4
10
90
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Dublin Core
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Title
A name given to the resource
Woodcut portraying a young woman with a basket on her lap, sitting in front of a door
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Title
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Woodcut 037: Title-page illustration of a young woman with a basket on her lap sitting in front of a door.
Document
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Title
A name given to the resource
The Berkshire Lady's garland. In four parts. I. Cupid's conquest over a coy lady of five thousand a-year, &c. II. The lady's letter of a challenge to fight him upon refusing to wed her in a mask without knowing who she was. III. How they met by appointment in a grove, where she obliged him to fight or wed her. IV. How they rode together in her gilded coach to her noble seat or castle, &c.
Subject
The topic of the resource
Courtship and Marriage
Chapbooks - Scotland - Glasgow
Description
An account of the resource
'26' is printed at the bottom of the title page
Woodcut # Illustration of a young woman with a basket on her lap, sitting in front of a door.
Date
A point or period of time associated with an event in the lifecycle of the resource
1840-1850 per University of Glasgow Union Catalogue of Scottish Chapbooks
Identifier
An unambiguous reference to the resource within a given context
<a href="https://ocul-gue.primo.exlibrisgroup.com/permalink/01OCUL_GUE/mrqn4e/alma9923269863505154">s0030Fb24</a>
<a href="https://ocul-gue.primo.exlibrisgroup.com/permalink/01OCUL_GUE/mrqn4e/alma9943830613505154">s0615b50</a>
Coverage
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Reading, Berkshire, England
Extent
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8 pages
16 cm
Abstract
A summary of the resource.
A ballad in four parts that tells the tale of an heiress who is beautiful and rich and pursued by many, but is pleased by none of them. She eventually falls in love, in spite of herself, with a young lawyer, and she resolves to marry him, but also decides to first punish him a little for making her languish in love with him. She sends him an anonymous challenge to duel in a grove. When he arrives, she is masked and tells him he must fight her or marry her, without knowing who she is (she even has her rapier ready). On the advice of a friend, he decides to marry her and she takes him to the church, still masked, where they are married. Then she brings him home to her castle and leaves him to sit in the parlor for hours before she finally comes down, unmasked and beautifully attired, and demands to know who he is and why he is sitting in her parlor. He admits he was brought here by a young lady, and she in turn admits that it was herself. They spend the rest of their life blessed by love and wealth.
Is Referenced By
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University of Glasgow Union Catalogue of Scottish Chapbooks <a href="http://www.lib.uoguelph.ca/find/find-type-resource/archival-special-collections/scottish-studies">http://special.lib.gla.ac.uk/chapbooks/search/</a>
Accrual Method
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Purchased through the Jane Grier Family Trust. 2012
Contributor
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Archival and Special Collections, University of Guelph Library, Guelph, Ontario, Canada
Format
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JPEGs and PDF derived from master file, which was scanned from the original book in 24-bit color at 600 dpi in TIFF format using an Epson Expression 10000XL scanner.
Rights
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In the public domain; For high quality reproductions, contact Archival & Special Collections, University of Guelph libaspc@uoguelph.ca 519-824-4120 Ext 53413
Publisher
An entity responsible for making the resource available
Glasgow: Printed for the Booksellers
Source
A related resource from which the described resource is derived
Archival & Special Collections, University of Guelph Library, Guelph, Ontario
Type
The nature or genre of the resource
ballads & songs
# of Woodcuts: 1
Architecture: door(s)
Bib Context: title-page
Chapbook Date: 1841-1850
Chapbook Genre: ballads & songs
Chapbook Publisher - Glasgow: Printed for the Booksellers
Fashion (Clothing): working class
Gender: woman/women
Object: basket(s)
Occupation: farmer
Outdoor Scene
-
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Dublin Core
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Title
A name given to the resource
Illustration on title-page of two soldiers in a sword
fight in an outdoor scene.
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304940f6c3fc0eedfab5e1ea7793c468
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Title
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Woodcut 066: Title-page illustration of two soldiers engaged in a sword fight. Outdoor scene.
Document
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Dublin Core
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Title
A name given to the resource
The battle of Bothwell Brigg; an old Scotch ballad
Subject
The topic of the resource
Covenanters
Description
An account of the resource
Woodcut #66: Illustration on title-page of two soldiers in a sword fight in an outdoor scene.
Date
A point or period of time associated with an event in the lifecycle of the resource
1840-1850 per University of Glasgow Union Catalogue of Scottish Chapbooks
Language
A language of the resource
English
Identifier
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<a href="https://ocul-gue.primo.exlibrisgroup.com/permalink/01OCUL_GUE/mrqn4e/alma9923267773505154">s0066Eb21</a>
73 is printed at the foot of the title page
Coverage
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Bothwell, Scotland
Extent
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8 pages
15 cm
Abstract
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A ballad centering on the aftermath of the Battle of Bothwell Bridge, specifically on the grieving of the wife of a Covenanter who believes she is left widowed after the battle. A friend informs her that he had earlier found her husband wounded and nursed him back to life and she is overjoyed to join him again. The ballad is followed by Sir Walter Scott’s poem, the Battle of Bothwell Bridge.
Is Referenced By
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University of Glasgow Union Catalogue of Scottish Chapbooks http://special.lib.gla.ac.uk/chapbooks/search/
Contributor
An entity responsible for making contributions to the resource
Archival and Special Collections, University of Guelph Library, Guelph, Ontario, Canada
Format
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JPEGs and PDF derived from master file, which was scanned from the original book in 24-bit color at 600 dpi in TIFF format using an Epson Expression 10000XL scanner.
Rights
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In the public domain; For high quality reproductions, contact Archival & Special Collections, University of Guelph. libaspc@uoguelph.ca 519-824-4120, Ext. 53413
Publisher
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Glasgow: Printed for the Booksellers
Source
A related resource from which the described resource is derived
Archival & Special Collections, University of Guelph Library, Guelph, Ontario
Type
The nature or genre of the resource
ballads & songs
# of Woodcuts: 1
Bib Context: title-page
Chapbook Date: 1841-1850
Chapbook Genre: ballads & songs
Chapbook Publisher - Glasgow: Printed for the Booksellers
Gender: man/men
Nature: cloud(s)
Nature: tree(s)
Outdoor Scene
Weapons: sword(s)
-
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Dublin Core
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Title
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Woodcut on title-page portraying a man wearing a hat, kilt, and plaid socks holding an upright rifle. To his left is a door marked with the letter V
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Title
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Woodcut 026: Title-page illustration of a Highland soldier in a kilt and plaid socks holding an upright rifle in a outdoor scene. A door in background is imprinted with the letter "V".
Document
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Dublin Core
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Title
A name given to the resource
The Battle of Roslin. And, John Highlandman’s remarks on Glasgow
Subject
The topic of the resource
Highlands
War
Roslin, Battle of, Scotland, 1303
Chapbooks - Scotland - Glasgow
Date
A point or period of time associated with an event in the lifecycle of the resource
1840-1850 per University of Glasgow Union Catalogue of Scottish Chapbooks
Language
A language of the resource
English
Identifier
An unambiguous reference to the resource within a given context
<a href="https://ocul-gue.primo.exlibrisgroup.com/permalink/01OCUL_GUE/mrqn4e/alma9923267913505154">s0066Fb12</a>
'23' is printed at the foot of the title page
Coverage
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Roslin, Scotland
Alternative Title
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John Highlandman’s remarks on Glasgow
Extent
The size or duration of the resource.
8 pages
16 cm
Abstract
A summary of the resource.
The first song is a celebration of the Battle of Roslin, which took place in 1303, presumably in celebration of the 500 year anniversary of the battle. The song celebrates the bravery of the Scots who overcome 3 to 1 odds and route the English, featuring a romanticized depiction of medieval Scots fighting in tartan plaid and bonnets. The second song is a humorous account of a Highlander who visits Glasgow and sees many fantastic but ridiculous sights there, from a hanging, to the devil, to the fashions of people attending a sermon.
Battle of Roslin (<span>Wikepedia entry)</span>: The Battle of Roslin was a battle of the First War of Scottish Independence, taking place on 24 February 1303 at Roslin, Scotland. It is the subject of an extremely highly coloured account written by Walter Bower in the mid-15th century which bears no relationship to the contemporary evidence. The battlefield is currently under research to be inventoried[1] and protected by Historic Scotland under the Scottish Historical Environment Policy of 2009... http://en.wikipedia.org/wiki/Battle_of_Roslin
Is Referenced By
A related resource that references, cites, or otherwise points to the described resource.
University of Glasgow Union Catalogue of Scottish Chapbooks http://special.lib.gla.ac.uk/chapbooks/search/
Contributor
An entity responsible for making contributions to the resource
Archival and Special Collections, University of Guelph Library, Guelph, Ontario, Canada
Format
The file format, physical medium, or dimensions of the resource
JPEGs and PDF derived from master file, which was scanned from the original book in 24-bit color at 600 dpi in TIFF format using an Epson Expression 10000XL scanner.
Rights
Information about rights held in and over the resource
In the public domain; For high quality reproductions, contact Archival & Special Collections, University of Guelph. libaspc@uoguelph.ca 519-824-4120, Ext. 53413
Publisher
An entity responsible for making the resource available
Glasgow: Printed for the Booksellers
Source
A related resource from which the described resource is derived
Archival & Special Collections, University of Guelph Library, Guelph, Ontario
Type
The nature or genre of the resource
ballads & songs
wit & humor
# of Woodcuts: 1
Bib Context: title-page
Chapbook Date: 1841-1850
Chapbook Genre: ballads & songs
Chapbook Publisher - Glasgow: Printed for the Booksellers
Fashion (Clothing): feather bonnet
Fashion (Clothing): Highland attire
Fashion (Clothing): kilt
Fashion (Clothing): military
Fashion (Clothing): sporran
Gender: man/men
Outdoor Scene
Weapons: gun(s)
-
https://scottishchapbooks.lib.uoguelph.ca/files/original/489b8282b5c8d9cc17ae751b5ab89528.pdf
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PDF Text
Text
Seven
POPULAR SONGS.
OF THE MOST
THE BRIDAL RING.
WHAT ARE YOU GOING TO STAND.
THE LASSIES OF SCOTLAND.
THE MACGREGOR'S G A T H E R I N G
FAREWELL TO THE MOUNTAIN
THE BANKS OF THE BLUE MOZELLE.
'TWAS MERRY IN THE HALL.
GLASGOW:
PRINTED FOR THE BOOKSELLERS.
45
�THE BRIDAL RING,
I dream'd last night ofurrearlierdays.
Ere I sigh'd for a sword and a feather ;
As we danc'd on the hill in the moon's pale rays,
Hand in hand together.
I thought that you gave me again that kiss;
More sweet than the perfume of Spring,
When I press'd on yourfingerlove's pure golden pledge,
The Bridal Ring, the Bridal Ring.
I dreamt I heard thee in the bugle's sound,
And at once was forc'd to sever,
When I fell on the heath with my last dead wound,
Lost to thee for ever.
I thought that you gave me again that kiss,
Imperiled like a flower in Spring,
'Neath its warmth I awoke, on this dear hand I press'd
The Bridal Ring, the Bridal Ring.
WHAT ARE YOU GOING TO STAND.
Queer scenes now are all the go,
You cannot say I'm wrong;
And there is one I'd have you know
I've work'd into a song.
�3
Go where I will—in every street,
I'm shook, Sirs, by the hand,
No matter who it is I meet,
What are you going to stand?
One morning I'd been to get some cash,
From a swell at the west end ;
Resolv'd I was to cut a dash,
When I met with a friend.
I told him of the errand I'd been,
When he takes me by the hand,
I'm glad to hear't, my boy, says he
What are you going to stand.?
Says I, I doesn't mind a drop,
My spirits for to rouse ;
So then we toddles into a shop
Near to Somerset house,
Inside a lot began to shout,
As if t had been a plan ;
It is not often we get you out,
Now what are you going to stand ?
I spent, Sirs, very, near a crown,
My cash was getting shorter,
For the liquor it went rolling down,
As though it had been water.
A wench began my arm to shake,
I could her hide have tann'd,
When she said, for old acquaintance sake,
What are you going to stand ?
�Thinks I, egad, this will not do,
So I bolted from the lot;
But run against a man I knew,
Ere a hundred yards I got;
I told him of the crew I'd met,
Says he I understand ;
Now you've escaped from such a lot,
What are you going to stand ?
My song I'll now conclude in this,
You'll all agree I think,
My friends, that this is quite the March
Of Intellect for Drink.
When the landlord he puts out their light,
I'll take him by the hand,
You've had a very good room, my boy, to-night.
What are you going to stand ?
THE LASSIES OF SCOTLAND.
The lassies of Scotland are bonny and free,
The maidens of Erin are fair,
The sweet girls of Britain are lovely to see,
And let them deny it who dare ;
But the fairest of lassies
That all those surpasses,
Is Jeannie, the Maid of the Moor.
Is Jeannie, lovely Jeannie, the maid of the Moor.
The lassies of Scotland are tender and true,
The maidens of Erin are kind,
�5
The sweet girls of Britain can monarch's subdue,
And lovely in person and mind;
Yet the fairest of lassies,
That all those surpasses,
Is Jeannie the maid of the moor,
Is Jeannie, lovely Jeannie, the maid of the moor.
The lassies of Scotland are fam'd far and near,
The maidens of Erin breath love,
The sweet girls of Britain to Briton's are dear,
And soft as the down of the dove.
Still the fairest of lassies,
That all those surpasses,
Is Jeannie the maid of the moor,
Is Jeannie, lovely Jeannie, the maid of the moor,
THE BANKS OF THE BLUE MOZELLE.
When the glow-worms glide the elfin flower,
That clings round my ruin'd shrine ;
When first we met, when first we lov'd,
And I confessed thee mine ;
'Tis there I fly to meet thee still,
At the sound of the Vesper Bell,
In the starry light of a summer's night,
On the Banks of the blue Mozelle.
On the Banks of the blue Mozelle.
If the cares of life should shade thy brow,
Yes, yes in our native bowers,
My lute and harp might best accord,
To tell of happier hours.
�6
'Tis there I'd soothe thy grief to rest,
Each sigh of sorrow quell,
In a starry light of a summer's night,
On the Banks of the blue Mozelle,
On the Banks of the blue Mozelle,
FAREWELL TO THE MOUNTAIN.
Farewell to the mountain,
And sun-lighted vale,
The moss-border'd streamlets,
And sun-lighted vale.
All so bright, all so fair.
Here a seraph might dwell,
'Tis too lovely for me.
Farewell! Oh, Farewell!
Farewell, for how sweetly
Each sound meets mine ear ;
The wild bee and butterfly,
They may rest here.
Hark, hark, they are hum,
How it blends with the deep convent bell,
'Tis too lovely for me,
Farewell,—Oh, Farewell.
THE MACGREGOR'S GATHERING.
The moon's on the lake, and the mist's on the brae,
And the clan has a name that is nameless by day ;
Our signal for fight, which from monarchs we drew,
Must be heard but by night in our vengeful haloo ;
Then haloo, haloo, haloo, Gregalach.
�7
If they rob us of name and pursue us with beagles,
Give their roofs to the flames; and their flesh to the
eagles,
Then gather, gather, gather, Gregalach.
While there's leaves in the forest, and foam on the
river,
Macgregor, despite them, shallflourishfor ever.
Glenorchy's proud mountain, Colchurn and her towers,
Glenstrae and Glenlyon no longer are ours
We're landless, landless, landless, Gregalach.
Through the depths of Loch Katrine the steed shall
career,
O'er the peak of Benlontond the galley shall steer,
And the rocks of Craig Royston like icicles melt,
Ere our wrongs be forgot, or our vengeance unfelt,
Then vengeance, vengeance, vengeance, Gregalach.
'TWAS MERRY IN THE HALL.
Now ancient English melodies
Are banish'd out of doors,
And nothing's heard in modern days,
But Signoras and Signors.
Such airs I hate,
Like a pig in a gate,
Give me the good old strain,
When 'twas merry in the hall,
The beards wagged all,
We shall never see the like again,
We shall never see the like again.
�8
On beds of down our dandies lay,
And waste the cheerful morn,
While our squires of old would rouse the day
To the sound of the bugle horn.
And their wives took care
The feast to prepare ;
For when they left the plain,
Oh, 'twas merry in the hall,
The beards wagged all,
We shall never see the like again,
We shall never see the like again.
'Twas then the Christmas tale was told,
Of goblin, ghost, or fairy,
And they cheer'd the hearts of the tenants old
With a cup of good canary ;
And they each took a smack
At the cold black jack,
Till the fire burn'd in their brain ;—
Oh, 'twas merry in the hall,
The beards wagged all—
May we all see the like again,
May we all see the like again.
�
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Omeka Image File
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Bit Depth
8
Channels
3
Height
3257
Width
1772
Dublin Core
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Title
A name given to the resource
Woodcut on title-page portraying a young woman (milkmaid?) wearing a hat and carrying two buckets slung over hoops encircling her skirt
Dublin Core
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Title
A name given to the resource
Woodcut 038: Title-page illustration of a milkmaid carrying two buckets.
Document
A resource containing textual data. Note that facsimiles or images of texts are still of the genre text.
Dublin Core
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Title
A name given to the resource
Seven of the most popular songs. The bridal ring. What are you going to stand. The lassies of Scotland. The MacGregor's gathering. Farewell to the mountain. The banks of the Blue Mozelle. 'Twas merry in the hall.
Subject
The topic of the resource
Courtship and Marriage
Highlands
War
Chapbooks - Scotland - Glasgow
Description
An account of the resource
'45' is printed at the foot of the title page
Undivided: single sheet
Woodcut #38: Illustration on title-page of a milkmaid carrying two buckets.
Date
A point or period of time associated with an event in the lifecycle of the resource
1840-1850 per University of Glasgow Union Catalogue of Scottish Chapbooks
Identifier
An unambiguous reference to the resource within a given context
<a href="https://ocul-gue.primo.exlibrisgroup.com/permalink/01OCUL_GUE/mrqn4e/alma9923413893505154">s0159b30</a>
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Somerset House, Westminster, London, England
Glen Orchy, Scotland
Glen Lyon, Scotland
Ben Lomond Mountain, Scotland
Alternative Title
An alternative name for the resource. The distinction between titles and alternative titles is application-specific.
The bridal ring.
What are you going to stand.
The lassies of Scotland.
The MacGregor's gathering.
Farewell to the mountain. .
The banks of the Blue Mozelle.
'Twas merry in the hall
Extent
The size or duration of the resource.
8 pages
16 cm
Abstract
A summary of the resource.
A collection of popular ballads and songs on a variety of themes, including: a young soldier dreams of dancing with his betrothed and being killed in battle; a song about the hijinks that ensue one evening when a young man is convinced to spend all his money on alcohol; a description of the beauty of the lassies of Scotland, Ireland, Britain, all of which are eclipsed by the beauty of Jennie of the Moor; a musician describes the beauty of meeting his love at night on the banks of the Mozelle; an ode and farewell to the beauty of the singer’s native landscape; a call to unite and avenge the persecution of the Clan MacGregor; and a song reminiscing on the merry singing, drinking, storytelling, and celebration of Christmases past.
Is Referenced By
A related resource that references, cites, or otherwise points to the described resource.
University of Glasgow Union Catalogue of Scottish Chapbooks <a href="http://www.lib.uoguelph.ca/find/find-type-resource/archival-special-collections/scottish-studies">http://special.lib.gla.ac.uk/chapbooks/search/searchb.cfm</a>
Contributor
An entity responsible for making contributions to the resource
Archival and Special Collections, University of Guelph Library, Guelph, Ontario, Canada
Format
The file format, physical medium, or dimensions of the resource
JPEGs and PDF derived from master file, which was scanned from the original book in 24-bit color at 600 dpi in TIFF format using an Epson Expression 10000XL scanner.
Rights
Information about rights held in and over the resource
In public domain; For higher quality reproductions, contact Archival & Special Collections, University of Guelph. libaspc@uoguelph.ca 519-824-4120, Ext. 53413
Publisher
An entity responsible for making the resource available
Glasgow: Printed for the Booksellers
Type
The nature or genre of the resource
ballads & songs
Source
A related resource from which the described resource is derived
Archival & Special Collections, University of Guelph Library, Guelph, Ontario
# of Woodcuts: 1
Bib Context: title-page
Chapbook Date: 1841-1850
Chapbook Publisher - Glasgow: Printed for the Booksellers
Fashion (Clothing): bonnet
Fashion (Clothing): working class
Fashion: bonnet
Gender: woman/women
Object: bucket(s)
Occupation: farmer
Outdoor Scene
-
https://scottishchapbooks.lib.uoguelph.ca/files/original/05451c43c9847df44ada62b92cc23c3e.pdf
3fe467eeca355b5e6209480f2ef3fe96
PDF Text
Text
SEVEN
Popular Songs.
THE LILY OF FRANCE.
BLUE BONNETS OYER THE BORDER.
THE LIGHT OF OTHER DAYS.
WHEN
BLESS'D W I T H
LOVE AND
JUDY MAGRATH.
THE
BLOOM IS ON THE
RYE.
RORY O'MORE.
GLASGOW:
PRINTED FOR THE BOOKSELLERS.
41.
YOU.
�SONGS.
BLUE BONNETS OVER THE BORDER.
March, march, Ettrick and Teviotdale,
Why, my lads, dinna ye march forward in order ?
March, march, Eskdale and Liddesdale,
All the blue bonnets are bound for the border.
Many a banner spread, flutters above your head,
Many a crest that is famous in story ;
Mount and make ready then, sons of the mountain
glen,
Fight for your queen, and the old Scottish glory.
Come from the hills where your hirsels are grazing,
Come from the glen of the buck and the roe ;
Come to the crag where the beacon is blazing,
Come with the buckler, the lance, and the bow.
Trumpets are sounding, war-steeds are bounding,
Stand to your arms, and march in good order ;
England shall many a day tell of the bloody fray,
When the blue bonnetf pame over the border.
�3
WHEN BLESS'D W I T H LOVE AND YOU
When first I saw jour charming face,
And heard your soothing tongue,
Your image in my heart did place,
And sung the cheerful song ;
Compos'd of love in every strain—My ardent passion knew,
And thought myself a happy swain,
When bless'd with love and you.
When bless'd,&c.
And when I met you in the grove,
Your eyes beam'd brightest fire,
Which spoke the kindest notes of love,
That kindled with desire.
'Twas then I felt love's keenest pain,
Which ne'er before I knew,
Yet thought I was a happy swain,
When bless'd with love and you.
When bless'd, &c.
And as along the banks we stray'd,
I ask'd if you'd be mine ?
When thus replied the generous maid,
For ever I am thine!
The which did banish all my pain,
My cares and troubles too,
And I am now a happy swain,
Being bless'd with love and you.
Being bless'd, &c.
�JUDY MAGRATH.
O Judy Magrath, I am dying for you,
You're rich to the taste as a fine Irish stew,
Your locks are as bright as the priest's sandy wig,
You're tender and fair as a young sucking pig;
By Cupid's big dart (to complain is no use)
I'm run through the heart like the spit through a
goose.
O Judy Magrath, won't you pity my grief,
I'm roasted with love like a sirloin of beef;
When basting your mutton, or making a pie,
Your grace makes me just like a bellows to sigh ;
But vinegar looks to my sighs you oppose,
Your words are like mustard, they bite off my nose.
O Judy, &c,
O Judy Magrath, you are cruel in troth,
Of love shall I never be tasting the broth,
My courage when up, och! ye soon can put down,
The coal-scuttle isn't more black than your frown ;
In vain at your feet I am dying all day,
You're deaf as a sauce-pan to all I can say.
THE BLOOM IS ON THE RYE.
My pretty Jane, my pretty Jane!
A h ! never, never look so shy,
But meet me, meet me in the evening,
While the bloom is on the rye.
O
�The spring is waning fast, my love,
The corn is in the ear
The summer nights are coming, love,
The moon shines bright and clear.
Then pretty Jane, my dearest Jane!
A h ! never, never look so shy,
But meet me, meet me in the evening,
While the bloom is on the rye.
But name the day, the wedding day,
And I will buy the ring ;
The lads and maids in favours white,
And village bells—the village bells shall ring
The spring is waning fast, my love,
The corn is in the ear,
The summer nights are coming, love,
The moon shines bright and clear.
Then pretty Jane, my dearest Jane!
Ah! never, never look so shy,
But meet me, meet me in the evening,
While the bloom is on the rye.
THE LILY OF FRANCE.
Let the lily of France in luxuriance wave,
Let the shamrock of Erin its beauty maintain,
Let the rose of fair England still wave its perfume,
But the thistle of Scotland will dearest remain.
To Scotia her thistle, her broad waving thistle,
The evergreen thistle will dearest remain.
�'Twas the badge that our fathers triumphantly wore,
When they follow'd their sovereigns to vanquish the
Dane ;
The emblem in battle our Wallace aye bore,
Then the thistle of Scotland must dearest remain.
To Scotia her thistle, &c.
It blooms on our mountains, it blooms in the vale,
It blooms in the winter, in snow, and in rain ;
The type of her sons when rude seasons assail—
To Scotia her thistle will dearest remain.
To Scotia her thistle, &c.
THE LIGHT OF OTHER DAYS.
The light of other days is faded,
And all their glory's past,
For grief with heavy wing hath shaded
The hopes too bright to last;
The world which morning's mantle clouded,
Shines forth with purer rays ;
But the heart ne'er feels, in sorrow shrouded,
The light of other days.
But the heart ne'er feels, in sorrow shrouded,
The light of other days.
The leaf, which autumn tempests wither,
The birds, which then take wing,
When winter's winds are past, come hither
To welcome back the spring ;
�The very ivy on the ruin,
Its gloomful life displays ;
But the heart alone sees no renewing
The light of other days.
But the heart alone sees no renewing
The light of other days.
RORY O'MORE.
Young Rory O'More courted Kathleen Bawn,
He was bold as a hawk, and she, soft as the dawn,
He wish'd in his heart pretty Kathleen to please,
And he thought the best way to do that was to teaze ;
" Now, Rory be aisy," sweet Kathleen would cry,
Reproof on her lip, but a smile in her eye,
With your tricks I don't know, in troth, what I'm
about,
Faith, you've teaz'd till I've put on my cloak inside
out;
" Oh ! jewel," says Rory, "that same is the way
You've thrated my heart for this many a day,
And 'tis plaz'd that I am, and why not, to be sure ?
For 'tis all for good luck," says bold Rory O'More.
" Indeed then," says Kathleen, "don't think of the
like,
For I half gave a promise to soothering Mike,
The ground that I walk on, he loves, I'll be bound,"
"Faith," says Rory, " I ' d rather love you than the
ground,"
�8
" Now, Rory, I'll cry, if you don't let me go;
Sure I dream every night that I'm hating you s o ! "
" Oh!" says Rory, " that same I'm delighted to hear.
For dhrames always go by conthrairies, my dear;
Oh! jewel, keep dhraming that same till you die,
And bright morning will give dirty night the black lie,
And 'tis plaz'd that I am, and why not, to be sure?
Since 'tis all for good luck," says bold Rory O'More.
Arrah Kathleen, my darlint, you've teaz'd me enough,
And I've thrash'd for your sake Dinny Grimes and
Jim Duff,
And I've made myself, drinking your health, quite a
baste,
So I think, after that, I may talk to the priest:"
Then Rory, the rogue, stole his arm round her neck,
So soft and so white, without freckle or speck,
And he look'd in her eyes, that were beaming with
light,
And he kiss'd her sweet lips—don't you think he was
right?
" Now Rory, leave off, Sir—you'll hug me no more,
That's eight times to-day that you've kiss'd me before,"
" Then here goes another," says he, " t o make sure,
For there's luck in odd numbers," says Rory O'More.
�
https://scottishchapbooks.lib.uoguelph.ca/files/original/b0ad331d7cf9bd6367a71c7d25c3c940.jpg
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Omeka Image File
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Bit Depth
8
Channels
3
Height
3135
Width
1942
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Woodcut on title-page portraying a young woman (milkmaid?) wearing a hat and carrying two buckets slung over hoops encircling her skirt
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Woodcut 038: Title-page illustration of a milkmaid carrying two buckets.
Document
A resource containing textual data. Note that facsimiles or images of texts are still of the genre text.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Seven popular songs. The lily of France. Blue bonnets over the border. The light of other days. When bless'd with love and you. Judy Magrath. The bloom is on the rye. Rory O'More.
Subject
The topic of the resource
Courtship and Marriage
War
Chapbooks - Scotland - Glasgow
Food
Description
An account of the resource
'41' is printed at the bottom of the title page
Woodcut #38: Illustration on title-page of a milkmaid carrying two buckets
Date
A point or period of time associated with an event in the lifecycle of the resource
1840-1850 per National Library of Scotland
Language
A language of the resource
English
Identifier
An unambiguous reference to the resource within a given context
<a href="https://ocul-gue.primo.exlibrisgroup.com/permalink/01OCUL_GUE/mrqn4e/alma9923413923505154">s0159b31</a>
Alternative Title
An alternative name for the resource. The distinction between titles and alternative titles is application-specific.
The lily of France.
Blue bonnets over the border.
The light of other days.
When bless'd with love and you.
Judy Magrath.
The bloom is on the rye.
Rory O'More.
Extent
The size or duration of the resource.
8 pages
16 cm
Abstract
A summary of the resource.
A collection of songs and ballads on a variety of themes, including: a call to young Scots men to join the militia and fight in defense of Queen and Scotland; a young man woos his love and is overjoyed to hear her acceptance of his proposal; the beauty of Judy Magrath is humorously compared to various food items as a description of her appeal to her lover; a love song asking a lover to meet following the seasons when the bloom is on the rye; a comparison of the various flowers and emblems of France, Ireland, Britain and Scotland, describing with nationalistic pride the virtues of the Scottish thistle and history; a sad lament for days and joys past, compared to the fading of leaves and in the face of winter; and an Irish rogue shows his affection by teasing, fighting, drinking, and kissing.
Is Referenced By
A related resource that references, cites, or otherwise points to the described resource.
National Library of Scotland<a href="http://www.lib.uoguelph.ca/find/find-type-resource/archival-special-collections/scottish-studies"> http://www.nls.uk/</a>
Contributor
An entity responsible for making contributions to the resource
Archival and Special Collections, University of Guelph Library, Guelph, Ontario, Canada
Format
The file format, physical medium, or dimensions of the resource
JPEGs and PDF derived from master file, which was scanned from the original book in 24-bit color at 600 dpi in TIFF format using an Epson Expression 10000XL scanner.
Rights
Information about rights held in and over the resource
In public domain; For higher quality reproductions, contact Archival & Special Collections, University of Guelph. libaspc@uoguelph.ca 519-824-4120, Ext. 53413
Publisher
An entity responsible for making the resource available
Glasgow: Printed for the Booksellers
Source
A related resource from which the described resource is derived
Archival & Special Collections, University of Guelph Library, Guelph, Ontario
Type
The nature or genre of the resource
ballads & songs
# of Woodcuts: 1
Bib Context: title-page
Chapbook Date: 1841-1850
Chapbook Publisher - Glasgow: Printed for the Booksellers
Fashion (Clothing): bonnet
Fashion (Clothing): working class
Gender: woman/women
Object: bucket(s)
Occupation: farmer
Outdoor Scene
-
https://scottishchapbooks.lib.uoguelph.ca/files/original/ff7b43d641b62a28a097f5251f901265.pdf
b0fa01e0b7b9487fecb09bb67c55ebe0
PDF Text
Text
ROSANNA;
THE OXFORD TRAGEDY.
IN
T W O
P A R T S .
PART I.—How Fair Rosanna, of the City of Oxford,
was by a young Gentleman betrayed of her virginity.
PA&T II.—His cruelty in murdering her, and how a
rose-bush sprung upon her grave, which blossoms
all the year through ; and how the murder came to
be found out, by his cropping the rose, &c.
GLASGOW:
PRINTED FOR TIIE BOOKSELLERS.
�TBE
OXFORDSHIRE TRAGEDY.
PART
I.
Young virgins fair, of beauty bright,
And you tliat are of Cupid's fold,
Unto my tragedy draw near,
F o r it's as true as ever was told.
In Oxford liv'd a lady fair,
The daughter of a worthy knight,
A gentleman that lived near,
Was enamoured with her beauty bright.
Rosanna was this maiden's name,
The flower of fair Oxfordshire
This gentleman a-courting caie.
Begging her to be his dear.
Her youthful heart to love inclin'd,
Young Cupid bent bis golden bow,
And left his golden dart behind,
Which proved Rosanna's overthrow.
Within the private groves they'd walk,
And valleys where the lambs d o play,
Sweet pleasant tales of love they'd talk,
For to pass away the summer's day.
My charming lovely Rose, said he,
See how the pleasant flowers spring
The pretty birds on every tree,
With melody the groves do ring.
�3
I nothing want for to delight
M y soul, but those charms of thine ;
Our hearts are fix'd, therefore my dear
Like turtle-doves let us combine.
Let me embrace my heart's delight
Within this pleasant bower here,
This bank of violets for our bed,
Shaded with these sweet roses fair.
She said, what can you mean, I pray?
I am a noble lady born,
W h a t signifies my beauty bright,
That's a trifle when my honour's gone.
M y parents they will me disdain,
Young virgins they will me deride,
Oh ! do not prove my overthrow,
If you love me, stay till I am your bride.
Sweet angel bright, I here do vow,
By all the powers that are divitie,
I'll ne'er forsake my dearest dear,
Y o u re the girl that doth my heart confine.
But if you will me still delay,
This sword shall quickly end the woe ;
Then from her arms he flew straightway,
In fury out his sword he drew.
Her hands as white as lilies fair,
Most dreadfully she-then did wring,
And for the j e w e l she had lost,
She said, my death's approaching.
�4
It only brings my fatal fall.
It's I that must receive the wound :
T h e crimson dye forsook his cheek,
At his feet she dropp'd upon the ground.
Thus innocence he did betray,
Full sore against her chaste desire,
True love is a celestial charm,
But the flame of love is a raging fire.
But when her senses did revive,
H e many vows and oaths did make,
That he'd for ever true remain,
Her company, would not forsake.
PART
II.
Into the lonely valley she
W o u l d often wander all alone;
Sighing sadly to assuage her grief,
Thus in the bower would often mourn.
Oh that I was some pretty bird,
That I might fly and hide my shame,
Oh silly maid, for to believe
All the fair delusions of a man.
The harmless lamb can sport and pray,
T h e turtle constant to his mate,
Nothing so wretched is as I,
T o love a man that does me hate.
�5
I will to him a letter send,
Remembering of the oath he made,
Within the tender bower where
M y tender heart he first betrayed.
Her trembling hand a letter wrote,
M y dearest dear, what must I do ?
Alas I what have I done, that I
A m forsaken and forgot by yon ?
I could have many a lord of fame,
W h o little knows my misery ;
I did forsake a worthy knight,
'Tis for the love I bear to thee.
And now my little infant dear
Will quickly spread abroad my shame,
One line of comfort to me send,
Ere by your cruelty I am slain.
This answer he to her did send,
Y o u r insolence amazeth me,
T o think that I should marry one
With whom before I have been free.
Indeed I will no father be
Unto any bastard you may bear,
So take no further thought of rne,
No more from you pray let me hear.
When she this letter did receive.
She wrung her hands and wept full sore,
And every day she still would range,
T o lament within that pleasant bower
�6
The faithless wretch began to think
H o w noble were her parents dear.
H e said, I sure will punished be,
Soon as the story they shall hear.
So then the devil he did begin
T o enter in his wretched mind,
H e r precious life he then must have,
An opportunity thus he did find.
H e many times had watch'd her out
Into the pleasant valley, where
One day he privately did go,
W h e n he knew the lady was not there.
And privately he dug a grave,
Underneath an oaken tree ;
Then in the branches he did hide,
For to act this piece of cruelty.
Poor harmless soul, she nothing knew,
A s usual she went there alone,
And on a bank of violets she
In mournful silence sat her down.
Of his unkindness did complain,
At length she did the grave espy,
She rose indeed to view the same,
Little thinking he was so nigh.
Y o u gentle gods so kind, said she,
Did you this grave for me prepare :
H e then descended from the tree,
Saying, strumpet, thy death is near.
�7
Oh, welcome, welcome, she replied,
As long as by your hands I die,
This is a pleasant marriage bed,
I'm ready—use your cruelty.
But may the heavens bring to light
T h y crime, and thus let it appear:
Winter and summer on this grave,
May the damask rose in bloom spring here.
Never wither though 'tis cropp'd,
But when thy hand doth touch the same,
Then may the bloom that minute blast,
T o bring to light thy bitter shame.
More she'd have said, but with his sword
H e pierced her tender body through,
Then threw her in the silent grave,
A n d filled the grave close up again.
With weeds the same did overspread,
Then unconcerned straight went home,
Immediately went he to his bed,
And thought no more of what he'd done.
The loss of their young daughter dear,
Her parents much did grieve,
She was sought after far and near,
For to all the riches she was heir.
'Tis twelve months since that this was done,
There's thousands for a truth doth know't
And many wonder'd at the same,
For all the winter it did spring.
�If any one did crop that rose,
In a moment it would grow again ;
This thing was blaz'd the country round,
A n d thousands went the same to see.
He amongst the rest must curious be,
T o go and see if it was true,
And when unto the place he came,
The beauteous rose he saw in bloom.
The leaves did fall from off the bush,
The rose within his hand did d i e ;
He cried, 'tis fair Rosanna's blood.
That did spring from her fair body.
Many people that were there,
T o o k notice of what he did say,
They told he had some murder done,
H e the truth confess'd without delay.
They dug and found the body there,
The first of April it was known,
He was seiz'd and carried off to jail,
And shortly after suffer'd his doom.
�
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Omeka Image File
The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.
Bit Depth
8
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Height
3190
Width
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Illustration on title-page of a young woman wearing a hat, dress, and shawl standing before a gate.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Woodcut 062: Title-page illustration of a young woman wearing a hat, dress, and shawl standing before a gate.
Document
A resource containing textual data. Note that facsimiles or images of texts are still of the genre text.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Rosanna; the Oxford tragedy. In two parts.
Subject
The topic of the resource
Courtship and Marriage
Crime
Chapbooks - Scotland - Glasgow
Description
An account of the resource
'20' is printed at the bottom of the title page
Woodcut #62: Illustration on title-page of a young woman wearing a hat, dress, and shawl standing before a gate.
Date
A point or period of time associated with an event in the lifecycle of the resource
1840-1850 per National Library of Scotland
Language
A language of the resource
English
Identifier
An unambiguous reference to the resource within a given context
<a href="https://ocul-gue.primo.exlibrisgroup.com/permalink/01OCUL_GUE/mrqn4e/alma9923406183505154">s0172b29</a>
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Oxford, England
Alternative Title
An alternative name for the resource. The distinction between titles and alternative titles is application-specific.
The Oxford tragedy
Extent
The size or duration of the resource.
8 pages
16 cm
Abstract
A summary of the resource.
A young girl from Oxfordshire is courted by a gentleman who persuades her to go out walking with him one day and rapes her. When she discovers she is with child, she writes to him begging him to marry her and save her from the public shame that would follow an illegitimate birth. The young man scorns her proposal but secretly fears what will happen when the pregnancy comes to light, so he decides to return home and murder her. He digs a grave under a tree that he knows she will walk by, and jumps out of the tree when she notices the grave. He kills her and buries her in the grave, but before she dies she claims that a damask rose will bloom upon her grave in winter as well as spring as proof of his deed. When this comes to pass and many marvel at the rose one year later, he returns to see if the rumours are true. When he touches the rose, it withers into dust, thereby proving that he is the murderer for all to see, which he immediately confesses to and is imprisoned.
Is Referenced By
A related resource that references, cites, or otherwise points to the described resource.
National Library of Scotland <a href="http://www.lib.uoguelph.ca/find/find-type-resource/archival-special-collections/scottish-studies">http://www.nls.uk/catalogues/main-catalogue-overview/</a>
Contributor
An entity responsible for making contributions to the resource
Archival and Special Collections, University of Guelph Library, Guelph, Ontario, Canada
Format
The file format, physical medium, or dimensions of the resource
JPEGs and PDF derived from master file, which was scanned from the original book in 24-bit color at 600 dpi in TIFF format using an Epson Expression 10000XL scanner.
Rights
Information about rights held in and over the resource
In public domain; For higher quality reproductions, contact Archival & Special Collections, University of Guelph. libaspc@uoguelph.ca 519-824-4120, Ext. 53413
Publisher
An entity responsible for making the resource available
Glasgow: Printed for the Booksellers
Source
A related resource from which the described resource is derived
Archival & Special Collections, University of Guelph Library, Guelph, Ontario
Type
The nature or genre of the resource
ballads & songs
# of Woodcuts: 1
Architecture: gate
Bib Context: title-page
Chapbook Date: 1841-1850
Chapbook Genre: ballads & songs
Chapbook Publisher - Glasgow: Printed for the Booksellers
Gender: woman/women
Outdoor Scene
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Woodcut 076:Title-page illustration of a soldier in Highland dress holding a sword.
Document
A resource containing textual data. Note that facsimiles or images of texts are still of the genre text.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
The History of Prince Charles Edward Stuart, Commonly Called the Pretender.
Subject
The topic of the resource
Highlands
Jacobites
War
Charles Edward, Prince, grandson of James II, King of England, 1720-1788
Date
A point or period of time associated with an event in the lifecycle of the resource
1840-1850 per University of Glasgow Union Catalogue of Scottish Chapbooks
Language
A language of the resource
English
Identifier
An unambiguous reference to the resource within a given context
<a href="https://ocul-gue.primo.exlibrisgroup.com/permalink/01OCUL_GUE/mrqn4e/alma9953133973505154">s0042b27</a>
<a href="https://ocul-gue.primo.exlibrisgroup.com/permalink/01OCUL_GUE/mrqn4e/alma9953133913505154">s0221b12</a>
Extent
The size or duration of the resource.
24 pages
Abstract
A summary of the resource.
A short history and biography of the life and death of Bonnie Prince Charlie, focusing especially on the events of the Second Jacobite Rising. This chapbook is one of a series of histories and biographies of notable Scottish figures which have been bound together in this collection.
Is Part Of
A related resource in which the described resource is physically or logically included.
Chapbook #27 in a bound collection of Scottish chapbooks (s0042b27)
Chapbook #5 in a bound collection of 22 chapbooks (s0221b12)
Description
An account of the resource
"120" printed at the bottom of the title-page
Is Referenced By
A related resource that references, cites, or otherwise points to the described resource.
University of Glasgow Union Catalogue of Scottish Chapbooks <a href="http://special.lib.gla.ac.uk/chapbooks/search/">http://special.lib.gla.ac.uk/chapbooks/search/</a>
Contributor
An entity responsible for making contributions to the resource
Archival and Special Collections, University of Guelph Library, Guelph, Ontario, Canada
Format
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JPEGs and PDF derived from master file, which was scanned from the original book in 24-bit color at 600 dpi in TIFF format using an Epson Expression 10000XL scanner.
Rights
Information about rights held in and over the resource
In public domain; For higher quality reproductions, contact Archival & Special Collections, University of Guelph. libaspc@uoguelph.ca 519-824-4120, Ext. 53413
Publisher
An entity responsible for making the resource available
Glasgow: Printed for the Booksellers
Source
A related resource from which the described resource is derived
Archival & Special Collections, University of Guelph Library, Guelph, Ontario
Type
The nature or genre of the resource
biography
# of Woodcuts: 1
Bib Context: title-page
Chapbook Date: 1841-1850
Chapbook Genre: biography
Chapbook Publisher - Glasgow: Printed for the Booksellers
Fashion (Clothing): feather bonnet
Fashion (Clothing): Highland attire
Fashion (Clothing): kilt
Fashion (Clothing): military
Fashion (Clothing): sporran
Gender: man/men
Occupation: soldier
Outdoor Scene
Weapons: sword
-
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The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.
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Dublin Core
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Title
A name given to the resource
Portrait on title-page of a man wearing a wig and dressed in a coat with a lace collar
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Woodcut 023: Title-page illustration in triple ruled border of a portrait of a man in a wig and dressed in a coat with a lace collar.
Document
A resource containing textual data. Note that facsimiles or images of texts are still of the genre text.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
The history of the life and sufferings of Rev. John Welch, sometime minister of the gospel at Ayr.
Subject
The topic of the resource
Chapbooks - Scotland - Glasgow
Religion and Morals
Supernatural
Covenanters
Welsh, John, c. 1570–1622
Description
An account of the resource
'64' is printed at the foot of the title page
Woodcut #23: Portrait on title-page of a man wearing a wig and dressed in a coat and lace collar.
Date
A point or period of time associated with an event in the lifecycle of the resource
1840-1850 per National Library of Scotland
Identifier
An unambiguous reference to the resource within a given context
<a href="https://ocul-gue.primo.exlibrisgroup.com/permalink/01OCUL_GUE/mrqn4e/alma9953133913505154">s0221b12</a>
Is Part Of
A related resource in which the described resource is physically or logically included.
Chapbook #8 in a bound collection of 22 chapbooks
Abstract
A summary of the resource.
A short history and biography of the life and death John Welch, a Presbyterian minister in the sixteenth and seventeenth centuries. The chapbook focuses especially on his reputed powers of divination and other supernatural demonstrations, including the resurrection of at least one person. His devotion, humility, and eloquence are highlighted in particular, as well as his persecution under James VI and I. This chapbook is one of a series of histories and biographies of notable Scottish figures which have been bound together in this collection.
Extent
The size or duration of the resource.
24 pages
Is Referenced By
A related resource that references, cites, or otherwise points to the described resource.
National Library of Scotland <a>http://www.nls.uk/</a>
Type
The nature or genre of the resource
biography
religion
Contributor
An entity responsible for making contributions to the resource
Archival and Special Collections, University of Guelph Library, Guelph, Ontario, Canada
Format
The file format, physical medium, or dimensions of the resource
JPEGs and PDF derived from master file, which was scanned from the original book in 24-bit color at 600 dpi in TIFF format using an Epson Expression 10000XL scanner.
Rights
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In public domain; For higher quality reproductions, contact Archival & Special Collections, University of Guelph. libaspc@uoguelph.ca 519-824-4120, Ext. 53413
Publisher
An entity responsible for making the resource available
Glasgow: Printed for the Booksellers
Source
A related resource from which the described resource is derived
Archival & Special Collections, University of Guelph Library, Guelph, Ontario
# of Woodcuts: 1
Bib Context: title-page
Chapbook Date: 1841-1850
Chapbook Genre: biography
Chapbook Genre: religion & morals
Chapbook Publisher - Glasgow: Printed for the Booksellers
Fashion (Clothing): religious
Gender: man/men
occupation: clergy
Portrait: Rev. John Welch
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The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Illustration on titel-page of a young woman wearing a hat, dress, and shawl standing before a gate.
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PDF Text
Text
SIX
L O V E SONGS
JOCKEY TO THE FAIR.
W H A ' S AT T H E WINDOW,
WHA?
FAIREST OF THE FAIR.
THE F L O W E R O' D U M B L A N E .
THE MAID OF ARUNDEL.
F A R EWELL,
F A R E W E L L.
GLASGOW r
PRINTED FOR THE BOOKSELLERS.
34.
�SONGS.
WHA'S AT THE WINDOW,
WHA?
O wha's at the window, wha ? wha ?
0 wha's at tli© window, wha ? wha ?
Wha but blythe Jamie Glen,
He's come sax miles and ten,
To tak bonnie Jeanie awa, awa,
To tak bonnie Jeanie awa.
He has plighted his troth, an' a', an' a\
Leal love to gi'e, an' a', an' a',
And sae has she dune,
By a' that's aboon ;
For he loe's her, she lo'es him 'boon a', 'boon a*
He lo'es her, she lo'es him 'boon a'.
Bridal maidens are braw, braw,
0 bridal maidens are braw, braw,
But the bride's modest e'e,
And warm cheek, are to me
'Boon pearl ens and brooches, an* a', an' a\
'Boon pearlens and brooches, an' a'.
There's mirth on the green, in the ha', the ha\
There's mirth on the green, in the ha',
�There's laughing, there's quaffing,
There's jesting, there's daffing,
But the bride's father's blythest of a', of a',
But the bride's father's blythest of a'.
It's no that she's Jamie's ava, ava,
It's no that she's. Jamie's ava, ava,
That my heart is sae wearie,
When a' the lave's cheerie,
But it's just that she'll aye be awa, awa,
But it's just that she'll aye be awa.
THE FLOWER 0 '
DUMBLANE.
The sun had gane down o'er the lofty Benlomond,
And left the red clouds to preside o'er the scene ;
While lanely I stray in the calm simmer gloaming,
To muse on sweet Jessie, the flower o' Dumblane.
0 sweet is the brier wi' its saft faulding blossom,
And sweet is the birk wi' its mantle o' green;
Yet sweeter and fairer, and dear to this bosom,
Is lovely young Jessie, the flower o' Dumblane.
She's modest as ony, and blythe as she's, bonny,
For guileless simplicity marks her its ain ;
And far be the villain, divested of feeling,
Wha'd blight in its blossom the flower o' Dumblane
Sing on, thou sweet mavis, thy hymn to the e'ening,
Thou'rt dear to the echoes of Calderwood glen,
Sae dear to this bosom, sae artless and winning,
Is charming young Jessie, the flower o' Dumblane.
�4
How lost were my days till I met with my Jessie,
The sports of the city seem'd foolish and vain ;
I ne'er saw a nymph I would ca' my dear lassie,
Till charm'd wi* sweet Jessie, the flower o* Dumblane,
Tho' mine were the station of loftiest grandeur,
Amidst its profusion I'd languish in pain ;
And reckon as naething the height o' its splendour,
If wanting sweet Jessie, the flower o* Dumblane.
T H E M A I D OF A R U N D E L .
Thou fairest of the fairest maids,
In Arundel's embowering shades,
When beauty smiles in all her charms,
And love's delighted bosom warms,
With thee I woo each sylvan scene,
Of fragrant bower and arbour green,
While smiling hope our care dispels,
We bless the shades of Arundel.
When twilight steals along the world,
And wandering shepherds leave the fold,
To woo the bower, the scented grove,
And sigh upon the lips of love ;
Again my lovely Rosalie,
With bounding heart I fly to thee,
Love's dear and fond delights to tell
Amid the shades of Arundel.
As wandering by the castle mound,
Or moving in the festive round,
�o
I feel the power of love divine,
Bright beaming in these eyes of thine.
And sweeter is thine artless tale,
Than midnight song of nightingale,
Soft dying on the breezy swell
That fan the shades of Arundel.
JOCKEY TO T H E
FAIR.
'Twas on the morn of sweet May-day,
When Nature painted all things gay,
Taught birds to sing, and lambs to play,
And gild the meadows fair ;
Young Jockey early on the morn
Arose, and tript it o'er the lawn,
For Jenny vow'd away to run
With Jockey to the Fair ;
For Jenny vow'd away to run
With Jockey to the Fair.
The cheerful parish bells had rung,
With eager steps he trudg'd along,
While garlands round him hung
Which shepherds us'd to wear:
He tapt the window, 44 Haste my dear,"
Jenny impatient cried, " Who's there I"
" 'Tis I, my love, and no one near,
Step gently down, you've nought to fear,
With Jockey to the Fair ;
Step gently down, &c.
�6
" My dad and mammy's fast asleep,
My brother's up and with the sheep,
And will you still your promise keep
Which I have heard you swear ?
And will you ever constant prove ?
44 1 will, by all the powers above,
And ne'er deceive my charming dove:
Dispel those doubts, and haste my love,
With Jockey to the Fair
Dispel those doubts, &c.
" Behold the ring," the shepherd cried,
" Will Jenny be my charming bride?
Let Cupid be our happy guide,
And Hymen meet us there."
Then Jockey did his vows renew,
He would be constant, would be true,
His word was pledg'd, away she flew
With Jockey to the Fair ;
O'er cowslips tript, &c.
In raptures meet the joyful train,
Their gay companions, blithe and young,
Each join the dance, each join the throng.
To hail the happy pair ;
In turns there's none so fond as they,
They bless the kind propitious day,
The smiling morn of blooming May,
When lovely Jenny ran away
With Jockey to the Fair ;
When lovely Jenny, &c.
�7
F A I R E S T OJ? T H E
FAIR.
0 Nannie, wilt thou gang wi' me,
Nor sigh to leave the flaunting town ;
Can silent glens have charms for thee,
The lowly cot, and russet gown ?
Nae langer drest in silk and sheen,
Nae langer deck'd wi' jewels rare,
Say, canst thou quit each courtly scene,
Where thou wert fairest of the fair O Nannie, when thou'rt far away,
Wilt thou not cast a look behind ?
Say, canst thou face the parching ray,
Nor shrink before the wintry wind ?
0 can that saft and gentlest mien
Severest hardships learn to bear,
Nor sad, regret each courtly scene,
Where thou wert fairest of the fair ?
O Nannie, canst thou love so true,
Thro' perils keen wi' me to gae ?
Or when thy swain mishap shall rue,
To share with him the pang of wae.
And when invading pains befal,
Wilt thou assume the nurse's care,
Nor wishful those gay scenes recal,
Where thou wert fairest of the fair ?
And when at last thy love shall die,
Wilt thou receive his parting breath ?
Wilt thou repress each struggling sigh,
And cheer with smiles the bed of death
�8
And wilt thou o'er his much-lov'd clay
Strew flowers, and drop the tender tear ;
Nor then regret those scenes so gay,
Where thou wert fairest of the fair I
FAREWELL,
FAREWELL.
Farewell, farewell, dear Erin's Isle!
My native land, adieu!
I've seen thy hours of sunshine smile,
And mark'd thy sorrows too.
The pale moon trembles on the deep,
But ere the morning dawn,
Th© winds will only hear me weep
For thee, my Peggy Bawn.
And though I haste beyond the sea,
Where sweeter scenes may smile,
My heart unchanged will turn to tliee,
My own, my native isle.
But now a long, a kind farewell,
To mountain, grove, and lawn,
While tears alone my parting tell,
From thee, my Peggy Bawn.
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Woodcut 062: Title-page illustration of a young woman wearing a hat, dress, and shawl standing before a gate.
Document
A resource containing textual data. Note that facsimiles or images of texts are still of the genre text.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Six love songs. Jockey to the fair. Wha's at the window, wha? Fairest of the fair. The flower o' Dumblane. The maid of Arundel. Farewell, farewell.
Subject
The topic of the resource
Courtship and Marriage
Chapbooks - Scotland - Glasgow
Date
A point or period of time associated with an event in the lifecycle of the resource
1840-1850 per University of Glasgow Union Catalogue of Scottish Chapbooks
Language
A language of the resource
English
Identifier
An unambiguous reference to the resource within a given context
<span class="EXLResultStatusAvailable"><span class="EXLAvailabilityCallNumber"><a href="https://ocul-gue.primo.exlibrisgroup.com/permalink/01OCUL_GUE/mrqn4e/alma9943830973505154">s0615b35</a></span></span>
Alternative Title
An alternative name for the resource. The distinction between titles and alternative titles is application-specific.
Jockey to the fair.
Wha's at the window, wha?
Fairest of the fair.
The flower o' Dumblane.
The maid of Arundel.
Farewell, farewell.
Extent
The size or duration of the resource.
8 pages
15 cm
Description
An account of the resource
Woodcut #62: Illustration on title-page of a young woman wearing a hat, dress, and shawl standing before a gate.
'34' is printed at the bottom of the title page
Accrual Method
The method by which items are added to a collection.
Purchased through Jane Grier Family Trust. 2012
Is Referenced By
A related resource that references, cites, or otherwise points to the described resource.
University of Glasgow Union Catalogue of Scottish Chapbooks <a href="%20University%20of%20Glasgow%20Union%20Catalogue%20of%20Scottish%20Chapbooks%20%20http%3A//special.lib.gla.ac.uk/chapbooks/search/">http://special.lib.gla.ac.uk/chapbooks/search/</a>
Contributor
An entity responsible for making contributions to the resource
Archival and Special Collections, University of Guelph Library, Guelph, Ontario, Canada
Format
The file format, physical medium, or dimensions of the resource
JPEGs and PDF derived from master file, which was scanned from the original book in 24-bit color at 600 dpi in TIFF format using an Epson Expression 10000XL scanner.
Rights
Information about rights held in and over the resource
In the public domain; For higher quality reproductions, contact Archival & Special Collections, University of Guelph. libaspc@uoguelph.ca 519-824-4120, Ext 53413
Publisher
An entity responsible for making the resource available
Glasgow: Printed for the Booksellers
Type
The nature or genre of the resource
ballads & songs
# of Woodcuts: 1
Architecture: gate
Bib Context: title-page
Chapbook Date: 1841-1850
Chapbook Genre: ballads & songs
Chapbook Publisher - Glasgow: Printed for the Booksellers
Gender: woman/women
Outdoor Scene
-
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Omeka Image File
The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.
Bit Depth
8
Channels
3
Height
3172
Width
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Woodcut on title-page portraying a young woman (milkmaid?) wearing a hat and carrying two buckets slung over hoops encircling her skirt
https://scottishchapbooks.lib.uoguelph.ca/files/original/e4f5e3a27490ddb74496a0cc6c26cb7f.pdf
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PDF Text
Text
F I V E SONGS.
THE PECK 0' MAUT.
'TIS THE LAST ROSE OF SUMMER.
TO MARY IN HEAVEN.
THE HIGHLAND LADDIE.
THE CONFESSION.
GLASGOW:
PRINTED FOR THE BOOKSELLERS.
64.
�J3©fioa srwrt
S O N G S ,
.TTJAM '0 yIOHH d i l l
THE PECK 0 ' MAUT.
O- WiHte hrew\itif pedc o' ltiatifc'*
And Rab and Allan came to pree ;
Three btythfef-HeirtV
flight,
Ye wadna found in Christendie.
We are na fo'u, we're no that fou,
But just a drapyie in oui;,e'e ;
The efrdk'trtny ci-aw, tli'e (lay may daw',
But aye we'll taste the barley bree.
Here are we met, three merry boys,
Three merry boys I trow are we ;
And mony a night wcVe merry been,
And mony mair we hope to be.
We are na fou, &c.
||L
. \
It is tt^ TfaooM I ken her horn,
Thai • blinking in the lift sae hie;
s
She shines sae bright to wyb us hame,
But by nay sooth she'll wait a wee.
We are na fou, &c.
Wha ffet sjiall rise to gang awa,
A cucKola, coward loon is he ;
Wha first beside his chaij* §hall fa',
He is the king'iMfthg*m Three!
in. wtvm
'•%
id
J
-
>w
�3
ADDITIONAL VERSES.
Thus Willie, Ral), and Allan sang,
Thus paas'd the night wi' mirth and glee,
And aye the oh or tis a' night lang,
Was, " As we're now, we hope to be."
And ay they tog, " we are hi a fou,
But just a drappie in eure'e,;
The cock may craw, the day may daw',
But aye we ll taste the barley bree.
That time for them the cock did craw,
The harbinger of morn to be ;
That time for them the day did c.aw',
Wi' gowden tint o'er tower and tree.
And aye they sang, &c.
That time for them the moon's pale horn
Did wax and wain o'er land and sea,
But now has dawn'd tlie hapless morn,
That gilds the graves o* a' the three.
Nae mair they sing, " We are na fou,
Nae mair the drappie's in their e'e,
Nor cock does craw, nor day does daw',
Nae mair they'll taste the barley bree/?
Thus Learning makes for Willie main,
For Robin, Poesy wipes her -e'e,
And Science wails for Allan gane,
Since death's dark house hauds a' the three.
�4
Then Britons mourn for genius rare,
A' victims o' the barley bree,
And ban the bree that cou'dna spare
The youthfu' lives o1 a' the three.
TIS THE LAST ROSE OF S U M M E R
'Tis the last rose of summer,
Left blooming alone ;
All her lovely companion
Are faded and gone ;
No flower of her kindred,
No rose-bud is nigh,
To reflect back her blushes,.
Or give sigh for sigh!
I'll not leave thee, thou lone one,
To pine on the stem,
Since the lovely are sleeping,
Go, sleep thou with them ;
Thus kindly I scatter
Thy leaves o'er the bed
Where thy mates of the garden
Lie scentless and dead.
So soon may I follow
When friendships decay,
And from love's shining circle
The gems drop away!
When true hearts lie wither'd,
And fond ones are flown,
0 ! who could inhabit
This bleak world alone.
�5
TO MARY IN HEAVEN.
Thou lingering star, with less'ning ray,
That lov'st to greet the early morn,
A.^ain thou usher st in the day
My Marv from my soul was torn.
0 mary, dear departed shade!
Where is thy place of blissful rest ?
thou thy lover lowly laid ?
Hear'st thou the groans that rend his breast
That sacred hour can I forgot !
Can I forget the hallowed grove,
Where by the winding Ayr we met,
To live one day of parting love!
Eternity will not efface
Those records dear of transports past,—
Thy image at our last embrace-;—
Ah! little thought we 'twas our last!
Ayr, gurgling, kiss'd his pebbled shore,
Oerhung with wild woods, thick'ning, green
The fragrant birch, and hawthorn hoar,
Twin'd am'rous round the raptur'd scene.
The flowers sprang wanton to be prest,
The birds sing love on every spray,
Till too, too soon, the glowing west
Proclaim'd the speed of winged day.
Still o'er these scenes my mem'ry wakes,
And fondly broods with miser care:
Time but the impression stronger makes,
As streams their channels deeper wear.
�6
My Mary, dear departed shade!
Where is thy pl$u?e, of blissful rest?
Seest thou thy lover lowly laid ?
Hear'st thou the groans that rend his breast?
THE HIGHLAND LADDIE.
The Lawland lads think they are fine,
But 0 ! they're vain and idle gaudy ;
tlow much unlike the gracefu' mien,
And manly looks of my Highland laddie.
0 my bonriie Highland laddie,
My handsome, charming Highland laddie ;
May heaven still guard, and love reward,
The lawland lass and her Highland laddie.
If I were free at will to choose,
To be the wealthiest Lawland lady,
I'd tak young Donald without trews,
With bonnet blue, and belted plaidie.
0 my honnie, &c.
The brawest bean in burrows town,
In a' his airs, wi' art made ready,
Ccmpar'd to him, he's but a clown,
He's finer far in's tartan plaidiq.
0 my bonnie,, &€.•
O'er benty hill wi' him PM run,
And leave my Lawland kin and daddie ;
�7
Frae winter's cauld and summer's sun,
He'll screen me wi' his tartan plaidie.
0 my bonnie, &c.
A painted room, and silken bed,
May please a Lawland laird and lady ;
But I can kiss, and be as glad,
Behind a bush in's tartan plaidie.
0 my bofmie, &c.
Few compliments between us pass ;
I ca' him my dear Highland laddie,
And he ca's me his Lawland lass,
Syne rows me in beneath his plaidie.
0 my bonnio, &e.
Nae' greater joy I'll e'er pretend,
Than th&t his love prove true and steady,
Like mine to him, which ne'er shall end,
While Heav'n preserves my Highland laddie.
0 my bonnie, &e.
THE CONFESSION.
With sorrow and repentance true,
Father, I trembling Come to you ;
I know I've too indulgent been
To one, but oh! forgive the sin.
To one whom still I love, tho' he
Ungrateful proves, and false to me ;
Then let me on my knees confess
How I've been tempted to transgress.
�Oh! rev'rend father, if you knew
The charms of him, alas! untrue ;
0 had you heard the false one swear
1 was the fairest of the fair ;
You could not, holy Sir, refuse
So slight a weakness to excuse ;
He swore my eyes were loveliness,
Ah! let me then my fault confess.
To grief, eternal grief a prey,
His name is all my heart can say ;
When bath'd in sad repentant tears,
Still to my mind his name appears ;
Yes, 'tis that name, that name alone,
Which bends me now before thy throne
Alcander—but I can't express,
Oh ! Father, must I then confess ?
Ah ! tell him, should he come to you,
Should he, like me, for mercy sue ;
Of all the crimes by heav'n accurst,
Tell him inconstancy's the worst;
Tell him that he who's false in love,
Can ne'er hope pity from above ;
Tell him that I alone can bless,
And send him to me to confess.
�
Dublin Core
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Title
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Woodcut 038: Title-page illustration of a milkmaid carrying two buckets.
Document
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
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Five songs. The peck o' maut. 'Tis the last rose of summer. To Mary in heaven. The Highland laddie. The confession.
Date
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1840-1850 per University of Glasgow Union Catalogue of Scottish Chapbooks
Language
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English
Identifier
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<a href="https://ocul-gue.primo.exlibrisgroup.com/permalink/01OCUL_GUE/mrqn4e/alma9943830863505154">s0615b46</a>
Alternative Title
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The peck o' maut.
'Tis the last rose of summer.
To Mary in heaven.
The Highland laddie.
The confession.
Extent
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8 pages
14 cm
Description
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Woodcut #38: Illustration on title-page of a milkmaid carrying two buckets
'64' is printed at the bottom of the title page
Accrual Method
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Purchased through the Jane Grier Family Trust. 2012.
Is Referenced By
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University of Glasgow Union Catalogue of Scottish Chapbooks <a href="%20University%20of%20Glasgow%20Union%20Catalogue%20of%20Scottish%20Chapbooks%20%20http%3A//special.lib.gla.ac.uk/chapbooks/search/">http://special.lib.gla.ac.uk/chapbooks/search/</a>
Contributor
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Archival and Special Collections, University of Guelph Library, Guelph, Ontario, Canada
Format
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JPEGs and PDF derived from master file, which was scanned from the original book in 24-bit color at 600 dpi in TIFF format using an Epson Expression 10000XL scanner.
Rights
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In the public domain; For higher quality reproductions, contact Archival & Special Collections, University of Guelph. libaspc@uoguelph.ca 519-824-4120, Ext. 53413
Publisher
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Glasgow: Printed for the Booksellers
Type
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ballads & songs
Subject
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Chapbooks - Scotland - Glasgow
Courtship and Marriage
Highlands
Source
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Archival & Special Collections, University of Guelph Library, Guelph, Ontario
# of Woodcuts: 1
Bib Context: title-page
Chapbook Date: 1841-1850
Chapbook Publisher - Glasgow: Printed for the Booksellers
Fashion (Clothing): bonnet
Fashion (Clothing): working class
Gender: woman/women
Object: bucket(s)
Occupation: farmer
Outdoor Scene