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Title
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Woodcut in single-ruled rectangular border on title-page of a soldier with sword and shield wearing a bonnet and plaid socks. In the background are a house and trees.
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Title
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Woodcut 010: Title-page illustration in single ruled rectangular border of a Highland soldier with sword and shield standing in outdoor scene with a house and trees in the background.
Dublin Core
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Title
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A Tale of Three Bonnets in Four Cantos
Extent
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24 pages
17 cm
Identifier
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<a href="https://ocul-gue.primo.exlibrisgroup.com/permalink/01OCUL_GUE/mrqn4e/alma9951650233505154">s0031Ab027</a>
Contributor
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Archival and Special Collections, University of Guelph Library, Guelph, Ontario, Canada
Rights
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In the public domain; For high quality reproductions, contact Archival & Special Collections, University of Guelph. libaspc@uoguelph.ca, 519-824-4120, Ext. 53413
Format
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JPEGs and PDF derived from master file, which was scanned from the original book in 24-bit color at 600 dpi in TIFF format using an Epson Expression 10000XL scanner.
Creator
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Ramsay, Allan, 1685-1758
Publisher
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Glasgow: J. & M. Robertson
Date
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1787
Subject
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Chapbooks - Scotland - Glasgow
Source
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Archival & Special Collections, University of Guelph Library, Guelph, Ontario
Type
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poetry
# of Woodcuts: 1
Architecture: house
Bib Context: title-page
Chapbook Date: 1781-1790
Chapbook Genre: poetry
Chapbook Publisher - Glasgow: J. & M. Robertson
Fashion (Clothing): belted plaid
Fashion (Clothing): bonnet (military)
Fashion (Clothing): Highland attire
Fashion (Clothing): kilt
Fashion (Clothing): military
Gender: man/men
Nature: hill(s)
Nature: tree(s)
Occupation: soldier
Outdoor Scene
Weapons: shield(s)
Weapons: sword(s)
-
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PDF Text
Text
FOUR SONGS
CHERRY-CHEEKED PATTY.
JUDY O'FLANNIKIN.
NO PEACE ABOUT THE HOUSE.
MAGGIE LAUDER.
GLASGOW:
PRINTED FOR THE BOOKSELLERS.
68.
�SONGS.
CHERRY-CHEEKED PATTY.
Down in yon vale I lives so snug,
Thev call me Giles the ploughman's boy;
At the sound of the horn
I rise in the morn,
And I whittle, I whistle, and whoop gee wo I cry*
My work being done, to the lawn then* I fly,
Where the lads and the lasses all look very sly
And I'ze deeply in love with a girl, it is true,
'Cause I knows what I knows, but I munna tell you;
Then I'll whistle, I'll whistle, and of all the girls I ever
did see,
Oh ! cherry-cheeked Patty for me.
The squire, though so great, so happy mayn't be
As simple Giles, the ploughman's boy;
At the sound of the horn
I rise in t ie morn,
And I whistle, I whistle, and whoop gee wo I cry;
There's cherry-cheeked Patty, who lives in the vale,
That I help o'er the stile with her milking-pail,
And she has a right notion of me, it is true,
'Cause I knows, &c.
�3
So able and strong, and willing to work,
And when the lark rises, off trudge I ;
At the sound of the horn
I rise in the morn,
And I whistle, I whistle, and whoop gee wo I cry.
There's the lord of the valley, he tries in vain,
And does all he can my Patty to gain,
Let him do what he will, it never will do,
'Cause I knows, &c.
My Patty consented next week to be
The wife of Giles the ploughman's boy;
Then my cows up I'll call,
And I'll harness old Ball,
And I'll whistle, I'll whistle, and whoop gee wo I'll cry.
And when from the church we do trip it away,
Along with the old ones we'll spend the whole day,
But night coming on, we'll bid them adieu,
'Cause I knows, &c.
JUDY O'FLANNIKIN.
O whack ! Cupid's a mannikin,
Smack on my back he hit me a polter,
Good lack! Judy O'Flannikin,
Dearly she loves neat Looney Mactwolter.
Judy's my darling, my kisses she suffers,
She's an heiress, that's clear,
For her father sells beer,
He keeps the sign of the Cow and the Snuffers.
�4
She's so smart,
From my heart,
I cannot bolt her,
Oh whack, Judy O'Flannikin !
She is the girl for Looney Mactwolter.
Ochone! good news I need a bit,
We'd correspond, but learning would choke her,
Mavrone! I cannot read a bit,
Judy can't tell a pen from a proker.
Judy's so constant, I'll never forsake her,
She's as true as the moon,
Only one afternoon
I caught her asleep with a hump-back'd shoemaker.
Oh! she's so smart,
From my heart
I cannot bolt her,
Oh, whack! Judy O'Flannikin!
She is the girl for Looney Mactwolter
NO PEACE ABOUT THE HOUSE.
There is no peace about the house,
In kitchen, parlour, hall,
There is no comfort in the house
On Saturday at all.
Where'er you turn, a noise assails
Brushes, brooms and mops,
Besides a host of pans and pails,
For various stinking slops.
�5
Then there's rubbing, scrubbing, tearing, swearing, echoing every way;—
Of all the days throughout the week, the worst is
Saturday.
Hark, is that dread thunder near ?
Or noisy drum and fife ?
Oh no, the music that I hear
Is charwoman and wife;
Both laughing, scolding, talking, singing,
'Gad, there's such a din.
That all Babel's workmen ringing,
Conquer'd must give in—
To their rubbing, scrubbing, tearing, swearing, echoing
every way,—
Of all the days within the week, the worst is Saturday.
In apron blue, now comes your belle,
And gown well stored with holes ;
For colour, it might passing well
Claim kindred with the coals.
Then she says, ' You know, my dear,
Some make their husbands rue,
By taking their good clothes to wear,
When any thing will do,
For their scrubbing, rubbing, tearing, wearing/ O, curse
them all, I say,—
Of all the days throughout the week, the worst is Saturday.
Begrimed with dust, with dirt and grease,
She now sits down to dine;
�6
At banyan day, of bread and cheese
You must not now repine;
Your goods and chattels now displaced,
All in confusion stand;
Some are broke, and some defac'd,
By each destructive hand,
With their rubbing, scrubbing tearing, swearing, sounding every way,—
Of all the days that's in the week, the worst is Saturday.
At length, thank Fate, the warfare's o'er,
But now, the peevish trump
Insists that all across the floor
We must hop, skip and jump,
For fear that milk-white boards should soil,
Or furniture bewray,
Oh, wo to him that dares to spoil
The work of Saturday;
After rubbing, scrubbing, tearing, swearing, all their
time away,—
Of all the days that make the week, the worst is Saturday.
Then to avoid a din and noise,
For rational delight,
We haste to join some jolly boys,
On Saturday at night;
Then we're met—a jovial set,
We drive dull care away;
In harmony we soon forget
The woes of Saturday.
�7
And their rubbing, scrubbing, tearing, swearing, all the
live-long day;
But the night of mirth will soon requite the woes or
Saturday.
M A G G I E LAUDER.
Wha wadna be in love
Wi* bonnie Maggie Lauder ?
A piper met her gaun to Fife,
And spier'd what was't they ca'd her ?
Right scornfully she answer'd him,
Begone, you hallanshaker;
Jog on your gate, you bladderskate,
My name is Maggie Lauder.
Maggie, quoth he, and by my bags,
I'm fidging fain to see thee,
Sit down by me, my bonny bird,
In troth I winna steer thee:
For I'm a piper to my trade,
My name is Rob the Ranter,
The lasses loup like they were daft,
When I blaw up my chanter.
Piper, quoth Meg, hae you your bags
Or is your drone in order ?
If ye be Rab, I've heard of you,
Live you upon the border ?
�8
The lasses a' bailh far and near
Hae heai d of Rob the Ranter,
I'll shake my foot wi' right good will,
Gif you'll blaw up your chanter.
Then to his bags he flew with speed,
About the drone he twisted,
Meg up and walloped o'er the green,
For brawly could she frisk it.
Weel done, quoth he : play up, quoth she;
Weel bobb'd, quoth Rob the Ranter,
'Tis worth my while to play indeed,
When I hae sic a dancer.
Weel hae you play'd your part, quoth Meg,
Your cheeks are like the crimson;
There's nane in Scotland plays sae weel,
Since we lost Habby Simson.
I've lived in Fife baith maid and wife,
These ten years and a quarter;
Gin you should come to Anster Fair,
Spier ye for Maggy Lauder.
For a' the talk and loud reports
That ever ga'ed against her,
Meg proves a true and carefu' wife,
As ever was in Anster.
An' since the marriage knot was tied,
Rob swears he couldna want her,
For he loes Maggie as his life,
An' Meg loes Rob the Ranter.
�
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Bit Depth
8
Channels
3
Height
3072
Width
1891
Document
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Four Songs. Cherry-Cheeked Patty. Judy O'Flannikin. No Peace about the house. Maggie Lauder.
Identifier
An unambiguous reference to the resource within a given context
<a href="https://ocul-gue.primo.exlibrisgroup.com/permalink/01OCUL_GUE/mrqn4e/alma9934228183505154">s0585b31</a>
Alternative Title
An alternative name for the resource. The distinction between titles and alternative titles is application-specific.
Cherry-Cheeked Patty.
Judy O'Flannikin.
No Peace about the house.
Maggie Lauder.
Date
A point or period of time associated with an event in the lifecycle of the resource
[1840-1850?] per National Library of Scotland
Extent
The size or duration of the resource.
8 pages
15 cm
Description
An account of the resource
68 printed at the bottom of the title-page.
Subject
The topic of the resource
Ballads and songs
Wit and Humor
Chapbooks - Scotland - Glasgow
Contributor
An entity responsible for making contributions to the resource
Archival and Special Collections, University of Guelph Library, Guelph, Ontario, Canada
Is Referenced By
A related resource that references, cites, or otherwise points to the described resource.
<a title="National Library of Scotland" href="http://www.nls.uk/">National Library of Scotland </a>
<a title="University of Glasgow Union Catalogue of Scottish Chapbooks" href="http://special.lib.gla.ac.uk/chapbooks/search/">University of Glasgow Union Catalogue of Scottish Chapbooks </a>
Rights
Information about rights held in and over the resource
In the public domain; For high quality reproductions, contact Archival & Special Collections, University of Guelph. libaspc@uoguelph.ca, 519-824-4120, Ext. 53413
Language
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English
Format
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JPEGs and PDF derived from master file, which was scanned from the original book in 24-bit color at 600 dpi in TIFF format using an Epson Expression 10000XL scanner.
Publisher
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Glasgow: Printed for the Booksellers
Source
A related resource from which the described resource is derived
Archival & Special Collections, University of Guelph Library, Guelph, Ontario
# of Woodcuts: 1
Bib Context: title-page
Chapbook Date: 1841-1850
Chapbook Genre: ballads & songs
Chapbook Genre: wit & humor
Chapbook Publisher - Glasgow: Printed for the Booksellers
Fashion (Clothing): belted plaid
Fashion (Clothing): feather bonnet
Fashion (Clothing): Highland attire
Fashion (Clothing): kilt
Fashion (Clothing): sporran
Furniture: stool(s)
Musical Instruments: bagpipe(s)
-
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PDF Text
Text
A COLLECTION OF
S O N G S , &c.
No.
CONTAINING
CHARLIE
COME T E L L
IS M Y
ME
IS
DOWN
WHERE
MAY
WAKEN,
HOPE
IN A
VALLEY.
WV
LORDS AND
FLOWERS.
LADIES.
FLATTERING
O JEANIE, THERE'S
FEAR
PRINTED
MAID
MONRO.
COMES IN
TOLD A
THE
FOUND.
DOCTOR
ROSY
II
DARLING.
TALE.
NAETHING
YE.
TO
�U'r
%
J
•
Charlie is My Darling.
Charlie is my darling, my darling, mv darling,
Oh ! Charlie,-is- my darling, the young Chevalier;
' I w a s on a Monday morning right early in the
year,
W h e n Charlie came to our town* the y o u n g
Chevalier.
A s he came riding up the street, the pipes played
loud and clear;
A n d a' the Folk came running out, to meet the
Chevalier.
Oh ! Charlie is my darling, my darling, my darlings
Oh ! Charlie is my darling, the young Chevalier.
Wi* Highland bonnets on their heads,
A n d claymore's bright arid clear ;
They came to fight for Scotland's right
Aiid the young Chevalier.
They've left their bonny Highland hills,
Their wives and bairnies dear ;
T o draw the sword for Scotland's L o r d ,
T h e young Chevalier.
Qh ! Charlie is my darling, &c.
Come tell me where the Maid is Found.
Come, tell me where the maid i§ found,
Whose heart can love without deceit,
A n d I will range the world around,
T o srgh one moment at her feet.
�3
O b ! teil me w^ere's her sainted home,
W h a t air receives her blessed sigh ;
A pij.grimage of years I'll rqam,
T o catch one sparkle of her eye.
And if her cheek be rosy bright,
W h i l e truth within her bosom lies,
I'll gaze upon her morn and night,
Till my heart leave me through my eyes.
Show me on earth a tiling so rare,
I'll own ail miracles are true ;
T o make one maid sincere and fair,
Oh ! 'tis the utmost heaven can do.
Down in a Valley.
Don't von remember a poor peasant's daughter,
In mat. russet gown, and apron so blue,
W h o won the affections of many that sought her,
Down in a valley where sweet violets grew.
T h e bluish on her cheek was modesty dawning*
Her lips were untainted the rose's sweet hue,
Unclouded by sorrow, she pass'd night and morning,
D o w n in a valley where sweet violets grew.
T h e soft matchless beauties dame nature had given,
W e r e pure as the crystalline drop of the dew,
Which painted sweet innocence mild as the heav'n,
D o w n in a valley where sweet violets grew.
But ah ! hapless sorrow, soon frost-nipt her beauty,
She droop'd as a blossom when robb'd of its hue,
i;>r love forc'd to yield to filial duty,
D@wn in a valley where sweet violets grew,
i
�4
Doctor Monro,
* Dear Doctor, be clever, and fling off your beaver,
Come, bleed me, and blister me, do not be slow ;
I ' m sick, I'm exhausted, my schemes they are
blasted,
A n d all driven heels-o'er-head, Doctor Monro.'
* Be patient, dear fellow, you foster your fever ;
Fray, what's the misfortune that bothers you *o ?'
4 O, doctor! I ' m ruined ! I'm ruined for ever !
M y lass has forsaken me, Doctor Monro.
* I meant to have married, and tasted the pleasures,
T h e sweets, the enjoyments, In wedlock that flow;
But she's ta'en another, and broken my measures,
And fairly con fou nd ed me, Doctor Monro.*
* r f l bleed and 1 11 blister you, over and over ;
I'll master your malady ere that I g o ;
j
But raise up your head from below the bed-cover,
A n d give some attention to D o c t o r Monro,
j
If Christy had wed you, she would have misled
you,
And laughed at your lore with some handsome
young beau ;
j
H e r conduct will prove i t ; but how would yon
love i t ? '
4 1 soon would have lamed her, dear Doctgi
Monro. 1
- Each year brings a pretty young son or a dauglij
ter;
Perhaps you're th« father, but bow shall yott
know?
4
�5
•
You
hug them—her gallant is bursting with
laughter!—
* That thodghtY like to murder me, D o c t o r
Monro.'
* T h e boys cost you many a penny and shilling;;
You breed them with pleasure, with trouble and
wo:
But one turns a rake, and,another a villain.''—
4 M y heart could n o t bear it, dear Doctor M o n r o /
6 T h e lasses are comely, and dear to your b o s o m ;
But virtue and beauty has many a foe !
O, think what may happen; just nipt in their
blossom f —
* A h , merciful Heaven ! cease, D o c t o r Monro.
•Dear Doctor, I'll thank you to hand me my
breeches ;
F m better -9 1 1 drink with you ere that you g o ;
1
r i l never more sicken for women or riches,
But love my relations and Doctor Monro.
I plainly perceive, were 1 wedded to Christy,
My peace and my pleasures I needs must fore-go/
H e still lives a bachelor; drinks when he's thirsty ;
And sings like a lark, and loves Doctor Monro.
Now Rosy May comes in w.i Flowers.
N o w rosy M a y conies in \\i ilow'rs*
T o deck her gay green spreading bovvVs,
A n d now comes in my happy hours;
T o wander wi' my -Davie.
�a
T h e crystal waters round us fa',
T h e merry birds are lovers ay
T h e scented breezes round us hlaw, „
A-wandering wi' my Davie.
Meet me on the warlock knowe,
Dairitie Davie, Daintie Davie ;
There Fl! spend the day wi1 you,
M y ain dear Daintie Davie*
W h e n purple morning starts the hare,
T o steal upon her early fare,
Then thro** the dews I will repair,
T o meet my faithfu' Davie.
W h e n day, expiring in the west,
T h e curtain draws o' Nature's rest,
I flee'to his arms I IdVbe^t,
A n d that's my ain dear Davie.
Meet me on, &c.
Waken, Lords and Ladies Gay.
W a k e n , lords and ladies gay,
On the mountains dawns the d a y ;
All the jolly chase is here,
W i t h hawk, and horse, and hiniting spear,
Hounds are in their couples yelling.
Hawks are whistling horns are knelling ;
Merrily, merrily, mingle they,
W a k e n , lords and ladies gay.
W a k e n , lords and ladies gay,
T h e mist has left the mountain gray ;
Spring lets in the dawn are streaming.
Diamonds in the break are gleaming;
�J
And foresters have bwsy been
T o trace the buck in thicket green :
Now we come to chant our hay,
Waken, lords and ladies gay.
W a k e n , lords and ladies gay,
T o the green wood haste away ;
W e can show you where he lies,
Fleet of foot and tall of size :
W e can show thfc marks hie made
W h e n "gainst" the oak his antlers frayed;
Y o u shall see him brought to bay,
Waken,' lords and ladies gay.
Louder, louder chant the lay,
W a k e n , lords and ladies gay ;
Tell them, youth, with mirth and glee,
Eun a coursevas well as we :
T i m e , stern huntsman ! who can balk,
Staunch as hound and ileet as hawk ;
Think of this and rise with day,
Gentle lords and ladies gay,
Hope told a flattering Tale.
H o p e told a flattering tale,
That j o y would soon return,
A h ! nought my sighs avail,
For L o v e is doomed to mourn.
Ah ! where's the flatt'rer gone ?
From me for ever flown,
T h e happy dream of love is o'er,
Life, alas ! can charm no more,
�0 Jennie, there s Naething to Fear F<
O!
mv ladies our j o y s to complete again,
M^et me agaiii'm the gloamin' niv dearie : ;
L o w down i1 the dell let us meet again,
O ! Jennie, there's naething to [ear ye :
Come when the wee bat flits silent an "eerie;
C o m e when the pale face o' nature iooks weary.
Love he thy sure defence.
Beauty an* innocence
O ! Jeanie, there's naething to fear y e .
Sweetly blaws the haw an' the rowan-tree.
Wild roses speck our thieket so breerie :
Still, still will our bed in the greenwood b e —
O ! J eanie there's naething to fear ye :
Note when the blackbird o' singing grows weary,
List when the beetle bee's bugle comes near ye :
Then come with fairy haste,
Light foot an' beating breast—
O ! Jeanie, there's naething to fear ye.
Far, far will the bogle an' brownie be ;
Beauty and truth they darena come near it.
Kind love is the tie of our unity ;
A' maun love it, an' a* maun revere it.
L o v e maks the song o' the woodland sae cheerie,
L o v e gars aVNature look bonnie that's near y e ;
L o v e maks the rose sae sweet,
Cowslip an' violet—
O ! Jeanie, there's naething to fear ye.
�
https://scottishchapbooks.lib.uoguelph.ca/files/original/36848cdf6df1b7afe04a8c65d5918bbc.jpg
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Title
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A Collection of Songs, &c. No. II Containing Charlie is my Darling. Come Tell Me Where The Maid Is Found. Down in a Valley. Doctor Monro. Rosy May Comes In Wi' Flowers. Waken, Lords and Ladies. Hope Told a Flattering Tale. O Jeanie, There's Naething to Fear Ye.
Identifier
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<a href="https://ocul-gue.primo.exlibrisgroup.com/permalink/01OCUL_GUE/mrqn4e/alma9953133903505154">s0499b13</a>
Alternative Title
An alternative name for the resource. The distinction between titles and alternative titles is application-specific.
Charlie is my Darling.
Come Tell Me Where The Maid Is Found.
Down in a Valley.
Doctor Monro.
Rosy May Comes In Wi' Flowers.
Waken, Lords and Ladies.
Hope Told a Flattering Tale.
O Jeanie, There's Naething to Fear Ye.
Date
A point or period of time associated with an event in the lifecycle of the resource
[1815-1825?] per University of Glasgow Union Catalogue of Scottish Chapbooks
Extent
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8 pages
Is Part Of
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Chapbook #3 in a bound collection of 40 chapbooks
Subject
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Chapbooks - Scotland - Edinburgh
Contributor
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Archival and Special Collections, University of Guelph Library, Guelph, Ontario, Canada
Is Referenced By
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<a title="University of Glasgow Union Catalogue of Scottish Chapbooks" href="http://special.lib.gla.ac.uk/chapbooks/search/">University of Glasgow Union Catalogue of Scottish Chapbooks</a>
Rights
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In the public domain; For high quality reproductions, contact Archival & Special Collections, University of Guelph. libaspc@uoguelph.ca, 519-824-4120, Ext. 53413
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JPEGs and PDF derived from master file, which was scanned from the original book in 24-bit color at 600 dpi in TIFF format using an Epson Expression 10000XL scanner.
Publisher
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Edinburgh: Printed for the Bookseller
Source
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Archival & Special Collections, University of Guelph Library, Guelph, Ontario
Type
The nature or genre of the resource
ballads & songs
# of Woodcuts: 1
Activity: dueling/fighting
Activity: horse back riding
Animal: horse(s)
Architecture: house
Bib Context: title-page
Chapbook Date: 1811-1820
Chapbook Date: 1821-1830
Chapbook Genre: ballads & songs
Chapbook Publisher - Edinburgh: Printed for the Booksellers
Fashion (Clothing): belted plaid
Fashion (Clothing): bonnet
Fashion (Clothing): feather bonnet
Fashion (Clothing): Highland attire
Fashion (Clothing): kilt
Fashion (Clothing): military
Fashion (Clothing): sporran
Gender: man/men
Gender: woman/women
Occupation: soldier
Outdoor Scene
Transportation: horse(s)
Weapon: shield(s)
Weapon: sword(s)
-
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Title
A name given to the resource
Woodcut on title-page portraying man with sword and shield standing in outdoor scene; house and trees in the background
https://scottishchapbooks.lib.uoguelph.ca/files/original/dc213f9208bada6271c93ebb6879f338.pdf
eb97f2fc02c317afbb88e4dae4758c38
PDF Text
Text
�GILL MORICE.
G I L L MORICE w a s an E a r l ' s son,
His name it waxed wide;
It was nae for his great riches,
Nor yet his meikie pride.
His face was fair, lang was his hair,
In the wild woods he staid,
But his fame was by a fair lady.
That liv'd on Carron side.—Where will I get a bonny boy,
That will win hose and shoon,
That will gae to Lord Barnard's
And bid his lady come!
Ye maun rin this errand, VViIIie>
And maun rin wi' pride,
When other boys gae on their
On horseback ye shall ride."
" O no ! O no I my master dear \
I dare not for my life,
I'll no gae to the bauld Baron's
For to tryst forth his wife."
" My bird Willie, my boy Willie,
My dear Willie/' he said,
" How can you strive against the stream,
For I shall be obey'd."
" But, oh, my master d e a r ! " he cried,
" In green wood yeVe your lane ;
Gi'e o'er sic thoughts, I would ye red,
For fear y e sbouM be ta'en."
�8
" Haste, haste, I say, gae to die
A nd bid her come here Hvf speed;
If ye refuse my high command
I'll gar thy body bleed.
Gae, bid her take this gay mantle,
T i s sl gowd but the hern;
Bid her come to the' gGod'green wood,
And bring nane but her lane?
And there it is, a silken sark,
Her ain hand sew'd the sleeve,
And bid her come to Gill Morice,
Speir nae bauld Baron's leave."
" Yes, I will gae your black errand,
Though it be to my cost;
Sin ye by me wiM nae be warnd,
In it ye shall find frost.
The Baron he's a man of might,
He ne'er could bide a taunt,
As ye shall see before it's night,
How sma' ye ha'e to vaunt*
Now, sin I maun your errand rib,
Sair, sair against my wilt*
I*se make a vow, and keep-k true,
It shall be done for ill *
And when he came to broken brig,
He bent his bow and swam ;
And when he came m grasa growing,
Set down his feet andr#n i
And when he came to B^rtitff'cPs: ha',
Wou'd neither chap nor dtf'i
® u t sethis bent boW to his btfeafefc, o.t s'
And lightly lap the wa\
.^JO ;
�4
H e would tell nae man bis errant!/
<BH "
Though twa stood at the gate,
; bid ha h
But straight into the ha* he came,
; of 97 \i
Whar grit felks fat at tneat;> vfxxl U i m H i
" Hail ! hail! my gentle sire and dame, !;k!
My message winna wait;
Dame, ye maun^o ttegi?ee*i wood gang
3d Lilt
Before that it be Jate 9 , i jud cnm-imhd ha A
Ye're bidden take thi^gay mMtle.,
} -mh ho A
It's a' goud but the hem ;
. f
• *!
Ye maun go to thej gof>4 grfejen wood^ ; 1 bid bo A
E'en by your
> bfrmd e m ibqB
There it is, a silken sark> : •
In•;.* 1
Your ain hand sew'd- the sleeve;
;
Ye maun come speak to Gill Morfce?
lvc
Speir nae bauld Baron's; leave,"; ! Ifon* > / it ?•!
The lady stamped wi' her foot,
;u
And winked wi' her eye ; 1 ; '
- i ->i 3
But a that she could or say do,
; (b
aA
Forbidden he wadm be.
? f r v/oH h
u
It's surely to my bow r woman,
.
It ne'er cou'd be to me."
" I brought to Lord-Barnard's lady,
1
I trow that ye be she."
Then up and spake ithe wylie nurse?
(The bairn upon her knee,) ,
i n
|
4
If it be come from Gill Morice,
- /
T i s dear welcome tp me,"
" Ye lied, ye lied, ye filthy nurse,
IA
Sae loud's I hear yQu lie;
I brought it to Lord Barnard's Lady,
J;JH
I trow ye be not she."
�5
Then up and spoke the baiild BaronV eUi>l
';
An angry man was lie,
r £ no
*'
r
He's ta'en the table wr life foot, , ?
In flinders gart a'flee/
" Gae bring a robe of yon Cleidihg',
That hangs upon the pin,
"
And I'll gaet^the^^oid^grejBnHvdcid^''
And speak with ycTur iSrW&rti'*
I hisi bah
" 0 bide at hame, now Lord Barnard,
?
I warn ye bide at
foanie/
>
r ^
Ne'er wyte a man for violence,
- ::><)<U
That ne'er wyte ye 'wi' nane.'^
-•
Gill Morice sits in good green wood,
He whistled and h e - j j s r f a h> > •!
;
" 0 what mean ?aVtli<:*se Folk^fcfoiflgPMy mother tarries lang."
And when he came to gWd green wood,
•
Wi' meikle dull and carkj ^ dmul h ^bl ' h
It's there he saw brave Gill Morke,
Kaming his yellow hair.
"
wonder, nae winder Gill Morice,
My lady lo'ed you weelj'
• ' 0f
A he fairest part ^f my body
hl-uoy
Is blacker than thy h e e l ; :
Yet ne'ertheless, now, Gill Morice,
For a' thy great beauty,
Ye
s rue the day that ye was bofn,
That head shall gae with me."
1
he has drawn bis trusty brand,
And slait it on the straw,
^ m\
W.
„ through Gill MorieeV fair body,
> ; i
" e s gard cauld iron gae.
diLi
' >
�6
And he has ta'en Gill Morice s head
And set it on a spear;
The meanest man in a* life traio^
Has got the head to bear.
Add he has ta'en Gill Moriee up,
Laid him across his steed,
And brought him to his painted bower,
And laid him on a bed.
The lady sat on castle wa',
Beheld baith dale and dowh,
And there she saw Gill Moriee's head
Ccme trailing to the town.
" Far mair I lo e that bloody head,
Bur, and that bloody hair,
Than Lord Barnard and a' his; lands*
As they lie here and there."
And she has ta'en Gill Moriee?
And kiss'd baith mouth and chin;
" I once was as fa* of Gill Morice,
As hip is o' the stane.
I got thee in my father's house,
Wi' muckle grief and shame.
And brought thee up in grefea wood,
Under the heavy rain,
Oft have I by thy cradle sat,
And soundly seen thee sleep,
But now I'll go about thy grave.
The sa't tears for to weep."
And first she kiss?d his bloody cheek,
And syne his bloody chin ;
" Better I lo'e my Gill Moriee*
Than a' my kith and kfe I
�7
" Away, away, ye ill woman !
An ill death may you die,
Gin I had kenn'd he'd been your son,
He'd ne'er been slain by me."
" Upbraid me not, Lord Barnard,
Upbraid me not for shame !
Wi' that same spear, oh pierce my heart!
And put me out of pain ;
Since naething but Gill Morice's head
Thy jealous rage could quell,
Let that same hand now take her life,
That ne'er to thee did ill.
To me nae after days nor nights,
Will e'er be saft or kind;
I'll fill the air with heavy sighs,
And greet till I am blind."
" Enough of blood by me's been spilt,
Seek not your death from m e ;
I rather it had been my sell,
Than either him or thee.
With wae so wae I hear your 'plaint,
Sair, sair I rue the deed,
That e'er this cursed hand cif mine
Did gar his body bleed.
Dry up y 0 U r tears, my winsome dame,
r Ye ne'er can heal the wound
You see this head upon my spear,
His heart's blood on the ground.
J curse the hand that did the deed,
The heart that thought the ill,
The feet that bore me wi' sick speed,
The comely youth to kill:
�8
Til aye lament for Gill Morice,
As gin he were my ain ;
I'll ne'er forget .the dreary day
On which the youth was slain !" i s
Highland
Mary.
I hn I
Bfi 6:
YE banis and braes, and streams around
The Castle o'Montgomery,
Green be your woods, and fair your flowYs;
Your waters never drumlie.
:r* ;
There simmer first unfaulds her robes,
\l: •
Aud there they langest- tarry :
:it HB
For there I took my last fareweel
Of my dear Highland Mary.
imri\ niV/jb <u><y; ; ;
O pale, pale now, those rosy lips,
I aft ha'e kiss'd sae fondly !
' >
' And clos'd for aye the sparkling glance
That dwelt on me sae kindly!
And mouldring now in silent dust,
The heart that lo'ed iue dearly !
But stili within my bosom's core
Shall live my Highland Mary.
FINIS.
rfT
J
�
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Title
A name given to the resource
Woodcut 010: Title-page illustration in single ruled rectangular border of a Highland soldier with sword and shield standing in outdoor scene with a house and trees in the background.
Document
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Dublin Core
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Title
A name given to the resource
The Tragical History of Gill Morice, an Ancient Ballad. To which is added, Highland Mary.
Identifier
An unambiguous reference to the resource within a given context
<a href="https://ocul-gue.primo.exlibrisgroup.com/permalink/01OCUL_GUE/mrqn4e/alma9953134473505154">s0100b01</a>
Alternative Title
An alternative name for the resource. The distinction between titles and alternative titles is application-specific.
Highland Mary
Date
A point or period of time associated with an event in the lifecycle of the resource
1840-1850 per University of Glasgow Union Catalogue of Scottish Chapbooks
Extent
The size or duration of the resource.
8 pages
Is Part Of
A related resource in which the described resource is physically or logically included.
Chapbook #17 in a bound collection of 77 chapbooks
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Montgomery, Wales
Subject
The topic of the resource
Chapbooks - Scotland - Falkirk
Highlands
Is Referenced By
A related resource that references, cites, or otherwise points to the described resource.
University of Glasgow Union Catalogue of Scottish Chapbooks <a title="University of Glasgow Union Catalogue of Scottish Chapbooks" href="http://special.lib.gla.ac.uk/chapbooks/search/" target="_blank" rel="noopener">http://special.lib.gla.ac.uk/chapbooks/search/</a>
Contributor
An entity responsible for making contributions to the resource
Archival and Special Collections, University of Guelph Library, Guelph, Ontario, Canada
Format
The file format, physical medium, or dimensions of the resource
JPEGs and PDF derived from master file, which was scanned from the original book in 24-bit color at 600 dpi in TIFF format using an Epson Expression 10000XL scanner.
Rights
Information about rights held in and over the resource
In the public domain; For higher quality reproductions, contact Archival & Special Collections, University of Guelph. libaspc@uoguelph.ca 519-824-4120, Ext. 53413
Publisher
An entity responsible for making the resource available
Falkirk: Printed for the Booksellers
Source
A related resource from which the described resource is derived
Archival & Special Collections, University of Guelph Library, Guelph, Ontario
Type
The nature or genre of the resource
ballads & songs
# of Woodcuts: 1
Architecture: house
Bib Context: title-page
Chapbook Date: 1841-1850
Chapbook Genre: ballads & songs
Chapbook Publisher - Falkirk: Printed for the Booksellers
Fashion (Clothing): belted plaid
Fashion (Clothing): bonnet (military)
Fashion (Clothing): Highland attire
Fashion (Clothing): kilt
Fashion (Clothing): military
Gender: man/men
Nature: hill(s)
Nature: tree(s)
Occupation: soldier
Outdoor Scene
Weapons: shield(s)
Weapons: sword(s)
-
https://scottishchapbooks.lib.uoguelph.ca/files/original/d230c8bfacbde805faecbf051be88443.pdf
3c02af07f01a676af2ed65f4eec826a2
PDF Text
Text
T H E
Battle of Rosline
FOUGHT ON T H E
Plains o fRosline,1303
TO WHICH
aRE
ADDED,
Jack
in
his
Element;
VIRTUE and WIT, the Preservatives
of LOVE and BEAUTY.
T H E L O V E R ' S SUMMONS.
G L A S G O W ,
Printed by J. & M. Robertson, Saltmarket, 1803.
�( 2 )
The famous Battle of Rosline, fought on the
plains of Rosline, Anno Dom. 1303,
aboutfivemilessouthof Edinburgh where
10,000 Scots, led by Sir John Cummin,
and Sir Simon Frazer, defeat in three
battles,
in one day, 30,000 of their enem
L
E A V E off your tittle tattle,
And I'll tell you of a battle,
Where claymore and targe did rattle,
At Rosline on the Lee.
T e n thousand Scottish laddies,
Drest in their tartan plaidies,
W i t h blue bonnets and cockadies,
A pleasant sight to see.
Commanded by Sir Simon Frazer,
W h o was as bold as Caesar,
Great Alexander never
Could exceed that Hero bold.
A n d by brave Sir John Cummin,
W h e n he saw the foes a coming,
Set the bag-pipes a bumming,
Stand firm my hearts of gold.
Ten thousand English advancing,
See how their arms are glancing,
We'll
A t Rosline on the Lee.
set
them all a
dancing,
�( 3 )
Like furies our brave Highlandmen,
Most boldly they engaged them,
On field they durst no londer s t a n d ,
They soon began to flee.
They rusht into the battle,
Made sword and targe to rattle,
Which made their foes to startle,
They fell dead on the ground.
Our army gave a loud huzza,
Our Highland lads have won the day,
On field they durst no longer stay,
See how the cowards run.
This battle was no sooner over,
Than ten thousand of the other,
Came marching in good order,
Most boldly for to fight.
Their colours were displaying,
Their horse foaming and braying,
Their generals are faying.
We'll soon put them to flight.
But our bowmen gave a volley,
Made them repent their folly,
They soon turn'd melancholy,
And stagger'd to and fro.
Our spearmen then engaged,
Their rage they soon asswaged,
Like lions our Heroes raged,
Dealt death at every blow.
For one hour and a quarter,
There was a bloody slaughter,
�(
4
)
Till the enemies cry'd quarter,
Andinconfusionflee.
Our general says don't pursue.
Ten thousand more are come in view,
T a k e courage lads, our hearts are true,
And beat your enemies.
Then thinking for to cross us.
T h e y rallying all their forces,
Both of foot and horses,
To make the last attempt
T h e Scots cry'd out with brav'ry,
W e disdain their English knav'ry,
W e ' l l ne'er be brought in s l a v ' r y ,
' T i l l our laft blood is spent.
W i t h fresh courage they did engage,
And manfully made for the charge,
With their broad swords and their targe,
Most boldly then they stood.
T h e third battle it was very fore,
Thousands lay reeking in their gore,
T h e like was never done before,
The fields did swim with blood.
T h e English could no longer stay,
In great confusion fled away,
A n d sore they do lament the day,
That they came there to fight.
Cummin cry'd, Chace them, do not spare,
Quick as
hound does chase the hare,
A n d many one fa'en prisoner,
That day upon the flight.
�(
5 )
T h e Douglas, Campbells and the Hay,
And Gordons from the water Spey,
So boldly as they fought that day,
With the brave Montgomerie.
T h e Kers and Murrays of renown,
T h e Keiths, B0yds and Hamilton,
They brought their foes down to the groun',
And fought with braverie,
Sound, sound the music, sound it,
Let hills and dales rebound it,
Fill up the glass and round we't,
In
If Scotsmen were always true
W e ' d make our enemies to rue ;
But alas! We're not all true blue,
A s we were in days of old.
J
ACK
IN His
E L E M E N T .
B
O L D Jack the Sailor, here I come,
pray how do you like my nib,
My trowsers wide, and trampers rum,
my nab and flowing jib ;
I sail the seas from end to end,
and lead a roving life,
A t every mess we find a friend,
at every port a wife.
I have heard them talk of constancy,
of g r i d and such like fun,
�( 6 )
I have constant been to ten, cry'd I,
but never griev'd for one,
T h e flowing sails we tars unbend,
to lead a roving life,
A t every mess we find a friend,
at every port a wife.
I have a spanking wife at Portsmouth gates,
a Pigmy at Goree ;
A n Orange Tawny up the Straits,
a Black at St. L u c i e :
Thus whatsoever course we bend,
we lead a jovial life,
A t every mess we find a friend,
at every port a wife.
W i l l Gaffe by Death was ta'en aback,
I came to bring the news,
Poll whimper'd sore, but what did J a c k !
why, stood in William's shoes! "
She cut, I chas'd and in the
she lov'd me as her life.
So she has got a loving friend,
and I a loving wife.
Come all you Sailors that do go
the unfortunate seas to rub,
Y o u must work, love, and fight your foes,
and drink your gen'rous bub ;
Storms that our masts in splinters tear,
can take our joyous life,
In every want we find a friend,
and every port a wife.
end
�( 7 )
V I R T U E and W I T, the Preservatives
of L O V E and B E A U T Y .
C
TUNE—KILLICRANKY.
Onfess thy love, fair blushing maid,
for since thine eye's consenting,
Thy safter thoughts are a' betray'd,
and na-says no worth tenting.
W h y aims thou to oppose thy mind,
with words thy wish denying;
Since Nature made thee to be kind,
reason
Nature and Reason's joint consent,
make love a sacred blessing,
T h e n happily that time is spent,
that's war'd on kind caressing.
Come then my Katie to my arms,
I'll be nae mair a rover ;
But find out heav'n in a' thy charms,
and prove a faithful lover.
S H E . ) What you d e s i g n , by N a t u r e ' s law?,
is fleeting inclination,
T h e n Willy- Wisp beguiles us a'
by its infatuation
When that goes out, caresses tire,
and lovers nae mair in season,
Syne weakly we blow up the fire,
with all our boasted reason.
�( 8 )
HE.) The beauties of inferior cast
maystartthisjustreflection;
But charms, like thine,mustalwayslast,
where Wit has the protecion.
Virtue and Wit, like April rays,
make Beauty rise the sweeter;
T h e langer then on thee I gaze,
my Love will grow completer.
THE L O V E R ' ' S SSU M M O N S .
R 3
UM
3.
A
R I S E thou mistress of my heart,
milirefs
and do not rae disdain :
me difciain
Come now and quickly take the part
of me your conftant swain.
constant ftvain.
T o you alone C am aaslave,
atone I am Have,
there's none on earth can ctuv,
cure,
T h e flame that in my bread I have,
have,
for you 1 do endure.
I
Come now dear nymph, and cafe the smart,
eafe
fmart,
of me your yielding swain ;
yo^r
fwain
My loyt for you now in my heart,
love
does constantly remain.
Now we in Hymen's bands will wed,
our hearts united be therefore,
In love we live without any dread,
love we live without any dread,
joys
in joys for evermore.
* ••••^^aaaaa^^
G
G L A SSG OO W,
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mm
Printed by J, & M.Robertson,Saltmarket,1803.
J.
Rcfrertfon, Saltmaj;ket, i8o>
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https://scottishchapbooks.lib.uoguelph.ca/files/original/ad9f8d2d954ef236aac88b3b0aaab65b.jpg
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Omeka Image File
The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.
Bit Depth
8
Channels
3
Height
3470
Width
2039
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Woodcut on title-page portraying man with sword and shield standing in outdoor scene; house and trees in the background
https://scottishchapbooks.lib.uoguelph.ca/files/original/fff6cae46016299256b0bafd518f9bf2.jpg
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Woodcut 010: Title-page illustration in single ruled rectangular border of a Highland soldier with sword and shield standing in outdoor scene with a house and trees in the background.
Document
A resource containing textual data. Note that facsimiles or images of texts are still of the genre text.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
The Battle of Rosline fought on the plains of Rosline, 1303 to which are added, Jack in his element. Virtue and wit, the preservatives of love and beauty. The lover's summons.
Subject
The topic of the resource
Courtship and Marriage
Courtship and Marriage
War
Wit and Humor
Chapbooks - Scotland - Glasgow
Date
A point or period of time associated with an event in the lifecycle of the resource
1803
Language
A language of the resource
English
Identifier
An unambiguous reference to the resource within a given context
<a href="https://ocul-gue.primo.exlibrisgroup.com/permalink/01OCUL_GUE/mrqn4e/alma9923267923505154">s0066Fb13</a>
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Roslin, Scotland
Alternative Title
An alternative name for the resource. The distinction between titles and alternative titles is application-specific.
Jack in his element
Virtue and wit, the preservatives of love and beauty
The lover's summons
Extent
The size or duration of the resource.
8 pages
15 cm
Abstract
A summary of the resource.
The first song is a celebration of the Battle of Rosline, which had occurred 500 years earlier. The song celebrates the bravery of the Scots who overcome 3 to 1 odds and route the English, featuring a romanticized depiction of medieval Scots fighting in tartan plaid and bonnets. The second song is the humorous portrayal of a sailor who has a wife at “every port.” The last two are love songs where young men declare their undying love to their sweethearts, with varying degrees of success.
Wikipedia entry for the Battle of Roslin (24 February 1303) <a href="http://en.wikipedia.org/wiki/Battle_of_Roslin">http://en.wikipedia.org/wiki/Battle_of_Roslin</a>
Is Referenced By
A related resource that references, cites, or otherwise points to the described resource.
University of Glasgow Union Catalogue of Scottish Chapbooks http://special.lib.gla.ac.uk/chapbooks/search/
Contributor
An entity responsible for making contributions to the resource
Archival and Special Collections, University of Guelph Library, Guelph, Ontario, Canada
Rights
Information about rights held in and over the resource
In the public domain; For high quality reproductions, contact Archival & Special Collections, University of Guelph. libaspc@uoguelph.ca, 519-824-4120, Ext. 53413
Format
The file format, physical medium, or dimensions of the resource
JPEGs and PDF derived from master file, which was scanned from the original book in 24-bit color at 600 dpi in TIFF format using an Epson Expression 10000XL scanner.
Source
A related resource from which the described resource is derived
Archival & Special Collections, University of Guelph Library, Guelph, Ontario
Publisher
An entity responsible for making the resource available
Glasgow: J. & M. Robertson
Type
The nature or genre of the resource
ballads & songs
Architecture: house
Bib Context: title-page
Chapbook Date: 1801-1810
Chapbook Genre: ballads & songs
Chapbook Genre: battles/war
Chapbook Genre: wit & humor
Chapbook Publisher - Glasgow: J. & M. Robertson
Fashion (Clothing): belted plaid
Fashion (Clothing): bonnet (military)
Fashion (Clothing): Highland attire
Fashion (Clothing): kilt
Fashion (Clothing): military
Gender: man/men
Nature: hill(s)
Nature: tree(s)
Occupation: soldier
Outdoor Scene
Weapons: shield(s)
Weapons: sword(s)
-
https://scottishchapbooks.lib.uoguelph.ca/files/original/16add301b413683ff9ff6a85515ecc0b.pdf
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Woodcut on title-page portraying man with sword and shield standing in outdoor scene; house and trees in the background
https://scottishchapbooks.lib.uoguelph.ca/files/original/a3c784bd470b30fdb724b784cd319a72.jpg
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Woodcut 010: Title-page illustration in single ruled rectangular border of a Highland soldier with sword and shield standing in outdoor scene with a house and trees in the background.
Document
A resource containing textual data. Note that facsimiles or images of texts are still of the genre text.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
John Highlandman's remarks on the city of Glasgow. To which are added, Johnny and Molly. Original of Tweedside. The ploughman lad. The braes of Yarrow.
Subject
The topic of the resource
Crime
Highlands
Chapbooks - Scotland - Glasgow
Wit and Humor
Courtship and Marriage
Date
A point or period of time associated with an event in the lifecycle of the resource
1802
Contributor
An entity responsible for making contributions to the resource
Archival and Special Collections, University of Guelph Library, Guelph, Ontario, Canada
Rights
Information about rights held in and over the resource
In the public domain; For high quality reproductions, contact Archival & Special Collections, University of Guelph. libaspc@uoguelph.ca, 519-824-4120, Ext. 53413
Language
A language of the resource
English
Identifier
An unambiguous reference to the resource within a given context
<a href="https://ocul-gue.primo.exlibrisgroup.com/permalink/01OCUL_GUE/mrqn4e/alma9923344883505154">s0024ADb77</a>
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Yarrow, Selkirkshire, Scotland
Alternative Title
An alternative name for the resource. The distinction between titles and alternative titles is application-specific.
Johnny and Molly
Original of Tweedside
The ploughman lad
The braes of Yarrow
Abstract
A summary of the resource.
Humorous song of a traveler who comes to Glasgow to see the sights, and sees many strange and amazing things. Other songs include a positive rendition of the love a young man has for his love, who is not rich, but beautiful and faithful instead, which is much better than wealth, the song declares; a song wherein a man leaves his town to wander after his love proves cold and prideful to him; a happy song about the life of a ploughman and the woman who cares for him; and a short happy love song between a young couple. Several of these songs seem to have the theme that wealth does not buy happiness, in love or life.
Extent
The size or duration of the resource.
8 pages
15 cm
Is Referenced By
A related resource that references, cites, or otherwise points to the described resource.
University of Glasgow Union Catalogue of Scottish Chapbooks http://special.lib.gla.ac.uk/chapbooks/search/
Format
The file format, physical medium, or dimensions of the resource
JPEGs and PDF derived from master file, which was scanned from the original book in 24-bit color at 600 dpi in TIFF format using an Epson Expression 10000XL scanner.
Source
A related resource from which the described resource is derived
Archival & Special Collections, University of Guelph Library, Guelph, Ontario
Publisher
An entity responsible for making the resource available
Glasgow: J. & M. Robertson
Type
The nature or genre of the resource
ballads & songs
# of Woodcuts: 1
Architecture: house
Bib Context: title-page
Chapbook Date: 1801-1810
Chapbook Genre: ballads & songs
Chapbook Genre: crime
Chapbook Genre: wit & humor
Fashion (Clothing): belted plaid
Fashion (Clothing): bonnet (military)
Fashion (Clothing): Highland attire
Fashion (Clothing): kilt
Fashion (Clothing): military
Gender: man/men
Nature: hill(s)
Nature: tree(s)
Occupation: soldier
Outdoor Scene
Weapons: shield(s)
Weapons: sword(s)