1 10 10 https://scottishchapbooks.lib.uoguelph.ca/files/original/85677bbdc7c8d98cc866bf92b176244f.pdf a047cb5082abca765a9e1f3575439efc https://scottishchapbooks.lib.uoguelph.ca/files/original/f5ed193d34d425a5857bc47a94b7bfee.jpg 7bdd08c1c6aec6662c95dd55a82d69fa Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Woodcut in double-ruled rectangular border on title-page portraying a group of 3 men wearing feathered caps and kilts (1 playing bagpipes, 1 playing drums, 1 holding a sword) standing next to a gentleman wearing a hat and holding a walking stick. https://scottishchapbooks.lib.uoguelph.ca/files/original/04b5064adf4bc90d70d5cfdf63a03032.jpg fe82cc07f62d3604c6535eec2258b60d https://scottishchapbooks.lib.uoguelph.ca/files/original/055f3ec0f4a0fe7bfae317d24f359a0c.jpg c9d8832018ae4dc4ef0c1148c7157946 https://scottishchapbooks.lib.uoguelph.ca/files/original/bf3e583b088e69fbf73b70898ae12582.jpg f0b651124818c3bf903abd418cb3d6ca https://scottishchapbooks.lib.uoguelph.ca/files/original/e28c98918db76491bb2af7a1cda2f490.jpg 067c386365197be68751e2e19d1c3c69 https://scottishchapbooks.lib.uoguelph.ca/files/original/adc7a15bac5281806843220c766c451d.jpg 0e7cfdaebbe1fd7e814f499d21e6fd29 https://scottishchapbooks.lib.uoguelph.ca/files/original/f3ba8af289efb532aa7ef88d424a9c5e.jpg e08cb19b9ddcad1b212d8747e88325b0 https://scottishchapbooks.lib.uoguelph.ca/files/original/4560ddd7254b2a1c49f18349f41ca0fa.jpg 251a74864efdfc293460987b63463ab5 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Woodcut 009: Title-page illustration in double-ruled rectangular borderof a group of 3 soldiers wearing feathered caps and kilts: two are playing a bagpipe, one is playing a drum, and one is holding a sword. They are standing in a row next to a well dressed man. who is wearing a hat and long coat. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Bold Hairy Cap. To which are added, The Crooked Rib. Bonny Bessy. What's That to You. The Sailor's Farewel. Date A point or period of time associated with an event in the lifecycle of the resource 1802 Extent The size or duration of the resource. 8 pages; 1 woodcut illustration 15 cm Identifier An unambiguous reference to the resource within a given context <a href="https://ocul-gue.primo.exlibrisgroup.com/permalink/01OCUL_GUE/mrqn4e/alma9923274233505154">s0030Bb33</a> Contributor An entity responsible for making contributions to the resource Archival and Special Collections, University of Guelph Library, Guelph, Ontario, Canada Rights Information about rights held in and over the resource In the public domain; For high quality reproductions, contact Archival & Special Collections, University of Guelph. libaspc@uoguelph.ca, 519-824-4120, Ext. 53413 Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. The Crooked Rib. Bonny Bessy. What's That to You. The Sailor's Farewel. Format The file format, physical medium, or dimensions of the resource JPEGs and PDF derived from master file, which was scanned from the original book in 24-bit color at 600 dpi in TIFF format using an Epson Expression 10000XL scanner. Publisher An entity responsible for making the resource available Glasgow: J. & M. Robertson Subject The topic of the resource Chapbooks - Scotland - Glasgow Source A related resource from which the described resource is derived Archival & Special Collections, University of Guelph Library, Guelph, Ontario Type The nature or genre of the resource ballads & songs Description An account of the resource Woodcut #09: Illustration on title-page of a group of 3 soldiers wearing feathered caps and kilts (1 playing bagpipes, 1 playing drums, 1 holding a sword) standing next to a gentleman wearing a hat and holding a walking stick. # of Woodcuts: 1 Bib Context: title-page Chapbook Date: 1801-1810 Chapbook Genre: ballads & songs Chapbook Publisher - Glasgow: J. & M. Robertson Fashion (Clothing): bonnet (military) Fashion (Clothing): coat Fashion (Clothing): feather bonnet Fashion (Clothing): Highland attire Fashion (Clothing): jacket Fashion (Clothing): kilt Fashion (Clothing): knee breeches Fashion (Clothing): military Fashion (Clothing): sporran Gender: man/men Musical Instruments: bagpipe(s) Musical Instruments: drum(s) Occupation: soldier Outdoor Scene Weapons: sword(s) https://scottishchapbooks.lib.uoguelph.ca/files/original/fc65cdb57781f3e52b881697c5efb52a.pdf 6ef3e4b5ca6068b7595891c062d03bc0 https://scottishchapbooks.lib.uoguelph.ca/files/original/07dabcd175d6297a168fd7faa38dd9b6.jpg 8c4c0e1c444076b397aa6d594ad01bac Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Woodcut in single-ruled rectangular border on title-page of a soldier with sword and shield wearing a bonnet and plaid socks. In the background are a house and trees. https://scottishchapbooks.lib.uoguelph.ca/files/original/7150491b6ebed3d45eb060e602e220ae.jpg 3e874ca96e7b2c14700b3552eefdf3a5 https://scottishchapbooks.lib.uoguelph.ca/files/original/b7c8ec8913d0856989d2498d057d36b7.jpg aeb4f52fafb3526f7d60a25bf36220fa https://scottishchapbooks.lib.uoguelph.ca/files/original/32989fac6b671a45f71f9fa81fc95dbc.jpg c052919616f56ad279bb16a9bb87ec69 https://scottishchapbooks.lib.uoguelph.ca/files/original/e5526064386cab8ec8ee252591c5d58c.jpg 04501b356650d6d0336f6f264fe449f3 https://scottishchapbooks.lib.uoguelph.ca/files/original/a0f1075ea7d640a13cb7c7a26d021261.jpg 82d3468d0ea2539f500c81585aef4f88 https://scottishchapbooks.lib.uoguelph.ca/files/original/27d6bc84ae86fdbed2eaf2c7ead8b480.jpg bd3d42acac7d3a331f065175d7a9187e https://scottishchapbooks.lib.uoguelph.ca/files/original/a29fbe798189adeeb94b6fc16d39c122.jpg 4f8b5540f8c6d7b980460618ad590a60 https://scottishchapbooks.lib.uoguelph.ca/files/original/b8e3764757a9531ad7b25cb17b473a65.jpg 011c9f403a004aa8287e9f59c7441ed4 https://scottishchapbooks.lib.uoguelph.ca/files/original/a92fe15b0712830c0374154000948d3b.jpg e5cd04e0aa1a6624935dcb69459f1350 https://scottishchapbooks.lib.uoguelph.ca/files/original/7846f497e79e3e8ad7fa246c9f5ab8f8.jpg 06e5763f115b13cce96af40f4ea698e8 https://scottishchapbooks.lib.uoguelph.ca/files/original/e4f223353a9fb24e23f0f43b06d9d4b9.jpg 15285feac591978118eb547c6af2d949 https://scottishchapbooks.lib.uoguelph.ca/files/original/0126a9448289333f40ce966aa224f54b.jpg 5b624d68329dab638951d24237797507 https://scottishchapbooks.lib.uoguelph.ca/files/original/242509a5e14dea11cce89c7c9f4d2957.jpg acfb612da37c3f14b28b6b1a8c1bf765 https://scottishchapbooks.lib.uoguelph.ca/files/original/556af69b4fd82ecefc56774a97e80688.jpg ed8af56e9c8a2a0225e038d152ae839d https://scottishchapbooks.lib.uoguelph.ca/files/original/3431b88e770acf4662353a55e803dd95.jpg 0355ab64713de6670a071b6f3d6d05f4 https://scottishchapbooks.lib.uoguelph.ca/files/original/3c3211dadb3a5b216c75b0cad51e98c9.jpg b422c43d88b8bca098ad9e52f293e4bf https://scottishchapbooks.lib.uoguelph.ca/files/original/146eb08c030de3ad3a68bb98c95e48d7.jpg fd971684068383302ca79e23b3e4875f https://scottishchapbooks.lib.uoguelph.ca/files/original/4561d946501191ded01cafb83d0b82e2.jpg 263ca939bc7687dc5bf2ebe7ec1969b8 https://scottishchapbooks.lib.uoguelph.ca/files/original/ff1568e382b4fd3b7bc22742f4e2f9fc.jpg f4cf7ee4f41fffdd162fc32d020a78ea https://scottishchapbooks.lib.uoguelph.ca/files/original/a93e21b8e4903043795a1c882d287a56.jpg db8c9e42b02450d95625121a4e57c3d0 https://scottishchapbooks.lib.uoguelph.ca/files/original/3569f47ae16890af004ce5833f038907.jpg d97561578fdc5ba78cf10ff0bd85e98e https://scottishchapbooks.lib.uoguelph.ca/files/original/d73b0c85724d4c8e8d9b993a0877a446.jpg 137cff40d6dd557e38c371282ea4a9f7 https://scottishchapbooks.lib.uoguelph.ca/files/original/44bc67a01b5c5e57bbb24aedb4b71d05.jpg 2595568b1bc29355a9d5a38f5780b4f9 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Woodcut 010: Title-page illustration in single ruled rectangular border of a Highland soldier with sword and shield standing in outdoor scene with a house and trees in the background. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource A Tale of Three Bonnets in Four Cantos Extent The size or duration of the resource. 24 pages 17 cm Identifier An unambiguous reference to the resource within a given context <a href="https://ocul-gue.primo.exlibrisgroup.com/permalink/01OCUL_GUE/mrqn4e/alma9951650233505154">s0031Ab027</a> Contributor An entity responsible for making contributions to the resource Archival and Special Collections, University of Guelph Library, Guelph, Ontario, Canada Rights Information about rights held in and over the resource In the public domain; For high quality reproductions, contact Archival & Special Collections, University of Guelph. libaspc@uoguelph.ca, 519-824-4120, Ext. 53413 Format The file format, physical medium, or dimensions of the resource JPEGs and PDF derived from master file, which was scanned from the original book in 24-bit color at 600 dpi in TIFF format using an Epson Expression 10000XL scanner. Creator An entity primarily responsible for making the resource Ramsay, Allan, 1685-1758 Publisher An entity responsible for making the resource available Glasgow: J. & M. Robertson Date A point or period of time associated with an event in the lifecycle of the resource 1787 Subject The topic of the resource Chapbooks - Scotland - Glasgow Source A related resource from which the described resource is derived Archival & Special Collections, University of Guelph Library, Guelph, Ontario Type The nature or genre of the resource poetry # of Woodcuts: 1 Architecture: house Bib Context: title-page Chapbook Date: 1781-1790 Chapbook Genre: poetry Chapbook Publisher - Glasgow: J. & M. Robertson Fashion (Clothing): belted plaid Fashion (Clothing): bonnet (military) Fashion (Clothing): Highland attire Fashion (Clothing): kilt Fashion (Clothing): military Gender: man/men Nature: hill(s) Nature: tree(s) Occupation: soldier Outdoor Scene Weapons: shield(s) Weapons: sword(s) https://scottishchapbooks.lib.uoguelph.ca/files/original/6da60147b51e2fbdb125df57c1ea85c3.jpg 56adbeaa40ee1767ee1a0535d43ec687 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 3308 Width 1950 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Woodcut on title-page portraying Group of 3 men wearing feathered caps and wearing plaid (1 playing bagpipes, 1 playing drums, 1 holding a sword) standing next to a gentleman wearing a hat and holding a walking stick https://scottishchapbooks.lib.uoguelph.ca/files/original/1d4c045c31b23bd295733198ac9159b7.pdf 88df24f3ce8dcfe89f8e8f2fc47df574 PDF Text Text r ranee T o % b c are added, v |h The PARSON'S FAT WEDDEIi T h e ' C A R E S OF A M A R R I E D T H E V I R G I N ' S LIFft Vv A L K. G L A S G- O W, E D B Y J. & M. R O B E R T S O 3, - L T M A U K E T , SSC*. �C ft ) K I N G H E N R Y V , bis Conqtieft o f F R A N C E , if | in Revenge for the Affront offered by the I F R E N C H K I N G : in f e n d i n g h i m ( i n f t e a d < of ten t O W S of G O L D , the Tribute) three T E N N I S B A L L S , 5 A • S our King lay mujing on his bed* he•-bethought Ivimfeif upon, a xmz f O f a tribute that was due from France, * fcad not; hern paid for lb long a time. Fa! lal, &c* 1 ', G.fae culled for his lovely Page, . • his lovely Page then, called he j » -Sayings Y w r a u f t go to the King in France, to the King m Fance, blr, ride (pcedty. T ^ m went sway this lovely Page, ibis lovely ' the a .away (lev he ? Whea bc ca^e to the King in Fraotfe, he "fell low down.upba his knee* I\\f IvMcr pMti yvu, v;orthj Sir, TEN TON -OF' gold thit IS dm'to he, ''That yoti would Tend turn ho^e, or in ^refcch land you . koxx thJl him fee* » Your Matter's yo; ng zm of tender years, ~ rot fit to come 'ump my degree : 1 will fend him three TENNIS-BALLS> 1 hat .with them ht may learn to play. \ �M4 . < 3 ) ; , 0 ' t h f B fmrned thi\ lovely Pager, th\6 lovely P'ige then retortt$j he. ' And'when he c&mi 10 our'gracious. King, he fell low down or, his beaded * W h a t news? what ntml my trait y Page, what is the news you've b r i g h t t4 naef I've brough i (uch news f ro m t he Kiagia France. < that he aud you -willfce'er agree* H e fays, You're o f young t o i l e r ye^rS* not fit to come' to h k ^ e g r e e i, And he WILL fend j L u t h i e e T E N N I S ^ A L L G ^ / that with them you may leani toplayc Aecftfit me Cheshire and Lsacalhire,-and Derby Wills that are fo f r e e : N o marry M man, nor widow's foe : for no widow's- curfc. fcall go with me» They recraitcd Ch^hire and L^ncalhirc, aad Derby Hills that are fo free : N o marry'd mm, nor widow's f o i l : yet there was a jovial hold company* O then he/march'd into the French land, with aad trumpets fo merrily, And then befpoke the King ra France, lo, f c aiter comes proud X i n g Heary* T h e urH: i l m that the-Frenchmen gave, they kiif'd our ^BAglifttnen fo free \ kilPd m i d e f e n d of the French, the reft o f ihcro tbey \. �( 4- ) ^ Livl^Ylitn we marched to ^ans gates, W|th drums and trmupcts fo i i m i l y , O in-err hcfpoke the Kiog in France, TS^tve mercy Lmxl^n my mea and me, O 1 will fend k m hh tribute koine* • ten tun of gold th^t .was due to he, A n d the'bed Slower that is in all France,, to the Rofe in England 1 will give f i f e , T H E P E O N ' S F a t WE'DBER.. S ) ,f A R; T i N M A S i - 'W come on, • j [ V I ard Chriftrnas Is drawing near : Asv. buve nothing in fhc houfe. ' % to ji^ke.good•:C iitiifhnas cheer., FaL&Cr The little ^ee boy h t V f t ^ d i o g . h y , - • fearing what his father did fay, lather, y e ' l i kill, the Minster's Wedder, _ and • have nnutoa withdtit delay* The PiieS ire has'a. good fat Wedder, Sis €*er fed corn or gr^fs: 1'TC gpfc'fome crumbs of bread in kif pockety PiVwyk 'the Weddfer into ihs h W e * . • W e will pi2t on- the jnelklo ktttl^" \ • and ftuks .helow't. to brake it befi; Arid we will H i the Minuter'a Wedicr,- ' and wVH feve "muno:n';\vithcat afo4toiI* •The.little wee boy 'sjccs.ta the v*ecd*\ add ay fae msrrnV-as- lie fang f ' \ M y i t & z - : t m liH'd the M i s t e r * * W e l d e r , 'N nve^tl thh to; any man. �The Minifier being ia ihe woo.i, leading hts hark agaioft an oak.: If you'llfingthr. longmthe elmreh reborrow I'll* give yea a crown bat and a new coat The morrow It being Ohri&mas iky, the Miniftix hp imlft be die re T h e people all fbckM to the chore V jiift A rfi%*d been gotog to a 1W. S The Manlier** goae to the chursh* the congregation fcr to virw ; Therc'll he a"hoy V ^ will iing foug lhat Will lie true- , The'little V/ee boy camera the' church, ^ and ay fae merrily as he I -catch'd the Prieit ift bed vfith my mother, I woiii-i not tell dm to any man. You are a liar, fays the a$ iurc's in the pulpit 1 i*ever was in bed with nor yet fo sigh as VJ Prieft I do fiancf | your mother, touch her ha\uL Then you are a liar, fays the boy, \ as fare's la the pulpit you do kneel j \ I catclicd you • in. bed with -my mother, \ ' your breeches hanging dowa to your The Miiiifter being quite a limned, . \ \V the people. a loud huzza $ . Running all mad-out. or the ciinvch, • • crying inch a Prieft wc never faw. �( 6 v * •/• But you W:\rxld ha?e hr^hl if yon knf but feeff, how the litre wee boy kept up the joke? Ruiieiag out after the mkifter* crying^ give me my crown Sir ami my new coat, The Paribn has- run quit<? opt. of, the pari(h5 left hshmd him;his c h u r c h . h p wealth; T h e bey & hh mother fed-well on the Wv*dd6i% ar every meal :h$y 'dm.uk hh health THE C M E S OF A* MLAHKiEU .Lll 7 £, ' Tk M Y gown w ^ of tae. London Mack, j L i ' t . and many a yard about; M y petticoat was a fc&xiet red, and lae'd about my f o o t : Chor. Chen mm i i maid, a maid, arid joy\fkmc to me then* Both meal and drink and rich clothing-, Fin fore i wanted mm* My ftockbgf, they were tightly wrought, made of the fiacft fiik, My (hoes v/ere of the Spanifli leather, my hur kles were of the gilt, jThen, My foork was of the white bleachM linen, as w&ite' as the driven fnaw, T h e b4k that was about my middle* was {ilk and filver a\ The Wads hang black about my neck, ar!d:many a ring therein, l i e cap ot fawn was. on my head, was.*'well worth tea f i l i n g * �T!lere cime a young man to n?y bed-fide, • tidk\l mt i f C would'wdt* " He was* fa fall of roarkfis, f agreed to 'What-be faid Cher Pbfcn i a wife, a aB'd'-loVKIW came t*> shofc* Both care and ii'rile ana n Wearied life, I W'ftite"" - t "' M y gown- it was of' the 'Mack, and Bever a y a r d about; M y peuicoat of the courfeft grky. ' . ail rags ii&trv the Then, &c t My (lockings '^ere the prim-rofe caiTd, , aH clooted roiim! about,;. My t>f Alt Sjpkjoifti I w theft, tiae/b3't6mt> of ihem-wi-re out, fheb', My frnock was of the unbkach'd hard, and many a hole therein ; - The belt that wes about ray middle, was a. goo3 toat&rea firing. Then, &e# The beads bang black about my neck, said ntver a ring therein : ' ' ' The cap cf Bwtt; was on my head, was fearce worth one' farthing. C f i O R U 3: \a;ifc, f y And -hen v/a* I a. w m f . fontnv camc io'san'then, . - Both care at?d ftriFc, ..an^d a, w a r y life*' Tm fare I . , �( T H E 8 ) V I R G I N ' S W A L K* % T O U N G Ccelia in her tender years, 1 .the rofe bur on its ftaliy Fili'd with the VirginVmodeft fears, [lepp'd /forth one cv'n to walk. She oft had heard of Love's blind Bcy ? sad Xvifh'd to find him cat, Fxpe&iiig lor to find the joy, of which fhe'd been in doubt, A plrafant fhady grove fhe fpy*d, wher trembling afpbns fivook. Clofe to it's flow'ry verge did glide, a murm'riog limpid brook. A mentor fishing there fhe founds fhe heard l|fm talk of love, . His crook lay by him on the ground, ^ while thus he prayM to jove. « Grant, mighty Pow*c l that f mjy find, fome eafe within this'bread: ; Grant ilM my Cselia bay be, ldr>d3 and make Amyator b k f u • Cram her to know the force of love, snd to her fwain's ddire, Grant but of me the may approve* a«d ^iore Flf ne'er require, ^ Giafgow, rrintecl by J; 5 M. llobeitfro, S ait market, iSosc � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Woodcut 009: Title-page illustration in double-ruled rectangular borderof a group of 3 soldiers wearing feathered caps and kilts: two are playing a bagpipe, one is playing a drum, and one is holding a sword. They are standing in a row next to a well dressed man. who is wearing a hat and long coat. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Conquest of France by King Henry Vth. To which are added, The Parson's Fat Wedder. The Cares of a Married Life. The Virgin's Walk. Date A point or period of time associated with an event in the lifecycle of the resource 1802 Identifier An unambiguous reference to the resource within a given context <a href="https://ocul-gue.primo.exlibrisgroup.com/permalink/01OCUL_GUE/mrqn4e/alma9923290913505154">s0488b26</a> Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. The Parson's Fat Wedder. The Cares of a Married Life. The Virgin's Walk. Extent The size or duration of the resource. 8 pages 15 cm Description An account of the resource Woodcut #<span>09: Illustration on title-page of a group of 3 soldiers wearing feathered caps and kilts (1 playing bagpipes, 1 playing drums, 1 holding a sword) standing next to a gentleman wearing a hat and holding a walking stick.</span> Contributor An entity responsible for making contributions to the resource Archival and Special Collections, University of Guelph Library, Guelph, Ontario, Canada Is Referenced By A related resource that references, cites, or otherwise points to the described resource. <a title="University of Glasgow Union Catalogue of Scottish Chapbooks" href="http://special.lib.gla.ac.uk/chapbooks/search/">University of Glasgow Union Catalogue of Scottish Chapbooks&nbsp;</a> <a title="National Library of Scotland" href="http://www.nls.uk/">National Library of Scotland&nbsp;</a> Rights Information about rights held in and over the resource In the public domain; For high quality reproductions, contact Archival & Special Collections, University of Guelph. libaspc@uoguelph.ca, 519-824-4120, Ext. 53413 Format The file format, physical medium, or dimensions of the resource JPEGs and PDF derived from master file, which was scanned from the original book in 24-bit color at 600 dpi in TIFF format using an Epson Expression 10000XL scanner. Publisher An entity responsible for making the resource available Glasgow: J. & M. Robertson Type The nature or genre of the resource ballads & songs Subject The topic of the resource War Courtship and Marriage Henry V, King of England, 1386-1422 Source A related resource from which the described resource is derived Archival & Special Collections, University of Guelph Library, Guelph, Ontario # of Woodcuts: 1 Bib Context: title-page Chapbook Date: 1801-1810 Chapbook Genre: ballads & songs Chapbook Publisher - Glasgow: J. & M. Robertson Fashion (Clothing): bonnet (military) Fashion (Clothing): coat Fashion (Clothing): feather bonnet Fashion (Clothing): Highland attire Fashion (Clothing): jacket Fashion (Clothing): kilt Fashion (Clothing): knee breeches Fashion (Clothing): military Fashion (Clothing): sporran Fashion (Clothing): upper class Gender: man/men Musical Instruments: bagpipe(s) Musical Instruments: drum(s) Occupation: soldier Outdoor Scene Weapons: sword(s) https://scottishchapbooks.lib.uoguelph.ca/files/original/7327135fcaab7ccfdb26bb12f7f93a68.jpg e22f63dcb776ac3bc4b7c0ac05bc79da Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 3308 Width 1939 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Illustration on title- page a woman in conversation with a man in front of building. https://scottishchapbooks.lib.uoguelph.ca/files/original/a92a47f65001bb969210847a8c80c999.pdf 54973a5ef3fc0cd6af8fde1e69f3a99d PDF Text Text T H E Buxom Dame of Reading; © R, T H E CUCKOLD S CAP TO WHICH IS ADDED, A A S U M M E R P I E C E. W I N T E R P I E C E. H a s l h e n o t D e l e e a o u g h has an Auld Man, The K I N G A N D T H E M I L L E R , A S M I L 1 N G F U L L B O W L, G L A S G O W , Printed by J. & M. Robertfcn, SaUmarket, tUot �• t ^ V ' , THE B U X O M D & h t £ OF R E A D I N G ^ E A R Reading there lived a buxom dame, The wife of a cobler, Joan was her name, -She had a fine hen of a delicate fizfc, The like you never beheld with your eyes. N ; She had a red head, grey wings, yellow k g s , Each Summer (he laid a buftiel of eggs ; And Joan la ft Summer v^oald fet her indeed, For fhe was refdlv'd to have more of her treed. And as (lie was fet ting her upon a day, A ffcepherd came to her, arsi thus he did fay ; Oh ! what are you doing ! (he anfwer'd him then, I ' m going to fet a miraculous'be a / Why than fays the fbepherd to keep the egg's warm* ^ n d that they-may profper and come to no harm i You 'natfft fet the eggs in a hrgc cuckpW's car, And then, all the chickens wiR come to good hap, I have neVr a cuckold's cap, fltephcrd. fays fhe, But rseverthelefs Twill be ruled by thee. For this very momfnlTil trudgeup and down, A n d borrow one, If there be one in the town. She went to her neighbour, and thus die did fay, Came lend me thy cuckold's cap* neighbour, I pray, I am going to fet a miraculous hen, And when I've done with it, Pil brmg.it again. The neighbour's tvife anfwer'd, & thus reply'd, Had 1 fuch a thing, y^u fliould not he denyM ; Years fourteen or fifteen I have been a wife, Jind my huihaad had rse'ct fukch 3 thing it his life. < �[ 3 J But go to my coufra that lives at the milljShe had one 1 know, may have it iilli; Tell her i fent you, ilie'll'lend it I know I thank you, faid Joan, and away (he did go* Then fir sight to the houfs oT the miller (he wentp And told her that fne by her con fin was-fept, T o borrow a thing that was ablblute Tare, A large cuckold's cap which her hufband did wean I do not deny but fuch things there may be, But why ftiould my caufin dire& you to m £ ! Thefe nineteen or twenty years I have been wed5 And my hulband had ne'er fuch a cap on his head. But go to the Quaker that lives by the $wan s If I am not mift&ken, I think fhe has one, v And tell her, fhe'il lend it I know for my fake, " Add I for the fame a great favour will take. So (lie went to the-houfe of old Yea and Nay ? And fpoke to his wife that was youthf ul and gay % Saying,I'm come for to borrow, if you will but lend A large cuckold's cap, I was fent by a friend. T h e Quaker's wife nodded, & faid with a frewtf* 1 hzvJt fuch a thing if thou'd givcrae a.crown; Bcfides, I'd not lend it, fuppofe that I had, For fe^r it &ovld make my poor hufband run mad. In town there are many young women, perhaps Are cunning and artful in making fuch caps j But what are their nature, I cannot well fay, Therefore excufe me friend Joan, I thee pray. Now Joan being tired, and weary withal, Says (he, I have no "good fortune St all ; It is the beginning, I think of all farrow, (row. TQ trudge up and down, "and of neighbours to bor? �£ 4 3 . A poor cuckold's cap, I would borrow indeed* A thing of fmall value, bur yet could not fpeed| But 28 I'm a woman, adzooks, cries young Joan* Before it be long, I'll have one of my own. A S U M M E R P I E C E . Hen the treesall their beautiful verdure renew, W and the meadows look charmingly gay, When Trailing Creation looks blooming to view, . replete with ths beauties of May. When the light-kearted fhepherd chants mufical as he pipes to his ilocks on the hiii; (ilrains, An d t h el a mbk ins d el ig b te d, fkip bl y th o'er the plain, or frifk by the murmuring rill. "When the cows round the country a gadding repair, or beneath the cool (hade (hun the heat; When the crimfon-cheekM milk-maid does kindly for her fwectheart a fyllabub treat. (prepare, When the country girls wantonly /port in the deep, fo cautious, that all muft be hufh, ¥et oft the fly ruftic procures a full peep, from the fide of a hillock or bufh. At eve when the lads and the lafies d o m e c t , in a circle to dance on the green ; What a native finQplicity void of deceit, and modefty ftampt on their mein * While the birds feem infpir'd by the fouling fererte, in muGcal melody vie ; (ftiain, And;the hares midft the corn fields they fafely re* mJkc%wre hi the green meadows lie. �[ s 3 In a fnugTural cottage furrounded with tree^ whetc murmuring rivulets glid?, My attendants be plenty, contentment and eafe* in folitude let me refute. Where grant me kind Powers in this feafon oflove ? a fond fay* one my blefk to complete, Whofe tender endearments can fadnefs remove^ and imparadife this my retreat. A W I N T E R P I E C E , Hen'the trees were all bare,not aleaf to be feen, and the meadows their beauty had l o f t : W h e n all Nature difrob'd of her mantle of green* and the rivers bound up by the frofi. W When thepeafanUnaftiveftandsihjv'ring with cold^ as the bleak winds northerly b l o w ; The innocent lambs feud away to their fold, with their fleeces all covered with fnow. In the yard where the cattle were fodder5 d withftraw* and they/end forth their breath like a ftream j And the neat looking dairy-msid fees ihe muft thaw flakes o f ice beholds on the cream« There the fweet country maiden as frefli as a rofe f {he carcltily flips and thenilides ; T t r h the ruftiq laughs loud, if by falling fee fcow3g all the charms which her modefty hides. When the lads and ik* laffes in company join, and fet round the e bers, they chat * Talk of Witches and F ries, that ride on the wind f and of Ghofts tiU they're all in a fwcau �• < 1 C 5 Whem the birds to the barn door come hearing for and they eameflly drop from theirfpray; (food, Then i he poor f righted hare in vain walks the wood, leit her foot^eps her CQD.rie'fhou'd betray* Heaven grant in tl>at feafon it may be my lot, with the maid whom I love and admire, While ice-fickles hing from the eves of my cot, . may we live therein fafely retir'd. In peace and in pieafure, and free from all care, may we live and each other admire And thus in due feafon when fjchiefs foils out, then £ach of each other .may take care. H a s (He not DOLE enough that has an A U L D MAS!, LL young damfels both handfome and pretty, Come draw near unto me,-fitdo#ri and fing, A fong of mifcarriage, concerning my marriage, And by daily dolour my hands 1 da wring. My age is fcarce twenty as plain doth appear, I married an old man of (eventy-three year, And by my mifguiding you may very well ken, What mould a young ttom-ando with an auld man! f He's fnuffing & freezing he's banning & fwearHc'S hard o* the hewing, he canna well fee*, (ing, l i e fumbles and grumbVcs3 and over he tumlJb, And what is his'fnoring, alas I unto mju? His pate it is bald, his beard it is thin, Rough is his hair, and hard is his fida : Bis breath it is ftrong, his face pate and wan, And that's the hail properties of an auld man. �t 7 I When be down Herb, he groaneth, he cneih, A s a n c -were a dying in dolour and pain ; In ilea d of love-kiiles he itches arid fejatcjVes, _ Hirnfdf he outftref^eth with groaning again, But when he Kes down at ten q9 the dock, Turns fir (I to the wall, and then to the (lock ; I then wipe the tears, now as they down rum, And fay Wo to the dayt ere I faw an auld man ! Young giglet hz ca's me, & fays he will lame me, Young gimlet he names me, & fometi-rnes a yfvore, But haud (bytongue auld.man, & fay nae mair fuch, Fain would I fay cuckold but I think as much. But I will lay by my mafic And my fan, Ancf bid wo to the day ere I (jtw an auld man! Otherwife for to crop-.Vim I will do the bed, And with his old feathers I'll build a new neft. THE K I N G ANB THE MILLER, ¥ o W, hippy a Oat'*'-: does1 the miller j^oflefs, T 1 W h o wou'd be no^reatrr, nor fears to He left. O n his mill and himf^if h * depends for fupport, Which is better tfen Jervilly cringing at court, Wh at tho* be all dufly and whit'ned do p s The more hc's bept>wd£%• M the-more Like a bean4 A clown in Ms drefa may be h'on'efler far, Than a courtier who ftiuts in his garter and ftar. Tho* his hands are fo daub'd, they're not fit C5 be The hands of his betters are not very clean ; {feen, A palm more polite may as dirtily deal, Gold ia handling wrli ftick to his fingers Like-meal. �C 1 ] What i f when a pudding for dinner he Jacks, H e Cribs without fcruple from other men's facks : In this ©f right noble example he brags, W h o borrow as freely from other mens' bags. Or (hould be endeavour to heap an eftate, In this too he ffiimicks the tools of the ftate, W h o f e aim is alone their coffers to fill, And all his concern's to bring grift to his mill. He eats when he's hungry, and drinks when heV And down when he's weary contented does ly, (dry, Then rifes up cheerful to work and to fing: If fo happy a Miller, then wh®'d be a King ! A SMILING FULL BOWL. ill you credit a Mifer, 'tis gold makes us wife r The blifs of his life, the joy of his eyes t And a(k a fond lover, where wifdom he places, , ^ o be fure in his miftrefs}her charms & her gracea* But let the free lad fpeak the joy of his foul, f f i s a fparkling Glafs, and a fmiling full Bowl. W The Mifer is wretched, unhappy and poor i B e fuffers great want in the midft of his (tore : T h e lover's difconfolate, mopilh, and fad, Forthat which when gain'd will foon make him mad, T h e Mifer's a Fool, and the Lover's an Afs> And he only's Wife, who adores the full Glafs. Let the Mifer then hug up his ill gotten Pelf, And to feed empty bags,he may ftarve his ownfelf^ Let the Lover ftill langutfh 'twixt hope & defpair, And doat on a face as inconftant as fair : But ftill may his^blifs be as great as his foul, W h o pays no devoir but to Wine and the Bowl. Printed by ]* & M. Robcrtfon, Saltrntrket, i S o a . � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Woodcut 072: Title-page illustration in a single ruled rectangular border of a woman in conversation with a man standing in front of building. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Buxom Dame of Reading; or, the Cuckold's Cap. To which is added, A Summer Piece. A Winter Piece. Has the not Dole enough has an Auld Man. The King and the Miller. A Smiling Full Bowl. Date A point or period of time associated with an event in the lifecycle of the resource 1802 Identifier An unambiguous reference to the resource within a given context <a href="https://ocul-gue.primo.exlibrisgroup.com/permalink/01OCUL_GUE/mrqn4e/alma9923277663505154">s0314b19</a> Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. The Cuckold's Cap. A Summer Piece. A Winter Piece. Has the not Dole enough has an Auld Man. The King and the Miller. A Smiling Full Bowl. Extent The size or duration of the resource. 8 pages 15 cm Description An account of the resource Woodcut #<span>72: Illustration on title-page a woman in conversation with a man in front of building.</span> Contributor An entity responsible for making contributions to the resource Archival and Special Collections, University of Guelph Library, Guelph, Ontario, Canada Is Referenced By A related resource that references, cites, or otherwise points to the described resource. <a title="University of Glasgow Union Catalogue of Scottish Chapbooks" href="http://special.lib.gla.ac.uk/chapbooks/search/">University of Glasgow Union Catalogue of Scottish Chapbooks&nbsp;</a> Rights Information about rights held in and over the resource In the public domain; For high quality reproductions, contact Archival & Special Collections, University of Guelph. libaspc@uoguelph.ca, 519-824-4120, Ext. 53413 Format The file format, physical medium, or dimensions of the resource JPEGs and PDF derived from master file, which was scanned from the original book in 24-bit color at 600 dpi in TIFF format using an Epson Expression 10000XL scanner. Publisher An entity responsible for making the resource available Glasgow: J. & M. Robertson Type The nature or genre of the resource ballads & songs Subject The topic of the resource Chapbooks - Scotland - Glasgow Courtship and Marriage Source A related resource from which the described resource is derived Archival & Special Collections, University of Guelph Library, Guelph, Ontario # of Woodcuts: 1 Archictecture: window(s) Bib Context: title-page Chapbook Date: 1801-1810 Chapbook Genre: ballads & songs Chapbook Publisher - Glasgow: J. & M. Robertson Gender: man/men Gender: woman/women Nature: tree(s) Outdoor Scene https://scottishchapbooks.lib.uoguelph.ca/files/original/fc0182ff3363365edac49bd7202f49be.jpg f92e5ee3a9737ad42825567c382fb630 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 3356 Width 2019 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Woodcut on title-page portraying Group of 3 men wearing feathered caps and wearing plaid (1 playing bagpipes, 1 playing drums, 1 holding a sword) standing next to a gentleman wearing a hat and holding a walking stick https://scottishchapbooks.lib.uoguelph.ca/files/original/39838fdd1b98404673b615a9ebab986a.pdf be5865032658cd19df55931ede843c51 PDF Text Text * # Britifli T XX ~ G r e n a d i e O L A S G O W, Printed By J. & M. Eobertfbn, Salrniatket, rScz �C a ) The BRITISH GRENADIERS. Q Q ME talk of Alexander* ^ an&fome .of Hercules*. • Of Hector aud Lyfatider^ and foch great mtn as thde Bat all tie world acknowledges* trie valour keft appears, With a tow, row, row, row* rows row, 1 brave Brhifjh Grenadiers-. Thefe ancients of &tuiquuy, ue'erfewa eanfton ball; Bfor knew the force of powder, to flay their foes with all ; But braver beys have known ir, snd baniiVd all their fears, •"With a toW> row, raw, row, row* row/ /brave Otitiftt Greoadcersi When recekf fke orders/ • tdftormtheir paliTadoes ; ^Jur leaders match wirh fuzees, : and we with hand gracado^, We toils them from the glacis, araongft our enemies cars,. 'With a tow, row, row5 row, row, rotf , brave Bririlh Grenadiers. Then Jove the God of thunder, and Mars die God ctf war 5 �( 3 ) Rough Neptune ^ t h Tridsnt* Apollo in his Car ? And all the GtfAs ceieftiaU defceociiog from their fpheres* Do behold with admiration brave BritiJh Grenadiers*: But be you Whig or Tory, or any other thing, I'd have yon dill remember, fobey Great George our King, For if yoa prove rebellious, we'll thunder in your ears, With a tow, row row, row, row, row biave J3rl£I{h Grenadiers. And when the liege js o?er, we to ^he town repairs, The Citizens cry, huzza, boys, here come the Grenadiers : Here come the Grenadiers boys without e'er dread or fe&r, With a tows row, rc^w, row, row, row brave Britilh Grenadiers. t~?ome fill us up a bumper, and let us drink to thofe, Who carry Caps and Pouches, and weae the lajced clothes, , May they and their commanders, live happy maay years, With a tow, row, row, row, row, :rm brave Brinih Grenadiers. �( 4 ) \ O the D AYS when I was f O U N G / \ Thc day? \fhzn I was young! when I fough'd -d Fortune's fpight, TaikM of love tht whole day long, and wiili Nkchr crown'd the nighty Then, it was Did Father Care, little ccckM I of thy (coxvn, Hall ilit ninlice youth coirM hear, and nt night s bumper drown,; Chpr* O the days when 1 \rv> young I f" / wheo I iaoghM at Fortune's fpightj l>!k'd of love the whole day loqgf ar.d \vkh Utlbir crpwifd die night*. Truth they fay lies in u well'; : u*hy ? \ vow 1 ne'er cou'd fee j " •Let the water-drmkers tell, ' ' , there It always hy'for me.j For when fparkiiug wine went rotrad, never faw i faJfc hood's mafic; Bdt ftili hooelt troth f fbund - In the bottom of the Balk. O the day3> &c* True, at length my vigour's fldWQf . f have years to bring decays * •• Few the locks that now f owa 5 « • and the few i have, are greys Yet bl-.hJerome'ihfcm- pT*y*(i boafti while chy fpiriis do not tire, Still htneata'thy age's; £ro:L ' x glows a fpuri ofjputhfu! fire. O'the. Sec, O �I N V A S I O N T H R U A T E N ED. " O Oufeop Briton's! raufe ! here's danger jf Frenchmen'dare iuvacje our toafh y To fight and conquer—you're no ftraogers, - fooa we'll tame their haughty boafts. Awak^i, Britoas ! Frenchmen threaten, to fuhdue oar peaceful file : T o arms'! to arms ! let them be beatea-, in front, in rear, each raok aad-file. Roafe up, Britons I roulc! here's, &'c. f .. Our King h wi% aod w^ji fapporredf \ has men and money in his haud j R k Oeaerals are'well efcorted,—— ' * \his fleets at fea bear fole commaaJ. &c. Oi^ Cavalry are (tour and healthy, our Regulars, there's none Co brare \ Our Feocibles are young void wealthy, and like the Train, none cm behave. &c« Field Marflial York* Great BHtaia's glory, where'* the mm will fit his call ? Fm fare hcJ$ neither Whig oar Tory, tq's country bt's bat a ilafcal. Ho^fe, &c. 4. wake, millions! Tork will lead you, fhoiiW Freachmen dare to oofs the main; And Britoii*s Daughters they will feed-you, **uli Frenchman be by Britons ilain. ' �( 6 ) Lords & Lairds arc on tiptoe ftanding, ready to rcpe! the foe; And Volunteers, with thofe commanding, • \ to deal to Freathmea mighty wee i ,&c. Farmers and Peafaots—alFare willing^ to fuppon both King & Country's caufe ; ; He's nothing but a cowardly Villain.' thai will not defend brave Britain's laws* Roufe up Britons! roufe! berets dangers^ • Frenchmen' dire invade our'coafU : ' To tight and conquer—you're no it/angers, foon well tame thefe haughty fc.>a(lv A NEW SEA. SONG. l y r £ hearts of oak, who; with to try fj[- johf fbrtoces on the fta, And Briton's enemies defy, come enter- here with one: Here/s fifty pounds bounty, two momhVpay, and leave to go on there! With pretty girls to kifs and play, cah British l ars zlk mt>re ? ; Our (hip is fkmt and fails Mice wind, . to chafe a hbflile foe9 To fight like Britons we're inclined, we'll let the Monfieuxs knojg; Que Captain's gen'rousj brave, and good, of grdg we'll have great ft ore, �• ( 7 ) Or prizes rich we'll fweep the flood, can Britifli Tars wifo more ? And when from driving Bourbon*s fieqj, vi&orious we arrive; . With nlufic, dance. and -jovial treaty to pitfcfe our gid,~. we'll Thrive ; Both Spanifh filver and French gold, well count m plenty e'er, Which we have won, my ihipmate^ bold, can Britiih Tars wifti more ? The KTND are YOU f t G and FAlfU T O beauty born a willing Have, a merry happf man, i flight the cymph (cannot have, and doat on thofe',1 can* Chofr this conftant m^xiarfulllhok!, to baffle ali defpair, The Iroward, ugly are and old, the kind are young and .fair. The-women would no more perplcs,' , were men refohrd and free/ Soft finiies become the charmingTex, ' m pouting Mjfs for me. In wedicck's bands if e'er I join, good humour be my guide, Let dimpled foaiies and lore be feme, i l l laugh at female pride. �QJJ E EN M 4 R Y>3' Lamentation* I S I G H and lament me In vain, thefe can but echo my moan, Alas.! it increafes ray pain, when I think otf the days that are gone. Thrctighv the grate of my prifon I fee the birds as they wanton in air My heart how it pants to be free, my looks they are wild with dtfpair. .Above, though oppreft by my fate, I burn with contempt f o r m ? foes* 1 1 hough fortune has aherM tey flare,, ihe ne'er can inbchie nie to thofe® Falfe woman, in ag<rs to came, •• * thy -malice ditched {kill be. And when we are'cold in the' tomb* • fame heart will Itiil forrow for me. • Ye roofs where cold damps and clifinaj. s with filence and formude ewi*1i, How.comfortable pjfTes the day . Ii/W fadly tollsnhe evening bell"? T h e owls from the battle :uen? "cry, . hollow wit:ds k?m t o murmur around, O M A R T ! prepaie thee to die, my biood it rmrs cold at the found. I % 11. am III m I n w i i > . , « B F r » » i l w ; G L A S G 0 \?9 < Printed by J, & M. Rbhcrljbi^ Salloutrkett � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Woodcut 009: Title-page illustration in double-ruled rectangular borderof a group of 3 soldiers wearing feathered caps and kilts: two are playing a bagpipe, one is playing a drum, and one is holding a sword. They are standing in a row next to a well dressed man. who is wearing a hat and long coat. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The British Grenadiers. To which are added, O the Days when I was young. Invasion Threatened. A New Sea Song. The Kind are Young and Fair. Queen Mary's Lamentation. Date A point or period of time associated with an event in the lifecycle of the resource 1802 Identifier An unambiguous reference to the resource within a given context <a href="https://ocul-gue.primo.exlibrisgroup.com/permalink/01OCUL_GUE/mrqn4e/alma9923276603505154">s0320b17</a> Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. O the Days when I was young. Invasion Threatened. A New Sea Song. The Kind are Young and Fair. Queen Mary's Lamentation. Extent The size or duration of the resource. 8 pages 15 cm Contributor An entity responsible for making contributions to the resource Archival and Special Collections, University of Guelph Library, Guelph, Ontario, Canada Is Referenced By A related resource that references, cites, or otherwise points to the described resource. <a title="University of Glasgow Union Catalogue of Scottish Chapbooks" href="http://special.lib.gla.ac.uk/chapbooks/search/">University of Glasgow Union Catalogue of Scottish Chapbooks&nbsp;</a> <a title="National Library of Scotland" href="http://www.nls.uk/">National Library of Scotland&nbsp;</a> Rights Information about rights held in and over the resource In the public domain; For high quality reproductions, contact Archival & Special Collections, University of Guelph. libaspc@uoguelph.ca, 519-824-4120, Ext. 53413 Format The file format, physical medium, or dimensions of the resource JPEGs and PDF derived from master file, which was scanned from the original book in 24-bit color at 600 dpi in TIFF format using an Epson Expression 10000XL scanner. Publisher An entity responsible for making the resource available Glasgow: J. & M. Robertson Type The nature or genre of the resource ballads & songs Subject The topic of the resource Chapbooks - Scotland - Glasgow War Mary, Queen of Scots, 1542-1587 Source A related resource from which the described resource is derived Archival & Special Collections, University of Guelph Library, Guelph, Ontario Description An account of the resource Woodcut #09: Illustration on title-page of a group of 3 soldiers wearing feathered caps and kilts (1 playing bagpipes, 1 playing drums, 1 holding a sword) standing next to a gentleman wearing a hat and holding a walking stick. Bib Context: title-page Chapbook Date: 1801-1810 Chapbook Genre: ballads & songs Chapbook Publisher - Glasgow: J. & M. Robertson Fashion (Clothing): bonnet (military) Fashion (Clothing): coat Fashion (Clothing): feather bonnet Fashion (Clothing): Highland attire Fashion (Clothing): jacket Fashion (Clothing): kilt Fashion (Clothing): knee breeches Fashion (Clothing): military Fashion (Clothing): sporran Fashion (Clothing): upper class Gender: man/men Musical Instruments: bagpipe(s) Musical Instruments: drum(s) Occupation: soldier Outdoor Scene Weapons: sword(s) https://scottishchapbooks.lib.uoguelph.ca/files/original/4af0b303559e123fff66455662c59341.pdf 3acce62d6529946eadd20c35cdc30747 https://scottishchapbooks.lib.uoguelph.ca/files/original/e9afeb0ebfe902355570771bc094214c.jpg 3071b5926900eaaaf1490507cb7a342b Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 3359 Width 1891 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Woodcut 072: Title-page illustration in a single ruled rectangular border of a woman in conversation with a man standing in front of building. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The farmer's son. Or, The unfortunate lovers. To which are added, The captain of love. My mother did so before me. Just the thing. The wild rover. Date A point or period of time associated with an event in the lifecycle of the resource 1803 Language A language of the resource English Identifier An unambiguous reference to the resource within a given context <a href="https://ocul-gue.primo.exlibrisgroup.com/permalink/01OCUL_GUE/mrqn4e/alma9923312863505154">s0438b21</a> Description An account of the resource Woodcut #72: Illustration on title- page a woman in conversation with a man in front of building. Contributor An entity responsible for making contributions to the resource Archival and Special Collections, University of Guelph Library, Guelph, Ontario, Canada Rights Information about rights held in and over the resource In the public domain; For high quality reproductions, contact Archival & Special Collections, University of Guelph. libaspc@uoguelph.ca, 519-824-4120, Ext. 53413 Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. The unfortunate lovers The captain of love My Mother did so before me Just the thing The wild rover Format The file format, physical medium, or dimensions of the resource JPEGs and PDF derived from master file, which was scanned from the original book in 24-bit color at 600 dpi in TIFF format using an Epson Expression 10000XL scanner. Extent The size or duration of the resource. 8 pages 16 cm Publisher An entity responsible for making the resource available Glasgow: J. & M. Robertson Type The nature or genre of the resource ballads & songs Subject The topic of the resource Chapbooks - Scotland - Glasgow Courtship and Marriage Source A related resource from which the described resource is derived Archival & Special Collections, University of Guelph Library, Guelph, Ontario Archictecture: window(s) Bib Context: title-page Chapbook Date: 1801-1810 Chapbook Genre: ballads & songs Chapbook Publisher - Glasgow: J. & M. Robertson Gender: man/men Gender: woman/women Nature: tree(s) Outdoor Scene https://scottishchapbooks.lib.uoguelph.ca/files/original/8a5f881e1234e8a01daecc0035753bb3.jpg 85a50742131c2ea2b125044c56d8c3ce Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 3469 Width 2164 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Woodcut on title-page portraying Group of 3 men wearing feathered caps and wearing plaid (1 playing bagpipes, 1 playing drums, 1 holding a sword) standing next to a gentleman wearing a hat and holding a walking stick https://scottishchapbooks.lib.uoguelph.ca/files/original/542c9f94c7ef791ea2b8a1e96a6db7bd.pdf 096b94121d340d6fb5014c41eee91e29 PDF Text Text T H E Britifli Volunteers. TO WHICH 4RE ADDED, G O D S A V E M A L L Y T H E K I N G; B A N N T I P P L I N G J O H N . . J O H N Y FAA, the GYPS1E L A D D I E . G L A S G O w, Printed by j. & hi, ROBERTSON, Salfmatket; 1807 • �C 2 T H E B R I T I S H ) V O L U N T E E R S * BY MR. BU1HS. TUME—PUSH ABOUT TH E JORVM* D O E ' S haughty Gaul invafion threap then let the iouns beware, Sir; [There's WOODEN W A L L S upon our feas, and V O L U N T E E R S on fhore, ^ir. T h e CLYDE (hall rin to FINTOCK TAP* an* BENLOMON LOUP t o G A L L ' W A Y * Ere we permit a FOREIGN FOE OQ B R I T I S H G R O U N D to rally. O let us not like fnarling tykes, in wrangiTrtg be divided, Till* flap come in an U N C O LOUN* and wi* a rung decide it ! Be B R I T A I N ftill to B R I T A I N true* amang ourfelves united For never but by B R I T I S H H A N D S mart B R I T I S H W R O N G S be righted* T h e KETTLE o ' t h e KJRK a n d STATE, perhaps a C L O U T may fail inft* But dc'il a FOREIGN T I N K L E R LOUN £hail ever C A ' a N A I L I N ' T . Our F A T H E R ' S BLUJDE the K E T T L S bought^ and wha wad dare to fpoil it! B y H E A V E N ! t h e SACRILEGIOUS DOQ &all FUEL be to BOIL I T ! �The wretch that would a T Y R A N T own, and thi* wretch his true-fworn brother, Who'd fet the MoBaboon the. TH none* may they be damn'd together ! W h o will not finfk Goi> SAVE THE KING lhall hang as high's the fteepie; But while we fiag, G O D 3AVB T H E KING we'll ne'er FOKOET the PEOPLE. GOD S A V E T H E KING. O D fave great George our King, Long live our noble King, God fave the King, Send him vi&orious* Happy and glorious* Long to reign over us, God fave the King! O Lord our God arife, Scatter his enemies, And make them fail* Confound their politics, Frpftrate their knavilh tricks ; On him our hopes are fixM, O fave us all! T h y choiceft gifts in ftort On him be pleas'd to pour, Long may he reign! May he defend our laws* And ever give us caufe, T o fing with he art and voice, God fave the King. G j �( 4 ) O ! grant him long to fee 'Friendfihip and unity Always increafej May he his fceptrc fway, Ail loyal foub obey, Join heart and voice, huz^a! God favc our King! M i n t B A N N. \ M I E R A N D A L went a huntrng* a hunting in thr dark But, to his great misfortune, he did not mifs his m a r k : His love's apron being about her* he took her for a fwvn Bfk alas! and for ever alas I it was facet Maily Bann. W h e n he came up unto her, aud found that (he was dcadg, (Great abundance of fait tears for his darling he fhed. H e went home to his father with his gun in bis hand, Crying, Dear father, dear fatkcr f 1 have feot Maliy. 3ann» His father leaked ppon him 5 his hair being grey) Cry mi 7 Oh ! my ^ ear eft fon? jQii omit not i m away s �( 5 ) Stay at home irf^yo <r own country let your trial come o n ; By the laws of fweet Ireland, j o u {hall never be undone. Within two 01 three mouths after* to her uncle (he appear'd Crying, Dear uncle, dear u.#ie, let Jamie Randal go free : For my apron being about me, he took me for a wan : But it is Ob ! and ever alas ! it was fweet Ma% ii-mn. All the maidens in the country, they are all very ula^ That this beautiful, this lovely, this fair one was dead. She was the flowVof ail the nation, the flpwer or Contain ; The flower of ai! Ji nation was fweet Mally Bana. When the fair maid^ in the city, were affembled in a row* She appeared amongft them like a mountain of fnow* The flower qf all the nation, the flQwer of Coirain. The flower oi J t the nation was fweet Mally iJanru �T I P P L I N G JO H a A S tippling John was jogging on, upon a riot nrght. With tottering pace, and fiery face, fufpicious of high flight ; The guards vAo took hirn by his look, for fomc chief fiery-brand, Aik'il whence he came ? vVhat was his name who are you ? ftahd friend, (land. Pra gfing home, from meeting corner ay, lays one, that's the cafe j Some meeting he has burnt, you fee h the flame's flill in his face. John thought it time to purge his crimtj I and faid, My chief intent Was to affwage my thirfty rage, i'th* meeting that I meant Come, friend* be plain you trifle in vain, f fays one, pray let us know. T h a t we may find how you're iticlin'd j are you High-Church or Low ? John faid to that, Pil tell you what, to end debates and ftrife, All ! can fay, this is the way I tieer my courfe of life. I ne'er to Bow, nor Burgcfs go, to ftfcple-houfenor ball, The.brifk bar-bell belt funs my zeal with gentlemen^ d'ye call ? �< 7 1 Guefs then, am I Low-Church or High, from that tow'r, or no fteeplel Whof- merry toll exalts the Tout and muft make high-flown people! The guards came on, and iook'd at John with countenance raoft pleafantv By whifper round they all foon found he was no darang'd peafant: Thus while John flood the beft he cou'd* expefting their decifion ; Damn him, f^ys one, let him be gone^ he's of our own religion. JOKNY FAA T H E G Y P 3 I £ LADDIA- T He gy plies came to our good Lord's gate, and vow but they fang fleetly ; They fang Jae fweet^ and fae very complete* that down came the fair Lady® And fhe came tripping down the (lair, and a* her maids before h e r ; As foon as they faw her weil-far f d face* they cooft the giaaier o'er her. Gae tak from me tblg gay mantle, and bring to me a pSaidie. For if kith and kin, and a' had fworH/ r i i follow the gypfie laddie. Teftreen I lay in a well made bcd $ and my good Lord b&Sde me j �( 8 > This night Pll ly in a tenant's barn, whatever fhall betide r^e* Cooie to your bed, fays Johny Faa, oh come to your bed, my deary ; For I vow and fwear, by the hilt of my fwordj that your Lord fhall nae mair come near ye, Pll $ro to bed to my johny Faa, I'll go to bed to my deary; For I vow and fwear by what paft yeftreen, that my Lord (hall nae mair come near me* H i mak a hap to my Johny Faa, . and y \ l mak a hap to my deary. And he's get a' the coat gaes round, and my Lord fhalhiae mair come near me» And when our Lord came hame at cen, and fpeer'd for his fair Lady, The tanc {he cry'd, and the other reply'd, flie's away with the gypfie Laddie. Gae faddle to me the black black fteed^ gae faddle and m i k e him ready $ Before that I either eat or deep, I'lt gae feek my fair Lady, And we aitho* AncLwe a fair were fifteen well-made men, we were nae bonny : were a* put down for ane, youug wanton Lady. G L A S G O W , Brlnted by J. & M. Robert Ion, Saltrnarket, 1803. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Woodcut 009: Title-page illustration in double-ruled rectangular borderof a group of 3 soldiers wearing feathered caps and kilts: two are playing a bagpipe, one is playing a drum, and one is holding a sword. They are standing in a row next to a well dressed man. who is wearing a hat and long coat. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The British volunteers. To which are added, God save the king. Mally Bann. Tippling John. Johny Faa, the gypsie laddie. Date A point or period of time associated with an event in the lifecycle of the resource 1803 Language A language of the resource English Identifier An unambiguous reference to the resource within a given context <a href="https://ocul-gue.primo.exlibrisgroup.com/permalink/01OCUL_GUE/mrqn4e/alma9923276843505154">s0302b19</a> Contributor An entity responsible for making contributions to the resource Archival and Special Collections, University of Guelph Library, Guelph, Ontario, Canada Rights Information about rights held in and over the resource In the public domain; For high quality reproductions, contact Archival & Special Collections, University of Guelph. libaspc@uoguelph.ca, 519-824-4120, Ext. 53413 Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. God save the King Mally Bann Tippling John Johnny Faa The Gypsie laddie Format The file format, physical medium, or dimensions of the resource JPEGs and PDF derived from master file, which was scanned from the original book in 24-bit color at 600 dpi in TIFF format using an Epson Expression 10000XL scanner. Extent The size or duration of the resource. 8 pages 15 cm Publisher An entity responsible for making the resource available Glasgow: J. & M. Robertson Type The nature or genre of the resource ballads & songs Subject The topic of the resource War Alcohol Courtship and Marriage Source A related resource from which the described resource is derived Archival & Special Collections, University of Guelph Library, Guelph, Ontario Description An account of the resource Woodcut #09: Illustration on title-page of a group of 3 soldiers wearing feathered caps and kilts (1 playing bagpipes, 1 playing drums, 1 holding a sword) standing next to a gentleman wearing a hat and holding a walking stick. # of Woodcuts: 1 Bib Context: title-page Chapbook Date: 1801-1810 Chapbook Genre: ballads & songs Chapbook Publisher - Glasgow: J. & M. Robertson Fashion (Clothing): bonnet (military) Fashion (Clothing): coat Fashion (Clothing): feather bonnet Fashion (Clothing): Highland attire Fashion (Clothing): jacket Fashion (Clothing): kilt Fashion (Clothing): knee breeches Fashion (Clothing): military Fashion (Clothing): sporran Fashion (Clothing): upper class Gender: man/men Musical Instruments: bagpipe(s) Musical Instruments: drum(s) Outdoor Scene Weapons: sword(s) https://scottishchapbooks.lib.uoguelph.ca/files/original/053a419ffc446fb354d557cf5448e532.jpg dffbd5ad5eee3a3a4194d2af932cf507 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 3345 Width 1949 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Woodcut on title-page portraying Group of 3 men wearing feathered caps and wearing plaid (1 playing bagpipes, 1 playing drums, 1 holding a sword) standing next to a gentleman wearing a hat and holding a walking stick https://scottishchapbooks.lib.uoguelph.ca/files/original/aa3ff3058c1b0056bcc8ad1e85501c3d.pdf 86f12ff75a2539b730fc5eae0df85183 PDF Text Text Britain's Alarm. T o which ore added, O D E A R ! I'M SO P L E A S ' D . T H E D A V Y B O N N Y J O N E S ' S B O Y . L O C K E R . THRO' THE W O O D L A D D I E . M A N K I N D ALL TANNERS. K D W A R D and B E T S Y. ARRIVED AT PORTSMOUTH. O A T H S IN F A S H I O N . G L A S G O W , Printed by J. and M . Robertfon, Saltmarket, i8c.j. �B R I T A I N ' S A L A R M . T O arms ! gallant Britons of every degree, T o arms ! if you want to live happy and free ; T h e foe's on the coaft—-there's no room for delay ; Let us rife in a tnafs, boys, and drive them away. chorus. Britons, arm & unite ! like true Britons ftill fight ; Fight bold and together ; never mind the weather ; Like Sons of Britannia we'll conquer or die. Let croakers talk on of this terrible foe ; The foe is a Frenchman, and Frenchmen we know: Whether monkies, of tigers, or devils they be, We've beat them we know,, both by land & by fea. CHORUS. Britons, arm & unite! like true Britons ftill fight; Fight bold and together; never mind the weather; Like Sons of Britannia we'll conquer or die W hat tho'they nowboaft of their conqueft & fpoils, And murders at which human nature recoils? (plain, Theyhav^r.c'er conquer'dus & they (hall not that's We have thrcfti'd them oft foundly, & will fo again* c II o R\u s, Britons, arm & unite! like true Britons ftill fight \ Fight bold and together ; never mind the weather; Like Sons of Britannia we'll conquer or die. Rememberhowhoftsof thefeFrenchmen did yield, At Crefly, at Poifkiers, and Agincourt's field* And (hall we now fuiTer their vain gafconade ? Or (ball they unpunifh'd, Great Britain invade ? CHORUS. Britons, arm 3c unite! like true Britons ftill fight; Fight bold and together -9 never mind the weather ; Like Sons of Britannia we'll conquer or die* �Theyboaft of their freedom,but whoare fuch (laves? And who are fo free as wt? (ons of the waves ? W h a t Frenchman with all his vain boafling, can fay, That his loaf, that his life is his own for a day ? CHORUS. Britons, arm & unite! like true Britons (till fight; Fight bold and together; never mind the weather ; Like Sons of Britannia we'll conquer or die. In this happy Ifle every man lives fecure; Our liberty, property, all guarded fure ; T h e higheft and lowed all equally f r e e ; W h a t nation on earth then fo happy as we ? etc. CHORUS. Britons, arm & unite! like true Britons flill fighf; Fight bold and together; never mind the weather} Like Sons of Britannia we'll conquer pr die. T o arms, then! to arms! and repel the proud foe, W h o would land us in anarchy, bloodfhed, & woe, hzt us rife like our Ifie's irrefillible waves, And teach them that Britons will never be (laves. CHORUS. Britons, arm & unite ! like true Britons flill fight; Fight bold and together ; never mind the weather; Like Sons of Britannia well conquer or die. O D E A R ! I ' M S O P L E A S ' D. W k g n StrepHon appears, how my heart pit a pat, (Views the tender emotion with which it is feiz'd. T o the fhepherd*s bewitching gay innocent chat, I could liften for ever, O dear! I'm fo pleaa'd. My grandmother frowns, & protefis I'm toojoung,' wi h the 1 {Ton of Cupid (o foon to be teaz'd, n T u t fo f w c e t ' s the honey that falls from his tongue, 1 laugh at my grandmam ; O d c a r ! I'm fo picas ds �Should he afk me to wed, 28 he hinted to-day, when my hand he fo foft & fo tenderly fqueez'd, He's fo pretty a Twain that I can't fay him nay, I'm refolv'd to be marry'd, 0 rfear I I'm fo pleas'd. '^MS®*** -THE 3 O N N Y — BOY. I r was once f lov'd a bonny, bonny boy, I lov'd him I vow and proteft, 1 lov'd him fo very, very well I built him a birth on my breaft. I built &c. It was upon the green forefl:, and down the green Like one that was troubled in mind, (foreft, I hoop'd and I call'd, I play'd on my ilute, But no bonny boy could I find, But, etc. I look'd up high, and I look'd dawn low, Arrd the fun fhone wonder fu' warm, And who fhould I fee but my bonny boy, H e was fall in another girl's arms. He, etc® < Then he (iretch'd forth his lity white hand, And he thought I was at his command, But i parted by cafl never an eyev And he thought 1 "was bound in love's bond. And he thought, etc. T h e n he tcok me on his difTcmbling knee, And he look'd me right up in the face, He gave to mc a ditfembUng kifs, And his heart was in another girl's bread, etc. Oh ! the girl that enjoys my bonny bonny boy, I'm Aire (he is not to blame, For many a long night he has robb'd me of my red, But he never Ihall do it again, But, etc. �[ DAVY S 3 JONES'S LOCKER. W Hen lad honeft Jack/of whofe fate I now fing, weigh'd anchor and caft out for fea, For he ne'er refus'd tor his country and King to tight, for no lubber was he ; T o hand, reef, & (leer, & houfe every thing tight, full well did he know every inch, Tho* the toplifts of failors the ^ m p e f t ihould fmite, Jack never was known for to flinch. CHORUS. T h o ' the toplifts of failors the teriipeft fhouid fmite, Jack never was known for to flinch* Aloft from the maft head one day he efpy'd feven fail, which appear'd to his view, Clear thedecks, fpunge theguns, was inftantlycry'd, and each to his liation then flew; And fought until many a noble was (lain, and filcnced was every gun, 'Twas then that old lingliih valour was vain, for by numbers, alas ! they're undone. CHORUS. 'Twas then that old England's valour was vain, for by numbers, alas . they're undone. Yet think not bold Jack, tho' by conquest difmay'd, could tamely fubmit to his fate; When his country he found he no longer could ferve, looking round, he addrels'd thus t^ach mate, What's life, d'ye fee, when our liberty's gone, much nobler it were for to die, So now for old Davy, then plung'd in the main, ev'n the cherub above heav'd ? % h , Chor. vSo now f o r o i i Davy, then piur.g dinthe main, C'cn the cherub abovfc heav'd a ftgh. �I 6 3 T H R O ' THfe W O O D LADDIE. O Sandy, why ieave6 thou thy Nelly to mourn ? f h y prefence cou'd eafe me, When naeihing can pleafe me : Now dowie I figh on the bank cf the burn, Or thro' the wood, iaddle, until thou return, Tho* woods now are bonny, and mornings are clear, While lav'rockp are Tinging, A n d primrofes fpringing j Yet nane of them pleales fny eye or my ear, W h e n thro' the wood, laddie, ye dinna appear. That I am forfaken, feme fpare not to tell : I'm falh'd wi' their fcorning, Baith evening and morning, Their jeering gaes aft to my heart wi* a knell, W h e n thro" the wood, laddie, L wandei my fell. Then flay, my dear Sandy nae langer away, But quick as an arrow, Halle here to thy marrow, W h a ' s living in langour, till that -happy day, (play. When thro 1 the wood, laddie, we'll dance, fing and —- •• wiM.^^ig^jjViHiBi'iiwi! MANKIND A L L T A N N E R S . ^OME, liften ye lads, and ye lafies around, j T o a fiave cr two fung by Harry Hidebound, A tanner I am, of no humble degree, And tanners aU mankind I'll prove are like me, Tol de rol, etc. C The lawyer fo great with big wig and lonp band, His conscience, as bullock's hide, ftoutly i r n ' d , Yet touch with a double fee wifely that part, T w i l l ftretch like a glove it is tann'd with fucb art. �X 7 1 Ph^ficians, iikewile are all fanners by trade. And fortuneshv working on (heep-fluns have made; With bark they kcrp tanning fheir patienls inf:de, Till fhoemak&r. Death bores a hole thro' the hide. To! de roll, &c. T o the tan-pit of Cupid fond lovers repair, And throw rhemfelves in thro* a fit of defpair, But Hymen good natur'dly oft helps them out, And their heartsbeing tann'-d why they foon get about To! de rcl!, &c The foes of old England don't tanning defpife, And to fenfon their hides well, think they are wife; But in fpite of the devil, that Tanner of fins, W h e n Britons ftrike hom»,thev(han't fleep in whole l o l de roll, &c ' (ttins. E D W A R D A N D B E T S Y . Y Oung Edward was faithful, & Betfy was true, when war cail'd her foldier away, She parted in tears, and he figh'd out adieu, and they never more met from th$t day. Forcourage;with Ed ward there'sfe wcouldcompare, but his foes would not favour the brave, W h e n dying, his Betfy alone was his care, he bled her, then funk to his grave. T h f wars were all over, ilill conflant lifer heart, now expedted her folder's return, Poor maiden, how wilt thou furvive the keen fmart 9 thy Edward in tears thou wilt mourn. T h e news foon arriv'd 'hat her foldier was (lain, O Edward ! (he fauUering cry'd, We'll meet in a world where we'll ne'er part again, then fainting, (he droop'd »nd (he dy'd. �L ARRIVED AT 8 1 PORTSMOUTH. W I T H pride we ftecr'd for England's coaft, Her hills arofe in mifty blue j Six prizes of the line our boaft, Another ftruck and funk in view ! O ftill to guard this Ifle, the battle we'll fuftain, And dare the perils of the ftormy main ! Within the bofom of the land, •» The claims of relative and friend| r - The prowefs of cur fleets demand : Their rights upon our arms depend : O Hill to guard this Ifle, the battle we'll fuftain. And dare the perils of the raging main ! Sweet love ; this bofom know thy pow'r, T h e dafhing waves that foam along, Hear F^ny's name at midnight hour, T h e tender burthen of my fong: For Britain's lovely dames, the battle we fuftain, And dare the perils of the ftormy main ! O A T H S IN F A S H I O N . C Uftom prevailing fo long 'mongft the great, makes oaths eafy potions to fleep on ; W h i c h many (on gaining good places) repeat, without e'er deigning to keep one. For an oath's feldom kef t, as a virgin's fair fame, a lover's food vowf, or a prelate's good name j . A lawyer to truth., or a ftatefman from blame, or a patriot^ heart in a courtier. G L A S G O W , Printed by J. & M. Robertfon, Saltm?.iket, 1804. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Woodcut 009: Title-page illustration in double-ruled rectangular borderof a group of 3 soldiers wearing feathered caps and kilts: two are playing a bagpipe, one is playing a drum, and one is holding a sword. They are standing in a row next to a well dressed man. who is wearing a hat and long coat. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Britain's alarm. To which are added, O dear! I'm so pleas'd. The bonny boy. Davy Jones's locker. Thro' the wood laddie. Mankind all tanners. Edward and Betsy. Arrived at Portsmouth. Oaths in fashion. Date A point or period of time associated with an event in the lifecycle of the resource 1804 Language A language of the resource English Identifier An unambiguous reference to the resource within a given context <a href="https://ocul-gue.primo.exlibrisgroup.com/permalink/01OCUL_GUE/mrqn4e/alma9923276173505154">s0300b27</a> Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. O dear! I'm so pleas'd. The bonny boy. Davy Jones's locker. Thro' the wood laddie. Mankind all tanners. Edward and Betsy. Arrived at Portsmouth. Oaths in Fashion Contributor An entity responsible for making contributions to the resource Archival and Special Collections, University of Guelph Library, Guelph, Ontario, Canada Rights Information about rights held in and over the resource In the public domain; For high quality reproductions, contact Archival & Special Collections, University of Guelph. libaspc@uoguelph.ca, 519-824-4120, Ext. 53413 Format The file format, physical medium, or dimensions of the resource JPEGs and PDF derived from master file, which was scanned from the original book in 24-bit color at 600 dpi in TIFF format using an Epson Expression 10000XL scanner. Extent The size or duration of the resource. 8 pages 15 cm Publisher An entity responsible for making the resource available Glasgow: J. & M. Robertson Type The nature or genre of the resource ballads & songs Subject The topic of the resource Chapbooks - Scotland - Glasgow War Courtship and Marriage Source A related resource from which the described resource is derived Archival & Special Collections, University of Guelph Library, Guelph, Ontario Description An account of the resource Woodcut #09: Illustration on title-page of a group of 3 soldiers wearing feathered caps and kilts (1 playing bagpipes, 1 playing drums, 1 holding a sword) standing next to a gentleman wearing a hat and holding a walking stick. # of Woodcuts: 1 Bib Context: title-page Chapbook Date: 1801-1810 Chapbook Genre: ballads & songs Chapbook Publisher - Glasgow: J. & M. Robertson Fashion (Clothing): bonnet (military) Fashion (Clothing): coat Fashion (Clothing): feather bonnet Fashion (Clothing): Highland attire Fashion (Clothing): jacket Fashion (Clothing): kilt Fashion (Clothing): knee breeches Fashion (Clothing): military Fashion (Clothing): sporran Fashion (Clothing): upper class Gender: man/men Musical Instruments: bagpipe(s) Musical Instruments: drum(s) Occupation: soldier Outdoor Scene Weapons: sword(s) https://scottishchapbooks.lib.uoguelph.ca/files/original/d230c8bfacbde805faecbf051be88443.pdf 3c02af07f01a676af2ed65f4eec826a2 PDF Text Text T H E Battle of Rosline FOUGHT ON T H E Plains o fRosline,1303 TO WHICH aRE ADDED, Jack in his Element; VIRTUE and WIT, the Preservatives of LOVE and BEAUTY. T H E L O V E R ' S SUMMONS. G L A S G O W , Printed by J. & M. Robertson, Saltmarket, 1803. �( 2 ) The famous Battle of Rosline, fought on the plains of Rosline, Anno Dom. 1303, aboutfivemilessouthof Edinburgh where 10,000 Scots, led by Sir John Cummin, and Sir Simon Frazer, defeat in three battles, in one day, 30,000 of their enem L E A V E off your tittle tattle, And I'll tell you of a battle, Where claymore and targe did rattle, At Rosline on the Lee. T e n thousand Scottish laddies, Drest in their tartan plaidies, W i t h blue bonnets and cockadies, A pleasant sight to see. Commanded by Sir Simon Frazer, W h o was as bold as Caesar, Great Alexander never Could exceed that Hero bold. A n d by brave Sir John Cummin, W h e n he saw the foes a coming, Set the bag-pipes a bumming, Stand firm my hearts of gold. Ten thousand English advancing, See how their arms are glancing, We'll A t Rosline on the Lee. set them all a dancing, �( 3 ) Like furies our brave Highlandmen, Most boldly they engaged them, On field they durst no londer s t a n d , They soon began to flee. They rusht into the battle, Made sword and targe to rattle, Which made their foes to startle, They fell dead on the ground. Our army gave a loud huzza, Our Highland lads have won the day, On field they durst no longer stay, See how the cowards run. This battle was no sooner over, Than ten thousand of the other, Came marching in good order, Most boldly for to fight. Their colours were displaying, Their horse foaming and braying, Their generals are faying. We'll soon put them to flight. But our bowmen gave a volley, Made them repent their folly, They soon turn'd melancholy, And stagger'd to and fro. Our spearmen then engaged, Their rage they soon asswaged, Like lions our Heroes raged, Dealt death at every blow. For one hour and a quarter, There was a bloody slaughter, �( 4 ) Till the enemies cry'd quarter, Andinconfusionflee. Our general says don't pursue. Ten thousand more are come in view, T a k e courage lads, our hearts are true, And beat your enemies. Then thinking for to cross us. T h e y rallying all their forces, Both of foot and horses, To make the last attempt T h e Scots cry'd out with brav'ry, W e disdain their English knav'ry, W e ' l l ne'er be brought in s l a v ' r y , ' T i l l our laft blood is spent. W i t h fresh courage they did engage, And manfully made for the charge, With their broad swords and their targe, Most boldly then they stood. T h e third battle it was very fore, Thousands lay reeking in their gore, T h e like was never done before, The fields did swim with blood. T h e English could no longer stay, In great confusion fled away, A n d sore they do lament the day, That they came there to fight. Cummin cry'd, Chace them, do not spare, Quick as hound does chase the hare, A n d many one fa'en prisoner, That day upon the flight. �( 5 ) T h e Douglas, Campbells and the Hay, And Gordons from the water Spey, So boldly as they fought that day, With the brave Montgomerie. T h e Kers and Murrays of renown, T h e Keiths, B0yds and Hamilton, They brought their foes down to the groun', And fought with braverie, Sound, sound the music, sound it, Let hills and dales rebound it, Fill up the glass and round we't, In If Scotsmen were always true W e ' d make our enemies to rue ; But alas! We're not all true blue, A s we were in days of old. J ACK IN His E L E M E N T . B O L D Jack the Sailor, here I come, pray how do you like my nib, My trowsers wide, and trampers rum, my nab and flowing jib ; I sail the seas from end to end, and lead a roving life, A t every mess we find a friend, at every port a wife. I have heard them talk of constancy, of g r i d and such like fun, �( 6 ) I have constant been to ten, cry'd I, but never griev'd for one, T h e flowing sails we tars unbend, to lead a roving life, A t every mess we find a friend, at every port a wife. I have a spanking wife at Portsmouth gates, a Pigmy at Goree ; A n Orange Tawny up the Straits, a Black at St. L u c i e : Thus whatsoever course we bend, we lead a jovial life, A t every mess we find a friend, at every port a wife. W i l l Gaffe by Death was ta'en aback, I came to bring the news, Poll whimper'd sore, but what did J a c k ! why, stood in William's shoes! " She cut, I chas'd and in the she lov'd me as her life. So she has got a loving friend, and I a loving wife. Come all you Sailors that do go the unfortunate seas to rub, Y o u must work, love, and fight your foes, and drink your gen'rous bub ; Storms that our masts in splinters tear, can take our joyous life, In every want we find a friend, and every port a wife. end �( 7 ) V I R T U E and W I T, the Preservatives of L O V E and B E A U T Y . C TUNE—KILLICRANKY. Onfess thy love, fair blushing maid, for since thine eye's consenting, Thy safter thoughts are a' betray'd, and na-says no worth tenting. W h y aims thou to oppose thy mind, with words thy wish denying; Since Nature made thee to be kind, reason Nature and Reason's joint consent, make love a sacred blessing, T h e n happily that time is spent, that's war'd on kind caressing. Come then my Katie to my arms, I'll be nae mair a rover ; But find out heav'n in a' thy charms, and prove a faithful lover. S H E . ) What you d e s i g n , by N a t u r e ' s law?, is fleeting inclination, T h e n Willy- Wisp beguiles us a' by its infatuation When that goes out, caresses tire, and lovers nae mair in season, Syne weakly we blow up the fire, with all our boasted reason. �( 8 ) HE.) The beauties of inferior cast maystartthisjustreflection; But charms, like thine,mustalwayslast, where Wit has the protecion. Virtue and Wit, like April rays, make Beauty rise the sweeter; T h e langer then on thee I gaze, my Love will grow completer. THE L O V E R ' ' S SSU M M O N S . R 3 UM 3. A R I S E thou mistress of my heart, milirefs and do not rae disdain : me difciain Come now and quickly take the part of me your conftant swain. constant ftvain. T o you alone C am aaslave, atone I am Have, there's none on earth can ctuv, cure, T h e flame that in my bread I have, have, for you 1 do endure. I Come now dear nymph, and cafe the smart, eafe fmart, of me your yielding swain ; yo^r fwain My loyt for you now in my heart, love does constantly remain. Now we in Hymen's bands will wed, our hearts united be therefore, In love we live without any dread, love we live without any dread, joys in joys for evermore. * ••••^^aaaaa^^ G G L A SSG OO W, A G W , mm Printed by J, & M.Robertson,Saltmarket,1803. J. Rcfrertfon, Saltmaj;ket, i8o> � https://scottishchapbooks.lib.uoguelph.ca/files/original/ad9f8d2d954ef236aac88b3b0aaab65b.jpg b0934479c23863b45148da832ff61aa2 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 3470 Width 2039 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Woodcut on title-page portraying man with sword and shield standing in outdoor scene; house and trees in the background https://scottishchapbooks.lib.uoguelph.ca/files/original/fff6cae46016299256b0bafd518f9bf2.jpg f5a0df30c25c25bc3854363db46233a2 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Woodcut 010: Title-page illustration in single ruled rectangular border of a Highland soldier with sword and shield standing in outdoor scene with a house and trees in the background. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Battle of Rosline fought on the plains of Rosline, 1303 to which are added, Jack in his element. Virtue and wit, the preservatives of love and beauty. The lover's summons. Subject The topic of the resource Courtship and Marriage Courtship and Marriage War Wit and Humor Chapbooks - Scotland - Glasgow Date A point or period of time associated with an event in the lifecycle of the resource 1803 Language A language of the resource English Identifier An unambiguous reference to the resource within a given context <a href="https://ocul-gue.primo.exlibrisgroup.com/permalink/01OCUL_GUE/mrqn4e/alma9923267923505154">s0066Fb13</a> Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Roslin, Scotland Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Jack in his element Virtue and wit, the preservatives of love and beauty The lover's summons Extent The size or duration of the resource. 8 pages 15 cm Abstract A summary of the resource. The first song is a celebration of the Battle of Rosline, which had occurred 500 years earlier. The song celebrates the bravery of the Scots who overcome 3 to 1 odds and route the English, featuring a romanticized depiction of medieval Scots fighting in tartan plaid and bonnets. The second song is the humorous portrayal of a sailor who has a wife at “every port.” The last two are love songs where young men declare their undying love to their sweethearts, with varying degrees of success. Wikipedia entry for the Battle of Roslin (24 February 1303) <a href="http://en.wikipedia.org/wiki/Battle_of_Roslin">http://en.wikipedia.org/wiki/Battle_of_Roslin</a> Is Referenced By A related resource that references, cites, or otherwise points to the described resource. University of Glasgow Union Catalogue of Scottish Chapbooks http://special.lib.gla.ac.uk/chapbooks/search/ Contributor An entity responsible for making contributions to the resource Archival and Special Collections, University of Guelph Library, Guelph, Ontario, Canada Rights Information about rights held in and over the resource In the public domain; For high quality reproductions, contact Archival &amp; Special Collections, University of Guelph. libaspc@uoguelph.ca, 519-824-4120, Ext. 53413 Format The file format, physical medium, or dimensions of the resource JPEGs and PDF derived from master file, which was scanned from the original book in 24-bit color at 600 dpi in TIFF format using an Epson Expression 10000XL scanner. Source A related resource from which the described resource is derived Archival & Special Collections, University of Guelph Library, Guelph, Ontario Publisher An entity responsible for making the resource available Glasgow: J. & M. Robertson Type The nature or genre of the resource ballads & songs Architecture: house Bib Context: title-page Chapbook Date: 1801-1810 Chapbook Genre: ballads & songs Chapbook Genre: battles/war Chapbook Genre: wit & humor Chapbook Publisher - Glasgow: J. & M. Robertson Fashion (Clothing): belted plaid Fashion (Clothing): bonnet (military) Fashion (Clothing): Highland attire Fashion (Clothing): kilt Fashion (Clothing): military Gender: man/men Nature: hill(s) Nature: tree(s) Occupation: soldier Outdoor Scene Weapons: shield(s) Weapons: sword(s) https://scottishchapbooks.lib.uoguelph.ca/files/original/4711e254717bf1b3674d7bbe6ae7d71a.pdf 0bf32ce2d9c0d5c2d0be4ce2a6626c39 https://scottishchapbooks.lib.uoguelph.ca/files/original/204caed543a140f422a4813dc823ff97.jpg 0c66a082738bf47cd69955e1f90d4e13 https://scottishchapbooks.lib.uoguelph.ca/files/original/73c3b3bdab6e7bce14e89a5b327e7f9d.jpg 48f79e460515038761668549e13f546d https://scottishchapbooks.lib.uoguelph.ca/files/original/0451cc9f6321c8b90f6628257e1bbad8.jpg 1d5cae1774f2b7a5a6aadfb15b5ccc89 https://scottishchapbooks.lib.uoguelph.ca/files/original/a3398f1fd55366291c995a4eeb6cf0b6.jpg 9b0df5076b3f6c1224cd31b0cd4bfdc5 https://scottishchapbooks.lib.uoguelph.ca/files/original/3989a50279d6b0c440477676be37b3d8.jpg cbe73b24e412b329027a348336629c7d https://scottishchapbooks.lib.uoguelph.ca/files/original/9fb67cfb11223560f077c792f64ce5b2.jpg 6351a409f06c41e0de802ef15dd37aec https://scottishchapbooks.lib.uoguelph.ca/files/original/806f4f938b2a30e897e9a0b14cb25ead.jpg b6d2d21c29d5ac2cd62a63691427767f https://scottishchapbooks.lib.uoguelph.ca/files/original/7847a5cd6a7e4f2f770cb0aa7c0bb48a.jpg a0f7eaf70a487db1f7324a04783005cf Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Woodcut 042: Title-page illustration in a single ruled border of a couple dancing in the middle of a crowded room. A seated musician is playing an instrument on the right. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hodge of the mill: or, an old woman clothed in grey. To which is added, Sorrow and care. Pipes and tobacco. The pleasures of wooing. Send home my heart and eyes Subject The topic of the resource Chapbooks - Scotland - Glasgow Courtship and Marriage Religion and Morals Wit and Humor Date A point or period of time associated with an event in the lifecycle of the resource 1802 Contributor An entity responsible for making contributions to the resource Archival and Special Collections, University of Guelph, Library, Guelph, Ontario, Canada Rights Information about rights held in and over the resource In the public domain; For high quality reproductions, contact Archival & Special Collections, University of Guelph. libaspc@uoguelph.ca, 519-824-4120, Ext. 53413 Identifier An unambiguous reference to the resource within a given context <a href="https://ocul-gue.primo.exlibrisgroup.com/permalink/01OCUL_GUE/mrqn4e/alma9923335673505154">s0094b30</a> Extent The size or duration of the resource. 8 pages 15 cm Is Referenced By A related resource that references, cites, or otherwise points to the described resource. Scottish Chapbook Catalogue, University of Glasgow Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Sorrow and care. Pipes and tobacco. The pleasures of wooing. Send home my heart and eyes. Abstract A summary of the resource. A collection of short ballads and songs on a variety of topics. The first is a humorous song in which an old woman harries a young man into marrying her daughter after he impregnates her, to which he agrees in exchange for her naming him as her heir. The second song humorously portrays the woes of married life for the husband, focusing for the most part on the tendency of wives to spend their husbands’ money. The third song uses tobacco and pipe smoking as an allegory for the spiritual and bodily journey of men through life, not necessarily encouragingly. The following song criticizes young men as fickle deluders of young women, and cautions others to guard their virginity well, while the final song describes the woes of a scorned lover. Language A language of the resource English Format The file format, physical medium, or dimensions of the resource JPEGs and PDF derived from master file, which was scanned from the original book in 24-bit color at 600 dpi in TIFF format using an Epson Expression 10000XL scanner. Source A related resource from which the described resource is derived Archival & Special Collections, University of Guelph Library, Guelph, Ontario Publisher An entity responsible for making the resource available Glasgow: J. & M. Robertson Type The nature or genre of the resource ballads & songs # of Woodcuts: 1 Activity: dancing Architecture: house Bib Context: title-page Chapbook Date: 1801-1810 Chapbook Genre: ballads & songs Chapbook Publisher - Glasgow: J. & M. Robertson Fashion (Clothing): upper class Gender: man/men Gender: woman/women Indoor Scene Musical Instruments: bagpipe(s) Object: painting(s) Occupation: musician(s)