1 10 12 https://scottishchapbooks.lib.uoguelph.ca/files/original/85677bbdc7c8d98cc866bf92b176244f.pdf a047cb5082abca765a9e1f3575439efc https://scottishchapbooks.lib.uoguelph.ca/files/original/f5ed193d34d425a5857bc47a94b7bfee.jpg 7bdd08c1c6aec6662c95dd55a82d69fa Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Woodcut in double-ruled rectangular border on title-page portraying a group of 3 men wearing feathered caps and kilts (1 playing bagpipes, 1 playing drums, 1 holding a sword) standing next to a gentleman wearing a hat and holding a walking stick. https://scottishchapbooks.lib.uoguelph.ca/files/original/04b5064adf4bc90d70d5cfdf63a03032.jpg fe82cc07f62d3604c6535eec2258b60d https://scottishchapbooks.lib.uoguelph.ca/files/original/055f3ec0f4a0fe7bfae317d24f359a0c.jpg c9d8832018ae4dc4ef0c1148c7157946 https://scottishchapbooks.lib.uoguelph.ca/files/original/bf3e583b088e69fbf73b70898ae12582.jpg f0b651124818c3bf903abd418cb3d6ca https://scottishchapbooks.lib.uoguelph.ca/files/original/e28c98918db76491bb2af7a1cda2f490.jpg 067c386365197be68751e2e19d1c3c69 https://scottishchapbooks.lib.uoguelph.ca/files/original/adc7a15bac5281806843220c766c451d.jpg 0e7cfdaebbe1fd7e814f499d21e6fd29 https://scottishchapbooks.lib.uoguelph.ca/files/original/f3ba8af289efb532aa7ef88d424a9c5e.jpg e08cb19b9ddcad1b212d8747e88325b0 https://scottishchapbooks.lib.uoguelph.ca/files/original/4560ddd7254b2a1c49f18349f41ca0fa.jpg 251a74864efdfc293460987b63463ab5 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Woodcut 009: Title-page illustration in double-ruled rectangular borderof a group of 3 soldiers wearing feathered caps and kilts: two are playing a bagpipe, one is playing a drum, and one is holding a sword. They are standing in a row next to a well dressed man. who is wearing a hat and long coat. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Bold Hairy Cap. To which are added, The Crooked Rib. Bonny Bessy. What's That to You. The Sailor's Farewel. Date A point or period of time associated with an event in the lifecycle of the resource 1802 Extent The size or duration of the resource. 8 pages; 1 woodcut illustration 15 cm Identifier An unambiguous reference to the resource within a given context <a href="https://ocul-gue.primo.exlibrisgroup.com/permalink/01OCUL_GUE/mrqn4e/alma9923274233505154">s0030Bb33</a> Contributor An entity responsible for making contributions to the resource Archival and Special Collections, University of Guelph Library, Guelph, Ontario, Canada Rights Information about rights held in and over the resource In the public domain; For high quality reproductions, contact Archival & Special Collections, University of Guelph. libaspc@uoguelph.ca, 519-824-4120, Ext. 53413 Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. The Crooked Rib. Bonny Bessy. What's That to You. The Sailor's Farewel. Format The file format, physical medium, or dimensions of the resource JPEGs and PDF derived from master file, which was scanned from the original book in 24-bit color at 600 dpi in TIFF format using an Epson Expression 10000XL scanner. Publisher An entity responsible for making the resource available Glasgow: J. & M. Robertson Subject The topic of the resource Chapbooks - Scotland - Glasgow Source A related resource from which the described resource is derived Archival & Special Collections, University of Guelph Library, Guelph, Ontario Type The nature or genre of the resource ballads & songs Description An account of the resource Woodcut #09: Illustration on title-page of a group of 3 soldiers wearing feathered caps and kilts (1 playing bagpipes, 1 playing drums, 1 holding a sword) standing next to a gentleman wearing a hat and holding a walking stick. # of Woodcuts: 1 Bib Context: title-page Chapbook Date: 1801-1810 Chapbook Genre: ballads & songs Chapbook Publisher - Glasgow: J. & M. Robertson Fashion (Clothing): bonnet (military) Fashion (Clothing): coat Fashion (Clothing): feather bonnet Fashion (Clothing): Highland attire Fashion (Clothing): jacket Fashion (Clothing): kilt Fashion (Clothing): knee breeches Fashion (Clothing): military Fashion (Clothing): sporran Gender: man/men Musical Instruments: bagpipe(s) Musical Instruments: drum(s) Occupation: soldier Outdoor Scene Weapons: sword(s) https://scottishchapbooks.lib.uoguelph.ca/files/original/fc65cdb57781f3e52b881697c5efb52a.pdf 6ef3e4b5ca6068b7595891c062d03bc0 https://scottishchapbooks.lib.uoguelph.ca/files/original/07dabcd175d6297a168fd7faa38dd9b6.jpg 8c4c0e1c444076b397aa6d594ad01bac Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Woodcut in single-ruled rectangular border on title-page of a soldier with sword and shield wearing a bonnet and plaid socks. In the background are a house and trees. https://scottishchapbooks.lib.uoguelph.ca/files/original/7150491b6ebed3d45eb060e602e220ae.jpg 3e874ca96e7b2c14700b3552eefdf3a5 https://scottishchapbooks.lib.uoguelph.ca/files/original/b7c8ec8913d0856989d2498d057d36b7.jpg aeb4f52fafb3526f7d60a25bf36220fa https://scottishchapbooks.lib.uoguelph.ca/files/original/32989fac6b671a45f71f9fa81fc95dbc.jpg c052919616f56ad279bb16a9bb87ec69 https://scottishchapbooks.lib.uoguelph.ca/files/original/e5526064386cab8ec8ee252591c5d58c.jpg 04501b356650d6d0336f6f264fe449f3 https://scottishchapbooks.lib.uoguelph.ca/files/original/a0f1075ea7d640a13cb7c7a26d021261.jpg 82d3468d0ea2539f500c81585aef4f88 https://scottishchapbooks.lib.uoguelph.ca/files/original/27d6bc84ae86fdbed2eaf2c7ead8b480.jpg bd3d42acac7d3a331f065175d7a9187e https://scottishchapbooks.lib.uoguelph.ca/files/original/a29fbe798189adeeb94b6fc16d39c122.jpg 4f8b5540f8c6d7b980460618ad590a60 https://scottishchapbooks.lib.uoguelph.ca/files/original/b8e3764757a9531ad7b25cb17b473a65.jpg 011c9f403a004aa8287e9f59c7441ed4 https://scottishchapbooks.lib.uoguelph.ca/files/original/a92fe15b0712830c0374154000948d3b.jpg e5cd04e0aa1a6624935dcb69459f1350 https://scottishchapbooks.lib.uoguelph.ca/files/original/7846f497e79e3e8ad7fa246c9f5ab8f8.jpg 06e5763f115b13cce96af40f4ea698e8 https://scottishchapbooks.lib.uoguelph.ca/files/original/e4f223353a9fb24e23f0f43b06d9d4b9.jpg 15285feac591978118eb547c6af2d949 https://scottishchapbooks.lib.uoguelph.ca/files/original/0126a9448289333f40ce966aa224f54b.jpg 5b624d68329dab638951d24237797507 https://scottishchapbooks.lib.uoguelph.ca/files/original/242509a5e14dea11cce89c7c9f4d2957.jpg acfb612da37c3f14b28b6b1a8c1bf765 https://scottishchapbooks.lib.uoguelph.ca/files/original/556af69b4fd82ecefc56774a97e80688.jpg ed8af56e9c8a2a0225e038d152ae839d https://scottishchapbooks.lib.uoguelph.ca/files/original/3431b88e770acf4662353a55e803dd95.jpg 0355ab64713de6670a071b6f3d6d05f4 https://scottishchapbooks.lib.uoguelph.ca/files/original/3c3211dadb3a5b216c75b0cad51e98c9.jpg b422c43d88b8bca098ad9e52f293e4bf https://scottishchapbooks.lib.uoguelph.ca/files/original/146eb08c030de3ad3a68bb98c95e48d7.jpg fd971684068383302ca79e23b3e4875f https://scottishchapbooks.lib.uoguelph.ca/files/original/4561d946501191ded01cafb83d0b82e2.jpg 263ca939bc7687dc5bf2ebe7ec1969b8 https://scottishchapbooks.lib.uoguelph.ca/files/original/ff1568e382b4fd3b7bc22742f4e2f9fc.jpg f4cf7ee4f41fffdd162fc32d020a78ea https://scottishchapbooks.lib.uoguelph.ca/files/original/a93e21b8e4903043795a1c882d287a56.jpg db8c9e42b02450d95625121a4e57c3d0 https://scottishchapbooks.lib.uoguelph.ca/files/original/3569f47ae16890af004ce5833f038907.jpg d97561578fdc5ba78cf10ff0bd85e98e https://scottishchapbooks.lib.uoguelph.ca/files/original/d73b0c85724d4c8e8d9b993a0877a446.jpg 137cff40d6dd557e38c371282ea4a9f7 https://scottishchapbooks.lib.uoguelph.ca/files/original/44bc67a01b5c5e57bbb24aedb4b71d05.jpg 2595568b1bc29355a9d5a38f5780b4f9 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Woodcut 010: Title-page illustration in single ruled rectangular border of a Highland soldier with sword and shield standing in outdoor scene with a house and trees in the background. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource A Tale of Three Bonnets in Four Cantos Extent The size or duration of the resource. 24 pages 17 cm Identifier An unambiguous reference to the resource within a given context <a href="https://ocul-gue.primo.exlibrisgroup.com/permalink/01OCUL_GUE/mrqn4e/alma9951650233505154">s0031Ab027</a> Contributor An entity responsible for making contributions to the resource Archival and Special Collections, University of Guelph Library, Guelph, Ontario, Canada Rights Information about rights held in and over the resource In the public domain; For high quality reproductions, contact Archival & Special Collections, University of Guelph. libaspc@uoguelph.ca, 519-824-4120, Ext. 53413 Format The file format, physical medium, or dimensions of the resource JPEGs and PDF derived from master file, which was scanned from the original book in 24-bit color at 600 dpi in TIFF format using an Epson Expression 10000XL scanner. Creator An entity primarily responsible for making the resource Ramsay, Allan, 1685-1758 Publisher An entity responsible for making the resource available Glasgow: J. & M. Robertson Date A point or period of time associated with an event in the lifecycle of the resource 1787 Subject The topic of the resource Chapbooks - Scotland - Glasgow Source A related resource from which the described resource is derived Archival & Special Collections, University of Guelph Library, Guelph, Ontario Type The nature or genre of the resource poetry # of Woodcuts: 1 Architecture: house Bib Context: title-page Chapbook Date: 1781-1790 Chapbook Genre: poetry Chapbook Publisher - Glasgow: J. & M. Robertson Fashion (Clothing): belted plaid Fashion (Clothing): bonnet (military) Fashion (Clothing): Highland attire Fashion (Clothing): kilt Fashion (Clothing): military Gender: man/men Nature: hill(s) Nature: tree(s) Occupation: soldier Outdoor Scene Weapons: shield(s) Weapons: sword(s) https://scottishchapbooks.lib.uoguelph.ca/files/original/7003a80b47b541f5ee6bf0cfbae7766c.jpg 069eb94383b90d6af59085aefebc8a08 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Woodcut on title-page portraying two men dueling wearing hats and long coats https://scottishchapbooks.lib.uoguelph.ca/files/original/1e09700d7e3781a2920a892603ed6c6d.pdf 2efc43b107b7d6cf92d57ac3dec91b8e PDF Text Text Rob Roy Macgregor, To which are added, Mrs. F.s Delight The Highland Laddie, ©ILLY AND NANCY'S ^RTJNG, Together let us Range. GLASGOW: Published and Sold, Wholesale and IteM, by R . Hutchison, Bookseller, y 1 19. Salt-market. 1823. �ROB ROY MACGREGOR. PAHDON now the bold outlaw, Rob Roy Macgregor, O! Grant him mercy, pentbs a', Rob R^oy Macgregor, O I Led your ftarids and hearts agree, Let the Highland laddie free, Mak' us sing wi' muckle glee, Rob Roy Macgregor, 0 1 L0113 the state had doom'd his fa', Rob Roy Macgregor, O! Siill he spurned the hatefu' law, Rob Roy Macgregor, O J Scots can for their country die; Ne'er for Britan's foes they flee, A ' that's past forget—forgie Rob Roy Macgregor, O! Scotland's fear, and Scotland's prid«j Rob Roy Macgregor, O! Your award must now abide, Rob Roy Macgregor, O! Lang your favours hae been mij>c, Favours I will ne'er resign— Welcomc then for auld langsynt, Rob Roy Margrcgor, OT �M R S . F.'S D E L I G H T . COMPOSED BY H E R HUSBAND. Some men they do delight in hound? And some in hawks take pleasure, Some do rejoice in war and wounds, And thereby goiri great treasure. Some men do love on sea to sail; And some rejoice in riding; Bat all their judgments do them fail— O! no such joy as chiding. When in the morn I ope my eyes, T o entertain the day, Before my husband e'en can rise, I chide him—then I pray. When I at table take my place, Whatever be the meat, I first do chide—and then say grace, If so dispo&'d to eaU Too fat, too lean, too hot, too cold, I ever do complain. Too raw, too roast, too young too old Faults I will And or feign. �4 Let it be flesh, or fowl or fish, It never shall be said, But I'll fi,nd fault with meat or dish, With master, or with maid. But when I go to bed at night, I heartily do weep, That I must part with my delight— 1 cannot scold and sleep. However this doth mitigate, And much abate my sorrow, That though to-night it be too late, I'll early scold to-morrow. T H E H I G H L A N D LAD-DIE. The Lawland lads think they are tine, But O! they're vain and idly gaudy; How much unlike the g r a c e d mein, And manly looks of my Highland laddre. O my bonny Highland laddie; My handsome, charming Highland laddie, May heaven still guard, and love reward, The Lawland lass and her Highland laddie. If I were free at will to choose T o be the wealthiest Lawland lady, �I'd tak young Donald without trews, With bonnet blue and belted plaidw. 0 my boniiie, fyc. Tlie brawest beau in burrows town, In a' his airs with art made ready, Compared to him, he's but a clown, He's finer far in's tartan plaidie. O my bonnicy fye. O'er benty hills with him I'll run, And leave my Lawland kin and daddit; Frae winter's cauld, and simmer's sun, He'll screen me with his Highland plakfce. O my bonnicy Sfc. A painted room, and silken bed, May please a Lawiand laird and lady; But I can kiss, and be as glad, Behind a bush, in's Highland plaidie. O my bonnie, F*w compliments between us pass, l e a ' him my dear Highland laddie; And he ca'sme his Lawhind lass, Syne rows me in beneath his plaidie. 0 my bo7uiie9 tyc. Xac greater joy I'll e'er pretend, Than that his love proves true and steady �6 Like mine to him, which ne'er rhall end, While Heav'n preserves ray Highland laddie. 0 my bonnie, fyc. B I L L Y AND N A N C Y ' S PARTING. I T was on a Monday morning, just at the break of day, Our ship she slipt her cable and we were bound to sea: The wind blew from the south-east, and from Greenock we were boond, The streets they were all garnished, with pretty maids all round. There was a pretty sailor all in his blooming years, H e came unto his true love, with bitter sighs and tears; And he came unto his true love, to let her understand, That he was going to leave her into some foreign land. Why say you so dear Billy? these words do break my heart, Come let us now be married, before that we do part: �7 These fourteen weeks nni longer. I'm going with child to the*, So stay at home dear Billy, be kind and marry me. If I should stay at home, my dear, another would take my place, It would be a shame to mc, love, besides a sad disgrace: The King he's wanting men, my dear, and I for one must go, And for my very life, love, I must not answer no. Well, I'll cut off my yellow hair, man's clothes I will put on, And I will go along with you, to be your waiting man: Like a true and faithful servant, I on my love will wait, No storm nor danger will I fear, let it be e'er so great. Your waist it is too slender, your fingers are too small, I fear you will not answer me, when I do on you call, W4ien cannons they do rattle, and bullets tbey do fly, And silver trumpets sounding, to drown the dreadful «ry. �8 If I should meat a bonny lass, that's merry, blythe and gay, And on her set my fancy, what would my Nancy say? What would I say dear Willy, but I would love her too, It's I would step aside, my dear, till she would pleasure you. Why, say you so, de-ar Nancy! you now do gain my heart; Come, let us now be married, 'before thpt we do part. This o u p l e now are married, and sailing o'er the main, All goodness may att?nd them, till they return again. T O G E T H E R L E T US RANGE, Together let U9 range the fields, Impearl'd with the morning dew, Or view the fruit the vineyard yields, Or the apples clustering bough. There in close embowered shades, Impervious to the noontide ray, By tinkling rills—or rosy beds, We'll love the sultry hours away. FINIS. 1 � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Woodcut 018: Title-page illustration in single ruled border of two men dueling. Both are wearing hats and long coats. Outdoor scene. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Rob Roy Macgregor, To which are added, Mrs. F.'s Delight The Highland Laddie, Billy ad Nancy's Parting, Together let us Range. Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Mrs. F.'s Delight The Highland Laddie Billy ad Nancy's Parting Together let us Range. Date A point or period of time associated with an event in the lifecycle of the resource 1823 Extent The size or duration of the resource. 8 pages 16 cm Identifier An unambiguous reference to the resource within a given context <a href="https://ocul-gue.primo.exlibrisgroup.com/permalink/01OCUL_GUE/mrqn4e/alma9936352173505154">s0604b37</a> Contributor An entity responsible for making contributions to the resource Archival and Special Collections, University of Guelph Library, Guelph, Ontario, Canada Rights Information about rights held in and over the resource In the public domain; For high quality reproductions, contact Archival & Special Collections, University of Guelph. libaspc@uoguelph.ca, 519-824-4120, Ext. 53413 Format The file format, physical medium, or dimensions of the resource JPEGs and PDF derived from master file, which was scanned from the original book in 24-bit color at 600 dpi in TIFF format using an Epson Expression 10000XL scanner. Publisher An entity responsible for making the resource available Glasgow: R. Hutchinson, Bookseller Subject The topic of the resource Chapbooks - Scotland - Glasgow Ballads and songs Highlands Courtship and Marriage Source A related resource from which the described resource is derived Archival & Special Collections, University of Guelph Library, Guelph, Ontario Activity: dueling/fighting Bib Context: title-page Chapbook Date: 1821-1830 Chapbook Genre: ballads & songs Chapbook Publisher - Glasgow: R. Hutchinson Fashion (Clothing): bonnet Fashion (Clothing): bonnet (military) Fashion (Clothing): breeches Fashion (Clothing): Highland attire Fashion (Clothing): jacket Fashion (Clothing): knee breeches Fashion (Clothing): military Fashion (Clothing): pants Fashion (Clothing): scarves Fashion (Clothing): waist coat Gender: man/men Outdoor Scene Weapons: sword(s) https://scottishchapbooks.lib.uoguelph.ca/files/original/6da60147b51e2fbdb125df57c1ea85c3.jpg 56adbeaa40ee1767ee1a0535d43ec687 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 3308 Width 1950 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Woodcut on title-page portraying Group of 3 men wearing feathered caps and wearing plaid (1 playing bagpipes, 1 playing drums, 1 holding a sword) standing next to a gentleman wearing a hat and holding a walking stick https://scottishchapbooks.lib.uoguelph.ca/files/original/1d4c045c31b23bd295733198ac9159b7.pdf 88df24f3ce8dcfe89f8e8f2fc47df574 PDF Text Text r ranee T o % b c are added, v |h The PARSON'S FAT WEDDEIi T h e ' C A R E S OF A M A R R I E D T H E V I R G I N ' S LIFft Vv A L K. G L A S G- O W, E D B Y J. & M. R O B E R T S O 3, - L T M A U K E T , SSC*. �C ft ) K I N G H E N R Y V , bis Conqtieft o f F R A N C E , if | in Revenge for the Affront offered by the I F R E N C H K I N G : in f e n d i n g h i m ( i n f t e a d < of ten t O W S of G O L D , the Tribute) three T E N N I S B A L L S , 5 A • S our King lay mujing on his bed* he•-bethought Ivimfeif upon, a xmz f O f a tribute that was due from France, * fcad not; hern paid for lb long a time. Fa! lal, &c* 1 ', G.fae culled for his lovely Page, . • his lovely Page then, called he j » -Sayings Y w r a u f t go to the King in France, to the King m Fance, blr, ride (pcedty. T ^ m went sway this lovely Page, ibis lovely ' the a .away (lev he ? Whea bc ca^e to the King in Fraotfe, he "fell low down.upba his knee* I\\f IvMcr pMti yvu, v;orthj Sir, TEN TON -OF' gold thit IS dm'to he, ''That yoti would Tend turn ho^e, or in ^refcch land you . koxx thJl him fee* » Your Matter's yo; ng zm of tender years, ~ rot fit to come 'ump my degree : 1 will fend him three TENNIS-BALLS> 1 hat .with them ht may learn to play. \ �M4 . < 3 ) ; , 0 ' t h f B fmrned thi\ lovely Pager, th\6 lovely P'ige then retortt$j he. ' And'when he c&mi 10 our'gracious. King, he fell low down or, his beaded * W h a t news? what ntml my trait y Page, what is the news you've b r i g h t t4 naef I've brough i (uch news f ro m t he Kiagia France. < that he aud you -willfce'er agree* H e fays, You're o f young t o i l e r ye^rS* not fit to come' to h k ^ e g r e e i, And he WILL fend j L u t h i e e T E N N I S ^ A L L G ^ / that with them you may leani toplayc Aecftfit me Cheshire and Lsacalhire,-and Derby Wills that are fo f r e e : N o marry M man, nor widow's foe : for no widow's- curfc. fcall go with me» They recraitcd Ch^hire and L^ncalhirc, aad Derby Hills that are fo free : N o marry'd mm, nor widow's f o i l : yet there was a jovial hold company* O then he/march'd into the French land, with aad trumpets fo merrily, And then befpoke the King ra France, lo, f c aiter comes proud X i n g Heary* T h e urH: i l m that the-Frenchmen gave, they kiif'd our ^BAglifttnen fo free \ kilPd m i d e f e n d of the French, the reft o f ihcro tbey \. �( 4- ) ^ Livl^Ylitn we marched to ^ans gates, W|th drums and trmupcts fo i i m i l y , O in-err hcfpoke the Kiog in France, TS^tve mercy Lmxl^n my mea and me, O 1 will fend k m hh tribute koine* • ten tun of gold th^t .was due to he, A n d the'bed Slower that is in all France,, to the Rofe in England 1 will give f i f e , T H E P E O N ' S F a t WE'DBER.. S ) ,f A R; T i N M A S i - 'W come on, • j [ V I ard Chriftrnas Is drawing near : Asv. buve nothing in fhc houfe. ' % to ji^ke.good•:C iitiifhnas cheer., FaL&Cr The little ^ee boy h t V f t ^ d i o g . h y , - • fearing what his father did fay, lather, y e ' l i kill, the Minster's Wedder, _ and • have nnutoa withdtit delay* The PiieS ire has'a. good fat Wedder, Sis €*er fed corn or gr^fs: 1'TC gpfc'fome crumbs of bread in kif pockety PiVwyk 'the Weddfer into ihs h W e * . • W e will pi2t on- the jnelklo ktttl^" \ • and ftuks .helow't. to brake it befi; Arid we will H i the Minuter'a Wedicr,- ' and wVH feve "muno:n';\vithcat afo4toiI* •The.little wee boy 'sjccs.ta the v*ecd*\ add ay fae msrrnV-as- lie fang f ' \ M y i t & z - : t m liH'd the M i s t e r * * W e l d e r , 'N nve^tl thh to; any man. �The Minifier being ia ihe woo.i, leading hts hark agaioft an oak.: If you'llfingthr. longmthe elmreh reborrow I'll* give yea a crown bat and a new coat The morrow It being Ohri&mas iky, the Miniftix hp imlft be die re T h e people all fbckM to the chore V jiift A rfi%*d been gotog to a 1W. S The Manlier** goae to the chursh* the congregation fcr to virw ; Therc'll he a"hoy V ^ will iing foug lhat Will lie true- , The'little V/ee boy camera the' church, ^ and ay fae merrily as he I -catch'd the Prieit ift bed vfith my mother, I woiii-i not tell dm to any man. You are a liar, fays the a$ iurc's in the pulpit 1 i*ever was in bed with nor yet fo sigh as VJ Prieft I do fiancf | your mother, touch her ha\uL Then you are a liar, fays the boy, \ as fare's la the pulpit you do kneel j \ I catclicd you • in. bed with -my mother, \ ' your breeches hanging dowa to your The Miiiifter being quite a limned, . \ \V the people. a loud huzza $ . Running all mad-out. or the ciinvch, • • crying inch a Prieft wc never faw. �( 6 v * •/• But you W:\rxld ha?e hr^hl if yon knf but feeff, how the litre wee boy kept up the joke? Ruiieiag out after the mkifter* crying^ give me my crown Sir ami my new coat, The Paribn has- run quit<? opt. of, the pari(h5 left hshmd him;his c h u r c h . h p wealth; T h e bey & hh mother fed-well on the Wv*dd6i% ar every meal :h$y 'dm.uk hh health THE C M E S OF A* MLAHKiEU .Lll 7 £, ' Tk M Y gown w ^ of tae. London Mack, j L i ' t . and many a yard about; M y petticoat was a fc&xiet red, and lae'd about my f o o t : Chor. Chen mm i i maid, a maid, arid joy\fkmc to me then* Both meal and drink and rich clothing-, Fin fore i wanted mm* My ftockbgf, they were tightly wrought, made of the fiacft fiik, My (hoes v/ere of the Spanifli leather, my hur kles were of the gilt, jThen, My foork was of the white bleachM linen, as w&ite' as the driven fnaw, T h e b4k that was about my middle* was {ilk and filver a\ The Wads hang black about my neck, ar!d:many a ring therein, l i e cap ot fawn was. on my head, was.*'well worth tea f i l i n g * �T!lere cime a young man to n?y bed-fide, • tidk\l mt i f C would'wdt* " He was* fa fall of roarkfis, f agreed to 'What-be faid Cher Pbfcn i a wife, a aB'd'-loVKIW came t*> shofc* Both care and ii'rile ana n Wearied life, I W'ftite"" - t "' M y gown- it was of' the 'Mack, and Bever a y a r d about; M y peuicoat of the courfeft grky. ' . ail rags ii&trv the Then, &c t My (lockings '^ere the prim-rofe caiTd, , aH clooted roiim! about,;. My t>f Alt Sjpkjoifti I w theft, tiae/b3't6mt> of ihem-wi-re out, fheb', My frnock was of the unbkach'd hard, and many a hole therein ; - The belt that wes about ray middle, was a. goo3 toat&rea firing. Then, &e# The beads bang black about my neck, said ntver a ring therein : ' ' ' The cap cf Bwtt; was on my head, was fearce worth one' farthing. C f i O R U 3: \a;ifc, f y And -hen v/a* I a. w m f . fontnv camc io'san'then, . - Both care at?d ftriFc, ..an^d a, w a r y life*' Tm fare I . , �( T H E 8 ) V I R G I N ' S W A L K* % T O U N G Ccelia in her tender years, 1 .the rofe bur on its ftaliy Fili'd with the VirginVmodeft fears, [lepp'd /forth one cv'n to walk. She oft had heard of Love's blind Bcy ? sad Xvifh'd to find him cat, Fxpe&iiig lor to find the joy, of which fhe'd been in doubt, A plrafant fhady grove fhe fpy*d, wher trembling afpbns fivook. Clofe to it's flow'ry verge did glide, a murm'riog limpid brook. A mentor fishing there fhe founds fhe heard l|fm talk of love, . His crook lay by him on the ground, ^ while thus he prayM to jove. « Grant, mighty Pow*c l that f mjy find, fome eafe within this'bread: ; Grant ilM my Cselia bay be, ldr>d3 and make Amyator b k f u • Cram her to know the force of love, snd to her fwain's ddire, Grant but of me the may approve* a«d ^iore Flf ne'er require, ^ Giafgow, rrintecl by J; 5 M. llobeitfro, S ait market, iSosc � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Woodcut 009: Title-page illustration in double-ruled rectangular borderof a group of 3 soldiers wearing feathered caps and kilts: two are playing a bagpipe, one is playing a drum, and one is holding a sword. They are standing in a row next to a well dressed man. who is wearing a hat and long coat. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Conquest of France by King Henry Vth. To which are added, The Parson's Fat Wedder. The Cares of a Married Life. The Virgin's Walk. Date A point or period of time associated with an event in the lifecycle of the resource 1802 Identifier An unambiguous reference to the resource within a given context <a href="https://ocul-gue.primo.exlibrisgroup.com/permalink/01OCUL_GUE/mrqn4e/alma9923290913505154">s0488b26</a> Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. The Parson's Fat Wedder. The Cares of a Married Life. The Virgin's Walk. Extent The size or duration of the resource. 8 pages 15 cm Description An account of the resource Woodcut #<span>09: Illustration on title-page of a group of 3 soldiers wearing feathered caps and kilts (1 playing bagpipes, 1 playing drums, 1 holding a sword) standing next to a gentleman wearing a hat and holding a walking stick.</span> Contributor An entity responsible for making contributions to the resource Archival and Special Collections, University of Guelph Library, Guelph, Ontario, Canada Is Referenced By A related resource that references, cites, or otherwise points to the described resource. <a title="University of Glasgow Union Catalogue of Scottish Chapbooks" href="http://special.lib.gla.ac.uk/chapbooks/search/">University of Glasgow Union Catalogue of Scottish Chapbooks&nbsp;</a> <a title="National Library of Scotland" href="http://www.nls.uk/">National Library of Scotland&nbsp;</a> Rights Information about rights held in and over the resource In the public domain; For high quality reproductions, contact Archival & Special Collections, University of Guelph. libaspc@uoguelph.ca, 519-824-4120, Ext. 53413 Format The file format, physical medium, or dimensions of the resource JPEGs and PDF derived from master file, which was scanned from the original book in 24-bit color at 600 dpi in TIFF format using an Epson Expression 10000XL scanner. Publisher An entity responsible for making the resource available Glasgow: J. & M. Robertson Type The nature or genre of the resource ballads & songs Subject The topic of the resource War Courtship and Marriage Henry V, King of England, 1386-1422 Source A related resource from which the described resource is derived Archival & Special Collections, University of Guelph Library, Guelph, Ontario # of Woodcuts: 1 Bib Context: title-page Chapbook Date: 1801-1810 Chapbook Genre: ballads & songs Chapbook Publisher - Glasgow: J. & M. Robertson Fashion (Clothing): bonnet (military) Fashion (Clothing): coat Fashion (Clothing): feather bonnet Fashion (Clothing): Highland attire Fashion (Clothing): jacket Fashion (Clothing): kilt Fashion (Clothing): knee breeches Fashion (Clothing): military Fashion (Clothing): sporran Fashion (Clothing): upper class Gender: man/men Musical Instruments: bagpipe(s) Musical Instruments: drum(s) Occupation: soldier Outdoor Scene Weapons: sword(s) https://scottishchapbooks.lib.uoguelph.ca/files/original/fc0182ff3363365edac49bd7202f49be.jpg f92e5ee3a9737ad42825567c382fb630 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 3356 Width 2019 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Woodcut on title-page portraying Group of 3 men wearing feathered caps and wearing plaid (1 playing bagpipes, 1 playing drums, 1 holding a sword) standing next to a gentleman wearing a hat and holding a walking stick https://scottishchapbooks.lib.uoguelph.ca/files/original/39838fdd1b98404673b615a9ebab986a.pdf be5865032658cd19df55931ede843c51 PDF Text Text * # Britifli T XX ~ G r e n a d i e O L A S G O W, Printed By J. & M. Eobertfbn, Salrniatket, rScz �C a ) The BRITISH GRENADIERS. Q Q ME talk of Alexander* ^ an&fome .of Hercules*. • Of Hector aud Lyfatider^ and foch great mtn as thde Bat all tie world acknowledges* trie valour keft appears, With a tow, row, row, row* rows row, 1 brave Brhifjh Grenadiers-. Thefe ancients of &tuiquuy, ue'erfewa eanfton ball; Bfor knew the force of powder, to flay their foes with all ; But braver beys have known ir, snd baniiVd all their fears, •"With a toW> row, raw, row, row* row/ /brave Otitiftt Greoadcersi When recekf fke orders/ • tdftormtheir paliTadoes ; ^Jur leaders match wirh fuzees, : and we with hand gracado^, We toils them from the glacis, araongft our enemies cars,. 'With a tow, row, row5 row, row, rotf , brave Bririlh Grenadiers. Then Jove the God of thunder, and Mars die God ctf war 5 �( 3 ) Rough Neptune ^ t h Tridsnt* Apollo in his Car ? And all the GtfAs ceieftiaU defceociiog from their fpheres* Do behold with admiration brave BritiJh Grenadiers*: But be you Whig or Tory, or any other thing, I'd have yon dill remember, fobey Great George our King, For if yoa prove rebellious, we'll thunder in your ears, With a tow, row row, row, row, row biave J3rl£I{h Grenadiers. And when the liege js o?er, we to ^he town repairs, The Citizens cry, huzza, boys, here come the Grenadiers : Here come the Grenadiers boys without e'er dread or fe&r, With a tows row, rc^w, row, row, row brave Britilh Grenadiers. t~?ome fill us up a bumper, and let us drink to thofe, Who carry Caps and Pouches, and weae the lajced clothes, , May they and their commanders, live happy maay years, With a tow, row, row, row, row, :rm brave Brinih Grenadiers. �( 4 ) \ O the D AYS when I was f O U N G / \ Thc day? \fhzn I was young! when I fough'd -d Fortune's fpight, TaikM of love tht whole day long, and wiili Nkchr crown'd the nighty Then, it was Did Father Care, little ccckM I of thy (coxvn, Hall ilit ninlice youth coirM hear, and nt night s bumper drown,; Chpr* O the days when 1 \rv> young I f" / wheo I iaoghM at Fortune's fpightj l>!k'd of love the whole day loqgf ar.d \vkh Utlbir crpwifd die night*. Truth they fay lies in u well'; : u*hy ? \ vow 1 ne'er cou'd fee j " •Let the water-drmkers tell, ' ' , there It always hy'for me.j For when fparkiiug wine went rotrad, never faw i faJfc hood's mafic; Bdt ftili hooelt troth f fbund - In the bottom of the Balk. O the day3> &c* True, at length my vigour's fldWQf . f have years to bring decays * •• Few the locks that now f owa 5 « • and the few i have, are greys Yet bl-.hJerome'ihfcm- pT*y*(i boafti while chy fpiriis do not tire, Still htneata'thy age's; £ro:L ' x glows a fpuri ofjputhfu! fire. O'the. Sec, O �I N V A S I O N T H R U A T E N ED. " O Oufeop Briton's! raufe ! here's danger jf Frenchmen'dare iuvacje our toafh y To fight and conquer—you're no ftraogers, - fooa we'll tame their haughty boafts. Awak^i, Britoas ! Frenchmen threaten, to fuhdue oar peaceful file : T o arms'! to arms ! let them be beatea-, in front, in rear, each raok aad-file. Roafe up, Britons I roulc! here's, &'c. f .. Our King h wi% aod w^ji fapporredf \ has men and money in his haud j R k Oeaerals are'well efcorted,—— ' * \his fleets at fea bear fole commaaJ. &c. Oi^ Cavalry are (tour and healthy, our Regulars, there's none Co brare \ Our Feocibles are young void wealthy, and like the Train, none cm behave. &c« Field Marflial York* Great BHtaia's glory, where'* the mm will fit his call ? Fm fare hcJ$ neither Whig oar Tory, tq's country bt's bat a ilafcal. Ho^fe, &c. 4. wake, millions! Tork will lead you, fhoiiW Freachmen dare to oofs the main; And Britoii*s Daughters they will feed-you, **uli Frenchman be by Britons ilain. ' �( 6 ) Lords & Lairds arc on tiptoe ftanding, ready to rcpe! the foe; And Volunteers, with thofe commanding, • \ to deal to Freathmea mighty wee i ,&c. Farmers and Peafaots—alFare willing^ to fuppon both King & Country's caufe ; ; He's nothing but a cowardly Villain.' thai will not defend brave Britain's laws* Roufe up Britons! roufe! berets dangers^ • Frenchmen' dire invade our'coafU : ' To tight and conquer—you're no it/angers, foon well tame thefe haughty fc.>a(lv A NEW SEA. SONG. l y r £ hearts of oak, who; with to try fj[- johf fbrtoces on the fta, And Briton's enemies defy, come enter- here with one: Here/s fifty pounds bounty, two momhVpay, and leave to go on there! With pretty girls to kifs and play, cah British l ars zlk mt>re ? ; Our (hip is fkmt and fails Mice wind, . to chafe a hbflile foe9 To fight like Britons we're inclined, we'll let the Monfieuxs knojg; Que Captain's gen'rousj brave, and good, of grdg we'll have great ft ore, �• ( 7 ) Or prizes rich we'll fweep the flood, can Britifli Tars wifo more ? And when from driving Bourbon*s fieqj, vi&orious we arrive; . With nlufic, dance. and -jovial treaty to pitfcfe our gid,~. we'll Thrive ; Both Spanifh filver and French gold, well count m plenty e'er, Which we have won, my ihipmate^ bold, can Britiih Tars wifti more ? The KTND are YOU f t G and FAlfU T O beauty born a willing Have, a merry happf man, i flight the cymph (cannot have, and doat on thofe',1 can* Chofr this conftant m^xiarfulllhok!, to baffle ali defpair, The Iroward, ugly are and old, the kind are young and .fair. The-women would no more perplcs,' , were men refohrd and free/ Soft finiies become the charmingTex, ' m pouting Mjfs for me. In wedicck's bands if e'er I join, good humour be my guide, Let dimpled foaiies and lore be feme, i l l laugh at female pride. �QJJ E EN M 4 R Y>3' Lamentation* I S I G H and lament me In vain, thefe can but echo my moan, Alas.! it increafes ray pain, when I think otf the days that are gone. Thrctighv the grate of my prifon I fee the birds as they wanton in air My heart how it pants to be free, my looks they are wild with dtfpair. .Above, though oppreft by my fate, I burn with contempt f o r m ? foes* 1 1 hough fortune has aherM tey flare,, ihe ne'er can inbchie nie to thofe® Falfe woman, in ag<rs to came, •• * thy -malice ditched {kill be. And when we are'cold in the' tomb* • fame heart will Itiil forrow for me. • Ye roofs where cold damps and clifinaj. s with filence and formude ewi*1i, How.comfortable pjfTes the day . Ii/W fadly tollsnhe evening bell"? T h e owls from the battle :uen? "cry, . hollow wit:ds k?m t o murmur around, O M A R T ! prepaie thee to die, my biood it rmrs cold at the found. I % 11. am III m I n w i i > . , « B F r » » i l w ; G L A S G 0 \?9 < Printed by J, & M. Rbhcrljbi^ Salloutrkett � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Woodcut 009: Title-page illustration in double-ruled rectangular borderof a group of 3 soldiers wearing feathered caps and kilts: two are playing a bagpipe, one is playing a drum, and one is holding a sword. They are standing in a row next to a well dressed man. who is wearing a hat and long coat. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The British Grenadiers. To which are added, O the Days when I was young. Invasion Threatened. A New Sea Song. The Kind are Young and Fair. Queen Mary's Lamentation. Date A point or period of time associated with an event in the lifecycle of the resource 1802 Identifier An unambiguous reference to the resource within a given context <a href="https://ocul-gue.primo.exlibrisgroup.com/permalink/01OCUL_GUE/mrqn4e/alma9923276603505154">s0320b17</a> Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. O the Days when I was young. Invasion Threatened. A New Sea Song. The Kind are Young and Fair. Queen Mary's Lamentation. Extent The size or duration of the resource. 8 pages 15 cm Contributor An entity responsible for making contributions to the resource Archival and Special Collections, University of Guelph Library, Guelph, Ontario, Canada Is Referenced By A related resource that references, cites, or otherwise points to the described resource. <a title="University of Glasgow Union Catalogue of Scottish Chapbooks" href="http://special.lib.gla.ac.uk/chapbooks/search/">University of Glasgow Union Catalogue of Scottish Chapbooks&nbsp;</a> <a title="National Library of Scotland" href="http://www.nls.uk/">National Library of Scotland&nbsp;</a> Rights Information about rights held in and over the resource In the public domain; For high quality reproductions, contact Archival & Special Collections, University of Guelph. libaspc@uoguelph.ca, 519-824-4120, Ext. 53413 Format The file format, physical medium, or dimensions of the resource JPEGs and PDF derived from master file, which was scanned from the original book in 24-bit color at 600 dpi in TIFF format using an Epson Expression 10000XL scanner. Publisher An entity responsible for making the resource available Glasgow: J. & M. Robertson Type The nature or genre of the resource ballads & songs Subject The topic of the resource Chapbooks - Scotland - Glasgow War Mary, Queen of Scots, 1542-1587 Source A related resource from which the described resource is derived Archival & Special Collections, University of Guelph Library, Guelph, Ontario Description An account of the resource Woodcut #09: Illustration on title-page of a group of 3 soldiers wearing feathered caps and kilts (1 playing bagpipes, 1 playing drums, 1 holding a sword) standing next to a gentleman wearing a hat and holding a walking stick. Bib Context: title-page Chapbook Date: 1801-1810 Chapbook Genre: ballads & songs Chapbook Publisher - Glasgow: J. & M. Robertson Fashion (Clothing): bonnet (military) Fashion (Clothing): coat Fashion (Clothing): feather bonnet Fashion (Clothing): Highland attire Fashion (Clothing): jacket Fashion (Clothing): kilt Fashion (Clothing): knee breeches Fashion (Clothing): military Fashion (Clothing): sporran Fashion (Clothing): upper class Gender: man/men Musical Instruments: bagpipe(s) Musical Instruments: drum(s) Occupation: soldier Outdoor Scene Weapons: sword(s) https://scottishchapbooks.lib.uoguelph.ca/files/original/7943bcdbb0ae0e7fa5069ca958f681ad.jpg 8254086c24aa26b8767f6c6161f47507 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 3072 Width 1835 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Woodcut on title-page portraying man with sword and shield standing in outdoor scene; house and trees in the background https://scottishchapbooks.lib.uoguelph.ca/files/original/dc213f9208bada6271c93ebb6879f338.pdf eb97f2fc02c317afbb88e4dae4758c38 PDF Text Text �GILL MORICE. G I L L MORICE w a s an E a r l ' s son, His name it waxed wide; It was nae for his great riches, Nor yet his meikie pride. His face was fair, lang was his hair, In the wild woods he staid, But his fame was by a fair lady. That liv'd on Carron side.—Where will I get a bonny boy, That will win hose and shoon, That will gae to Lord Barnard's And bid his lady come! Ye maun rin this errand, VViIIie> And maun rin wi' pride, When other boys gae on their On horseback ye shall ride." " O no ! O no I my master dear \ I dare not for my life, I'll no gae to the bauld Baron's For to tryst forth his wife." " My bird Willie, my boy Willie, My dear Willie/' he said, " How can you strive against the stream, For I shall be obey'd." " But, oh, my master d e a r ! " he cried, " In green wood yeVe your lane ; Gi'e o'er sic thoughts, I would ye red, For fear y e sbouM be ta'en." �8 " Haste, haste, I say, gae to die A nd bid her come here Hvf speed; If ye refuse my high command I'll gar thy body bleed. Gae, bid her take this gay mantle, T i s sl gowd but the hern; Bid her come to the' gGod'green wood, And bring nane but her lane? And there it is, a silken sark, Her ain hand sew'd the sleeve, And bid her come to Gill Morice, Speir nae bauld Baron's leave." " Yes, I will gae your black errand, Though it be to my cost; Sin ye by me wiM nae be warnd, In it ye shall find frost. The Baron he's a man of might, He ne'er could bide a taunt, As ye shall see before it's night, How sma' ye ha'e to vaunt* Now, sin I maun your errand rib, Sair, sair against my wilt* I*se make a vow, and keep-k true, It shall be done for ill * And when he came to broken brig, He bent his bow and swam ; And when he came m grasa growing, Set down his feet andr#n i And when he came to B^rtitff'cPs: ha', Wou'd neither chap nor dtf'i ® u t sethis bent boW to his btfeafefc, o.t s' And lightly lap the wa\ .^JO ; �4 H e would tell nae man bis errant!/ <BH " Though twa stood at the gate, ; bid ha h But straight into the ha* he came, ; of 97 \i Whar grit felks fat at tneat;> vfxxl U i m H i " Hail ! hail! my gentle sire and dame, !;k! My message winna wait; Dame, ye maun^o ttegi?ee*i wood gang 3d Lilt Before that it be Jate 9 , i jud cnm-imhd ha A Ye're bidden take thi^gay mMtle., } -mh ho A It's a' goud but the hem ; . f • *! Ye maun go to thej gof>4 grfejen wood^ ; 1 bid bo A E'en by your > bfrmd e m ibqB There it is, a silken sark> : • In•;.* 1 Your ain hand sew'd- the sleeve; ; Ye maun come speak to Gill Morfce? lvc Speir nae bauld Baron's; leave,"; ! Ifon* > / it ?•! The lady stamped wi' her foot, ;u And winked wi' her eye ; 1 ; ' - i ->i 3 But a that she could or say do, ; (b aA Forbidden he wadm be. ? f r v/oH h u It's surely to my bow r woman, . It ne'er cou'd be to me." " I brought to Lord-Barnard's lady, 1 I trow that ye be she." Then up and spake ithe wylie nurse? (The bairn upon her knee,) , i n | 4 If it be come from Gill Morice, - / T i s dear welcome tp me," " Ye lied, ye lied, ye filthy nurse, IA Sae loud's I hear yQu lie; I brought it to Lord Barnard's Lady, J;JH I trow ye be not she." �5 Then up and spoke the baiild BaronV eUi>l '; An angry man was lie, r £ no *' r He's ta'en the table wr life foot, , ? In flinders gart a'flee/ " Gae bring a robe of yon Cleidihg', That hangs upon the pin, " And I'll gaet^the^^oid^grejBnHvdcid^'' And speak with ycTur iSrW&rti'* I hisi bah " 0 bide at hame, now Lord Barnard, ? I warn ye bide at foanie/ > r ^ Ne'er wyte a man for violence, - ::><)<U That ne'er wyte ye 'wi' nane.'^ -• Gill Morice sits in good green wood, He whistled and h e - j j s r f a h> > •! ; " 0 what mean ?aVtli<:*se Folk^fcfoiflgPMy mother tarries lang." And when he came to gWd green wood, • Wi' meikle dull and carkj ^ dmul h ^bl ' h It's there he saw brave Gill Morke, Kaming his yellow hair. " wonder, nae winder Gill Morice, My lady lo'ed you weelj' • ' 0f A he fairest part ^f my body hl-uoy Is blacker than thy h e e l ; : Yet ne'ertheless, now, Gill Morice, For a' thy great beauty, Ye s rue the day that ye was bofn, That head shall gae with me." 1 he has drawn bis trusty brand, And slait it on the straw, ^ m\ W. „ through Gill MorieeV fair body, > ; i " e s gard cauld iron gae. diLi ' > �6 And he has ta'en Gill Morice s head And set it on a spear; The meanest man in a* life traio^ Has got the head to bear. Add he has ta'en Gill Moriee up, Laid him across his steed, And brought him to his painted bower, And laid him on a bed. The lady sat on castle wa', Beheld baith dale and dowh, And there she saw Gill Moriee's head Ccme trailing to the town. " Far mair I lo e that bloody head, Bur, and that bloody hair, Than Lord Barnard and a' his; lands* As they lie here and there." And she has ta'en Gill Moriee? And kiss'd baith mouth and chin; " I once was as fa* of Gill Morice, As hip is o' the stane. I got thee in my father's house, Wi' muckle grief and shame. And brought thee up in grefea wood, Under the heavy rain, Oft have I by thy cradle sat, And soundly seen thee sleep, But now I'll go about thy grave. The sa't tears for to weep." And first she kiss?d his bloody cheek, And syne his bloody chin ; " Better I lo'e my Gill Moriee* Than a' my kith and kfe I �7 " Away, away, ye ill woman ! An ill death may you die, Gin I had kenn'd he'd been your son, He'd ne'er been slain by me." " Upbraid me not, Lord Barnard, Upbraid me not for shame ! Wi' that same spear, oh pierce my heart! And put me out of pain ; Since naething but Gill Morice's head Thy jealous rage could quell, Let that same hand now take her life, That ne'er to thee did ill. To me nae after days nor nights, Will e'er be saft or kind; I'll fill the air with heavy sighs, And greet till I am blind." " Enough of blood by me's been spilt, Seek not your death from m e ; I rather it had been my sell, Than either him or thee. With wae so wae I hear your 'plaint, Sair, sair I rue the deed, That e'er this cursed hand cif mine Did gar his body bleed. Dry up y 0 U r tears, my winsome dame, r Ye ne'er can heal the wound You see this head upon my spear, His heart's blood on the ground. J curse the hand that did the deed, The heart that thought the ill, The feet that bore me wi' sick speed, The comely youth to kill: �8 Til aye lament for Gill Morice, As gin he were my ain ; I'll ne'er forget .the dreary day On which the youth was slain !" i s Highland Mary. I hn I Bfi 6: YE banis and braes, and streams around The Castle o'Montgomery, Green be your woods, and fair your flowYs; Your waters never drumlie. :r* ; There simmer first unfaulds her robes, \l: • Aud there they langest- tarry : :it HB For there I took my last fareweel Of my dear Highland Mary. imri\ niV/jb <u><y; ; ; O pale, pale now, those rosy lips, I aft ha'e kiss'd sae fondly ! ' > ' And clos'd for aye the sparkling glance That dwelt on me sae kindly! And mouldring now in silent dust, The heart that lo'ed iue dearly ! But stili within my bosom's core Shall live my Highland Mary. FINIS. rfT J � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Woodcut 010: Title-page illustration in single ruled rectangular border of a Highland soldier with sword and shield standing in outdoor scene with a house and trees in the background. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Tragical History of Gill Morice, an Ancient Ballad. To which is added, Highland Mary. Identifier An unambiguous reference to the resource within a given context <a href="https://ocul-gue.primo.exlibrisgroup.com/permalink/01OCUL_GUE/mrqn4e/alma9953134473505154">s0100b01</a> Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Highland Mary Date A point or period of time associated with an event in the lifecycle of the resource 1840-1850 per University of Glasgow Union Catalogue of Scottish Chapbooks Extent The size or duration of the resource. 8 pages Is Part Of A related resource in which the described resource is physically or logically included. Chapbook #17 in a bound collection of 77 chapbooks Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Montgomery, Wales Subject The topic of the resource Chapbooks - Scotland - Falkirk Highlands Is Referenced By A related resource that references, cites, or otherwise points to the described resource. University of Glasgow Union Catalogue of Scottish Chapbooks <a title="University of Glasgow Union Catalogue of Scottish Chapbooks" href="http://special.lib.gla.ac.uk/chapbooks/search/" target="_blank" rel="noopener">http://special.lib.gla.ac.uk/chapbooks/search/</a> Contributor An entity responsible for making contributions to the resource Archival and Special Collections, University of Guelph Library, Guelph, Ontario, Canada Format The file format, physical medium, or dimensions of the resource JPEGs and PDF derived from master file, which was scanned from the original book in 24-bit color at 600 dpi in TIFF format using an Epson Expression 10000XL scanner. Rights Information about rights held in and over the resource In the public domain; For higher quality reproductions, contact Archival & Special Collections, University of Guelph. libaspc@uoguelph.ca 519-824-4120, Ext. 53413 Publisher An entity responsible for making the resource available Falkirk: Printed for the Booksellers Source A related resource from which the described resource is derived Archival & Special Collections, University of Guelph Library, Guelph, Ontario Type The nature or genre of the resource ballads & songs # of Woodcuts: 1 Architecture: house Bib Context: title-page Chapbook Date: 1841-1850 Chapbook Genre: ballads & songs Chapbook Publisher - Falkirk: Printed for the Booksellers Fashion (Clothing): belted plaid Fashion (Clothing): bonnet (military) Fashion (Clothing): Highland attire Fashion (Clothing): kilt Fashion (Clothing): military Gender: man/men Nature: hill(s) Nature: tree(s) Occupation: soldier Outdoor Scene Weapons: shield(s) Weapons: sword(s) https://scottishchapbooks.lib.uoguelph.ca/files/original/a99931a33e35d10acb1f6a7d11f65271.pdf 845a4cca13f906e27bee41de3a1c3c4e PDF Text Text THE Duke of Gordon's Three Daughters, To WHICH ARE ADDED, Mary I believ'd thee true, AND Prince Charlie. FALKIRK: PRINTED FOR THE BOOKSELLERS. �The Duke of Gordon's Daughters. The Duke of Gordon had three daughters, Elizabeth, Margaret and Jean : T h e y would not stay in bonny Castle Gordon, But they went away to bonny Aberdeen. They had not been in bonny Aberdeen A twelvemonth and a day, Till Jean fell in love with Captain Ogilvie, And away with him went she. Word came to the Duke of Gordon, In the chamber where he lay, How lady Jean fell in love with a captain, And from him she would not stay, G o saddle me the black horse, he cry'd, M y servant shall ride on the grey, And I will g o to bonny Aberdeen Forwith to bring her away. They were not a mile from Aberdeen, A mile but only one, Till he met with his two daughters, But away was lady Jean. O where is your sister maidens ? Where is your sister now : O where is your sister, maidens, That she's not walking with you ; O pardon us honoured father ! O pardon us they did say : Lady Jean is with Captain Ogilvie, And from him she will not stay. �When he came to bonny Aberdeen, And down upon the green, There he did see Captain Ogilvie, A training o f his men. O woe be to the Captain Ogilvie ! And an ill death thou shalt die. For taking to thee my daughter, High hanged shalt thou be. The D u k e o f Gordon wrote a broad letter, And sent it to the king, T o cause him hang brave Captain Ogilvie, I f e'er he caused hang any man. No I will not hang Captain Ogilvie, For any offence that I see. But I'll cause him to put off the scarlet, And put on the single livery. Now word came to Captain Ogilvie, In the chamber where he lay, T o strip off the gold and scarlet, And put on the single livery. If this be for bonny Jeannie Gordon, This penance I'll tak wi', If this be for bonny Jeannie Gordon, All this and more I'll dree. Lady Jean had not been married A year but only three, Till she had a babe in every arm, And another on her knee. O but I'm weary weary wandering ! �O but my fortune, is bad, It sets not the Duke of Gordon's daughter T o follow a soldier lad. O hold your tongue, bonny Jean Gordon, O hold thy tongue my lamb, For once I was a noble captain, N o w for thy sake a single man. O high was the hills and the mountains, Cold was the frost and the snow ; Lady Jean's shoes were all torn, N o farther could she go. O if I were in glens of Foudlen, Where hunting I have been, I could go to bonny castle Gordon, Without either stockings or sheen. O hold your tongue bonny Jeanie Gordon, O hold your tongue my dew; I've but one half-crown in the world, I'll buy hose and shoon to you. When she came to bonny Castle Gordon, And coming over the green, The Porter cried out, with a loud voice, Yonder comes our lady Jean. You are welcome bonnyJeanieGordon, You are dearly welcome to me, You are welcome, dearJeanieGordon, But awaywithyourOgilvie. Now over the seas went the Captain, As a soldier under c o m m a n d ; �5 But a messenger soon followed after, Which caused a countermand. Come home now, pretty Captain Ogilvie, To enjoy your brother's land ; Come home now, pretty Captain Ogilvie, You're the heir of Northumberland. O what does this mean ? says the Captain, Where's my brother's land ; Come home now, pretty Captain Ogilvie, Your the heir of Northumberland. O what does this mean ? says the Captain, Where's my brother's children three ? O they are all dead and buried, The lands are all ready for thee. Then hoist up your sails, brave Captain, And let's be jovial and free; I'll go home and have my estate, And then my dear Jeanie I'll see. He soon came tobonnyCastleGordon, And then at the gate stood h e ; The Porter cry'd out with a loud shout, Here comes Captain Ogilvie ! You're welcome pretty Captain Ogilvie, Your fortune's advanced I hear, No stranger can come to my gates, That I do love so dear. Sir the last time I was at your gate You wouldnotletmein; I am come for my wife and children, �6 No friendship else I claim. Then she came tripping down the stair, With the tear into her ee, One babe she had at every foot, Another upon her knee. You're welcome, bonny Jean Gordon, You're dearly welcome to me, You're welcome bonny Jean Gordon, Countess of Northumberland to be. Now the Captain came off with his lady, And his sweet babies three, Saying, I'm as good blood by descent, Tho' the great Duke o f Gordon you be. Prince Charlie. When Charlie first came to the North, With the manly looks of a Highland laddie, Moved every true Scottish heart to warm, To guard the lad wi' the tartan plaidie. Love, farewell,—friends, farewell, T o guard my king, I'll bid all farewell. When king Geordy heard o f this, That he'd gane North to heir his dadie, He sent Sir John Cope to the North, For to catch him in his tartan plaidie. But when Cope come to Inverness, They told him he was south already : �7 I must like a lion conquer all, By virtue of the tartan plaidie. When they came to Aberdeen, The English fleet was lying ready To carry them over to Edinburgh town, If they'd catch the lad wi' the tartan plaidie. On Prestonpans he formed his clans, Where many a baby lost its dadie, Our noble Prince stood on the front, And wasna ashamed to shew the plaidie. Sir John Cope address'd his men, Saying, if you'll be both stern and steady, Thirty thousand pounds you'll have To catch the lad wi' the tartan plaidie. Then our noble Prince address'd his men, Saying, if you'll both stern and steady, I'll set you down in this kingdom free, If you fight with me for to keep the plaidie. The Duke of Perth was on his right, The bold Monro and the brave Glengary From the Isle o f Sky the brave Lochiel, Maclarens bold and brave Macredy. On Prestonpans he formed his clans, Regarding neither son nor dadie; Like the wind of the sky they made them fly, With every shake of the tartan plaidie. A painted room and a silken bed, Will hardly please a German lairdie, But a far better prince than ere he was Lay amang the heather in his tartan plaidie. �8 Mary, I Believed thee True. MARY I And I But now A girl believ'd thee true. was blest in thus believing, I mourn that e'er I know, so fair and so deceiving, Few have ever lov'd like me Oh ! I have lov'd thee too sincerely; And few have e'er deceiv'd like thee, Alas ! deceived me too severely ; Fare thee w e l l ! — y e t think a while. On one, whose bosom bleeds to doubt thee— W h o now would rather trust than smile, And die with thee than live without thee. Fare thee w e l l ! — I'll think on thee! Thou leav'st me many a bitter token, For see, distracting woman ! see. M y peace is gone, my heart is broken. FINIS. � https://scottishchapbooks.lib.uoguelph.ca/files/original/09491b57f3c147dc97688335e58d356b.jpg 703333e64f0ea293b0bd58cd1c433a07 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 3072 Width 1772 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Woodcut on title-page portraying Group of 3 men wearing feathered caps and wearing plaid (1 playing bagpipes, 1 playing drums, 1 holding a sword) standing next to a gentleman wearing a hat and holding a walking stick Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Woodcut 009: Title-page illustration in double-ruled rectangular borderof a group of 3 soldiers wearing feathered caps and kilts: two are playing a bagpipe, one is playing a drum, and one is holding a sword. They are standing in a row next to a well dressed man. who is wearing a hat and long coat. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Duke of Gordon's Three Daughters, To which are added, Mary I believ'd thee true, and Prince Charlie. Identifier An unambiguous reference to the resource within a given context <a href="https://ocul-gue.primo.exlibrisgroup.com/permalink/01OCUL_GUE/mrqn4e/alma9953134473505154">s0100b01</a> Is Part Of A related resource in which the described resource is physically or logically included. Chapbook #18 in a bound collection of 77 chapbooks Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Mary I believ'd thee true Prince Charles Date A point or period of time associated with an event in the lifecycle of the resource 1840-1850 per University of Glasgow Union Catalogue of Scottish Chapbooks <a href="University%20of%20Glasgow%20Union%20Catalogue%20of%20Scottish%20Chapbooks%20%20http%3A//special.lib.gla.ac.uk/chapbooks/search/">http://special.lib.gla.ac.uk/chapbooks/search/</a> Extent The size or duration of the resource. 8 pages Is Referenced By A related resource that references, cites, or otherwise points to the described resource. University of Glasgow Union Catalogue of Scottish Chapbooks <a href="University%20of%20Glasgow%20Union%20Catalogue%20of%20Scottish%20Chapbooks%20%20http%3A//special.lib.gla.ac.uk/chapbooks/search/">http://special.lib.gla.ac.uk/chapbooks/search/</a> Contributor An entity responsible for making contributions to the resource Archival and Special Collections, University of Guelph Library, Guelph, Ontario, Canada Format The file format, physical medium, or dimensions of the resource JPEGs and PDF derived from master file, which was scanned from the original book in 24-bit color at 600 dpi in TIFF format using an Epson Expression 10000XL scanner. Rights Information about rights held in and over the resource In the public domain; For higher quality reproductions, contact Archival & Special Collections, University of Guelph. libaspc@uoguelph.ca 519-824-4120, Ext. 53413 Publisher An entity responsible for making the resource available Falkirk: Printed for the Booksellers Type The nature or genre of the resource ballads & songs Subject The topic of the resource Jacobites War Courtship and Marriage Charles Edward, Prince, grandson of James II, King of England, 1720-1788 Source A related resource from which the described resource is derived Archival & Special Collections, University of Guelph Library, Guelph, Ontario Description An account of the resource Woodcut #09: Illustration on title-page of a group of 3 soldiers wearing feathered caps and kilts (1 playing bagpipes, 1 playing drums, 1 holding a sword) standing next to a gentleman wearing a hat and holding a walking stick. # of Woodcuts: 1 Bib Context: title-page Chapbook Date: 1841-1850 Chapbook Genre: ballads & songs Chapbook Genre: battles/war Chapbook Publisher - Falkirk: Printed for the Booksellers Fashion (Clothing): bonnet (military) Fashion (Clothing): coat Fashion (Clothing): feather bonnet Fashion (Clothing): Highland attire Fashion (Clothing): jacket Fashion (Clothing): kilt Fashion (Clothing): knee breeches Fashion (Clothing): military Fashion (Clothing): sporran Fashion (Clothing): upper class Gender: man/men Musical Instruments: bagpipe(s) Musical Instruments: drum(s) Outdoor Scene Weapons: sword(s) https://scottishchapbooks.lib.uoguelph.ca/files/original/8a5f881e1234e8a01daecc0035753bb3.jpg 85a50742131c2ea2b125044c56d8c3ce Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 3469 Width 2164 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Woodcut on title-page portraying Group of 3 men wearing feathered caps and wearing plaid (1 playing bagpipes, 1 playing drums, 1 holding a sword) standing next to a gentleman wearing a hat and holding a walking stick https://scottishchapbooks.lib.uoguelph.ca/files/original/542c9f94c7ef791ea2b8a1e96a6db7bd.pdf 096b94121d340d6fb5014c41eee91e29 PDF Text Text T H E Britifli Volunteers. TO WHICH 4RE ADDED, G O D S A V E M A L L Y T H E K I N G; B A N N T I P P L I N G J O H N . . J O H N Y FAA, the GYPS1E L A D D I E . G L A S G O w, Printed by j. & hi, ROBERTSON, Salfmatket; 1807 • �C 2 T H E B R I T I S H ) V O L U N T E E R S * BY MR. BU1HS. TUME—PUSH ABOUT TH E JORVM* D O E ' S haughty Gaul invafion threap then let the iouns beware, Sir; [There's WOODEN W A L L S upon our feas, and V O L U N T E E R S on fhore, ^ir. T h e CLYDE (hall rin to FINTOCK TAP* an* BENLOMON LOUP t o G A L L ' W A Y * Ere we permit a FOREIGN FOE OQ B R I T I S H G R O U N D to rally. O let us not like fnarling tykes, in wrangiTrtg be divided, Till* flap come in an U N C O LOUN* and wi* a rung decide it ! Be B R I T A I N ftill to B R I T A I N true* amang ourfelves united For never but by B R I T I S H H A N D S mart B R I T I S H W R O N G S be righted* T h e KETTLE o ' t h e KJRK a n d STATE, perhaps a C L O U T may fail inft* But dc'il a FOREIGN T I N K L E R LOUN £hail ever C A ' a N A I L I N ' T . Our F A T H E R ' S BLUJDE the K E T T L S bought^ and wha wad dare to fpoil it! B y H E A V E N ! t h e SACRILEGIOUS DOQ &all FUEL be to BOIL I T ! �The wretch that would a T Y R A N T own, and thi* wretch his true-fworn brother, Who'd fet the MoBaboon the. TH none* may they be damn'd together ! W h o will not finfk Goi> SAVE THE KING lhall hang as high's the fteepie; But while we fiag, G O D 3AVB T H E KING we'll ne'er FOKOET the PEOPLE. GOD S A V E T H E KING. O D fave great George our King, Long live our noble King, God fave the King, Send him vi&orious* Happy and glorious* Long to reign over us, God fave the King! O Lord our God arife, Scatter his enemies, And make them fail* Confound their politics, Frpftrate their knavilh tricks ; On him our hopes are fixM, O fave us all! T h y choiceft gifts in ftort On him be pleas'd to pour, Long may he reign! May he defend our laws* And ever give us caufe, T o fing with he art and voice, God fave the King. G j �( 4 ) O ! grant him long to fee 'Friendfihip and unity Always increafej May he his fceptrc fway, Ail loyal foub obey, Join heart and voice, huz^a! God favc our King! M i n t B A N N. \ M I E R A N D A L went a huntrng* a hunting in thr dark But, to his great misfortune, he did not mifs his m a r k : His love's apron being about her* he took her for a fwvn Bfk alas! and for ever alas I it was facet Maily Bann. W h e n he came up unto her, aud found that (he was dcadg, (Great abundance of fait tears for his darling he fhed. H e went home to his father with his gun in bis hand, Crying, Dear father, dear fatkcr f 1 have feot Maliy. 3ann» His father leaked ppon him 5 his hair being grey) Cry mi 7 Oh ! my ^ ear eft fon? jQii omit not i m away s �( 5 ) Stay at home irf^yo <r own country let your trial come o n ; By the laws of fweet Ireland, j o u {hall never be undone. Within two 01 three mouths after* to her uncle (he appear'd Crying, Dear uncle, dear u.#ie, let Jamie Randal go free : For my apron being about me, he took me for a wan : But it is Ob ! and ever alas ! it was fweet Ma% ii-mn. All the maidens in the country, they are all very ula^ That this beautiful, this lovely, this fair one was dead. She was the flowVof ail the nation, the flpwer or Contain ; The flower of ai! Ji nation was fweet Mally Bana. When the fair maid^ in the city, were affembled in a row* She appeared amongft them like a mountain of fnow* The flower qf all the nation, the flQwer of Coirain. The flower oi J t the nation was fweet Mally iJanru �T I P P L I N G JO H a A S tippling John was jogging on, upon a riot nrght. With tottering pace, and fiery face, fufpicious of high flight ; The guards vAo took hirn by his look, for fomc chief fiery-brand, Aik'il whence he came ? vVhat was his name who are you ? ftahd friend, (land. Pra gfing home, from meeting corner ay, lays one, that's the cafe j Some meeting he has burnt, you fee h the flame's flill in his face. John thought it time to purge his crimtj I and faid, My chief intent Was to affwage my thirfty rage, i'th* meeting that I meant Come, friend* be plain you trifle in vain, f fays one, pray let us know. T h a t we may find how you're iticlin'd j are you High-Church or Low ? John faid to that, Pil tell you what, to end debates and ftrife, All ! can fay, this is the way I tieer my courfe of life. I ne'er to Bow, nor Burgcfs go, to ftfcple-houfenor ball, The.brifk bar-bell belt funs my zeal with gentlemen^ d'ye call ? �< 7 1 Guefs then, am I Low-Church or High, from that tow'r, or no fteeplel Whof- merry toll exalts the Tout and muft make high-flown people! The guards came on, and iook'd at John with countenance raoft pleafantv By whifper round they all foon found he was no darang'd peafant: Thus while John flood the beft he cou'd* expefting their decifion ; Damn him, f^ys one, let him be gone^ he's of our own religion. JOKNY FAA T H E G Y P 3 I £ LADDIA- T He gy plies came to our good Lord's gate, and vow but they fang fleetly ; They fang Jae fweet^ and fae very complete* that down came the fair Lady® And fhe came tripping down the (lair, and a* her maids before h e r ; As foon as they faw her weil-far f d face* they cooft the giaaier o'er her. Gae tak from me tblg gay mantle, and bring to me a pSaidie. For if kith and kin, and a' had fworH/ r i i follow the gypfie laddie. Teftreen I lay in a well made bcd $ and my good Lord b&Sde me j �( 8 > This night Pll ly in a tenant's barn, whatever fhall betide r^e* Cooie to your bed, fays Johny Faa, oh come to your bed, my deary ; For I vow and fwear, by the hilt of my fwordj that your Lord fhall nae mair come near ye, Pll $ro to bed to my johny Faa, I'll go to bed to my deary; For I vow and fwear by what paft yeftreen, that my Lord (hall nae mair come near me* H i mak a hap to my Johny Faa, . and y \ l mak a hap to my deary. And he's get a' the coat gaes round, and my Lord fhalhiae mair come near me» And when our Lord came hame at cen, and fpeer'd for his fair Lady, The tanc {he cry'd, and the other reply'd, flie's away with the gypfie Laddie. Gae faddle to me the black black fteed^ gae faddle and m i k e him ready $ Before that I either eat or deep, I'lt gae feek my fair Lady, And we aitho* AncLwe a fair were fifteen well-made men, we were nae bonny : were a* put down for ane, youug wanton Lady. G L A S G O W , Brlnted by J. & M. Robert Ion, Saltrnarket, 1803. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Woodcut 009: Title-page illustration in double-ruled rectangular borderof a group of 3 soldiers wearing feathered caps and kilts: two are playing a bagpipe, one is playing a drum, and one is holding a sword. They are standing in a row next to a well dressed man. who is wearing a hat and long coat. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The British volunteers. To which are added, God save the king. Mally Bann. Tippling John. Johny Faa, the gypsie laddie. Date A point or period of time associated with an event in the lifecycle of the resource 1803 Language A language of the resource English Identifier An unambiguous reference to the resource within a given context <a href="https://ocul-gue.primo.exlibrisgroup.com/permalink/01OCUL_GUE/mrqn4e/alma9923276843505154">s0302b19</a> Contributor An entity responsible for making contributions to the resource Archival and Special Collections, University of Guelph Library, Guelph, Ontario, Canada Rights Information about rights held in and over the resource In the public domain; For high quality reproductions, contact Archival & Special Collections, University of Guelph. libaspc@uoguelph.ca, 519-824-4120, Ext. 53413 Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. God save the King Mally Bann Tippling John Johnny Faa The Gypsie laddie Format The file format, physical medium, or dimensions of the resource JPEGs and PDF derived from master file, which was scanned from the original book in 24-bit color at 600 dpi in TIFF format using an Epson Expression 10000XL scanner. Extent The size or duration of the resource. 8 pages 15 cm Publisher An entity responsible for making the resource available Glasgow: J. & M. Robertson Type The nature or genre of the resource ballads & songs Subject The topic of the resource War Alcohol Courtship and Marriage Source A related resource from which the described resource is derived Archival & Special Collections, University of Guelph Library, Guelph, Ontario Description An account of the resource Woodcut #09: Illustration on title-page of a group of 3 soldiers wearing feathered caps and kilts (1 playing bagpipes, 1 playing drums, 1 holding a sword) standing next to a gentleman wearing a hat and holding a walking stick. # of Woodcuts: 1 Bib Context: title-page Chapbook Date: 1801-1810 Chapbook Genre: ballads & songs Chapbook Publisher - Glasgow: J. & M. Robertson Fashion (Clothing): bonnet (military) Fashion (Clothing): coat Fashion (Clothing): feather bonnet Fashion (Clothing): Highland attire Fashion (Clothing): jacket Fashion (Clothing): kilt Fashion (Clothing): knee breeches Fashion (Clothing): military Fashion (Clothing): sporran Fashion (Clothing): upper class Gender: man/men Musical Instruments: bagpipe(s) Musical Instruments: drum(s) Outdoor Scene Weapons: sword(s) https://scottishchapbooks.lib.uoguelph.ca/files/original/053a419ffc446fb354d557cf5448e532.jpg dffbd5ad5eee3a3a4194d2af932cf507 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 3345 Width 1949 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Woodcut on title-page portraying Group of 3 men wearing feathered caps and wearing plaid (1 playing bagpipes, 1 playing drums, 1 holding a sword) standing next to a gentleman wearing a hat and holding a walking stick https://scottishchapbooks.lib.uoguelph.ca/files/original/aa3ff3058c1b0056bcc8ad1e85501c3d.pdf 86f12ff75a2539b730fc5eae0df85183 PDF Text Text Britain's Alarm. T o which ore added, O D E A R ! I'M SO P L E A S ' D . T H E D A V Y B O N N Y J O N E S ' S B O Y . L O C K E R . THRO' THE W O O D L A D D I E . M A N K I N D ALL TANNERS. K D W A R D and B E T S Y. ARRIVED AT PORTSMOUTH. O A T H S IN F A S H I O N . G L A S G O W , Printed by J. and M . Robertfon, Saltmarket, i8c.j. �B R I T A I N ' S A L A R M . T O arms ! gallant Britons of every degree, T o arms ! if you want to live happy and free ; T h e foe's on the coaft—-there's no room for delay ; Let us rife in a tnafs, boys, and drive them away. chorus. Britons, arm & unite ! like true Britons ftill fight ; Fight bold and together ; never mind the weather ; Like Sons of Britannia we'll conquer or die. Let croakers talk on of this terrible foe ; The foe is a Frenchman, and Frenchmen we know: Whether monkies, of tigers, or devils they be, We've beat them we know,, both by land & by fea. CHORUS. Britons, arm & unite! like true Britons ftill fight; Fight bold and together; never mind the weather; Like Sons of Britannia we'll conquer or die W hat tho'they nowboaft of their conqueft & fpoils, And murders at which human nature recoils? (plain, Theyhav^r.c'er conquer'dus & they (hall not that's We have thrcfti'd them oft foundly, & will fo again* c II o R\u s, Britons, arm & unite! like true Britons ftill fight \ Fight bold and together ; never mind the weather; Like Sons of Britannia we'll conquer or die. Rememberhowhoftsof thefeFrenchmen did yield, At Crefly, at Poifkiers, and Agincourt's field* And (hall we now fuiTer their vain gafconade ? Or (ball they unpunifh'd, Great Britain invade ? CHORUS. Britons, arm 3c unite! like true Britons ftill fight; Fight bold and together -9 never mind the weather ; Like Sons of Britannia we'll conquer or die* �Theyboaft of their freedom,but whoare fuch (laves? And who are fo free as wt? (ons of the waves ? W h a t Frenchman with all his vain boafling, can fay, That his loaf, that his life is his own for a day ? CHORUS. Britons, arm & unite! like true Britons (till fight; Fight bold and together; never mind the weather ; Like Sons of Britannia we'll conquer or die. In this happy Ifle every man lives fecure; Our liberty, property, all guarded fure ; T h e higheft and lowed all equally f r e e ; W h a t nation on earth then fo happy as we ? etc. CHORUS. Britons, arm & unite! like true Britons flill fighf; Fight bold and together; never mind the weather} Like Sons of Britannia we'll conquer pr die. T o arms, then! to arms! and repel the proud foe, W h o would land us in anarchy, bloodfhed, & woe, hzt us rife like our Ifie's irrefillible waves, And teach them that Britons will never be (laves. CHORUS. Britons, arm & unite ! like true Britons flill fight; Fight bold and together ; never mind the weather; Like Sons of Britannia well conquer or die. O D E A R ! I ' M S O P L E A S ' D. W k g n StrepHon appears, how my heart pit a pat, (Views the tender emotion with which it is feiz'd. T o the fhepherd*s bewitching gay innocent chat, I could liften for ever, O dear! I'm fo pleaa'd. My grandmother frowns, & protefis I'm toojoung,' wi h the 1 {Ton of Cupid (o foon to be teaz'd, n T u t fo f w c e t ' s the honey that falls from his tongue, 1 laugh at my grandmam ; O d c a r ! I'm fo picas ds �Should he afk me to wed, 28 he hinted to-day, when my hand he fo foft & fo tenderly fqueez'd, He's fo pretty a Twain that I can't fay him nay, I'm refolv'd to be marry'd, 0 rfear I I'm fo pleas'd. '^MS®*** -THE 3 O N N Y — BOY. I r was once f lov'd a bonny, bonny boy, I lov'd him I vow and proteft, 1 lov'd him fo very, very well I built him a birth on my breaft. I built &c. It was upon the green forefl:, and down the green Like one that was troubled in mind, (foreft, I hoop'd and I call'd, I play'd on my ilute, But no bonny boy could I find, But, etc. I look'd up high, and I look'd dawn low, Arrd the fun fhone wonder fu' warm, And who fhould I fee but my bonny boy, H e was fall in another girl's arms. He, etc® < Then he (iretch'd forth his lity white hand, And he thought I was at his command, But i parted by cafl never an eyev And he thought 1 "was bound in love's bond. And he thought, etc. T h e n he tcok me on his difTcmbling knee, And he look'd me right up in the face, He gave to mc a ditfembUng kifs, And his heart was in another girl's bread, etc. Oh ! the girl that enjoys my bonny bonny boy, I'm Aire (he is not to blame, For many a long night he has robb'd me of my red, But he never Ihall do it again, But, etc. �[ DAVY S 3 JONES'S LOCKER. W Hen lad honeft Jack/of whofe fate I now fing, weigh'd anchor and caft out for fea, For he ne'er refus'd tor his country and King to tight, for no lubber was he ; T o hand, reef, & (leer, & houfe every thing tight, full well did he know every inch, Tho* the toplifts of failors the ^ m p e f t ihould fmite, Jack never was known for to flinch. CHORUS. T h o ' the toplifts of failors the teriipeft fhouid fmite, Jack never was known for to flinch* Aloft from the maft head one day he efpy'd feven fail, which appear'd to his view, Clear thedecks, fpunge theguns, was inftantlycry'd, and each to his liation then flew; And fought until many a noble was (lain, and filcnced was every gun, 'Twas then that old lingliih valour was vain, for by numbers, alas ! they're undone. CHORUS. 'Twas then that old England's valour was vain, for by numbers, alas . they're undone. Yet think not bold Jack, tho' by conquest difmay'd, could tamely fubmit to his fate; When his country he found he no longer could ferve, looking round, he addrels'd thus t^ach mate, What's life, d'ye fee, when our liberty's gone, much nobler it were for to die, So now for old Davy, then plung'd in the main, ev'n the cherub above heav'd ? % h , Chor. vSo now f o r o i i Davy, then piur.g dinthe main, C'cn the cherub abovfc heav'd a ftgh. �I 6 3 T H R O ' THfe W O O D LADDIE. O Sandy, why ieave6 thou thy Nelly to mourn ? f h y prefence cou'd eafe me, When naeihing can pleafe me : Now dowie I figh on the bank cf the burn, Or thro' the wood, iaddle, until thou return, Tho* woods now are bonny, and mornings are clear, While lav'rockp are Tinging, A n d primrofes fpringing j Yet nane of them pleales fny eye or my ear, W h e n thro' the wood, laddie, ye dinna appear. That I am forfaken, feme fpare not to tell : I'm falh'd wi' their fcorning, Baith evening and morning, Their jeering gaes aft to my heart wi* a knell, W h e n thro" the wood, laddie, L wandei my fell. Then flay, my dear Sandy nae langer away, But quick as an arrow, Halle here to thy marrow, W h a ' s living in langour, till that -happy day, (play. When thro 1 the wood, laddie, we'll dance, fing and —- •• wiM.^^ig^jjViHiBi'iiwi! MANKIND A L L T A N N E R S . ^OME, liften ye lads, and ye lafies around, j T o a fiave cr two fung by Harry Hidebound, A tanner I am, of no humble degree, And tanners aU mankind I'll prove are like me, Tol de rol, etc. C The lawyer fo great with big wig and lonp band, His conscience, as bullock's hide, ftoutly i r n ' d , Yet touch with a double fee wifely that part, T w i l l ftretch like a glove it is tann'd with fucb art. �X 7 1 Ph^ficians, iikewile are all fanners by trade. And fortuneshv working on (heep-fluns have made; With bark they kcrp tanning fheir patienls inf:de, Till fhoemak&r. Death bores a hole thro' the hide. To! de roll, &c. T o the tan-pit of Cupid fond lovers repair, And throw rhemfelves in thro* a fit of defpair, But Hymen good natur'dly oft helps them out, And their heartsbeing tann'-d why they foon get about To! de rcl!, &c The foes of old England don't tanning defpife, And to fenfon their hides well, think they are wife; But in fpite of the devil, that Tanner of fins, W h e n Britons ftrike hom»,thev(han't fleep in whole l o l de roll, &c ' (ttins. E D W A R D A N D B E T S Y . Y Oung Edward was faithful, & Betfy was true, when war cail'd her foldier away, She parted in tears, and he figh'd out adieu, and they never more met from th$t day. Forcourage;with Ed ward there'sfe wcouldcompare, but his foes would not favour the brave, W h e n dying, his Betfy alone was his care, he bled her, then funk to his grave. T h f wars were all over, ilill conflant lifer heart, now expedted her folder's return, Poor maiden, how wilt thou furvive the keen fmart 9 thy Edward in tears thou wilt mourn. T h e news foon arriv'd 'hat her foldier was (lain, O Edward ! (he fauUering cry'd, We'll meet in a world where we'll ne'er part again, then fainting, (he droop'd »nd (he dy'd. �L ARRIVED AT 8 1 PORTSMOUTH. W I T H pride we ftecr'd for England's coaft, Her hills arofe in mifty blue j Six prizes of the line our boaft, Another ftruck and funk in view ! O ftill to guard this Ifle, the battle we'll fuftain, And dare the perils of the ftormy main ! Within the bofom of the land, •» The claims of relative and friend| r - The prowefs of cur fleets demand : Their rights upon our arms depend : O Hill to guard this Ifle, the battle we'll fuftain. And dare the perils of the raging main ! Sweet love ; this bofom know thy pow'r, T h e dafhing waves that foam along, Hear F^ny's name at midnight hour, T h e tender burthen of my fong: For Britain's lovely dames, the battle we fuftain, And dare the perils of the ftormy main ! O A T H S IN F A S H I O N . C Uftom prevailing fo long 'mongft the great, makes oaths eafy potions to fleep on ; W h i c h many (on gaining good places) repeat, without e'er deigning to keep one. For an oath's feldom kef t, as a virgin's fair fame, a lover's food vowf, or a prelate's good name j . A lawyer to truth., or a ftatefman from blame, or a patriot^ heart in a courtier. G L A S G O W , Printed by J. & M. Robertfon, Saltm?.iket, 1804. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Woodcut 009: Title-page illustration in double-ruled rectangular borderof a group of 3 soldiers wearing feathered caps and kilts: two are playing a bagpipe, one is playing a drum, and one is holding a sword. They are standing in a row next to a well dressed man. who is wearing a hat and long coat. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Britain's alarm. To which are added, O dear! I'm so pleas'd. The bonny boy. Davy Jones's locker. Thro' the wood laddie. Mankind all tanners. Edward and Betsy. Arrived at Portsmouth. Oaths in fashion. Date A point or period of time associated with an event in the lifecycle of the resource 1804 Language A language of the resource English Identifier An unambiguous reference to the resource within a given context <a href="https://ocul-gue.primo.exlibrisgroup.com/permalink/01OCUL_GUE/mrqn4e/alma9923276173505154">s0300b27</a> Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. O dear! I'm so pleas'd. The bonny boy. Davy Jones's locker. Thro' the wood laddie. Mankind all tanners. Edward and Betsy. Arrived at Portsmouth. Oaths in Fashion Contributor An entity responsible for making contributions to the resource Archival and Special Collections, University of Guelph Library, Guelph, Ontario, Canada Rights Information about rights held in and over the resource In the public domain; For high quality reproductions, contact Archival & Special Collections, University of Guelph. libaspc@uoguelph.ca, 519-824-4120, Ext. 53413 Format The file format, physical medium, or dimensions of the resource JPEGs and PDF derived from master file, which was scanned from the original book in 24-bit color at 600 dpi in TIFF format using an Epson Expression 10000XL scanner. Extent The size or duration of the resource. 8 pages 15 cm Publisher An entity responsible for making the resource available Glasgow: J. & M. Robertson Type The nature or genre of the resource ballads & songs Subject The topic of the resource Chapbooks - Scotland - Glasgow War Courtship and Marriage Source A related resource from which the described resource is derived Archival & Special Collections, University of Guelph Library, Guelph, Ontario Description An account of the resource Woodcut #09: Illustration on title-page of a group of 3 soldiers wearing feathered caps and kilts (1 playing bagpipes, 1 playing drums, 1 holding a sword) standing next to a gentleman wearing a hat and holding a walking stick. # of Woodcuts: 1 Bib Context: title-page Chapbook Date: 1801-1810 Chapbook Genre: ballads & songs Chapbook Publisher - Glasgow: J. & M. Robertson Fashion (Clothing): bonnet (military) Fashion (Clothing): coat Fashion (Clothing): feather bonnet Fashion (Clothing): Highland attire Fashion (Clothing): jacket Fashion (Clothing): kilt Fashion (Clothing): knee breeches Fashion (Clothing): military Fashion (Clothing): sporran Fashion (Clothing): upper class Gender: man/men Musical Instruments: bagpipe(s) Musical Instruments: drum(s) Occupation: soldier Outdoor Scene Weapons: sword(s) https://scottishchapbooks.lib.uoguelph.ca/files/original/d230c8bfacbde805faecbf051be88443.pdf 3c02af07f01a676af2ed65f4eec826a2 PDF Text Text T H E Battle of Rosline FOUGHT ON T H E Plains o fRosline,1303 TO WHICH aRE ADDED, Jack in his Element; VIRTUE and WIT, the Preservatives of LOVE and BEAUTY. T H E L O V E R ' S SUMMONS. G L A S G O W , Printed by J. & M. Robertson, Saltmarket, 1803. �( 2 ) The famous Battle of Rosline, fought on the plains of Rosline, Anno Dom. 1303, aboutfivemilessouthof Edinburgh where 10,000 Scots, led by Sir John Cummin, and Sir Simon Frazer, defeat in three battles, in one day, 30,000 of their enem L E A V E off your tittle tattle, And I'll tell you of a battle, Where claymore and targe did rattle, At Rosline on the Lee. T e n thousand Scottish laddies, Drest in their tartan plaidies, W i t h blue bonnets and cockadies, A pleasant sight to see. Commanded by Sir Simon Frazer, W h o was as bold as Caesar, Great Alexander never Could exceed that Hero bold. A n d by brave Sir John Cummin, W h e n he saw the foes a coming, Set the bag-pipes a bumming, Stand firm my hearts of gold. Ten thousand English advancing, See how their arms are glancing, We'll A t Rosline on the Lee. set them all a dancing, �( 3 ) Like furies our brave Highlandmen, Most boldly they engaged them, On field they durst no londer s t a n d , They soon began to flee. They rusht into the battle, Made sword and targe to rattle, Which made their foes to startle, They fell dead on the ground. Our army gave a loud huzza, Our Highland lads have won the day, On field they durst no longer stay, See how the cowards run. This battle was no sooner over, Than ten thousand of the other, Came marching in good order, Most boldly for to fight. Their colours were displaying, Their horse foaming and braying, Their generals are faying. We'll soon put them to flight. But our bowmen gave a volley, Made them repent their folly, They soon turn'd melancholy, And stagger'd to and fro. Our spearmen then engaged, Their rage they soon asswaged, Like lions our Heroes raged, Dealt death at every blow. For one hour and a quarter, There was a bloody slaughter, �( 4 ) Till the enemies cry'd quarter, Andinconfusionflee. Our general says don't pursue. Ten thousand more are come in view, T a k e courage lads, our hearts are true, And beat your enemies. Then thinking for to cross us. T h e y rallying all their forces, Both of foot and horses, To make the last attempt T h e Scots cry'd out with brav'ry, W e disdain their English knav'ry, W e ' l l ne'er be brought in s l a v ' r y , ' T i l l our laft blood is spent. W i t h fresh courage they did engage, And manfully made for the charge, With their broad swords and their targe, Most boldly then they stood. T h e third battle it was very fore, Thousands lay reeking in their gore, T h e like was never done before, The fields did swim with blood. T h e English could no longer stay, In great confusion fled away, A n d sore they do lament the day, That they came there to fight. Cummin cry'd, Chace them, do not spare, Quick as hound does chase the hare, A n d many one fa'en prisoner, That day upon the flight. �( 5 ) T h e Douglas, Campbells and the Hay, And Gordons from the water Spey, So boldly as they fought that day, With the brave Montgomerie. T h e Kers and Murrays of renown, T h e Keiths, B0yds and Hamilton, They brought their foes down to the groun', And fought with braverie, Sound, sound the music, sound it, Let hills and dales rebound it, Fill up the glass and round we't, In If Scotsmen were always true W e ' d make our enemies to rue ; But alas! We're not all true blue, A s we were in days of old. J ACK IN His E L E M E N T . B O L D Jack the Sailor, here I come, pray how do you like my nib, My trowsers wide, and trampers rum, my nab and flowing jib ; I sail the seas from end to end, and lead a roving life, A t every mess we find a friend, at every port a wife. I have heard them talk of constancy, of g r i d and such like fun, �( 6 ) I have constant been to ten, cry'd I, but never griev'd for one, T h e flowing sails we tars unbend, to lead a roving life, A t every mess we find a friend, at every port a wife. I have a spanking wife at Portsmouth gates, a Pigmy at Goree ; A n Orange Tawny up the Straits, a Black at St. L u c i e : Thus whatsoever course we bend, we lead a jovial life, A t every mess we find a friend, at every port a wife. W i l l Gaffe by Death was ta'en aback, I came to bring the news, Poll whimper'd sore, but what did J a c k ! why, stood in William's shoes! " She cut, I chas'd and in the she lov'd me as her life. So she has got a loving friend, and I a loving wife. Come all you Sailors that do go the unfortunate seas to rub, Y o u must work, love, and fight your foes, and drink your gen'rous bub ; Storms that our masts in splinters tear, can take our joyous life, In every want we find a friend, and every port a wife. end �( 7 ) V I R T U E and W I T, the Preservatives of L O V E and B E A U T Y . C TUNE—KILLICRANKY. Onfess thy love, fair blushing maid, for since thine eye's consenting, Thy safter thoughts are a' betray'd, and na-says no worth tenting. W h y aims thou to oppose thy mind, with words thy wish denying; Since Nature made thee to be kind, reason Nature and Reason's joint consent, make love a sacred blessing, T h e n happily that time is spent, that's war'd on kind caressing. Come then my Katie to my arms, I'll be nae mair a rover ; But find out heav'n in a' thy charms, and prove a faithful lover. S H E . ) What you d e s i g n , by N a t u r e ' s law?, is fleeting inclination, T h e n Willy- Wisp beguiles us a' by its infatuation When that goes out, caresses tire, and lovers nae mair in season, Syne weakly we blow up the fire, with all our boasted reason. �( 8 ) HE.) The beauties of inferior cast maystartthisjustreflection; But charms, like thine,mustalwayslast, where Wit has the protecion. Virtue and Wit, like April rays, make Beauty rise the sweeter; T h e langer then on thee I gaze, my Love will grow completer. THE L O V E R ' ' S SSU M M O N S . R 3 UM 3. A R I S E thou mistress of my heart, milirefs and do not rae disdain : me difciain Come now and quickly take the part of me your conftant swain. constant ftvain. T o you alone C am aaslave, atone I am Have, there's none on earth can ctuv, cure, T h e flame that in my bread I have, have, for you 1 do endure. I Come now dear nymph, and cafe the smart, eafe fmart, of me your yielding swain ; yo^r fwain My loyt for you now in my heart, love does constantly remain. Now we in Hymen's bands will wed, our hearts united be therefore, In love we live without any dread, love we live without any dread, joys in joys for evermore. * ••••^^aaaaa^^ G G L A SSG OO W, A G W , mm Printed by J, & M.Robertson,Saltmarket,1803. J. Rcfrertfon, Saltmaj;ket, i8o> � https://scottishchapbooks.lib.uoguelph.ca/files/original/ad9f8d2d954ef236aac88b3b0aaab65b.jpg b0934479c23863b45148da832ff61aa2 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 3470 Width 2039 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Woodcut on title-page portraying man with sword and shield standing in outdoor scene; house and trees in the background https://scottishchapbooks.lib.uoguelph.ca/files/original/fff6cae46016299256b0bafd518f9bf2.jpg f5a0df30c25c25bc3854363db46233a2 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Woodcut 010: Title-page illustration in single ruled rectangular border of a Highland soldier with sword and shield standing in outdoor scene with a house and trees in the background. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Battle of Rosline fought on the plains of Rosline, 1303 to which are added, Jack in his element. Virtue and wit, the preservatives of love and beauty. The lover's summons. Subject The topic of the resource Courtship and Marriage Courtship and Marriage War Wit and Humor Chapbooks - Scotland - Glasgow Date A point or period of time associated with an event in the lifecycle of the resource 1803 Language A language of the resource English Identifier An unambiguous reference to the resource within a given context <a href="https://ocul-gue.primo.exlibrisgroup.com/permalink/01OCUL_GUE/mrqn4e/alma9923267923505154">s0066Fb13</a> Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Roslin, Scotland Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Jack in his element Virtue and wit, the preservatives of love and beauty The lover's summons Extent The size or duration of the resource. 8 pages 15 cm Abstract A summary of the resource. The first song is a celebration of the Battle of Rosline, which had occurred 500 years earlier. The song celebrates the bravery of the Scots who overcome 3 to 1 odds and route the English, featuring a romanticized depiction of medieval Scots fighting in tartan plaid and bonnets. The second song is the humorous portrayal of a sailor who has a wife at “every port.” The last two are love songs where young men declare their undying love to their sweethearts, with varying degrees of success. Wikipedia entry for the Battle of Roslin (24 February 1303) <a href="http://en.wikipedia.org/wiki/Battle_of_Roslin">http://en.wikipedia.org/wiki/Battle_of_Roslin</a> Is Referenced By A related resource that references, cites, or otherwise points to the described resource. University of Glasgow Union Catalogue of Scottish Chapbooks http://special.lib.gla.ac.uk/chapbooks/search/ Contributor An entity responsible for making contributions to the resource Archival and Special Collections, University of Guelph Library, Guelph, Ontario, Canada Rights Information about rights held in and over the resource In the public domain; For high quality reproductions, contact Archival &amp; Special Collections, University of Guelph. libaspc@uoguelph.ca, 519-824-4120, Ext. 53413 Format The file format, physical medium, or dimensions of the resource JPEGs and PDF derived from master file, which was scanned from the original book in 24-bit color at 600 dpi in TIFF format using an Epson Expression 10000XL scanner. Source A related resource from which the described resource is derived Archival & Special Collections, University of Guelph Library, Guelph, Ontario Publisher An entity responsible for making the resource available Glasgow: J. & M. Robertson Type The nature or genre of the resource ballads & songs Architecture: house Bib Context: title-page Chapbook Date: 1801-1810 Chapbook Genre: ballads & songs Chapbook Genre: battles/war Chapbook Genre: wit & humor Chapbook Publisher - Glasgow: J. & M. Robertson Fashion (Clothing): belted plaid Fashion (Clothing): bonnet (military) Fashion (Clothing): Highland attire Fashion (Clothing): kilt Fashion (Clothing): military Gender: man/men Nature: hill(s) Nature: tree(s) Occupation: soldier Outdoor Scene Weapons: shield(s) Weapons: sword(s)