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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Woodcut on cover of a cat standing upright in fancy dress and hat chasing an old woman dressed similarly in an interior scene (green tint)
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Woodcut 017_a: Cover illustration in single ruled octangular border of a cat standing upright in fancy clothes with an umbrella chasing an old woman dressed similarly in an interior scene. Printed on green paper.
Document
A resource containing textual data. Note that facsimiles or images of texts are still of the genre text.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
The Droll Adventures of Old Dame Trott and her Wonderful Cat
Date
A point or period of time associated with an event in the lifecycle of the resource
ca. 1820
Identifier
An unambiguous reference to the resource within a given context
<a href="https://ocul-gue.primo.exlibrisgroup.com/permalink/01OCUL_GUE/mrqn4e/alma9950420743505154">s0037Ab001</a>
Subject
The topic of the resource
Chapbooks - Scotland - Edinburgh
Wit and Humor
Contributor
An entity responsible for making contributions to the resource
Archival and Special Collections, University of Guelph Library, Guelph, Ontario, Canada
Rights
Information about rights held in and over the resource
In the public domain; For high quality reproductions, contact Archival & Special Collections, University of Guelph. libaspc@uoguelph.ca, 519-824-4120, Ext. 53413
Format
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JPEGs and PDF derived from master file, which was scanned from the original book in 24-bit color at 600 dpi in TIFF format using an Epson Expression 10000XL scanner.
Publisher
An entity responsible for making the resource available
Edinburgh: Oliver and Boyd
Extent
The size or duration of the resource.
34 pages
14 cm
Source
A related resource from which the described resource is derived
Archival & Special Collections, University of Guelph Library, Guelph, Ontario
Type
The nature or genre of the resource
fairytale/folk lore
# of Woodcuts: 17
Animal: cat(s)
Bib Context: title-page
Chapbook Date: 1811-1820
Chapbook Genre: fairytale/folk tale
Chapbook Genre: wit & humor
Chapbook Publisher - Edinburgh: Oliver & Boyd
Fashion (Clothing): bonnet (women)
Fashion (Clothing): dress
Fashion (Clothing): upper class
Gender: woman/women
Indoor Scene
Object: cane(s)
Object: umbrella(s)
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Woodcut on title-page portraying a young man wearing hat. He is standing in a field sharpening a scythe
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PDF Text
Text
FIVE
Favourite Songs,
THE GOLDEN GLOVE.
THE ANSWER.
GET
UP
AND
BAR
THE
DOOR.
THE CHOUGH AND CROW.
NOW YE'RE F A R A W A', LOVE.
GLASGOW:
PRINTED FOR TIIE
15.
BOOKSELLERS.
�M 711
SONGS.
.fK'iwK'KA a i r r
THE GOLDEN GLOVE.
A wealthy young 'squire of T amworth we hear,
He courted a nobleman's daughter so fair;
And for to marry her it was his intent,
All friends and relations had given their consent.
The time was appointed for the wedding-day,
A young farmer was chosen the father to be ;
As soon as the lady the farmer did spy,
It flamed her heart, 0 my heart, she did cry.
She turned from the 'squire, nothing she said,
Instead of being married she went to her bed,
The thoughts of the farmer still run in her mind,
The way for to have him she soon then did find.
Coat, waistcoat, and breeches she then did put on,
And a-hunting she went with her dog and her gun
She hunted all round where the farmer did dwell,
Because in her heart she lov'd him so well.
She oftentimes fired, but nothing she killed,
At lengtn the young farmer came into the field;
�3
Then for to talk with him it was her intent,
With her dog and gun to meet him she went
I thought you had been at the wedding, she cry'd,
To wait on the/squire to give him his bride ;
No, sir, said the farmer, if the truth I may tell,
I'll not give her away, for I love her too well.
Suppose that the lady should grant you her love,
You know that the 'squire your rival will prove ;
0 then, says the farmer, I'll take sword in hand,
By honour I'll gain her, or my life's at command.
It pleased the lady to hear him so bold,
And she gave him a glove that was flower'd with gold,
She told him she found it in coming along,
As she was a-hunting with her dog and her gun.
The lady went home with her heart full of love,
And she gave out a speech she had lost her glove ;
And the man that does find it and bring it to me,
The man that does find it, his bride I shall be.
The farmer was pleased when he heard the news—
With a heart full of joy to his lady he goes ;
Dear honoured lady, I've pick'd up your glove,
If you will be pleased to grant me your love.
It is already granted, I will be your bride,
1 love the sweet breath of a farmer, she cry'd ;
I'll be mistress of the dairy and milking the cows,
While my jolly brisk farmer is whistling at plows.
�4
THE ANSWER.
The 'squire he returned in a furious mood,
Swearing to be revenged in the farmer's blood;
But fortune to the farmer proving more kind,
Disappointed the 'squire of his cruel design.
The 'squire and farmer by chance did meet,
Says the 'squire to the farmer, you are undiscreet
For taking from me my lovely sweet bride ;
You shall either fight me, or die by my side.
With all my whole heart, the farmer did cry,
To fight for my jewel I'll never deny ;
So to work with vigour they instantly went,
But the 'squire yielding, gave the farmer content.
And now they are married in great splendour we hear,
The farmer possesses nine thousand a^year ;
With his beautiful lady, and likewise his hall,
He has men and maid-servants, and all at his call.
Here's a health to plough-boys, the lady did cry,
That I'm wed to a ploughman I'll never deny,
Because they are men of honour, and that we are sure,
And also do labour for both rich and poor.
After the wedding she told of the fun,
How she hunted the farmer with a dog and gun;
But now I have catched him so fast in my snare,
I'll enjoy him for ever, I vow and declare.
�5
GET UP AND B A R THE DOOR.
It fell upon a Martinmas time,
And a gay time it was then,
When our goodwife got puddings to make,
And she boil'd them in a pan.
The wind sae cauld blew south and north,
And blew into the floor,
Quoth our goodman to our goodwife,
Get up and bar the door.
My hand is in my hussy's skap,
Goodman as you may see,
An' it should na be barr'd this hundred year,
It's no be barr'd for me.
They made a paction 'tween them twa,
They made it firm and sure,
That the first word whae'er should speak,
Should rise and bar the door
Then by there came twa gentlemen,
At twelve o'clock at night,
And they could neither see house nor hall,
Nor coal nor candle light.
Now, whether is this a rich man's house ?
Or whether is it a poor ?
But ne'er a word would ane o' them speak,
For barring of the door.
�6
And first they ate the white puddings,
And then they ate the black ;
Tho' muckle thought the goodwife to hersel',
Yet ne'er a word she spak'.
Then said the one unto the other,
Here man, take my knife,
Do ye tak* aff the auld man's beard,
And I'll kiss the goodwife.
But there's nae water in the house,
And what shall we do then?
What ails you at the pudding bree
That boils into the pan ?
0 up then started our goodman,
An angry man was he ;
Will ye kiss my wife before my face.
And scad me wi' pudding bree ?
Then up then started our goodwife,
Gi'ed three skips on the floor ;
Goodman, you've spoken the foremost word,
Get up and bar the door.
NOW Y E ' R E F A R AW A', LOVE.
Oh ! now ye're far awa', love,
Ye're far awa' frae me,
O'er woodland glens, and rocky dens.
And o'er the raging sea.
�7
I stand upon the rocky shore,
The rocky hills behind,
I spy the distant ship afar,
That's driven with the wind.
I see the waves around her rise,
Ten thousand billows roar ;
The foaming surges lash the skies
Behind her and before.
Unto the winds I gave a sigh,
Unto the waves a tear ;
Up to the skies I send my cry,
0 for my dearest dear.
Kind Providence, oh! hear my voice,
Oh, wilt thou her life save ?
Oh, keep her from the sunken rocks,
And from a watery grave.
For, though she's borne awa' frae me,
Across the raging main,
Our hapless loves may yet revive,
Were we to meet again.
THE CHOUGH AND CROW.
The chough and crow to roost are gone,
The owl sits on the tree,
The hush'd wind wails with feeble moan,
Like infant charity.
�8
The wild fire dances on the fen,
The red star sheds its ray ;
Up-rouse ye then, my merry men.
It is our opening day.
Both child and nurse is fast asleep,
And closed is every flower,
And winking tapers faintly peep,
High from my lady's bower ;
Bewildered hinds with shortening ken,
Shrink on their murky way ;
Up-rouse ye then, my merry men,
It is our opening day.
Nor board nor garner own we now,
Nor roof nor latched door,
Nor kind mate, bound by holy vow,
To bless a good man's store.
Noon lulls us in a gloomy den,
And night has grown our day ;
Up-rouse ye $ien, my merry men,
And use it as ye may.
! <00 1 O t
'
,99'rt 0 d.t !
I'ii firi ff elujw
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Woodcut 001: Title-page illustration of a young farmer sharpening a scythe in a field.
Document
A resource containing textual data. Note that facsimiles or images of texts are still of the genre text.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Five Favourite Songs. The Golden Glove. The Answer. Get Up and Bar the Door. The Chough and Crow. Now Ye're Far Awa', Love.
Alternative Title
An alternative name for the resource. The distinction between titles and alternative titles is application-specific.
The Golden Glove
The Answer
Get Up and Bar the Door
The Chough and Crow
Now Ye're Far Awa', Love
Extent
The size or duration of the resource.
8 pages
16 cm
Identifier
An unambiguous reference to the resource within a given context
<a href="https://ocul-gue.primo.exlibrisgroup.com/permalink/01OCUL_GUE/mrqn4e/alma9923314963505154">s0427b20</a>
Description
An account of the resource
15 printed at foot of title page
Woodcut #01: Illustration on title-page of a young farmer sharpening a scythe in a field.
Contributor
An entity responsible for making contributions to the resource
Archival and Special Collections, University of Guelph Library, Guelph, Ontario, Canada
Rights
Information about rights held in and over the resource
In the public domain; For high quality reproductions, contact Archival & Special Collections, University of Guelph. libaspc@uoguelph.ca, 519-824-4120, Ext. 53413
Date
A point or period of time associated with an event in the lifecycle of the resource
1840-1850 per National Library of Scotland
Format
The file format, physical medium, or dimensions of the resource
JPEGs and PDF derived from master file, which was scanned from the original book in 24-bit color at 600 dpi in TIFF format using an Epson Expression 10000XL scanner.
Publisher
An entity responsible for making the resource available
Glasgow: Printed for the Booksellers
Subject
The topic of the resource
Chapbooks - Scotland - Glasgow
Courtship and Marriage
Wit and Humor
Source
A related resource from which the described resource is derived
Archival & Special Collections, University of Guelph Library, Guelph, Ontario
Type
The nature or genre of the resource
ballads & songs
# of Woodcuts: 1
Bib Context: title-page
Chapbook Date: 1841-1850
Chapbook Genre: ballads & songs
Chapbook Genre: wit & humor
Chapbook Publisher - Glasgow: Printed for the Booksellers
Fashion (Clothing): bonnet
Fashion (Clothing): jacket
Fashion (Clothing): pants
Fashion (Clothing): working class
Gender: man/men
Occupation: farmer
Outdoor Scene
Tools: scythe(s)
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Dublin Core
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Title
A name given to the resource
Illustration on title page of a large house with a horse
drawn carriage at front door and a man standing before a
woman seated in the carriage .
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Dublin Core
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Title
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Woodcut 077: Title-page illustration of a large two-story house with a horse drawn carriage in front and a man standing before a woman seated in the carriage .
Document
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Dublin Core
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Title
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The Way to Wealth, with maxims for married ladies and gentlemen, &c.
Alternative Title
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Maxims for married ladies and gentlemen, &c.
Date
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1850
Extent
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24 pages.
Identifier
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<a href="https://ocul-gue.primo.exlibrisgroup.com/permalink/01OCUL_GUE/mrqn4e/alma9953133963505154">s0098b48</a>
Is Part Of
A related resource in which the described resource is physically or logically included.
Chapbook #31 in a bound collection of 34 chapbooks
Description
An account of the resource
"Price One Penny" at bottom of title page
Woodcut # Illustration on title page of a large house with a horse drawn carriage at front door and a man standing before a woman seated in the carriage .
Contributor
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Archival and Special Collections, University of Guelph Library, Guelph, Ontario, Canada
Rights
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In the public domain; For high quality reproductions, contact Archival & Special Collections, University of Guelph. libaspc@uoguelph.ca, 519-824-4120, Ext. 53413
Format
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JPEGs and PDF derived from master file, which was scanned from the original book in 24-bit color at 600 dpi in TIFF format using an Epson Expression 10000XL scanner.
Publisher
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Glasgow: Printed for the Booksellers
Subject
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Chapbooks - Scotland - Glasgow
Courtship and Marriage
Religion and Morals
Source
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Archival & Special Collections, University of Guelph Library, Guelph, Ontario
Creator
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Franklin, Benjamin, 1706-1790
Type
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wit & humor
# of Woodcuts: 1
Animal: horse(s)
Architecture: chimney(s)
Architecture: house
Architecture: window(s)
Bib Context: title-page
Chapbook Date: 1841-1850
Chapbook Genre: religion & morals
Chapbook Genre: wit & humor
Chapbook Publisher - Glasgow: Printed for the Booksellers
Gender: man/men
Gender: woman/women
Outdoor Scene
Transportation: carriage
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Document
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Dublin Core
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Title
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A Night Frae Hame, Oration on Teetolization, and Parody on the Last Rose of Summer
Date
A point or period of time associated with an event in the lifecycle of the resource
1842
Identifier
An unambiguous reference to the resource within a given context
<a href="https://ocul-gue.primo.exlibrisgroup.com/permalink/01OCUL_GUE/mrqn4e/alma9953133963505154">s0098b48</a>
Is Part Of
A related resource in which the described resource is physically or logically included.
Chapbook #21 in a bound collection of 34 chapbooks
Abstract
A summary of the resource.
This song tells the humorous story of a young man who gets caught up in a tavern brawl after a night of drinking, with many descriptions of common Vices and Virtues which are involved. The song is followed by a speech that extolls the virtues of abstinence from alcohol and the evils of drinking, all in rhyme. The collection concludes with a short humorous song about the last coin in a purse which is spent on a drink at a tavern
Subject
The topic of the resource
Ballads and songs
Chapbooks - Scotland - Paisley
Wit and Humor
Contributor
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Archival and Special Collections, University of Guelph Library, Guelph, Ontario, Canada
Rights
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In the public domain; For high quality reproductions, contact Archival & Special Collections, University of Guelph. libaspc@uoguelph.ca, 519-824-4120, Ext. 53413
Is Referenced By
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<a title="University of Glasgow Union Catalogue of Scottish Chapbooks" href="http://special.lib.gla.ac.uk/chapbooks/search/">University of Glasgow Union Catalogue of Scottish Chapbooks </a>
Extent
The size or duration of the resource.
8 pages
Description
An account of the resource
In verse
Format
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JPEGs and PDF derived from master file, which was scanned from the original book in 24-bit color at 600 dpi in TIFF format using an Epson Expression 10000XL scanner.
Publisher
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Paisley: G. Caldwell and Son
Source
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Archival & Special Collections, University of Guelph Library, Guelph, Ontario
# of Woodcuts: 0
Chapbook Date: 1841-1850
Chapbook Genre: ballads & songs
Chapbook Genre: wit & humor
Chapbook Publisher - Paisley: G. Caldwell and Son
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PDF Text
Text
FOUR SONGS
CHERRY-CHEEKED PATTY.
JUDY O'FLANNIKIN.
NO PEACE ABOUT THE HOUSE.
MAGGIE LAUDER.
GLASGOW:
PRINTED FOR THE BOOKSELLERS.
68.
�SONGS.
CHERRY-CHEEKED PATTY.
Down in yon vale I lives so snug,
Thev call me Giles the ploughman's boy;
At the sound of the horn
I rise in the morn,
And I whittle, I whistle, and whoop gee wo I cry*
My work being done, to the lawn then* I fly,
Where the lads and the lasses all look very sly
And I'ze deeply in love with a girl, it is true,
'Cause I knows what I knows, but I munna tell you;
Then I'll whistle, I'll whistle, and of all the girls I ever
did see,
Oh ! cherry-cheeked Patty for me.
The squire, though so great, so happy mayn't be
As simple Giles, the ploughman's boy;
At the sound of the horn
I rise in t ie morn,
And I whistle, I whistle, and whoop gee wo I cry;
There's cherry-cheeked Patty, who lives in the vale,
That I help o'er the stile with her milking-pail,
And she has a right notion of me, it is true,
'Cause I knows, &c.
�3
So able and strong, and willing to work,
And when the lark rises, off trudge I ;
At the sound of the horn
I rise in the morn,
And I whistle, I whistle, and whoop gee wo I cry.
There's the lord of the valley, he tries in vain,
And does all he can my Patty to gain,
Let him do what he will, it never will do,
'Cause I knows, &c.
My Patty consented next week to be
The wife of Giles the ploughman's boy;
Then my cows up I'll call,
And I'll harness old Ball,
And I'll whistle, I'll whistle, and whoop gee wo I'll cry.
And when from the church we do trip it away,
Along with the old ones we'll spend the whole day,
But night coming on, we'll bid them adieu,
'Cause I knows, &c.
JUDY O'FLANNIKIN.
O whack ! Cupid's a mannikin,
Smack on my back he hit me a polter,
Good lack! Judy O'Flannikin,
Dearly she loves neat Looney Mactwolter.
Judy's my darling, my kisses she suffers,
She's an heiress, that's clear,
For her father sells beer,
He keeps the sign of the Cow and the Snuffers.
�4
She's so smart,
From my heart,
I cannot bolt her,
Oh whack, Judy O'Flannikin !
She is the girl for Looney Mactwolter.
Ochone! good news I need a bit,
We'd correspond, but learning would choke her,
Mavrone! I cannot read a bit,
Judy can't tell a pen from a proker.
Judy's so constant, I'll never forsake her,
She's as true as the moon,
Only one afternoon
I caught her asleep with a hump-back'd shoemaker.
Oh! she's so smart,
From my heart
I cannot bolt her,
Oh, whack! Judy O'Flannikin!
She is the girl for Looney Mactwolter
NO PEACE ABOUT THE HOUSE.
There is no peace about the house,
In kitchen, parlour, hall,
There is no comfort in the house
On Saturday at all.
Where'er you turn, a noise assails
Brushes, brooms and mops,
Besides a host of pans and pails,
For various stinking slops.
�5
Then there's rubbing, scrubbing, tearing, swearing, echoing every way;—
Of all the days throughout the week, the worst is
Saturday.
Hark, is that dread thunder near ?
Or noisy drum and fife ?
Oh no, the music that I hear
Is charwoman and wife;
Both laughing, scolding, talking, singing,
'Gad, there's such a din.
That all Babel's workmen ringing,
Conquer'd must give in—
To their rubbing, scrubbing, tearing, swearing, echoing
every way,—
Of all the days within the week, the worst is Saturday.
In apron blue, now comes your belle,
And gown well stored with holes ;
For colour, it might passing well
Claim kindred with the coals.
Then she says, ' You know, my dear,
Some make their husbands rue,
By taking their good clothes to wear,
When any thing will do,
For their scrubbing, rubbing, tearing, wearing/ O, curse
them all, I say,—
Of all the days throughout the week, the worst is Saturday.
Begrimed with dust, with dirt and grease,
She now sits down to dine;
�6
At banyan day, of bread and cheese
You must not now repine;
Your goods and chattels now displaced,
All in confusion stand;
Some are broke, and some defac'd,
By each destructive hand,
With their rubbing, scrubbing tearing, swearing, sounding every way,—
Of all the days that's in the week, the worst is Saturday.
At length, thank Fate, the warfare's o'er,
But now, the peevish trump
Insists that all across the floor
We must hop, skip and jump,
For fear that milk-white boards should soil,
Or furniture bewray,
Oh, wo to him that dares to spoil
The work of Saturday;
After rubbing, scrubbing, tearing, swearing, all their
time away,—
Of all the days that make the week, the worst is Saturday.
Then to avoid a din and noise,
For rational delight,
We haste to join some jolly boys,
On Saturday at night;
Then we're met—a jovial set,
We drive dull care away;
In harmony we soon forget
The woes of Saturday.
�7
And their rubbing, scrubbing, tearing, swearing, all the
live-long day;
But the night of mirth will soon requite the woes or
Saturday.
M A G G I E LAUDER.
Wha wadna be in love
Wi* bonnie Maggie Lauder ?
A piper met her gaun to Fife,
And spier'd what was't they ca'd her ?
Right scornfully she answer'd him,
Begone, you hallanshaker;
Jog on your gate, you bladderskate,
My name is Maggie Lauder.
Maggie, quoth he, and by my bags,
I'm fidging fain to see thee,
Sit down by me, my bonny bird,
In troth I winna steer thee:
For I'm a piper to my trade,
My name is Rob the Ranter,
The lasses loup like they were daft,
When I blaw up my chanter.
Piper, quoth Meg, hae you your bags
Or is your drone in order ?
If ye be Rab, I've heard of you,
Live you upon the border ?
�8
The lasses a' bailh far and near
Hae heai d of Rob the Ranter,
I'll shake my foot wi' right good will,
Gif you'll blaw up your chanter.
Then to his bags he flew with speed,
About the drone he twisted,
Meg up and walloped o'er the green,
For brawly could she frisk it.
Weel done, quoth he : play up, quoth she;
Weel bobb'd, quoth Rob the Ranter,
'Tis worth my while to play indeed,
When I hae sic a dancer.
Weel hae you play'd your part, quoth Meg,
Your cheeks are like the crimson;
There's nane in Scotland plays sae weel,
Since we lost Habby Simson.
I've lived in Fife baith maid and wife,
These ten years and a quarter;
Gin you should come to Anster Fair,
Spier ye for Maggy Lauder.
For a' the talk and loud reports
That ever ga'ed against her,
Meg proves a true and carefu' wife,
As ever was in Anster.
An' since the marriage knot was tied,
Rob swears he couldna want her,
For he loes Maggie as his life,
An' Meg loes Rob the Ranter.
�
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Omeka Image File
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Document
A resource containing textual data. Note that facsimiles or images of texts are still of the genre text.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Four Songs. Cherry-Cheeked Patty. Judy O'Flannikin. No Peace about the house. Maggie Lauder.
Identifier
An unambiguous reference to the resource within a given context
<a href="https://ocul-gue.primo.exlibrisgroup.com/permalink/01OCUL_GUE/mrqn4e/alma9934228183505154">s0585b31</a>
Alternative Title
An alternative name for the resource. The distinction between titles and alternative titles is application-specific.
Cherry-Cheeked Patty.
Judy O'Flannikin.
No Peace about the house.
Maggie Lauder.
Date
A point or period of time associated with an event in the lifecycle of the resource
[1840-1850?] per National Library of Scotland
Extent
The size or duration of the resource.
8 pages
15 cm
Description
An account of the resource
68 printed at the bottom of the title-page.
Subject
The topic of the resource
Ballads and songs
Wit and Humor
Chapbooks - Scotland - Glasgow
Contributor
An entity responsible for making contributions to the resource
Archival and Special Collections, University of Guelph Library, Guelph, Ontario, Canada
Is Referenced By
A related resource that references, cites, or otherwise points to the described resource.
<a title="National Library of Scotland" href="http://www.nls.uk/">National Library of Scotland </a>
<a title="University of Glasgow Union Catalogue of Scottish Chapbooks" href="http://special.lib.gla.ac.uk/chapbooks/search/">University of Glasgow Union Catalogue of Scottish Chapbooks </a>
Rights
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In the public domain; For high quality reproductions, contact Archival & Special Collections, University of Guelph. libaspc@uoguelph.ca, 519-824-4120, Ext. 53413
Language
A language of the resource
English
Format
The file format, physical medium, or dimensions of the resource
JPEGs and PDF derived from master file, which was scanned from the original book in 24-bit color at 600 dpi in TIFF format using an Epson Expression 10000XL scanner.
Publisher
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Glasgow: Printed for the Booksellers
Source
A related resource from which the described resource is derived
Archival & Special Collections, University of Guelph Library, Guelph, Ontario
# of Woodcuts: 1
Bib Context: title-page
Chapbook Date: 1841-1850
Chapbook Genre: ballads & songs
Chapbook Genre: wit & humor
Chapbook Publisher - Glasgow: Printed for the Booksellers
Fashion (Clothing): belted plaid
Fashion (Clothing): feather bonnet
Fashion (Clothing): Highland attire
Fashion (Clothing): kilt
Fashion (Clothing): sporran
Furniture: stool(s)
Musical Instruments: bagpipe(s)
-
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Width
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Dublin Core
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Title
A name given to the resource
Illustration on title page of a tall ship at sea
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PDF Text
Text
THE
PENNY-WORTH OF WIT'S
GARLAND,
IN THREE PARTS.
F A R T I.-—Showing how a Merchant was deluded from
his Lady by a Harlot.
P A R T I I . — H o w he sailed into a far Country.
P A R T I I I , — H o w he returned to the British shore.
GLASGOW:
P R I N T E D FOR THE
i».
BOOKSELLE&&
�T H E PENNY W O R T H OF WIT'S G A R L M B .
P A R T I.
Here is a penny worth of wit,
F o r those that ever went astray?
If warning they will take by me
'Twill do them good some other day.
It is a touch stone of true love,
Betwixt a harlot and a w i f e ;
The former doth destructive prove,
The latter yields the joys of life.
A s in this book you may behold,
Set forth by William Lane,
A wealthy merchant, brave and bold,
W h o did a harlot long maintain.
A l t h o u g h a virtuous wife he had,
Likewise a youthful daughter dear,
W h i c h might have made his heart full glad,
Y e t he seldom would them come near.
The finest silks that could be bought,
N a y , jewels, rubbies, diamonds, rings,
H e to his wanton harlot bought,
W i t h many other costly things.
She'd still receive them with a smile
W h e n he came from the roaring seas.
A n d said, with words as smooth as oil,
M y dearest come and take thy ease;
T o my soft bed of linen fine,
Thou art right welcome love, said she,
B o t h I and all that e'er was mine
still at thy devotion be.
�3
Aye that I will thou needs not fear,
And so embraced him with a kiss,
Then took the wealth, and said, my dear
I'll have a special care of this.
To her he said, my joy, my dear,
With me what venture wilt thou send,
A good return thou needs not fear,
I'll be thy factor and thy friend.
In goods, my dear jewel, I'll send above
Ten pounds, which you shall take on board,
I know that unto me my love
A treble gain thou wilt afford.
This said, next to the wife he goes
And asked her in scornful ways,
What venture she will now propose
To send by him for merchandise.
I'll send a penny love by thee,
Be sure to take great care of it,
When you're in foreign part, said she,
Pray buy a penny worth of wit.
He put the money up secure,
A n d said I'll take a special care
T o lay it out you may be sure,
So to his miss he did repair.
And told her what he was to buy,
A t which she laughed his wife to scorn;
On board he went immediately,
And set to sea that very morn.
�riSl
4
P A R T II.
N o w were they gone with merry hearts,
The merchant and his jovial crew,
From port to port in foreign parts
T o trade as they were wont to do.
A t length when he had well bestowed
The cargo which was outward bound,
He did his trading vessel load
W i t h rich treasures which he found.
A s this merchandise did vend,
They turned the gems and golden ore,
W h i c h crowned his labour with content,
H e never was so rich before.
The wanton harlot's venture then,
Did run to great account likewise,
For every pound she would have ten,
Such was their lucky merchandise.
The merchant then with laughter mov'd,
Said he for wit had never sought,
M y harlot's venture is approved,
But of my wife's I never thought.
She bid me use my utmost skill
T o buy a penny-worth of wit,
B u t I have kept the penny still
A n d ne'er so much as thought of it.
A n aged father sitting by,
W h o s e venerable locks were grey,
Straight made the merchant this reply,
Hear me a word or two I pray.
�Thy harlot in prosperity,
She will embrace thee for thy g o l d ;
But if in want and misery
You'll nought but frowns from her behold.
And ready ,to betray thy life,
W h e n wretched, naked, poor, and low,
But thy true hearted faithful wife
Will stand by thee in well or woe.
If thou will prove the truth of this,
Strip off thy gaudy rich array,
And so return to thy lewd miss,
Declare that thou wast cast away.
Thy riches buried in the main,
Besides as you passed through a wood,
One of your servants you had slain
For which your life in danger stood ; Beseech her for to shelter thee,
Declare to her you so depend,
And then, alas, full soon you'll see
How far she'll prove a faithful friend.
Then if she frowns go to thy wife,
Tell her this melancholy t h i n g ;
W h o labours most to save thy life,
Let her be most in thy esteem.
Further the merchant then reply'd,
Y o u must this single penny take,
And when I have passed the ocean wide,
A proof of this I mean to make.
�6
P A R T III.
\i
: : b. •
/ i i 'it V
With full sail to sea they went,
Neptune the golden cargo bore,
Thro' roaring waves, to their content
A t length they reached the British, shor
he merchant put on poor array,
The very worst of ragged clothes,
And then without the least delay
He to his wanton harlot goes.
He cried no man was ere so crossed
As I have been, sweet heart delight,
My ship and all I had is lost,
Without thy aid I'm ruined quite.
My loss is great, yet that's not all,
One of my servants I have slain,
As we did both at variance fall,
Some shelter let me here obtain.
1 dare not now go near my wife
Whom I have wronged for many years^
Into thy hands I'll put my life,
Take pity on my melting tears
Y e bloody villian, she replied,
Do'nt in the least on me depend,
Begone, or as I live, she cried,
I for an officer will send.
�7
Then to his loving wife he came,
Both poor and naked, in distress,
He told her all the very same,
Y e t she received him ne'ertbeless.
My dear, she cried, since it is so,
Take comfort in thy loving wife;
All that I have shall freely go
To gain a pardon for thy life.
I'll lodge thee in a place secure,
Where 1 will daily nourish thee.
Unto his virtuous wife, he said,
My jewel set thy heart at rest.
Behold I have no servant slain,
N o r have T suffered any loss;
Enough I have us to maintain,
The ocean seas no more I'll cross.
M y loaded ship lies near the shore,
With gold and jewels richly fraught,
So much I never had before,
The penny-worth of wit I've bought.
Once more he to his harlot goes
With fourteen sailors brave and bold.
All clothed in new and Costly clothes
Of silk and embroider'd gold.
The miss when she his
Did offer him a kind
But he With wrath and
Did straight upbraid
pomp beheld,
embrace,
anger filled,
her to her face.
�8
But she with smiles there words expressed,
I have a faithful love for thee,
What e'er I said was but a jest,
W h y didst thou go so soon from me ?
T w a s full time to go from thee,
Y o u have another love in store,
Whom you have furnished with my gold,
And jewels which I brought on shore.
l i s false, she cried, I have them all;
With that the merchant straight replied
L a y them before me and I shall,
Be soon convinced and satisfied.
Then up she ran and brought thein down,
His jewels, gold, and rubbies. bright;
He seized them all, and with a frown,
He bad the wanton jilt good night.
When he had seized the golden purse
And swept up every precious stone,
She cried, what! will you rob me thus ?
Y e s that I will, of what's my own.
Y o u wanted to betray my life
But thanks to God. there's no such fear;
These jewels shall adorn my wife*
Henceforth your house I'll not come near.
Home he returned to his sweet wife,
A n d told her all that he had done;
E'er since they live a happy life,
And he'll to harlots no more run.
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W h o m you have furnished with my gold,
A n d jewels which I brought on shore.
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W i t h that the merchant straight replied
L a y them before me and I shall,
Be soon convinced and satisfied.
Then up she ran and brought them down,
His jewels, gold, and rubbies b r i g h t ;
H e seized them all, and with a frown,
He bad the wanton jilt good night.
THE
PENNY-WORTH OF
W Y F &
GARLAND,
IN THREE PARTS.
P A R T I . — S h o w i n g how a M e r c h a n t was deluded from
his L a d y by a Harlot.
P A R T I I . — H o w he sailed into a far Country.
P A R T III,—^How he returned to the British shore.
W h e n he had seized the golden purse
A n d swept up every precious stone,"
She cried, w h a t ! will you rob me t h u s ?
Y e s that I will, of what's my own.
Y o u wanted to betray my life
But thanks to God there's no such f e a r ;
These jewels shall adorn my wife,
Henceforth your house F i l not come near.
H o m e he returned to his sweet wife,
A n d told her all that he had done;
E'er since they live a happy life,
A n d he'll to harlots no more run.
GLASGOW:
PRINTED FOR THE
t%
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7
T H E PENNY W O R T H OF WIT'S GARLAND.
P A R T I.
Here is a penny worth of wit,
F o r those that ever went astray,
If warning they will take by me
'Twill do them good some other day.
It is a touch stone of true love,
Betwixt a harlot and a w i f e ;
The former doth destructive prove,
The latter yields the joys of life.
A s in this book you may behold,
Set forth by William Lane,
A wealthy merchant, brave and bold,
W h o did a harlot long maintain.
A l t h o u g h a virtuous wife he had,
Likewise a youthful daughter dear,
W h i c h might have made his heart full glad,
Y e t he seldom would them come near.
The finest silks that could be bought,
N a y , jewels, rubbies, diamonds, rings,
H e to his wanton harlot bought,
W i t h many other costly things.
She'd still receive them with a smile
W h e n he came from the roaring seas.
A n d said, with words as smooth as oil,
M y dearest come and take thy ease;
T o my soft bed of linen fine,
Thou art right welcome love, said she,
B o t h I and all that e'er was mine
Shal 1 stil* at thy devotion be.
Then to his loving wife he came,
Both poor and naked, in distress,
H e told her all the very same,
Y e t she received him ne'ertheless.
M y dear, she cried, since it is so,
Take comfort in thy loving wife;
A l l that I have shall freely g o
T o gain a pardon for thy life.
I'll lodge thee in a place secure,
W h e r e I will daily nourish thee.
U n t o his virtuous wife, he said,
M y jewel set thy heart at rest.
Behold I have no servant slain,
N o r have I suffered any loss;
E n o u g h I have us to maintain,
The ocean seas no more I'll cross.
M y loaded ship lies near the shore,
With gold and jewels richly fraught,
So much I never had before,
The penny-worth of wit I've bought.
Once more he to his harlot goes
W i t h fourteen sailors brave and bold,
A l l clothed in new and costly clothes
Of silk and embroider'd gold.
The miss when she his
Did offer him a kind
B u t he with wrath and
Did straight upbraid
pomp beheld ,
embrace,
anger filled,
her to her face.
�
Dublin Core
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Title
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Woodcut 081: Title-page illustration of a tall ship at sea.
Document
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The Penny-Worth of Wit's Garland, In Three Parts. Part I.--Showing how a Merchant was deluded from his Lady by a Harlot. Part II.--How he sailed into a far Country. Part III.--How he returned to the British shore.
Identifier
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<a href="https://ocul-gue.primo.exlibrisgroup.com/permalink/01OCUL_GUE/mrqn4e/alma9923384313505154">s0564b74</a>
<a href="https://ocul-gue.primo.exlibrisgroup.com/permalink/01OCUL_GUE/mrqn4e/alma9943831033505154">s0615b44</a>
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8 pages
16 cm
Description
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<span>Woodcut #81: Illustration on title page of a tall ship at sea</span>
19 printed at the bottom of the title-page.
Contributor
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Archival and Special Collections, University of Guelph Library, Guelph, Ontario, Canada
Rights
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In the public domain; For high quality reproductions, contact Archival & Special Collections, University of Guelph. libaspc@uoguelph.ca, 519-824-4120, Ext. 53413
Date
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[1840-1850?] per University of Glasgow Union Catalogue of Scottish Chapbooks
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<a title="University of Glasgow Union Catalogue of Scottish Chapbooks" href="http://special.lib.gla.ac.uk/chapbooks/search/">University of Glasgow Union Catalogue of Scottish Chapbooks </a>
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part of unbound collection (s0564b74)
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JPEGs and PDF derived from master file, which was scanned from the original book in 24-bit color at 600 dpi in TIFF format using an Epson Expression 10000XL scanner.
Publisher
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Glasgow: Printed for the Booksellers
Type
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wit & humor
Subject
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Chapbooks - Scotland - Glasgow
Travel
Courtship and Marriage
Source
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Archival & Special Collections, University of Guelph Library, Guelph, Ontario
# of Woodcuts: 1
Chapbook Date: 1841-1850
Chapbook Genre: wit & humor
Chapbook Publisher - Glasgow: Printed for the Booksellers
Outdoor Scene
Transportation: ship/boat(s)
-
https://scottishchapbooks.lib.uoguelph.ca/files/original/ed958f19637504fd8fc9c6d730028faf.jpg
740be210470119a2512fc15c407939ba
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8
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3
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3174
Width
2009
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Title
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Woodcut on title-page portraying a young man wearing hat. He is standing in a field sharpening a scythe
https://scottishchapbooks.lib.uoguelph.ca/files/original/3679c19386c207afd22cde7b97966360.pdf
e193e19c55ebac1e0fb230eaeddda48d
PDF Text
Text
FOUR
Popular Songs.
R O G E R AND N E L L Y .
G A B TAR* Y O U R A U L D CLOAK ABOUT Y E .
A LASSIE L I V E S B Y Y O N D E R BURN.
LOW DOWN IN T H E BROOM.
GLASGOW: ,
PRINTED FOR THE BOOKSELLERS.
i l
�fl'IO1®
M. B
.
v
f r r r r
•
SONGS
—
—
—
—
-
1
TAK* YOUR A^TLtt CLOAK ABOUT YE,
In winter when the rain rain'd caulcl,
And frost and snaw on ilka Kill,
And Boreas, with his blast sae baulcj.
Was threatening a' our kyrto kill.
Then Bell, my wife, wha lo'es nae strife,
She said to me right hastily,
Get up, goodman, save Crummie's life.
And tak' your auid cloak about ye.
My Cruminie is a useful cow,
And she is come of a good kin'.
Aft has she wet the bairns' mou\
And I am laith that she should tyne ;
Get up, goodlnan, it is fu* time,
The sun shines frae the lift sae hie,
Sloth never made a gracious end,
Go tak* your auld cloak about ye.
My cloak was ance a guid grey cloak,
And fitting for my wear ;
But now it's scantlv worth a groat,
For I've worn't this thretty year,
s m a L u a a a o e a -J^T
Twai
n
�3
Let's spend the gear that we hae won*
We little ken the day we'll die :
Then I'll be proud, since I hae sworn*
To bae a new cloak about, me.
Jsrf^d aHwmow tiuiww >d oJ j fguoV!
in days when our King Robert rang,
His trews they cost but lialf-a-ci;own ;
He said they were a groat too dear,
And ca'd the tailor thief and loon.
He was the king that wore a crown,
And thou a man of laigh degree ;
Tis pride puts a' the country down,
Sae tak your auld cloak about ye.
Every land has its ain burgh,
Ilka kind o' corn has its ain liool;
I think the world has a' gane daft,
When ilka wife her man wad rule.
Do you not see Bab, Jock, and Hab,
How they are girded galiantlie,
While I sit hurklen in the ase ;
I'll hae a new cloak about me.
Goodman, I wat it's thretty year
Since we did ane anither ken;
And we hae had between us twa,
Of lads and bonny lasses ten.
Now they are women grown and men,
I wish and pray weel may they be;
And why wilt thou myseV misken?
E'en tak your auld cloak about ye.
�, & j jC M i M M I
Mj *^ M M
gM
\
4
Bel! my wife, she lo'es nae strife.
But she wad guide me if sli6 can ;
And to maintain an easy life,
I oft maun yield, tho' T m goodman.
Nought's to be won at woman's hand,
Unless ye gi'e her a' the plea;
.Safe I'll leave aff where I began,
And tak my auld cloak about me.
LOW DOWN IN THE BROOM.
My daddie is a canker'd carle,
He'll no twin wi' his gear,
My mither she's a scolding wife,
Hands a' the house a steer.
But let them say, or let them do,
It's a' ane to me,
For he's low down, he's in the broom
That's waiting on me ;
Waiting on me, my love,
He's waiting on me ;
For he's low down, he's in the broom
That's waiting on me.
My auntie Kate sits at her wheel,
And sair she lightlies me,
But weel I ken it's a' envy,
For ne'er a joe has she.
But let them say, &c.
•
�My cousin Kate was sair beguil'd
With Johnnie in the gleii ;
And aye since syne she cries, beware
Q* false, deluding men.
But let them say, &e.
Gleed Sandy he cam wast ae night,
And spier'd when I saw Pate ?
And aye since syne the neighbours round
They jeer me ear' and late.
But let them say, or let them do,
It's a' tine to me,
For I'll gae to the bonny lad
That's waiting on me ;
Waiting on me, my love,
He's waiting on me ;
For he's low down, he's in the broom
That's waiting on me.
ROGER AND NELLY.
'Twas in the prime of summer time,
Quite pleasing was the weather,
Young Roger would a wooing go,
By the consent of his mother ;
So he was drest all in his best.
Quite smart without a wrinkle,
A rusty sword down by his side,
Tied on with beggars inkle.
�6
Then Roger call'd to his man John,
Go fetch me out odd Dobbin,
Comb out his mane, cock up his tail,
That it may not hang bobbing.
With a saddle-tree bound down with hay,
Which is a thing so proper,
And a patten ring, tied in a string
Of linsey-wolsey cropper
*
Then Roger to his chest would go
Straightway to unlock it,
Three halfpence of old Irish coin
He put into his pocket.
With the bridle best, pick'd from the rest,
Which he had for a,stirrup ;
A besom stick he had for a whip,
With half a yard of cart-rope.
Then Roger rose and took the road,
They took him for a 'torney,
With his pistol long, it was well load,
For fear he should be robbed ;
And every little while he said,
Come mend your pace, old Dobbin;
Should night o'ercast we'll lose our road,
Then let us both keep joggin'.
Then Roger to the town did go,
For his doxy to inquire ;
Making a rout he found hereout,
JSText door to the town-crier.
�7
Then he s^id to his dear Nell,
Let us in wedlock join,;
But first tell me thy fortune.
And then I'll tell thee mine.
*
I have a box without a top,
A spade without a handle,
A pepper box, an old cart rope,
And half a farthing candle;
A washing tub, a pewther dish.,
A pestle and a mortar,
A leathern bucket old and good,
'Twill serve us years in future.
'
. M erit * too cpb miU VI
Besides, says she, it is well known
I have great store of linen,
Full forty yards of hemp and yarn,
And all "of my own spinning.
0 then, says Roger, it's well known
I've Dobbin in the stable*
A pig, a calf, a crown and half,
And a rare old kitchen table.
'.oibfiifu ' mi T»f ffo'i haA
Besides, says he, I have a house,
Fetches fifteen-pence a quarter,
An old bedstead without a head,
And a pot to catch your water.
Come, said he, my dear sweet Nell,
Let us to church be jogging ;
With all my heart, I'll say my part.
Go fetch me out old Dobbin.
�8
So then to church they did repair,
And in wedlock's bands were joined ;
When all was o'er, to bed they went,
And now their toils are ended.
A LASSIE LIVES BY YONDER BURN.
A lassie lives by yonder burn
That jinks about the seggins,
There aft she gi'es her sheep a turn,
To feed amang the brakens.
Could I believe she'd woo wi' me,
In spite of mam or daddie,
I'd aften slip out owre the lea,
An' row her in my plaidie.
Her breast to busk I'd violets pu?
That blaw aboon the boggie,
And blue bells hingin' wat wi' dew
Frae yonder glen sae foggie.
Could I believe she'd woo wi* mef
An' tak me for her laddie,
I'd aften slip out owre the lea,
And row her in my plaidie.
I maun awa, I canna stay,
Should a* gang tapsalteerie ;
Should bogles meet me in the way,
This night I'll see my dearie.
I'll ben the spence and dress a-wee,
Wi' knots and buglits fu' gaudy,
For I canna rest until I see
Gin she'll come in my plaidie.
�
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Title
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Woodcut 001: Title-page illustration of a young farmer sharpening a scythe in a field.
Document
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Four Popular Songs. Roger and Nelly. Goe tak' Your Auld Cloak About Ye. A Lassie Lives By Yonder Burn. Low Down in the Broom.
Identifier
An unambiguous reference to the resource within a given context
<a href="https://ocul-gue.primo.exlibrisgroup.com/permalink/01OCUL_GUE/mrqn4e/alma9923317123505154">s0424b22</a>
Alternative Title
An alternative name for the resource. The distinction between titles and alternative titles is application-specific.
Roger and Nelly.
Goe tak' Your Auld Cloak About Ye.
A Lassie Lives By Yonder Burn.
Low Down in the Broom.
Date
A point or period of time associated with an event in the lifecycle of the resource
[1840-1850?] per University of Glasgow Union Catalogue of Scottish Chapbooks
Extent
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8 pages
16 cm
Description
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44 is printed at the bottom of the title-page.
Woodcut #01: Illustration on title-page of a young farmer sharpening a scythe in a field.
Contributor
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Archival and Special Collections, University of Guelph Library, Guelph, Ontario, Canada
Is Referenced By
A related resource that references, cites, or otherwise points to the described resource.
<a title="University of Glasgow Union Catalogue of Scottish Chapbooks" href="http://special.lib.gla.ac.uk/chapbooks/search/">University of Glasgow Union Catalogue of Scottish Chapbooks </a>
<a title="National Library of Scotland" href="http://www.nls.uk/">National Library of Scotland </a>
Rights
Information about rights held in and over the resource
In the public domain; For high quality reproductions, contact Archival & Special Collections, University of Guelph. libaspc@uoguelph.ca, 519-824-4120, Ext. 53413
Format
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JPEGs and PDF derived from master file, which was scanned from the original book in 24-bit color at 600 dpi in TIFF format using an Epson Expression 10000XL scanner.
Publisher
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Glasgow: Printed for the Booksellers
Subject
The topic of the resource
Courtship and Marriage
Chapbooks - Scotland - Glasgow
Wit and Humor
Source
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Archival & Special Collections, University of Guelph Library, Guelph, Ontario
Type
The nature or genre of the resource
ballads & songs
# of Woodcuts: 1
Bib Context: title-page
Chapbook Date: 1841-1850
Chapbook Genre: ballads & songs
Chapbook Genre: wit & humor
Chapbook Publisher - Glasgow: Printed for the Booksellers
Fashion (Clothing): bonnet
Fashion (Clothing): jacket
Fashion (Clothing): pants
Fashion (Clothing): working class
Gender: man/men
Occupation: farmer
Outdoor Scene
Tools: scythe(s)
-
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Dublin Core
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Title
A name given to the resource
Woodcut on title-page portraying a young man wearing hat. He is standing in a field sharpening a scythe
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49523a166bc15a18fe9dcf8d8d413550
Dublin Core
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Title
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Woodcut 001: Title-page illustration of a young farmer sharpening a scythe in a field.
Document
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
The Humours of Glasgow Fair and The Comical Song of Auld John Paul.
Identifier
An unambiguous reference to the resource within a given context
<a href="https://ocul-gue.primo.exlibrisgroup.com/permalink/01OCUL_GUE/mrqn4e/alma9923337913505154">s0024ADb76</a>
Alternative Title
An alternative name for the resource. The distinction between titles and alternative titles is application-specific.
The Comical Song of Auld John Paul
Auld John Paul.
Description
An account of the resource
42 printed at the bottom of the title-page
Woodcut #01: Illustration on title-page of a young farmer sharpening a scythe in a field.
Abstract
A summary of the resource.
The chapbook contains two humorous songs in Scots. The first describes the adventures of a group of friends attending a fair in Glasgow, including quite a bit of drinking, eating, dancing, flirting, fighting, and other tom-foolery, including the comical misidentification of some livestock. In the second song, Auld John Paul, an elderly but sprightly widower, woos an alewife. After some sweet talk and fighting off some of his would-be rivals for the widow’s hand, the two are married at a well-attended wedding
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Glasgow, Scotland
Language
A language of the resource
Scots
Date
A point or period of time associated with an event in the lifecycle of the resource
1840-1850 per University of Glasgow Union Catalogue of Scottish Chapbooks
Extent
The size or duration of the resource.
8 pages
16 cm
Is Referenced By
A related resource that references, cites, or otherwise points to the described resource.
University of Glasgow Union Catalogue of Scottish Chapbooks http://special.lib.gla.ac.uk/chapbooks/search/
Contributor
An entity responsible for making contributions to the resource
Archival and Special Collections, University of Guelph Library, Guelph, Ontario, Canada
Format
The file format, physical medium, or dimensions of the resource
JPEGs and PDF derived from master file, which was scanned from the original book in 24-bit color at 600 dpi in TIFF format using an Epson Expression 10000XL scanner.
Rights
Information about rights held in and over the resource
In the public domain; For higher quality reproductions, contact Archival & Special Collections, University of Guelph. libaspc@uoguelph.ca 519-824-4120, Ext. 53413
Publisher
An entity responsible for making the resource available
Glasgow: Printed for the Booksellers
Subject
The topic of the resource
Courtship and Marriage
Alcohol
Chapbooks - Scotland - Glasgow
Wit and Humor
Source
A related resource from which the described resource is derived
Archival & Special Collections, University of Guelph Library, Guelph, Ontario
Type
The nature or genre of the resource
ballads & songs
Bib Context: title-page
Chapbook Date: 1841-1850
Chapbook Genre: ballads & songs
Chapbook Genre: wit & humor
Chapbook Publisher - Glasgow: Printed for the Booksellers
Fashion (Clothing): bonnet
Fashion (Clothing): jacket
Fashion (Clothing): pants
Fashion (Clothing): working class
Gender: man/men
Occupation: farmer
Outdoor Scene
Tools: scythe(s)
-
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PDF Text
Text
T H E
Battle of Rosline
FOUGHT ON T H E
Plains o fRosline,1303
TO WHICH
aRE
ADDED,
Jack
in
his
Element;
VIRTUE and WIT, the Preservatives
of LOVE and BEAUTY.
T H E L O V E R ' S SUMMONS.
G L A S G O W ,
Printed by J. & M. Robertson, Saltmarket, 1803.
�( 2 )
The famous Battle of Rosline, fought on the
plains of Rosline, Anno Dom. 1303,
aboutfivemilessouthof Edinburgh where
10,000 Scots, led by Sir John Cummin,
and Sir Simon Frazer, defeat in three
battles,
in one day, 30,000 of their enem
L
E A V E off your tittle tattle,
And I'll tell you of a battle,
Where claymore and targe did rattle,
At Rosline on the Lee.
T e n thousand Scottish laddies,
Drest in their tartan plaidies,
W i t h blue bonnets and cockadies,
A pleasant sight to see.
Commanded by Sir Simon Frazer,
W h o was as bold as Caesar,
Great Alexander never
Could exceed that Hero bold.
A n d by brave Sir John Cummin,
W h e n he saw the foes a coming,
Set the bag-pipes a bumming,
Stand firm my hearts of gold.
Ten thousand English advancing,
See how their arms are glancing,
We'll
A t Rosline on the Lee.
set
them all a
dancing,
�( 3 )
Like furies our brave Highlandmen,
Most boldly they engaged them,
On field they durst no londer s t a n d ,
They soon began to flee.
They rusht into the battle,
Made sword and targe to rattle,
Which made their foes to startle,
They fell dead on the ground.
Our army gave a loud huzza,
Our Highland lads have won the day,
On field they durst no longer stay,
See how the cowards run.
This battle was no sooner over,
Than ten thousand of the other,
Came marching in good order,
Most boldly for to fight.
Their colours were displaying,
Their horse foaming and braying,
Their generals are faying.
We'll soon put them to flight.
But our bowmen gave a volley,
Made them repent their folly,
They soon turn'd melancholy,
And stagger'd to and fro.
Our spearmen then engaged,
Their rage they soon asswaged,
Like lions our Heroes raged,
Dealt death at every blow.
For one hour and a quarter,
There was a bloody slaughter,
�(
4
)
Till the enemies cry'd quarter,
Andinconfusionflee.
Our general says don't pursue.
Ten thousand more are come in view,
T a k e courage lads, our hearts are true,
And beat your enemies.
Then thinking for to cross us.
T h e y rallying all their forces,
Both of foot and horses,
To make the last attempt
T h e Scots cry'd out with brav'ry,
W e disdain their English knav'ry,
W e ' l l ne'er be brought in s l a v ' r y ,
' T i l l our laft blood is spent.
W i t h fresh courage they did engage,
And manfully made for the charge,
With their broad swords and their targe,
Most boldly then they stood.
T h e third battle it was very fore,
Thousands lay reeking in their gore,
T h e like was never done before,
The fields did swim with blood.
T h e English could no longer stay,
In great confusion fled away,
A n d sore they do lament the day,
That they came there to fight.
Cummin cry'd, Chace them, do not spare,
Quick as
hound does chase the hare,
A n d many one fa'en prisoner,
That day upon the flight.
�(
5 )
T h e Douglas, Campbells and the Hay,
And Gordons from the water Spey,
So boldly as they fought that day,
With the brave Montgomerie.
T h e Kers and Murrays of renown,
T h e Keiths, B0yds and Hamilton,
They brought their foes down to the groun',
And fought with braverie,
Sound, sound the music, sound it,
Let hills and dales rebound it,
Fill up the glass and round we't,
In
If Scotsmen were always true
W e ' d make our enemies to rue ;
But alas! We're not all true blue,
A s we were in days of old.
J
ACK
IN His
E L E M E N T .
B
O L D Jack the Sailor, here I come,
pray how do you like my nib,
My trowsers wide, and trampers rum,
my nab and flowing jib ;
I sail the seas from end to end,
and lead a roving life,
A t every mess we find a friend,
at every port a wife.
I have heard them talk of constancy,
of g r i d and such like fun,
�( 6 )
I have constant been to ten, cry'd I,
but never griev'd for one,
T h e flowing sails we tars unbend,
to lead a roving life,
A t every mess we find a friend,
at every port a wife.
I have a spanking wife at Portsmouth gates,
a Pigmy at Goree ;
A n Orange Tawny up the Straits,
a Black at St. L u c i e :
Thus whatsoever course we bend,
we lead a jovial life,
A t every mess we find a friend,
at every port a wife.
W i l l Gaffe by Death was ta'en aback,
I came to bring the news,
Poll whimper'd sore, but what did J a c k !
why, stood in William's shoes! "
She cut, I chas'd and in the
she lov'd me as her life.
So she has got a loving friend,
and I a loving wife.
Come all you Sailors that do go
the unfortunate seas to rub,
Y o u must work, love, and fight your foes,
and drink your gen'rous bub ;
Storms that our masts in splinters tear,
can take our joyous life,
In every want we find a friend,
and every port a wife.
end
�( 7 )
V I R T U E and W I T, the Preservatives
of L O V E and B E A U T Y .
C
TUNE—KILLICRANKY.
Onfess thy love, fair blushing maid,
for since thine eye's consenting,
Thy safter thoughts are a' betray'd,
and na-says no worth tenting.
W h y aims thou to oppose thy mind,
with words thy wish denying;
Since Nature made thee to be kind,
reason
Nature and Reason's joint consent,
make love a sacred blessing,
T h e n happily that time is spent,
that's war'd on kind caressing.
Come then my Katie to my arms,
I'll be nae mair a rover ;
But find out heav'n in a' thy charms,
and prove a faithful lover.
S H E . ) What you d e s i g n , by N a t u r e ' s law?,
is fleeting inclination,
T h e n Willy- Wisp beguiles us a'
by its infatuation
When that goes out, caresses tire,
and lovers nae mair in season,
Syne weakly we blow up the fire,
with all our boasted reason.
�( 8 )
HE.) The beauties of inferior cast
maystartthisjustreflection;
But charms, like thine,mustalwayslast,
where Wit has the protecion.
Virtue and Wit, like April rays,
make Beauty rise the sweeter;
T h e langer then on thee I gaze,
my Love will grow completer.
THE L O V E R ' ' S SSU M M O N S .
R 3
UM
3.
A
R I S E thou mistress of my heart,
milirefs
and do not rae disdain :
me difciain
Come now and quickly take the part
of me your conftant swain.
constant ftvain.
T o you alone C am aaslave,
atone I am Have,
there's none on earth can ctuv,
cure,
T h e flame that in my bread I have,
have,
for you 1 do endure.
I
Come now dear nymph, and cafe the smart,
eafe
fmart,
of me your yielding swain ;
yo^r
fwain
My loyt for you now in my heart,
love
does constantly remain.
Now we in Hymen's bands will wed,
our hearts united be therefore,
In love we live without any dread,
love we live without any dread,
joys
in joys for evermore.
* ••••^^aaaaa^^
G
G L A SSG OO W,
A
G W ,
mm
Printed by J, & M.Robertson,Saltmarket,1803.
J.
Rcfrertfon, Saltmaj;ket, i8o>
�
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Omeka Image File
The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.
Bit Depth
8
Channels
3
Height
3470
Width
2039
Dublin Core
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Title
A name given to the resource
Woodcut on title-page portraying man with sword and shield standing in outdoor scene; house and trees in the background
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Dublin Core
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Title
A name given to the resource
Woodcut 010: Title-page illustration in single ruled rectangular border of a Highland soldier with sword and shield standing in outdoor scene with a house and trees in the background.
Document
A resource containing textual data. Note that facsimiles or images of texts are still of the genre text.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
The Battle of Rosline fought on the plains of Rosline, 1303 to which are added, Jack in his element. Virtue and wit, the preservatives of love and beauty. The lover's summons.
Subject
The topic of the resource
Courtship and Marriage
Courtship and Marriage
War
Wit and Humor
Chapbooks - Scotland - Glasgow
Date
A point or period of time associated with an event in the lifecycle of the resource
1803
Language
A language of the resource
English
Identifier
An unambiguous reference to the resource within a given context
<a href="https://ocul-gue.primo.exlibrisgroup.com/permalink/01OCUL_GUE/mrqn4e/alma9923267923505154">s0066Fb13</a>
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Roslin, Scotland
Alternative Title
An alternative name for the resource. The distinction between titles and alternative titles is application-specific.
Jack in his element
Virtue and wit, the preservatives of love and beauty
The lover's summons
Extent
The size or duration of the resource.
8 pages
15 cm
Abstract
A summary of the resource.
The first song is a celebration of the Battle of Rosline, which had occurred 500 years earlier. The song celebrates the bravery of the Scots who overcome 3 to 1 odds and route the English, featuring a romanticized depiction of medieval Scots fighting in tartan plaid and bonnets. The second song is the humorous portrayal of a sailor who has a wife at “every port.” The last two are love songs where young men declare their undying love to their sweethearts, with varying degrees of success.
Wikipedia entry for the Battle of Roslin (24 February 1303) <a href="http://en.wikipedia.org/wiki/Battle_of_Roslin">http://en.wikipedia.org/wiki/Battle_of_Roslin</a>
Is Referenced By
A related resource that references, cites, or otherwise points to the described resource.
University of Glasgow Union Catalogue of Scottish Chapbooks http://special.lib.gla.ac.uk/chapbooks/search/
Contributor
An entity responsible for making contributions to the resource
Archival and Special Collections, University of Guelph Library, Guelph, Ontario, Canada
Rights
Information about rights held in and over the resource
In the public domain; For high quality reproductions, contact Archival & Special Collections, University of Guelph. libaspc@uoguelph.ca, 519-824-4120, Ext. 53413
Format
The file format, physical medium, or dimensions of the resource
JPEGs and PDF derived from master file, which was scanned from the original book in 24-bit color at 600 dpi in TIFF format using an Epson Expression 10000XL scanner.
Source
A related resource from which the described resource is derived
Archival & Special Collections, University of Guelph Library, Guelph, Ontario
Publisher
An entity responsible for making the resource available
Glasgow: J. & M. Robertson
Type
The nature or genre of the resource
ballads & songs
Architecture: house
Bib Context: title-page
Chapbook Date: 1801-1810
Chapbook Genre: ballads & songs
Chapbook Genre: battles/war
Chapbook Genre: wit & humor
Chapbook Publisher - Glasgow: J. & M. Robertson
Fashion (Clothing): belted plaid
Fashion (Clothing): bonnet (military)
Fashion (Clothing): Highland attire
Fashion (Clothing): kilt
Fashion (Clothing): military
Gender: man/men
Nature: hill(s)
Nature: tree(s)
Occupation: soldier
Outdoor Scene
Weapons: shield(s)
Weapons: sword(s)
-
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Woodcut on title-page portraying man with sword and shield standing in outdoor scene; house and trees in the background
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Woodcut 010: Title-page illustration in single ruled rectangular border of a Highland soldier with sword and shield standing in outdoor scene with a house and trees in the background.
Document
A resource containing textual data. Note that facsimiles or images of texts are still of the genre text.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
John Highlandman's remarks on the city of Glasgow. To which are added, Johnny and Molly. Original of Tweedside. The ploughman lad. The braes of Yarrow.
Subject
The topic of the resource
Crime
Highlands
Chapbooks - Scotland - Glasgow
Wit and Humor
Courtship and Marriage
Date
A point or period of time associated with an event in the lifecycle of the resource
1802
Contributor
An entity responsible for making contributions to the resource
Archival and Special Collections, University of Guelph Library, Guelph, Ontario, Canada
Rights
Information about rights held in and over the resource
In the public domain; For high quality reproductions, contact Archival & Special Collections, University of Guelph. libaspc@uoguelph.ca, 519-824-4120, Ext. 53413
Language
A language of the resource
English
Identifier
An unambiguous reference to the resource within a given context
<a href="https://ocul-gue.primo.exlibrisgroup.com/permalink/01OCUL_GUE/mrqn4e/alma9923344883505154">s0024ADb77</a>
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Yarrow, Selkirkshire, Scotland
Alternative Title
An alternative name for the resource. The distinction between titles and alternative titles is application-specific.
Johnny and Molly
Original of Tweedside
The ploughman lad
The braes of Yarrow
Abstract
A summary of the resource.
Humorous song of a traveler who comes to Glasgow to see the sights, and sees many strange and amazing things. Other songs include a positive rendition of the love a young man has for his love, who is not rich, but beautiful and faithful instead, which is much better than wealth, the song declares; a song wherein a man leaves his town to wander after his love proves cold and prideful to him; a happy song about the life of a ploughman and the woman who cares for him; and a short happy love song between a young couple. Several of these songs seem to have the theme that wealth does not buy happiness, in love or life.
Extent
The size or duration of the resource.
8 pages
15 cm
Is Referenced By
A related resource that references, cites, or otherwise points to the described resource.
University of Glasgow Union Catalogue of Scottish Chapbooks http://special.lib.gla.ac.uk/chapbooks/search/
Format
The file format, physical medium, or dimensions of the resource
JPEGs and PDF derived from master file, which was scanned from the original book in 24-bit color at 600 dpi in TIFF format using an Epson Expression 10000XL scanner.
Source
A related resource from which the described resource is derived
Archival & Special Collections, University of Guelph Library, Guelph, Ontario
Publisher
An entity responsible for making the resource available
Glasgow: J. & M. Robertson
Type
The nature or genre of the resource
ballads & songs
# of Woodcuts: 1
Architecture: house
Bib Context: title-page
Chapbook Date: 1801-1810
Chapbook Genre: ballads & songs
Chapbook Genre: crime
Chapbook Genre: wit & humor
Fashion (Clothing): belted plaid
Fashion (Clothing): bonnet (military)
Fashion (Clothing): Highland attire
Fashion (Clothing): kilt
Fashion (Clothing): military
Gender: man/men
Nature: hill(s)
Nature: tree(s)
Occupation: soldier
Outdoor Scene
Weapons: shield(s)
Weapons: sword(s)