1
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6
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Publisher
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Printed by G. Caldwell
Date
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no date
Title
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Woodcut on title-page of a man sitting at a dinner table reaching out to a dog.
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Title
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Woodcut 006: Title-page illustration of a man sitting at a dinner table; he is reaching out to a dog.
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Title
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Margaret And The Minister; A True Tale, To Which is Added, Soda Water
Description
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Printed below title: 'She ne'er before saw sicken fairlies, Sae mony antic turly-whurlies' printed below title
Woodcut #06: Illustration on title-page of a man sitting at dinner table reaching out to a dog.
Contributor
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Archival and Special Collections, University of Guelph Library, Guelph, Ontario, Canada
Rights
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In the public domain; For high quality reproductions, contact Archival & Special Collections, University of Guelph. libaspc@uoguelph.ca, 519-824-4120, Ext. 53413
Language
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English
Identifier
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<a href="https://ocul-gue.primo.exlibrisgroup.com/permalink/01OCUL_GUE/mrqn4e/alma9953133973505154">s0042b27</a>
Extent
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8 pages
Is Referenced By
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Scottish Chapbook Catalogue: Glasgow, Edinburgh Central
Is Part Of
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A bound collection of 37 chapbooks; Chapbook #20
Alternative Title
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Soda Water
Format
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JPEGs and PDF derived from master file, which was scanned from the original book in 24-bit color at 600 dpi in TIFF format using an Epson Expression 10000XL scanner.
Subject
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Religion and Morals
Chapbooks - Scotland - Paisley
Alcohol
Source
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Archival & Special Collections, University of Guelph Library, Guelph, Ontario
Publisher
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Paisley: G. Caldwell
Type
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poetry
Creator
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Lochore, Robert, 1762-1852
Date
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no date
Activity: dining
Animal: dog(s)
Bib Context: title-page
Chapbook Date: no date
Chapbook Publisher - Paisley: G. Caldwell
Fashion (Clothing): breeches
Fashion (Clothing): jacket
Fashion (Clothing): pants
Fashion (Clothing): scarves
Fashion (Clothing): upper class
Fashion (Clothing): waist coat
Food & Drink
Furniture: chair(s)
Furniture: table(s)
Gender: man/men
Indoor Scene
-
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PDF Text
Text
Young Lochinvar ;
T o which are added,
T H E ROSE OF DUNMORE,
SCOTTISH
WHISKY,
Sleeping LOST MYMaggie,
SHEPHERDS, I HAVE
LOVE.
GLASGOW
Printed for the Booksellers.
1828.
:
�YOUNG
LOCHINVAR.
O ! Y o u n g Lochinvar has come out of the west,
T h r o u g h all the wide border his steed was the best;
A n d save his good broadsword, he weapons had none,
He
rode all unarm'd, and he rode all alone.
So faithful in love, and so dauntlets in war,
T h e r e never was knight like the young Lochinvar.
H e staid not for brake, and tie stopped not for stone,
H e swam the Esk river where ford there was none ;
B u t , ere he alighted at Netherby gate.
T h e bride had consented, the gallant came late ;
F o r a laggard in love, and a dastard in war,
W a s to wed the fair Helen of brave Lochinvar.
So boldly he enter'd the Netherby Hall:
A m o n g bridemen, and kinsmen, and brothers and all;
T h e n spake the bride's father, his hand on his sword,
( F o r the poor craven bridegroom said never a word,)
" O come ye in peace here, or come ye in war,
O r to dance at our bridal, young lord L o c h i n v a r ? "
" I long woo'd your daughter, my suit you d e n i e d ;
Love swells like the Solway, but ebbs as its tide—
A n d now I am come with this lost love of mine,
T o lead but one measure, drink one cup of wine.
T h e r e are maidens in Scotland more lovely by f a r —
T h a t would gladly be bride to the young Lochinvar."
�3
T h e bride kiss'd the goblet ; the knight took it up,
H e quaff'd off the wine, and he threw down the c u p .
She look'd down to blush, and she look'd up to sigh,
W i t h a smile on her lips, and a tear in her eye.
H e took her soft hand, e'er her mother could bar,
' N o w tread we a measure!' said young Lochinvar.
S o stately his form, and so lovely her face,
T h a t never a hall such a galliard did grace ;
W h i l e her mother did fret, and her father did fume,
A n d the bridegroom stood dangling his bonnet and
plume;
A n d the bride-maiden's whisper'd 'twere better b y
far
T o have match'd our fair cousin with young
Lochinvar.
O n e touch to h e r hand, and one word in her ear,
W h e n they reach'd the hall-door, and the charger
s t o o d near
;
So light to the croup the fair lady he swung,
So light to the saddle before her he sprung !
S h e is won ! we are gone, over bank, bush, andscaur;
T h e y ' l l have fleet steede that follow, quoth young
Lochinvar.
There was mounting 'mong Grames of the Netherby
clan ;
Foraters, Fenwicks, and Musgraves, they rode and
they ran ;
T h e r e was racing and chacing, on Cannobie lee,
B u t the lost bride of Netherby ne'er did they see,
So daring in love, and so dauntless in war,
H a v e ye e'er heard of gallant like young
Lochinvar,
�4
THE
ROSE
OF
DUNMORE.
As I w e n t a w a l k i n g out e a r l y ,
B r i g h t P h o e b u s m o s t sweetly d i d s h i n e ,
A n d the nightingale warbled melodious,
A s t h e lusin t h a t fells f r o m t h e g l e n .
It's down thro' a grove where I walked,
A w h i l e t o c o n d o l e in a s h a d e ,
On m y d e s t i n y for t o p o n d e r ,
I t ' s t h e r e I b e h e l d a sweet m a i d .
I cast f o r t h m y eyes f o r t o view,
A n d t h u s u n t o h e r I did s a y ,
Y o u fair has my heart ensnared,
H o w far t h r o ' t h e g r o v e d o s t t h o u s t r a y ?
S h e a n s w e r e d , sir, I will tell y o u ,
T h e t r u t h u n t o y o u I'll e x p l o r e ,
O f a m a t t e r t h a t lately befel m e ,
M y d w e l l i n g lies n e a r D u n m o r e .
O n c e I d i d love a b r a v e h e r o ,
T i l l my tender heart he did gain,
N o m o r t a l e v e r lov'd d e a r e r ,
B u t n o w he is p l o u g h i n g t h e m a i n ,
All under brave Nelson for battle,
A n d o u r E n g l i s h N a v y so b r a v e ,
W h e r e c a n n o n s and g u n s loudly rattle,
A g a i n s t t h e p r o u d F r e n c h on the m a i n .
H e says, n o w m y f a i r , so e n s n a r i n g ,
P e r h a p s y o u r t r u e - l o v e h e is s l a i n ,
A s m a n y a m a n fell a v i c t i m ,
Soit m i g h t h a p p e n with y o u r love,
A s it h a t h d o n e with m a n y b e f o r e ,
�5
I p r a y c o m e with m e to R a t h f r i l a n d ,
A n d bid a f a r e w e l l t o D u n m o r e .
How c o u l d I b e t h u s so i n c o n s t a n t ,
A n d p r o m i s e d so m u c h to b e t r u e ,
T o leave m y old s w e e t h e a r t l a m e n t i n g ,
A n d v e n t u r e all f o r t u n e with y o u ;
T h e p e o p l e w o u l d call m e h a r d h e a r t e d ,
F o r fidelity t o h i m I ' v e s w o r e ,
T h a t o u r loves s h o u l d n e v e r b e p a r t e d ,
B u t w a i t f o r t h e y o u t h in D u n m o r e .
S i n c e i t is so n o w d e c r e e d ,
T h a t I n o w a victim m u s t fall,
I cannot refrain now but mourn,
T h o ' I a m n o b e t t e r a t all.
I
Of that charming youth I adore,
I hope to my great consolation,
T o m e e t h i m with j o y in D u n m o r e .
C h e e k s like t h e fair b e a u t i e s b l o w n ,
Y o u r s u m m e r will soon b e o ' e r ,
O c t o b e r w i n d s will be b l o w n ,
A n d blast t h e sweet r o s e of D u n m o r e ,
I f o u n d that h e r heart was failing,
As m a n y had d o n e before,
I h o i s t u p m y sails for R a t h f r i l a n d ,
A n d g a i n e d t h e sweet rose of D u n m o r e .
SCOTTISH
WHISKY.
Y e social sons of S c o t i a ' s isle,
W h o love t o r a n t a n d r o a r , Sir,
T o d r i n k , to dance, to laugh, to sing,
A n d hie withouten care, S i r ;
still live in
expectation,
�6
A t t e n d a n d listen t o m y l a y s ,
'Twill make you blithe and friskie;
I sing, w h o d a r e my t h e m e d e s p i s e ?
I n p r a i s e of g u i d S c o t s W h i s k y .
O my cheering, care-dispelling,
Heart-reviving W h i s k y ;
T h o u b r i g h t e n s u p t h e g l o o m o f life,
T h a t a f t look d a r k a n d d u s k i e .
L e t F r e n c h m e n o' t h e i r b e v ' r a g e b o a s t ,
T h e j u i c e of G a l l i c vine. S i r ,
And Dons and Portuguese rehearse
T h e p r a i s e s o ' t h e i r wine, S i r ;
I d o n ' t envy t h e m w i t h t h e i r t o n s ,
G i ' e m e a little c a s k i e
O' C a l e d o n i a ' s n e c t a r p u r e ,
T h e real S c o t t i s h W h i s k y .
O m y cheering, &c.
J a m a i c a R u m it's b u t a h u m ,
S o is t h e best A n t i g u a ;
A n d H o l l a n d ' s gin n o worth, a pin,
C o m p a r ' d wi' d e a r K i l b e g i e .
W h o e v e r w a n t s to t a k e a h o u s e ,
O r h a v e a j o v i a l pliskie,
T h e y o n l y n e e d t o weet t h e i r m o u ' s
W i ' real Scottish W h i s k y .
B L Y T H E W A S SHE.
B l y t h e , b l y t h e a n d m e r r y was s h e ,
B l y t h e was s h e b u t a n d b e n :
B l y t h e by t h e b a n k s of E a r n ,
A n d b l y t h e in G l e n t u r i n g l e n .
�7
By O c h t e r t y r e g r o w s the aik,
O n Y a r r o w braes the birken s h a w ;
But P h e m i e was a b o n n i e r lass,
T h a n b r a e s o' Y a r r o w ever saw.
Blythe,
&c.
H e r l o o k s w e r e like a flower in M a y ,
H e r smile was like a s i m m e r m o r n ;
S h e t r i p p e d by t h e b a n k s o' E a r n ,
A s light's a bird u p o n a thorn.
B l y t h e , &c.
H e r b o n n y f a c e it was as m e e k ,
As onie lamb upon a lee;
T h e e v ' n i n g sun was n e ' e r sae sweet
As was t h e b l i n k o' P h e m i e ' s ee.
Blythe, &c.
T h e H i g h l a n d hills I ' v e w a n d e r ' d wide,
And o'er the Lowlands I hae been;
B u t P h e m i e was t h e b l y t h e s t lass,
T h a t ever t r o d t h e d e w y g r e e n .
SLEEPIN' MAGGY.
M i r k a n ' r a i n y is t h e n i g h t ,
N o a s t a r n in a' t h e c a r r y ,
A n ' w i n ' s d r i v e wi' w i n t e r ' s f u r y .
O are ye sleepin', M a g g y ,
O a r e y e sleepin', M a g g y ;
L e t m e i n , f o r l o u d t h e linn,
I s r o a r i n g o'er the warlock craigie.
�8
Fearfu' soughs the boor-tree hank
T h e rifted wood r o a r s wild a n ' d r e a r y .
L o a d the iron yate does clank,
A n d c r y o' h o w l e t s m a k s m e e e r i e .
O a r e y e s l e e p in', M a g g y , & c .
A b o o n my breath I d a r e n a speak,
F o r tear I rouse your waukrife daddie,
C a u l d ' s t h e blast u p o n m y c h e e k ,
O rise, rise m y b o n n y l a d y !
O are ye sleepin', M a g g y , &c.
S h e ' s o p ' t t h e d o o r s h e ' s let h i m in,
H e cuist a s i d e his d r e e p i n g p l a i d i e ;
"Blaw
Since n o w I ' m in aside ye, M a g g y . "
BANKS
OF
your warst ye rain an'
BANNA.
S h e p h e r d s , I h a v e lost m y love,
H a v e y o u seen m y A n n a ,
P r i d e of e v ' r y s h a d y g r o v e ,
U p o n t h e b a n k s of B a n n a ?
I
N e a r yon misty mountain,
L e f t my flock, m y p i p e , m y c r o o k ,
Greenwood shade aud fountain.
N e v e r s h a l l I see t h e m m o r e ,
Until her returning;
A l l t h e j o y s of life a r e o ' e r ,
F r o m gladness c h a n g ' d to m o u r n i n g .
W h i t h e r is m y c h a r m e r flown !
S h e p h e r d s , tell m e w h i t h e r ?
A h , woe for m e ! p e r h a p s she's g o n e
F o r ever, a n d for ever.
for her my h o m e
�
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Title
A name given to the resource
Illustration on title-page of a man in hat, jacket and boots standing under tree with a town and hills in the background
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Title
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Woodcut 007: Title-page illustration of a military figure standing under a tree with a view of a city and hills in the background.
Document
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Young Lochinvar; To which are added, The Rose of Dunmore, Scottish Whisky, Blythe was She But and Ben, Sleeping Maggie, Shepherds, I Have Lost My Love
Subject
The topic of the resource
Chapbooks - Scotland - Glasgow
Alcohol
Courtship and Marriage
Date
A point or period of time associated with an event in the lifecycle of the resource
1828
Identifier
An unambiguous reference to the resource within a given context
<a href="https://ocul-gue.primo.exlibrisgroup.com/permalink/01OCUL_GUE/mrqn4e/alma9953133973505154">s0042b27</a>
<a href="https://ocul-gue.primo.exlibrisgroup.com/permalink/01OCUL_GUE/mrqn4e/alma9923448263505154">s0069b09</a>
Extent
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8 pages
Is Referenced By
A related resource that references, cites, or otherwise points to the described resource.
<p dir="ltr"><a title="University of Glasgow Union Catalogue of Scottish Chapbooks" href="http://special.lib.gla.ac.uk/chapbooks/search/"><span>University of Glasgow Union Catalogue of Scottish Chapbooks </span></a></p>
<p dir="ltr"> </p>
<div> </div>
Alternative Title
An alternative name for the resource. The distinction between titles and alternative titles is application-specific.
The Rose of Dunmore
Scottish Whisky
Blythe was She But and Ben
Sleeping Maggie, Shepherds
I Have Lost My Love
Is Part Of
A related resource in which the described resource is physically or logically included.
Chapbook #12 in a bound collection of 37 chapbooks;(s0042b27)
Abstract
A summary of the resource.
A collection of songs, from love stories to drinking songs. The first tells the tale of the Lord of Lochinvar who, after his courtship is rejected by his love’s father, steals the bride right from her wedding. In the second song, a young man meets a young woman in a grove one night and convinces her to leave with him, even though she had pledged to wait for her love to return from sea. He does this by reminding her of the fleeting nature of her own beauty, telling her that her youthful looks won’t last forever. The next song is a drinking song, lauding the virtues of Scottish whisky over other various inferior drinks. The fourth song describes the beauty of a particular girl, and the fifth is sung from the perspective of a man waiting outside in the cold and dark to be let in by his lover. The last song is the lament of a man who has lost his love, for whom he had given up his life as a shepherd.
Contributor
An entity responsible for making contributions to the resource
Archival and Special Collections, University of Guelph Library, Guelph, Ontario, Canada
Rights
Information about rights held in and over the resource
In the public domain; For high quality reproductions, contact Archival & Special Collections, University of Guelph. libaspc@uoguelph.ca, 519-824-4120, Ext. 53413
Format
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JPEGs and PDF derived from master file, which was scanned from the original book in 24-bit color at 600 dpi in TIFF format using an Epson Expression 10000XL scanner.
Publisher
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Glasgow: Printed for the Booksellers
Source
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Archival & Special Collections, University of Guelph Library, Guelph, Ontario
Type
The nature or genre of the resource
ballads & songs
Description
An account of the resource
Woodcut #07: Illustration on title-page of a military figure standing under tree with a view of a city and hills in the background.
# of Woodcuts: 1
Architecture: city view
Bib Context: title-page
Chapbook Date: 1821-1830
Chapbook Publisher - Glasgow: Printed for the Booksellers
Fashion (Clothing): bonnet (military)
Fashion (Clothing): breeches
Fashion (Clothing): cocked hat
Fashion (Clothing): jacket
Fashion (Clothing): military
Fashion (Clothing): pants
Fashion (Clothing): waist coat
Gender: man/men
Nature: flower(s)
Nature: hill(s)
Nature: tree(s)
Occupation: soldier
Outdoor Scene
-
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069eb94383b90d6af59085aefebc8a08
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Woodcut on title-page portraying two men dueling wearing hats and long coats
https://scottishchapbooks.lib.uoguelph.ca/files/original/1e09700d7e3781a2920a892603ed6c6d.pdf
2efc43b107b7d6cf92d57ac3dec91b8e
PDF Text
Text
Rob Roy Macgregor,
To which are added,
Mrs. F.s Delight
The Highland Laddie,
©ILLY AND NANCY'S
^RTJNG,
Together let us Range.
GLASGOW:
Published and Sold, Wholesale and IteM,
by R . Hutchison, Bookseller, y
1
19. Salt-market.
1823.
�ROB ROY
MACGREGOR.
PAHDON now the bold outlaw,
Rob Roy Macgregor, O!
Grant him mercy, pentbs a',
Rob R^oy Macgregor, O I
Led your ftarids and hearts agree,
Let the Highland laddie free,
Mak' us sing wi' muckle glee,
Rob Roy Macgregor, 0 1
L0113 the state had doom'd his fa',
Rob Roy Macgregor, O!
Siill he spurned the hatefu' law,
Rob Roy Macgregor, O J
Scots can for their country die;
Ne'er for Britan's foes they flee,
A ' that's past forget—forgie
Rob Roy Macgregor, O!
Scotland's fear, and Scotland's prid«j
Rob Roy Macgregor, O!
Your award must now abide,
Rob Roy Macgregor, O!
Lang your favours hae been mij>c,
Favours I will ne'er resign—
Welcomc then for auld langsynt,
Rob Roy Margrcgor, OT
�M R S . F.'S D E L I G H T .
COMPOSED BY H E R
HUSBAND.
Some men they do delight in hound?
And some in hawks take pleasure,
Some do rejoice in war and wounds,
And thereby goiri great treasure.
Some men do love on sea to sail;
And some rejoice in riding;
Bat all their judgments do them fail—
O! no such joy as chiding.
When in the morn I ope my eyes,
T o entertain the day,
Before my husband e'en can rise,
I chide him—then I pray.
When I at table take my place,
Whatever be the meat,
I first do chide—and then say grace,
If so dispo&'d to eaU
Too fat, too lean, too hot, too cold,
I ever do complain.
Too raw, too roast, too young too old
Faults I will And or feign.
�4
Let it be flesh, or fowl or fish,
It never shall be said,
But I'll fi,nd fault with meat or dish,
With master, or with maid.
But when I go to bed at night,
I heartily do weep,
That I must part with my delight—
1 cannot scold and sleep.
However this doth mitigate,
And much abate my sorrow,
That though to-night it be too late,
I'll early scold to-morrow.
T H E H I G H L A N D LAD-DIE.
The Lawland lads think they are tine,
But O! they're vain and idly gaudy;
How much unlike the g r a c e d mein,
And manly looks of my Highland laddre.
O my bonny Highland laddie;
My handsome, charming Highland laddie,
May heaven still guard, and love reward,
The Lawland lass and her Highland laddie.
If I were free at will to choose
T o be the wealthiest Lawland lady,
�I'd tak young Donald without trews,
With bonnet blue and belted plaidw.
0 my boniiie, fyc.
Tlie brawest beau in burrows town,
In a' his airs with art made ready,
Compared to him, he's but a clown,
He's finer far in's tartan plaidie.
O my bonnicy fye.
O'er benty hills with him I'll run,
And leave my Lawland kin and daddit;
Frae winter's cauld, and simmer's sun,
He'll screen me with his Highland plakfce.
O my bonnicy Sfc.
A painted room, and silken bed,
May please a Lawiand laird and lady;
But I can kiss, and be as glad,
Behind a bush, in's Highland plaidie.
O my bonnie,
F*w compliments between us pass,
l e a ' him my dear Highland laddie;
And he ca'sme his Lawhind lass,
Syne rows me in beneath his plaidie.
0 my bo7uiie9 tyc.
Xac greater joy I'll e'er pretend,
Than that his love proves true and steady
�6
Like mine to him, which ne'er rhall end,
While Heav'n preserves ray Highland laddie.
0 my bonnie, fyc.
B I L L Y AND N A N C Y ' S
PARTING.
I T was on a Monday morning,
just at the break of day,
Our ship she slipt her cable
and we were bound to sea:
The wind blew from the south-east,
and from Greenock we were boond,
The streets they were all garnished,
with pretty maids all round.
There was a pretty sailor
all in his blooming years,
H e came unto his true love,
with bitter sighs and tears;
And he came unto his true love,
to let her understand,
That he was going to leave her
into some foreign land.
Why say you so dear Billy?
these words do break my heart,
Come let us now be married,
before that we do part:
�7
These fourteen weeks nni longer.
I'm going with child to the*,
So stay at home dear Billy,
be kind and marry me.
If I should stay at home, my dear,
another would take my place,
It would be a shame to mc, love,
besides a sad disgrace:
The King he's wanting men, my dear,
and I for one must go,
And for my very life, love,
I must not answer no.
Well, I'll cut off my yellow hair,
man's clothes I will put on,
And I will go along with you,
to be your waiting man:
Like a true and faithful servant,
I on my love will wait,
No storm nor danger will I fear,
let it be e'er so great.
Your waist it is too slender,
your fingers are too small,
I fear you will not answer me,
when I do on you call,
W4ien cannons they do rattle,
and bullets tbey do fly,
And silver trumpets sounding,
to drown the dreadful «ry.
�8
If I should meat a bonny lass,
that's merry, blythe and gay,
And on her set my fancy,
what would my Nancy say?
What would I say dear Willy,
but I would love her too,
It's I would step aside, my dear,
till she would pleasure you.
Why, say you so, de-ar Nancy!
you now do gain my heart;
Come, let us now be married,
'before thpt we do part.
This o u p l e now are married,
and sailing o'er the main,
All goodness may att?nd them,
till they return again.
T O G E T H E R L E T US RANGE,
Together let U9 range the fields,
Impearl'd with the morning dew,
Or view the fruit the vineyard yields,
Or the apples clustering bough.
There in close embowered shades,
Impervious to the noontide ray,
By tinkling rills—or rosy beds,
We'll love the sultry hours away.
FINIS.
1
�
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Title
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Woodcut 018: Title-page illustration in single ruled border of two men dueling. Both are wearing hats and long coats. Outdoor scene.
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Title
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Rob Roy Macgregor, To which are added, Mrs. F.'s Delight The Highland Laddie, Billy ad Nancy's Parting, Together let us Range.
Alternative Title
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Mrs. F.'s Delight
The Highland Laddie
Billy ad Nancy's Parting
Together let us Range.
Date
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1823
Extent
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8 pages
16 cm
Identifier
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<a href="https://ocul-gue.primo.exlibrisgroup.com/permalink/01OCUL_GUE/mrqn4e/alma9936352173505154">s0604b37</a>
Contributor
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Archival and Special Collections, University of Guelph Library, Guelph, Ontario, Canada
Rights
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In the public domain; For high quality reproductions, contact Archival & Special Collections, University of Guelph. libaspc@uoguelph.ca, 519-824-4120, Ext. 53413
Format
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JPEGs and PDF derived from master file, which was scanned from the original book in 24-bit color at 600 dpi in TIFF format using an Epson Expression 10000XL scanner.
Publisher
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Glasgow: R. Hutchinson, Bookseller
Subject
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Chapbooks - Scotland - Glasgow
Ballads and songs
Highlands
Courtship and Marriage
Source
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Archival & Special Collections, University of Guelph Library, Guelph, Ontario
Activity: dueling/fighting
Bib Context: title-page
Chapbook Date: 1821-1830
Chapbook Genre: ballads & songs
Chapbook Publisher - Glasgow: R. Hutchinson
Fashion (Clothing): bonnet
Fashion (Clothing): bonnet (military)
Fashion (Clothing): breeches
Fashion (Clothing): Highland attire
Fashion (Clothing): jacket
Fashion (Clothing): knee breeches
Fashion (Clothing): military
Fashion (Clothing): pants
Fashion (Clothing): scarves
Fashion (Clothing): waist coat
Gender: man/men
Outdoor Scene
Weapons: sword(s)
-
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Title
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Woodcut on title-page portraying man wearing a top hat with arm linked to a woman holding a parasol; building, wall, and trees in background (blue tint)
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Title
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Woodcut portrays an older man with a hat, pointy nose and chin, a hunched back outside a home and is holding canes; Circle frame
https://scottishchapbooks.lib.uoguelph.ca/files/original/e8378d32e0dc06b997c85958a179aabd.jpg
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Title
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Woodcut portrays a sunset/sunrise coming over hills/mountain, a cottage is set near a body of water; circle frame
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Title
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Woodcut portrays a bird nest with four baby birds with mouths open
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Title
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Woodcut on title-page portraying bird perched on a tree branch
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Title
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Woodcut portrays an outdoor scene; older man with bent knees, hunched back, pointy nose and chin holding a cane is talking to a young man with a top hat
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Title
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Woodcut portrays an indoor scene where four children are interacting with various mathematical and geographical tools such as a globe
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Title
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Woodcut portrays an indoor scene where a man is sitting on a chair reading to a young child who is sitting on his lap. The room has a window with sun shining through, and a table in front of the two figures.
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Title
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Woodcut portrays a man sowing seed by hand
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Title
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Woodcut portrays a woman grabbing wheat from ground; text explains it is a woman gathering corn that was dropped by the reaper
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Title
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Woodcut portrays a beehive sitting on a bench with flora around it; Bees are flying around hive.
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Title
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Woodcut portrays a still life of a flower arrangement in vase
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50db14e0e8f5979bef650efd3cbcfd1d
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Title
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Woodcut portrays an indoor scene of a woman sitting on a chair with hands reaching out to a baby in a bassinet
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Woodcut portrays a young woman who is downcast/sad, her elbow rests on a table and her face rests on her hand, a large vessel is also on the table; on blue paper
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Woodcut 015_a: Title-page illustration in single ruled octangular border of a well dressed man with his arm linked to a well dressed woman who is holding a parasol They are standing in front of a building. Printed on blue paper.
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Title
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Familiar Objects Described
Contributor
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Archival and Special Collections, University of Guelph Library, Guelph, Ontario, Canada
Rights
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In the public domain; For high quality reproductions, contact Archival & Special Collections, University of Guelph. libaspc@uoguelph.ca, 519-824-4120, Ext. 53413
Identifier
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<a href="https://ocul-gue.primo.exlibrisgroup.com/permalink/01OCUL_GUE/mrqn4e/alma9951097683505154">s0037Ab006</a>
Extent
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16 pages
10 cm
Format
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JPEGs and PDF derived from master file, which was scanned from the original book in 24-bit color at 600 dpi in TIFF format using an Epson Expression 10000XL scanner.
Date
A point or period of time associated with an event in the lifecycle of the resource
ca.1830
Subject
The topic of the resource
Chapbooks - Scotland - Edinburgh
Source
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Archival & Special Collections, University of Guelph Library, Guelph, Ontario
Publisher
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Edinburgh: Oliver and Boyd
Type
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children's instruction book
Architecture: fence
Architecture: house
Bib Context: title-page
Chapbook Date: 1821-1830
Chapbook Genre: children's instruction book
Chapbook Publisher - Edinburgh: Oliver & Boyd
Fashion (Clothing): bonnet
Fashion (Clothing): bonnet (women)
Fashion (Clothing): breeches
Fashion (Clothing): cape
Fashion (Clothing): coat
Fashion (Clothing): dress
Fashion (Clothing): jacket
Fashion (Clothing): pants
Fashion (Clothing): scarves
Fashion (Clothing): top hat
Fashion (Clothing): upper class
Fashion (Clothing): waist coat
Gender: man/men
Gender: woman/women
Nature: tree(s)
Object: umbrella(s)
Outdoor Scene
-
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Title
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Woodcut on title-page portraying Man instructing young girl holding book in his hand standing near hourglass on stool in drawing room (green tint)
https://scottishchapbooks.lib.uoguelph.ca/files/original/17b755719aa96430810f3051546682d3.jpg
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Title
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Woodcut 013_a: Title-page Illustration of a man
dressed in a cloak standing behind a girl with a book in his hand. His other hand is pointing at the floor. The left side of the room is framed by curtains and there is an hourglass on a stool. Printed on green paper.
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Title
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The Little Story-Teller
Date
A point or period of time associated with an event in the lifecycle of the resource
ca. 1830
Extent
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32 pages including pastedown wrappers
13 cm
Identifier
An unambiguous reference to the resource within a given context
<a href="https://ocul-gue.primo.exlibrisgroup.com/permalink/01OCUL_GUE/mrqn4e/alma9951097803505154">s0037Ab008</a>
Subject
The topic of the resource
Chapbooks - Scotland - Edinburgh
Religion and Morals
Contributor
An entity responsible for making contributions to the resource
Archival and Special Collections, University of Guelph Library, Guelph, Ontario, Canada
Rights
Information about rights held in and over the resource
In the public domain; For high quality reproductions, contact Archival & Special Collections, University of Guelph. libaspc@uoguelph.ca, 519-824-4120, Ext. 53413
Format
The file format, physical medium, or dimensions of the resource
JPEGs and PDF derived from master file, which was scanned from the original book in 24-bit color at 600 dpi in TIFF format using an Epson Expression 10000XL scanner.
Source
A related resource from which the described resource is derived
Archival & Special Collections, University of Guelph Library, Guelph, Ontario
Publisher
An entity responsible for making the resource available
Edinburgh: Oliver and Boyd
Type
The nature or genre of the resource
children's instruction book
# of Woodcuts: 12
Activity: reading
Bib Context: cover
Chapbook Date: 1821-1830
Chapbook Genre: children's instruction book
Chapbook Publisher - Edinburgh: Oliver & Boyd
Fashion (Clothing): breeches
Fashion (Clothing): cape
Fashion (Clothing): children's clothes
Fashion (Clothing): pants
Fashion (Clothing): upper class
Fashion (Clothing): waist coat
Furniture: stool(s)
Furniture: table(s)
Gender: girl(s)
Gender: man/men
Indoor Scene
Object: book(s)
Object: hourglass(es)
-
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Woodcut on title-page portraying Man reading a book under a tree; 8 birds flying over 2 hills in the background
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Woodcut 012_a: Title-page illustration in a single ruled rectangular border of a man reading a book under a tree with a flock of birds flying over the hills in the background.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
The Royal Alphabet : or, Child's Guide in the Road to Learning
Date
A point or period of time associated with an event in the lifecycle of the resource
ca. 1815
Extent
The size or duration of the resource.
16 pages : woodcut illustrations
10 cm
Identifier
An unambiguous reference to the resource within a given context
<a href="https://ocul-gue.primo.exlibrisgroup.com/permalink/01OCUL_GUE/mrqn4e/alma9951097813505154">s0037Ab009</a>
Description
An account of the resource
Incomplete. 4 pages missing
Subject
The topic of the resource
Chapbooks - Scotland - Edinburgh
alphabet books
Contributor
An entity responsible for making contributions to the resource
Archival and Special Collections, University of Guelph Library, Guelph, Ontario, Canada
Rights
Information about rights held in and over the resource
In the public domain; For high quality reproductions, contact Archival & Special Collections, University of Guelph. libaspc@uoguelph.ca, 519-824-4120, Ext. 53413
Alternative Title
An alternative name for the resource. The distinction between titles and alternative titles is application-specific.
Child's guide in the road to learning
Format
The file format, physical medium, or dimensions of the resource
JPEGs and PDF derived from master file, which was scanned from the original book in 24-bit color at 600 dpi in TIFF format using an Epson Expression 10000XL scanner.
Publisher
An entity responsible for making the resource available
Edinburgh : G. Ross
Source
A related resource from which the described resource is derived
Archival & Special Collections, University of Guelph Library, Guelph, Ontario
Type
The nature or genre of the resource
children's instruction book
# of Woodcuts: 28
Activity: reading
Animal: bird(s)
Bib Context: title-page
Chapbook Date: 1811-1820
Chapbook Genre: alphabet book
Chapbook Publisher - Edinburgh : G. Ross
Fashion (Clothing): bonnet
Fashion (Clothing): breeches
Fashion (Clothing): coat
Fashion (Clothing): jacket
Fashion (Clothing): pants
Fashion (Clothing): upper class
Gender: man/men
Nature: hill(s)
Nature: tree(s)
Object: book(s)
Outdoor Scene