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For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource "Woodcut 140: Interior page illustration on top half of first page in double ruled square border portraying a woman sitting in a chair holding a book surrounded by six children in a living room. " Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Rise of Learning or Groundwork of Science Publisher An entity responsible for making the resource available Glasgow: J. Lumsden & Son Extent The size or duration of the resource. 48 pages; 35 woodcut images 10 cm Identifier An unambiguous reference to the resource within a given context <a href="https://ocul-gue.primo.exlibrisgroup.com/permalink/01OCUL_GUE/mrqn4e/alma9951651593505154">s0031Ab029</a> Subject The topic of the resource Chapbooks - Scotland - Glasgow Contributor An entity responsible for making contributions to the resource Archival and Special Collections, University of Guelph Library, Guelph, Ontario, Canada Rights Information about rights held in and over the resource In the public domain; For high quality reproductions, contact Archival & Special Collections, University of Guelph. libaspc@uoguelph.ca, 519-824-4120, Ext. 53413 Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. 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For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Woodcut 053_a: Frontispiece illustration in a single ruled frame of a woman wearing a bonnet sitting in a chair surrounded by four children who are looking towards her; one child appears through an open door. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Rise of Learning, or Ground-Work of Science, Showing how Good Boys and Girls, By attending to the Rules contained in this Book, and obeying their Parents and Guardians, may acquire Wisdom, Riches, and Honour Date A point or period of time associated with an event in the lifecycle of the resource 1819 Extent The size or duration of the resource. 48 pages, including pastedown wrappers : illustrations 11 cm Identifier An unambiguous reference to the resource within a given context <a href="https://ocul-gue.primo.exlibrisgroup.com/permalink/01OCUL_GUE/mrqn4e/alma9951097463505154">s0037Ab003</a> Description An account of the resource This title was also issued by the Glasgow firm of James Lumsden &amp; Sons. Woodcut #53_a: Frontispiece illustration in a single ruled frame of a woman wearing a bonnet sitting in a chair surrounded by four children who are looking towards her; one child appears through an open door. Contributor An entity responsible for making contributions to the resource Archival and Special Collections, University of Guelph Library, Guelph, Ontario, Canada Rights Information about rights held in and over the resource In the public domain; For high quality reproductions, contact Archival & Special Collections, University of Guelph. libaspc@uoguelph.ca, 519-824-4120, Ext. 53413 Format The file format, physical medium, or dimensions of the resource JPEGs and PDF derived from master file, which was scanned from the original book in 24-bit color at 600 dpi in TIFF format using an Epson Expression 10000XL scanner. Publisher An entity responsible for making the resource available Edinburgh: Caw & Elder Subject The topic of the resource alphabet books Chapbooks - Scotland - Edinburgh Children's books Source A related resource from which the described resource is derived Archival & Special Collections, University of Guelph Library, Guelph, Ontario Type The nature or genre of the resource children's instruction book # of Woodcuts: 35 Architecture: window(s) Bib Context: frontispiece Chapbook Date: 1811-1820 Chapbook Genre: children's instruction book Chapbook Publisher - Edinburgh: Caw & Elder Fashion (Clothing): upper class Furniture: chair(s) Furniture: table(s) Gender: boy(s) Gender: girl(s) Gender: woman/women Indoor Scene Object: book(s) Object: painting(s) https://scottishchapbooks.lib.uoguelph.ca/files/original/f03c8f85af1d428dbdcc630fea973c56.jpg 36b07ff95627f178164cf64f5de3d588 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Illustration on title-page of a young man wearing wig and long coat and pointing to 3 urns on a table. Interior scene with window, stool, and curtain https://scottishchapbooks.lib.uoguelph.ca/files/original/d7f2c9595233b4ff2f41503f8783f0bd.pdf 3f714b2a1d0096368485444e3219417a PDF Text Text HISTORY THE FOOTMAN. S H E W I N G H O W HE RAISED HIMSELF FROM T H E HUMBLE STATION OF A FOOT B O Y , TO A PLACE OF GREAT E M I N E N C E A N D TRUST, HONESTY A N D BY HIS INTEGRITY. ALSO, ON PRIDE, & T H E COUNTRY CLERGYMAN pllBliliiiJa SiM PAISLEY: PRINTED BY CALDWELL AND SON, 2, N E W STREET. �n i s i d R T OF C H A B E E i JOi\ T £§. M y father, George Jones commonly called Black George, on account of his swarthy complexion, was one of the most industrious men in the whole vilage. His cottage, which was his own, and partly built by his own hands, stands on the common, about a stone's throw from the road, near the preat Oak tree, in the parish of King's Charleton in Somersetshire.—The Lord of the Manor having granted him leave to inclose a bit of the common for a garden, my father had got a thriving young orchard and a long strip of potatoes, besides his cottage, all the produce of his own industry. It used to be a favourable saying with him, that no man to whom God had given two hands, had ever need to want. i For my part says he, I never knew what want was— When I am sick, the club supports me, and when 1 am well, I warrant I'll support myself. My mother, besides being equally industrious, was ratteh more religious, ani l therefore much happier; She was as good and sweet-tempered a �I wOiTMfen jto Mjf in $ * work^ For cor*S!tocf Her duty, Friendship, civility to her neighbour** cleanliness in her own person, her house and her children, she had not her fellow. But the most remarkable thing in her(I am afraid a very uncommon thing) was her steady and uninterrupted practice of family prayer. It must have been a hard days work indeed, that hindered her from her prayers. At six in the morning and eight in the evening, as regularly as ever the hour came, she always knelt down with her children round her, four of us, and read with great solemnity and devotion a short form given her by the clergyman, which concluded with the Lord's prayer, in which we all joined. And she used to say after she had finished, ' N o w I can go to bed or to work, in peace; for now we may hope God will protect us44 I am sorry to say my Father seldom joined with us. He used to pretend he was busy or tired; and yet it would not have detained him long nether, for we were never more than six minutesaboutit, and surely twelve minutes a day (six in ihe morning and six in the evening) is no great time to give to God. One thing has often struck me, that if any thing went wrong and ruffled my dear mother's temper, or made her uneasy, the prayer seemed to set all to rights. When she had been to prayers, all her grief seemed to be fled away. And indeed I observed the same thing with respect to my father; if he ever did join with us, it always seemed somehow to compose and sweeten his mind, and make him a great deal kinder to my mother and vis. �4 A* myfeiJheraod mother wer# very tetJmtiiotas themselves, they were very desirous to make theit children so ; every child was employd as soon as he was able, in something or other. At about thirteen years of age my employment had been for some time to weed in the parson's garden, and run errands for him. At fourteen he took me into his house, and not a little proud was I at obtaining the title of his 'little footman.1 The morning I left my father's cottage, my dear mother, who was kind as she was good, appeared to be verj much affected; she said she could not commit me to the wide world, without first committing me to God who governed it; and then she knelt down with me by her side, and prayed, * Gracious Lord, be pleased to have mercy on my dear boy, T o thy care I commend him. Guard him, I beseech thee in the many temptations which he is now beginning to encounter. May he with solid piety and honest diligence, do his duty in that state of life in which it hath pleased thee to place him,'—She then gave me her blessing, put a Testament into my pocket, bid me fear God, and always act for my master as I would do for myself. In my new situation there were to be sure some few things disagreable. My mistress was peevish and fretful; the co©k violent and passionate. But what service is there, or indeed, what situation in life, howsoever much above servitude, which there is not something unpfeasant ? Every state has its trials; servants have theirs: but if they cannot learn to put up with some little itt- i �conveniences, they may change their places every year of their lives, and never be satisfied after all. This is a lesson I have learnt by long experience. Though by God's blessing I had received a more raligious education than most children, it yet soon appeared that I had many faults, which it was necssary for me to be corrected of before I could become a good servant. At first, when I was sent npon an errand, I was much given to loitering. I was then too young to consider that by loitering in errands I was wasting what was not my own, but my master's time. Besides this fault, as every thing which I saw and heard in my master's house was such as I had never se^i* or heard before, I was too apt to talk of it to my old play fellows, or at the village shop, Bat as soon as ever I became a little older, I began to reflect that this was very wrong. One Sunday evening, when I had leave to go home to see my parents, I was beginning to tell my mother how there had been a great uproar at the parsonage the day before, about Here she put her hand upon my lips, and said, 'Charles, not a word more of what has passed at the parsonage. Whatsoever happens in your masters house is never to be spoken of out of your master's doors. A tale bearing servant is alway an unfaithful servant; he betrays the trust which his master puts in him." My mother's vehemence surprised me a little, but it made so much impression upon me, that I was pretty well broken of the feult from that v©ry �6 time. Into how many scrapes has thk talkative tempei brought many servants of my acquaintance ! There was poor Nic Jarret, the squire's under footman, that lost his place, a new suit of black broad cloth, and a legacy of five pounds, which he would soon have had by reason of his mistress's death, only for saying at a neighbour's house, that his mistress sometimes fell asleep while the squire was reading to the family on a Sunday night. Nic and I were at one time rather too intimate; I remember one day, when I was about sixteen, having attended my master to the squire's house, Nic prevailed on me after dinner to play with him at pitch and toss. I was worth at that time five shillings and two pence, more money than I had ever possessed before in my life. In about two hours Nic reduced me to my last shilling But though it was a heavy stroke at the time, yet it proved in the end a happy event, for by my mother's persuasions, I resolved thence forward never to game again as long as I lived, which resolution, by God's grace, I have hitherto happily kept. I wish from my heart that all other servants would resolve the same. The practice of card playing, so common among servants in large families, is the worst custom they can possibly fall into. My poor brother Tom suffered enough for it one day having received in the morning a quarter's wages, he lost the whole of it before night at All Fours; and what was the consequence W h y , from that very time, took to tbo|p practices of Ml 'afattrter wfeki k&tedl & �7 his ruin. How much better would it be for all Servants, if instead of wasting their leisure in card-playing, they would amuse themselves in reading some Godly book, or improve themselves in writing, or cyphering. It was by this means, for I was never taught to write, that I qualified myself for the place of Bailiff, which I now fill. I remember Nic used to say, 6 Whilst my master plays cards in the parlour, why shoudst thou be so sqeamish as not to play in the kitchen? But Nic did not consider that his master being rich, and playing for small sums, his loses laid under no temptation of dishonesty in order to pay them; besides the Squire could read and write at any time, whereas this was our only leisure time, and if we did not improve ourselves then, we never could; what might be comparatively innocent in him, might be ruinous to us. And even if my master be a professed gambler, that is no reason I should be so too. A servant is to do what is right, let his master do what he will. If a master swears and gets drunk, and talks at table with decency, or against God and religion, to God he must account for it, and a sorry account it will be, I doubt; but his example will not excuse our crimes, though it will aggravate his. We must take care of our own souls, whether our masters take care of theirs or not. But to return to my history; I am ashamed to say that I was guilty more than once in the earlier part of my servitude, of the shocking and detestable crime of lying, in order to excuse or screen my f a u l t s ^ £(appily l w^s cured of it in �8 th<3 following manner; Having been one day ordered to carry a bottle of wine to a sick man, one of my master's parishioners, 1 accidentally broke the bottle, and of course lost the wine, What was to be done? Should 1 confess my misfortune, and acknowledge my carelessness, or conceal it by a lie? After some deliberation, 1 resolved upon the lie.— 1 therefore had made up my story, 'how the poor man sent his duty to my master, and thanked him t a thousand times, and that he was a little better, and that his wife said she thought this wine would save his life.4 Being thus prepared, as 1 was returning home, 1 met a pedlar, of whom 1 bought for a penny a little book containing a story of a woman at Dervizes, who was struck dead on the spot for telling a lie. To be sure it was Heaven seat the pedlar to me, to save me from the sin 1 was going to commit. 'If this woman was struck dead for a lie, (said I to myself) why may not 1 ? " 1 therefore went directly home, and made a confession of my neg* ligenee and misfortune. And it was well for me 1 did; for the sick man, whose duty and thanks 1 had wickedly intended to carry to my master, was dead, as 1 understood afterwards* three hours before the bottle was broken. From this time, therefore, 1 began to see, what 1 am now fully convinced of, that besides the sinfulness of lieing, it is always more for the interest and lasting comforts of servants to confess the tiuth at once, than to conceal a fault by falsehood, When a servant has told a lie, he is always in danger of its being found out, and sooner or later it gene^v "'"HCT- �9 ally h found out, and then hw eharaeter irniucd. Whereas, if ke confesses the truth at once, ha probably escapes without any anger at all, or mt Worst it is soon over, and the fault itself is forgotten. Having now lived seven years at the parsonage, and being twenty one years of age, my master called me one day into his study, where he spent ft good deal of his time, and said to nie, 'Charles you have lived with me a considerable time, and it has been always with much pleasure that 1 have remarked the decency, sobriety and diligence of your conduct. These few faults which yot have, further experience and more years will, 1 doubt not, cure* You are now qualified for a better place than mine, and are entitled to higher wages than it is in my power to gi*e. 1 have therefore recommended you to a friend of mine in London, for which place you are to set out, if you approve of it, in a month. But 1 should think it a crime to dismiss you to a situation so full of teaiptatio®*, without giving you some little advice. Listen, therefore, my dear Charles, to what 1 shall say as 1 mean it only for your good. 1 n the first place fear G o d ; and then you will never have an occasion to be afraid of man. Act always in his presenee. Never enter or quit your bed without prtyer. Do always for your master, as you would your master, if you were to change places, should do for you. Endeavour to get a pious friend, but avoid, as you would the plague, all wickcd company. Be cautious of too great familiarity with your ftmale fellow §ervaut«£ aa utilaw&U �10 i«t:er#ewr:e *f l i ^ k i n d will rum you, body »oul. Flee from an alehouse as you would from the devil; if you once get into it, you #ill never be out of it. Keep your money, and your irtoney *ill keep you. Here Charles, is a Bible for y o « ; the more you read it, the more you will love it, the better you will be, and the happier. 1 have written some directions for you in the first page of it. God bless you; and when my race, which is now drawing to its end, shall finish, may we Caeet in heaven. My master's kindness so affected me, that 1 could not answer him for tears. 1 was indeed very glad of going to see so fine a place ac r London, though at the same time i eould not leave a house where 1 had been treated more lika a child than a servant*, without great regret. 1 shall not attempt to describe my parting with Hy mother. No description, 1 am sure, could de justice to the solemn and affectionate manner in which she exorted me to be pious and just, and recommended me to God ih prayer. Her last words 1 shall never forget—'1 know my dear son (said she) that you love me tenderly, ^nd that you would not give me unnecessary pain on any account. Remember then, that whenever yo» 4o any wrong thing, you are planting a dagger in your mother's heart." With these words, he* eyes brim full of tears, and her hands lifted up in silent prayer to God, she turned away from nee, and went into the cottage. And now, Reader, you find me in the great emd dangerous city of London, in the service of a vfcy weastlthjf waster, who kept twelve m v m i * �11 myself. If country people knew London as well as 1 do, how cautious would they be for exchanging their safe and peaceful situations in the country for the perils and temptations of a great city. How many young fellows have 1 known, who lived honestly aud happily in their native place, come up to London in the hope of higher wages, and there forfeit their integrity, their peace of mind, their health ; their character and souls. Workmen in particular are yery fond of getting into large cities, because they think their labour will turn to better account there than in their own villages. They do not consider that in a city, they must give as much for a filthy roo«a, in a filthy house, inhabited by half a dozen families, situated in a close, smokey, dirty street, a« in the country would pay the rent of a cottage and a garden. They do not consider the dearness of provisions in a city, the temptations they are under from bad women, wicked company and the great number of alehouses. In short I am fully persuaded that a labourer in the country, on a shilling a day, is better off than one in a city on two shillings. When I came to my place, I found every thing for the first three or four days very smooth and very pleasant, plenty of provisions, plenty of drink little work, and a very merry servants hall. But soon the face of things, with respect to me, changed very much, and I underwent a severer temptation than I ever experienced before or since Xn the whole course of my life. I had always hitherto been taught feo consider that sobriety and �12 diligent, and piety, were virtues I therefore never swore, I never got drunk, I never gamec^ 1 went to church as often as 1 could, 1 said my prayers night arid morning, and on Sunday at least, if not on other days 1 read a little in my good old master's Bible, But here 1 soon found that all this was the worst vice 1 could be guilty of. As soon as they found me out, it seemed to be a trial of skill amosgst them who should plague me most. One called me a Parson; awother, a Methodist; a third, a conceited Prig; a fourth, a canting Hypocrite. If I went into any other gentleman's kitchen it was all the same; my character flew before me, and many were the jests and laughs rarised both at home and abroad at my expense* In short, during three months, my life wa« a constant amxiety and torment; so that at l^st I i^as almost tempted, God forgive me for the thought, to do as they did, and forfeit my everlasting soul in order to a^oid the present uneasiness. But while things were in this state, I felt myself greatly and unexpectedly relieved. One Sunday morning by a sermon which I happened to hear from our Parish Minister, on the following text, 6 Blessed are ye when men shall revile you and persecute you, and shall say all manner of evil of you falsely for my sake, for great is your reward in heaven.6 The excellent discourse which this pious man delivered on these words was so exactly suited to my circumstances and feelings, that it seemed as if it had been addressed solely to me; and it pleased God so to apply what had been said to my heart and under- �It afcandiisg, thai I sot only determined ,*o bear in future the sneers and scoffs of my fellow sefvants with patience and fortitude, but even those very sneers which I formerly considered as my heaviest calamity, were now no longer grievous. From this time, therefore, my uneasiness was pretty well at an end. And I earnestly recommend it to all other servants, who have been so happy as to acquire sober and virtuous habits, not to suffer themselves to be laughed out of their sobriety and virtue by the jests and ridicule of their fellowservants. They may depend upon it that their cause is a good one, and though they suffer for it at first, they will finally triumph. In a short time all my persecution was at an end. 8 T o be sure (said the coachman one day to the cook) Charles is a little too religious, but upon my word I don't think he is the worse of it. Mayhap it might be better for us we were more like him. 1 don't see but that he is as humble, friendly, and worthy a fellow as any amongst us. For my part I shall laugh at him no longer.4 This speech, which I happened accidentally to overhear, gave me great pleasure, and I soon found by the agreeable change in my fellow-servants conduct towards me, that the coachman had expressed the opinion of the whole hall. It is true I did every thing to obtain their good will that lay in my power* I was civil and obliging to every one among them as I possibly could. Was any thing to be done ? if nobody else would do it, I never stopped to consider whether it belonged to my place or not, but did it out of hand. If a,py body toek ii in®* �M Wa he«fl3 to fell out wMh n e, I gei:er&% disarmed feim of his wrath by saying nothing. If any little quarrels, or misfortunes or misconduct, happened in the hall, I always endeavoured to hush it up, and never carried any talcs to the master, unless when I saw any body wronging him, and then I thought it my duty, or unless the thing was very bad indeed. In short, by pursuing always this line of conduct, I found my situation very comfortable and agreeable. My master treated me with great confidence and kindness; my fellow•ervants with great friendliness and respect. In about two years time, the footman that used to go to market being turned away for drunkenness, which vice soon proved his ruin, my master old me, that as he believed I was aa honest and careful young man, and perceiving that I could write and keep aa account, he should ia future employ me'm marketting. T# market, therefore, I went every day, and as I had now a good deal of my master's money always in my haad. 1 prayed heartily to God that he would be pleased to preserve me under the temptation to which this exposed me. My first exploit in this way was the purchase of ten shillings worth of fruit at a fruiterer's. When 1 had finished my bargain, and was coming out of the shop, the fruiterer slipt a shilling into my hand. As 1 had never, to the best of my recollection, seen him before, 1 was somewhat surprized at his generosity; but fortunately had the presence of mind to ask him whether he had charged bis fruit the ~ higher qp ac^punt of thi? present to me. 4 W h y �li yoing man (said lie) tiifa is an and 1 will give you an honest answer. The fact is, that as we know that gentlemen of your cloth expect some compliment from the tradesmen that they deal with we are obliged in our own defence to charge our articles the higher on that account to their masters.' 'And so, (said I) the money you give us, comes finally from the pockets of our masters? *To be sure it does.' ' W h y then, (said I) I will take your shilling, but shall charge my master only nine? shillings. And this method I constantly pursued in the like case ever after;, for I think the above mentioned practice of footmen, which, however, I hope is not very common with them, is just the same in conscienee as if they should rob their master's bureau. One Monday morniug, having settled my account for the last week with my master, 1 found that he had made a mistake against himself of twenty shillings. As soon as 1 discovered it, 1 said to myself, her* B W is an opportunity for O getting twenty shillings without any risk #f detection; but God forbid that 1 should d© it, m it wouli ruin my peace of mind, and destroy my soul. 1 therefore pointed out the error to my master the first opportunity.—'Charles, (said he) you are right the mistake is obvioas* 1 acknowledge 1 made it purposely to try your honesty You will find that this affair will tura out, before long, to your advantage.' Now, though 1 do not think it quite fair ol masters to lay this kind of trap for their servant's integrity, yet a» 1 know h y t h e y sometimes do it, we must be �16 doubly on i>ur guswd* Indeed, dishonesty i« Bever a^fe. It always? will out somehow or other. 1 have seen surprizing instances of the discovery of it, when it seemed to have been committed with such cunning as to be impossible to be detected. One day a» 1 was going to market, 1 met Sir Robert S 'a butler, who told me, that having long observed my sobriety and diligence, he was happy to have it now in his power to offer me a place in his master's family, where my wages would be raised two guineas a yoar. 1 thanKed kiai, and told him he skould have his answer next evening. 1* the mean time 1 called upon a pious and worthy friend, whom 1 consulted in ail difficulties* and asked hit opinion. After mature deliberation, he said, 'Charles, don't go. When you are once got into a good place, stick to it like « leech. The rolling stone gets no *ioss Tke more years you coatinue in one service, the more you are respected by your master and all the world. A good family considers an old servant as one of themselves, and can no more see him want thaa a near relation. Whereas servants that are continually roving from place to place, have no friend in distress, and seldom get a prevision for old age.' Happy it was for me that 1 followed this good advice. If 1 had not, 1 should probably have been nothing more than a poor footman all my life. But before 1 bring my own story to an end, 1 must beg my reader's patience, to listen to the sad hte of my poor brother Tom. ! po©r �17 Tom, he was a great favourite in our kitchen, because he sung the best song, and told the merriest tale, and paid his card money the most freely of any gentleman footman about town. And then he swore so much like a gentleman, and was so complaisant to the ladies, and pushed about the strong beer so merrily, that he was, said our servants, the most agreeable company in the world. And yet all these entertaining qualities did not preserve my poor brother from the most dreadful state of distress and ruin. One morning he came to me about ten o'clock with a very woeful face, which was a thing very unusual for him, and told me, that he had just been turned away from his place without a character, that he had no money, many debts, and no real friends* and what was worse than all, that he was labouring under disease. Tom grew worse every day, and was at length given over. In the morning of that day, while 1 was sitting at his bedside, who should come in but my dear mother. She had walked 130 miles, except now and then a lift in the waggon, to attend upon her undeserving son. When she saw him, pale and emaciated, and his face half consumed by disease, it so shocked her, that she fainted away. As soon as she recovered, and wafc a little relieved by a plentiful flood of tears, she said, • My dear Tom, I am come to take care of thee, and make thee better, if I can, Alas I mother (answered he, putting his clay cold hand into hers) it is all too late. I have but a few hour* to live. It is by neglecting your adti �18 that I am brought to this. Gaming and drink, and bad company, and bad women have been my ruin ! O what will become of my soul! if I could but live my life over again. — Here he was seized with a sudden fit, and though he lived some hours, he never spoke after; and died that evening in my mother's arms. After recounting the sorrowful history of my unhappy brother, I must now hasten to conclude my own. About a twelvemonth after the offer of a place in Sir Robert S 's family, my master, in consideration as he said, of my faithful services, made me his butler. He was indeed so kind and friendly to me on all occasions, that I found it necessary to be extreuiely cautious lest I should grow proud, so saucy, or familiar, which some servants, when they have lived long in a place, and find themselves in favour, are apt to do. After enjoying this post about six years, our family being now removed into the country, I made aquaintance with a farmer's daughter living near the great house, whom on account of her religious and industrious principles, and her amiable and cheerfo] temper, I wished to make my wife. She was no flaunter in fine clothes, none of your dancing, flirting, forward lasses, that run about to christenings, and revels, and hopes, that will ruing a man before he knows where he is; but a pious, sober, stay-at-home, industrious young woman ; else I am sure any body might have had her for me. As I had never been guilty of any unnecessary expense, for nobody will call that ^nneee^ary which I sent �19 yearly to my parents, my savings, the- interest being added yearly to the principal in the hands of my master, amounted to two hundred pounds. And as Fanny's father promised to give her another hundred,! thought we might with this take a small farm, and maintain ourselves comfortably and decently.—I therefore communicated the affair to my master. 'Charles, (said he) though I am loth to part with so good a servant, yet I think it an act of gratitude due to you for your long and faithful services, to consent readily to any thing which may be for your welfare. But I do not think it necessary for us to part at all. I am at present in want of a bailiff. You may, if you approve it, undertake that office, and still retain your present wages. Your father-in-law, who is an experienced farmer, will instruct and assist you in the duties of it. I will, besides, let you a small farm on an advantageous lease, which you may makp the most of for yourself.' T o this kind and generous offer I freely assented. And Fanny and myself have now lived together six years in the farm-house near the park-gate, happy and prosperous. My father being dead, and my brother and sister settled, my mother, who is now very old, lives with me; and by her example and exhortation I find afeenseof religion sink deeper into my soul every day, and indeed I am very well convinced by long experience, that there is nothing in this world can make us truly happy but tharfe. �a® I uddraw thk Utile book, which I wrote by little and little in the long evenings of the last hard winter, to all footmea. I hope they will not be angry with my well meant endeavours, but take kindly what is intended only for their good. �IHfelDfi. # king of Lydia, having expressed an extraordinary inclination to see Solon, that philosopher repaired to Sard is to pay him a visit. The first time he was presented, the king received him seated on his throne, and dressed on purpose in his most sumptuous robes; but Solon appeared not the least astonished at the sight of such a glare of magnificence. " M y friend, said Croesus to him, Fame has every where reported thy wisdom. 1 know you have seen many conntries; but have you ever seen a person dressed so magnificently as 1 am "Yes, replied Solon, the pheasants and peacocks are dressed more magnificently, because their brilliant apparel is the gift of nature, without their taking any thought or paini to adorn themselves." Such an unexpected answer very much surprized Croesus, who ordered his officers to open all his treasures, and shew them to Solon, as also his rich furniture, and whatever was magnificent in his palace. He then sent for him a second time, and asked him if he had ever seen a man, more happy than he was. "Yes, replied Solon, and that man was Tellus, a citizen of Athens, who lived with an unblemished character in a well regulated republic. He left two children much respected, with a moderate fortune for their sub^ sLstence, & at last had the happiness to die sword in hand, after having obtained a victory for his country. The Athenians have erected a monument to his memory on the spot where he fell, and have otherwise paid him great hoonrs." Croesur, �32 Oroesfcg was no hm asteufelved at tfek tlran at the first answer, and began to think Solon was not perfectly right in his senses. " Well, continued Croesus, who is the next happy man to Tellus?"—"There were formerly, replied Solon, two brothers, the one named Cleobis, and the other Biton. They were so robust, that thejf alwaj/s obtained the prize in every sort of combat, and perfectly loved each other. One feast dej/, when the priestess of Juno, their mother, for whom the^ had the most tender affection, was to go to the temple to sacrifice, the oxen that were to draw her thither did not come in time, Cleobis and Biton hereupon fastened themselves to her carriage, and in that manner drew her to the temple. All the matrons in raptures congratulated their mother on having brought two such sons into the world. Their mother, penetrated with emotions of the strongest joy and gratitude, ferventh/ prayed the goddess, that she would bestow on her sons the best gift she had to confer on mortals. Her prayers were heard; for, after the sacrifice, the two sons fell asleep in the temple, and never afterwards awoke. Thus they finished their lives by a tranquil and peaceful death." Croesus could no longer conceal his rage, " W h a t then, said he, do yon not even place me among the number of happy people ? " — " O king of the Lydians, replied Solon, yoM possess great riches, and are master of a great multitude of people; but life is liable to so many changes, that we cannot presume to decide on the felicity of an;y man, until he has finished his mortal career." �Tfie C o u n t r y C l e r g y m a n Near yonder copse, where once the garden smil'd and still where many a garden flower grown wild; There, where a few torn shrubs the place disclose, The village preacher's modest mansion rose, A man he was, to all the country dear, And passing rich with fort?/ pounds a year; Remote from towns, he ran his godly race, Nor e'er had chang'd nor wish'd to change hii place, Unpractis'd he to fawn, or seek for power, By doctrines fashion'd to the varying hour; For other aims his heart had learn'd to prize, More skill'd to raise the wretched than to rise. His house was known to all the vagrant train, He chid their wand'rings, but relieved their pain ; The long remembered beggar was his guest, Whose beard descending, swept his aged breast; The ruin'd spendthrift now no longer proud, Claim'd kindred there, and had his claim allowed The broken soldier, kindlj/ bid to staj/, Sat by his fire, and talk'd the night away; Wept o'er his wounds, or tales of sorrow done, Shoulder'd his crutch, and shewed how fields were won, Pleas d with his guests, the good man learn'd to glow, And quit forgot their vices in their woe; Careless their merits, or their faults to scan, His pity gave ere charity began. �24 Thug to relieve the wretched was his prrde, And even his failings lean'd to Virtue's free; But in his duty prompt at even/ call, H e watch'd and wept, he pray'd and felt for all A n d , as a bird each fond endearment tries, T o tempt its new fledg'ed offspring to the skies; H e tried each art, reprov'd each dull delaj/, Allur'd to brighter worlds, and led the waj/. Beside the bed where parting life was laid, And sorrow, guilt and pain, by turns disrnay'd, T h e reverend champion stood. At his control, Despair and anguish fled the struggling soul; Comfort came down, the trembling wretch to raise And his last faultering accents whispered praise. At church, with meek and unaffected grace, His looks adorn*d the venerable place ; Truth from his lips prevails! with double swaj/, And fools, who came to scoffi remained to pray. T h e service past, around the pious man, W i t h ready zeal each honest rustic ran ; Even children followed with endearing wile, And pluck'd his gown to share the good mans, smile. His ready smile a parent's warmth exprest, Their welfare pleas'd him, and their cares distrest T o them his heart, his love, his griefs were given, But all his serious thoughts had rest in Heaven. As some tall cliff that lifts its awful form, Swells from the vale, and midwaj/ leaves the storm, T h o ' round its breast the rolling clouds are spread Eternal sunshine settles on its head. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Woodcut 022: Title-page illustration in double ruled border of a young man in a wig and long coat pointing to 3 urns on a table. Interior scene. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The History of Charles Jones, the Footman. Shewing how he raised himself from the humble station of a foot-boy, to a place of great eminence and trust, by his strict honesty and integrity. Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. On Pride, &amp; the Country Clergyman Date A point or period of time associated with an event in the lifecycle of the resource 1839 Extent The size or duration of the resource. 24 pages 16 cm Identifier An unambiguous reference to the resource within a given context <a href="https://ocul-gue.primo.exlibrisgroup.com/permalink/01OCUL_GUE/mrqn4e/alma9935661133505154">s0587b44</a> Contributor An entity responsible for making contributions to the resource Archival and Special Collections, University of Guelph Library, Guelph, Ontario, Canada Rights Information about rights held in and over the resource In the public domain; For high quality reproductions, contact Archival & Special Collections, University of Guelph. libaspc@uoguelph.ca, 519-824-4120, Ext. 53413 Format The file format, physical medium, or dimensions of the resource JPEGs and PDF derived from master file, which was scanned from the original book in 24-bit color at 600 dpi in TIFF format using an Epson Expression 10000XL scanner. Source A related resource from which the described resource is derived Archival & Special Collections, University of Guelph Library, Guelph, Ontario Publisher An entity responsible for making the resource available Paisley: G. Caldwell and Son Description An account of the resource Woodcut #22: Illustration on title-page of a young man wearing wig and long coat and pointing to 3 urns on a table. Interior scene with window, stool, and curtain. Type The nature or genre of the resource moral tales Subject The topic of the resource Chapbooks - Scotland - Paisley Religion and Morals # of Woodcuts: 1 Architecture: house Architecture: window(s) Bib Context: title-page Chapbook Date: 1831-1840 Chapbook Genre: moral tales Chapbook Publisher - Paisley: G. Caldwell and Son Fashion (Clothing): upper class Furniture: stool(s) Furniture: table(s) Indoor Scene Object: urn(s) https://scottishchapbooks.lib.uoguelph.ca/files/original/1a8190ca1f72735aa2352c427ddd32fe.jpg ecda922a33784dfa17879c656e23a9c0 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Illustration on title-page of a woman praying before an altar on top of which is an open book https://scottishchapbooks.lib.uoguelph.ca/files/original/b27b59778afb179513e79310cc45164a.pdf e7f0df7c8cbbbcc3735327527f6bf980 PDF Text Text Fair Margaret's Misfortunes T o which arc added, A Cogie of Ale. The weary pund o' Tow. Song in Rosina. EDINBURGH— rRINTXD FOR TH6 BOOKSELLERS. �fair Margarets misfortunes. As it fell out upon a day, two lovers they sat upon a hill: They sat together a long summed day, and could not take their fill. 1 see no harm hy you Marjaret, and you sec none by me; Before to morrow at eight clock, a rich we J ding you shall sot* Fair Margaret sat in her bower window a combing of her hair ; There 6he ip>M sweet William and bri If, as they were a riding near. ©own the laid her iv.ry comb, and up she bound her hair, She went away forth from the bower, and never more e&jse there. Whc-n day was gone, and night was iiosae, and all m:n frst asleep, There came the spirit of Pair Margaret, and stood at WillismVbed-feet. �God give you joy, you true lovers, in bride-bed fast asleep, Lo 1 I a« going to my green-gTais grove, an] I am is my winding sheet When Jay was come aad ni^ht was gone, and all men wak'd from sleep. Sweet Wilium to his lady said, my dear, I've cause to weep. I dream'd a dream my dear Lidy such dreams are never good s I dream'd thy bow'r was full of red swfne, and thy bride-bed ful of blood* Such dreams such dreams, my honoured Sir, they never do prjve good ; To dretaa my bower was full of red swin?, and my bri'le-bed full of blood. He called up his merry men ail, by one by two and by three, Saying, I'll away to fair Margaret's bower, by the have of ray fair lady. And when he came to fair Margaret's bo*er, he knocked at t'.e ring: �4 So ready were the seven bn tbren to let 8wetf William in, Then he turned up the winding s^eet, pray let me set the dead Methinks she looks both pale anl wan, she ba4 lost her cherry reJ. I will do more for the«, Margtiet, th»n any of thy kio, For \ will kisa thy psle wan lips, though a w$iie I cannot win. With that Uspokt the seven brethren, making most piteous moan, You may go kiss your jolly brow* dame, and let our sister alone. If I do kiss my jolly brown dame, I da but what is right, For I made DO VOW to your sister dear, by day nor yet by eight. Fray tel/ me then how much you'll deal oi white bread and of wine, So mnc i as is dealt at he,; funeral to-iay, t;-mcrrcw shall be desit ss mine. l �5 Fair Margaret dy'd to-day to-day, •weet William hp dy d the morrow; Fair Margaret dy d for pure true love, •weet William ha dy d for aorro*. Margaret wai buried in the totrtr chancel, and Williaai in the higher Out of her breast there «pr**g, and out of hie a briar. N % They greJ* a« high a« the church top, 'till they could grow no Hghsr ; A*d there grew in a True-lover'a knot, that mado all people admire. Then came the clerk of the pariah, as you this truth ahall hear, And by misfortunes cut them dowa, or they had BOW b2en there. A COGIE OF ALE. A C O G I E of ale, and a pickle alt meal, And a dainty wee drappie o' whisky, Was our forefather'* dose to swell down'thiir brcie Aod make them blytje cheery, and frisky. �6 Then hey for the cogie and bey for the ale, Acd hey for the whisky and bey for the mt*l, When m:Vd a' thtgitler they do unco weel; TG> &&k a cbicld cheery and brisk ay, As I view our Scots lads in their kilts cod cotkad*6, A' blofimiig tnii fresh as a rose, man; I ifeink wi znysel 0* the meal and the ale, Aod the frui's o* our Scottish kail brose maa; Ttien hey for the co^ie. &J. x Whoa our brave Htghlaad blades, wf tkeir clay* mores and plaids, In the field, drive like #be*p a1 our fres, fttaa, "Fheir courage andpow'r, spring frae thif, to besurt, They're the noblt effrcU of the bro*e, wan, T£en hey fop the cogie, &c. t Tut your spindle-shack'd sparks, wha but ill »et their sarks, And ycur pale-vbaged milksops, and beaua, t&aa. I think when I see them 'twei^e kindneal to gi'e them, & A cogie of *le aa3 pf brose man. Then h*y for the co^ie, �t h e w e a r y PUND 0 ' TOIV. The weary pun& the weary punl> The weary pnnd o' tow; I think my wife will and her life Before she spin her tow, I bought m? wife a staae o' lint, as good as e'er did grow, And a that she has made o' tint Is ae puir puud o tow. The-e sat a bottle in a nook Ayont the ingle low, And ay she took the ither souk to drouk the stourie tow. Quoth I, for shame, ye dirty dame, Gae 6pin your tap o* tow: She took the rock, and w: knock, She brak it o'er my pow. At last her feet, (I fang to tee't) Gaed foremost o'er a knowe; And ere I wed another j&de, I'll wallop in a tow. 9 x �? SONG IN R3S1M When William at eve meets me dowa at the »til<% UQW gwtet is the nightingale^ song, Of the day I forget all the labour and toil whilst the mo< n plays yon branches ameeg. By her beams without blushing I hear hitt complain and believe every word of his seng: You know tot bow sweet Hi* to love the dear swab), whilst the moon plays yon branches among. FINIS. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Woodcut 025: Title-page illustration in a single ruled border of a woman praying before an altar on top of which is a book. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Fair Margaret's Misfortunes; to which are added, A Cogie of Ale. The weary pund o' Tow. Song in Rosina. Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. A Cogie of Ale The weary pund o' Tow Song in Rosina Extent The size or duration of the resource. 8 pages 16 cm Identifier An unambiguous reference to the resource within a given context <a href="https://ocul-gue.primo.exlibrisgroup.com/permalink/01OCUL_GUE/mrqn4e/alma9934220883505154">s0585b51</a> Contributor An entity responsible for making contributions to the resource Archival and Special Collections, University of Guelph Library, Guelph, Ontario, Canada Rights Information about rights held in and over the resource In the public domain; For high quality reproductions, contact Archival & Special Collections, University of Guelph. libaspc@uoguelph.ca, 519-824-4120, Ext. 53413 Format The file format, physical medium, or dimensions of the resource JPEGs and PDF derived from master file, which was scanned from the original book in 24-bit color at 600 dpi in TIFF format using an Epson Expression 10000XL scanner. Date A point or period of time associated with an event in the lifecycle of the resource 1815-1825? Publisher An entity responsible for making the resource available Edinburgh: Printed for the Bookseller Source A related resource from which the described resource is derived Archival & Special Collections, University of Guelph Library, Guelph, Ontario Subject The topic of the resource Chapbooks - Scotland - Edinburgh Courtship and Marriage Alcohol Type The nature or genre of the resource ballads & songs Description An account of the resource Woodcut #25: Illustration on title-page of a woman praying before an altar on top of which is an open book. Activity: praying Architecture: window(s) Bib Context: title-page Chapbook Date: 1811-1820 Chapbook Date: 1821-1830 Fashion (Clothing): upper class Furniture: altar Gender: woman/women Indoor Scene Object: book(s) https://scottishchapbooks.lib.uoguelph.ca/files/original/74126c72dd8e019e8929639a84342b97.jpg b4ca622ade21429384eb6e0c68f354ba Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Illustration on title- page a woman in conversation with a man in front of building. https://scottishchapbooks.lib.uoguelph.ca/files/original/44fbe0b77ea97939b7cfacf7bf3ff73c.pdf 76eb4ef55ec8a0930bcb4db70ec46b9e PDF Text Text KATHARINE 0G1E, T o which is added, JOHN ANDEUSON, MY JO, JEAN ANDERSON,-MY JO, M A 11 I A GLASGOW: JVWistitd and Sold, Wholesale and Retail, by R , Hutchison, Bookseller, 19. Soltoarket. �fi • K A T H A R I N E OGIEL ' As walking forth to view the plaiDy Upon a. morning early, While J^lpy's sweet 6Ceiy; did efceer my braiw, From flowers which grew so rarely; 1 chanced to nwret a pretty mak], V She shined though it Mas fo#ie: 1 jtsk^d her name^ sweet Sir, she said, My oame is K<|fch'rinc Ogic. V I stood Awhile, and did admire, To a j*ymph so stately; brisk iw air tjicre did appear 1,0 a country it aid so neatly:— gijcfr i>atVa! sweetness ihe displayed, Like lilies in a bogie; Ifeifta's self ww ne'er arrayed Like this same Kath'i ine Ogie. [Pfl^*. ... 4 w #Hiou flaw'r of females, beauty's quem> ' j : •. W h o secsAbeP.fcurp tppst prize theo; Though thou art drest i« robes but me&v, Yet these cannot disguise thee: T h y "handsome graceful l#ok, Excels each clownish togie; Tbou'rt match for4, tSlrd^or lord, or duke, My charming JCath'rijpe Ogie. >r ; �O ! wcte I bnt some shepherd strain, To feed my flock beside thee: At bughting-time to leave the plain, In flwlking to abide thlft; I'd think myself a happier man, With Kate, my clufb, and dogie, Than he that hugs his thousands ten, Ha<l I but Kath'rine Ogie. Then I'd despise th' imperial throno, And statesmen's dgng'rous stations, I'd be no king, I ' d wear ik> crown, I'd smile at co*Kjto*ring nations, M^rht I caress, and still possess This lass of whom I'm vogie; For they arc toys, and still look lesd, Compared with Kath'rine Ogie. h fear the gods have not decreed £or me so fine a creature, Whose beauty rare makes her exceed All other works in nature* Clouds of de-pair surround my love, That are both dark and foggie; Pitv my case, ye powers above! Else I die for Kath'rine Ogie. J O H N ANDERSON, MY JO. John Anderson, my jo, John, When we were first acquent, �4 Your locks were like the ravert, Your bonnif brow was brent; But now your head's turned bald, John, Your locks are like the anow, Yet, blessings on your frosty pow, John Anderson, tny jo. John Anderson, my jo, John, When uature first began To try her cannie hand, John, Her master-work was man: And you amang them a' John, Sae trig frae tap to toe, She proved to be nae journey-work, John Anderson, my jo. John A-nderson, my jo, John, Ye were my first conceit, And ye need na think it strange, John, Though I ca' ye trim and neat; Though some folks say ye're ait* J, John, 1 never think you so, But I think ye're aye the same to rive, JoIih Anderson, my jo. J.>hn Anderson, my jo, John, We've seen *ur bairns' bairns, And yet, my dear John Anderson, - I'm hnppy in your arms; And sue are ye in mine John, X'ni suie ye'il ne'er say no, �S Ffcougfi the days are gane that we ha*e J dim Anderson, my jo, Jplta Andersou, my jo, John, What pleasure does it gie, To see sae many sprouts John, spring up 'tween you and me; And ilka lad and lass, John, In our footsteps to go, Makes perfect heaven here on earttr, John Anderson, my jo. John Anderson, my jo, John, Frae year to year we've past, And soon that year maun come, J;ohn, Will bring us to our last; But let na that affright us, Johti, Our hearts were ne'er our foe, While in innocent delight we lived, John Anderson, my jo. John Anderson, my jo, John, We clamb the hill thc^ithcr, And money a can tie dkyi John, V 1 We've had wltli ail6 aiiithef; Now we maun totter df>wn, JohtJ, But hand in hand \4'l\ And we'll sleep the^nHher'ut the fwofj Jtdjp Andersoj^ my jo. j a w p i i i iat3 c r w < w > ' �6 1 J&AN A N D E R S O N , M Y JO. W U t f Nature first b ^ n n , Jean, Ta try her Dannie hand, It*s true she first made manx Jwti, And ga'e him great commanA; But iiaethin^ wad consent him, Jcart, Though king of a* below, Till Heaven in pity sent him, Jefctt, 1ft"hat niaisi he wished—a jo! 'Bhough some may say Tm auld, Je'an, And say the same of thee, ISVer fret to hear it tauld, Jean, You still look young to. me: Ami weel t mind the day, Jean, Yonr breast was white as snotv, And waist sae jimp ane might it spa ft, Jerfft Anderson, my jo! ' Our bonnie bairns' bairns, Jean, With rapture do I see, Come todlin to the fire-side, Or ?it upon my knee; I f there k pleasure hcje, Jean, Or happiness helow, Tbi* surely maup be likest it, Jean Anderson, my jo. Though age has sillafred oWre my pow Siupe we were first acquent, �7 And changed njy flossy raveti loek>, It's left us still content; Aad eild ne'er conies &anp, JeaTL But aft brings mony a wo, Yet wu'vpnae e^usefor sic.jcoinpl^n^ Jean Anderson, my jo. In innocence we've spent our And pleasant looks the past; Nae anxious thoughts alarm u^ Wc'er chqarful t;o the last: Till Death knock at pur door, Jean, Aud wnrn us With to go, Contented we will and love, Jean Anderson, my jo, ltf* now a Ipng time, Jc&nf Since you arid I begun To ftptachel up life's hill, Jean, Our race is nearly run; W e baith hae done our best, Jean, Our sun is wearing low: Sae let ns quietly sink to rest, Jean Anderson, my jo. 'Twas near a thicket's caloi retrcr**, Under a poplar tree, Maria chose her lonely seat, To mourn her sorrows frrq. �8 Wef ioyplj form wa^ tweet to view, As dawn at opening d^y; ' liui, ah ! she mourn'd her love aot tme, Am! wept her cares away. T he iirook flmvM gently at her fef!, ID murmurs smooth aloiiir; " Her pipe, which once she tun'd so ill c . Had now forgot its song. N® more tP chai m, the va)e «he trie*, For gnet%jis fill'd her breast; Fled are the joys us'd to prize, Arid fled with them licr rest. Poor hepless maid ! who can bebo&l Thy anguish so severe,1 (>r hear thy lovq-lorn story told. Without a pilying leor ! Maria, hapless maid, adieu ! Thy Sorrows soon must cease; £0011 heaven will take a maid so tru* To everlasting pcaee. tflNIS. it** Tjfano! nod ^ffeiic. i3ft ciuoia t>i � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Woodcut 072: Title-page illustration in a single ruled rectangular border of a woman in conversation with a man standing in front of building. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Katherine Ogie, to which is added, John Anderson, my jo, Jean Anderson, my jo, Maria. Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. John Anderson, my jo, Jean Anderson, my jo, Maria. Date A point or period of time associated with an event in the lifecycle of the resource 1829 Extent The size or duration of the resource. 8 pages 16 cm Identifier An unambiguous reference to the resource within a given context <a href="https://ocul-gue.primo.exlibrisgroup.com/permalink/01OCUL_GUE/mrqn4e/alma9923346353505154">s0361b07</a> Contributor An entity responsible for making contributions to the resource Archival and Special Collections, University of Guelph Library, Guelph, Ontario, Canada Rights Information about rights held in and over the resource In the public domain; For high quality reproductions, contact Archival & Special Collections, University of Guelph. libaspc@uoguelph.ca, 519-824-4120, Ext. 53413 Format The file format, physical medium, or dimensions of the resource JPEGs and PDF derived from master file, which was scanned from the original book in 24-bit color at 600 dpi in TIFF format using an Epson Expression 10000XL scanner. Publisher An entity responsible for making the resource available Glasgow: R. Hutchinson, Bookseller Source A related resource from which the described resource is derived Archival & Special Collections, University of Guelph Library, Guelph, Ontario Description An account of the resource Woodcut #72: Illustration on title- page a woman in conversation with a man in front of building. Type The nature or genre of the resource ballads & songs Subject The topic of the resource Chapbooks - Scotland - Glasgow Courtship and Marriage # of Woodcuts: 1 Architecture: window(s) Bib Context: title-page Chapbook Date: 1821-1830 Chapbook Publisher - Glasgow: R. Hutchinson Gender: man/men Gender: woman/women Nature: tree(s) Outdoor Scene https://scottishchapbooks.lib.uoguelph.ca/files/original/4b3a6afa453ef393ac73dffc7839dfce.pdf 4382ff89606afd5e820bcf81f536f7d0 https://scottishchapbooks.lib.uoguelph.ca/files/original/f5358e4fed5ad5130bdf4092e04e5378.jpg 69980bc038e91ef0c5969d1907666351 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. 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For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Woodcut 077: Title-page illustration of a large two-story house with a horse drawn carriage in front and a man standing before a woman seated in the carriage . Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Way to Wealth, with maxims for married ladies and gentlemen, &amp;c. Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Maxims for married ladies and gentlemen, &amp;c. Date A point or period of time associated with an event in the lifecycle of the resource 1850 Extent The size or duration of the resource. 24 pages. Identifier An unambiguous reference to the resource within a given context <a href="https://ocul-gue.primo.exlibrisgroup.com/permalink/01OCUL_GUE/mrqn4e/alma9953133963505154">s0098b48</a> Is Part Of A related resource in which the described resource is physically or logically included. Chapbook #31 in a bound collection of 34 chapbooks Description An account of the resource "Price One Penny" at bottom of title page Woodcut # Illustration on title page of a large house with a horse drawn carriage at front door and a man standing before a woman seated in the carriage . Contributor An entity responsible for making contributions to the resource Archival and Special Collections, University of Guelph Library, Guelph, Ontario, Canada Rights Information about rights held in and over the resource In the public domain; For high quality reproductions, contact Archival & Special Collections, University of Guelph. libaspc@uoguelph.ca, 519-824-4120, Ext. 53413 Format The file format, physical medium, or dimensions of the resource JPEGs and PDF derived from master file, which was scanned from the original book in 24-bit color at 600 dpi in TIFF format using an Epson Expression 10000XL scanner. Publisher An entity responsible for making the resource available Glasgow: Printed for the Booksellers Subject The topic of the resource Chapbooks - Scotland - Glasgow Courtship and Marriage Religion and Morals Source A related resource from which the described resource is derived Archival & Special Collections, University of Guelph Library, Guelph, Ontario Creator An entity primarily responsible for making the resource Franklin, Benjamin, 1706-1790 Type The nature or genre of the resource wit & humor # of Woodcuts: 1 Animal: horse(s) Architecture: chimney(s) Architecture: house Architecture: window(s) Bib Context: title-page Chapbook Date: 1841-1850 Chapbook Genre: religion & morals Chapbook Genre: wit & humor Chapbook Publisher - Glasgow: Printed for the Booksellers Gender: man/men Gender: woman/women Outdoor Scene Transportation: carriage https://scottishchapbooks.lib.uoguelph.ca/files/original/fc60793ee5550105c3a219a8ba35976a.pdf 9a9f756aff42e960782581d70277c424 https://scottishchapbooks.lib.uoguelph.ca/files/original/75e5b0529e3ca1d9cddd3cc073119b90.jpg 2fe7d45b348799df5ff5b99e545814e1 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. 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For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Woodcut 078: Title-page illustration in a single ruled border of a man and a woman reading at a table in front of a window. with curtains Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Reading for Winter Evenings; A Selection of Amusing and Instructive Stories. New and Improved Series, No. 22 Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. New and Improved Series, No. 22 Date A point or period of time associated with an event in the lifecycle of the resource 1850 Identifier An unambiguous reference to the resource within a given context <a href="https://ocul-gue.primo.exlibrisgroup.com/permalink/01OCUL_GUE/mrqn4e/alma9953133963505154">s0098b48</a> Is Part Of A related resource in which the described resource is physically or logically included. Chapbook #33 and #34 in a bound collection of 34 chapbooks Abstract A summary of the resource. A collection of stories and tales about the adventures of a variety of different characters, including an elderly cat describing her adventures—most frequently her many brushes with death—throughout her life, a successful farmer who had to endure an astonishing number of travails and hardships in his life on his way to prosperity, a young woman who made an imprudent marriage and suffered until a rich uncle returned from sea and lifts her and her family out of poverty, and an Indian prince who is presented with a series of gifts, the most valuable of which turns out to be a book or moral precepts from which he would learn to rule with wisdom and grace. The major theme running through many of these stories appears to be fortitude and perseverance, even in the face of adversity, disaster, and death. Subject The topic of the resource Chapbooks - Scotland - Glasgow Religion and Morals Courtship and Marriage Contributor An entity responsible for making contributions to the resource Archival and Special Collections, University of Guelph Library, Guelph, Ontario, Canada Rights Information about rights held in and over the resource In the public domain; For high quality reproductions, contact Archival & Special Collections, University of Guelph. libaspc@uoguelph.ca, 519-824-4120, Ext. 53413 Extent The size or duration of the resource. 24 pages Description An account of the resource "Price one penny." on title-page Woodcut #78: Illustration on title-page of a man and a woman reading at a table in front of a window. Is Referenced By A related resource that references, cites, or otherwise points to the described resource. <a title="University of Glasgow Union Catalogue of Scottish Chapbooks" href="http://special.lib.gla.ac.uk/chapbooks/search/">University of Glasgow Union Catalogue of Scottish Chapbooks</a> Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant India Scotland Format The file format, physical medium, or dimensions of the resource JPEGs and PDF derived from master file, which was scanned from the original book in 24-bit color at 600 dpi in TIFF format using an Epson Expression 10000XL scanner. Source A related resource from which the described resource is derived Archival & Special Collections, University of Guelph Library, Guelph, Ontario Publisher An entity responsible for making the resource available Glasgow: Printed for the Booksellers Type The nature or genre of the resource moral tales # of Woodcuts: 1 Architecture: window(s) Bib Context: title-page Chapbook Date: 1841-1850 Chapbook Publisher - Glasgow: Printed for the Booksellers Fashion (Clothing): upper class Furniture: chair(s) Furniture: table(s) Gender: man/men Gender: woman/women Object: book(s) https://scottishchapbooks.lib.uoguelph.ca/files/original/753ca7b70377397994dd11e598945feb.pdf dfa4a2cfa313750cc59da6a3314bb449 PDF Text Text A COLLECTION OF o S j & € a CONTAINING WHA'S AT THE WINDOW, W H A ? YE MARINER'S OF ENGLAND, WASHING DAY. THE FLOWER O' DUMBLANE. THE WOODPECKER. GREEN GROW THE RASHES, O. EDINBURGH: PRINTED FOR T H E BOOKSELLERS. �the mndcw% ztlta f © wha's at the window, wha ? wha ? O wha's at the window, wha ? wha ? W h a but blytha Jamie Gieja,. He's come sax miles anc( sen, T o tak bonnie Jeanie awa, awa, T o tak bonnie Jeanie awa. l i e has plighted his troth, an' a\ m Leal love to g f e , an* a', an' a', A n d sae lias "she dun?, By a' that's aboon F o r he loes her, she ipest..'hi«n, 'boon a', 'boon M\ H e loes her, she loes hun, ar. Bridal maidens are braw, hrawy Q bridal maidens are braw, braw. But the bride's mod est A n d warni cheek, are to me 'Boon pearlens and brooches, an' a\ an' a\ ""Boon pearl ens and brooch es* There's mirth on the green, in the ha\ the ka There's mirth on the green, in the h$Y the ka Thereof laughing, there's quaffing, There's Jesting, there1?* dafflng. But the brides father's h-]ytb#«t a\ o f a\ But tbe br&t's ftithwN blithest of a*, It's no that »hf*» Itfa no that *TmmX mn* av&» �3 T h a t my heart is sae we art W h e n a' the laves cheeriv, But it's just that shVII aye be awa, awa» But i f s ju^t.-that she'll aye be awa. Ft* Mariner $ of England. * Y e mariners o f E n g l a n d , That guard our native seas,* W h o s e flag has braved a thousand yeats, The battle and the breeze, Y o u r glorious standard iaOiich again,, T o match another foe, A n d sweep through the deep, W h i l e the stormy tempests bio*-, W h i l e the battle rages loud and long, A n d the stormv tempests blow. T h e spirit of your fathers, Shall start f r o m every wave, F o r the deck it was their field o f fame^ A n d ocean was ifheir grave. W h e r e Blake and mighty Nelson fell, Y o u r manly hearts shall gin w A s y e sweep through the deep, W h i l e the stormy tempests blow, W h i l e the battle rages loud and lung. A n d the stormy tempests blow. Britannia needs no bulwark, N o towers alou^ the steep, H e r march is o'er the mountain waves* II tr home is on the deep. �4 W i t h thunders from her native oak She quells the floods below— A s they roar, on the shore, W h e n the stormy tempests blow, W h e n the battle raises loud and Ionq\ And the stormy tempests blow. T h e meteor flag of England * Shall yet terrific burn, Till danger's troubled night depart And the star of peace return. T h e n , then, ye ocean-warriors, Our song and feast shall flow T o the fame of your name, When the storm has ceased to blow, W h e n the fiery fight is heard no more) A n d the starm has ceased to blow. Washing Day. T h e sky with clouds was overcast, T h e rain began to fall, M y wife she beat the children, A n d raised a pretty squall: She bade me, with a scolding look, I V get out of the way ; T h e de'il a bit of comfort is there On a washing day. For it is thump, thump, scoid, scold, T h u m p thump away ; T h e de'il a bit of comfort is there 0*3 a ?rashiag day. �5 M y Kale she is a bonny wife, There's none more free from evil, Except upon a washing day, And then she is a d e v i l ; T h e very kittens on the hearth They dare not even play ; A w a y they j u m p with many a thump, Upoai a washing day. For it is thump, thump, he. A friend of mine ©nee asked me, " H o w long's poor Kate been dead Lamenting the good creature, A n d sorry I was wed T o such a scolding vixen, Whilst he had been at sea : T h e truth it was, he chanced to come Upon a washing day. F o r it is thump, thump, &c. I asked him to stay and dine,— " Come, come, 1 ' said I , " o d d s buds! I'll no denial take—you shall, Though Kate is in the suds." But what he had to dine upas In faith I shall not say ; But I II wager hell no come again Upon a washing day. F o r it is thump, thump, &«. O n that sad morning, when I rise, I make & fervent prayer �6 Unt6 the gods, that it may b* Throughout the day quite fair; That not a gown or handkerchief May in the ditch be laid ; F®r should it happen so, egad, 1 should -catch a broken head. F o r it is thump, thump, he. The Flower o Diimblane. T h e Sun lias gane down o'er the lofty Ben-Lo* mo rid, A n d left the red clouds to preside o'er the scene; While lanely I stray in the cairn simmer g l o a m i n g T o mnse on sweet Jessie, the ilower o' JDunibiane. X) sweet fe' the brier wP its saft fatilding blossom, And sweet is the birk wi' its mantle o ' green ; Yet sweeter and fairer, and d e a r t h this bosom, Is lovely young Jessie, the flower o' Dumblane; "She s modest a^ ony, and lily the as she's-bonny, For g o d d e s s simplicity mark* her its aih ; A n d far be the villain divested o! feeling, Wha'd blight, in its blossom, the (lower o' Dumbiane. : Sing Ofi, tlVoa sweet mavis, thy htnin to the e'eninf* Thou'rt dear to the echoes of ,Calderwood glen ? § a e deir to this bosom, sae artless and winding, i s charming young Jessie, the Howrr o' lAmi* Wane, �f f l a w lost were my days till I met. will] my J e s s i ^ T h e sports of the city seeinM foolish and vain ; I ne'er saw a nymph I would ca' my dear lassie, "Till charm'd wi' svveet Jessie, the flowrr Durnblane. T h o ' mine were the statipn qf loftiest grandeur, Amidst its profusion I'd languish iji paip ; ^n'd reckon as naething the height o r its splendour, I f wanting sweet Jessie, the flawed a D u n b l a n e , The Woodpecker. I knew by the smoke that so gracefully cnrJM A b o v e the gre*^ eUn?*, thai a cottage was, near ^ A n d ' I said, if there's peace to be found in the world, A heart that is? humble mi^ht hope for it here. Fvt'ry leaf was at rest; and I heard not.'a'sow:nih But the woodpecker tapping the hollow beaefy tree. [And here, in this lone little wood, ^ With a maid who was lovely to I Who would Mush wher; 1 praisYi I folamxl ; $ H o w blest could I live, and how Every leaf, &c. J e^qlamfd, son! and to e y e ; her, and weep if calm could I dle, J By the side of yon .sumach, whose red berry dips \ In the gush of the fountain 1 ow sweet to f e d ine, Und to know that I sigh'd upc n innocent lips, j W h i c h ne'er had been sighed on by any mine, Every fcaf, . �Great Grow the Rashes. Green grow the rashes, G ! Green grow the rashes, O ! T h e sweetest hours that e'er I spend, A r e spent amang the lasses, O . There's nought but eare on evVy han% i n et'ry hour that passes, O : W h a t signifies the life o' man, A n ' 'twere na for the lasses, O. Green growy&c. T h e warly race may riches chace, And riches still may fly them, O ; A n ' the at last they catch them fast, Their hearts can ne'er enjoy them, CL Green grow, &c. But gie me a canny hour at e'en, M y arms about my dearie, O ; A n ' warly cares, an' warly men, M a y a' gae tapsalteerie, O . Green grow, &c. F o r you sae douse, ye sneer at this, Ye're nought but senseless asses, 0 : T h e wisest man the warF e'er saw, H e dearly lov'd the lasses, O. Green grow, &c. Auld Nature swears, the lovely dears H e r noblest work she classes, O : H e r 'prentice han' she try'd on man, A n d then she made the lasses, O. Green grow, &t\ � https://scottishchapbooks.lib.uoguelph.ca/files/original/0935597cff86bb6d4fd95dd08669a30e.jpg 85a1c91d9f2f36377e90c25663ee2e1e Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 3081 Width 1861 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Illustration on title-page of a young woman looking out of window at a young man;. There is a bench underneath the window and a tree beside the house in between the two figures. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Woodcut 087: Title-page illustration in a double ruled border of a young woman looking out of a window at a young man. There is a bench underneath the window and a tree beside the house. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource A Collection of Songs, &amp;c. Containing: Wha's at the window, Wha? Ye Mariner's of England. Washing Day, The Flower O' Dumblane. The Woodpecker. Green Grow the Rashes, O. Identifier An unambiguous reference to the resource within a given context <a href="https://ocul-gue.primo.exlibrisgroup.com/permalink/01OCUL_GUE/mrqn4e/alma9953133903505154">s0499b33</a> Description An account of the resource no. XX near top of title-page. Woodcut #87: Illustration on title-page of a young woman looking out of window at a young man;. There is a bench underneath the window and a tree beside the house in between the two figures. Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Wha's at the window, Wha? Ye Mariner's of England. The Flower O' Dumblane. The Woodpecker. Green Grow the Rashes, O. Date A point or period of time associated with an event in the lifecycle of the resource [1815-1825?] per University of Glasgow Union Catalogue of Scottish Chapbooks Extent The size or duration of the resource. 8 pages Is Part Of A related resource in which the described resource is physically or logically included. Chapbook #39 in a bound collection of 40 chapbooks Subject The topic of the resource Chapbooks - Scotland - Edinburgh Courtship and Marriage Is Referenced By A related resource that references, cites, or otherwise points to the described resource. University of Glasgow Union Catalogue of Scottish Chapbooks <a title="University of Glasgow Union Catalogue of Scottish Chapbooks" href="http://special.lib.gla.ac.uk/chapbooks/search/" target="_blank" rel="noopener">http://special.lib.gla.ac.uk/chapbooks/search/</a> <a title="National Library of Scotland" href="http://www.nls.uk/">National Library of Scotland&nbsp;</a> Contributor An entity responsible for making contributions to the resource Archival and Special Collections, University of Guelph Library, Guelph, Ontario, Canada Rights Information about rights held in and over the resource In the public domain; For high quality reproductions, contact Archival & Special Collections, University of Guelph. libaspc@uoguelph.ca, 519-824-4120, Ext. 53413 Language A language of the resource English Format The file format, physical medium, or dimensions of the resource JPEGs and PDF derived from master file, which was scanned from the original book in 24-bit color at 600 dpi in TIFF format using an Epson Expression 10000XL scanner. Source A related resource from which the described resource is derived Archival & Special Collections, University of Guelph Library, Guelph, Ontario Publisher An entity responsible for making the resource available Edinburgh: Printed for the Bookseller Type The nature or genre of the resource ballads & songs # of Woodcuts: 1 Architecture: house Architecture: window(s) Bib Context: title-page Chapbook Date: 1811-1820 Chapbook Date: 1821-1830 Chapbook Genre: ballads & songs Chapbook Publisher - Edinburgh: Printed for the Booksellers Fashion (Clothing): working class Furniture: bench(s) Gender: man/men Gender: woman/women Nature: tree(s) Object: walking stick/ staff https://scottishchapbooks.lib.uoguelph.ca/files/original/09d6b6b11fb5f6c5e8dfd6b5d07f32b7.pdf d60abea1bbb16c80e76d13af8c29fa0f PDF Text Text A COLLECTION OF No. CONTAINING TULLOCHGORUM. BEN BOWLING'S D E P A R T U R E . WIDOW WF A TOCHER. M I N T E D FOR THE XV» �jjdlcchgorum. ( orr.p. ; *.'s a parr- the ' dy, < 5 h d, And lay yoSroisputes. all' a s i o e ; • • W h a t nonsense is't for folks to chide For what's beeh dorrebefore them. L e t W i n g and T o r y all agree/ ' W h i g and T o r y . WhiV'fcnH T o r y , ; L e t Wrig.atftf'Torjr. afbdgfcee, ' T o d r o p t h e \r w h.i g m fgfp or u m. L e t W i n g a n d ' T o r y a'\ agree ' T o spendThe-night w ? mirth and glee A n d cheer fu' s i n , g a l a n g . ^ i ' me The Heel of Tullochgorum. Tullochgorum^ my de'i^ht, . , It gars us a' in ane unite, ; A n d onie gumpjv that keeps up spite, ji I n con science I abh o r him : R'ithe. and. merry wcfs he ; 1311 (he and merry, blithe and m e n y , ; ••'Mitire and merry we^ b^ a', , T o 'mafe a cheerfif qluaruta ; BI jfche an darner ry»w^s; he, a' • • 'As'dang as we Irae breach to draw, And dance'till we be like to fa', T h e Reel .of Tirlicchgorum. T h e r e needs rVi be sae great a" phrase Wi* dringing dull Italian lays ; I wadna gie our afoiSti-athspeys Lor hauf* a bunder score o'em. �3 T h e y ' r e dowfF and dpwje «at the best, I)o.vvff and :dovvLe* dqvvff and .dories ,,, T h e y7 re <do w ii' ..afid do w ie;,. fit'. the, be-st, W i ' a' Ui^ir f y^rjarum : T h e y ' r e dowff'and'dowie at the best, Th& i r a i l e g f & & ' d a the refet, • T h e y eanna pfeis'e a'Highland t a s t e / C o m p a F d v i' Tidlochgor Itin. v L'et'warjdly minds themselves oppress YVT'fear o' want, and double ee*s, And' siiiy*sauls the^nsqlves distress^ W i ' keeping up decorum. Shall" we sac sour and sulky sit. Sour" and sulky, spur a».d sulky, Shall we>ae sour,and sulky sit',- \ L i k e au 1 d r!vriosopl'ioruai ; S h a l l we aae sour L and -sulky "ait,, W i ' neither sense, nor mirth, nor wit* And canna rise to shake a fft T o the1 Heel of Ailloch^crum ? M a y choicest blessings still attend," .. lurch honest-hear,ted open friend, And cairn and. quiet bp his end, , Be a' that's good- before him I ; M a y peace.and. plenty,, be his., lot,,. .., .f Peace aud p|ent v;, p e a e e - a n d p i m ty f . Mxy peace and ..plenty he his. lot, . ». ' And dainties a gr;e.at ,siqr,e..o'ein'.;. ,. �4 M a y peace and plenty be his lot, Unstain'd by any vicious blot ! A n d may he never want a groat That's fond of Tullochgorum. But for the discontented fool, W h a want's to be oppression's tool, M a y envy gnaw his rotten soul, And blackest fiends devour him ! M a y dool and sorrow be his chance, Dool and sorrow, dool and sorrow, M a y dool and sorrow be his chance, And honest souls abhor him ; M a y dool and sorrow be his chance, And a' the ills that come frae France, W h a e ' e r he be that winna dance T h e Reel of Tuliochgorurn. Ben Bowling's Departure. Ben Bowling* a true hearted tar, A right gallant son of old Ocean, E l a t e with the rumours of war, $oon felt all his courage in motion ; T h e king, he said, must be obeyed, So Molly a truce to thy wailing ; T o r see, every anchor is weighed, And all the fleet ready for sailing. T h e n , kissing his charmer, withdrew, But often turned kindly to hail h e r ; W h i l e Molly sighed faintly adieu ! Jin yoking success to h t r sailor. �5 Behold the fleet now under-weigh, T h e i r topsails are swelled by the breezes; W h a t beauty their streamers display, W h a t grandeur the prospect increases ! See, see, down the Channel they stretchy T o glory and victory steering; W h i l e proudly the crowd on the beach Salute the bold heroes with cheering ;i And still, while his charmer's in view, Ben often turns kindly to hail her ; "While Molly sighs faintly adieu ! Invoking success to her sailor. Should France, amid thunder and smoke. Her navy build hopes of success on, Depend ©n't, our true hearts of oak W i l l teach her an old English lesson : May Ben, for his dear M o l l i s sake, Return again laden with treasure, And, taking her under his< wake, Moor sale ki the harbour of pleasure ; That Ben, when again he shall view, I I h charmer, with rapture may hail h e r ; And Molly, who late sighed adieu! Gladly greet the return of her sailor. The Wanton Widow. A wanton widow, old and sour, W r ouid fain be a S i g n o r a ; She practised all was in her pow'r T o wear her weeds no more a : — �% But all she did, and all' Coutcf hot e'p.tlce her charmer ; So eo-k! her hearts ihe : flams of love • C o u l d n e v e t r i ^ h i f f warm' h e r ! Oh"! Mistress tilggws, ' • 1)espairing }.Iistre& ; W\ggiris : She took U ilri'fi Y peppbniiiMf/ A n ti m o u r n'd h er f a ill) k sslov She 8ioh'd,i6lie patiled, frqllecihereyes, . And used these;efforts often ;; T h e youth but view'd hierwith surprise, His \ \ e art could n e v er sp ft en — At leifgtn,* a brisk'yoiitig mifid'he Ilandshme, tall, and clever ; She lik'd him,, though, he came'so rude, 5 And' vowed s h e ' d love for ever. ' Oil l" Mistress Wiggins. T i n s damsel's name was S a l l y P f l n i , H e r 'daddy '.Was' a brazier ;' T h y youth vv'as ftiek-narn'd B f l l j SHm? And was by trade a g l a i i e r ; T h e i r hands they'jo'iifd in'Vedloc'k's tie. And told their j o y in kisses —• Let this a warning word imply, T o widoW's'a'nd old' missy's O h ! Misl ress W i n s y Distracted Mistress W i g g i n s I 'She kilPd herself w i t h pq>pemtfinty 'AndHeft her feilhlebs lover.- �Hey for: a a JJtch&n u ; A vva wi; joii^witeifcr^ft Volarttfs;-' j T h e slender iiH hciixiiyjWgHrgp in your aftrtS ; 0 , gie me the fas's lliat hsii S i T e ' s ^ dhamJ?, 0 , gie me the lass Wi the weel-stockit farms. Th^U hoy for a lass xvV a tocher, Then \\e:y for a.'I&ss.wi\a t o c h e r ; T h e n bey for a lass wi' a tocher ; T h e nice yellow guineas for me., u Your beauty's a,.flovVT in the morning, thaVhlayrs, And withers .the faster, the f a i l e r it grows ; lk.it the rapturous charm" 6 ' " t h e ' boniiie green knowes ; f • » . •, • > , Ilk spring they're new deck it wV bqnn^e \wfioe yowes; .vC'r^r i * -V Then, hey, kc. / , 4 i Yr\- * i % r\ And e'en when- -this 'beauty : yonr 'bosom -'lias blest, The brightest-"cP- beauty may cloy ^o^st; But the sweet da flings 'Geordie aawji as nut b ifA The ianger y e hae them—the mair they're caresl. Then h&yy k t . * Tm Glen. M y heart is a-breaking, dear T i t t l e , Some counsel unto me.conie l e n ' ; T o anger them a ' i s a pity, Hut what wiil.X do w i ' T a r n Glen ? �8 I'm thinking, wi* sic a braw fallow, In poortith I might make a fen' ; W h a t care I in riches to wallow, If I maunua m a r r y Tarn Glen. T h e r e ' s L o w r i e , the laird e' Drummeller, " Gude-day to y o u , " brute, he comes bi H e brags, and he blaws o" his siller, But whan will he dance like Tarn Glen M y minnic does constantly deave me. And bids me beware o" young men ; T h e y flatter, she says, to deceive m e ; But wha can think sae o' T a m Glen ? M y daddie says, gin I'll forsake him, IIe n ll gie me gude hunder marks ten ; But if it's ordain'd I maun tak him, O wha will I get but Tarn Glen ? Yestreen at the valentines dealing, M y heart to my mou' gied a sten, F o r thrice 1 drew ane without failing, And thrice it was written, T a m Glen. T h e last Hallowe'en I was waukin\ M y droukit sark sleeve, as y e ken, His likeness cam up the house staukin, A n d the very grey breeks o* T a m Glen. Come counsel, dear T i t t i e , don't tarry ; I'll gie you my bonnie black hen, Gif y e will advise me to m a r r y T h e lad I lo'e dearly, T a m Glen. � https://scottishchapbooks.lib.uoguelph.ca/files/original/5da8f7e0c5a86bcd83c72a4dd56fb1ec.jpg 843557f0936de58eca9056b74a78fb4d Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 2995 Width 1884 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource A Collection of Songs, &amp;c. No. XV Containing Tullochgorum. Ben Bowling's Departure. The Wanton Widow. Hey for a Lass Wt a Tocher. Tam Glen Identifier An unambiguous reference to the resource within a given context <a href="https://ocul-gue.primo.exlibrisgroup.com/permalink/01OCUL_GUE/mrqn4e/alma9953133903505154">s0499b33</a> Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Tullochgorum. Ben Bowling's Departure. The Wanton Widow. Hey for a Lass Wt a Tocher. Tam Glen Extent The size or duration of the resource. 8 pages Is Part Of A related resource in which the described resource is physically or logically included. Chapbook #29 in a bound collection of 40 chapbooks Description An account of the resource Woodcut image of a man and women with a fiddler and dancers in the background on the title-page. Subject The topic of the resource Ballads and songs Chapbooks - Scotland - Edinburgh Contributor An entity responsible for making contributions to the resource Archival and Special Collections, University of Guelph Library, Guelph, Ontario, Canada Is Referenced By A related resource that references, cites, or otherwise points to the described resource. <a title="University of Glasgow Union Catalogue of Scottish Chapbooks" href="http://special.lib.gla.ac.uk/chapbooks/search/">University of Glasgow Union Catalogue of Scottish Chapbooks&nbsp;</a> Rights Information about rights held in and over the resource In the public domain; For high quality reproductions, contact Archival & Special Collections, University of Guelph. libaspc@uoguelph.ca, 519-824-4120, Ext. 53413 Format The file format, physical medium, or dimensions of the resource JPEGs and PDF derived from master file, which was scanned from the original book in 24-bit color at 600 dpi in TIFF format using an Epson Expression 10000XL scanner. Publisher An entity responsible for making the resource available Edinburgh: Printed for the Bookseller # of Woodcuts: 1 Activity: dancing Architecture: door(s) Architecture: window(s) Bib Context: title-page Chapbook Date: no date Chapbook Genre: ballads & songs Chapbook Publisher - Edinburgh: Printed for the Booksellers Gender: man/men Gender: woman/women Musical Instrument: fiddle(s) Nature: hill(s) Outdoor Scene https://scottishchapbooks.lib.uoguelph.ca/files/original/bd79a0774687c989eb4a459ea934d1c3.pdf f58f515df734464bb36add719c0a19d0 https://scottishchapbooks.lib.uoguelph.ca/files/original/16d806fa0851bede570dc6de4641679d.jpg 3334bc19eb67d46a71a6b530725059b0 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. 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For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Woodcut 078: Title-page illustration in a single ruled border of a man and a woman reading at a table in front of a window. with curtains Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource A selection of amusing and entertaining Irish stories, compiled from various sources.&nbsp;New and Improved Series No. 30 Date A point or period of time associated with an event in the lifecycle of the resource 1850 Identifier An unambiguous reference to the resource within a given context <a href="https://ocul-gue.primo.exlibrisgroup.com/permalink/01OCUL_GUE/mrqn4e/alma9923412053505154">s0094b39</a> Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. New and Improved Series No. 30 Providence, or the shipwreck Generous revenge The little dog The gain of loss Good company Envy and emulation The wanderer's return Difference and agreement Goods at Half Price Abstract A summary of the resource. A collection of nine different tales, each with a particular moral for the reader. The topics of the stories range from shipwrecked sailors to devoted little dogs, to moral injunctions to surround oneself with company of good sensibilities, fortitude in the face of disaster, the pleasure of home to a world-weary traveler upon returning to his native town, to a discussion of different religions. While the title suggests that these are all Irish tales, the tales themselves are set in a variety of places, including Italy and England. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Ireland Italy England Subject The topic of the resource Crime Travel Chapbooks - Scotland - Glasgow Contributor An entity responsible for making contributions to the resource Archival and Special Collections, University of Guelph Library, Guelph, Ontario, Canada Rights Information about rights held in and over the resource In the public domain; For high quality reproductions, contact Archival & Special Collections, University of Guelph. libaspc@uoguelph.ca, 519-824-4120, Ext. 53413 Extent The size or duration of the resource. 24 pages 15 cm Description An account of the resource Price one penny at bottom of title-page Woodcut #78: Illustration on title-page of a man and a woman reading at a table in front of a window. Is Referenced By A related resource that references, cites, or otherwise points to the described resource. <a title="National Library of Scotland" href="http://www.nls.uk/">National Library of Scotland</a> Format The file format, physical medium, or dimensions of the resource JPEGs and PDF derived from master file, which was scanned from the original book in 24-bit color at 600 dpi in TIFF format using an Epson Expression 10000XL scanner. Publisher An entity responsible for making the resource available Glasgow: Printed for the Booksellers Source A related resource from which the described resource is derived Archival & Special Collections, University of Guelph Library, Guelph, Ontario Type The nature or genre of the resource moral tales # of Woodcuts: 1 Architecture: window(s) Bib Context: title-page Chapbook Date: 1841-1850 Chapbook Genre: moral tales Chapbook Publisher - Glasgow: Printed for the Booksellers Furniture: chair(s) Furniture: table(s) Gender: man/men Gender: woman/women Indoor Scene Object: book(s)