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                    <text>A COLLECTION OF
No.

CONTAINING

TULLOCHGORUM.
BEN BOWLING'S D E P A R T U R E .
WIDOW
WF A TOCHER.

M I N T E D FOR THE

XV»

�jjdlcchgorum.
( orr.p. ; *.'s a parr- the ' dy, &lt; 5 h d,

And lay yoSroisputes. all' a s i o e ; • •
W h a t nonsense is't for folks to chide
For what's beeh dorrebefore them.
L e t W i n g and T o r y all agree/
' W h i g and T o r y . WhiV'fcnH T o r y ,
;
L e t Wrig.atftf'Torjr. afbdgfcee, '
T o d r o p t h e \r w h.i g m fgfp or u m.
L e t W i n g a n d ' T o r y a'\ agree '
T o spendThe-night w ? mirth and glee
A n d cheer fu' s i n , g a l a n g . ^ i ' me
The Heel of Tullochgorum.
Tullochgorum^ my de'i^ht, . ,
It gars us a' in ane unite,
;
A n d onie gumpjv that keeps up spite, ji
I n con science I abh o r him :
R'ithe. and. merry wcfs he
;
1311 (he and merry, blithe and m e n y , ;
••'Mitire and merry we^ b^ a', ,
T o 'mafe a cheerfif qluaruta ;
BI jfche an darner ry»w^s; he, a' •
•
'As'dang as we Irae breach to draw,
And dance'till we be like to fa',
T h e Reel .of Tirlicchgorum.
T h e r e needs rVi be sae great a" phrase
Wi* dringing dull Italian lays ;
I wadna gie our afoiSti-athspeys
Lor hauf* a bunder score o'em.

�3

T h e y ' r e dowfF and dpwje «at the best,
I)o.vvff and :dovvLe* dqvvff and .dories ,,,
T h e y7 re &lt;do w ii' ..afid do w ie;,. fit'. the, be-st,
W i ' a' Ui^ir f y^rjarum :
T h e y ' r e dowff'and'dowie at the best,
Th&amp; i r a i l e g f &amp; &amp; ' d a the refet,
•
T h e y eanna pfeis'e a'Highland t a s t e /
C o m p a F d v i' Tidlochgor Itin.
v
L'et'warjdly minds themselves oppress
YVT'fear o' want, and double ee*s,
And' siiiy*sauls the^nsqlves distress^
W i ' keeping up decorum.
Shall" we sac sour and sulky sit.
Sour" and sulky, spur a».d sulky,
Shall we&gt;ae sour,and sulky sit',- \
L i k e au 1 d r!vriosopl'ioruai ;
S h a l l we aae sour L and -sulky "ait,,
W i ' neither sense, nor mirth, nor wit*
And canna rise to shake a fft
T o the1 Heel of Ailloch^crum ?
M a y choicest blessings still attend," ..
lurch honest-hear,ted open friend,
And cairn and. quiet bp his end, ,
Be a' that's good- before him I ;
M a y peace.and. plenty,, be his., lot,,. .., .f
Peace aud p|ent v;, p e a e e - a n d p i m ty f .
Mxy peace and ..plenty he his. lot, . ». '
And dainties a gr;e.at ,siqr,e..o'ein'.;. ,.

�4
M a y peace and plenty be his lot,
Unstain'd by any vicious blot !
A n d may he never want a groat
That's fond of Tullochgorum.
But for the discontented fool,
W h a want's to be oppression's tool,
M a y envy gnaw his rotten soul,
And blackest fiends devour him !
M a y dool and sorrow be his chance,
Dool and sorrow, dool and sorrow,
M a y dool and sorrow be his chance,
And honest souls abhor him ;
M a y dool and sorrow be his chance,
And a' the ills that come frae France,
W h a e ' e r he be that winna dance
T h e Reel of Tuliochgorurn.

Ben Bowling's

Departure.

Ben Bowling* a true hearted tar,
A right gallant son of old Ocean,
E l a t e with the rumours of war,
$oon felt all his courage in motion ;
T h e king, he said, must be obeyed,
So Molly a truce to thy wailing ;
T o r see, every anchor is weighed,
And all the fleet ready for sailing.
T h e n , kissing his charmer, withdrew,
But often turned kindly to hail h e r ;
W h i l e Molly sighed faintly adieu !
Jin yoking success to h t r sailor.

�5
Behold the fleet now under-weigh,
T h e i r topsails are swelled by the breezes;
W h a t beauty their streamers display,
W h a t grandeur the prospect increases !
See, see, down the Channel they stretchy
T o glory and victory steering;
W h i l e proudly the crowd on the beach
Salute the bold heroes with cheering ;i
And still, while his charmer's in view,
Ben often turns kindly to hail her ;
"While Molly sighs faintly adieu !
Invoking success to her sailor.
Should France, amid thunder and smoke.
Her navy build hopes of success on,
Depend ©n't, our true hearts of oak
W i l l teach her an old English lesson :
May Ben, for his dear M o l l i s sake,
Return again laden with treasure,
And, taking her under his&lt; wake,
Moor sale ki the harbour of pleasure ;
That Ben, when again he shall view,
I I h charmer, with rapture may hail h e r ;
And Molly, who late sighed adieu!
Gladly greet the return of her sailor.

The Wanton Widow.
A wanton widow, old and sour,
W r ouid fain be a S i g n o r a ;
She practised all was in her pow'r
T o wear her weeds no more a : —

�%
But all she did, and all'
Coutcf hot e'p.tlce her charmer ;
So eo-k! her hearts ihe : flams of love •
C o u l d n e v e t r i ^ h i f f warm' h e r !
Oh"! Mistress tilggws, ' •
1)espairing }.Iistre&amp; ; W\ggiris :
She took U ilri'fi
Y
peppbniiiMf/
A n ti m o u r n'd h er f a ill) k sslov
She 8ioh'd,i6lie patiled, frqllecihereyes, .
And used these;efforts often ;;
T h e youth but view'd hierwith surprise,
His \ \ e art could n e v er sp ft en —
At leifgtn,* a brisk'yoiitig mifid'he Ilandshme, tall, and clever ;
She lik'd him,, though, he came'so rude, 5
And' vowed s h e ' d love for ever.
' Oil l" Mistress Wiggins.
T i n s damsel's name was S a l l y P f l n i ,
H e r 'daddy '.Was' a brazier ;'
T h y youth vv'as ftiek-narn'd B f l l j SHm?
And was by trade a g l a i i e r ;
T h e i r hands they'jo'iifd in'Vedloc'k's tie.
And told their j o y in kisses —•
Let this a warning word imply,
T o widoW's'a'nd old' missy's
O h ! Misl ress W i n s y
Distracted Mistress W i g g i n s I
'She kilPd herself w i t h pq&gt;pemtfinty
'AndHeft her feilhlebs lover.-

�Hey for: a

a JJtch&amp;n u ;

A vva wi; joii^witeifcr^ft
Volarttfs;-' j
T h e slender iiH hciixiiyjWgHrgp in your aftrtS ;
0 , gie me the fas's lliat hsii S i T e ' s ^ dhamJ?,
0 , gie me the lass Wi the weel-stockit farms.
Th^U hoy for a lass xvV a tocher,
Then \\e:y for a.'I&amp;ss.wi\a t o c h e r ;
T h e n bey for a lass wi' a tocher ;
T h e nice yellow guineas for me.,

u

Your beauty's a,.flovVT in the morning, thaVhlayrs,
And withers .the faster, the f a i l e r it grows ;
lk.it the rapturous charm" 6 ' " t h e ' boniiie green
knowes ; f • »
. •,
• &gt; ,
Ilk spring they're new deck it wV bqnn^e \wfioe
yowes;
.vC'r^r
i
* -V
Then, hey, kc. / , 4
i Yr\- * i % r\
And e'en when- -this 'beauty : yonr 'bosom -'lias blest,
The brightest-"cP- beauty may cloy
^o^st;
But the sweet
da flings
'Geordie

aawji as nut b ifA

The ianger y e hae them—the mair they're caresl.
Then h&amp;yy k t . *

Tm

Glen.

M y heart is a-breaking, dear T i t t l e ,
Some counsel unto me.conie l e n ' ;
T o anger them a ' i s a pity,
Hut what wiil.X do w i ' T a r n Glen ?

�8

I'm thinking, wi* sic a braw fallow,
In poortith I might make a fen' ;
W h a t care I in riches to wallow,
If I maunua m a r r y Tarn Glen.
T h e r e ' s L o w r i e , the laird e' Drummeller,
" Gude-day to y o u , " brute, he comes bi
H e brags, and he blaws o" his siller,
But whan will he dance like Tarn Glen
M y minnic does constantly deave me.
And bids me beware o" young men ;
T h e y flatter, she says, to deceive m e ;
But wha can think sae o' T a m Glen ?
M y daddie says, gin I'll forsake him,
IIe n ll gie me gude hunder marks ten ;
But if it's ordain'd I maun tak him,
O wha will I get but Tarn Glen ?
Yestreen at the valentines dealing,
M y heart to my mou' gied a sten,
F o r thrice 1 drew ane without failing,
And thrice it was written, T a m Glen.
T h e last Hallowe'en I was waukin\
M y droukit sark sleeve, as y e ken,
His likeness cam up the house staukin,
A n d the very grey breeks o* T a m Glen.
Come counsel, dear T i t t i e , don't tarry ;
I'll gie you my bonnie black hen,
Gif y e will advise me to m a r r y
T h e lad I lo'e dearly, T a m Glen.

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            <elementTextContainer>
              <elementText elementTextId="21302">
                <text>8 pages</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="70">
            <name>Is Part Of</name>
            <description>A related resource in which the described resource is physically or logically included.</description>
            <elementTextContainer>
              <elementText elementTextId="21303">
                <text>Chapbook #39 in a bound collection of 54 chapbooks</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="21304">
                <text>Quote on title-page.: "Look up John Knox, frae' mang the dead, Look up, and seake your auld grey head; Look up, The Whore of Bab'lon's fled Free mighty Rome; That Grand Event ye aften spaed, Behold is come!"</text>
              </elementText>
              <elementText elementTextId="21305">
                <text>Woodcut image of musical instruments on the title-page.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="21306">
                <text>Poetry</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="71">
            <name>Is Referenced By</name>
            <description>A related resource that references, cites, or otherwise points to the described resource.</description>
            <elementTextContainer>
              <elementText elementTextId="21308">
                <text>ESTC T53222</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="21309">
                <text>[1799?] per English Short Title Catalogue</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="38">
            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
            <elementTextContainer>
              <elementText elementTextId="21310">
                <text>Rome, Italy</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="37">
            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="21312">
                <text>Archival and Special Collections, University of Guelph Library, Guelph, Ontario, Canada</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="21314">
                <text>In the public domain; For high quality reproductions, contact Archival &amp; Special Collections, University of Guelph. libaspc@uoguelph.ca, 519-824-4120, Ext. 53413</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="24516">
                <text>JPEGs and PDF derived from master file, which was scanned from the original book in 24-bit color at 600 dpi in TIFF format using an Epson Expression 10000XL scanner.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="26831">
                <text>Glasgow: Brash &amp; Reid</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="26832">
                <text>poetry</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
    <tagContainer>
      <tag tagId="302">
        <name># of Woodcuts: 2</name>
      </tag>
      <tag tagId="103">
        <name>Bib Context: title-page</name>
      </tag>
      <tag tagId="229">
        <name>Chapbook Date: 1791-1800</name>
      </tag>
      <tag tagId="200">
        <name>Chapbook Genre: poetry</name>
      </tag>
      <tag tagId="228">
        <name>Chapbook Publisher - Glasgow: Brash &amp; Reid</name>
      </tag>
      <tag tagId="310">
        <name>Musical Instrument: fiddle(s)</name>
      </tag>
      <tag tagId="307">
        <name>Musical Instrument: flute</name>
      </tag>
      <tag tagId="347">
        <name>Musical Instrument: horn(s)</name>
      </tag>
    </tagContainer>
  </item>
</itemContainer>
