1 10 9 https://scottishchapbooks.lib.uoguelph.ca/files/original/85677bbdc7c8d98cc866bf92b176244f.pdf a047cb5082abca765a9e1f3575439efc https://scottishchapbooks.lib.uoguelph.ca/files/original/f5ed193d34d425a5857bc47a94b7bfee.jpg 7bdd08c1c6aec6662c95dd55a82d69fa Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Woodcut in double-ruled rectangular border on title-page portraying a group of 3 men wearing feathered caps and kilts (1 playing bagpipes, 1 playing drums, 1 holding a sword) standing next to a gentleman wearing a hat and holding a walking stick. https://scottishchapbooks.lib.uoguelph.ca/files/original/04b5064adf4bc90d70d5cfdf63a03032.jpg fe82cc07f62d3604c6535eec2258b60d https://scottishchapbooks.lib.uoguelph.ca/files/original/055f3ec0f4a0fe7bfae317d24f359a0c.jpg c9d8832018ae4dc4ef0c1148c7157946 https://scottishchapbooks.lib.uoguelph.ca/files/original/bf3e583b088e69fbf73b70898ae12582.jpg f0b651124818c3bf903abd418cb3d6ca https://scottishchapbooks.lib.uoguelph.ca/files/original/e28c98918db76491bb2af7a1cda2f490.jpg 067c386365197be68751e2e19d1c3c69 https://scottishchapbooks.lib.uoguelph.ca/files/original/adc7a15bac5281806843220c766c451d.jpg 0e7cfdaebbe1fd7e814f499d21e6fd29 https://scottishchapbooks.lib.uoguelph.ca/files/original/f3ba8af289efb532aa7ef88d424a9c5e.jpg e08cb19b9ddcad1b212d8747e88325b0 https://scottishchapbooks.lib.uoguelph.ca/files/original/4560ddd7254b2a1c49f18349f41ca0fa.jpg 251a74864efdfc293460987b63463ab5 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Woodcut 009: Title-page illustration in double-ruled rectangular borderof a group of 3 soldiers wearing feathered caps and kilts: two are playing a bagpipe, one is playing a drum, and one is holding a sword. They are standing in a row next to a well dressed man. who is wearing a hat and long coat. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Bold Hairy Cap. To which are added, The Crooked Rib. Bonny Bessy. What's That to You. The Sailor's Farewel. Date A point or period of time associated with an event in the lifecycle of the resource 1802 Extent The size or duration of the resource. 8 pages; 1 woodcut illustration 15 cm Identifier An unambiguous reference to the resource within a given context <a href="https://ocul-gue.primo.exlibrisgroup.com/permalink/01OCUL_GUE/mrqn4e/alma9923274233505154">s0030Bb33</a> Contributor An entity responsible for making contributions to the resource Archival and Special Collections, University of Guelph Library, Guelph, Ontario, Canada Rights Information about rights held in and over the resource In the public domain; For high quality reproductions, contact Archival & Special Collections, University of Guelph. libaspc@uoguelph.ca, 519-824-4120, Ext. 53413 Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. The Crooked Rib. Bonny Bessy. What's That to You. The Sailor's Farewel. Format The file format, physical medium, or dimensions of the resource JPEGs and PDF derived from master file, which was scanned from the original book in 24-bit color at 600 dpi in TIFF format using an Epson Expression 10000XL scanner. Publisher An entity responsible for making the resource available Glasgow: J. & M. Robertson Subject The topic of the resource Chapbooks - Scotland - Glasgow Source A related resource from which the described resource is derived Archival & Special Collections, University of Guelph Library, Guelph, Ontario Type The nature or genre of the resource ballads & songs Description An account of the resource Woodcut #09: Illustration on title-page of a group of 3 soldiers wearing feathered caps and kilts (1 playing bagpipes, 1 playing drums, 1 holding a sword) standing next to a gentleman wearing a hat and holding a walking stick. # of Woodcuts: 1 Bib Context: title-page Chapbook Date: 1801-1810 Chapbook Genre: ballads & songs Chapbook Publisher - Glasgow: J. & M. Robertson Fashion (Clothing): bonnet (military) Fashion (Clothing): coat Fashion (Clothing): feather bonnet Fashion (Clothing): Highland attire Fashion (Clothing): jacket Fashion (Clothing): kilt Fashion (Clothing): knee breeches Fashion (Clothing): military Fashion (Clothing): sporran Gender: man/men Musical Instruments: bagpipe(s) Musical Instruments: drum(s) Occupation: soldier Outdoor Scene Weapons: sword(s) https://scottishchapbooks.lib.uoguelph.ca/files/original/6d811199049ccc5b01616be853ee62aa.pdf b788304714aabb01006c22225e2333bd PDF Text Text FOUR SONGS CHERRY-CHEEKED PATTY. JUDY O'FLANNIKIN. NO PEACE ABOUT THE HOUSE. MAGGIE LAUDER. GLASGOW: PRINTED FOR THE BOOKSELLERS. 68. �SONGS. CHERRY-CHEEKED PATTY. Down in yon vale I lives so snug, Thev call me Giles the ploughman's boy; At the sound of the horn I rise in the morn, And I whittle, I whistle, and whoop gee wo I cry* My work being done, to the lawn then* I fly, Where the lads and the lasses all look very sly And I'ze deeply in love with a girl, it is true, 'Cause I knows what I knows, but I munna tell you; Then I'll whistle, I'll whistle, and of all the girls I ever did see, Oh ! cherry-cheeked Patty for me. The squire, though so great, so happy mayn't be As simple Giles, the ploughman's boy; At the sound of the horn I rise in t ie morn, And I whistle, I whistle, and whoop gee wo I cry; There's cherry-cheeked Patty, who lives in the vale, That I help o'er the stile with her milking-pail, And she has a right notion of me, it is true, 'Cause I knows, &c. �3 So able and strong, and willing to work, And when the lark rises, off trudge I ; At the sound of the horn I rise in the morn, And I whistle, I whistle, and whoop gee wo I cry. There's the lord of the valley, he tries in vain, And does all he can my Patty to gain, Let him do what he will, it never will do, 'Cause I knows, &c. My Patty consented next week to be The wife of Giles the ploughman's boy; Then my cows up I'll call, And I'll harness old Ball, And I'll whistle, I'll whistle, and whoop gee wo I'll cry. And when from the church we do trip it away, Along with the old ones we'll spend the whole day, But night coming on, we'll bid them adieu, 'Cause I knows, &c. JUDY O'FLANNIKIN. O whack ! Cupid's a mannikin, Smack on my back he hit me a polter, Good lack! Judy O'Flannikin, Dearly she loves neat Looney Mactwolter. Judy's my darling, my kisses she suffers, She's an heiress, that's clear, For her father sells beer, He keeps the sign of the Cow and the Snuffers. �4 She's so smart, From my heart, I cannot bolt her, Oh whack, Judy O'Flannikin ! She is the girl for Looney Mactwolter. Ochone! good news I need a bit, We'd correspond, but learning would choke her, Mavrone! I cannot read a bit, Judy can't tell a pen from a proker. Judy's so constant, I'll never forsake her, She's as true as the moon, Only one afternoon I caught her asleep with a hump-back'd shoemaker. Oh! she's so smart, From my heart I cannot bolt her, Oh, whack! Judy O'Flannikin! She is the girl for Looney Mactwolter NO PEACE ABOUT THE HOUSE. There is no peace about the house, In kitchen, parlour, hall, There is no comfort in the house On Saturday at all. Where'er you turn, a noise assails Brushes, brooms and mops, Besides a host of pans and pails, For various stinking slops. �5 Then there's rubbing, scrubbing, tearing, swearing, echoing every way;— Of all the days throughout the week, the worst is Saturday. Hark, is that dread thunder near ? Or noisy drum and fife ? Oh no, the music that I hear Is charwoman and wife; Both laughing, scolding, talking, singing, 'Gad, there's such a din. That all Babel's workmen ringing, Conquer'd must give in— To their rubbing, scrubbing, tearing, swearing, echoing every way,— Of all the days within the week, the worst is Saturday. In apron blue, now comes your belle, And gown well stored with holes ; For colour, it might passing well Claim kindred with the coals. Then she says, ' You know, my dear, Some make their husbands rue, By taking their good clothes to wear, When any thing will do, For their scrubbing, rubbing, tearing, wearing/ O, curse them all, I say,— Of all the days throughout the week, the worst is Saturday. Begrimed with dust, with dirt and grease, She now sits down to dine; �6 At banyan day, of bread and cheese You must not now repine; Your goods and chattels now displaced, All in confusion stand; Some are broke, and some defac'd, By each destructive hand, With their rubbing, scrubbing tearing, swearing, sounding every way,— Of all the days that's in the week, the worst is Saturday. At length, thank Fate, the warfare's o'er, But now, the peevish trump Insists that all across the floor We must hop, skip and jump, For fear that milk-white boards should soil, Or furniture bewray, Oh, wo to him that dares to spoil The work of Saturday; After rubbing, scrubbing, tearing, swearing, all their time away,— Of all the days that make the week, the worst is Saturday. Then to avoid a din and noise, For rational delight, We haste to join some jolly boys, On Saturday at night; Then we're met—a jovial set, We drive dull care away; In harmony we soon forget The woes of Saturday. �7 And their rubbing, scrubbing, tearing, swearing, all the live-long day; But the night of mirth will soon requite the woes or Saturday. M A G G I E LAUDER. Wha wadna be in love Wi* bonnie Maggie Lauder ? A piper met her gaun to Fife, And spier'd what was't they ca'd her ? Right scornfully she answer'd him, Begone, you hallanshaker; Jog on your gate, you bladderskate, My name is Maggie Lauder. Maggie, quoth he, and by my bags, I'm fidging fain to see thee, Sit down by me, my bonny bird, In troth I winna steer thee: For I'm a piper to my trade, My name is Rob the Ranter, The lasses loup like they were daft, When I blaw up my chanter. Piper, quoth Meg, hae you your bags Or is your drone in order ? If ye be Rab, I've heard of you, Live you upon the border ? �8 The lasses a' bailh far and near Hae heai d of Rob the Ranter, I'll shake my foot wi' right good will, Gif you'll blaw up your chanter. Then to his bags he flew with speed, About the drone he twisted, Meg up and walloped o'er the green, For brawly could she frisk it. Weel done, quoth he : play up, quoth she; Weel bobb'd, quoth Rob the Ranter, 'Tis worth my while to play indeed, When I hae sic a dancer. Weel hae you play'd your part, quoth Meg, Your cheeks are like the crimson; There's nane in Scotland plays sae weel, Since we lost Habby Simson. I've lived in Fife baith maid and wife, These ten years and a quarter; Gin you should come to Anster Fair, Spier ye for Maggy Lauder. For a' the talk and loud reports That ever ga'ed against her, Meg proves a true and carefu' wife, As ever was in Anster. An' since the marriage knot was tied, Rob swears he couldna want her, For he loes Maggie as his life, An' Meg loes Rob the Ranter. � https://scottishchapbooks.lib.uoguelph.ca/files/original/f7e52cd1e2f4bf2f49b31cfbc8492953.jpg 24383975c3f47c31dcb381a438de117e Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 3072 Width 1891 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Four Songs. Cherry-Cheeked Patty. Judy O'Flannikin. No Peace about the house. Maggie Lauder. Identifier An unambiguous reference to the resource within a given context <a href="https://ocul-gue.primo.exlibrisgroup.com/permalink/01OCUL_GUE/mrqn4e/alma9934228183505154">s0585b31</a> Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Cherry-Cheeked Patty. Judy O'Flannikin. No Peace about the house. Maggie Lauder. Date A point or period of time associated with an event in the lifecycle of the resource [1840-1850?] per National Library of Scotland Extent The size or duration of the resource. 8 pages 15 cm Description An account of the resource 68 printed at the bottom of the title-page. Subject The topic of the resource Ballads and songs Wit and Humor Chapbooks - Scotland - Glasgow Contributor An entity responsible for making contributions to the resource Archival and Special Collections, University of Guelph Library, Guelph, Ontario, Canada Is Referenced By A related resource that references, cites, or otherwise points to the described resource. <a title="National Library of Scotland" href="http://www.nls.uk/">National Library of Scotland&nbsp;</a> <a title="University of Glasgow Union Catalogue of Scottish Chapbooks" href="http://special.lib.gla.ac.uk/chapbooks/search/">University of Glasgow Union Catalogue of Scottish Chapbooks&nbsp;</a> Rights Information about rights held in and over the resource In the public domain; For high quality reproductions, contact Archival & Special Collections, University of Guelph. libaspc@uoguelph.ca, 519-824-4120, Ext. 53413 Language A language of the resource English Format The file format, physical medium, or dimensions of the resource JPEGs and PDF derived from master file, which was scanned from the original book in 24-bit color at 600 dpi in TIFF format using an Epson Expression 10000XL scanner. Publisher An entity responsible for making the resource available Glasgow: Printed for the Booksellers Source A related resource from which the described resource is derived Archival & Special Collections, University of Guelph Library, Guelph, Ontario # of Woodcuts: 1 Bib Context: title-page Chapbook Date: 1841-1850 Chapbook Genre: ballads & songs Chapbook Genre: wit & humor Chapbook Publisher - Glasgow: Printed for the Booksellers Fashion (Clothing): belted plaid Fashion (Clothing): feather bonnet Fashion (Clothing): Highland attire Fashion (Clothing): kilt Fashion (Clothing): sporran Furniture: stool(s) Musical Instruments: bagpipe(s) https://scottishchapbooks.lib.uoguelph.ca/files/original/6da60147b51e2fbdb125df57c1ea85c3.jpg 56adbeaa40ee1767ee1a0535d43ec687 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 3308 Width 1950 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Woodcut on title-page portraying Group of 3 men wearing feathered caps and wearing plaid (1 playing bagpipes, 1 playing drums, 1 holding a sword) standing next to a gentleman wearing a hat and holding a walking stick https://scottishchapbooks.lib.uoguelph.ca/files/original/1d4c045c31b23bd295733198ac9159b7.pdf 88df24f3ce8dcfe89f8e8f2fc47df574 PDF Text Text r ranee T o % b c are added, v |h The PARSON'S FAT WEDDEIi T h e ' C A R E S OF A M A R R I E D T H E V I R G I N ' S LIFft Vv A L K. G L A S G- O W, E D B Y J. & M. R O B E R T S O 3, - L T M A U K E T , SSC*. �C ft ) K I N G H E N R Y V , bis Conqtieft o f F R A N C E , if | in Revenge for the Affront offered by the I F R E N C H K I N G : in f e n d i n g h i m ( i n f t e a d < of ten t O W S of G O L D , the Tribute) three T E N N I S B A L L S , 5 A • S our King lay mujing on his bed* he•-bethought Ivimfeif upon, a xmz f O f a tribute that was due from France, * fcad not; hern paid for lb long a time. Fa! lal, &c* 1 ', G.fae culled for his lovely Page, . • his lovely Page then, called he j » -Sayings Y w r a u f t go to the King in France, to the King m Fance, blr, ride (pcedty. T ^ m went sway this lovely Page, ibis lovely ' the a .away (lev he ? Whea bc ca^e to the King in Fraotfe, he "fell low down.upba his knee* I\\f IvMcr pMti yvu, v;orthj Sir, TEN TON -OF' gold thit IS dm'to he, ''That yoti would Tend turn ho^e, or in ^refcch land you . koxx thJl him fee* » Your Matter's yo; ng zm of tender years, ~ rot fit to come 'ump my degree : 1 will fend him three TENNIS-BALLS> 1 hat .with them ht may learn to play. \ �M4 . < 3 ) ; , 0 ' t h f B fmrned thi\ lovely Pager, th\6 lovely P'ige then retortt$j he. ' And'when he c&mi 10 our'gracious. King, he fell low down or, his beaded * W h a t news? what ntml my trait y Page, what is the news you've b r i g h t t4 naef I've brough i (uch news f ro m t he Kiagia France. < that he aud you -willfce'er agree* H e fays, You're o f young t o i l e r ye^rS* not fit to come' to h k ^ e g r e e i, And he WILL fend j L u t h i e e T E N N I S ^ A L L G ^ / that with them you may leani toplayc Aecftfit me Cheshire and Lsacalhire,-and Derby Wills that are fo f r e e : N o marry M man, nor widow's foe : for no widow's- curfc. fcall go with me» They recraitcd Ch^hire and L^ncalhirc, aad Derby Hills that are fo free : N o marry'd mm, nor widow's f o i l : yet there was a jovial hold company* O then he/march'd into the French land, with aad trumpets fo merrily, And then befpoke the King ra France, lo, f c aiter comes proud X i n g Heary* T h e urH: i l m that the-Frenchmen gave, they kiif'd our ^BAglifttnen fo free \ kilPd m i d e f e n d of the French, the reft o f ihcro tbey \. �( 4- ) ^ Livl^Ylitn we marched to ^ans gates, W|th drums and trmupcts fo i i m i l y , O in-err hcfpoke the Kiog in France, TS^tve mercy Lmxl^n my mea and me, O 1 will fend k m hh tribute koine* • ten tun of gold th^t .was due to he, A n d the'bed Slower that is in all France,, to the Rofe in England 1 will give f i f e , T H E P E O N ' S F a t WE'DBER.. S ) ,f A R; T i N M A S i - 'W come on, • j [ V I ard Chriftrnas Is drawing near : Asv. buve nothing in fhc houfe. ' % to ji^ke.good•:C iitiifhnas cheer., FaL&Cr The little ^ee boy h t V f t ^ d i o g . h y , - • fearing what his father did fay, lather, y e ' l i kill, the Minster's Wedder, _ and • have nnutoa withdtit delay* The PiieS ire has'a. good fat Wedder, Sis €*er fed corn or gr^fs: 1'TC gpfc'fome crumbs of bread in kif pockety PiVwyk 'the Weddfer into ihs h W e * . • W e will pi2t on- the jnelklo ktttl^" \ • and ftuks .helow't. to brake it befi; Arid we will H i the Minuter'a Wedicr,- ' and wVH feve "muno:n';\vithcat afo4toiI* •The.little wee boy 'sjccs.ta the v*ecd*\ add ay fae msrrnV-as- lie fang f ' \ M y i t & z - : t m liH'd the M i s t e r * * W e l d e r , 'N nve^tl thh to; any man. �The Minifier being ia ihe woo.i, leading hts hark agaioft an oak.: If you'llfingthr. longmthe elmreh reborrow I'll* give yea a crown bat and a new coat The morrow It being Ohri&mas iky, the Miniftix hp imlft be die re T h e people all fbckM to the chore V jiift A rfi%*d been gotog to a 1W. S The Manlier** goae to the chursh* the congregation fcr to virw ; Therc'll he a"hoy V ^ will iing foug lhat Will lie true- , The'little V/ee boy camera the' church, ^ and ay fae merrily as he I -catch'd the Prieit ift bed vfith my mother, I woiii-i not tell dm to any man. You are a liar, fays the a$ iurc's in the pulpit 1 i*ever was in bed with nor yet fo sigh as VJ Prieft I do fiancf | your mother, touch her ha\uL Then you are a liar, fays the boy, \ as fare's la the pulpit you do kneel j \ I catclicd you • in. bed with -my mother, \ ' your breeches hanging dowa to your The Miiiifter being quite a limned, . \ \V the people. a loud huzza $ . Running all mad-out. or the ciinvch, • • crying inch a Prieft wc never faw. �( 6 v * •/• But you W:\rxld ha?e hr^hl if yon knf but feeff, how the litre wee boy kept up the joke? Ruiieiag out after the mkifter* crying^ give me my crown Sir ami my new coat, The Paribn has- run quit<? opt. of, the pari(h5 left hshmd him;his c h u r c h . h p wealth; T h e bey & hh mother fed-well on the Wv*dd6i% ar every meal :h$y 'dm.uk hh health THE C M E S OF A* MLAHKiEU .Lll 7 £, ' Tk M Y gown w ^ of tae. London Mack, j L i ' t . and many a yard about; M y petticoat was a fc&xiet red, and lae'd about my f o o t : Chor. Chen mm i i maid, a maid, arid joy\fkmc to me then* Both meal and drink and rich clothing-, Fin fore i wanted mm* My ftockbgf, they were tightly wrought, made of the fiacft fiik, My (hoes v/ere of the Spanifli leather, my hur kles were of the gilt, jThen, My foork was of the white bleachM linen, as w&ite' as the driven fnaw, T h e b4k that was about my middle* was {ilk and filver a\ The Wads hang black about my neck, ar!d:many a ring therein, l i e cap ot fawn was. on my head, was.*'well worth tea f i l i n g * �T!lere cime a young man to n?y bed-fide, • tidk\l mt i f C would'wdt* " He was* fa fall of roarkfis, f agreed to 'What-be faid Cher Pbfcn i a wife, a aB'd'-loVKIW came t*> shofc* Both care and ii'rile ana n Wearied life, I W'ftite"" - t "' M y gown- it was of' the 'Mack, and Bever a y a r d about; M y peuicoat of the courfeft grky. ' . ail rags ii&trv the Then, &c t My (lockings '^ere the prim-rofe caiTd, , aH clooted roiim! about,;. My t>f Alt Sjpkjoifti I w theft, tiae/b3't6mt> of ihem-wi-re out, fheb', My frnock was of the unbkach'd hard, and many a hole therein ; - The belt that wes about ray middle, was a. goo3 toat&rea firing. Then, &e# The beads bang black about my neck, said ntver a ring therein : ' ' ' The cap cf Bwtt; was on my head, was fearce worth one' farthing. C f i O R U 3: \a;ifc, f y And -hen v/a* I a. w m f . fontnv camc io'san'then, . - Both care at?d ftriFc, ..an^d a, w a r y life*' Tm fare I . , �( T H E 8 ) V I R G I N ' S W A L K* % T O U N G Ccelia in her tender years, 1 .the rofe bur on its ftaliy Fili'd with the VirginVmodeft fears, [lepp'd /forth one cv'n to walk. She oft had heard of Love's blind Bcy ? sad Xvifh'd to find him cat, Fxpe&iiig lor to find the joy, of which fhe'd been in doubt, A plrafant fhady grove fhe fpy*d, wher trembling afpbns fivook. Clofe to it's flow'ry verge did glide, a murm'riog limpid brook. A mentor fishing there fhe founds fhe heard l|fm talk of love, . His crook lay by him on the ground, ^ while thus he prayM to jove. « Grant, mighty Pow*c l that f mjy find, fome eafe within this'bread: ; Grant ilM my Cselia bay be, ldr>d3 and make Amyator b k f u • Cram her to know the force of love, snd to her fwain's ddire, Grant but of me the may approve* a«d ^iore Flf ne'er require, ^ Giafgow, rrintecl by J; 5 M. llobeitfro, S ait market, iSosc � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Woodcut 009: Title-page illustration in double-ruled rectangular borderof a group of 3 soldiers wearing feathered caps and kilts: two are playing a bagpipe, one is playing a drum, and one is holding a sword. They are standing in a row next to a well dressed man. who is wearing a hat and long coat. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Conquest of France by King Henry Vth. To which are added, The Parson's Fat Wedder. The Cares of a Married Life. The Virgin's Walk. Date A point or period of time associated with an event in the lifecycle of the resource 1802 Identifier An unambiguous reference to the resource within a given context <a href="https://ocul-gue.primo.exlibrisgroup.com/permalink/01OCUL_GUE/mrqn4e/alma9923290913505154">s0488b26</a> Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. The Parson's Fat Wedder. The Cares of a Married Life. The Virgin's Walk. Extent The size or duration of the resource. 8 pages 15 cm Description An account of the resource Woodcut #<span>09: Illustration on title-page of a group of 3 soldiers wearing feathered caps and kilts (1 playing bagpipes, 1 playing drums, 1 holding a sword) standing next to a gentleman wearing a hat and holding a walking stick.</span> Contributor An entity responsible for making contributions to the resource Archival and Special Collections, University of Guelph Library, Guelph, Ontario, Canada Is Referenced By A related resource that references, cites, or otherwise points to the described resource. <a title="University of Glasgow Union Catalogue of Scottish Chapbooks" href="http://special.lib.gla.ac.uk/chapbooks/search/">University of Glasgow Union Catalogue of Scottish Chapbooks&nbsp;</a> <a title="National Library of Scotland" href="http://www.nls.uk/">National Library of Scotland&nbsp;</a> Rights Information about rights held in and over the resource In the public domain; For high quality reproductions, contact Archival & Special Collections, University of Guelph. libaspc@uoguelph.ca, 519-824-4120, Ext. 53413 Format The file format, physical medium, or dimensions of the resource JPEGs and PDF derived from master file, which was scanned from the original book in 24-bit color at 600 dpi in TIFF format using an Epson Expression 10000XL scanner. Publisher An entity responsible for making the resource available Glasgow: J. & M. Robertson Type The nature or genre of the resource ballads & songs Subject The topic of the resource War Courtship and Marriage Henry V, King of England, 1386-1422 Source A related resource from which the described resource is derived Archival & Special Collections, University of Guelph Library, Guelph, Ontario # of Woodcuts: 1 Bib Context: title-page Chapbook Date: 1801-1810 Chapbook Genre: ballads & songs Chapbook Publisher - Glasgow: J. & M. Robertson Fashion (Clothing): bonnet (military) Fashion (Clothing): coat Fashion (Clothing): feather bonnet Fashion (Clothing): Highland attire Fashion (Clothing): jacket Fashion (Clothing): kilt Fashion (Clothing): knee breeches Fashion (Clothing): military Fashion (Clothing): sporran Fashion (Clothing): upper class Gender: man/men Musical Instruments: bagpipe(s) Musical Instruments: drum(s) Occupation: soldier Outdoor Scene Weapons: sword(s) https://scottishchapbooks.lib.uoguelph.ca/files/original/fc0182ff3363365edac49bd7202f49be.jpg f92e5ee3a9737ad42825567c382fb630 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 3356 Width 2019 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Woodcut on title-page portraying Group of 3 men wearing feathered caps and wearing plaid (1 playing bagpipes, 1 playing drums, 1 holding a sword) standing next to a gentleman wearing a hat and holding a walking stick https://scottishchapbooks.lib.uoguelph.ca/files/original/39838fdd1b98404673b615a9ebab986a.pdf be5865032658cd19df55931ede843c51 PDF Text Text * # Britifli T XX ~ G r e n a d i e O L A S G O W, Printed By J. & M. Eobertfbn, Salrniatket, rScz �C a ) The BRITISH GRENADIERS. Q Q ME talk of Alexander* ^ an&fome .of Hercules*. • Of Hector aud Lyfatider^ and foch great mtn as thde Bat all tie world acknowledges* trie valour keft appears, With a tow, row, row, row* rows row, 1 brave Brhifjh Grenadiers-. Thefe ancients of &tuiquuy, ue'erfewa eanfton ball; Bfor knew the force of powder, to flay their foes with all ; But braver beys have known ir, snd baniiVd all their fears, •"With a toW> row, raw, row, row* row/ /brave Otitiftt Greoadcersi When recekf fke orders/ • tdftormtheir paliTadoes ; ^Jur leaders match wirh fuzees, : and we with hand gracado^, We toils them from the glacis, araongft our enemies cars,. 'With a tow, row, row5 row, row, rotf , brave Bririlh Grenadiers. Then Jove the God of thunder, and Mars die God ctf war 5 �( 3 ) Rough Neptune ^ t h Tridsnt* Apollo in his Car ? And all the GtfAs ceieftiaU defceociiog from their fpheres* Do behold with admiration brave BritiJh Grenadiers*: But be you Whig or Tory, or any other thing, I'd have yon dill remember, fobey Great George our King, For if yoa prove rebellious, we'll thunder in your ears, With a tow, row row, row, row, row biave J3rl£I{h Grenadiers. And when the liege js o?er, we to ^he town repairs, The Citizens cry, huzza, boys, here come the Grenadiers : Here come the Grenadiers boys without e'er dread or fe&r, With a tows row, rc^w, row, row, row brave Britilh Grenadiers. t~?ome fill us up a bumper, and let us drink to thofe, Who carry Caps and Pouches, and weae the lajced clothes, , May they and their commanders, live happy maay years, With a tow, row, row, row, row, :rm brave Brinih Grenadiers. �( 4 ) \ O the D AYS when I was f O U N G / \ Thc day? \fhzn I was young! when I fough'd -d Fortune's fpight, TaikM of love tht whole day long, and wiili Nkchr crown'd the nighty Then, it was Did Father Care, little ccckM I of thy (coxvn, Hall ilit ninlice youth coirM hear, and nt night s bumper drown,; Chpr* O the days when 1 \rv> young I f" / wheo I iaoghM at Fortune's fpightj l>!k'd of love the whole day loqgf ar.d \vkh Utlbir crpwifd die night*. Truth they fay lies in u well'; : u*hy ? \ vow 1 ne'er cou'd fee j " •Let the water-drmkers tell, ' ' , there It always hy'for me.j For when fparkiiug wine went rotrad, never faw i faJfc hood's mafic; Bdt ftili hooelt troth f fbund - In the bottom of the Balk. O the day3> &c* True, at length my vigour's fldWQf . f have years to bring decays * •• Few the locks that now f owa 5 « • and the few i have, are greys Yet bl-.hJerome'ihfcm- pT*y*(i boafti while chy fpiriis do not tire, Still htneata'thy age's; £ro:L ' x glows a fpuri ofjputhfu! fire. O'the. Sec, O �I N V A S I O N T H R U A T E N ED. " O Oufeop Briton's! raufe ! here's danger jf Frenchmen'dare iuvacje our toafh y To fight and conquer—you're no ftraogers, - fooa we'll tame their haughty boafts. Awak^i, Britoas ! Frenchmen threaten, to fuhdue oar peaceful file : T o arms'! to arms ! let them be beatea-, in front, in rear, each raok aad-file. Roafe up, Britons I roulc! here's, &'c. f .. Our King h wi% aod w^ji fapporredf \ has men and money in his haud j R k Oeaerals are'well efcorted,—— ' * \his fleets at fea bear fole commaaJ. &c. Oi^ Cavalry are (tour and healthy, our Regulars, there's none Co brare \ Our Feocibles are young void wealthy, and like the Train, none cm behave. &c« Field Marflial York* Great BHtaia's glory, where'* the mm will fit his call ? Fm fare hcJ$ neither Whig oar Tory, tq's country bt's bat a ilafcal. Ho^fe, &c. 4. wake, millions! Tork will lead you, fhoiiW Freachmen dare to oofs the main; And Britoii*s Daughters they will feed-you, **uli Frenchman be by Britons ilain. ' �( 6 ) Lords & Lairds arc on tiptoe ftanding, ready to rcpe! the foe; And Volunteers, with thofe commanding, • \ to deal to Freathmea mighty wee i ,&c. Farmers and Peafaots—alFare willing^ to fuppon both King & Country's caufe ; ; He's nothing but a cowardly Villain.' thai will not defend brave Britain's laws* Roufe up Britons! roufe! berets dangers^ • Frenchmen' dire invade our'coafU : ' To tight and conquer—you're no it/angers, foon well tame thefe haughty fc.>a(lv A NEW SEA. SONG. l y r £ hearts of oak, who; with to try fj[- johf fbrtoces on the fta, And Briton's enemies defy, come enter- here with one: Here/s fifty pounds bounty, two momhVpay, and leave to go on there! With pretty girls to kifs and play, cah British l ars zlk mt>re ? ; Our (hip is fkmt and fails Mice wind, . to chafe a hbflile foe9 To fight like Britons we're inclined, we'll let the Monfieuxs knojg; Que Captain's gen'rousj brave, and good, of grdg we'll have great ft ore, �• ( 7 ) Or prizes rich we'll fweep the flood, can Britifli Tars wifo more ? And when from driving Bourbon*s fieqj, vi&orious we arrive; . With nlufic, dance. and -jovial treaty to pitfcfe our gid,~. we'll Thrive ; Both Spanifh filver and French gold, well count m plenty e'er, Which we have won, my ihipmate^ bold, can Britiih Tars wifti more ? The KTND are YOU f t G and FAlfU T O beauty born a willing Have, a merry happf man, i flight the cymph (cannot have, and doat on thofe',1 can* Chofr this conftant m^xiarfulllhok!, to baffle ali defpair, The Iroward, ugly are and old, the kind are young and .fair. The-women would no more perplcs,' , were men refohrd and free/ Soft finiies become the charmingTex, ' m pouting Mjfs for me. In wedicck's bands if e'er I join, good humour be my guide, Let dimpled foaiies and lore be feme, i l l laugh at female pride. �QJJ E EN M 4 R Y>3' Lamentation* I S I G H and lament me In vain, thefe can but echo my moan, Alas.! it increafes ray pain, when I think otf the days that are gone. Thrctighv the grate of my prifon I fee the birds as they wanton in air My heart how it pants to be free, my looks they are wild with dtfpair. .Above, though oppreft by my fate, I burn with contempt f o r m ? foes* 1 1 hough fortune has aherM tey flare,, ihe ne'er can inbchie nie to thofe® Falfe woman, in ag<rs to came, •• * thy -malice ditched {kill be. And when we are'cold in the' tomb* • fame heart will Itiil forrow for me. • Ye roofs where cold damps and clifinaj. s with filence and formude ewi*1i, How.comfortable pjfTes the day . Ii/W fadly tollsnhe evening bell"? T h e owls from the battle :uen? "cry, . hollow wit:ds k?m t o murmur around, O M A R T ! prepaie thee to die, my biood it rmrs cold at the found. I % 11. am III m I n w i i > . , « B F r » » i l w ; G L A S G 0 \?9 < Printed by J, & M. Rbhcrljbi^ Salloutrkett � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Woodcut 009: Title-page illustration in double-ruled rectangular borderof a group of 3 soldiers wearing feathered caps and kilts: two are playing a bagpipe, one is playing a drum, and one is holding a sword. They are standing in a row next to a well dressed man. who is wearing a hat and long coat. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The British Grenadiers. To which are added, O the Days when I was young. Invasion Threatened. A New Sea Song. The Kind are Young and Fair. Queen Mary's Lamentation. Date A point or period of time associated with an event in the lifecycle of the resource 1802 Identifier An unambiguous reference to the resource within a given context <a href="https://ocul-gue.primo.exlibrisgroup.com/permalink/01OCUL_GUE/mrqn4e/alma9923276603505154">s0320b17</a> Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. O the Days when I was young. Invasion Threatened. A New Sea Song. The Kind are Young and Fair. Queen Mary's Lamentation. Extent The size or duration of the resource. 8 pages 15 cm Contributor An entity responsible for making contributions to the resource Archival and Special Collections, University of Guelph Library, Guelph, Ontario, Canada Is Referenced By A related resource that references, cites, or otherwise points to the described resource. <a title="University of Glasgow Union Catalogue of Scottish Chapbooks" href="http://special.lib.gla.ac.uk/chapbooks/search/">University of Glasgow Union Catalogue of Scottish Chapbooks&nbsp;</a> <a title="National Library of Scotland" href="http://www.nls.uk/">National Library of Scotland&nbsp;</a> Rights Information about rights held in and over the resource In the public domain; For high quality reproductions, contact Archival & Special Collections, University of Guelph. libaspc@uoguelph.ca, 519-824-4120, Ext. 53413 Format The file format, physical medium, or dimensions of the resource JPEGs and PDF derived from master file, which was scanned from the original book in 24-bit color at 600 dpi in TIFF format using an Epson Expression 10000XL scanner. Publisher An entity responsible for making the resource available Glasgow: J. & M. Robertson Type The nature or genre of the resource ballads & songs Subject The topic of the resource Chapbooks - Scotland - Glasgow War Mary, Queen of Scots, 1542-1587 Source A related resource from which the described resource is derived Archival & Special Collections, University of Guelph Library, Guelph, Ontario Description An account of the resource Woodcut #09: Illustration on title-page of a group of 3 soldiers wearing feathered caps and kilts (1 playing bagpipes, 1 playing drums, 1 holding a sword) standing next to a gentleman wearing a hat and holding a walking stick. Bib Context: title-page Chapbook Date: 1801-1810 Chapbook Genre: ballads & songs Chapbook Publisher - Glasgow: J. & M. Robertson Fashion (Clothing): bonnet (military) Fashion (Clothing): coat Fashion (Clothing): feather bonnet Fashion (Clothing): Highland attire Fashion (Clothing): jacket Fashion (Clothing): kilt Fashion (Clothing): knee breeches Fashion (Clothing): military Fashion (Clothing): sporran Fashion (Clothing): upper class Gender: man/men Musical Instruments: bagpipe(s) Musical Instruments: drum(s) Occupation: soldier Outdoor Scene Weapons: sword(s) https://scottishchapbooks.lib.uoguelph.ca/files/original/ecc1ed8a2f1a5d98fd202d657c1be497.pdf 35cdc732c96f2dc880721d6699c13783 PDF Text Text THE EXCELLENT Old Scots Song OF T H E Blaeberry Courtship, T O W H I C H IS A D D E D , T H E CROOK A N D PLAID. FALKIRK: PRINTED FOR THE B O O K S E L L E R S �The Blaeberry Courtship. W I L L you go the Highlands, my jewel, with me, Wil you go the Highlands the flocks for to see, health to my jewel to breath the sweet air, And to pull the blackberries in the forest so fair. To the Highlands, my jewel, I will not go with thee, the road it is long, and the hills they are high, love those vallies and sweet corn fields, More than all the blaeberries your wild mountains yield. Our hills they are bonny when the heather's in bloom, It would cheer a fine fancy in the month of June, To pull the blaeberries and carry them home, [on. And set them on your table when December comes Out spake her father, that saucy old man, You might have chosen a mistress among your own clan. I t s but poor entertainment to our Lowland dames, To promise them heather and blue heather bloom. Kilt up your green plaidie, walk over yon hill, For a sight of your Highland face does me much ill, For I will wed my daughter and spare pennies too, To whom my heart pleases, and what's that to you. �3 My plaid it is broad, it has colours anew, Goodman, for your kindness, I'll leave it with you, I have got a warm cordial keeps the cold from me, The blithe blinks of love from your daughters eye. My flocks they are thin, and my lodgings but bare, And you that has meikle the more you can s p a r e ; Some of your spare pennies with me you will share, And you winna send your lassie o'er the hills bare. H e went to his daughter to give her advice, Said, if you go with him, I'm sure you're not wise, He's a rude Highland fellow, as poor as a crow, He's of the clan of Caithness for ought that I know. But if you go with him, I'm sure you'll go bare, You'll have nothing father or mother can spare, Of all I possess I'll deprive you for aye, If o'er the hills, lassie, you go away. It's father, keep what you are not willing to give, For fain would I go with him, as sure as I live; What signifies gold or treasure to me, If the Highland hills is between my love and me. Now she is gone Away to a place H e had no steed But still he said, with him in spite of them a', that her eyes never saw : for to carry her on, lassie, think not the road long. In a warm summer's evening they came to a glen, Being wearied with travel the lassie sat down; �4 Get up my brave lassie, let us step on, Fo, the sun will go round before we get h o m e My feet are all torn, my shoes are all rent, I'm wearied with travel and just like to faint, Were it not for the sake of your kind company, I would lie in the desert until that I die. The day is far spent and the night's coming on, And step you aside to yon bonny mill-town, And there you'll ask lodgings for thee and for me, For glad would I be in a barn for to be. The place it is pleasant and bonny indeed, But the people are hard-hear ted to us that's in need, Perhaps they'll not grant us their barn nor byre, But I'll go and ask them as it is your desire. The lassie went foremost, sure I was to blame, To ask for a lodging myself I thought shame ; T h e lassie replied with tears not a few, It's ill ale, said she, that's sour when it's new. In a short time thereafter they came to a grove, Where his flocks they were feeding in numberlest droves, Allan stood musing his flocks for to see, Step on, says the lady, that's no pleasure to me. A beautful laddie, with green t a r t i n trews, And twa bonnie lassies, were bughting in ewes, �5 They said, honoured master, are you come again, Long, long have we look'd for you coming hame. Bught in your ewes lassies, and go your way home I've brought a swan frae the north, I have her to tame; Her feathers are fallen, and where can she lie ? The best bed in the house her bed shall be. The lady's heart was far down it coudna well rise ; Till many a iad and lass came in with a phrase, To welcome the lady to welcome her home ; Such a hall in the Highlands she never thought on. The laddies did whistle and the lassies did sing, They made her a supper might served a queen; With ale and with whisky they drank her health round; And they made to the lady a braw bed of down. Early next morning he led her to the hay, He bid her look round as far as she could spy, These lands and possessions my debt for to pay, You winna gae round them in a lang summer day. O Allan ! O Allan ! I'm indebted to thee, It is a debt, dear Allan. I never can pay. O Allan! O Aiian ! how came you for me! Sure I am not worthy your bride for to be. How call you me Allan, when Sandy's my name? Why call you me Allan ? sure you are to blame : �6 For don't you remember when at school with thee, I was hated by all the rest but loved by thee ? How oft have I fed on your bread & your cheese ? Likewise when you had but an handful of pease, Your cruel hearted father hound at me his dogs, They tore my bare heels, and rave all my rags. Is this my dear Sandy whom I lov'd so dear? I have not heard of you this many a year ; When all the rest went to bed, sleep was frae me, For thinking on what was become of thee. My parents were born lang before me, Perhaps by this time they are drown'd in the sea, These lands and possessions they left them to me, And I came for you, jewel, to share them with thee. In love we began, and in love we will end, And in joy and mirth our days we will spend: And a voyage to your father once more we will go, And relieve the old farmer from his trouble and woe. With men and maid servants us to wait upon, So away to her father in a chaise they are gone ; The laddie went foremost, the brave Highland loun, Till tney came to the road that leads to the town. When he came to the gate, he gave a loud roar, Come down, gentle farmer, Catherine's at your door, �7 When he look'd out at the window, he saw his daughter's face, With his hat in his hand he made a great phrase. Keep on your hat, farmer, don't let it fa'. For it sets not the peacock to bow to the crow. It's hold your tongue, Sawney, and do not taunt me, For my daughter's not worthy your bride for to be. Now he held his bridle reins, till he came down, And then he conveyed him to a fine room ; With the finest of spirits they drank a fine toast, And the son and the father drank both in one glass. The Crook and Plaid. If lassies loe the laddies, they surely should confess, For every lassie has a lad she loes aboon the r e s t ; He's dearer to her bosom whatever be his trade, And through life I'll loe the laddie that wears the Crook and Plaid. He's aye true to his lover, a y e true to me. He climbs the mountains early, his fleecy flocks to view, He spier the little laverocks spring out frae 'mang the dew; His Wanders forward with the laddie that wears the Crook and Plaid. For he's, &c. �8 He pues the blooming heather, he pues the lilly meek, Calls the lily like my bosom the heather like my cheek, His words are aye so tender, my heart is aye so glad, There's nae wooer like the laddie that wears the Crook and Plaid. For he's, &c. I winna hae the laddie that ca's the cart & plough, Although he may be tender, although he may be true, But I will hae the laddie, that has my heart betrayed He's the faithful shepherd laddie, that wears the Crook and Plaid. For he's &c. It's down beside the hawthorn that blooms in the vale, I'll meet him in the gloaming far frae the noisy gale, His words are aye Sae tender, my heart is aye sae glad. For he kens the way sae nicely to row me in his plaid. For he's, &c. To such a faithful lover, oh, who would not comply, True love gives purer pleasure than aught beneath the sky, If love be in your bosom, my heart can ne'er be sad. And thro' life I'll lo'e the laddie that wears the Crook and Plaid. For he's, &c. � https://scottishchapbooks.lib.uoguelph.ca/files/original/f11637ad52fd89aba6406b3c36184999.jpg 4ca6e5da300af16535e546930b69c762 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 3245 Width 2008 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Woodcut 042: Title-page illustration in a single ruled border of a couple dancing in the middle of a crowded room. A seated musician is playing an instrument on the right. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Excellent Old Scots Song of the Blaeberry Courtship. To which is added, The Crock and Plaid. Identifier An unambiguous reference to the resource within a given context <a href="https://ocul-gue.primo.exlibrisgroup.com/permalink/01OCUL_GUE/mrqn4e/alma9953134473505154">s0100b01</a> Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. The Crock and Plaid. Is Part Of A related resource in which the described resource is physically or logically included. Chapbook #16 in a bound collection of 77 chapbooks Subject The topic of the resource Chapbooks - Scotland - Falkirk Courtship and Marriage Date A point or period of time associated with an event in the lifecycle of the resource 1840-1850 per University of Glasgow Union Catalogue of Scottish Chapbooks <a href="University%20of%20Glasgow%20Union%20Catalogue%20of%20Scottish%20Chapbooks%20%20http%3A//special.lib.gla.ac.uk/chapbooks/search/">http://special.lib.gla.ac.uk/chapbooks/search/</a> Extent The size or duration of the resource. 8 pages Is Referenced By A related resource that references, cites, or otherwise points to the described resource. University of Glasgow Union Catalogue of Scottish Chapbooks <a href="University%20of%20Glasgow%20Union%20Catalogue%20of%20Scottish%20Chapbooks%20%20http%3A//special.lib.gla.ac.uk/chapbooks/search/">http://special.lib.gla.ac.uk/chapbooks/search/</a> Contributor An entity responsible for making contributions to the resource Archival and Special Collections, University of Guelph Library, Guelph, Ontario, Canada Format The file format, physical medium, or dimensions of the resource JPEGs and PDF derived from master file, which was scanned from the original book in 24-bit color at 600 dpi in TIFF format using an Epson Expression 10000XL scanner. Rights Information about rights held in and over the resource In the public domain; For higher quality reproductions, contact Archival & Special Collections, University of Guelph. libaspc@uoguelph.ca 519-824-4120, Ext. 53413 Publisher An entity responsible for making the resource available Falkirk: Printed for the Booksellers Source A related resource from which the described resource is derived Archival & Special Collections, University of Guelph Library, Guelph, Ontario Type The nature or genre of the resource ballads & songs # of Woodcuts: 1 Activity: dancing Architecture: house Bib Context: title-page Chapbook Date: 1841-1851 Chapbook Genre: ballads & songs Chapbook Publisher - Falkirk: Printed for the Bookseller Fashion (Clothing): upper class Gender: man/men Gender: woman/women Indoor Scene Musical Instruments: bagpipe(s) Object: painting(s) Occupation: musician(s) https://scottishchapbooks.lib.uoguelph.ca/files/original/a99931a33e35d10acb1f6a7d11f65271.pdf 845a4cca13f906e27bee41de3a1c3c4e PDF Text Text THE Duke of Gordon's Three Daughters, To WHICH ARE ADDED, Mary I believ'd thee true, AND Prince Charlie. FALKIRK: PRINTED FOR THE BOOKSELLERS. �The Duke of Gordon's Daughters. The Duke of Gordon had three daughters, Elizabeth, Margaret and Jean : T h e y would not stay in bonny Castle Gordon, But they went away to bonny Aberdeen. They had not been in bonny Aberdeen A twelvemonth and a day, Till Jean fell in love with Captain Ogilvie, And away with him went she. Word came to the Duke of Gordon, In the chamber where he lay, How lady Jean fell in love with a captain, And from him she would not stay, G o saddle me the black horse, he cry'd, M y servant shall ride on the grey, And I will g o to bonny Aberdeen Forwith to bring her away. They were not a mile from Aberdeen, A mile but only one, Till he met with his two daughters, But away was lady Jean. O where is your sister maidens ? Where is your sister now : O where is your sister, maidens, That she's not walking with you ; O pardon us honoured father ! O pardon us they did say : Lady Jean is with Captain Ogilvie, And from him she will not stay. �When he came to bonny Aberdeen, And down upon the green, There he did see Captain Ogilvie, A training o f his men. O woe be to the Captain Ogilvie ! And an ill death thou shalt die. For taking to thee my daughter, High hanged shalt thou be. The D u k e o f Gordon wrote a broad letter, And sent it to the king, T o cause him hang brave Captain Ogilvie, I f e'er he caused hang any man. No I will not hang Captain Ogilvie, For any offence that I see. But I'll cause him to put off the scarlet, And put on the single livery. Now word came to Captain Ogilvie, In the chamber where he lay, T o strip off the gold and scarlet, And put on the single livery. If this be for bonny Jeannie Gordon, This penance I'll tak wi', If this be for bonny Jeannie Gordon, All this and more I'll dree. Lady Jean had not been married A year but only three, Till she had a babe in every arm, And another on her knee. O but I'm weary weary wandering ! �O but my fortune, is bad, It sets not the Duke of Gordon's daughter T o follow a soldier lad. O hold your tongue, bonny Jean Gordon, O hold thy tongue my lamb, For once I was a noble captain, N o w for thy sake a single man. O high was the hills and the mountains, Cold was the frost and the snow ; Lady Jean's shoes were all torn, N o farther could she go. O if I were in glens of Foudlen, Where hunting I have been, I could go to bonny castle Gordon, Without either stockings or sheen. O hold your tongue bonny Jeanie Gordon, O hold your tongue my dew; I've but one half-crown in the world, I'll buy hose and shoon to you. When she came to bonny Castle Gordon, And coming over the green, The Porter cried out, with a loud voice, Yonder comes our lady Jean. You are welcome bonnyJeanieGordon, You are dearly welcome to me, You are welcome, dearJeanieGordon, But awaywithyourOgilvie. Now over the seas went the Captain, As a soldier under c o m m a n d ; �5 But a messenger soon followed after, Which caused a countermand. Come home now, pretty Captain Ogilvie, To enjoy your brother's land ; Come home now, pretty Captain Ogilvie, You're the heir of Northumberland. O what does this mean ? says the Captain, Where's my brother's land ; Come home now, pretty Captain Ogilvie, Your the heir of Northumberland. O what does this mean ? says the Captain, Where's my brother's children three ? O they are all dead and buried, The lands are all ready for thee. Then hoist up your sails, brave Captain, And let's be jovial and free; I'll go home and have my estate, And then my dear Jeanie I'll see. He soon came tobonnyCastleGordon, And then at the gate stood h e ; The Porter cry'd out with a loud shout, Here comes Captain Ogilvie ! You're welcome pretty Captain Ogilvie, Your fortune's advanced I hear, No stranger can come to my gates, That I do love so dear. Sir the last time I was at your gate You wouldnotletmein; I am come for my wife and children, �6 No friendship else I claim. Then she came tripping down the stair, With the tear into her ee, One babe she had at every foot, Another upon her knee. You're welcome, bonny Jean Gordon, You're dearly welcome to me, You're welcome bonny Jean Gordon, Countess of Northumberland to be. Now the Captain came off with his lady, And his sweet babies three, Saying, I'm as good blood by descent, Tho' the great Duke o f Gordon you be. Prince Charlie. When Charlie first came to the North, With the manly looks of a Highland laddie, Moved every true Scottish heart to warm, To guard the lad wi' the tartan plaidie. Love, farewell,—friends, farewell, T o guard my king, I'll bid all farewell. When king Geordy heard o f this, That he'd gane North to heir his dadie, He sent Sir John Cope to the North, For to catch him in his tartan plaidie. But when Cope come to Inverness, They told him he was south already : �7 I must like a lion conquer all, By virtue of the tartan plaidie. When they came to Aberdeen, The English fleet was lying ready To carry them over to Edinburgh town, If they'd catch the lad wi' the tartan plaidie. On Prestonpans he formed his clans, Where many a baby lost its dadie, Our noble Prince stood on the front, And wasna ashamed to shew the plaidie. Sir John Cope address'd his men, Saying, if you'll be both stern and steady, Thirty thousand pounds you'll have To catch the lad wi' the tartan plaidie. Then our noble Prince address'd his men, Saying, if you'll both stern and steady, I'll set you down in this kingdom free, If you fight with me for to keep the plaidie. The Duke of Perth was on his right, The bold Monro and the brave Glengary From the Isle o f Sky the brave Lochiel, Maclarens bold and brave Macredy. On Prestonpans he formed his clans, Regarding neither son nor dadie; Like the wind of the sky they made them fly, With every shake of the tartan plaidie. A painted room and a silken bed, Will hardly please a German lairdie, But a far better prince than ere he was Lay amang the heather in his tartan plaidie. �8 Mary, I Believed thee True. MARY I And I But now A girl believ'd thee true. was blest in thus believing, I mourn that e'er I know, so fair and so deceiving, Few have ever lov'd like me Oh ! I have lov'd thee too sincerely; And few have e'er deceiv'd like thee, Alas ! deceived me too severely ; Fare thee w e l l ! — y e t think a while. On one, whose bosom bleeds to doubt thee— W h o now would rather trust than smile, And die with thee than live without thee. Fare thee w e l l ! — I'll think on thee! Thou leav'st me many a bitter token, For see, distracting woman ! see. M y peace is gone, my heart is broken. FINIS. � https://scottishchapbooks.lib.uoguelph.ca/files/original/09491b57f3c147dc97688335e58d356b.jpg 703333e64f0ea293b0bd58cd1c433a07 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 3072 Width 1772 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Woodcut on title-page portraying Group of 3 men wearing feathered caps and wearing plaid (1 playing bagpipes, 1 playing drums, 1 holding a sword) standing next to a gentleman wearing a hat and holding a walking stick Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Woodcut 009: Title-page illustration in double-ruled rectangular borderof a group of 3 soldiers wearing feathered caps and kilts: two are playing a bagpipe, one is playing a drum, and one is holding a sword. They are standing in a row next to a well dressed man. who is wearing a hat and long coat. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Duke of Gordon's Three Daughters, To which are added, Mary I believ'd thee true, and Prince Charlie. Identifier An unambiguous reference to the resource within a given context <a href="https://ocul-gue.primo.exlibrisgroup.com/permalink/01OCUL_GUE/mrqn4e/alma9953134473505154">s0100b01</a> Is Part Of A related resource in which the described resource is physically or logically included. Chapbook #18 in a bound collection of 77 chapbooks Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Mary I believ'd thee true Prince Charles Date A point or period of time associated with an event in the lifecycle of the resource 1840-1850 per University of Glasgow Union Catalogue of Scottish Chapbooks <a href="University%20of%20Glasgow%20Union%20Catalogue%20of%20Scottish%20Chapbooks%20%20http%3A//special.lib.gla.ac.uk/chapbooks/search/">http://special.lib.gla.ac.uk/chapbooks/search/</a> Extent The size or duration of the resource. 8 pages Is Referenced By A related resource that references, cites, or otherwise points to the described resource. University of Glasgow Union Catalogue of Scottish Chapbooks <a href="University%20of%20Glasgow%20Union%20Catalogue%20of%20Scottish%20Chapbooks%20%20http%3A//special.lib.gla.ac.uk/chapbooks/search/">http://special.lib.gla.ac.uk/chapbooks/search/</a> Contributor An entity responsible for making contributions to the resource Archival and Special Collections, University of Guelph Library, Guelph, Ontario, Canada Format The file format, physical medium, or dimensions of the resource JPEGs and PDF derived from master file, which was scanned from the original book in 24-bit color at 600 dpi in TIFF format using an Epson Expression 10000XL scanner. Rights Information about rights held in and over the resource In the public domain; For higher quality reproductions, contact Archival & Special Collections, University of Guelph. libaspc@uoguelph.ca 519-824-4120, Ext. 53413 Publisher An entity responsible for making the resource available Falkirk: Printed for the Booksellers Type The nature or genre of the resource ballads & songs Subject The topic of the resource Jacobites War Courtship and Marriage Charles Edward, Prince, grandson of James II, King of England, 1720-1788 Source A related resource from which the described resource is derived Archival & Special Collections, University of Guelph Library, Guelph, Ontario Description An account of the resource Woodcut #09: Illustration on title-page of a group of 3 soldiers wearing feathered caps and kilts (1 playing bagpipes, 1 playing drums, 1 holding a sword) standing next to a gentleman wearing a hat and holding a walking stick. # of Woodcuts: 1 Bib Context: title-page Chapbook Date: 1841-1850 Chapbook Genre: ballads & songs Chapbook Genre: battles/war Chapbook Publisher - Falkirk: Printed for the Booksellers Fashion (Clothing): bonnet (military) Fashion (Clothing): coat Fashion (Clothing): feather bonnet Fashion (Clothing): Highland attire Fashion (Clothing): jacket Fashion (Clothing): kilt Fashion (Clothing): knee breeches Fashion (Clothing): military Fashion (Clothing): sporran Fashion (Clothing): upper class Gender: man/men Musical Instruments: bagpipe(s) Musical Instruments: drum(s) Outdoor Scene Weapons: sword(s) https://scottishchapbooks.lib.uoguelph.ca/files/original/8a5f881e1234e8a01daecc0035753bb3.jpg 85a50742131c2ea2b125044c56d8c3ce Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 3469 Width 2164 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Woodcut on title-page portraying Group of 3 men wearing feathered caps and wearing plaid (1 playing bagpipes, 1 playing drums, 1 holding a sword) standing next to a gentleman wearing a hat and holding a walking stick https://scottishchapbooks.lib.uoguelph.ca/files/original/542c9f94c7ef791ea2b8a1e96a6db7bd.pdf 096b94121d340d6fb5014c41eee91e29 PDF Text Text T H E Britifli Volunteers. TO WHICH 4RE ADDED, G O D S A V E M A L L Y T H E K I N G; B A N N T I P P L I N G J O H N . . J O H N Y FAA, the GYPS1E L A D D I E . G L A S G O w, Printed by j. & hi, ROBERTSON, Salfmatket; 1807 • �C 2 T H E B R I T I S H ) V O L U N T E E R S * BY MR. BU1HS. TUME—PUSH ABOUT TH E JORVM* D O E ' S haughty Gaul invafion threap then let the iouns beware, Sir; [There's WOODEN W A L L S upon our feas, and V O L U N T E E R S on fhore, ^ir. T h e CLYDE (hall rin to FINTOCK TAP* an* BENLOMON LOUP t o G A L L ' W A Y * Ere we permit a FOREIGN FOE OQ B R I T I S H G R O U N D to rally. O let us not like fnarling tykes, in wrangiTrtg be divided, Till* flap come in an U N C O LOUN* and wi* a rung decide it ! Be B R I T A I N ftill to B R I T A I N true* amang ourfelves united For never but by B R I T I S H H A N D S mart B R I T I S H W R O N G S be righted* T h e KETTLE o ' t h e KJRK a n d STATE, perhaps a C L O U T may fail inft* But dc'il a FOREIGN T I N K L E R LOUN £hail ever C A ' a N A I L I N ' T . Our F A T H E R ' S BLUJDE the K E T T L S bought^ and wha wad dare to fpoil it! B y H E A V E N ! t h e SACRILEGIOUS DOQ &all FUEL be to BOIL I T ! �The wretch that would a T Y R A N T own, and thi* wretch his true-fworn brother, Who'd fet the MoBaboon the. TH none* may they be damn'd together ! W h o will not finfk Goi> SAVE THE KING lhall hang as high's the fteepie; But while we fiag, G O D 3AVB T H E KING we'll ne'er FOKOET the PEOPLE. GOD S A V E T H E KING. O D fave great George our King, Long live our noble King, God fave the King, Send him vi&orious* Happy and glorious* Long to reign over us, God fave the King! O Lord our God arife, Scatter his enemies, And make them fail* Confound their politics, Frpftrate their knavilh tricks ; On him our hopes are fixM, O fave us all! T h y choiceft gifts in ftort On him be pleas'd to pour, Long may he reign! May he defend our laws* And ever give us caufe, T o fing with he art and voice, God fave the King. G j �( 4 ) O ! grant him long to fee 'Friendfihip and unity Always increafej May he his fceptrc fway, Ail loyal foub obey, Join heart and voice, huz^a! God favc our King! M i n t B A N N. \ M I E R A N D A L went a huntrng* a hunting in thr dark But, to his great misfortune, he did not mifs his m a r k : His love's apron being about her* he took her for a fwvn Bfk alas! and for ever alas I it was facet Maily Bann. W h e n he came up unto her, aud found that (he was dcadg, (Great abundance of fait tears for his darling he fhed. H e went home to his father with his gun in bis hand, Crying, Dear father, dear fatkcr f 1 have feot Maliy. 3ann» His father leaked ppon him 5 his hair being grey) Cry mi 7 Oh ! my ^ ear eft fon? jQii omit not i m away s �( 5 ) Stay at home irf^yo <r own country let your trial come o n ; By the laws of fweet Ireland, j o u {hall never be undone. Within two 01 three mouths after* to her uncle (he appear'd Crying, Dear uncle, dear u.#ie, let Jamie Randal go free : For my apron being about me, he took me for a wan : But it is Ob ! and ever alas ! it was fweet Ma% ii-mn. All the maidens in the country, they are all very ula^ That this beautiful, this lovely, this fair one was dead. She was the flowVof ail the nation, the flpwer or Contain ; The flower of ai! Ji nation was fweet Mally Bana. When the fair maid^ in the city, were affembled in a row* She appeared amongft them like a mountain of fnow* The flower qf all the nation, the flQwer of Coirain. The flower oi J t the nation was fweet Mally iJanru �T I P P L I N G JO H a A S tippling John was jogging on, upon a riot nrght. With tottering pace, and fiery face, fufpicious of high flight ; The guards vAo took hirn by his look, for fomc chief fiery-brand, Aik'il whence he came ? vVhat was his name who are you ? ftahd friend, (land. Pra gfing home, from meeting corner ay, lays one, that's the cafe j Some meeting he has burnt, you fee h the flame's flill in his face. John thought it time to purge his crimtj I and faid, My chief intent Was to affwage my thirfty rage, i'th* meeting that I meant Come, friend* be plain you trifle in vain, f fays one, pray let us know. T h a t we may find how you're iticlin'd j are you High-Church or Low ? John faid to that, Pil tell you what, to end debates and ftrife, All ! can fay, this is the way I tieer my courfe of life. I ne'er to Bow, nor Burgcfs go, to ftfcple-houfenor ball, The.brifk bar-bell belt funs my zeal with gentlemen^ d'ye call ? �< 7 1 Guefs then, am I Low-Church or High, from that tow'r, or no fteeplel Whof- merry toll exalts the Tout and muft make high-flown people! The guards came on, and iook'd at John with countenance raoft pleafantv By whifper round they all foon found he was no darang'd peafant: Thus while John flood the beft he cou'd* expefting their decifion ; Damn him, f^ys one, let him be gone^ he's of our own religion. JOKNY FAA T H E G Y P 3 I £ LADDIA- T He gy plies came to our good Lord's gate, and vow but they fang fleetly ; They fang Jae fweet^ and fae very complete* that down came the fair Lady® And fhe came tripping down the (lair, and a* her maids before h e r ; As foon as they faw her weil-far f d face* they cooft the giaaier o'er her. Gae tak from me tblg gay mantle, and bring to me a pSaidie. For if kith and kin, and a' had fworH/ r i i follow the gypfie laddie. Teftreen I lay in a well made bcd $ and my good Lord b&Sde me j �( 8 > This night Pll ly in a tenant's barn, whatever fhall betide r^e* Cooie to your bed, fays Johny Faa, oh come to your bed, my deary ; For I vow and fwear, by the hilt of my fwordj that your Lord fhall nae mair come near ye, Pll $ro to bed to my johny Faa, I'll go to bed to my deary; For I vow and fwear by what paft yeftreen, that my Lord (hall nae mair come near me* H i mak a hap to my Johny Faa, . and y \ l mak a hap to my deary. And he's get a' the coat gaes round, and my Lord fhalhiae mair come near me» And when our Lord came hame at cen, and fpeer'd for his fair Lady, The tanc {he cry'd, and the other reply'd, flie's away with the gypfie Laddie. Gae faddle to me the black black fteed^ gae faddle and m i k e him ready $ Before that I either eat or deep, I'lt gae feek my fair Lady, And we aitho* AncLwe a fair were fifteen well-made men, we were nae bonny : were a* put down for ane, youug wanton Lady. G L A S G O W , Brlnted by J. & M. Robert Ion, Saltrnarket, 1803. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Woodcut 009: Title-page illustration in double-ruled rectangular borderof a group of 3 soldiers wearing feathered caps and kilts: two are playing a bagpipe, one is playing a drum, and one is holding a sword. They are standing in a row next to a well dressed man. who is wearing a hat and long coat. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The British volunteers. To which are added, God save the king. Mally Bann. Tippling John. Johny Faa, the gypsie laddie. Date A point or period of time associated with an event in the lifecycle of the resource 1803 Language A language of the resource English Identifier An unambiguous reference to the resource within a given context <a href="https://ocul-gue.primo.exlibrisgroup.com/permalink/01OCUL_GUE/mrqn4e/alma9923276843505154">s0302b19</a> Contributor An entity responsible for making contributions to the resource Archival and Special Collections, University of Guelph Library, Guelph, Ontario, Canada Rights Information about rights held in and over the resource In the public domain; For high quality reproductions, contact Archival & Special Collections, University of Guelph. libaspc@uoguelph.ca, 519-824-4120, Ext. 53413 Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. God save the King Mally Bann Tippling John Johnny Faa The Gypsie laddie Format The file format, physical medium, or dimensions of the resource JPEGs and PDF derived from master file, which was scanned from the original book in 24-bit color at 600 dpi in TIFF format using an Epson Expression 10000XL scanner. Extent The size or duration of the resource. 8 pages 15 cm Publisher An entity responsible for making the resource available Glasgow: J. & M. Robertson Type The nature or genre of the resource ballads & songs Subject The topic of the resource War Alcohol Courtship and Marriage Source A related resource from which the described resource is derived Archival & Special Collections, University of Guelph Library, Guelph, Ontario Description An account of the resource Woodcut #09: Illustration on title-page of a group of 3 soldiers wearing feathered caps and kilts (1 playing bagpipes, 1 playing drums, 1 holding a sword) standing next to a gentleman wearing a hat and holding a walking stick. # of Woodcuts: 1 Bib Context: title-page Chapbook Date: 1801-1810 Chapbook Genre: ballads & songs Chapbook Publisher - Glasgow: J. & M. Robertson Fashion (Clothing): bonnet (military) Fashion (Clothing): coat Fashion (Clothing): feather bonnet Fashion (Clothing): Highland attire Fashion (Clothing): jacket Fashion (Clothing): kilt Fashion (Clothing): knee breeches Fashion (Clothing): military Fashion (Clothing): sporran Fashion (Clothing): upper class Gender: man/men Musical Instruments: bagpipe(s) Musical Instruments: drum(s) Outdoor Scene Weapons: sword(s) https://scottishchapbooks.lib.uoguelph.ca/files/original/053a419ffc446fb354d557cf5448e532.jpg dffbd5ad5eee3a3a4194d2af932cf507 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 3345 Width 1949 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Woodcut on title-page portraying Group of 3 men wearing feathered caps and wearing plaid (1 playing bagpipes, 1 playing drums, 1 holding a sword) standing next to a gentleman wearing a hat and holding a walking stick https://scottishchapbooks.lib.uoguelph.ca/files/original/aa3ff3058c1b0056bcc8ad1e85501c3d.pdf 86f12ff75a2539b730fc5eae0df85183 PDF Text Text Britain's Alarm. T o which ore added, O D E A R ! I'M SO P L E A S ' D . T H E D A V Y B O N N Y J O N E S ' S B O Y . L O C K E R . THRO' THE W O O D L A D D I E . M A N K I N D ALL TANNERS. K D W A R D and B E T S Y. ARRIVED AT PORTSMOUTH. O A T H S IN F A S H I O N . G L A S G O W , Printed by J. and M . Robertfon, Saltmarket, i8c.j. �B R I T A I N ' S A L A R M . T O arms ! gallant Britons of every degree, T o arms ! if you want to live happy and free ; T h e foe's on the coaft—-there's no room for delay ; Let us rife in a tnafs, boys, and drive them away. chorus. Britons, arm & unite ! like true Britons ftill fight ; Fight bold and together ; never mind the weather ; Like Sons of Britannia we'll conquer or die. Let croakers talk on of this terrible foe ; The foe is a Frenchman, and Frenchmen we know: Whether monkies, of tigers, or devils they be, We've beat them we know,, both by land & by fea. CHORUS. Britons, arm & unite! like true Britons ftill fight; Fight bold and together; never mind the weather; Like Sons of Britannia we'll conquer or die W hat tho'they nowboaft of their conqueft & fpoils, And murders at which human nature recoils? (plain, Theyhav^r.c'er conquer'dus & they (hall not that's We have thrcfti'd them oft foundly, & will fo again* c II o R\u s, Britons, arm & unite! like true Britons ftill fight \ Fight bold and together ; never mind the weather; Like Sons of Britannia we'll conquer or die. Rememberhowhoftsof thefeFrenchmen did yield, At Crefly, at Poifkiers, and Agincourt's field* And (hall we now fuiTer their vain gafconade ? Or (ball they unpunifh'd, Great Britain invade ? CHORUS. Britons, arm 3c unite! like true Britons ftill fight; Fight bold and together -9 never mind the weather ; Like Sons of Britannia we'll conquer or die* �Theyboaft of their freedom,but whoare fuch (laves? And who are fo free as wt? (ons of the waves ? W h a t Frenchman with all his vain boafling, can fay, That his loaf, that his life is his own for a day ? CHORUS. Britons, arm & unite! like true Britons (till fight; Fight bold and together; never mind the weather ; Like Sons of Britannia we'll conquer or die. In this happy Ifle every man lives fecure; Our liberty, property, all guarded fure ; T h e higheft and lowed all equally f r e e ; W h a t nation on earth then fo happy as we ? etc. CHORUS. Britons, arm & unite! like true Britons flill fighf; Fight bold and together; never mind the weather} Like Sons of Britannia we'll conquer pr die. T o arms, then! to arms! and repel the proud foe, W h o would land us in anarchy, bloodfhed, & woe, hzt us rife like our Ifie's irrefillible waves, And teach them that Britons will never be (laves. CHORUS. Britons, arm & unite ! like true Britons flill fight; Fight bold and together ; never mind the weather; Like Sons of Britannia well conquer or die. O D E A R ! I ' M S O P L E A S ' D. W k g n StrepHon appears, how my heart pit a pat, (Views the tender emotion with which it is feiz'd. T o the fhepherd*s bewitching gay innocent chat, I could liften for ever, O dear! I'm fo pleaa'd. My grandmother frowns, & protefis I'm toojoung,' wi h the 1 {Ton of Cupid (o foon to be teaz'd, n T u t fo f w c e t ' s the honey that falls from his tongue, 1 laugh at my grandmam ; O d c a r ! I'm fo picas ds �Should he afk me to wed, 28 he hinted to-day, when my hand he fo foft & fo tenderly fqueez'd, He's fo pretty a Twain that I can't fay him nay, I'm refolv'd to be marry'd, 0 rfear I I'm fo pleas'd. '^MS®*** -THE 3 O N N Y — BOY. I r was once f lov'd a bonny, bonny boy, I lov'd him I vow and proteft, 1 lov'd him fo very, very well I built him a birth on my breaft. I built &c. It was upon the green forefl:, and down the green Like one that was troubled in mind, (foreft, I hoop'd and I call'd, I play'd on my ilute, But no bonny boy could I find, But, etc. I look'd up high, and I look'd dawn low, Arrd the fun fhone wonder fu' warm, And who fhould I fee but my bonny boy, H e was fall in another girl's arms. He, etc® < Then he (iretch'd forth his lity white hand, And he thought I was at his command, But i parted by cafl never an eyev And he thought 1 "was bound in love's bond. And he thought, etc. T h e n he tcok me on his difTcmbling knee, And he look'd me right up in the face, He gave to mc a ditfembUng kifs, And his heart was in another girl's bread, etc. Oh ! the girl that enjoys my bonny bonny boy, I'm Aire (he is not to blame, For many a long night he has robb'd me of my red, But he never Ihall do it again, But, etc. �[ DAVY S 3 JONES'S LOCKER. W Hen lad honeft Jack/of whofe fate I now fing, weigh'd anchor and caft out for fea, For he ne'er refus'd tor his country and King to tight, for no lubber was he ; T o hand, reef, & (leer, & houfe every thing tight, full well did he know every inch, Tho* the toplifts of failors the ^ m p e f t ihould fmite, Jack never was known for to flinch. CHORUS. T h o ' the toplifts of failors the teriipeft fhouid fmite, Jack never was known for to flinch* Aloft from the maft head one day he efpy'd feven fail, which appear'd to his view, Clear thedecks, fpunge theguns, was inftantlycry'd, and each to his liation then flew; And fought until many a noble was (lain, and filcnced was every gun, 'Twas then that old lingliih valour was vain, for by numbers, alas ! they're undone. CHORUS. 'Twas then that old England's valour was vain, for by numbers, alas . they're undone. Yet think not bold Jack, tho' by conquest difmay'd, could tamely fubmit to his fate; When his country he found he no longer could ferve, looking round, he addrels'd thus t^ach mate, What's life, d'ye fee, when our liberty's gone, much nobler it were for to die, So now for old Davy, then plung'd in the main, ev'n the cherub above heav'd ? % h , Chor. vSo now f o r o i i Davy, then piur.g dinthe main, C'cn the cherub abovfc heav'd a ftgh. �I 6 3 T H R O ' THfe W O O D LADDIE. O Sandy, why ieave6 thou thy Nelly to mourn ? f h y prefence cou'd eafe me, When naeihing can pleafe me : Now dowie I figh on the bank cf the burn, Or thro' the wood, iaddle, until thou return, Tho* woods now are bonny, and mornings are clear, While lav'rockp are Tinging, A n d primrofes fpringing j Yet nane of them pleales fny eye or my ear, W h e n thro' the wood, laddie, ye dinna appear. That I am forfaken, feme fpare not to tell : I'm falh'd wi' their fcorning, Baith evening and morning, Their jeering gaes aft to my heart wi* a knell, W h e n thro" the wood, laddie, L wandei my fell. Then flay, my dear Sandy nae langer away, But quick as an arrow, Halle here to thy marrow, W h a ' s living in langour, till that -happy day, (play. When thro 1 the wood, laddie, we'll dance, fing and —- •• wiM.^^ig^jjViHiBi'iiwi! MANKIND A L L T A N N E R S . ^OME, liften ye lads, and ye lafies around, j T o a fiave cr two fung by Harry Hidebound, A tanner I am, of no humble degree, And tanners aU mankind I'll prove are like me, Tol de rol, etc. C The lawyer fo great with big wig and lonp band, His conscience, as bullock's hide, ftoutly i r n ' d , Yet touch with a double fee wifely that part, T w i l l ftretch like a glove it is tann'd with fucb art. �X 7 1 Ph^ficians, iikewile are all fanners by trade. And fortuneshv working on (heep-fluns have made; With bark they kcrp tanning fheir patienls inf:de, Till fhoemak&r. Death bores a hole thro' the hide. To! de roll, &c. T o the tan-pit of Cupid fond lovers repair, And throw rhemfelves in thro* a fit of defpair, But Hymen good natur'dly oft helps them out, And their heartsbeing tann'-d why they foon get about To! de rcl!, &c The foes of old England don't tanning defpife, And to fenfon their hides well, think they are wife; But in fpite of the devil, that Tanner of fins, W h e n Britons ftrike hom»,thev(han't fleep in whole l o l de roll, &c ' (ttins. E D W A R D A N D B E T S Y . Y Oung Edward was faithful, & Betfy was true, when war cail'd her foldier away, She parted in tears, and he figh'd out adieu, and they never more met from th$t day. Forcourage;with Ed ward there'sfe wcouldcompare, but his foes would not favour the brave, W h e n dying, his Betfy alone was his care, he bled her, then funk to his grave. T h f wars were all over, ilill conflant lifer heart, now expedted her folder's return, Poor maiden, how wilt thou furvive the keen fmart 9 thy Edward in tears thou wilt mourn. T h e news foon arriv'd 'hat her foldier was (lain, O Edward ! (he fauUering cry'd, We'll meet in a world where we'll ne'er part again, then fainting, (he droop'd »nd (he dy'd. �L ARRIVED AT 8 1 PORTSMOUTH. W I T H pride we ftecr'd for England's coaft, Her hills arofe in mifty blue j Six prizes of the line our boaft, Another ftruck and funk in view ! O ftill to guard this Ifle, the battle we'll fuftain, And dare the perils of the ftormy main ! Within the bofom of the land, •» The claims of relative and friend| r - The prowefs of cur fleets demand : Their rights upon our arms depend : O Hill to guard this Ifle, the battle we'll fuftain. And dare the perils of the raging main ! Sweet love ; this bofom know thy pow'r, T h e dafhing waves that foam along, Hear F^ny's name at midnight hour, T h e tender burthen of my fong: For Britain's lovely dames, the battle we fuftain, And dare the perils of the ftormy main ! O A T H S IN F A S H I O N . C Uftom prevailing fo long 'mongft the great, makes oaths eafy potions to fleep on ; W h i c h many (on gaining good places) repeat, without e'er deigning to keep one. For an oath's feldom kef t, as a virgin's fair fame, a lover's food vowf, or a prelate's good name j . A lawyer to truth., or a ftatefman from blame, or a patriot^ heart in a courtier. G L A S G O W , Printed by J. & M. Robertfon, Saltm?.iket, 1804. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Woodcut 009: Title-page illustration in double-ruled rectangular borderof a group of 3 soldiers wearing feathered caps and kilts: two are playing a bagpipe, one is playing a drum, and one is holding a sword. They are standing in a row next to a well dressed man. who is wearing a hat and long coat. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Britain's alarm. To which are added, O dear! I'm so pleas'd. The bonny boy. Davy Jones's locker. Thro' the wood laddie. Mankind all tanners. Edward and Betsy. Arrived at Portsmouth. Oaths in fashion. Date A point or period of time associated with an event in the lifecycle of the resource 1804 Language A language of the resource English Identifier An unambiguous reference to the resource within a given context <a href="https://ocul-gue.primo.exlibrisgroup.com/permalink/01OCUL_GUE/mrqn4e/alma9923276173505154">s0300b27</a> Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. O dear! I'm so pleas'd. The bonny boy. Davy Jones's locker. Thro' the wood laddie. Mankind all tanners. Edward and Betsy. Arrived at Portsmouth. Oaths in Fashion Contributor An entity responsible for making contributions to the resource Archival and Special Collections, University of Guelph Library, Guelph, Ontario, Canada Rights Information about rights held in and over the resource In the public domain; For high quality reproductions, contact Archival & Special Collections, University of Guelph. libaspc@uoguelph.ca, 519-824-4120, Ext. 53413 Format The file format, physical medium, or dimensions of the resource JPEGs and PDF derived from master file, which was scanned from the original book in 24-bit color at 600 dpi in TIFF format using an Epson Expression 10000XL scanner. Extent The size or duration of the resource. 8 pages 15 cm Publisher An entity responsible for making the resource available Glasgow: J. & M. Robertson Type The nature or genre of the resource ballads & songs Subject The topic of the resource Chapbooks - Scotland - Glasgow War Courtship and Marriage Source A related resource from which the described resource is derived Archival & Special Collections, University of Guelph Library, Guelph, Ontario Description An account of the resource Woodcut #09: Illustration on title-page of a group of 3 soldiers wearing feathered caps and kilts (1 playing bagpipes, 1 playing drums, 1 holding a sword) standing next to a gentleman wearing a hat and holding a walking stick. # of Woodcuts: 1 Bib Context: title-page Chapbook Date: 1801-1810 Chapbook Genre: ballads & songs Chapbook Publisher - Glasgow: J. & M. Robertson Fashion (Clothing): bonnet (military) Fashion (Clothing): coat Fashion (Clothing): feather bonnet Fashion (Clothing): Highland attire Fashion (Clothing): jacket Fashion (Clothing): kilt Fashion (Clothing): knee breeches Fashion (Clothing): military Fashion (Clothing): sporran Fashion (Clothing): upper class Gender: man/men Musical Instruments: bagpipe(s) Musical Instruments: drum(s) Occupation: soldier Outdoor Scene Weapons: sword(s) https://scottishchapbooks.lib.uoguelph.ca/files/original/4711e254717bf1b3674d7bbe6ae7d71a.pdf 0bf32ce2d9c0d5c2d0be4ce2a6626c39 https://scottishchapbooks.lib.uoguelph.ca/files/original/204caed543a140f422a4813dc823ff97.jpg 0c66a082738bf47cd69955e1f90d4e13 https://scottishchapbooks.lib.uoguelph.ca/files/original/73c3b3bdab6e7bce14e89a5b327e7f9d.jpg 48f79e460515038761668549e13f546d https://scottishchapbooks.lib.uoguelph.ca/files/original/0451cc9f6321c8b90f6628257e1bbad8.jpg 1d5cae1774f2b7a5a6aadfb15b5ccc89 https://scottishchapbooks.lib.uoguelph.ca/files/original/a3398f1fd55366291c995a4eeb6cf0b6.jpg 9b0df5076b3f6c1224cd31b0cd4bfdc5 https://scottishchapbooks.lib.uoguelph.ca/files/original/3989a50279d6b0c440477676be37b3d8.jpg cbe73b24e412b329027a348336629c7d https://scottishchapbooks.lib.uoguelph.ca/files/original/9fb67cfb11223560f077c792f64ce5b2.jpg 6351a409f06c41e0de802ef15dd37aec https://scottishchapbooks.lib.uoguelph.ca/files/original/806f4f938b2a30e897e9a0b14cb25ead.jpg b6d2d21c29d5ac2cd62a63691427767f https://scottishchapbooks.lib.uoguelph.ca/files/original/7847a5cd6a7e4f2f770cb0aa7c0bb48a.jpg a0f7eaf70a487db1f7324a04783005cf Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Woodcut 042: Title-page illustration in a single ruled border of a couple dancing in the middle of a crowded room. A seated musician is playing an instrument on the right. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hodge of the mill: or, an old woman clothed in grey. To which is added, Sorrow and care. Pipes and tobacco. The pleasures of wooing. Send home my heart and eyes Subject The topic of the resource Chapbooks - Scotland - Glasgow Courtship and Marriage Religion and Morals Wit and Humor Date A point or period of time associated with an event in the lifecycle of the resource 1802 Contributor An entity responsible for making contributions to the resource Archival and Special Collections, University of Guelph, Library, Guelph, Ontario, Canada Rights Information about rights held in and over the resource In the public domain; For high quality reproductions, contact Archival & Special Collections, University of Guelph. libaspc@uoguelph.ca, 519-824-4120, Ext. 53413 Identifier An unambiguous reference to the resource within a given context <a href="https://ocul-gue.primo.exlibrisgroup.com/permalink/01OCUL_GUE/mrqn4e/alma9923335673505154">s0094b30</a> Extent The size or duration of the resource. 8 pages 15 cm Is Referenced By A related resource that references, cites, or otherwise points to the described resource. Scottish Chapbook Catalogue, University of Glasgow Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Sorrow and care. Pipes and tobacco. The pleasures of wooing. Send home my heart and eyes. Abstract A summary of the resource. A collection of short ballads and songs on a variety of topics. The first is a humorous song in which an old woman harries a young man into marrying her daughter after he impregnates her, to which he agrees in exchange for her naming him as her heir. The second song humorously portrays the woes of married life for the husband, focusing for the most part on the tendency of wives to spend their husbands’ money. The third song uses tobacco and pipe smoking as an allegory for the spiritual and bodily journey of men through life, not necessarily encouragingly. The following song criticizes young men as fickle deluders of young women, and cautions others to guard their virginity well, while the final song describes the woes of a scorned lover. Language A language of the resource English Format The file format, physical medium, or dimensions of the resource JPEGs and PDF derived from master file, which was scanned from the original book in 24-bit color at 600 dpi in TIFF format using an Epson Expression 10000XL scanner. Source A related resource from which the described resource is derived Archival & Special Collections, University of Guelph Library, Guelph, Ontario Publisher An entity responsible for making the resource available Glasgow: J. & M. Robertson Type The nature or genre of the resource ballads & songs # of Woodcuts: 1 Activity: dancing Architecture: house Bib Context: title-page Chapbook Date: 1801-1810 Chapbook Genre: ballads & songs Chapbook Publisher - Glasgow: J. & M. Robertson Fashion (Clothing): upper class Gender: man/men Gender: woman/women Indoor Scene Musical Instruments: bagpipe(s) Object: painting(s) Occupation: musician(s)