Jesus Christ.)
And this he did, that by knowing their fault they
might remain humble; shewing them at his departure how much he admired that virtue, and that
he recommended it to them in a singular manner.
They asked him concerning many things that wero
to come to pass ; but he would not resolve them, inasmuch as it was not necessary for them to know
the secrets of God, which his father had reserved
in his own power, to fulfill at his o^n will and
pleasure. And thus they continued discoursing and
eating together, with great comfort and satisfaction,
occasioned by the presence of their Lord; yet their
comfort was mixed with some grief, by reason of his
departure from them. For they loved him so tenderly, that they could not hear him speak of leaving
them without heaviness and sorrow.
And what can we think of his blessed Mother ?
May we not devoutly imagine that, sitting near
him, and hearing what he said concerning his departure, she was moved with the tenderness of her
motherly affection ; and that overcome with grief.

�21
which suddenly seized, and oppressed her blessed
soul, she inclined her head towards him, and rested it upon his sacred breast! For, if John the
Evangelist at the last supper, took this freedom,
with much more reason may we suppose her to do
the same on this doleful occasion. Hence, then,
with tears, and many sighs, she spoke to him in
this manner: " Oh my beloved son, I beseech thee
not to leave me ; but if thou must depart, and return again to thy heavenly Father, take me, thv
afflicted Mother, along with thee !" But our blessed
Lord endeavoured to comfort her, and said, " Grieve
not, oh beloved parent, at my leaving you because
I go to my Father; and it is expedient that you remain here a short time longer, to confirm in their
faith, such as shall be converted, and believe in me,
and afterwards I will come again, and take you with
me, to be a partaker of my glory." To whom again,
our Lady replied, " My beloved Son, may thy will
always be fulfilled in all things, for I am not only
contented to remain here during thy pleasure, but
also, to suffer death for love of those souls, for which
thou hast so willingly vouchsafed to lay down thy
life: this, however, I beseech thee, be thou ever
mindful of me." Our Lord then again comforted
her, with the disciples, and Mary Magdalene, saying, " Let not your hearts be troubled, nor fear ye
any thing, I will not leave you desolate ; I go, but
will shortly return again to you, and will remain
always with you." At length he bid them remove
from thence, and go to Mount Olivet, because from
that place he would ascend into heaven, in the
presence of them all: saying this, he disappeared.
His holy Mother, with the rest of the company,
without any delay, hastened to the said mount, about
a mile distant from Jerusalem, as he had appointed

�them, where our Lof d again soon appeared to them.
Behold on this day we have two different apparitions
of our ( Lord. Thus being all together, our iioihfc
embraced his lioly Mother, and she again embraced
him in a most tender manner, taking leave -of- oiukother. And the disciples, Mary Magdalene, and tho
rest falling down to the ground, and weeing with
tenderness, kissed his Messed feet, and he, raising
theniup, embraced all his apostles most lovingly; =
Let us now, pious Reader, , diligently- consider
them, and devoutly
all that is hem
done ; and amongst the rest* let m behold ihe holy
Fathers, whp being there present ithougli invisible,
joyfully admire, aijd inwardly praisethe blessed
Yirgiii^iby whom they received So great &amp; benefit as
then- salvation. They behold with pleasing admiral
tiony the gltaious champions, and leaders of God's*
host?, the apostles, whpm x)ur Lord Jesus had chosen
from among all others, to coii^uer Mid subdue the
•V'.rlr1. aivri \&gt;rw$ •
O • \ht Mlfef r&gt;f hif-h^jp
o
Jocft^BmpGohq vrfo gnhnb oioif xiifirrm oi L^ioinoo
M
&gt;iehm it»£ liairjrfsirftttMat*-&gt;
oompletftH. vnfer
began p&lt;«dualliy M
raise himself up before them,' &amp;ad to ascend by ixm
own- virtue and power into : heaven. And then the
blessedVirgin, with the rest, fell down and devoutly
worshipped him. And our Lady said, 0 iny beloved&gt; I beseech thee to be mindful of me/' and
with. this she burst into tears, not being: able t«r
refrain^ when she reflected on his departure, yet
was.fehe M l of inward joy, to sep her blessed Son
thus gloriously asoenci into heaven. His disciples*
also, whei* they beheld him ascending, said', ^ Thou
knowest, ObLord1, that we have renonueed all thiags
for the©, wherefore, we beseech thee nafcifcx forget
lis, but be ever -mindful of us, for whom we have.

�foypj^ji aJV.'
Mf
with serene and pleasing aspect, crowned with glory, .
victoriously ^sceuded into heaven, but first blessing
them, he said, &lt; Be stedfast, and fight courageously,
&lt;
for I shall always be. with you, even to the end of
the world."
Thus, our Lord Jesus, ascended into heaven,
fulfilling that which the prophet Mi pah bad said
long before his asccnsiQn ; And their King $hallpats
before them, and the Lord at the head of them. j3pthat tljpy §11 followed him with unspeakable joy,
and never-ending felicity.
And Miqhael, the prince of God's eglestial host,
£oing before,
% jqjC&amp;l tilings pf their
Lord's ascending, at ^hich the whqle he^Y^nly court
of celestial spirits came forth to meet thpir Lord,
and with all worship and reyereuee, they
him
with hymns and songs of jubilation, repeating with.
i naxpressible joy, Alleluia, Alleluia, Alleluia, ^
Having paid their dug f e v m m to" M
tlu&gt; joy fill, n w t y ] ^ zhv;U H ^ l t h } :
M

nappy meeting ? The blessed spirits began to
gratulate them on their arrival, saying • Ye pfinces
of God'^ ppople, you are welcome to pur eternal
habitation, and we rejoice and are glad %tf your
a r i ; ^ : you # m gathered tqgp.thpf, m $ woxidQvfully exalted with pur God; Alleluia. Therefore
rejoice and sing tp him who M gloriovislv ascended
into, heaven, and above the htyvm pf
To which the Fathers again joyfully replied,
To you, princes of God's people, Alleluia: Our
guardians and helpers, A t t ^ * 3 , :
peace for

�24
ever, Alleluia : Let us siug and make mirth to our
King and our Saviour, Alleluia, Alleluia, Alleluia.
Now we joyfully enter into the house of our Lord,
Alleluia : to remain for ever in the glorious city of
God, Alleluia. As sheep of our Lord's pasture we
enter his gates, Alleluia : With hymns and canticles,
Alleluia : For the Lord of power is with us, Alleluia,
Alleluia, Alleluia." For according to the prophet,
The Lord is ascending in shouts of joy, and the
Lord in the sound of a trumpet.
Our Lord Jesus ascended visibly for the greater
comfort of hi* mother and disciples, that they might
see him as far as they could. And behold a cloud
received him out of their sight, and in an instant they
were present in heaven! And as the blessed Virgin
and the disciples were looking still up to heaven,
two angels stood beside them in white garments,
who began to comfort them, telling them not to
look loager after his body, which they saw ascend
so gloriously into heaven, for that they should not
see him any more in that form till the day of
Judgment, when he should come to judge the quick
and the dead. They bid them return into the city
again, and their to expect the coming of the Holy
Ghost, as he himself had told them. His blessed
Mother spoke to the angels, desiring them to recommend her to her blessed son ; who profoundly
inclining to her, promised gladly to fulfil her commands. And the apostles and Mary Magdalene recommended themselves in the same manner. After
this, the angels departing, they went according rs
they had been appointed into the city, unto Mount
Sion, and waited there the coming of the Holy
Ghost.
FINIS,

�</text>
                  </elementText>
                </elementTextContainer>
              </element>
            </elementContainer>
          </elementSet>
        </elementSetContainer>
      </file>
    </fileContainer>
    <collection collectionId="53">
      <elementSetContainer>
        <elementSet elementSetId="1">
          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="26748">
                  <text>Woodcut 021_a:  Title-page illustration of a sleeping man at a table with his head resting on his hand.  A skull &amp; crossbones is on top of the table. There is a lion inside the table. A town and rural scene with trees and a hill (topped with two pillars) appear in the background. At the bottom of the hill, is a man in a kilt with a  backpack, who is walking while reading a book.</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="22218">
                <text>The life and death of Judas Iscariot, or the lost and undone son of perdition.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="52">
            <name>Alternative Title</name>
            <description>An alternative name for the resource. The distinction between titles and alternative titles is application-specific.</description>
            <elementTextContainer>
              <elementText elementTextId="22219">
                <text>lost and undone son of perdition.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="78">
            <name>Extent</name>
            <description>The size or duration of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="22221">
                <text>24 pages</text>
              </elementText>
              <elementText elementTextId="24671">
                <text>16 cm</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="22222">
                <text>&lt;a href="https://ocul-gue.primo.exlibrisgroup.com/permalink/01OCUL_GUE/mrqn4e/alma9935682193505154"&gt;s0598b22&lt;/a&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="22223">
                <text>129 printed on the foot of the title page</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="37">
            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="22224">
                <text>Archival and Special Collections, University of Guelph Library, Guelph, Ontario, Canada</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="22226">
                <text>In the public domain; For high quality reproductions, contact Archival &amp; Special Collections, University of Guelph. libaspc@uoguelph.ca, 519-824-4120, Ext. 53413</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="22227">
                <text>1840-1850 per National Library of Scotland</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="24670">
                <text>JPEGs and PDF derived from master file, which was scanned from the original book in 24-bit color at 600 dpi in TIFF format using an Epson Expression 10000XL scanner.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="24708">
                <text>Glasgow: Printed for the Booksellers</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="26200">
                <text>Religion and Morals</text>
              </elementText>
              <elementText elementTextId="26201">
                <text>Chapbooks - Scotland - Glasgow</text>
              </elementText>
              <elementText elementTextId="26203">
                <text>Iscariot, Judas</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="26202">
                <text>Archival &amp; Special Collections, University of Guelph Library, Guelph, Ontario</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="26746">
                <text>biography</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
    <tagContainer>
      <tag tagId="206">
        <name># of Woodcuts: 1</name>
      </tag>
      <tag tagId="98">
        <name>Architecture: house</name>
      </tag>
      <tag tagId="103">
        <name>Bib Context: title-page</name>
      </tag>
      <tag tagId="106">
        <name>Chapbook Date: 1841-1850</name>
      </tag>
      <tag tagId="170">
        <name>Chapbook Genre: biography</name>
      </tag>
      <tag tagId="105">
        <name>Chapbook Publisher - Glasgow: Printed for the Booksellers</name>
      </tag>
      <tag tagId="340">
        <name>Fashion (Clothing): top hat</name>
      </tag>
      <tag tagId="330">
        <name>Fashion (Clothing): upper class</name>
      </tag>
      <tag tagId="91">
        <name>Gender: man/men</name>
      </tag>
      <tag tagId="144">
        <name>Nature: tree(s)</name>
      </tag>
      <tag tagId="258">
        <name>Object: walking stick/ staff</name>
      </tag>
      <tag tagId="102">
        <name>Outdoor Scene</name>
      </tag>
      <tag tagId="145">
        <name>Religious Figures: angel(s)</name>
      </tag>
    </tagContainer>
  </item>
  <item itemId="1062" public="1" featured="0">
    <fileContainer>
      <file fileId="1987" order="1">
        <src>https://scottishchapbooks.lib.uoguelph.ca/files/original/7c3bd1f94fbcf25515da5fccabb32440.jpg</src>
        <authentication>e401a6c314bf3f2718b2a1fda70a2dfa</authentication>
        <elementSetContainer>
          <elementSet elementSetId="1">
            <name>Dublin Core</name>
            <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
            <elementContainer>
              <element elementId="50">
                <name>Title</name>
                <description>A name given to the resource</description>
                <elementTextContainer>
                  <elementText elementTextId="24745">
                    <text>Woodcut on title-page portraying a man sleeping with head resting on hand sitting at a table. A skull and crossbones is on table and a lion is inside the table. In background are scenes of a town and rural scene with trees and hills (with 2 pillars atop) in front of which stands a man in a kilt and wearing a backpack, who is reading a book</text>
                  </elementText>
                </elementTextContainer>
              </element>
            </elementContainer>
          </elementSet>
        </elementSetContainer>
      </file>
      <file fileId="1988" order="2">
        <src>https://scottishchapbooks.lib.uoguelph.ca/files/original/33536ef595e842fc612dc07fefbc22ae.pdf</src>
        <authentication>477daf49b0b276d273f350d059c06f89</authentication>
        <elementSetContainer>
          <elementSet elementSetId="7">
            <name>PDF Text</name>
            <description/>
            <elementContainer>
              <element elementId="119">
                <name>Text</name>
                <description/>
                <elementTextContainer>
                  <elementText elementTextId="22217">
                    <text>THE

PILGRIM'S

PROGRESS

FROM THIS WORLD TO THAT WHICH IS TO COME.
Delivered under the similitude of a Dream.

PAISLEY:
PRINTED BY CALDWELL AND SON,

W
2,

NEW STREET.

©

�his worthy friend

the Author of The Third Part ofths

Progress,

upon the perusal

thereof

T H O U G H many things are writ to please the age r
Amongst the re^t for this I dare engage,
"Where virtue dwells, it will acceptance find,
And to your pilgrim, most that read be kind,
But all to please, would be a task as hard,
As for the winds from blowing to be barr'd.
The pious Christian, in a mirror here,
May see the promised land, and, without fear
Of threaten'd danger, bravely travel oil,
Until his juurney he has safely gone,
And does arrive upon the happy shore,
Where joys increase, and sorrow is no more*
This is a dream, not fabled as of old j
In this express the sacred truths are told,
That do to our eternal peace belong,
And, after mourning changes to a song
Of glorious triumph, that are without end,
I f we but bravely for the prize eontend.
No pilgrimage like this, can make us blest?.
Since it brings us to everlasting rest;
So well in every part the sense is laid,
That it to charm t/te reader may be said,
WitA curious fancy and great delight,
W/iieZr to an imitation must invite.
And Aappy are they, that, tArougA stormy seas,
And dangers, seek adventures like to tAese !
W&amp;o sell the world for t/jis great pearl of price,
WAicA, once procured, will purchase Paradise I
H e who in sucA a bark dotA spread /lis sails.
Needs never fear at last tAese prosperous gales
That will conduct /am to a land, wAfere he
SAall feel no storms, but in a calm sAall be:
WAere crown'd witA glory he sAall sit and sing
Eternal praise to Ais redeeming King
Who conquer'd deatA, despoilM him of his sting.

So wishes yourfaithful

friend,

Pilgrim

�a

"rhe progress of the Pilgrim is here represented by
Christian leaving the City of Destruction, in terror and
alarm at his fate. He is met by Evangelist, who, perceiving his fear, asked him, Wherefore dost thou cry?
H e asnwered, I see by the Book in my hand that I am
condemned to die. Then Evangelist said, why standest
thou still; Fly from the wrath to come. Whether shall
I fly? said Christian. Then said Evangelist, Dost thou
see yonder shining light; keep that light in yotar eye,
and go up directly thereto, so shalt thou see the gate, at
which when thou kncckest, it shall be told thee w hat thou
shalt do. Christian begari to run, but he had not run far
when his wife and children began to cry after him to return, but he put his fingers in his ears, and ran on crying
Life, Life, Eternal Life.

�Christian bad not proceeded far, till wife and children
with many neighbours, entreated him to come back, but
all in vain. Christian persuaded two of them to go with
him, viz. Pliable and Obstinate. Obstinate soon rebels,
but pliable jogged on, till suddenly both he and Christian
plumped into the Slough of Despond. Pliable set his
face homewards, determined to get rid of such difficulties ;
but Christian struggled hard to g2in the other side, while
the burden of sin on his back had nearly overcome him.
A man called Help came to his assistance, and again set
him on his way. He soon after met Worldly-wiseman,
who directed him to the Town of Morality, where one
named Legality would relieve him of his burden. H e
immediately tcok the road, but had not gone far till
terror and alarm seizM hiro, arid again Evangelist met him
and checked him, and set him on the right road.

�After getting a severe reproof from Evangelist, Christi in was horror struck at his deviating from the right road,
and almost lost hope of ever attaining his object, when
Evangelist, taking him by the hand, cheered him on
warning him of the same danger in time. Christian at
length arrived at the gate, upon which was inscribed
* knock and it shall be opened/ H e knocked more than
once or twice, when a grave person came to the gate,
named Goodwill, who asked him what, he wanted. Christian replied, he was a poor hardened sinner from the City
of Destruction, bound for Mount Zion, will you let me
in?" "With all my heart," he replied. Beelzebub, as
he entered, gava him a pull, but Christian escaped.

�Christian having fairly escaped the attempts of Beelze°
bub and his emissaries to hold him back, and being fairlyentered in at the gate, received many wholesome advices
from Goodwill how to proceed; and coming to the house
of Interpreter, was kindly welcomed, and shewn many
strange and wondrous sights, at which Christian was sadly
alarmed; but being soothed by Interpreter, with kindly
directions to proceed on his journey, he again set off,
passed the walls of salvation, and came to a rising ground,
where stood a cross, and a little below a sepulchre. At
the cross, his bundle loosened off, and tumbled to the
mouth of the sepulchre, whe^e it fell in, and was no more
seen. Then was Christian glad, and said with a merry
heart, 'he hath giyen me rest by his sorrow, and life by
his death.

�Christian having now got rid of his burden, pushed on
more lightly. He soon fell in with three men, named
Simple, Sloth, and Presumtion, whom he endeavoured
to rouse and assist; but they would not listen to him, so
he left them, very grieved. He then saw two men come
tumbling over the wall, Formality and Hypocrisy, who
walked along with him in hope of reaching Mount Zion,
though having no passport, till they came to the hill
Difficulty, when the one took the road to Destruction,
and the other to Danger; but Christian took the narrow
path up the hill, and struggled hard till he arrived at the
arbour, prepared by the Lord of the place for weary pilgrims, where he sat and refreshed himself, and read his
scroll with great delight.

�When Christian had got to the top of the hill, two men
came running to meet him, named Timorous and Mistrust. 'What is the matter, said he, that you are running
the wrong way?'
Timorous said, 'We were for
Mount Zion, but the farther we went, the dangers became the greater, and we were turning back again; two
mighty lions are before us, ready to pull us in pieces.'
Then was Christian in great distress, and knew not what
to do. He put his hand in his bosom for the roll to comfort him, but behold it was gone. He remembered having slept at the arbour, and traced his way back with
weary steps to find it. H e fell on his knees and begged
forgiveness for his error, and while in that position his
eye catched the roll under the seat. H e put it in his
bosom with joy, again took the road, came in view of the
lions; but they, being chained, could not hurt him.

�9

r

^
j
'

When Christian lift up his eyes, he beheld the palace
of Beautiful, the porter's gate, and two lions. H e was
encouraged to come forward, being assured he should
receive no harm, as they were chained. After a few interrogations from the Porter as to his intentions, and how
he came to be so late at night, which was satisfactorily
answered. Christian requested lodgings for the night.
The Porter knocked at the door of the Palace, when a
damsel called Discretion answered, and after a long conversation with her two sisters, Piety and Prudence, regarding the nature of his journey, the difficulties that had
befallen him, and what could have moved him to leave
his wife and family, to undertake such a journey, thc^
found it was time to go to re&amp;t, when he was conducted
to the Chamber of Peace.

�H e got up in the morning, and was shown all the rarities of the place, and clad with a suit of Armour. The
Porter informed him that one Faithful had just past,
Christian followed, but was met by Apollyon, with whom
he had a bloody struggle, but overcame. The valley of
the Shadow of Death was another horrific scene that he
also accomplished; and looking back, now with horror
the bones of many martyrs at the mouth, and soon came
in sight of faithful, with whom he held sweet converse,
till he came to Vanity Fair. Their manner and dress
attracted the attention of people, and caused a great demur. A merchant asked what they would buy; they
said, 'the Truth;—which he took amiss, and raised such
a hubbub, that they were both taken up, and put in a
cage for publiG view.

�Poor Christian and Faithful, while in the cage, belmved
themselves very meekly, in spite of all the insults they
received; and many others were buffered for taking their
part. They were dragged through the Fair, and again
conducted to their cage to stand their trial, which was
soon brought on. Envy, Superstition, and Hypocrisy
were brought forward as evidences, who did not fail to
tell a partial story, which a partial judge, Mr. Hategood,
and a partial packed jury did not fail to confirm; and
Faithful was found guilty of the crime libelled, and condemmned to die at the stake. Faithful was allowed to
make a defence, but instead of doing him any good, only
hardened them against him.

�12

Poor Faithful was then Lr u^ht out, to do with him
according to the law. First h"y scourged him, then they
buffetted him, then they lanced his flesh with knives,
after that they stoned him with stones, they pricked him
with their swords, and last of all they burnt him to ashes
at the stake.-—Thus came Faithful to his end. Then
stood behind the multitude a chariot and a couple of horses
waiting for Faithful, who was taken up into it, and carried
up through the clouds with sound of trumpet, the nearest
way to tho Celestial Gate. Christian he got some respite,
and was remanded back to prison; but he that overrules
all things, abated their rage, and he escaped thence, and
went his way.

�A,

Altho' Christian went away alone, Hopeful, a pilgrim
bound for the Celestial City, fell in with him, and they
went on joyfully. They then fell in with Byends, but
soon parted with him. They met with several otherg,
whose company they did net rel'sfo, and left them. One
Demas attempted to lead them astray with filthy lucre,
but they resisted him, and kept the right road.
They
afterwards passed Lot's wife, and slept on the banks of
Pleasant River. They then went off their way. but again
found it, and fell asleep in the policies of Doubting Castle,
where Giant Despair took them both prisoners, and treat
them very harshly,—they almost chose death rather than
life under such treatment. However a key found in
Christian's bosom opened the doors? &amp;nd they made their
escape with difficulty,
0

�Having escaped from Giant Despair, they errected a
pillar at the stile, warning travellers to beware of Doubting Castle, there they went on singing till they came to
the Delectable Mountains, where they surveyed all the
beautiful gardens and orchards on Emmanuel's land, in
company with the shepherds. They were now in sight
of the city, and the shepherds showed them many wonderful things; among the rest, a dismal hole. They
bade the pilgrims look in: when they heard a rumbling
noise, and beheld all within it dark and smoky, and a cry
of some tormented. They were told this was the way
of the wicked. Leaving this country, they came to the
enchanted ground, where they fell in with some of the
shining inhabitants of the city, and had abundance of corn
and wine, and heard voices out of the city, saying, 'say
ye to the daughter of Zion, Behold thy salvation cemetli-

�15

Drawing nearer the city, they beheld it built of pearls
and precious stones, the streets were paved with gold.
Christian with desire fell sick ; Hopeful also had a fit or
two. They were strengthened, and went on, beholding
the vineyards and gardens of these delightful lands. Between them and the gate was a river, very deep, and no
bridge. The pilgrims were alarmed, but through it they
must pass. Christian began to sink, but Hopeful cheered
him on. Then said Christian, 4 the sorrows of death hath
compassed me about.' In sinking, they lost their earthly
garments, but rose and were welcomed on the other side
by two glorious persons, who ascended a very steep hill.
They went up with great ease, and landed safely in the
Celestial City, which they entered singing, with a loud
voice, 'Blessing, honour, glory, and power to him oil the
throne, and to the Lamb, for ever and ever.

�16

Ever since Christian went off on his journey to the
Celestial City, Christiana his wife and their children did
nothing but weep and lament for him; crying often out
in her sleep, 'Lord have mercy upon me a sinner/ An
heavenly messenger came to her, and gave her a letter.
The contents advised her to do as her husband had done,
and to dwell in his presence for ever. At this she was
quite overcome, and asked him to carry her hither. But
he said, 'You must go through the troubles as he has
done before you: yonder is the wicket gate over the
plain, and I wish thee speed. Several of the neighbours
advised her against it, but she took the road, with all her
children; and falling in with Mercy, they went on in the
sweet hope of shortly arriving at that happy place where
her husband was.

�IT

Mary expressed herself doubtful as to her right of
admission at the wicket gate, but Christiana encouraged
hw on, and assured her of a kind reception. Then Mercy
eaid, 'Had I as good ground to hope as you have, I think
no Slough of Despond would discourage me.' They got
all safe over the Slough, and arrived at ihe gate, whe®e
they knocked a long time, but nothing but an angry dog
barked at them. They got afraid to knock any more, till
venturing another knock, the keeper called 'Who's there,'
and opened to them. Christiana said, she came from
whence Christian came, who was there before, and upon
the same errand here are also my children. H e took her
by the hand, and said, 'Suffer little children to come unto
me." She interceded far Mercy, and she was admitted
also.

�With some difficulty, Mercy was admitted. She questioned the keeper what he meant by keeping such a dog.
H e said the dog was not his, but kept by a person to terify pilgrims from the gate, in which he was but too successful. In passing along, they were LS aulted by two
ill favoured ones, who did what they could to lead them
astray, but were defeat. After being with one or two
more, she arrived at the Interpreter's house, who, while
supper was getting ready, shewed them many wondrous
things, told them many curious stories, and related many
parables. Supper being ready, and thanks given, they
partook of a hearty repast, while masic played sweetly.
When supper and music was over, Interpreter asked
Christiana what moved her to try a pilgrim's life, she said
the loss of her husband, and the letter from the King of
Zion,

�The Interpreter also asked Mercy what induced her to
go in such an undertaking. She said, 'My friend telHng
me how many fine things her husband was enjoying,
tempted me to go.' In the morning they rose with the
sun, to depart, but they were ordered into the garden to
bathe and purify themselves before they went on their
journey, which they (lid, and were much refreshed.
Greatheart was sent along with them to guide them on
their way, and converse with them. They passed the
place where the load fell from Christian's back, and made
a pause. After musing a little, they came to the place
where Simple, Sloth, and Presumption were hanging in
chains. Mercy inquired the cause of this, when she was
told their crime was leading a number of pilgrims out of
their way, and giving an ill report of your Lord, saying
he was a hard taskmaster.

�j

Greathearfc wished Christiana and Mercy to go up and
see their crimes engraven on a pillar of brass, but they
would not go ; but wished their names might rot, and
their crimes live for ever against them, saying, it was fortunate they were hanged before they came hither. They
soon arrived at the foot of the Hill of Difficulty; Greatheart shewed them the Spring where Christian drank, and
the two byeways where Formality and Hypocrisy lost
themselves.
Yet there are people who will choose to
adventure in these paths, rather than go up the hill.
They began to go up the hill, and Christiana began to pant
and want a rest; but Greatheart encouraged them, telling
them they were not far from the Arbour, where they
woukl find rest.

4
\

�Being refreshed at the Arbour, and seeing many sights
that Christian recounted before, they again took the road
determined to resist all obstacles. Greatheart at all times
proved their faithful friend and sure defence. He encountered a ferocious giant and slew him. Shortly after, they
fell in with another, which he also overcame; and lastly
they approached Doubting Castle, which Greatheart determined to level to the ground. He sent the giant a
challange, and they had a severe fight, but the giant was
overcome, and hie head was severed from his body. Then
they fell to demolishing the castle, and released several
prisoners, who were almost starved to death. It took
seven days to demoMsh it, and many strange sights were
seen.

�22
They H W jogged on in the usual path of pilgrims, occasionally
O
meeting with difficulties and encouragement, carefully surveying all
the spots where Christian her husband happened with any tiling memorable, till they arrived at the land of Beulah, where the sun shines
night and day, and here because they were weary they betook themselves to rest. But a little while soon refreshed them here; for the
bells did so ringT and the trumpets continually sounded so melodiously,
that they could not sleep, and yet they received as much refreshment
as if they slept their sleep never so soundly.
N o w while they lay here, and wailed for the good hour, there was
a noise in the town, that there was a post come from the Celestial
City, with matters of great importance, lo one Christiana the wife of
Christian the pilgrim. So enquiry was made for her, and the house
was found out where she was; so the post presented her with a letter
the contents were, "Hail, good woman! I bring thee tidings the Master calleth for thee, and expecteth that thou shouldst stand in his presence, in clothes of immortality, within these ten days."
When he had read this letter to her, he gave her therewith a true
token that he was a true messenger, and was come to bid her make
haste to be gone. The token was, an airow sharpened with love, let
easily into her heart, which by degrees wrought so effectually with her,
that at the time appointed s&amp;e must be gone.
When Christiana saw her time was come, and that she was the first
of this company that was to go over, she called for Mr. Greatheart her
guide, and told him how matters were.
Then she called for her children, and gave them her blessing, and
told them, that she had read wi;h comfort the mark that was set in
their foreheads, and was glad to see them with her there, and that they
had kept their garments so white. Lastly, she bequeathed to the poor
that little she had, and commanded her sons and daughters to be ready
against the messenger should come for them.
When she had spoken these words to her guide, and to her children,
she called for Mr. Valiant-for-truth, and said unto him, Sir, You
have in all places shewed yourself true hearted, be faithful unto death,
and my King will give you a crown of glory. I would also entreat
you to have an eye to my children; and if at any time you see them
faint, speak comfortably to them; for my daughters, my sons* wives,
they have been faithful, and a fulfilling of the promise upon them will
be their end. But she gave Mr. Standfast a ring.
Then she aalled for old Mr. Honest, and she said of him, Behold an
Isr a elite indeed, in whom is no guile. Then said lie, I wish you a
fair day, when you set out for Mount Sion, and shall be glad to see
that you get over the river shod. But she answered, 'Come wet, or
come dry, I long to be gone; for however, the weather is in my journey, I shall have time enough when I come t/*ere, to sit down and rest
me, and dry me.
Then came in the good man Mr. Ready-to-halt, to see her. So she
said to him, Thy travail hitherto has been with difficulty: but that
will make thy rest the sweeter. But watch and be ready; for at an
hour when you think not, the messenger may come.

�%3
After him eaaae Mr. Despondency, and bis daughter Much-afraid ;
to whom she said, You ought with thankfulness, for ever, to remember your deliverance from the hand of Giant Despair, and out of Doubting Castle, The effect of that mercy is, that you are brought with
safety hither. Be yet watchful, and cast away fear; be sober and
hope to the end.
Then she said to Mr. Feeble-mind, Thou wast delivered from the
mouth of the Giant Slay good, that«thou mightest live in the light of
the living for ever, and see the King with comfort: only I advise thee
to repent thee of thy aptness to fear and doubt of his goodness, before
he sends for thee ; lest thou shouldest, when he comes, be forced to
stand before him, for the fault, with blushing.
Now the day drew on, that Christiana must be gone. So the road
was full of people to see her take her journey. But Behold ! all the
banks beyond the river were full of horses and chariots, which were
come down from above to accompany her to the city-gate. So she
came forth and entered the river with a beckon of farewell to those
that followed her to the river-side. The last words that she was heard
to say, were, "I come, Lord, to be with thee, and bless thee."
So her children and friends returned to their place; for that those
that waited for Christiana had carried her out of their sighv So
she went and called, and entered in at the gate with all the ceremonies of joy that her husband Christian had entered before her.
Then k came to pass a while after, that there was a post in the
t )wn that inquired for Mr. Honest, So he came to his house where lie
was, and delivered ieto his hands these lines, Thou art commanded to
be ready against this day sevennight to present thyself before thy
Lord, at his father's house. And for a token that my message is true,
All the daughters of the muse shall be brought low.
Then Mr.
Honest called for his friends, and said unto them, I die, but shall make
no will. As for my Honesty, it shall go with me; let him that comes
after be told this. When the day that he was to be gone was come,
he addressed himself to go over. Now this river at that time overflowed the banks in some places; but Mr. Honest in his lifetime had
spoken to one Good-Conscience to meet him there, the which he also
did, and lent him his hand, and so helped him over. The last Words
of Mr. Honest were, Grace reigns. So he left the world.
Now, while he was thus in discourse, his countenance changed, his
strong man bowed under him ; and after he had said, Take me, for I
come unto thee, he ceased to be seen of them.
In process of time, there came a post to the town again, and his
business was with Mr. Ready-to-halt. So he enquired him out and
said, I am come to thee in the name of Him whom thou hast loved
and followed, though upon crutches; and my message is, to tell thee,
that he expects thee at his table to sup with him in his kingdom, the
next day after Easter: wherefore prepare thyself for thy journey.
Then he also gave him a token that he was a true messenger, saying, I have broken the golden bowl, and loosed the silver cord*
After this, Mr. Ready-to-hal't called for his fellow pilgrims, and to
them, saying, I am sent for, and God shall surely visit you also. So

�24
he desired Mr. Valiant to make bis will; and because he had nothing
to bequeath them that should survive him, but his crutches, and hia
good wishes, therefore thus he said , These crutches I bequeatA to my
son that shall tread in my steps, with an hundred warm wishes that
he may prove better than I have been.
Then he thanked Mr. Great-heart for his conduct and kindness, and
so addressed himself to his journey. When he came to the brink of
the river, he said. N o w I shall hifve no more need of these crutches,
since yonder are chariots and horses for me to ride on. The last words
he was heard to say, were, Welcome life! So he went his way.
After this Mr. Feehle-mind had tidings brought him, that the post
sounded his horn at his chamber door. Then he came in, and told
liim, saying, l a m come to tell thee, that thy Master hath need of thee;
and that in a very little time thou must behold his face in brightness.
And take this as a token of the truth of my message : Those that look
out at the windows shall be darkened.
Then Mr. Feeble-mind called for his frie^ds^ and told them what
errand had been brought unto him, and what token he had received of
the truth of the message. Then he said, Smce I have nothing to bequeath to any, to what purpose should I make a will ? As for my feeblemind, that I will leave behind, for that I have no need of it in the
place whither I go : nor is it worth bestowing upon the poorest pilgrims, wherefore, when I am gone, I desire that you, Mr. Valiar\J,
would bury it in a dung-hill. This done, and the day being come in
which he was to depart, he entered the river as the rest: his last
words were, Hold out faith and patience. So he went over to the
other side.
But glorious it was to see how the opeu region w&amp;s filled with
horses and chariots, with trumpets and pipers, with singers and players «n stringed instruments, to welcom the pilgrims as they went up,
and followed one another in at the beautiful gate of the city.
As for Christiana's children, the four boys that Christiana brought,
with their wives and children, I did not stajr where I was till they
were gone over. Also since I came away, 1 heard one say they were
yet alive, and so would be, for the Increase of the church ia that place
where they were for a time.
Shall it be my lot to go that way again, I may give those that desire it an account »f what 1 here am silent about. Mean time I bid
my reader
FAREWELL.

�</text>
                  </elementText>
                </elementTextContainer>
              </element>
            </elementContainer>
          </elementSet>
        </elementSetContainer>
      </file>
    </fileContainer>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="22207">
                <text>The Pilgrim's Progress from this world to that which is to come. Delivered under the similitude of a Dream.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="22209">
                <text>1839</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="78">
            <name>Extent</name>
            <description>The size or duration of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="22210">
                <text>24 pages</text>
              </elementText>
              <elementText elementTextId="24620">
                <text>16 cm</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="22211">
                <text>&lt;a href="https://ocul-gue.primo.exlibrisgroup.com/permalink/01OCUL_GUE/mrqn4e/alma9935661083505154"&gt;s0587b45&lt;/a&gt;</text>
              </elementText>
              <elementText elementTextId="22212">
                <text>&lt;a href="https://ocul-gue.primo.exlibrisgroup.com/permalink/01OCUL_GUE/mrqn4e/alma9923386473505154"&gt;s0221b12&lt;/a&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="37">
            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="22213">
                <text>Archival and Special Collections, University of Guelph Library, Guelph, Ontario, Canada</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="22215">
                <text>In the public domain; For high quality reproductions, contact Archival &amp; Special Collections, University of Guelph. libaspc@uoguelph.ca, 519-824-4120, Ext. 53413</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="70">
            <name>Is Part Of</name>
            <description>A related resource in which the described resource is physically or logically included.</description>
            <elementTextContainer>
              <elementText elementTextId="22216">
                <text>Chapbook #21 in a bound collection of 22 chapbooks (s0221b12)</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="24619">
                <text>JPEGs and PDF derived from master file, which was scanned from the original book in 24-bit color at 600 dpi in TIFF format using an Epson Expression 10000XL scanner.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="24709">
                <text>Paisley: G. Caldwell and Son</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="26204">
                <text>Chapbooks - Scotland - Paisley</text>
              </elementText>
              <elementText elementTextId="26205">
                <text>Religion and Morals</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="26206">
                <text>Archival &amp; Special Collections, University of Guelph Library, Guelph, Ontario</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="26322">
                <text>Bunyan, John, 1628-1688</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="26747">
                <text>allegory</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
    <tagContainer>
      <tag tagId="341">
        <name># of woodcuts: 20</name>
      </tag>
      <tag tagId="163">
        <name>Animal: lion(s)</name>
      </tag>
      <tag tagId="159">
        <name>Architecture: pillar(s)</name>
      </tag>
      <tag tagId="103">
        <name>Bib Context: title-page</name>
      </tag>
      <tag tagId="110">
        <name>Chapbook Date: 1831-1840</name>
      </tag>
      <tag tagId="214">
        <name>Chapbook Genre: allegory</name>
      </tag>
      <tag tagId="157">
        <name>Chapbook Publisher - Paisley: G. Caldwell and Son</name>
      </tag>
      <tag tagId="330">
        <name>Fashion (Clothing): upper class</name>
      </tag>
      <tag tagId="95">
        <name>Furniture: table(s)</name>
      </tag>
      <tag tagId="91">
        <name>Gender: man/men</name>
      </tag>
      <tag tagId="158">
        <name>Nature: hill(s)</name>
      </tag>
      <tag tagId="144">
        <name>Nature: tree(s)</name>
      </tag>
      <tag tagId="160">
        <name>Object: backpack(s)</name>
      </tag>
      <tag tagId="96">
        <name>Object: book(s)</name>
      </tag>
      <tag tagId="258">
        <name>Object: walking stick/ staff</name>
      </tag>
      <tag tagId="162">
        <name>Occupation: peddler</name>
      </tag>
      <tag tagId="102">
        <name>Outdoor Scene</name>
      </tag>
      <tag tagId="161">
        <name>Symbols: skull &amp; crossbones</name>
      </tag>
    </tagContainer>
  </item>
  <item itemId="1059" public="1" featured="0">
    <fileContainer>
      <file fileId="1982" order="1">
        <src>https://scottishchapbooks.lib.uoguelph.ca/files/original/42dbb0dede9ae3a3a5d2ee3f6babf05d.pdf</src>
        <authentication>6fae4ad94569c572c30f022e0d63dbdd</authentication>
        <elementSetContainer>
          <elementSet elementSetId="7">
            <name>PDF Text</name>
            <description/>
            <elementContainer>
              <element elementId="119">
                <name>Text</name>
                <description/>
                <elementTextContainer>
                  <elementText elementTextId="22186">
                    <text>STORYS

YOUNG

OF

ROBBER,
AD
N

PUSS IN BOOTS.
1

GLASGOW:

29

��STORY OF

THE YOUNG ROBBER.

I WAS born at the little town of Frosinone,
which lies at the skirts of the Abruzzi.
M y father had made a little property in
trade, and gave me some education, as he
intended me for the church; but I had kept
gay company too much to relish the cowl,
so I grew up a loiterer about the place.
I
was a heedless fellow, a little quarrelsome
on occasion, but goodhumoured in the main;
so I made my way very well for a time,
until I fell in love. There lived in our town
a surveyor or land-bailiff of the prince's,
who had a young daughter, a beautiful girl
of sixteen: she was looked upon as something
better than the common run of our
townsfolk,
I saw her occasionally, and became madly
in love with her she looked so fresh and
tender, and so different from the sun-burned
females to whom I had been accustomed.
A s my father kept me in money, I
of showing myself off to advantage in the
eyes of the little beauty. I used to see her

always

and was kept al

dressed we

�4

at church ; and as 1 could play a little upon
the guitar, I gave a tune sometimes under
her window of an evening; and I tried to
have interviews with her in her father's
vineyard, not far from the town, where she
sometimes walked. She was evidently pleased
with me, but she was young and s h y ; and
her father kept a strict eye upon her, and
took alarm at my attentions, for he had a
bad opinion of me, and looked for a better
match for his daughter.
I became furious
at the difficulties thrown in my way, having
been accustomed always to easy success
among the women, being considered one of
the smartest young fellows of the place.
Her father brought home a suitor for her,
a rich farmer from a neighbouring town.
T h e wedding-day was appointed, and preparations were making
at her window, and 1 thought she looked
sadly at me. I determined the match should
not take place, cost what it might.
I met
her intended bridegroom in the market place,
and could not restrain the expression of
when I drew my stiletto and stabbed him
to the heart. 1 fled to a neighbouring church
for refuge, and with a little money I obtained
absolution, but I did not dare to venture
from my asylum.

At that time our captain was forming his

�5
troop. He had known me from boyhood ;
and hearing' of my situation, came to me in
secret, and made such offers, that I agreed
to enrol myself among his followers. Indeed,
I had more than once thought of taking to
this mode of life, having known several
brave fellows of the mountains, who used to
spend their money freely among us
youngsters
asylum late one night, repaired to the
appointed
were for some time in a distant part of the
mountains, and our wild adventurous kind of
life hit my fancy wonderfully, and diverted
my thoughts. A t length they returned
with all their violence to the recollection of
Rosetta : the solitude in which I often found
myself gave me time to brood over her
image; and, as I have kept watch at night
over our sleeping camp in the mountains,
my feelings have been roused almost to a
fever.

A t length we shifted our ground, and
determined to make a descent upon the road
between Terracina and Naples. In the
course of our expedition we passed a day or
two in the woody mountains which rise
above Frosinone.
I cannot tell you how I
felt when I looked down upon the place, and
distinguished the residence of Rosetta.
I

of the town
place of meeti

�V

determined to have an interview with h e r ;
but to what purpose ? I could not expect
that she would quit her home, and accompany
me in mv hazardous life among the mountains. She had bee
for that; and when I looked upon the
women who were associated with some of our
troop, I could not have borne the thoughts
of her being their companion. A l l return
to my former life was likewise hopeless, for
a price was set upon my head. Still I
determined
fruitlessness of the thing made me furious to
accomplish it.

It is about three weeks since I persuaded
our captain to draw down to the vicinity of
Frosinone, in hopes of entrapping some of
its principal inhabitants, and compelling
them to a ransom. W e were l y i n g in
ambush towards evening, not far from the
vineyard of Rosetta's father. I stole quietly
from my companions, and drew near to
reconnoitre the place of her frequent walks.
How my heart beat when among the vines
I beheld the gloaming of a white dress ! I
knew it must be Rossetta's; it being rare for
any female of the place to dress in white.
I
advanced secretly and without noise, until,
putting aside the vines, and stood suddenly
before her.
She uttered a piercing shriek,
but I seized her in my arms, put my hand

�7
upon her mouth, and conjured her to be
silent. I poured out all the frenzy of m y
passion; offered to renounce my mode of
life; to put my fate in her hands; to fly
with her where we might live in safety
together. A l l that I could say or do would
not pacify her. Instead of love, horror and
affright seemed to have taken possession of
her breast.
She struggled partly from my
grasp, and filled the air with her cries.
In an instant the captain and the rest of
my companions were around us. I would
have given any thing at that moment had
she been safe out of our hands, and in her
father's house. It was too late. The captain
pronounced her a prize, and ordered that she
should be borne to the mountains. I
represented
had a previous claim to her; and I
mentioned
bitterly in reply; observed that brigands
had no business with village intrigues, and
that, according to the laws of the troop, all
spoils of the kind were determined by lot.
Love and jealously were r a g i n g in my heart,
but I had to choose between obedience and
death. I surrendered her to the captain,
and we made for the mountains.

She was overcome by affright, and her
steps were so feeble and faltering that it was
necessary to support her. I could not en-

to him
my form

�dure the idea that my comrades should touch
her, and assuming a forced tranquility,
begged that she might be confided to me,
as one to whom she was more accustomed.
The captain regarded me, for a moment,
with a searching look, but I bore it without
flinching, and he consented. I took her in
my arms; she was almost senseless.
Her
head rested on my shoulder; I felt her
breath on my face, and it seemed to fan the
flame which devoured me. Oh G o d ! to
have this glowing treasure in my arms, and
yet to think it was not mine!
W e arrived at the foot of the mountain.
I ascended it with difficulty, particularly
where the woods were thick, but I would
not relinquish my delicious burden. I
reflected
do so. T h e thoughts that so delicate a
creature must be abandoned to my rude
companions, maddened me. I felt tempted,
the stiletto in my hand, to cut my way
through them all, and bear her off in triumph.
I scarcely conceived the idea before I saw
its rashness; but my brain was fevered with
the thought that any but myself should
enjoy
her ch
my companions by the quickness of my
movements,' and to get a little distance
ahead in case any favourable opportunity
of escape should present.
Vain effort!

�9

T h e voice of the captain suddenly ordered
a halt. I trembled, but had to obey.
The
poor girl partly opened a languid eye, but
was without strength or motion. I laid her
upon the grass. T h e captain darted on
me a terrible look of suspicion, and ordered
me to scour the woods with my companions
in search of some shepherd, who might be
sent to her father's to demand a ransom.
I saw at once the peril. T o resist with
violence was certain death, but to leave her
alone, in the power of the captain ! I spoke
out then with a fervour, inspired by my
passion and my despair. I reminded the
captain that I was the first to seize her;
that she was my prize; and that myprevious
sacred among my companions. I insisted,
therefore, that he should pledge me his
word to respect her, otherwise I should
refuse obedience to his orders. His only
reply was to cock his carbine, and at the
signal my comrades did the same.
They
laughed with cruelty at my impotent rage.
What could I do? I felt the madness
of resistance. I was menaced on all hands,
and my companions obliged me to follow
them. She remained alone with the chief
yes, alone and almost lifeless !
Here the robber paused in his recital,
overpowered by his emotions, Great drops of

�10
sweat stood on his forehead; he panted
rather than breathed; his brawny bosom rose
and fell like the waves of a troubled sea.
i When he had become a little calm, he
continued
I was not long in finding a shepherd,
said he. I ran with the rapidity of a deer,
eager, if possible, to get back before what
I dreaded might take place. I had left my
companions far behind, and I rejoined them
before they had reached onehalf the distance
I had made. I hurried them back to the
place where we had left the captain.
As
we approached, I beheld him seated by the
side of Rosetta. His triumphant look, and
the dessolate condition of the unfortunate
girl, left me no doubt of her fate. I know
not how I restrained my fury.
It was with extreme difficulty, and by
guiding her hand, that she was made to
trace a few characters, requesting her father
to send three hundred dollars as her ransom.
The letter was dispatched by the shepherd.
When he was gone, the chief turned sternly
t o m e : " Y o u have set an example," said
he, " o f mutiny and self-will, which, if
indulged, would be ruinous to the troop.
Had I treated you as our laws require, this
bullet would have been driven through your
brain. But you are an old friend; I have
borne patiently with your fury and your

hi

�11
folly. 1 have even protected you from a
foolish passion that would have unmanned
you. A s to this girl, the laws of our association
he gave his commands: lots were drawn, an I
the helpless girl was abandoned to the troop.

must have their c

Here the robber paused again, panting
with fury, and it was some moments before
he could resume his story.
Hell, said he, was r a g i n g in my heart. 1
beheld the impossibility of avenging myself;
and I felt that, according to the articles
in which we stood bound to one another, the
captain was in the right. I rushed with
frenzy from the place; I threw myself upon
the earth ; tore up the grass with my hands,
and beat my head and gnashed my teeth
in agony and rage. When at length I
returned, I beheld the wretched victim, pale,
dishevelled, her dress torn and disordered.
A n emotion of pity, for a moment, subdued
my fierce feelings. I bore her to the foot
of a tree, and leaned her gently against it.
I took my gourd, which was filled with wine,
and applying it to her lips, endeavoured to
make her swallow a little. T o what a
condition
was she
once seen the pride of Frosinone! whom
but a short time before I had beheld sporting
in her father's vineyard, so fresh, and
beautiful,
and happy!

�12

her eyes fixed on the ground; her form
without motion, and in a state of absolute
insensibility, I hung over her in an agony
of recollection at all that she had been, and
of anguish at what I now beheld her.
I
darted round a look of horror at my companions, who seemed
exulting in the downfall of an angel! and
I felt a horror at myself for being their
accomplice.
T h e captain, always suspicious, saw, with
his usual penetration, what was passing
within me, and ordered me to go upon the
ridge of the woods, to keep a look-out over
the neighbourhood, and await the return of
the shepherd. I obeyed, of course, stifling
the fury that raged within me, though I
felt for the moment that he was my most
deadly foe.
On my way, however, a ray of reflection
came across my mind. I perceived that the
captain was but following, with strictness,
the terrible laws to which we had sworn
fidelity. T h a t the passion by which I had
been blinded might, with justice, have been
fatal to me, but for his forbearance ; that
lie had penetrated my soul, and had taken
precautions, by sending me out of the way,
to prevent my committing any excess in my
anger. From that instant I felt that I was
capable of pardoning him.

�13
Occupied with these thoughts, I arrived
at the foot of the mountain. T h e country
was solitary and secure, and in a short time
I beheld the shepherd at a distance crossing
the plain. I hastened to meet him.
He
had obtained nothing.
He had found the
father plunged in the deepest distress.
He
had read the letter with violent emotion, and
then calming himself with a sudden exertion,
he had replied coldly, " M y daughter has
been dishonoured by those wretches : let her
be returned without ransom, or let her die I"
I shuddered at this reply. I knew,
according
was inevitable. O u r oaths required it.
I
felt, nevertheless, that not having been able
to have her to myself, I could become her
executioner!
T h e robber again paused with agitation.
1 sat musing upon his last frightful words,
which proves to what excess the passions
may be carried when escaped from all moral
restraint. There was a horrible verity in
this story that reminded me of some of the
tragic fictions of Dante.
W e now come to a fatal moment, resumed the bandit.
A f t e r the report of the
shepherd, I returned with him, and the
chieftain received from his lips the refusal
of the father.
A t a signal, which we all understood,

to the laws of

�14

we followed him to some distance from the
victim. He there pronounced her sentence
of death. Every one stood ready to execute
his order; but I interfered. I observed
that there was something due to pity as well
as to justice. That I was as ready as any
one to approve the implacable law, which
was to serve as a warning to all those who
hesitated to pay the ransoms demanded for
our prisoners ; but that though the sacrifice
was proper, it ought to be made without
cruelty.
The night is approaching,continue
let her then be dispatched. A l l I now
claim on the score of former fondness for
her is, let me strike the blow. I will do it
as surely, but more tenderly than another.
Several raised their voices against my
proposition,
but the c
them. He told me I might conduct her
into a thicket at some distance, and he relied
upon my promise.

I hastened to seize upon my prey.
There
was a forlorn kind of triumph at having at
length become her exclusive possessor. I
bore her off into the thickness of the forest
She remained in the same state of
insensibility
did not recollect me; for had she once
murmured

and stupo
my name

�15

him who was to poniard her. Many were
the conflicts I underwent before I could
bring myself to strike the blow. But my
heart had become sore by the recent conflicts
it had undergone, and I dreaded lest, by
procrastination, some other should become
her executioner. When her repose had
continued for some time, I separated myself
gently from her, that I might not disturb
her sleep, and seizing suddenly my poinard,
plunged it into her bosom. A painful and
concentrated murmur, but without anyconvulsive
sigh. So perished this unfortunate!

�16

PUSS IN BOOTS.
THERE was a miller who had three sons,
and when he died he divided what he possessed
He gave his mill to the eldest, his ass to
the second, and his cat to the youngest.
Each of the brothers accordingly took
what belonged to him without the help of an
attorney, who would soon have brought their
little fortune to nothing in law-expenses.
The poor young fellow who had nothing
but the cat complained that he was hardly
used: " M y brothers," said he, " by
joining
in the world; but for me, when I have eaten
my cat, and made a fur-cap of his skin, I
may soon die of h u n g e r ! "
The cat, which all this time sat listening just
inside the door of a cupboard, now ventured
to come out, and addressed him as follows:
" Do not thus afflict yourself, my good
master; you have only to give me a bag,
and get a pair of boots made for me, so
that I may scamper through the dirt and
the brambles, and you shall see that you are
not so ill provided for as you imagine."
Though the cat's master did not much

among- the

their

�17

depend upon these promises yet as he had
often observed the cunning tricks Puss used
to catch rats and mice, such as hanging by
the hindlegs, and hiding in the meal to
make them believe that he was dead, he did
not entirely despair of his being of some
use to him in his unhappy condition.
When the cat had obtained what he asked
for, he gaily began to equip himself; he
drew on the boots and putting the bag
about his neck, he took hold of strings with
his forepaws, and, bidding his master take
courage, immediately sallied forth.
The first attempt Puss made was to go
into a warren, in which there was a great
number of rabbits. He put some bran and
some parsley into his b a g ; and then,
stretching himself out at full length as if
he was dead, he waited for some young
rabbits, (which as yet knew nothing of the
cunning tricks of the world) to come and
get into the bag, the better to feast upon the
dainties he had put into it.
Scarcely had he lain down before he
succeeded
young rabbit crept into the bag, and the cat
immediately drew the strings, and killed
him without mercy.
Puss, proud of his prey, hastened directly
to the palace, where he asked to speak to
the king.
On being shown into the apart

as well as

�18

meat of his majesty, he made a low bow,
and s a i d , " I have brought you, sire, this
rabbit from the warren of my lord the
marquis
o
present it to your majesty with the assurance
of his respect." This was the title the cat
thought proper to bestow upon his master.
" Tell my lord marquis of Carabas," replied the king, " th
with pleasure, and that I am greatly obliged
to him."

Soon after the cat laid himself down in
the same manner in a field of corn, and
had as much good fortune as before; for
two fine partridges got into his bag, which
he immediately killed and carried to the
palace. The k i n g received them as he had
done the rabbit, and ordered his servants to
give the messenger something to drink.
In
this manner he continued to carry presents
of game to the k i n g from my lord marquis
of Carabas, once at least every week.
One day, the cat having heard that the
king intended to take a ride that morning
by the river side with his daughter, who was
the most beautiful princess in the world, he
said to his m a s t e r , " I f you will but
off your clothes, and bathe yourself in the
river, just in the place I shall show you,
and leave the rest to me."

follow

m

�The marquis of Carabas did exactly as
he was desired, without being able to guess
at what the cat intended. While he was
bathing the k i n g passed by, and Puss
directly called out as loud as he could bawl,
" Help! help! my lord marquis of
Carabas is in danger of being drowned!"
The k i n g hearing the cries, put his head
out at the window of his carriage to see
what was the matter; when, perceiving
the very cat which had brought him so many
presents, he ordered his attendants to go
directly to the assistance of my lord marquis
of Carabas.
While they were employed in taking the
marquis out of the river, the cat ran to the
king's carriage and told his majesty, that
while his master was bathing, some thieves
had run off with his clothes as they lay by
the river side, the cunning cat all the time
having hid them under a large stone.
The k i n g hearing this, commanded the
officers of his wardrobe to fetch one of the
handsomest suits it contained, and present it
to my lord marquis of Carabas, at the same
time loading him with a thousand attentions.
A s the fine clothes they brought him made
him look like a gentleman, and set off his
person, which was very comely, to the
greatest advantage, the king's daughter
was mightily taken with his appearance,

�20
and the marquis of Carabas had no sooner
cast upon her two or three respectful glances,
than she became violently in love with him.
The k i n g insisted on his getting into the
carriage, and taking a ride with them.
The cat, enchanted to see how well his
scheme was likely to succeed, ran before to a
meadow that was reaping, and said to the
reapers, " Good people, If you do not tell
the king, who will soon pass this way, that
the meadow you are reaping belongs to my
lord marquis of Carabas, you shall be

chopped

The k i n g did not fail to ask the reapers
to whom the meadow belonged. " T o my
lord marquis of Carabas," said they all at
once; for the threats of the cat had terribly
frightened them. " Y o u have hear a very
fine piece of land, my lord marquis," said
the king.
" T r u l y , sire," replied he, " i t
does not fail to bring me every year a plentiful
The cat, which still went on before, now
came to a field where some other labourers
were making sheaves of the corn they had
reaped, to whom he said as before,
"Good
people, if you do not tell the k i n g , who will
presently pass this way, that the corn you
have reaped in this field belongs to my lord
marquis of Carabas, you shall be chopped
as small as minced meat."

harvest."

�J

21
The king accordingly passed a moment
after, and inquired to whom the corn he saw
belonged. " T o my lord marquis of Carabas," answered they very
which the k i n g again complimented the
marquis on his noble possessions.

g

The cat still continued to go before, and
gave the same charge to all the people he
met with; so that the k i n g was greatly
astonished at the splendid fortune of my lord
marquis of Carabas.
Puss at length arrived at a stately castle,
which belonged to an Ogre, the richest ever
known; for all the lands the k i n g had passed
through and admired were his. The cat
took care to learn every particular about the
Ogre, and what he could do, and then asked
to speak with him, saying, as he entered
the room in which he was, that he could not
pass so near his castle without doing himself
the honour to inquire for his health.
The Ogre received him as civilly as an
Ogre could do, and desired him to be seated.
" I have been informed," said the cat,
" that you have the gift of changingyourself
or an elephant, for example."
It is very
true," replied the Ogre somewhat sternly;
" a n d to convince you, I will directly take
the form of a lion." T h e cat was so much
terrified at finding himself so near a lion,

�22

that he sprang from him, and climbed to
the roof of the house; but not without much
difficulty, as his boots were not very fit to
walk upon the tiles.
Some minutes after, the cat perceiving
that the O g r e had quitted the form of a lion,
ventured to come down from the tiles, and
owned that he had been a good dealfrightened.'1have
continued the cat, " but I know not how to
believe it, that you have the power of taking
the form of the smallest animals also; for
example, of changing yourself to a rat or a
mouse; I confess I should think this must
be impossible."
Impossible! you
sha
see;" and at the same instant he chancer
himself into a mouse, and began to frisk
about the room. T h e cat no sooner cast
his eyes upon the O g r e in this form, than
he sprang upon him, and devoured him in
an instant.
In the mean time the k i n g , admiring, as
he came near it, the magnificent castle of
the Ogre, ordered his attendants to drive up
to the gates, as he wished to take a nearer
view of it. The cat, hearing the noise of
the Carriage on the drawbridge, immediately
came out, saying
" Your majesty is
Carabas."
A n d is this splendid castle
your's
my lord marquis of Carabas ?

welcome

�23
I never saw any thing more stately than the
Building,
or more beautiful than the park
and pleasure-grounds around i t ; no doubt
the castle is no less magnificent within than
without; pray, my lord marquis, indulge
me with a sight of it."
T h e marquis gave his hand to the young
princess as she alighted, and followed the
king, who went before; they entered a
spacious hall, where they found a splendid
collation which the Ogre had prepared for
some friends he had that day expected to
visit him; but who, hearing that the k i n g
with the princess and a great gentleman of
the court were within had not dared to enter.
T h e k i n g was so much charmed with the
amiable qualities and noble fortune of the
marquis of Carabas, and the young princess
too had fallen so violently in love with him,
that when the k i n g had partaken of the
collation, and drank a few glasses of wine,
he said to the m a r q u i s , " It will be your
own fault, my lord marquis of Carabas, if
you do not soon become my son-in-law."
T h e marquis received the intelligence with
a thousand respectful acknowledgments,
accepted the honour confered upon him, and
married the princess that very day.
The cat became a great lord, and never
after ran after rats and mice but for his
amusement.

�24
ANCEDOTE.
THE LAWYER AND THE CHIMNEY-SWEEPER.
A

ROGUISH old lawyer was planning new sin,
A s he lay on his bed in a fit of the g o u t ;
T h e mails and the daylight were just coming in,
The milkmaids and rush-lights were just going out;

W h e n a chimney-sweep's boy, who had made a mistake,
Came flop down the flue with a clattering rush,
A n d bawl'd, as he gave his black muzzle a shake,
"
M y master's a-coming to give you a brush."
" If that be the case," said the cunning old elf,
" There's no time to lose it is high time to
flee.
Ere he gives me a brush, I will brush off myself
So he limp'd to the door without saying his prayers;
B u t Old Nick was too deep to be nick'd of his
prey;
For the knave broke his neck by a tumble down
stairs,
And thus ran to the devil by running away.

FINIS.

�</text>
                  </elementText>
                </elementTextContainer>
              </element>
            </elementContainer>
          </elementSet>
        </elementSetContainer>
      </file>
      <file fileId="1981" order="2">
        <src>https://scottishchapbooks.lib.uoguelph.ca/files/original/1d050a9f2bd9f8822e086f0958874df9.jpg</src>
        <authentication>ac707a280ab736d630f26d8e6cae983b</authentication>
        <elementSetContainer>
          <elementSet elementSetId="1">
            <name>Dublin Core</name>
            <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
            <elementContainer>
              <element elementId="50">
                <name>Title</name>
                <description>A name given to the resource</description>
                <elementTextContainer>
                  <elementText elementTextId="24749">
                    <text> Illustration  on title-page of  a sitting man holding a rifle &#13;
in an outdoor scene with ruins in the background.</text>
                  </elementText>
                </elementTextContainer>
              </element>
            </elementContainer>
          </elementSet>
        </elementSetContainer>
      </file>
    </fileContainer>
    <collection collectionId="31">
      <elementSetContainer>
        <elementSet elementSetId="1">
          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="26471">
                  <text>Woodcut 024:  Title-page illustration of  a man sitting with a rifle with ruins in the background.</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="22177">
                <text>Storys of the young robber, and Puss in boots</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="52">
            <name>Alternative Title</name>
            <description>An alternative name for the resource. The distinction between titles and alternative titles is application-specific.</description>
            <elementTextContainer>
              <elementText elementTextId="22178">
                <text>Puss in boots</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="78">
            <name>Extent</name>
            <description>The size or duration of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="22180">
                <text>24 pages</text>
              </elementText>
              <elementText elementTextId="24628">
                <text>16 cm</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="22181">
                <text>&lt;a href="https://ocul-gue.primo.exlibrisgroup.com/permalink/01OCUL_GUE/mrqn4e/alma9935682553505154"&gt;s0587b41&lt;/a&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="22182">
                <text>29 printed at the foot of the title page</text>
              </elementText>
              <elementText elementTextId="26994">
                <text>Woodcut #24: Illustration  on title-page of  a sitting man  holding a rifle in an outdoor scene with ruins in the background.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="37">
            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="22183">
                <text>Archival and Special Collections, University of Guelph Library, Guelph, Ontario, Canada</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="22185">
                <text>In the public domain; For high quality reproductions, contact Archival &amp; Special Collections, University of Guelph. libaspc@uoguelph.ca, 519-824-4120, Ext. 53413</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="24626">
                <text>JPEGs and PDF derived from master file, which was scanned from the original book in 24-bit color at 600 dpi in TIFF format using an Epson Expression 10000XL scanner.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="24627">
                <text>1840-1850?</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="24711">
                <text>Glasgow: Printed for the Booksellers</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="26298">
                <text>Archival &amp; Special Collections, University of Guelph Library, Guelph, Ontario</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="26301">
                <text>Chapbooks - Scotland - Glasgow</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="26472">
                <text>fairytale/folk lore</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
    <tagContainer>
      <tag tagId="147">
        <name>Architecture: ruins</name>
      </tag>
      <tag tagId="103">
        <name>Bib Context: title-page</name>
      </tag>
      <tag tagId="106">
        <name>Chapbook Date: 1841-1850</name>
      </tag>
      <tag tagId="297">
        <name>Chapbook Genre: fairytale/folk tale</name>
      </tag>
      <tag tagId="91">
        <name>Gender: man/men</name>
      </tag>
      <tag tagId="144">
        <name>Nature: tree(s)</name>
      </tag>
      <tag tagId="102">
        <name>Outdoor Scene</name>
      </tag>
      <tag tagId="148">
        <name>Weapons: gun(s)</name>
      </tag>
    </tagContainer>
  </item>
  <item itemId="1054" public="1" featured="0">
    <fileContainer>
      <file fileId="1971" order="1">
        <src>https://scottishchapbooks.lib.uoguelph.ca/files/original/37612a07cf6f7236810b0f4742f97443.jpg</src>
        <authentication>fa8a33e42102afe71bd8251c4cbf12f9</authentication>
        <elementSetContainer>
          <elementSet elementSetId="1">
            <name>Dublin Core</name>
            <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
            <elementContainer>
              <element elementId="50">
                <name>Title</name>
                <description>A name given to the resource</description>
                <elementTextContainer>
                  <elementText elementTextId="24786">
                    <text>Woodcut on title-page portraying a bull charging a man on rocky terrain </text>
                  </elementText>
                </elementTextContainer>
              </element>
            </elementContainer>
          </elementSet>
        </elementSetContainer>
      </file>
      <file fileId="1972" order="2">
        <src>https://scottishchapbooks.lib.uoguelph.ca/files/original/675f04f5a6d5dadd02d401394f2dd5c0.pdf</src>
        <authentication>2c78690376c26d798f2bbefa6419abae</authentication>
        <elementSetContainer>
          <elementSet elementSetId="7">
            <name>PDF Text</name>
            <description/>
            <elementContainer>
              <element elementId="119">
                <name>Text</name>
                <description/>
                <elementTextContainer>
                  <elementText elementTextId="22125">
                    <text>STORYS OF
THE

THREE

BEGGARS

SOLDIER'S WIFE,

AND

JACK EASY,

GLASGOW
PRINTED FOR TIIE BOOKSELLERS,

��THE THREE

BEGGARS.

THREE blind beggars were on their way from
Cornpiegne, to seek alms in the neighbourhood. They kept the high road to Seal is,
and walked at a great pace, each holding a
cup and stick in his hand. A young
ecclesiastic, well mounted, who was riding
towards Compiegne, and attended by a valet
on horseback, was struck at a distance with
their steady and rappid strides.
" Those fellows," said he, " for men who
appear blind, make very firm steps; PJ1 endeavour to find them out, and see if they are
not impostors."
Accordingly, as he came near them, and
as the beggars, hearing the trampling of the
horses' feet, had ranged themselves in a line
to ask for charity, he called to them, and
pretending to give them some money, but in
reality giving them nothing, said :—
66
There is a besant; it is intended for
you all three; and you will divide it between
you."
" Yes, your reverence; and may God
bless you in return for it!"
Although no one of them received the

�4
money? yet each was confident his comrade
had got it. Thus, after many thanks and
good wishes to the horseman, they resumed
their march, full of spirits; but at the same
dme slackening their pace.
The churchman feigned also to proceed
on his journey: but at some distance he
alighted, and delivering his horse to the care
of his valet, directed him to wait his arrival
at the gates of Compiegne : he then gently
approached the beggars, and followed them,
10 watch the issue of the adventure.
When they 110 longer heard the noise of
horses, the leader of this little band halted.
" Comrades," said he, " we have made a
good day's work ; and I think we had best
return to Compiegne, and spend the money
this good christian hath given us. It is a
long time since we have had a carousal:
and now we have enough to enjoy ourselves
completely, let us think of nothing but pleasure.
On their arrival in town, they heard aery
of u Good wine!—wine of Soisons!—wine
of Auxerre !—lish and good fare! Walkin gentlemen ; pray walk in."
They would not go any farther, but enter' d the first house; and after having cautioned
the people not tojudge of their means by their
outward appearance, (in the tone of men who
derive confidence from the weight of their

�5
purse) they desired that they might be served
quickly and well.
Nicholas (for that was the name of the
landlord) being used sometimes to see persons
of their vocation spend more than such as
appear to be much more in affluent circumstances, received them respectfully.
He
showed them into his best dining-room;
begged they would be seated, and order what
they liked best; assuring them that there
was nothing in Compiegne but what he could
set before them, and in a style that would
give them perfect satisfaction.
They desired that plenty of good tilings
mi^ht be got ready; and, instantly, master,
waiter, maid, all in the house set about it.
A neighbour was even sent for to assist.
At length, by virtue of several hands and
good speed, they contrived to serve up a
good dinner of live dishes; and immediately
the beggars sat down to it, laughing, singing, drinking to each other, and diverting
themselves with clumsy jokes on the simple
traveller who was at the expence of the
feast.
He had followed them with his valet to
the inn, and was within hearing of the merriment.— He even resolved, that he might
not lose any part of it, to dine and sup in a
snug manner with the landlord. The beggars all this while occupied the best room,

�,:nd were waited on like noblemen. Their
mirth was thus prolonged till the night was
pretty far advanced, when, to make a suitable close to so jovial a day, they each called
ft/r a bed, and went to rest.
The next morning the landlord, who
wanted to get rid of them, sent his servant
to call them up. When they were come
down stairs, he made out their bill, which
amounted to ten pence.
That was the
moment the mischievous churchman so impatiently expected. To enjoy the transaction more at his ease, he came and posted
himself in a corner of the room, but without
showing himself, least his presence might be
a restraint on the guests.
u
Master," says the blind men to the landlord, ' ' we have a besant; take your account,
and give us our change."
He holds out his hand to receive it; and,
ns no one offers it him, he asks them again,
when each says, " It is not I."
The landlord then gets into a passion.—
u
So, gentlemen vagrants, you think I am
to serve here as a butt for your diversion.
Be so good as to end all this mockery, and
pay me immediately my ten-pence, otherwise
I'll give you all three a drubbing."
1 hey then began to enquire of each other
for the piece of money—to suspect each
other's honesty—to call names—to quarrel;

�7
ti!l at length such an uproar and confusion
ensued, that the landlord, after giving each
of them a box on the ear, called his servant
to come down with two good sticks.
The ecclesiastic all this while kept laughing in his hiding-place till he was ready to
fall into convulsions. But when lie found
the affair was becoming serious, and heard
them talk of sticks, he came forward, and,
with an air of surprise, asked the cause of
the quarrel. " Sir, here are three knaves
who came yesterday to consume my provisions ; and now I ask them for my due, they
have the insolence to mock me. But, by
all that's sacred, they shall not get off :n
that manner, and before they go out
."
" Softly, softly, master Nicholas," said
the churchman, "these poor men have not
wherewithal to pay you; and, in that case,
they deserve rather your pity than your resentment. How much does their bill amount
to?"
" Ten-pence."
" W h a t ! is it for so paltry a sum that
you raise all this disturbance?
Come,
make yourselves easy; I will take it upon
myself. And, for my part, what am I to
pay you ?"
"Five-pence, Sir."
" That's enough. I shall pay you fifteenpence ; now let these unfortunate men go;

�8
and know that to harass the poor is a sin of
the first magnitude."
The blind men, who were terrified at the
apprehension of the bastinado, made their
escape with all possible haste; while Nicholas,
who had reckoned 011 losing his ten-pence^
(being delighted to find a person to pay it)
launched out into the most flattering encomiums 011 the churchman.
" What a good man !" cried he; " that
is the kind of priests we should have, and
then they would be respected. But, unfortunately, there are lew such ! Be assured,
Sir, so handsome an action will not go unrewarded. You will prosper in the world,
take my word for it; and will find the good
effects of your generosity."
All that the crafty traveller had been
saying to his host, was but a fresh piece of
roguery on his part; for, in luring the inn- .
keeper with such ostentation of generosity,
he only meant to trick him as he had already
done the beggars.
Just at that moment the parish-bell was
ringing to prayers. He asked who was to
perform the service: they told him it wa3
their parson.
" As he is your pastor, master Nicholas,"
he further said, " you are mopt probably
acquainted with him ?
" Y e s , Sir."

�9
" And if lie would engage to pay the
fifteen-pence that I owe you, would you not
acknowledge us quit ?"
" Undoubtedly, Sir, if it were thirty, and
you desired it."
" Well then, come along with me to the
church, and we will speak to him."
They went out together; but first the
ecclesiastic directed his valet to saddle the
horses, and to keep them in readiness.
The priest, as they entered the church,
had just put on his sacerdotal habit, and was
going- to read prayers.
u
This will keep us very long," said the
traveller to his host; 6 6 1 have not time to
wait, but must proceed immediately upon
my journey. It will satisfy you, I should
imagine, to have the parson's word for the
money ?"
Nicholas having nodded assent, the other
went up to the parson, and dexterously slipping into his hand twelve deniers, said :—
u
Sir, you will pardon my coming so near
the pulpit to speak to you; but much ceremony need not be observed between persons
of the same condition. I am travelling
through your town, and lodged last night
at one of your parishioners', whom in all probability you know, and whom you may see
hard by. He is a well-meaning man, honest,
and entirely exempt f n m vice; but, unfor-

�10
tunately, his head is not so sound as his
heart; his brain is somewhat cracked: last
night one of his fits of madness prevented
us all from sleeping. He is a good deal
better, thank God, this morning; nevertheless, as his head is still aliected, and full ol
religion, he begged we would conduct him
to church, and that he might hear you say
a prayer, that the Lord may, in his good3iess, restore him to perfect health."
" Most cheerfully," answered the parson.
He then turned to his parishioner, and said
to him, u Friend, wait till I have done the
service, when I'll take care that you shall
have what you desire."
Nicholas, who thought this an ample assurance of what he went for, said 110 more :
but attended the traveller back to his inn,
wished him a good journey, and then returned to the church to receive his payment from
the parson.
The latter, as soon as he had performed
the service, came with his stole and book
towards the innkeeper.
" Friend," said he, " go down upon your
knees."
The other, surprised at this preamble,
observed that there was 110 occassion for such
ceremony in receiving fifteen-pence.
66
Truly they are not mistaken," said the
parson to himself; u this man cannot be in

�11
his right senses." Then asuining a tone of
soft insinuation, u Come, my good friend,"
said he, " place your trust in God; he will
havre pity on your condition."
At the same time he puts the Bible on thp
other's head, and begins his prayer.—
Nicholas, in anger, pushes away the book;
declares he cannot stay to be trifled with,
guests being waiting for him at his house;
that he wants his fifteen-pence, and has no
occasion for prayers.
The priest, irritated at this, calls to Lie
congregation, as they were going out KA
church, and desires thern to seize the ma
who was raving.
" No, 110! 1 am not mad; and, by Si.
Corneille, you shall not trick me in this
manner. You engaged to pay me, and 1
will not leave this place till I get my
money."
" Seize him ! seize him!" cried the priest
They accordingly lastened upon the poor
devil; one taking hold of his arms, another
of his legs, a third clasping him round the
middle, while a fourth exhorted him to be
composed. He makes violent efforts to gel
out of their clutches, swears and foams with
rage, like one possessed,—but all in vain ;
for the parson puts the stole round his neck,
and reads quickly his prayer from beginning
to endj without excusing him a single word. - —

tJ

�After which he sprinkles him copiously with
holy water, bestows on him a few benedictions, and lets him loose.
The unlucky wight saw clearly that he
had been made a dupe—He went home,
overwhelmed with shame and vexation at
the loss of his fifteen-pence ; but then he had
in lieu of them, got a prayer and benediction.

�13
THE SOLDIERS

WIFE.

WALDEN was playing on his flute in a slow
and pensive strain, when the mournful cries
of a child, and the complaining voice of a
woman, struck his ears. 66 Oh ! merciful
God ?" exclaimed the poor creature, u hear
with compassion the moans of my unhappy
babe !"
Walden ceased to play, and looking over
the hedge, he surveyed the child with compassion, as the woman lay on the grass to
rest herself: he asked her, in a soft voice,
why the poor infant cried.
u
He is hungry," replied the wroman,
weeping bitterly, u we have not had anything to eat since yesterday morning."
u
Gracious God! since yesterday morning ! wait here a few minutes, and I will
v
eturn."
He flew away with incredible swiftness,
and re-appeared in a short time, with a bowl
of milk and a small loaf, towards which the
child stretched out his little arms, and the
woman to whom he delivered them began to
feed it.
u
Sit down my good woman, and eat of it

�*

4

yourself," said Walden, u I will take jarcof
your infant." Placing himself on the gTaS3
beside it, he dipped a bit of the loaf in tlie
milk, and patiently assisted his little famished charge.
The child looked up in his face and smiled:
Walden, pleased and affected at this intuitive mark of gratitude, kissed its little forehead.
u
What is your occupation?" he asked
the woman, who was eating with avidity;
"you are, I suppose, the mother of this little
creature : where do you live ?"
u
No, it is not my own," replied she, &lt; -and
I did not know its parents. I am the wife
of a poor soldier, my worthy sir, and I have
travelled from beyond Berlin a great way;
my husband had been away from me three
years, and I wanted to see him again—for I
loved him dearly. My own two little children I left with their grandmother, and I
sold every thing I did not absolutely want at
home, that I might carry him a little trifle
of money. Accordingly I set out, and got
to the end of my journey just as my husband
had marched with his corps to drive a party
of Austrians from some little village; so
when it was all over, and they had done
what they had been ordered, 1 ran to the
place to meet him."
Here the poor woman burst into tears.

�15
u

And when I got there lie was dying of his
wounds; yet he knew me, and stretched out
his hand, saying, &lt; Oh, Annete! our child r e n T h e s e were his last words; I thought
I should have died too, but God willed, for
the sake of our little ones and this babe,
that I shoidd live. In the same house where
my poor husband expired, was the wife of an
Austrian soldier, who died two days afterwrards, and left this babe, which nobody on
earth seemed to take care about. Almost all
the village had been burned down, and all
the inhabitants had run away; so that when
our soldiers marched, I begged them to take
the poor child with them ; but then they said
to me, 6 What could wre do with it ?' and
that was very true; but to let the child stay,
and die with hunger, was impossible; so 1
resolved to take it, let what would happen :
and I set out to return to my own home,
with the babe in mine arms. In my way I
was weary enough; but I never met with
any body that took compassion on me or my
burden, so I walked on; but I fell sick, as
you may see by my looks, and spent the
little money I had left, and then I sold my
clothes and every thing I could spare. All
wrent except these poor rags; vet still I
thought if I could but get home I should do
very well. I am used to hard work, and I
could even do for this little creature, who has

�16
nobody in the world but me to put a morsel
of bread into its poor mouth; so I can't bear
to let it starve !"
As she said this, she pressed the child to
her bosom, and her tears dropped upon it,
whilst she repeated, " i f I was but able to
work, or I couM but get enough to keep it
till I reach my home!"
" Poor babe!" said Walden, " poor, yet
happy creature, who, in losing her who gave
thee birth, found a second mother! eyes
that dropt tears of pity on thy lot, and a
heart that loves thee! no, thou slialt not
from hard necessity be deserted!"
Walden then wrote upon a leaf of his
pocket-book the name of the woman, and
that of the village where she informed him
she lived with her family; and giving her a
small sum of money, promised that he would
remit the same to her every year.
The woman, on holding the gold in her
hand, which had never contained so much
before, exclaimed, " O h ! this is to much,
worthy sir:" and being desired to keep it,
die added, " w e shall now be rich indeed!
my own little ones, and this one, and their
grandmother, we shall all be rich !"
"Goodcreature!" exclaimed Walden with
emotion, " y o u are rich indeed, in a heart
to which all other riches are dross! your
humanity to this orphan will be better re-

�warded ; but if this were my last crown you
should have it. Hasten away, or I may be
tempted to take the child, to have the pleasure of bringing it up, that it may love me
as it will you." On hearing this, the woman
hastily pressed the infant to her bosom, and
giving Walden a farewell benediction, pursued her journey with alacrity.

)

�18
BARON TRENCK.
• •
BARON TRENCK, at the time of the first war

between the king of Prussia and the house
of Austria, being young and enterprising,
offered himself, with a small band of determined men, to carry off the king of Prussia,
when he went out from his camp to reconnoitre the position of the Austrians. In fact,
he did attempt the enterprise; but succeeded
so ill that he was taken prisoner himself, and
condemned to perpetual confinement in the
castle of Magdeburgh. The treatment he
received was equally singular and cruel.
He was chained, standing against the wall;
F that, for several years, he coidd neither
O
sit nor lie down. His gaurds had orders not
to let him sleep more than a certain time;
very short, but long enough to prevent his
strength from being entirely exhausted.
He remained four or five years in this dreadfid situation; after which, there being
reason to fear he could not live long in that «
&lt;
state, he was chained in such a manner that
he might sit down, which appeared to him
to be a great alleviation of his sufferings.
He told me himself, that after having suffered

�19
severe illness during the first year of his imprisonment, his constitution, which was
strong and robust, was so unbroken, that he
recovered his health; and though he received
no other sustenance than bread and water,
yet he was remarkably well, and resumed
his former gaiety. In this state of mind he
found means to soothe the tedium of so long
an imprisonment by making verses; which
he set to music as well as he could, and sung
for half the day. As he had nothing worse
to dread, the king of Prussia was frequently
the subject of his songs, and was not spared
in them. He also had recourse to the power
of imagination, to soothe the horrors of his
situation; and the whole time that he did
not spend in singing, was passed in turning
his ideas to all the agreeable conditions whicli
it was possible for him to conceive. He was
almost brought to consider these wanderings
of his imagination as realities, and to regard
his misfortunes as mere dreams. At last the
Empress Queen, who for a long time had
believed that lie was dead, being informed of
his miserable existence, solicited his liberty
from the king of Prussia with so much earnestness, that she obtained his release. I
saw him at Aix-la-Chapelle, enjoying very
good health; having married a handsome
woman, the daughter of one of the principal
inhabitants of that imperial city, to which

�20
lie had retired, that he might not be exposed
to the power of an arbitrary goverment.
He published several German works, some
of which are the fruits of the reflections he
made during the time of his imprisonment;
some poetry against the king of Prussia,
and some details relative to the manner in
which he passed his time at MagdeburgL
He gave them to me himself; and though
his works had no great merit in the style,
yet the singularity of his thoughts, and the
extraordinary fate of the author, rendered
them interesting.
What astonished me
most in him was, the force of mind, the
courage, and the constancy which had supported him in a situation in which there was
no hope of his seeing better days. He appeared now to have forgotten the whole, or to
recall the remembrance of his past sufferings,
only that he might the better enjoy the happiness of his present condition. He was
very gay; and there were moments when
one might have supposed, without doing
him great injustice, that his reason had been
in some degree affected by his long confinement; but it was only surprising that this
did not appear in a more eminent degree.*
* Poor Treiiek, wishing to take a part in the French
Revolution, went to Paris in the year 1 7 9 3 , and was
guillotined on the 25th of July, 1 7 9 4 , two days before
the execution of Robespierre

�21

J A C K EASY.

4

But Hmlibras, who scorn'd to stoop
To Fortune, or be said to droop,
Cheer'd up liiinself with ends of verse,
And sayings of philosophers."

AMONG the happy people in the world, art
those, in whose minds nature or philosophy
has placed a kind of acid, with which care
or disappointment will not easily mix.
This acid differs very much from ill-nature;
it is rather a kind of salt, expressed from
frequent observations on the folly, the vanity,
and the uncertainty of human events; from
that best of all philosophy, which teaches us
to take men as we find them, and circumstances as they occur, good or bad, for better
or lor worse; that dwells not on future prospects, reflects not on past troubles, and cares
not a lig for present difficulties, but dexterously turns them to ridicule or advantage;
snatching, at every opportunity, accidental
pleasures, and nobly bearing up against the
rubs of ill-fortune.
When reflections upon the troubles of life
are mixed up in a disposition naturally illtempered, they compose what is called

�22
melancholy; but as they have no chemical
affinity with good humour, they will not
easily combine; and the small particles that
are miscible, produce only the sweet and acid
salt of true philosophy.
Such a traveller, in his journey through
the world, was my honest friend Jack Easy.
Jack came to a good fortune at the death of
his father, and mounted his hobby without
its ever having been properly broken in ; he
galloped over the plains of Fancy, went off
in a full canter to the road of Dissipation,
and leaped over all the five-barred gates of
Advice and Discretion. It may naturally
be supposed, that before long his filly gave
him a fall: poor Jack came down sure
enough ; but he only shook himself, brushed
off the dirt of the road, and mounted again
in as high spirits as ever; excepting, that
he nowT began to sit firmer in the saddle, and
to look about him : this, however, did not
hinder him from getting into a swamp, called
a law-suit, where he remained a considerable
time before he could get out: his fortune
was now reduced from some thousands to a
few hundreds; and by this time, no man
better knew the way of life than my friend
Jack Easy. He had been through all the
dirty cross-roads of business, money-borrowing, bankruptcy, and law; and at last
arrived at a goal.

�23
My friend Jack did not despond; he
consoled himself with the reflection that he
was a single man; some of his misfortunes
were the consequences of his own imprudence,
others of unforseen accidents, and most of
them originated from his good nature and
generosity. He, however, never excused;
lie lumped them all together, took them in
good part, and blamed nobody but himself;
he whistled away his troubles, and often repeated.
" I am out of Fortune's power :
" H e who is down can sink no lower."

The goddess, however, at last put on her
best smiles, and paid Jack a visit in the
King's-Bench, in the shape of a handsome
legacy. Jack smiled at the thing, being,
as he called it, so extremely a-propos! and
once more mounted his nag. He now rode
more cautiously, and turned into the road of
Economy, which led to a comfortable inn
with the sign of Competency over the door;
lie had borrowed a martingale from an old
hostler called experience; and for the first
time in his life used a curb. He began
already to find, that though he did not gallop
away as formerly, yet he went on in his journey pleasantly enough. Some dashing riders
passed him, laughing at his jog-trot pace;
but he had no occassion to envy them long;
for presently some of them got into nits, others

�24
wore stuck fast in bogs and quagmires, and
the rest were thrown from their saddles to the
great danger of their necks. Jack Easy,
meanwhile, jogged on merrily; hot or cold,
wet or dry, he never complained; he now
preferred getting off, and opening a gate, to
leaping over it; and smiled at an obstacle
as at a turnpike, where lie must necessarily
pay toll.
The man who is contented either to walk,
trot, or canter through life, has by much the
advantage of his fellow travellers. He suits
himself to all paces, and seldom quarrels with
the tricks which the jade Fortune is sometimes disposed to play him. You might now
see Jack Easy walking his hobby along the
road, enjoying the scene around him, with
contentment sparkling in his eyes. If the
way happened to be crowded with horsemen
and carriages, you might observe him very
readily taking his own side of the road, and
letting them pass. * If it began to rain or
blow, Jack only pulled up the collar of his
great-coat, flapped his hat, and retreated to
the best shelter he could find till the storm
was over.
Thus my frienu Jack Easy came in with
a jog-trot to the end of his journey, leaving
his example behind him as a kind of fingerpost for the good of other travellers,
FINIS.

�</text>
                  </elementText>
                </elementTextContainer>
              </element>
            </elementContainer>
          </elementSet>
        </elementSetContainer>
      </file>
    </fileContainer>
    <collection collectionId="36">
      <elementSetContainer>
        <elementSet elementSetId="1">
          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="26636">
                  <text>Woodcut 029_a: Title-page illustration of a bull charging a man on rocky terrain.</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="22110">
                <text>Storys of the Three Beggars, Soldier's Wife, Baron Trenk, and Jack Easy.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="52">
            <name>Alternative Title</name>
            <description>An alternative name for the resource. The distinction between titles and alternative titles is application-specific.</description>
            <elementTextContainer>
              <elementText elementTextId="22111">
                <text>Soldier's Wife</text>
              </elementText>
              <elementText elementTextId="22112">
                <text>Baron Trenk</text>
              </elementText>
              <elementText elementTextId="22113">
                <text>Jack Easy</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="78">
            <name>Extent</name>
            <description>The size or duration of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="22115">
                <text>24 pages</text>
              </elementText>
              <elementText elementTextId="24640">
                <text>16 cm</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="22116">
                <text>&lt;a href="https://ocul-gue.primo.exlibrisgroup.com/permalink/01OCUL_GUE/mrqn4e/alma9934228083505154"&gt;s0585b29&lt;/a&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="22117">
                <text>31 printed at the foot of the title page</text>
              </elementText>
              <elementText elementTextId="27121">
                <text>Woodcut #29a: Illustration on title-page of a bull charging a man on rocky terrain </text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="37">
            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="22118">
                <text>Archival and Special Collections, University of Guelph Library, Guelph, Ontario, Canada</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="22120">
                <text>In the public domain; For high quality reproductions, contact Archival &amp; Special Collections, University of Guelph. libaspc@uoguelph.ca, 519-824-4120, Ext. 53413</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="22121">
                <text>1840-1850 per National Library of Scotland</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="24639">
                <text>JPEGs and PDF derived from master file, which was scanned from the original book in 24-bit color at 600 dpi in TIFF format using an Epson Expression 10000XL scanner.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="24787">
                <text>Glasgow: Printed for the Booksellers</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="24851">
                <text>English</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="26307">
                <text>Archival &amp; Special Collections, University of Guelph Library, Guelph, Ontario</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="26637">
                <text>fairytale/folk lore</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
    <tagContainer>
      <tag tagId="206">
        <name># of Woodcuts: 1</name>
      </tag>
      <tag tagId="253">
        <name>Activity: running</name>
      </tag>
      <tag tagId="254">
        <name>Animal: bull(s)</name>
      </tag>
      <tag tagId="103">
        <name>Bib Context: title-page</name>
      </tag>
      <tag tagId="106">
        <name>Chapbook Date: 1841-1850</name>
      </tag>
      <tag tagId="297">
        <name>Chapbook Genre: fairytale/folk tale</name>
      </tag>
      <tag tagId="105">
        <name>Chapbook Publisher - Glasgow: Printed for the Booksellers</name>
      </tag>
      <tag tagId="91">
        <name>Gender: man/men</name>
      </tag>
      <tag tagId="155">
        <name>Nature: flower(s)</name>
      </tag>
      <tag tagId="255">
        <name>Nature: rock(s)</name>
      </tag>
      <tag tagId="144">
        <name>Nature: tree(s)</name>
      </tag>
      <tag tagId="102">
        <name>Outdoor Scene</name>
      </tag>
    </tagContainer>
  </item>
  <item itemId="1052" public="1" featured="0">
    <fileContainer>
      <file fileId="1968" order="1">
        <src>https://scottishchapbooks.lib.uoguelph.ca/files/original/2cce36cfd7aea44a9cc109fad6ff099c.pdf</src>
        <authentication>c36fd6941a0cfe1c9edc36abc95cef17</authentication>
        <elementSetContainer>
          <elementSet elementSetId="7">
            <name>PDF Text</name>
            <description/>
            <elementContainer>
              <element elementId="119">
                <name>Text</name>
                <description/>
                <elementTextContainer>
                  <elementText elementTextId="22096">
                    <text>THE STORY

OF THE

LITTLE

WHITE

MOUSE:

OR THE

OVERTHROW OF THE TYRANT KING.

GLASGOW:
PRINTED FOR THE BOOKSELLERS.

30

�LITTLE WHITE

MOUSE.

ANCIENT history furnishes an example of a
k i n g and queen so tenderly attached to each
other, that nothing was wanting to make
their felicity complete.
Their wishes and
their sentiments corresponded exactly on all
subjects; they went frequently to hunt, killing
various sorts of game, and the stag often
became the object of their amusement, or the
victim of their exertions ; they visited the
rivers for the diversion of fishing; and, in
short, whatever gratified the one, became a
source of real delight to the other.
Their
subjects followed so amiable an example,
and thus the happiness of all the nation
consisted
happy.

in mu

T h e k i n g of an adjoining state, whose
manners and dispositions were directlycontrar
k i n g of the L a n d o f Pleasure; for so the
country was called, on account of the
tranquillity
and j o y
there. He was a declared enemy to pleasure;

�3

he sought for nothing but wounds and
bruises; his air was stern and forbiding,
with a l o n g beard and hollow eyes.
H e was
lean and withered always dressed in black ;
his bristly locks were dirty and uncombed;
there was no way so secure to obtain his
favour, but by committing the most atrocious
murders or assassinations: he took upon

himself the office of public executioner,becausehed
suffered. T h i s kingdom was therefore called
the L a n d of Tears,
T h i s wicked wretch, unworthy to possess
a throne, raised an immense army, and
determined with it to spread through the
territory o f this happy neighbour that desolation which was his greate
W h e n all was ready he began his m a r c h ;
but the news of his intention reached the K i n g
of the L a n d of Pleasure l o n g before the
invading
best possible state of defence, and waited the
attack with firmness and resolution.
But
the timid disposition of the queen suggested
a thousand f e a r s : " Sire' said she, " l e t
usfly;let us take the, wealth we possess,
and seek that safety in another quarter or
the world which we cannot now find here."
" I t is m y duty, madam," said the k i n g ,
to remain and protect m y subjects. I am
determined, therefore, to share
their

army, who put

�4
H e then assembled his forces, took a tender
leave of the queen, and marched out to meet
the enemy.
A s soon as he was departed, the queen
g a v e way to the excess of her sorrow, and
clasping her hands together, " A l a s !"
exclaimed
should fall in battle, I shall be left a widow,
in the power of a cruel monster, and my
unborn
idea redoubled her affliction. T h e k i n g wrote
to her every d a y ; but one morning, when
she was watching for the usual messenger,
with fear pictured in his countenance, he
dismounted immediately, and entering her
presence, " O h ! madam," said he, " a l l is
lost; the k i n g , is slain, the army defeated,
and the ferocious conquerer almost at our
backs."

she,

chil

T h e poor queen fell senseless; her attendants carried her to
stood weeping round; they tore their hair
in the bitterness of their affliction, and no
scene in the world could have been more
affecting. B u t their sobs and lamentations
were soon drowned by the cries that every
where spread through the palace of the cruel
manner in which the victorious army was
desolating the city.
T h e wicked k i n g , at
the head of his savage troops, was incessantly
employed
in e x c i t i n g them to acts of cruelty

�5

and plunder; and, thus directed, they slew,
without discrimination, every person they
met.
H e entered the palace, and penetrated
without ceremony into the most , retiredapartments,whe
distresses unmoved, and b y his ferocious
manner and brutal threats, added terror to
the pangs she felt before.
T h u s , too much
intimidated to answer a word, this monster
of a k i n g , supposed her silence to proceed
from sullenness and ill humour; he seized
her rudely by the hair, which the negligence
of g r i e f had suffered to fall loosely on her
shoulders, and then d r a g g i n g her from the
bed on which she lay, he through her across
his shoulders, and carried her a w a y without
remorse; he then mounted with her on his
steed, and rode off.
She besought him, with
tears and supplications, to have pity on her
sufferings; but he mocked her cries, and
said to her, u Weep on ; your complaints
are a source of pleasure and deversion to
me."

He carried her towards his own capital,
and, during the time that he was on the road,
he took the most dreadful oaths that he would
h a n g her as soon as he readied i t ; but he
was soon informed, on his arrival, that the
queen was pregnant.
W h e n the wicked k i n g knew this, a

�6

thought struck him;
daughter he could marry her to his son, and
to ascertain whether it was a daughter that
she should have, he sent for a fairy who lived
on the frontiers of his dominions. W h e n
she arrived, he entertained her with much
more hospitality than he showed to his most
intimate friends, and then led her to a tower,
in the highest room of which the poor queen
was confined. N o t h i n g Could Equal the misery
of the poor queen, and the unpleasantness of
her
apartment.
T h e broken casements
admitted both the wind and the rain, the
flooring was broken in several places, and
the damps that ran down the walls were
dangerous, especially to a person of so weak
a constitution as the queen ; the bed was
composed of nothing but an old matress,
worse than is found in the habitations o f the
poorest class of people,
in this miserable
condition, the queen passed both day
night, weeping bitterly at the thoughts
of
her own situation, and for the death of the
king her husband.
T h e fairy's heart was touched
so deplorable a s i g h t ; she embraced the
queen, and, at the same time, she whispered
her ear the following Words: " T a k e
courage,madam,your misfortunes will soon
be at an end ; I hope soon, to contribute to
your
happiness."
T h e queen was a little

�consoled by these words, and earnestlyentreated
princess, who had once enjoyed the greatest
favours of f o r t u n e ; instead of which, she
could now boast of nothing but suffering
the greatest misery.
T h e y were thus talking together, when the
wicked king, g r o w i n g ; impatient,
Come,
come'
said he, " let us not have so many
compliments ; I brought you here to inform
me whether the queen will have a daughter
or s o n ' " She is pregnant of a daughter,"
replied the fairy, " w h o will be the most
beautiful and, most accomplished princess
that has ever been seen, and the queen will
wish to see her placed in the highest possible
situation of rank and honour."
" I f she is
not very beautiful and accomplished," said
the k i n g , " I will h a n g her mother to a tree,
with the child at her neck, and nothing shall
prevent it." H a v i n g said this, he left the
place with the fairy, and took no notice, of
the unfortunate queen, who wept bitterly,
what shall I do ? I f I have a beautiful little
girl, he will give her to his reptile of a son;
and if she is u g l y , he will h a n g us both.
T o what an extremity am I reduced !
he can never see it ?"

T h e time approached when trie little princess

thus lamen

Cannot

I

�8
cess was to come into the world, and the
gaoler who guarded her g a v e her nothing
but three boiled peas and a small bit of black
bread for her food during the d a y ; by which
she was reduced so thin as to become little
else than skin and bone.

distress

O n e evening while she was employed in
spinning, (for the wicked k i n g was so
avaricious
as
him) she saw, entering at a small hole, a
pretty little mouse as white as snow. " A h !
pretty creature," exclaimed the queen,, " w h a t
do you come here to seek ? I have but three
peas to last me all d a y ; begone, i f you wis'
not to fast." T h e little mouse ran about
here and there, and danced and skipped like
a little m o n k e y : the queen was so pleased
with it, that she g a v e it the only pea that
remained for her supper. " H e r e * said she,
" h e r e , poor little t h i n g , eat this: I have
got no more; but I g i v e it thee w i l l i n g l y . "
T h e instant she had done this, to her great
surprise there appeared upon the table two
partridges, cooked most wonderfully well,
and two pots of preserves,
" R e a l l y , "exclaime
She ate a little; but, with fasting so l o n g ,
her appetite was almost gone.
She threw
down some to the mouse, which, having

�9
nibbled them a w a y , began to leap about with
more glee than before.
T h e next morning very early the gaoler
brought the queen three peas, which he had
put as usual in a large dish, to mock her
sufferings; the little white mouse came softly
and ate them all three, as well as the bread.
W h e n the queen wished to dine, she found
nothing there; at which she was very a n g r y
with the mouse.
" W h a t a wicked little
beast," cried the queen; " i f it continues
thus, I shall die with h u n g e r . "
A s she was
g o i n g to cover the plate which the mouse had
left empty, she found it full of all sorts of
things good for to e a t : she was very g l a d
and ate of them ; but while she was eating,
a thought came into her head, that in a few
days the k i n g would perhaps kill her child,
and she quitted the table to weep.
" A h !"
ejaculated the disconsolate queen, " i s there
no w a y of s a v i n g it ?"
A t the same time
that she pronounced these words she perceived
the mouse p l a y i n g with some straws; she
took some of them and began to work,
saying,
make a covered basket to put m y little
daughter in, and g i v e it out of the window
to the first charitable person who will take
care of it."
She then began to work very d i l i g e n t l y ;
and she never wanted straw, for the mouse

" I f I ha

�10
always brought some into the chamber; and
as at usual meal-time the queen always gave
it the three peas, she found in exchange a
number of dishes of the most delicate meats.
One day the queen was looking out of the
window, to see how long she should make
the cord to tie the basket to, when she should
let it down, and she perceived an old woman
below, leaning upon a stick, who spoke to
her
thus
i
know your trouble, and if
you wish it, I will serve you." " Alas!
my dear friend," replied the queen, " y o u
will very much oblige me, if you will come
every evening to the bottom of the tower, to
receive my child, w h o m 1 will let down to
y o u : you must feed and nurse it, and if ever
I am rich I will repay you well." " I care
for no pecuniary reward," answered the old
woman; ' ; but I am very nice in m y eating,
and wish for nothing so much as a fat plump
mouse. I f you find such a one in your prison,
kill i t and throw it to me; your infant will
the better for it.
When the queen heard this, she began to
weep without answering, and the old woman,
after having waited a little, asked her why
she cried : " Because,' replied the queen,
" there only comes into my chamber one
little mouse, so pretty and so engaging,
find in my heart to kill it," " H o w "
replied the old woman, with great anger, " d o

�11

you like a little rogue of a mouse, which
teats and eats e v e r y t h i n g , better than your
own c h i l d ?
V e r y well, madam, you are
not much to be pitied; remain in the good
company you have chosen; I can have plenty
of mice without y o u ; so I care but little
about i t ; " and, scolding in this manner, she
hobbled away.
A l t h o u g h the queen had a good repast
before her, the mouse played about as u s u a l ;
she never raised her eyes from the ground
where she had fixed them, and tears ran
down her cheeks.
O n this same n i g h t the little princess came
into the world, and her beauty surpassed all
the queen had ever beheld: instead of
crying
at h
smiled on her affectionate parent, and
extended
her little h
a good understanding.
T h e queen caressed
and kissed her fondly, at the same timesorrowfully
i f you fell into the hands of the wicked
k i n g , it will cost you your l i f e ; " she shut
it up in the basket, with a paper attached to
the clothes, on which was written

0

you, whose steps the fav'ring pow'rs direct
T o these lone scenes, your generous aid I claim ;
M y hapless child, in infant years, protect
From sorrow's grasp—and Juliet be her name.

A n d h a v i n g turned away for a moment, she

�12

looked again, and found the infant dressed
in the finest linens and laces: she then kissed
it, and shed a torrent of tears, not k n o w i n g
how to part with her treasure.
A t this moment in came the little mouse,
and jumped into the basket.
" A h ! little
creature," said the queen, cc how much it costs
me to save your life ! I shall perhaps lose my
dear Juliet.
A n y other than me would have
killed you for the dainty old woman ; but I
could not consent to it. "
" Y o u will not
repent
not so unworthy of your friendship as you
suppose." T h e queen was like onethunderstruck,w
change to that of a woman, and the paws
become hands and feet. A t length the queen,
hardly daring to look up, discovered the
figure to be the fairy that had visited her
before,
an
her misfortunes and sufferings.
" I wished
to try the goodness of your heart," said the
f a i r y ; " 1 know now that you are virtuous
and worthy of m y friendship.
Fairies like
me, who possess treasures and riches more
than I can relate, do not seek so much for
the luxuries of life as for friendship, and we
seldom find it." " Is it possible, great fairy,
exclaimed the queen, " that y o u , who are so
powerful and wealthy, find it such a great
trouble to g a i n a friend ?" " Yes*" replied

�13

she, " b e c a u s e persons seldom love us but for
interest; but when you loved me as a little
mouse, it seemed from a disinterested motive,
and I wished to put you to a still greater
trial: I took the figure of an old woman,
and it was I who spoke to you at the bottom
of the tower; you have always answerd my
best expectation."
A t these words she
embraced
the queen,
vermilion mouth of the infant princess, and
said, " M y pretty little girl, you shall
henceforth
be your mother's
be richer than your father; you shall live an
hundred years without illness, wrinkles, or
old a g e . "
T h e enraptured queen returned
thanks, and begged that the fairy would take
Juliet away, and be careful of her, adding
at the same time, " I g i v e her to be your
daughter."

T h e fairy accepted the offer, and thanked
h e r : she then put the little one into the
basket,
tower, and h a v i n g again taken the form of
a mouse, she descended by the cord; but
when she got down, she could not find the
child a n y where, and remounting in a fright,
" A l l is lost," cried she to the queen, " my
enemy Cancaline has j u s t carried away the
princess.
Y o u must know that she is a cruel
fairy, who hates me, and, unhappily, she is
older than I am, and has more power.
I

which she let d

�14

know not by what means to get the child out
of her wicked hands. "
W h e n the queen heard this melancholy
account, she almost died with g r i e f ; she
wept bitterly, and beseeched her good friend
to save her child, at whatever price it m i g h t
be done.
W h e n the gaoler entered the chamber of
the queen, he perceived that she had been
delivered, and he went and told the k i n g of
it, who came in a great passion to ask for the
c h i l d ; but she told him that a fairy, whose
name she knew not, had entered the prison,
and carried it away by force.
A t this the
wicked k i n g stamped and bit his lips, with
every expression of the most violent rage,
" I promised to h a n g thee," said he to the
unfortunate queen, " a n d now I will keep
m y word.
H e then d r a g g e d her by the hair
from the place of her confinement to a neighbouring wood, mo
just g o i n g to h a n g her, when the fairy, having rendered herself
rudely down, and four of his teeth were struck
out b y the fall.
Before he had time to
recover
himse
victim to a secure retreat i n her magnificent
palace.
She was there treated with every
attention and kindness, and if it had not
been for the thoughts of her little daughter,
she had once more been h a p p y ; but she
was

�15
unable to procure a n y intelligence of the
infant, though the little white mouse made
every exertion in her power for that purpose.

A t length, by the progress of time, the
queens grief abated, and fifteen years passed
away without any change in her situation.
A t this period there was great talk all over
the kingdom, that the son o f the wicked
monarch had fallen in love with the keeper
of the poultry, and that the y o u n g woman
refused to accept of him for a husband. T h i s
extraordinary refusal surprised every one;
however, the nuptial dresses were prepared,
and the marriage ceremony was soon expected
to take place.
T h e little white mouse
determined
to see this extraord
had resolution enough to refuse the son of a
k i n g , and immediately transported herself to
the capital.
She entered into the poultry
yard,
and found he
woollen g o w n , with her feet bare, and a cap
of goat's skin on her head; l y i n g by her side
were magnificent dresses, embroidered with
gold and silver, and ornamented with a
number of precious stones ; the turkeys and
other fowls that surrounded her trampled on
and spoiled them.

T h u s habited, and thus careless of the
splendour that awaited her, the keeper of the
poultry sat on a large stone in the middle of

�16
the yard, when the k i n g ' s son arrived: he
was crooked and humph-backed, and marked
with every kind of deformity.
" I f you
you to be put to death instantly."
She
answered him4 with disdain, " I will never
marry y o u ; you are too u g l y and too
pullets, to all the honours you have power to
bestow."

persist

wicked.

T h e little white mouse observed her with
wonder and admiration; for, though in so
a humble dress, she appeared to possess an
incomparable beauty.
A s soon therefore as
the prince retired, the fairy assumed the
figure of an old shepherdess.
" Good day,
fair damsel," said she, " the fowls do credit
to your care of them." T h e y o u n g woman
raised her eyes, and looked at her with a
countenance full of sweetness : " they w i s h '
answered she, " to persuade me to quit m y
present employment for a crown which I do
not want, and for a husband whom I should
despise; pray, good mother, what is your
advice ? " " M y child," returned the fairy,
" a crown is a dazzling object; but you
cannot
who wear it." " B u t suppose I do know all
this," quickly answered the keeper of the
k i n g ' s poultry, " still I would refuse to

imagine th

accept

�17

lation, and know not even the name of those
who gave me b i r t h '
" Y o u have their
beauty and virtue, m ychild"returnedthe
-wise and benevolent fairy, " w h i c h are worth
more than a thousand k i n g d o m s ; tell
m
then who placed you here, since you are
without'
parents a;nd withou
named Cancaline, is the cause that I have
been placed here," replied the y o u n g woman
she beat me till she almost killed me,
without
the least p
sufferings, one day I ran away from her,
and, not k n o w i n g where to g o , I stopped to
rest myself in a wood, where the son of the
wicked k i n g came by chance to w a l k : he
asked if I Would enter his service.
I
consented,
and was
poultry; where he came constantly to see
them, and always took great notice of them.
A l a s ! he soon conceived a violent love for
me, and has ever since so teased me with
expressions
of it, that I
in the world."

T h i s recital made the fairy suspect she
had a t last met with the princess Juliet, and
she therefore asked to know her name.
" I
am called Juliet," added she, modestly;
" but who g a v e me that name I never knew."
T h e doubts of the fairy were thus instantly
removed; she threw herself on the neck of the
princess, exclaiming, " J u l i e t , 1 have known

�you, l o n g ; I am., delighted to find you so
sensible and so lovely ; but I wish you were
better dressed ; take the clothes that are
obeyed immediately, and t a k i n g from, her
head the cap of goat's skin, her beautiful
golden hair fell in curls upon her shoulders;
then, ; t a k i n g some water from a fountain
that ran through the yard., she washed her
hands and face, and discovered a complexion
more bright and transparent than the choicest
pearls of I n d i a ; roses seemed to bloom
fresh on her cheeks; coral seemed to form her
beautiful m o u t h ; and her eyes shone like the
most brilliant diamonds,
W h e n she had
finished dressing herself, the gracefulness of
her form appeared equal to the beauty, of her
countenance, and the fairy gazed on her with
wonder and delight.

before

y

"
P r a y , who d
be now, m y dear c h i l d ? " asked the fairy.
" R e a l l y , " answered she, " I could fancy
myself to be the daughter of some great
k i n g . " u Should you be g l a d of it ? "
demanded
the
good mother," replied the princess, " f o r it
would g i v e me the power of assisting many
that are in distress." "Be happy then," Exclaimed the fairy
parents : to-morrow you shall know more."

The

fairy returned

immediately to her

�19

palace, where she had left the queen.
I bring you, madam," cried she, " ' t h ehappies
" what tidings of j o y can come to meT, who
•have lost both m y husband and my child ??
" I t is always right to hope," replied the
little white mouse, for the fairy had again
taken that figure; " I have seen the princess
your daughter, and she is more beautiful than
the blushes of the d a w n i n g d a y . "
She then
related the whole of her discovery, at which
the queen wept with j o y .
" W h o would
have thought," said she, " i n the days of
m y prosperity, that I should ever bear a
daughter to become the keeper ofhensand
'turkeys !" " It is the cruel Cancaline," said
the fairy, ^ who, k n o w i n g how I love you,
has brought this misery on your child,
purposely
to v e x m e ; b

I am determined," said the q u e e n . " that
she shall not marry the prince; pray g o
and seek her immediately, and bring her to
me."
T h e son of the wicked k i n g left Juliet in
a great r a g e at her obstinate refusal, arid
went into the gardens of the palace to
consider
what he sh
groaned so loud, that his father overheard
him, and, leaning through thewindow,inquiredthe cause of his

�20
I be otherwise than afflicted' answered he,
" to be thus, set at defiance by a keeper of
poultry ?"" W h a t , will not she love you ?"
said the k i n g ; " I am determined she shall
love you, or be put to death." H e then
her here immediately ; I will punish her so
severely, that she shall soon repent of her
obstinacy."

called

h

T h e y went to the poultry-yard, and found
Juliet there, magnificently dressed, as the
fairy left h e r ; they had never seen so lovely
a figure, and, t a k i n g her for some princess,
were afraid to speak to her.
She said
to them, in a sweet and condescending
voice, " P r a y whom do you seek h e r e ? "
" M a d a m , " said they, " we seek anunfortunat
person you seek," replied she; " w h a t do
you w a n t ? "
H e a r i n g this, they seized her,
and h a v i n g tied her hands and feet with
cords, lest she should escape, they carried
her into the presence of the k i n g .
" Well,
insolent wretch," said he, " a n d so you are
determined not to love my son?
He is a
thousand times handsomer than y o u ; love
him therefore immediately, or I'll have you
flayed alive." T h e princess, trembling l i k e
an affrighted dove, kneeled before him, and
tried to inspire pity in a heart that never
felt a n y ; but she pleaded in vain, as the

�21
prince insisted upon it, that his father should
order her for immediate execution.However,they
ment more severe than death, to shut her up
for life in a tower, where she would never
more see the light of the sun.
A t this moment the fairy and the good
queen arrived in a flying chariot, and the
affectionate mother began to weep bitterly,
on hearing the sad fate to which her longlost daughter was just condemned.
" Be
good comfort," said the fairy, " you shall in
the end be made happy, and your enemies
be amply punished." T h e princess was
bed; the fairy then resumed the form of the
little white mouse, and got upon his pillow.
Whenever he attempted to sleep she bit his
e a r ; at which, being much disturbed, he
turned the other side, and she bit at that also,
without mercy : he cried out for assistance,
and when his attendants came, they found
his ears bleeding so fast, that they were
seeking about the apartment to find the
mouse, she was gone into the prince's room
to inflict the same vengeance upon him ; he
likewise called his attendants, and h a v i n g
shown his wounded ears, made them put a
plaster on each.
T h e little white mouse, in
the mean time, returned to the k i n g , and

conveyed

to the tow

unable

to stop h

�22
she bit his nose and gnawed his face i n
several places: he put up his hands to delend his face, and she bit his fingers; he
cried out, " M e r c y ! m e r c y ! I am l o s t ; , ,
and, while his mouth was thus open, the
little white mouse entered it, and bit a piece
off his t o n g u e : his attendants came in once
more ; but he was now unable to speak to
them, his tongue was so severely wounded;
so he made signs that it was a mouse that
had thus wounded him, and every corner of
the room was immediately examined to find
the offender, but in vain, she was gone to
to pay a visit to the prince, and to treat him
much worse than she had treated his father.
She ate out one of his eyes, which left him
in total darkness; for he was blind of the
other before.
H e leaped out of bed instantly,
apartment of his father, who also had taken
his sword, storming and swearing that he
Would kill every one who came in his way till
the mouse was found.
W h e n he saw his son in such a passion,
he scolded him, and the prince, whose ears
were burning with pain, not k n o w i n g the
voice of his father, attacked him furiously.
T h e k i n g exceedingly irritated, made a
violent cut at him with his sword, and
same moment; so that they both fell to the

seized his

received

a

�ground bleeding profusely. A l l their
subjects,
only served and submitted to therm through
fear, now dreading them no longer, tied
cords to their feet, and d r a g g e d them into
the river, s a y i n g they were happy thus to
g e t rid of their tyrants.

who hated them

T h u s ended the days of the wicked k i n g
and his son.
T h e good fairy, who had seen
all that passed, went immediately to seek the
queen, and they went together to the black
tower, where the princess Juliet was confined
under more than forty locks.
T h e fairy
struck three times with a little r i n g on the
great door, which opened instantly, as did
all the rest; they found the poor princess
very thoughtful, and with scarcely spirits to
speak a word.
T h e queen ran to embrace
h e r ; " M y dear child, I am thy mother,
the queen of the L a n d of P l e a s u r e ! "exclaimed
of her birth. W h e n Juliet heard these happy
tidings, she was as near d y i n g with j o y as
she had been near d y i n g with g r i e f : she
threw herself at the feet of the queen, embraced her knees, and we
the tears she shed upon them.
She likewise
carressed the good fairy, who had conferred
so many obligations on them both.
The
fairy said to them, " It is not time now to
think of amusing ourselves; let us g o to

�24
the great hall of the castle and harangue
the people."
She walked first, with a g r a v e and
majestic
next came the queen in robes suitable to her
r a n k ; the princess followed, decorated in a
splendid habit, which the fairy had brought
her for the occasion ; but distinguished much
more by her native modesty and the lustre of
her beauty, which had never before been
equalled. They bowed gracefully to every
one they met by the w a y , whether rich or
poor, and by this condescension attracted the
notice of every one.
W h e n the great hall was full, the good
fairy said to the subjects of the deceased
tyrant, that she would recommend them to
choose for their sovereign the daughter of a
neighbouring k i n g , whom she then presented
to them. " Under so amiable a queen,"
said she, " you cannot fail to live in a state
of continual happiness and tranquillity." A t
these words the people cried out with one
voice, " Y e s ! y e s ! we choose her for our
queen, and we trust she will make us amends
for the miseries we have so l o n g endured
A s soon as the intelligence was generally
known, joy spread throughout the city, and
every sort of business was laid aside, to give
place to feasting and merriment.
FINIS.

air, a

�</text>
                  </elementText>
                </elementTextContainer>
              </element>
            </elementContainer>
          </elementSet>
        </elementSetContainer>
      </file>
      <file fileId="1967" order="2">
        <src>https://scottishchapbooks.lib.uoguelph.ca/files/original/e4c36e4d3ccd22af0c4ee0c14397fd1f.jpg</src>
        <authentication>d54c2818f099f2e8744c2309451178cb</authentication>
        <elementSetContainer>
          <elementSet elementSetId="1">
            <name>Dublin Core</name>
            <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
            <elementContainer>
              <element elementId="50">
                <name>Title</name>
                <description>A name given to the resource</description>
                <elementTextContainer>
                  <elementText elementTextId="24789">
                    <text>Woodcut on title-page portraying exterior of a castle</text>
                  </elementText>
                </elementTextContainer>
              </element>
            </elementContainer>
          </elementSet>
        </elementSetContainer>
      </file>
    </fileContainer>
    <collection collectionId="37">
      <elementSetContainer>
        <elementSet elementSetId="1">
          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="26638">
                  <text>Woodcut 030: Title-page Illustration of the exterior of a castle.</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="22084">
                <text>The story of the Little White Mouse: or the overthrow of the tyrant king.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="52">
            <name>Alternative Title</name>
            <description>An alternative name for the resource. The distinction between titles and alternative titles is application-specific.</description>
            <elementTextContainer>
              <elementText elementTextId="22085">
                <text>The overthrow of the tyrant king.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="78">
            <name>Extent</name>
            <description>The size or duration of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="22087">
                <text>24 pages</text>
              </elementText>
              <elementText elementTextId="24598">
                <text>16 cm</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="22088">
                <text>&lt;a href="https://ocul-gue.primo.exlibrisgroup.com/permalink/01OCUL_GUE/mrqn4e/alma9934198783505154"&gt;s0585b15&lt;/a&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="22089">
                <text>30 printed at the foot of title page</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="37">
            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="22090">
                <text>Archival and Special Collections, University of Guelph Library, Guelph, Ontario, Canada</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="22092">
                <text>In the public domain; For high quality reproductions, contact Archival &amp; Special Collections, University of Guelph. libaspc@uoguelph.ca, 519-824-4120, Ext. 53413</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="22093">
                <text>1840-1850 per National Library of Scotland</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="24596">
                <text>JPEGs and PDF derived from master file, which was scanned from the original book in 24-bit color at 600 dpi in TIFF format using an Epson Expression 10000XL scanner.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="24788">
                <text>Glasgow: Printed for the Booksellers</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="26309">
                <text>Archival &amp; Special Collections, University of Guelph Library, Guelph, Ontario</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="26639">
                <text>fairytale/folk lore</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="26721">
                <text>Chapbooks - Scotland - Glasgow</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
    <tagContainer>
      <tag tagId="206">
        <name># of Woodcuts: 1</name>
      </tag>
      <tag tagId="188">
        <name>Architecture: castle</name>
      </tag>
      <tag tagId="103">
        <name>Bib Context: title-page</name>
      </tag>
      <tag tagId="110">
        <name>Chapbook Date: 1831-1840</name>
      </tag>
      <tag tagId="106">
        <name>Chapbook Date: 1841-1850</name>
      </tag>
      <tag tagId="297">
        <name>Chapbook Genre: fairytale/folk tale</name>
      </tag>
      <tag tagId="105">
        <name>Chapbook Publisher - Glasgow: Printed for the Booksellers</name>
      </tag>
      <tag tagId="155">
        <name>Nature: flower(s)</name>
      </tag>
      <tag tagId="255">
        <name>Nature: rock(s)</name>
      </tag>
      <tag tagId="144">
        <name>Nature: tree(s)</name>
      </tag>
      <tag tagId="102">
        <name>Outdoor Scene</name>
      </tag>
    </tagContainer>
  </item>
</itemContainer>
