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Dublin Core
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Title
A name given to the resource
Woodcut 052_a: Frontispiece illustration in a double ruled circular border within a single ruled rectangular border of a of a soldier holding a miniature man son his thumb. Outdoor scene showing hills and a tree.
Dublin Core
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Title
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Tom Thumb's Play-Book
Date
A point or period of time associated with an event in the lifecycle of the resource
1813
Extent
The size or duration of the resource.
18 pages; includes 28 woodcut images
9 cm
Identifier
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<a href="https://ocul-gue.primo.exlibrisgroup.com/permalink/01OCUL_GUE/mrqn4e/alma9951650283505154">s0031Ab028</a>
Contributor
An entity responsible for making contributions to the resource
Archival and Special Collections, University of Guelph Library, Guelph, Ontario, Canada
Rights
Information about rights held in and over the resource
In the public domain; For high quality reproductions, contact Archival & Special Collections, University of Guelph. libaspc@uoguelph.ca, 519-824-4120, Ext. 53413
Subject
The topic of the resource
Chapbooks - Scotland - Edinburgh
Format
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JPEGs and PDF derived from master file, which was scanned from the original book in 24-bit color at 600 dpi in TIFF format using an Epson Expression 10000XL scanner.
Publisher
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Edinburgh : G. Ross
Source
A related resource from which the described resource is derived
Archival & Special Collections, University of Guelph Library, Guelph, Ontario
Type
The nature or genre of the resource
fairytale/folk lore
alphabet book
children's instruction book
# of Woodcuts: 28
Architecture: fence
Architecture: house
Bib Context: title-page
Chapbook Date: 1811-1820
Chapbook Genre: alphabet book
Chapbook Genre: children's instruction book
Chapbook Publisher - Edinburgh : G. Ross
Gender: man/men
Nature: cloud(s)
Outdoor Scene
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Title
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Woodcut on title-page portraying Man reading a book under a tree; 8 birds flying over 2 hills in the background
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Dublin Core
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Title
A name given to the resource
Woodcut 012_a: Title-page illustration in a single ruled rectangular border of a man reading a book under a tree with a flock of birds flying over the hills in the background.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
The Royal Alphabet : or, Child's Guide in the Road to Learning
Date
A point or period of time associated with an event in the lifecycle of the resource
ca. 1815
Extent
The size or duration of the resource.
16 pages : woodcut illustrations
10 cm
Identifier
An unambiguous reference to the resource within a given context
<a href="https://ocul-gue.primo.exlibrisgroup.com/permalink/01OCUL_GUE/mrqn4e/alma9951097813505154">s0037Ab009</a>
Description
An account of the resource
Incomplete. 4 pages missing
Subject
The topic of the resource
Chapbooks - Scotland - Edinburgh
alphabet books
Contributor
An entity responsible for making contributions to the resource
Archival and Special Collections, University of Guelph Library, Guelph, Ontario, Canada
Rights
Information about rights held in and over the resource
In the public domain; For high quality reproductions, contact Archival & Special Collections, University of Guelph. libaspc@uoguelph.ca, 519-824-4120, Ext. 53413
Alternative Title
An alternative name for the resource. The distinction between titles and alternative titles is application-specific.
Child's guide in the road to learning
Format
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JPEGs and PDF derived from master file, which was scanned from the original book in 24-bit color at 600 dpi in TIFF format using an Epson Expression 10000XL scanner.
Publisher
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Edinburgh : G. Ross
Source
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Archival & Special Collections, University of Guelph Library, Guelph, Ontario
Type
The nature or genre of the resource
children's instruction book
# of Woodcuts: 28
Activity: reading
Animal: bird(s)
Bib Context: title-page
Chapbook Date: 1811-1820
Chapbook Genre: alphabet book
Chapbook Publisher - Edinburgh : G. Ross
Fashion (Clothing): bonnet
Fashion (Clothing): breeches
Fashion (Clothing): coat
Fashion (Clothing): jacket
Fashion (Clothing): pants
Fashion (Clothing): upper class
Gender: man/men
Nature: hill(s)
Nature: tree(s)
Object: book(s)
Outdoor Scene
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PDF Text
Text
A COLLECTION OF
SONGS
Nq.
1
Containing
CAPTAIN
MULLIGAN,
THE BOLD DRAGOON*
WILL WATCH.
|
SAY, M Y H E A R T , W H Y W I L D L Y BEATJNCk
HOME, SWEET H O M E !
�Captain Mulligan.
Love's a plague by night-and by day,
W h e n that post you run your skull again,
Love it was or Kitty (TShea,
That bothered the heart of the brave Oplain?
Mulligan.
Brisk and merrily, light and gay,
Stout and steadily, smart and readily,
Soft and funnily, blythe and bonnily,
Quite an Adonis was Captain Mulligan ;
H e was willing, she was killing,
Soft she cried to brave O'MuLbgan :
(>, you kweL! ?
Cruel, jewel, willing, killing, Captain Mulligam
Shoulders rising over his ears,
Face just like the moon in full again,
Legs in shape like a tailor's shears.
Y o u ne'er saw the fellow of Captain Mulligan.
Limping, twaddling,' Miss O Shea ;
Glances pitching Kim; quite bewitching him,
Ogling"bonnity, squinting fortuity;
She. was a Venus to Captain Mulligan,
" O, sweet Kitty, youYe so prettyT'
Soft he cried the brave O ' Mulligan :
" O, sweet Kitty !
Pretty, witty, Kitty, pity Captain" MuUrgan.^
Married, how they alter'd their tune
Love once fierce, faith ! soon grew cold again,
W h e n they pass'd the sweet honey-moon
She blacken'd the eye of brave Captain Mulligan.
�s
W h i s k y tippling, night and day.
Scolding, fighting him, Lorns affrighting hhi%
" Och ! be aisy now, troth, you're crazy now,
T h e devil go with you, then, Mrs Mulligan,"
Faith, I knew it, I should rue, i t
Sad he cried, poor Captain Mulligan,
S4 Y o u ' r e my gruel !
Cruel, jewel, killings milling, Mistress Mulligan. n
The Bold
f
Dragoon.
There w&s an aiicjent fair, oh she loved a mate
youn^ hlan,
A n d she could not throw sly looks at him, by only
thro' her fan,,
W i t h her wink's arid blinks, tins waddling minx,
Her quizzing glass, her leer and sidle,
Oh, she lov'd a'bold Dragoon, with his long sword,
saddle, bridle.
W h a c k ! row de dow dpw.
She had a rolling eye, its fellow it had none,
W o u l d you know the reason why, it was, because
she had but one ;
W i t h her winks and blinks, this waddling minx,
She could not keep her. one eye idle !
0 , she leer'd at this Dragoon, with his long
sword, &c.
S
Now -he was tall and slim, she scjuab and short
was grown,
He lookM just like a mile in length, &nd she
.a.milestone,!
�W i t h he? winks and blinks, this waddling rmn£,
H e r quizzing glass* her leer and sidle,
1), she sighed to this Dragoon, Bless your long
sword,
Soon he led Unto the church the beauteous M r s
Flinn,
W h o a walnut could hate crafck'd 'tween her
lovely nose and chin ;
Oh ! then such winks in marriage links*
T h e four foot bride from church did sidle,
A s the wife of this Drago«n> with his long
sword, &c.
A twelvemonth scarce had pass'd when he laid her
under ground,
Soon he threw the onion from his eyes and touched
ten thousand pound !
For her winks and blinks her money chinks,
H e does not let her cash lie idle I
S o long life to this Dragoon, with his long
sword, &c.
Will Watch
*Twas one morn when the wind from the northward blew keenly,
W h i l e sullenly roar'd the big waves of the main,
A fam'd smuggler, W i l l Watch, kiss'd his Sue,
then serenely
T o o k heliUj and to sea boldly steered out again.
�W i l l had promised his Sue that this trip, if Well
ended*
Sh oukl coil up his hopes, and he'd anchor ashore ;
W h e n his pockets were lin'd, vvliv his life should
be mended;
The laws he had broken, he'd never break more.
His sea-boat was trim, made her port, took her
lading ;
Then Will stood for home, reached the offing,
and cried>
This night, it I've luck, furls the sails of my trading;
In dock 1 could lay, serve a friend too beside.
W i l l lay to till the night came on, darksome and
dreary ;
T o crowd ev'ry sail then he pip'd up each
hand;
But a signal soon spier', ('twas a prospect uncheery,)
A signal that warn'd him to steer from the
land*
T h e Philistines are out, cried W i l l , well, take no
heed on't,
Attack'd, who's the man that will flinch from
his gun ?
Should my head be blown off, I shall ne'er feel
the need on't,
W e l l fight while we can—when we can't, boys,
we'll rim.
�Oh!
oh ! cries W i l l W a t c h , the Philistines
bear down :
Bear a hand, my tight lads; ere we think about
sheering,
One broadside pour in, should we swim, boys,
or drown*
But should I be popp'd off, you, my mates, left
behind me,
Regard ray last words, see 'em kindly obey'd ;
L e t no stone mark the s p o t ; and my friends, do
you mind me,
Near the beach is the grave where W i l l W a t c h
would be laid.
P o o r Will's yarn was spun out, for a bullet next
v
minute
Laid him low on the deck, and he never spoke I
more.
His bold crew fought the brig while a shot remained in it ;
Then sheer'd and Will's hulk to his Susan they
bore..
. i'\\
In the dead of the night his last wish was crnnplied with ;
T o few known his grave, and to few known his
end :
H e wa^ borne to the earth by the crew that he
died with ;
__ 1
�7
He'd the tears of his Susan, the prayers ©f easfe
friend.
Near his grave dash the billows, the wine's loudly
bellow;
Y o n ash, struck with lightning, points out the
cold bed
W h e r e W i l l W a t c h , the bold smuggler, that
fam'd lawless fellow,
Once fear'd, now forgot, sleeps in peace witi*
the dead !
Say, my heart, mhy wildly healing.
Say,, my heart, why wildly beating ;
Dost thou such emotion prove :
Canst thou, when thy lover meeting,
Fear his truth or doubt his love?
N o •!''.-fondly no, my bosom sighs,
N o ! gently no, my heart replies.
Then fond heart be silent,eyer—
Be thy wild errtotion o Y r ;
F o r with douhl and fearing never
Shall thou throb—no, no, no, never itoortv
Light of life and life's best blessing,
Is the love that meets return :
Shall I that rich boon possessing,
E'er the matchless blessing spurn ?
N o ! fondly no, my bosom sighs,
N o ! gently no, ray heart replies.
Then be j o y my inmate ever,
Since each anxious dread is o ' e r ;
For with fear and doubling neve'/
&hail it throb—no, no, oo 3 nei'er fnore*
�Hornet sweet Home.
'Mid pleasures and palaces, though we may roam,
Be it ever so humble", there's no place like home ;
charrrr from the skies seerx-s to hallow us ihere,
seek thro' the world, is ne'er met with
elsewhere.
H o m e , home ! sweet, sweet home !
There's no place like h®me ! there's no place
like borne.
A n exile from home, splendour dazzles in vain !
Oh ! give me my lowly thatcb'd cottage again,
T h e birds singing gaily, that came at my call,
Give me them, with the peace of mind, dearer
than all.
•
H o m e , h o m e ! sweet, sweet home !
There's no place like home! there's no place
like home !
Had I a Cave*
Had I a cave on some wild distant shore,
W h e r e the winds howl to the wave's dashing roar,
T h e r e would I wt?ep my woea,
There seek my lost repose,
Till grief my eyes should close,
Ne'er to wake more
Falsest of womankind, canst thou declare
A l l thy fond plighted vows—fleeting as air !
T o thy new lover hie,
Laugh o'er thy perjury,
Then in thy bosom try
What peace is t h e m
�
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Omeka Image File
The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.
Bit Depth
8
Channels
3
Height
3003
Width
1878
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Illustration on title-page in double-line rectangular border of a woman about to punch a man who is holding a pair of scissors in an indoor scene.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Woodcut 089: Title-page illustration in a double-line rectangular border of a woman about to punch a man, who is holding a pair of scissors. Indoor scene.
Document
A resource containing textual data. Note that facsimiles or images of texts are still of the genre text.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
A Collection of Songs, &c. No. XIX Containing Captain Mulligan. The Bold Dragoon. Will Watch. Say, My Heart, Why Wildly Beating. Home, Sweet Home! Had I a Cave.
Identifier
An unambiguous reference to the resource within a given context
<a href="https://ocul-gue.primo.exlibrisgroup.com/permalink/01OCUL_GUE/mrqn4e/alma9953133903505154">s0499b33</a>
Alternative Title
An alternative name for the resource. The distinction between titles and alternative titles is application-specific.
Captain Mulligan.
The Bold Dragoon.
Will Watch.
Say, My Heart, Why Wildly Beating.
Home, Sweet Home!
Had I a Cave.
Date
A point or period of time associated with an event in the lifecycle of the resource
[1815-1825?] per University of Glasgow Union Catalogue of Scottish Chapbooks
Extent
The size or duration of the resource.
8 pages
Is Part Of
A related resource in which the described resource is physically or logically included.
Chapbook #37 in a bound collection of 40 chapbooks
Subject
The topic of the resource
Ballads and songs
Chapbooks - Scotland - Edinburgh
Courtship and Marriage
Is Referenced By
A related resource that references, cites, or otherwise points to the described resource.
<a title="University of Glasgow Union Catalogue of Scottish Chapbooks" href="http://special.lib.gla.ac.uk/chapbooks/search/">University of Glasgow Union Catalogue of Scottish Chapbooks</a>
<a title="National Library of Scotland" href="http://www.nls.uk/">National Library of Scotland</a>
Contributor
An entity responsible for making contributions to the resource
Archival and Special Collections, University of Guelph Library, Guelph, Ontario, Canada
Rights
Information about rights held in and over the resource
In the public domain; For high quality reproductions, contact Archival & Special Collections, University of Guelph. libaspc@uoguelph.ca, 519-824-4120, Ext. 53413
Description
An account of the resource
No. XIX printed near the top of the title-page.
Woodcut # 89: Illustration on title-page in double-line rectangular border of a woman about to punch a man, who is holding a pair of scissors in an indoor scene.
Language
A language of the resource
English
Format
The file format, physical medium, or dimensions of the resource
JPEGs and PDF derived from master file, which was scanned from the original book in 24-bit color at 600 dpi in TIFF format using an Epson Expression 10000XL scanner.
Publisher
An entity responsible for making the resource available
Edinburgh: Printed for the Bookseller
Source
A related resource from which the described resource is derived
Archival & Special Collections, University of Guelph Library, Guelph, Ontario
# of Woodcuts: 0
Activity: dueling/fighting
Bib Context: title-page
Chapbook Date: 1811-1820
Chapbook Date: 1821-1830
Chapbook Genre: ballads & songs
Chapbook Publisher - Edinburgh: Printed for the Booksellers
Fashion (Clothing): working class
Gender: man/men
Gender: woman/women
Indoor Scene
Tools: scissor(s)
Tools: weight(s)
-
https://scottishchapbooks.lib.uoguelph.ca/files/original/ed594a5a6a12149008a4d884cae908a5.pdf
4a986bc223aa367865ea3df576afeedf
PDF Text
Text
A COLLECTION OF
N.
O
CONTAINING
XVI f.
THE MOON ON THE OCEAN.
LOUDON'S BONNY WOODS AND BRAES.
THE OLD COMMODORE.
MY NATIVE CALEDONIA.
LOVELY NAN.
KATHLEEN O'MORE.
EDINBURGH:
PRINTED FOR THR BOOKSELLERS.
�The Moon on the Ocean.
'the raooa on the ocean was dimtiiM by a ripple,
Affording a chequered light,
%he gay jolly tars pass'd 'the word for the tipple*,
And
toast, for 'twas Saturday night;
Some sweetheart or wife,
,
He lov'd a^ his life,
JEach drank and wished he could hail her.
But the standing toast, '' *
That pleasYi live "most,
W a s the wind that blows,
The ship that goes,
And the iass that loves a sailor,
Scnre d m t k the king, Botoe his brave s'hip^
some the constitution';' .
may the French, and all such rips,
Yield to English resolution ;
That fate might bless
Some Poll or Ikss,
A fed that they soon might hail her.
But the standing, he.
Softvfc drank the prince,., and some our land*:
This glorious land of freedom ;
Some that our tars may never want
Heroes brave to lead 'them-;
Th&t she whoVin
Distress may find
Buck friends who ne'er will fail her!
Hut the standing, &€,
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4
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Eoudons bonny Woods' and Bract*
I^oudonV bohnip woods and braes,
I maun leave tb^in a', la«sie ;
W h a qan thole whan BritekiVfaes-.
Wad gie Britons law, lassie ?
W h a wad: shun, the mtld o r danger^ .
W h a frae fame wad live a, stranger ?•
New, when, Freedom bids avm«;e her^
Wha wad shun her ca', lassie ?
Isoudens bonaie woods 'and h.rap^.
Hae seen our happy bridal day ^
And gentle hope shall so )the thy
When I am far awar, !piie.'
Hack ! the swelling Bugle
Yielding joy to thee, laddie ;
But the dolefu* bugle brings
Wgefu* thoughts to me, laddie.
Lanely I may climb the tfiouritain^
Lanely stray beside the .£01111 tain.
Still the wearie moments counting
Far frae love and thee, laddie*
O'er the gory fields of wa?,
Where Vengeance, drives" her
m^
T h o a l t may he fa\ frae me afar,
And iiane to. clp.se thy eV, laddie.
Q resume thy wonted
ile !
O suppress tjiy ft-arsr la sie ! .
GJorioip honour crown? tfie toil
That the soldier shares, lassie;.
�Heaven wilt shield thy faithfu5 loveiy
Till the vengeful strife be over,
Then we'll meet, nae mair to sever,
'Till the day we die, lassie.
'Midst our bonnie woods and braes,
W e l l spend our peaceful happy days,
As Wythe's yon lightsome Iamb that plays
On Loudon's ilovvery lea* lassie.
The Old Commodore.
Od'sblood ! what a time for a seaman to skulk
Under gingerbread hatches ashore;
What a damn'd bad job that this batter'd old hulk
Can't be rigged out for sea once more;
But the puppies, as they pass,
Cocking up a quizing glass,
Thus run down the old commodore:
That's the old commodore—
The rum old commodore-—
The gouty old commodore—he !
W h y the bullets1 and the gout
Have so knocked his hull about,
That he'll never more be fit for sea;
t
.
'v*
il'iK^ V
ifl
Here am I in distress, like a ship water-logg'd r
Not a tow-rope at hand, nor an oar;
I am left by my crew, and may I be flogg'd.
But the doctor's a son of a w
.
While Vm swallowing his slops,
H o w nimble are his chpps,..
�4
Thus queering ihe old commodore:
A bad case, commodore ! —
Can't say, commodore !
MusVt flatter, commodore, says lie,
For the bullets and the gout
Have so knock a your hull about,
That you'll never more be fit for &ea.
W h a t ! no more to be afloat ! blood and fury I
they lie,
I'm a seaman, only threescore ;
And if, as they tell me, I'm likely to.die,
Gadzooks I let me not die ashore.
A s to death, 'tis ail a joke,
Sailors live in fire and smoke.
So, at least, says an old commodore:
The rum old commodore—
T h e tough old commodore,
The fighting o!d commodore—he !
Whom the devi!y nor the gout,
Nor the French dogs to boot.
Shall kill till they grapple him at sea.
My Native Caledonia.
Sair, sair was my heart, when I parted fVae my
J ean,
And sair, sair I sigli'd, while the tears stood m
my een;
For my daddie is but poor, and my fortune is-sae*
sma',
Jt gars me leave my native Caledonia*
�^•hen I think oji days gane, and -sae h a p p y I, hae^
>
been,
When wandering m nit dearie, where the primrose blaws unseen,
I'm wae to leave my lassiq, an'my (Inddie's cot ava,
Or to leave the healthfit bree&e of Caledonia.
Rut wherever J wander, still happy b^,my Jean,
Nae care disturb her bosom, where peace has ever
been ;
Then tho v ills on ills bpfa' me, for her 111 bear
tjheip a\
T h o ' aft I'll heave a; sigh, for Caledonia.
But should riches e'er be mine, and my J^anie still
l)e true,
Then blaw, ye favring breezes, till my native lotn$
I view;
Then 1/11 kneel on Scotia's shore, while the hearty
felt tear shall fa'*
And never leave my Jean nor Caledonia.
Eovely Nun, '
Sweet's the ship that, under sail,
Spreads her, white .bosom to the gale,
Svveet, oh ! sweet's the flowing can ;
Sweet to poise the labouring oar,
' .
That tugs us to our native shore,
hen the bo^Lsvraui pipes the b^rge t.© mao,;:.
�V
,'
>7
'"
Svvert mailing with a farming breeze";
But oh ! much sweeter than all thes>e>
Is Jack's delight^ his lovely Nan.
The needle fakhful to the north,
T o shew of constancy the worth,
A curious lessot) teaches man ;
The needle time may rest, a squall
Capsize the hinacle and ail,
Let seamanship do all it can :
My love in worth shall higher rise,
Nor time shall rust, nor scjuais c a p s i ^
My faith and truth to lovely Nan.
When iii the bilboes I was pennM,
For serving of a worthless Mend,
And every creature from me ran ;
N o bhip performing quarantine,
W a s ever so deserted seen,
None hailed me, woman, child, nor mm*;
But though false friendship s sails were
Though cut adrift by all the world,
I'd. all tirn world in lovely Nan-. ,
1 love my duty, love my, fi;kr?fJ,
Love truth and merit to defend.
T o moan their loss, who hazard ran ;
I love to take an honest part,
Love beauty and a spotless heart;
By manners love to shew the man ;
T o sail through fife by honour's breeze-^
' T was all •along of loving these
thirst made me doat on ioveij Nan.
�8
Kaihhen (TMore.
M y love, still I think thSt I Fee her once more,
Jiwt alas ! she has left rne, her loss to deplore,
My own little Kathleen, my poor lost Kathleen,
my Kathleen, O.
Her hair glossy black, her eyes were dark blue,
Her colour still changing, her smiles ever new,
So pretty was Kath'een, my sweet little Kathleen,
mv Kathleen, 0 .
Sire milled the dun cow, that ne'er offerd to stir,
Th<>' wicked it was, it was gentle to her,
So kind was my Kathleen, my poor little Kathleen,
my Kathleen Q.
f '.li-e sat at the door one cold afternoon,
T o hear the wind blow, and to look at the moon,
So pensive was Kathleen, my .poor little Kathleen,
my Kathleen O .
Gold was the night breeze that sigh'd round her
bowV,
It chiird my poor Kathleen, she dropp'd from that
hour,
And I lost my poor Kathleen, my own little Kathleen, my Kathleen G.
Th*e birds of all birds that X love the best,
;
Is the Ptobin that in the churchyard builds his
nest,
For he seems to watch Kathleen, hops lightly on
Kathleen, my Kathleen 0»
�
https://scottishchapbooks.lib.uoguelph.ca/files/original/a0b9d2206737cb3d40f429b1e32c4ce4.jpg
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Channels
3
Height
3996
Width
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Dublin Core
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Title
A name given to the resource
Illustration on title page in double line rectangular frame of three sailors drinking on ship. Standing man on the left is drinking from a cup; man in middle is sitting with cup on his knee looking towards the man on his right; man on the right is holding his cup out towards the other two men.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Woodcut 091: Title-page illustration in double line rectangular border of three sailors drinking on a ship. The sailor on the left is standing and drinking from a cup; the sailor in middle is sitting with cup on his knee looking towards the sailor on his right; the sailor on the right is holding his cup out towards the other two sailors.
Document
A resource containing textual data. Note that facsimiles or images of texts are still of the genre text.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
A Collection of Songs, &c. No. XVII containing The Moon on the Ocean. Loudon's Bonny Wood and Braes. The Old Commodore. My Native Caledonia. Lovely Nan. Kathleen O'More.
Identifier
An unambiguous reference to the resource within a given context
<a href="https://ocul-gue.primo.exlibrisgroup.com/permalink/01OCUL_GUE/mrqn4e/alma9953133903505154">s0499b33</a>
Alternative Title
An alternative name for the resource. The distinction between titles and alternative titles is application-specific.
The Moon on the Ocean.
Loudon's Bonny Wood and Braes.
The Old Commodore.
My Native Caledonia.
Lovely Nan.
Kathleen O'More.
Extent
The size or duration of the resource.
8 pages
Is Part Of
A related resource in which the described resource is physically or logically included.
Chapbook #33 in a bound collection of 40 chapbooks
Description
An account of the resource
No. XVII printed on title-page.
<span>Woodcut 91: Illustration on title page in double line rectangular frame of three sailors drinking on ship. Standing man on the left is drinking from a cup; man in middle is shitting with cup on his knee looking towards the man on his right; man on the right is holding his cup out towards the other two men.</span>
Contributor
An entity responsible for making contributions to the resource
Archival and Special Collections, University of Guelph Library, Guelph, Ontario, Canada
Rights
Information about rights held in and over the resource
In the public domain; For high quality reproductions, contact Archival & Special Collections, University of Guelph. libaspc@uoguelph.ca, 519-824-4120, Ext. 53413
Language
A language of the resource
English
Format
The file format, physical medium, or dimensions of the resource
JPEGs and PDF derived from master file, which was scanned from the original book in 24-bit color at 600 dpi in TIFF format using an Epson Expression 10000XL scanner.
Subject
The topic of the resource
Chapbooks - Scotland - Edinburgh
Alcohol
Publisher
An entity responsible for making the resource available
Edinburgh: Printed for the Bookseller
Type
The nature or genre of the resource
ballads & songs
Source
A related resource from which the described resource is derived
Archival & Special Collections, University of Guelph Library, Guelph, Ontario
Date
A point or period of time associated with an event in the lifecycle of the resource
[1815-1825?]
# of Woodcuts: 1
Activity: drinking
Architecture: pillar(s)
Bib Context: title-page
Chapbook Date: 1811-1820
Chapbook Date: 1821-1830
Chapbook Genre: ballads & songs
Chapbook Publisher - Edinburgh: Printed for the Booksellers
Fashion (Clothing): sailor uniform
Food & Drink
Gender: man/men
Object: crate/barrel(s)
Object: cup(s)
Occupation : sailor
Outdoor Scene
Transportation: ship/boat(s)
-
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Omeka Image File
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8
Channels
3
Height
3053
Width
1830
Dublin Core
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Title
A name given to the resource
llustration on title-page in a double ruled rectangular border on title-page of two men in conversation in an outdoor scene. The man on the left is well dressed and is holding a cane. The man on the right is dressed in working class attire and is standing in front of a door with outstretched hands.
https://scottishchapbooks.lib.uoguelph.ca/files/original/ea961758ae8c8b39d37164a9cf124d65.pdf
ada2c1382bd80c8ff925d2c12ec72bf8
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Woodcut 118: Title-page illustration in a double ruled rectangular border of two men in conversation. The man on the left is dressed in upper class attire and is holding a cane. The man on the right is dressed in working class attire with a plaid sash and is standing in front of a door with outstretched hands. Outdoor scene.
Document
A resource containing textual data. Note that facsimiles or images of texts are still of the genre text.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
A Collection of Songs, &c. No. XI Containing The Traveller's Return. The Oath was Heard in Heaven. When sorrow left her native sphere. Roy's Wife of Aldivalloch. The Heath. Neil Gow's Farewell. Pady's Balloon. O saw ye my father.
Identifier
An unambiguous reference to the resource within a given context
<a href="https://ocul-gue.primo.exlibrisgroup.com/permalink/01OCUL_GUE/mrqn4e/alma9953133903505154">s0499b33</a>
Alternative Title
An alternative name for the resource. The distinction between titles and alternative titles is application-specific.
The Traveller's Return.
The Oath was Heard in Heaven.
When sorrow left her native sphere.
Roy's Wife of Aldivalloch.
The Heath.
Neil Gow's Farewell.
Pady's Balloon.
O saw ye my father.
Extent
The size or duration of the resource.
8 pages
Is Part Of
A related resource in which the described resource is physically or logically included.
Chapbook #21 in a bound collection of 40 chapbooks
Subject
The topic of the resource
Chapbooks - Scotland - Edinburgh
Contributor
An entity responsible for making contributions to the resource
Archival and Special Collections, University of Guelph Library, Guelph, Ontario, Canada
Rights
Information about rights held in and over the resource
In the public domain; For high quality reproductions, contact Archival & Special Collections, University of Guelph. libaspc@uoguelph.ca, 519-824-4120, Ext. 53413
Description
An account of the resource
Woodcut image of two men, one dressed better than the other, on the title-page.
Format
The file format, physical medium, or dimensions of the resource
JPEGs and PDF derived from master file, which was scanned from the original book in 24-bit color at 600 dpi in TIFF format using an Epson Expression 10000XL scanner.
Publisher
An entity responsible for making the resource available
Edinburgh: Printed for the Bookseller
Source
A related resource from which the described resource is derived
Archival & Special Collections, University of Guelph Library, Guelph, Ontario
Type
The nature or genre of the resource
ballads & songs
Date
A point or period of time associated with an event in the lifecycle of the resource
[1815-1825?]
# of Woodcuts: 1
Architecture: ruins
Bib Context: title-page
Chapbook Date: 1811-1820
Chapbook Date: 1821-1830
Chapbook Genre: ballads & songs
Chapbook Publisher - Edinburgh: Printed for the Booksellers
Fashion (Clothing): upper class
Fashion (Clothing): working class
Gender: man/men
Nature: hill(s)
Nature: tree(s)
Outdoor Scene