1
10
14
-
https://scottishchapbooks.lib.uoguelph.ca/files/original/f44b25d9d492d10fc39caf1a854d2cae.jpg
a7924a5beae3994a4357a6682008c2de
Omeka Image File
The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.
Bit Depth
8
Channels
3
Height
3248
Width
1890
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Illustration on title-page of a young woman wearing a
hat, dress, and shawl standing before a gate.
https://scottishchapbooks.lib.uoguelph.ca/files/original/4cec8e3c61b88d1f389d79bba316ad05.pdf
34d6a37f0dc0fc4e6817b0b26a9f331c
PDF Text
Text
FIVE
Favourite Songs
—p rr
>?
K A T E KEARNEY,
A SOLDIER'S SONG.
PATIE'S WEDDING.
THE LASS OF GOWRIE,
YOUNG WILLIAM.
GLASGOW:
F E I N T ^ FOR THE WQ&SELh}ffi&
43.
�ST/II
SONGS.
ir(y(fiA3X
ai'A/i
oMoa B'hmalioz A
SOLDIER'S SONG.
• !ua:gw
, ;
How Stands the glass around,
For shame you take no care, my hoy%
How stands the glass around,
Let mirth and wipe abound,
The trumpets sound,
The colours they are flying, boys.
To fight, kill, or wound,
May we still be found,
Content with our hard fate, my boys,
On the cold ground,
Why, soldiers, why,
Whose business tistodie!
What sighing fie,
Damn fear, drink on, be jolly, boys,
'Tis he, you or I,
Cold, hot wet, or dry,
Are always bound to follow, boys.
And scorn to fly,
'Tis but in vain,
I mean not to upbraid ye, boys;
'Tis but in vain.
For soldiers to complain,.
Should next campaign
Bond its to him who made its boy&
M
�3
We're free from pain;
But if we remain,
A bottle and kind landlady
Cure all again.
KATE
KEARNEY.
O did you not hear of Kate Kearnj ?
She lives on the banks of Killarney:
From the glance of her eye, shun danger and fl/f
For fatal's the glance of Kate Kearney.
For that eye is so modestly beaming,
You'd ne'er think of mischief she's dreaming,
Yet, oh! I can't tell how fatal's the spell
That lurks in the eye of Kate Kearney, v _
/ " '
"
' '
. ; \
^ "
£
Oh, should you e'er meet this Kate Kearney,
Who lives on the banks of Killarney,
Beware of her smile, for many a wile
Lies hid in the bosom of Kate Kearney.
Though she looks so bewitchingly simple,
There's mischief in every dimple,
And who dare inhale her mouth's spicy gale,
Must die by the breath of Kate Kearney.
Y"
1
'
'
P A T I E ' S WEDDING.
As Patie cam* up frae the glen,
Driving his wethers before him,
He met bonny Meg ganging liame,
Her beauty was like for to smoor him.
�0 dinna ye ken, beanie Mfcg* I etfsW
That you and I s gamitfco be maniiiad ?
X rather had broken any leg, • *• ''•.•* A
.
Before such a bargain miscarried.
Na, Patie, 0 ilia's teWd
tfeat ?
I think that of n^w^they ye b^eii^aasj^^
That I should he married-so soon,
Or yet should ha'e been sae yaxml}\
1 Winn a'- w married.the year,
Suppose 1 were courted by twenty ;
»Sae Patie, ye needna ma/ir spier,
For weel I wat I dinna want ye.
Now 'Kfaggie, what makes ye sae sweert,
Is it because that I ,U^na a m&ilin?
The lad that has plenty o' gear
Need-rietfer want a liauf or a hale ana
My dad hasago^d grey.i)i,are,
And yours lias twa cows and a lilly.
And that will be plenty of gear,
Sae Maggie, be nae sae ill-willy.
Indeed, Patie, I dinna ken,
But first ye maun spier at my daddy,
You are as well born as Ben,
And I oaM&Uiy but i am reaMv ;
There is plentyof yarn,i^^JjUQ^
To make me a. coat and a j w p y ;
And plaide^ e n e i i g h ^
G i f j c get it, I shanna scrimp ye.
B
�Now, fare ye weel, my bonny Meg,
I'se W a weo smacky fa' on yen ; May my neck be as lang as my leg f ; .
^
4fV
If I be an ill hii%nd unto you.
Sae gang ypixr way ham6 e now, '
~
Mak' ready this day fifteen days,
And tell your father the news
That I'll be his son in great kindness.
Hi ffi ... .. 1
tlU )V I
Then Maggie as bly.the as a wren
After a blast o* ill weather,
Gaed a' the haj^ gate singing hame,
To tell the glad news to her (father.,
But ay the auld man said to her, •
Ye'11 no be in this mind till Monday ^
0 never you mind, quo' Maggie,
For I got a kiss, to the bounty,
,ow bxiB t iiiodrfQion Itoos
Ik oT
It was nae lang after that,
Wha came to our bigging but Patie,
Weel drest in a braw new coat,
. Jmd wow but lie f o u g h t himself pretty,
His "bannet was little fr$e new,
In i t was a laop and a flitty,
, ";
To tie in a ribbon sae blue,
To bab at the neck o' his coatv,
1 a Iml
.ihufoid* .bV^Y?. * nh f*7/?!
Then Patie caane in with a
Said,'peace be here to the bigging,
You re welcome, quo' Willi am. come1 ben.
Or I wish5 it may rive frae the ^iggiiigf
Now draw in your seat and sit down, ,
And tell-us a^ydiir riews in a hurry ; :
�6
And haste ye Meg, and be done,
And hing on the* pan wi' the berry.
Quoth Fatie, my news is nae thrang,
Yestreen I was wi' his honour,
Fve ta'en three rigs o' braw land,
And ha'e bound myself under a bonnar.
And now my errant to you,
Is for Maggie to help me to labour,
I think you maun gi'es the best cow,
Because that our biddins but sober.
Well now, for to help you through,
Fll be M the cost o' the bridal,
111 cut the craig of the ewe
That had maist died of the side ill.
And that'll be plenty of bree,
Sae lang as our will is nae reisted,
TQ all the good neighbours and we,
j think we'll no be that ill feasted,
Quoth Patie' 0 that'll do well,
And I'll gi'e you your brose in the mornmg\
O kail that was made yestreen,
For I like it best in the forenoon,
Sae Tam the piper did play,
And ilka ane danc'd that was willing ;
And a' the lave they rank'd through,
And they held the stoupy ay filling.
The auld wives sat and they chow'd,
And when that the carles grew nappy,
They danc'd as weel as they dow'd,
Wi' a crack o' their thumbs and a kappie.
�7d
The lad that wore the white band,
tfdT
I think they caVl him Jamie Mather,
And he took the brWe h j the handr v
And cried to play up Maggy L'awderA
.maijIHTozuoy
THE LASS Q' GOWRIE.
)Y
Twas on a simmer s afternoon, d) -nlT
A wee before the sun gaed down,
My lassie wi' a braw new gown
Came o'er the hills to Gowrie.
H
.bnitlod jlal ed oiijsL 'iori
The rose-bud tingVI with morning showers*
Bloom'd fresh within the sunny bowers,
But Kitty was the fairest flower i()
That ever bloom'd in Gowrie.
'gnoi oa vorii jiohanq edT
I had nae thought to dae her' wrang,
But round her ne9k my arms I fla^g,
And said, My lassie, will ye gang, ?
To view the Carse o' Gowrie ?
\< \i H J
<L>
J
L
JjooJ* '§n3to 'jfh 'io't labnei 9ilT
111 tak' ye to my father's ha*,
; f
In yon green field- beside the shaw,
And mak' ye lady o' them a',
The brawest od? { ,in Gowrie.
wife >!ooi.f> uJj/o'ii i).»iA
•
Soft kisses on her cheek I laid,
The blush upon lier cheek soon spread,
She whisper'd modestly, arid said,
4
I'll gang wi' you to G6#rie.
�The auld folk s&on gi
tbiw consent^
So? to . Mess John we quickly went,,
Wha tied us . to our heaift^ con tout,.
And now she's tady Gowrie!
YOUNG WILLIAM.
Young William was a seamair tiAie,
The darfijag of our bonny ereW!
k -r«
For blythe was h%l and kind; ./.
For thfwghvw iag^wf lubber
; ;
Right, loth he was to; go to-sea* ;
For Jane he left behind.
And Jemiy lovM, lint; all by- stealth,
Rer father hadmueh store of wmJtii,
Of Will fie would not hear; A M
Till criel change atdengtb reveaM'
The passion they so long conceal'd,
And William tet his 4?&r. ,
A friendly voice poor
A ruffian gang the youth assai Pd»
'Twa^ cfoiifr by cursed gold ;
The tender for the offing stood.
The cutte^ikimi#Vl tjie yieldjn^f
They cateh^hi^ihth& hold,;
She, troubled wqlks the be&qU in haste,
And troubl'd look'd the waste,
And by, the jio^f jng, w^xe.;
jx ^corpsp was warfiM, upon
>rFwa$ William, and >vit|i £,c&rs thajv^ore
Two loyers to the. graye,
"it *
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Woodcut 062: Title-page illustration of a young woman wearing a hat, dress, and shawl standing before a gate.
Document
A resource containing textual data. Note that facsimiles or images of texts are still of the genre text.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Five Favourite Songs. Kate Kearney. A Soldier's Song. Patie's Wedding. The Lass of Gowrie. Young William.
Identifier
An unambiguous reference to the resource within a given context
<a href="https://ocul-gue.primo.exlibrisgroup.com/permalink/01OCUL_GUE/mrqn4e/alma9923314953505154">s0427b19</a>
Alternative Title
An alternative name for the resource. The distinction between titles and alternative titles is application-specific.
Kate Kearney.
A Soldier's Song.
Patie's Wedding.
The Lass of Gowrie.
Young William.
Date
A point or period of time associated with an event in the lifecycle of the resource
[1840-1850] per University of Glasgow Union Catalogue of Scottish Chapbooks
Extent
The size or duration of the resource.
8 pages
16 cm
Description
An account of the resource
43 printed at the bottom of the title-page.
Woodcut #62: Illustration on title-page of a young woman wearing a hat, dress, and shawl standing before a gate.
Subject
The topic of the resource
Ballads and songs
Chapbooks - Scotland - Glasgow
Contributor
An entity responsible for making contributions to the resource
Archival & Special Collections, University of Guelph Library, Guelph, Ontario Canada
Is Referenced By
A related resource that references, cites, or otherwise points to the described resource.
<a title="University of Glasgow Union Catalogue of Scottish Chapbooks" href="http://special.lib.gla.ac.uk/chapbooks/search/">University of Glasgow Union Catalogue of Scottish Chapbooks </a>
Rights
Information about rights held in and over the resource
In the public domain; For high quality reproductions, contact Archival & Special Collections, University of Guelph. libaspc@uoguelph.ca, 519-824-4120, Ext. 53413
Format
The file format, physical medium, or dimensions of the resource
JPEGs and PDF derived from master file, which was scanned from the original book in 24-bit color at 600 dpi in TIFF format using an Epson Expression 10000XL scanner.
Publisher
An entity responsible for making the resource available
Glasgow: Printed for the Booksellers
Source
A related resource from which the described resource is derived
Archival & Special Collections, University of Guelph Library, Guelph, Ontario
# of Woodcuts: 1
Architecture: gate
Bib Context: title-page
Chapbook Date: 1841-1850
Chapbook Genre: ballads & songs
Chapbook Publisher - Glasgow: Printed for the Booksellers
Gender: woman/women
Outdoor Scene
-
https://scottishchapbooks.lib.uoguelph.ca/files/original/772b5e7ad43dade20461599d6e10b624.pdf
85b4d932d9c8c6ed1dfde92931a759b9
PDF Text
Text
Five Favourite
SONGS.
Royal Charlie.
John Anderson my Jo.
Whistle and I'll Come to you my Lad.
Love and Glory.
Nobody Coming to Marry me.
NEWTON-STEWART :
Printed and SoLd, Wholesale and
Retail, by J.
M'NAIRN.
�R O Y A L CHARLIE.
The wind comes frae the land I love,
It moves the flood fu' rarely;
Look for the lily on the lea,
And look for royal Charlie.
Ten thousand swords shall leave their
And smite fa' sharp and sairly, [sheaths
And Gordon's might and Erskine's pride,
Shall live and die wi' Charlie.
The sun shines out—wide smiles the s e a ,
The lily blossoms rarely; ;
O yonder comes his gallant ship,
Thrice welcome, royal Charlie !
"Yes,yon's a good and gallant ship,
Wi' banners flaunting fairly ;
But should it meet your darling, prince,
'Twill feast the fish wi' Charlie.
Wide rustled site wi' silks in state,
And waved her white hand proudlie,
And drew a bright sword from the sheath,
And answered high and loudlie.
�3
" I had three sons, and a good lord,
Wha sold their lives fu' dearlie ;
And wi' their dust I'd mingle mine,
For love of gallant Charlie.
It wad hae made a hale heart sair,
T o see our horsemen flying ;
And my three bairns, and my good lord,
Amang the dead and dying :
" I snatched a banner—led them back—
The white rose flourish'd rarely :
The deed I did for royal James
I'd do again for Charlie.
JOHN ANDERSON, M Y
John Anderson my jo, John,
Ye were my first conceit,
I think nae shame to say, John,
I loe'd ye ear and late ;
JO.
�4
They say you're turning auld, John,
And what though it be so ?
Ye are ay the same kind man to me,
John Anderson my jo.
John Anderson my Jo, John,
When we were first acquent,
Your locks were like the raven,
Your bonny brow was brent ;
But now ye're turned bald, John,
Your locks are like the snow ;
My blessings on that frosty pow,
John Anderson my jo.
John Anderson my jo, John,
We've seen our bairn's bairns,
And yet my dear John Anderson,
I'm happy In your arms ;
And sae are ye in mine, John,
I'm sure ye'll no say no,
Tho' the days are past that we hae seen,
John Anderson my jo.
�5
John Anderson my jo, John,
We clamb the hill thegither,
And mony a canty day, John,
We've had wi' ane anither ;
Now we maun totter down, John,
But hand in hand we'll go,
And sleep thegither at the foot,
John Anderson my jo.
WHISTLE, AND I'LL COME TO YOU, MY LAD.
O whistle, and I'll come to you my lad;
O whistle, and I'll come to you, my lad:
Tho' father and mither and a' should gae
mad,
O whistle, and I'll come to you, my lad.
But warily tent when ye come to court me,
And come nae unless the back-yet he a-jee;
Syne up the hack style, and let naebody see
And come as ye war na comin' to me.
And COME, & c .
�6
At kirk or at market, whene'er ye meet me
Gang by me as though that ye cared na a flie,
But steal me a blink o' your bonny black e'e,
Yot look as ye war, na lookin at me.
Yet look, &c.
Ay vow and protest that ye carena for me,
And whiles ye may lightly my beauty a wee;
But court na anither, though jokin ye be,
For fear that she wyle your fancy frae me.
For fear, &c.
L O V E AND
GLORY.
Young Henry was as brave a youth
As ever graced a martial story :
And Jane was fair as lovely truth—
She sighed for love, and he for glory.
With her his faith he meant to plight,
And told her many a gallant story;
�7
Till war, their honest joys to blight;
Called him away from love to glory.
Brave Henry met the foe with pride ;
Jane followed, fought—ah! hapless story!
In man's attire by Henry's side,
She died for love, and he for glory.
NOBODY COMING T O M A R R Y
ME.
Last night the dogs did barky,
I went to the gate to see :
When every lass had a spark,
But nobody comes to me.
And it's oh dear! what will become of me
Oh dear ! what will I do ?
Nobody coming to marry me,
Nobody coming to woo.
My father' s a hedger and ditcher,
My mother does nothing but spin,
�8
And I'm a pretty young girl,
But the money comes slowly in.
They say I'm beauteous and fair,
They say I'm scornful and cold ;
Alas ! i must now despair,
For ah ! I am grown very old.
And now I must die an old maid,
Oh dear! how shocking the thought!
And all my beauty must fade,
But I'm sure it is not my fault.
FINIS.
�
https://scottishchapbooks.lib.uoguelph.ca/files/original/93fcffc964dc945b63ab03b604fac8c1.jpg
ee4f2a0c67d6a1f169f35546340ae241
Omeka Image File
The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.
Bit Depth
8
Channels
3
Height
3162
Width
1810
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Woodcut on title-page portraying a girl holding a flower standing between two pillars with flowers in vases on top. Large house in the background
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Woodcut 005: Title-page illustration in a single-ruled rectangular border of a girl holding a flower standing between two pillars in an outdoor scene.
Document
A resource containing textual data. Note that facsimiles or images of texts are still of the genre text.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Five Favourite Songs. Royal Charlie. John Anderson my Jo. Whistle and I'll Come to you my lad. Love and Glory. Nobody coming to marry me.
Identifier
An unambiguous reference to the resource within a given context
<a href="https://ocul-gue.primo.exlibrisgroup.com/permalink/01OCUL_GUE/mrqn4e/alma9953134473505154">s0100b01</a>
Alternative Title
An alternative name for the resource. The distinction between titles and alternative titles is application-specific.
Royal Charlie.
John Anderson my Jo.
Whistle and I'll Come to you my lad.
Love and Glory.
Nobody coming to marry me.
Date
A point or period of time associated with an event in the lifecycle of the resource
[1820-1837?] per National Library of Scotland
Extent
The size or duration of the resource.
8 pages
Is Part Of
A related resource in which the described resource is physically or logically included.
Chapbook #68 in a bound collection of 77 chapbooks
Contributor
An entity responsible for making contributions to the resource
Archival and Special Collections, University of Guelph Library, Guelph, Ontario, Canada
Is Referenced By
A related resource that references, cites, or otherwise points to the described resource.
<a title="University of Glasgow Union Catalogue of Scottish Chapbooks" href="http://special.lib.gla.ac.uk/chapbooks/search/">University of Glasgow Union Catalogue of Scottish Chapbooks</a>
<a title="National Library of Scotland" href="http://www.nls.uk/">National Library of Scotland</a>
Rights
Information about rights held in and over the resource
In the public domain; For high quality reproductions, contact Archival & Special Collections, University of Guelph. libaspc@uoguelph.ca, 519-824-4120, Ext. 53413
Format
The file format, physical medium, or dimensions of the resource
JPEGs and PDF derived from master file, which was scanned from the original book in 24-bit color at 600 dpi in TIFF format using an Epson Expression 10000XL scanner.
Publisher
An entity responsible for making the resource available
Newton-Stewart: J. McNairn
Type
The nature or genre of the resource
ballads & songs
Subject
The topic of the resource
Chapbooks -- Scotland -- Newton Stewart
Jacobites
Charles Edward, Prince, grandson of James II, King of England, 1720-1788
War
Courtship and Marriage
Description
An account of the resource
Woodcut #05: Illustration on title-page of a girl holding a flower standing between two pillars in an outdoor scene.
# of Woodcuts: 1
Architecture: gate
Architecture: house
Bib Context: title-page
Chapbook Date: 1821-1830
Chapbook Genre: ballads & songs
Chapbook Publisher - Newton-Stewart: J. McNairn
Fashion (Clothing): bloomers
Fashion (Clothing): children's clothes
Fashion (Clothing): dress
Fashion (Clothing): stockings
Fashion (Clothing): upper class
Gender: girl(s)
Outdoor Scene
-
https://scottishchapbooks.lib.uoguelph.ca/files/original/595a4a78c46d9b706bdba2a6bc9eb6df.pdf
b52e3f70107ce6c24dca4ed28f1ecd74
PDF Text
Text
No. 13.
Four Excellent
S O N G S .
Home, sweet Home.
Up and warn a' Willie.
R o y a l Charlie.
The piper o' Dundee.
NEWTON- S T E W A R T .
Printed and Sold, Wholesale and
Retail, by J. M'NAIRN.
�HOME!
SWEET
HOME.
'Mid pleasures and palaces tho' we may
roam,
Be it ever so humble, there's no place like
home ;
A charm from the skies seems to hallow
us there,
Which, seek thro' the world, is ne'er met
with elsewhere.
Home, home! sweet, sweet home.
There's no place like home ! there"s no
place like home.
An exile from home, splendour dazzles in
vain,
O h ! give me my lowly thatch'd cottage
again,
The birds singing gaily, they came at my
call
Give me them with the peace of mind
clearer than all.
Home, home! sweet, sweet home,
There's no place like home! there's no
�3
U P A N D W A R N A', W I L L I E .
Up and warn a' Wille,
Warn, warn a' ;
T o hear my canty Highland sang
Relate the thing I saw, Wille.
When we gaed to the braes o' Mar,
And to the weapon shaw, Willie,
Wi' true design to serve our king
And banish Whigs awa, Willie.
Up and warn a', Willie.
Warn, warn a' ;
For lords and lairds cam here bedeen,
And wow but they were braw, Willie.
But when the standard was set up
Right fierce the wind did blaw, Willie;
The royal nit upon the tap
Down to the ground did fa', Willie,
Up and warn a' Willie,
Warn, warn a' :
Then second sighted Sandy said,
We'd do nae gude at a', Willie.
�4
But when the army joined at Perth,
The bravest e'er ye saw, Willie,
W e did na doubt the rogues to rout,
Restore our king and a', Willie,
Up and warn a' Willie,
Warn, warn a' ;
The pipers play'd frae right to left,
O whirry Whigs awa', Willie,
But when we marched to Sherramuir,
And there the rebels, saw, Willie ;
Brave Argyle attacked our right,
Our flank, and front and a', Willie,
Up and warn a', Willie,
Warn, warn a ' ;
Traitor Huntly soon gave way,
Seaforth, St Clair and a', Willie.
But brave Glengary on our right,
The rebel's left did claw, Willie,
He their the greatest slaughter made,
That ever Donald s a w , W i l l i e ,
Up and warn a' Willie,
Warn, warn a' ;
And Whittam fyl'd his breeks for fear,
A n d fast did rin awa, Willie.
�5
For he called us a Highland mob,
And swore he'd slay us a' Willie ;
But we chass'd him back to Stirling brig
Dragoons arid foot and a' Willie.
Up and warn a' Willie,
Warn, warn a' ;
At length we rallied on a hill,
And briskly up did draw, Willie.
But when Argyle did view our line,
And them in order saw, Willie,
He straight gaed to Dumblane again,
And back his left did draw, Willie.
Up and warn a' Willie,
Warn, warna';
Then we to Auchterarder march'd,
T o wait a better fa', willie.
Now if ye speir wha wan the day,
I've tell'd ye what I saw, willie.
W e baith did fight and baith were beat,
And baith did rin awa, willie.
Up and warn,a'willie,
Warn, warn a' ;
For second sighted Sandy said
We'd do nae good at a', willie.
�6
ROYAL
CHARLIE.
When France had her assistance lent,
Our darling prince to us she sent,
Towards the north his coarse he bent,
His name was Royal Charlie,
But O, he was lang o' c o m i n g ,
O, he was lang o' Coming,
O, he was lang o ' coining ; —
Welcome Royal Charle.
When he upon the shore did stand,
The friends he had within the land
Came down and shook him by the hand,
And welcomed Royal Chalie.
O, ye've ben lang o' coming, & c .
The dress that our Prince Charlie had
Was bonnet blue and tartan plaid
And O he was a handsome lad !
Few could compare w' Charlie.
But O, he was lang o' coming, &c.
;
�7
T H E P I P E R O' D U N D E E .
T h e piper came to our town,
T o our town, to our town,
The piper came to our town,
And he play'd bonnilie.
He play'd a spring the laird to please,
A spring brent new frae yont the seas ;
And then he gae his bags a wheeze,
And play'd anither key.
And wasna he a roguy,
A roguy, a roguy,
And wasna he a roguy,
The piper o' Dundee ?
He play'd " T h e welcome o'er the Main,"
And " Y e ' s e be fu' and I'se be fain,"
And "Auld Stuarts back again,"
Wi' muckle mirth and glee.
And wasna, &c.
He play'd " T h e Kirk" he play'd " T h e
Queer,"
"The Mullin dhu," and "Chevalier,"
�8
And "Lang away, but welcome here,"
Sae sweet, sae bonnilie.
And wasna, &c.
It's some gat swords, and some gat nane,
And some were dancing mad their lane,
And mony a vow o' weir was taen
That night at Amulrie.
And wasna, &c.
There was Tullibardine and Burleigh,
And Struan, Keith and Ogilvie,
And brave Carnegie, wha but he,
The piper o' Qundee ?
F I N I S
�
https://scottishchapbooks.lib.uoguelph.ca/files/original/aaab87a4d30ddb7b277220288edb49ce.jpg
086c88f85764471a6c8d9977f2f69838
Omeka Image File
The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.
Bit Depth
8
Channels
3
Height
2855
Width
1644
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Woodcut on title-page portraying a girl holding a flower standing between two pillars with flowers in vases on top. Large house in the background
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Woodcut 005: Title-page illustration in a single-ruled rectangular border of a girl holding a flower standing between two pillars in an outdoor scene.
Document
A resource containing textual data. Note that facsimiles or images of texts are still of the genre text.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Four Excellent Songs. Home, sweet home. Up and warn a ' Willie. Royal Charlie. The piper o' Dundee.
Identifier
An unambiguous reference to the resource within a given context
<a href="https://ocul-gue.primo.exlibrisgroup.com/permalink/01OCUL_GUE/mrqn4e/alma9953134473505154">s0100b01</a>
Alternative Title
An alternative name for the resource. The distinction between titles and alternative titles is application-specific.
Home, sweet home.
Up and warn a ' Willie.
Royal Charlie.
The piper o' Dundee.
Date
A point or period of time associated with an event in the lifecycle of the resource
[1820-1837?] per National Library of Scotland
Extent
The size or duration of the resource.
8 pages
Is Part Of
A related resource in which the described resource is physically or logically included.
Chapbook #22 in a bound collection of 77 chapbooks
Description
An account of the resource
No. 13. is printed at the top of the title-page.
Woodcut #05: Illustration on title-page of a girl holding a flower standing between two pillars in an outdoor scene.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Dundee, Scotland
Contributor
An entity responsible for making contributions to the resource
Archival and Special Collections, University of Guelph Library, Guelph, Ontario, Canada
Is Referenced By
A related resource that references, cites, or otherwise points to the described resource.
<a title="University of Glasgow Union Catalogue of Scottish Chapbooks" href="http://special.lib.gla.ac.uk/chapbooks/search/">University of Glasgow Union Catalogue of Scottish Chapbooks </a>
<a title="National Library of Scotland" href="http://www.nls.uk/">National Library of Scotland</a>
Rights
Information about rights held in and over the resource
In the public domain; For high quality reproductions, contact Archival & Special Collections, University of Guelph. libaspc@uoguelph.ca, 519-824-4120, Ext. 53413
Format
The file format, physical medium, or dimensions of the resource
JPEGs and PDF derived from master file, which was scanned from the original book in 24-bit color at 600 dpi in TIFF format using an Epson Expression 10000XL scanner.
Subject
The topic of the resource
Chapbooks -- Scotland -- Newton Stewart
Jacobites
Source
A related resource from which the described resource is derived
Archival & Special Collections, University of Guelph Library, Guelph, Ontario
Publisher
An entity responsible for making the resource available
Newton-Stewart: J. McNairn
Type
The nature or genre of the resource
ballads & songs
# of Woodcuts: 1
Architecture: gate
Architecture: house
Bib Context: title-page
Chapbook Date: 1821-1830
Chapbook Genre: ballads & songs
Chapbook Publisher - Newton-Stewart: J. McNairn
Fashion (Clothing): bloomers
Fashion (Clothing): children's clothes
Fashion (Clothing): dress
Fashion (Clothing): stockings
Fashion (Clothing): upper class
Gender: girl(s)
Outdoor Scene
-
https://scottishchapbooks.lib.uoguelph.ca/files/original/ea6b67d50b5d07e35d10852b99c0edf2.jpg
1455fbecb2bb73f85eb6cac474d72343
Omeka Image File
The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.
Bit Depth
8
Channels
3
Height
2905
Width
1772
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Woodcut on title-page portraying a girl holding a flower standing between two pillars with flowers in vases on top. Large house in the background
https://scottishchapbooks.lib.uoguelph.ca/files/original/6cc13c759d257e1875f19f04580659c2.pdf
96622c2d68c252a186febfa8f6b07b5a
PDF Text
Text
Four New
SONGS.
Daft Jamie.
The Two Emigrants.
The Lea rig.
Irish hafts for English Blades,
NEWTON-STEWART:
Printed
and Sold, Wholesale and
Retail, by J.
M'Nairn.
�D A F T JAMIE.
O
! dark was the midnight when H
Not
a
star in the sky gave him one cheering ray,
But Still now and then, would the blue lightnings glare,
And some strange cries assail'd him, like shrieks of despair
Over vale, over hill, I will watch thee for ill,
I
But l o ! as the savage run down the wild glen,
For no place did he fear like the dwellings of men,
Where the heath lay before him all dismal and bare,
The ghost of Daft Jamie appeared to him there.
Over vale, &c.
I am come, said the shade, from the land of the dead,
Though there is for Jamie no grass cover'd bed,
Yet I'm come to remind you of deeds that are past,
And to tell you that justice will find you at last.
Over vale, &c.
O ! Hare, thou hast been a dark demon o f blood,
But vengeance shall chace thee o'er field and o'er flood,
Though you fly far away from the dewllings of men,
The shades of thy victims shall rise in thy den.
Over vale, &c.
When night falls on the world, O ! how can you sleep,
In your dreams do you ne'er see my poor mother weep ?
Sadly she wept, but O ! long shall she mourn,
E'er poor wandering Jamie from the grave shall return.
Over vale, &c.
will haunt all thy wanderings and follo
�3
From the grave, did I say, and though calm is the bed,
Where slumber is dreamless, the home of the dead,
Where friends may lament, there sorrow, may he,
Yet no grave rises as green as the world for me.
Over vale, &c.
O ! Harp, go and shelter thy fugitive head,
In some land that is not of the living or dead,
For the living against thee may justly combine,
And the dead must despise such a spirit as thine.
Over vale, &c.
O ! Hare fly away but this world cannot be
The place of abode to a demon like t h e e ,
There is gall in your heart—poison is in your breath,
And the glare of your eyes is as fearful as death.
Over vale, &c.
Then the blue lightnings flash'd through the glen, and
it shone,
And there rose a wild cry, and there heaved a deep groan,
As the Ghost of the innocent boy disappear'd,
But its shreiks down the glen, in the night breeze were
heard.
Over vale, &c.
THE T W O EMIGRANTS,
Clyde's bonny banks are a wet wi' the e'ening dew,
Sweetly the wee birdies chaunt in the wild wood,
�4
Jeanie amang these green fields, by the bonny brew.
Calmly ha'e pass'd a' the days o' our childhood.
Down to this thorny bow'r aft at the gloamin' hour,
Glad ha'e I come frae our cottage to see ye,
Now I am gaun awa soon to America,
O
! will you let your fond Emigrant leave you ?
Follow me, follow me, love wilt thou follow me,
Lang ha'e I woo'd thee and lov'd thee sincerely,
Come then my lassie braw, come tae America,
Fair is our hame, on the banks of Loch E r i e .
Blissful and calm shall our days aye unskaithed be,
Puirtith shall ne'er mak enjoyment grow weary,
Walth shall we ha'e, for a frien' has bequeathed to me,
Braw bonny lands on the banks of the Erie.
Groves of the maple tree orange and apple tree,
Fields o' the sugar cane, grow for my dearie,
Trees of the bonny vine rich with the rosy wine,
Bloom fur us love, on the banks of Loch Erie.
Follow me, &c.
O ! e'er the beams o' anither day's setting sun,
Redden the tops o' yon blue Highland mountains,
Fareweel I maun bid to my country, O ! Caledon,
Peace to thy, streams and thy clear siller fountains.
Caledon! Caledon ! land of the brave that's gone,
Lang on thy fields were thy sons victorious,
Country of hill and glen, laid of the brightest men,
O! be thou independant and glorious.
Follow me, &c.
�5
Scotland, clear ! land of my fore-father's fare thee-well,
Wallace and Bruce were the sons of thy bravery,
Fam'd Bannockburn, and many a red battle-field,
Tell that a grave was mair welcome than slavery,
Bold as the stormy seas, free as the mountain breeze,
Rush'd thy old heros to battle fu' cheery,
O ! I shall lo'e thee still, land of the heathy hill,
Still shall thy; Emigrant fondly revere thee.
Follow me, &c.
O ! my dear Jeanie, just say you will come awa,
Comewi'your Willie, there's naething to fear ye,
Tho' dear to your bosom be your own father's ha',
None like your Willie can lo'e ye so dearly,
With thee, my sweet treasure, life maun be a pleasure.
The toils of this warld will ne'er make me weary,
Then O ! leave your native vale, let the Atlantic gale,
Waft us awa to the banks o' Loch Erie.
Follow me, &c.
Jeanie look'd round wi' a sigh on her native land,
Bright to her red rosy cheeks came the tear aye,
Willie, she says, and she gied him her lillie hand,
Tak me awa to the banks o' Loch Erie.
Faiens o' my father's ha' though I revere ye a'.
Braid though the sea is, and trackless and dreary,
Fare ye weel ane and a' friens o' my father's ha',
I'll gang wi' Willie awa to Loch Erie.
Follow thee, follow thee, lad I will follow thee,
Lang hae I lo'ed thee, my Willie sincerely,
Gang then, my laddie braw, gang to America,
Thy hame shall be my hame, awa at Loch Erie.
�6
I R I S H H A F T S FOR E N G L I S H B L A D E S
All you who delight in a comical jest,
Now I will tell you , one you may add to the rest,
Which happened of late near the town of Carlisle,
I'm sure when you hear it, it will cause you to smile.
The first of last april I cannot forget.
When three English blades for pleasure were met,
They mounted their horses and swore solemnly,
That they, would play trick on the first man they'd see.
One Campbell a drover they chanced to spy,
He came from Tyrone near a town called Fermoy,
They saluted Campbell and he did the same,
So in close conversation together they came.
They came to an Inn where they made a full stop,
And ask'd Paddy in with them for to take a drop,
Then Campbell consented, and said with a smile,
I would like well to taste your strong ale of Carlisle.'
They gave up their horses in charge to the groom,
And then stepped into a well-furnish'd room,
It being in the morning between eight and nine,
They called for a breakfast and after that wine.
They sat and they drank, and they sported at will,
Until they had twenty-four shillings of a bill,
And four of their horses for oats and for hay,
But they thought they'd leave Pat the reckoning to pay.
So then one by oneoneoutof the door they stole,
A n d left Campbell there to pay for the whole,
�7
The landlord came inrwith a smile and thus said,
I think Pat you're trick'd by the English blades.
On the first of April it is always a rule,
For the one man to' make the other a fool,
When I saw you sitting in their company,
I knew these blades would play a trick upon thee.
Never mind then says Pat, since they are gone away,
I have plenty of money the reckoning to pay,
Come sit you down by me before I do go,
I will tell you a secret perhaps you don't know.
I will show you a trick though contrary to law,
How two kinds of drink from one vessel to draw;
The landlord being eager to find out this plan,
lt's down to the cellar with Paddy he ran.
Pat bored a hole in a very short space,
And bad the landlord clap his hand on that place.
The second he bore, saying place the other there,
For I for a tumbler must go up the stair.
He went up to the room I will give you to know t,
And there he with chalk on the table thus wrote,
With two sorts of liquor the reckoning I've paid,
That's an Irish haft for your English blades.
He mounted his horse and was soon out of sight,
The waiter went in to see if all was right,
And search'd the house from the top to the ground,
Half dead inthecellar his master he found.
O, what is the matter, dear master, he said,
He says, Irish Paddy a trick on me played,
i ' v e both hands engaged, I'm hubbled you see,
I thought to fool Pat, but he has out-witted me.
�T H E LEA RIG.
When o'er-the hill the eastern star,
Tells bughtin-time is near, my j o e ;
And owsen frae the furrowed field,
Return sae dowf and weary O ;
Down by the burn, where scented birks
Wi' dew are hanging clear, my joe,
I'll meet thee on the lea-rig,
My ain kind dearie O.
In mirkest glen, at midnight hour,
I'd rove and ne'er be eerie O,
If through that glen I gade to thee,
My ain kind dearie O.
Although the night was e'er sae wild,
And I were ne'er sae weary O,
I'd meet thee on the lea-rig,
My ain kind deaeie O.
The huntes loes the morning sun,
To rouse the mountain deer, my joe ;
At noon the fisher seeks the glen,
Alang the burn to steer, my joe ;
Gie me the hour o' gloaming gray,
It maks my heart sae cheery O
To meet thee on the lea-rig,
My ain kind dearie O
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Woodcut 005: Title-page illustration in a single-ruled rectangular border of a girl holding a flower standing between two pillars in an outdoor scene.
Document
A resource containing textual data. Note that facsimiles or images of texts are still of the genre text.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Four New Songs: Daft Jamie; The Two Emigrants; The Lea rig; Irish Hafts for English Blades
Subject
The topic of the resource
Chapbooks -- Scotland -- Newton Stewart
emigration
Date
A point or period of time associated with an event in the lifecycle of the resource
1829-1837? per National Library of Scotland
Language
A language of the resource
English
Identifier
An unambiguous reference to the resource within a given context
<a href="https://ocul-gue.primo.exlibrisgroup.com/permalink/01OCUL_GUE/mrqn4e/alma9953134473505154">s0100b01</a>
Extent
The size or duration of the resource.
8 pages
Is Part Of
A related resource in which the described resource is physically or logically included.
Chapbook #19 in a bound collection of 77 chapbooks
Is Referenced By
A related resource that references, cites, or otherwise points to the described resource.
<p dir="ltr"><span>University of Glasgow Union Catalogue of Scottish Chapbooks<br /></span><a href="http://special.lib.gla.ac.uk/chapbooks/search/">http://special.lib.gla.ac.uk/chapbooks/search/</a></p>
<div> </div>
Alternative Title
An alternative name for the resource. The distinction between titles and alternative titles is application-specific.
Daft Jamie
The Two Emigrants
The Lea rig
Irish Hafts for English Blades
Format
The file format, physical medium, or dimensions of the resource
JPEGs and PDF derived from master file, which was scanned from the original book in 24-bit color at 600 dpi in TIFF format using an Epson Expression 10000XL scanner.
Contributor
An entity responsible for making contributions to the resource
Archival and Special Collections, University of Guelph Library, Guelph, Ontario, Canada
Rights
Information about rights held in and over the resource
In the public domain; For high quality reproductions, contact Archival & Special Collections, University of Guelph. libaspc@uoguelph.ca 519-824-4120 Ext. 53413
Source
A related resource from which the described resource is derived
Archival & Special Collections, University of Guelph Library, Guelph, Ontario
Publisher
An entity responsible for making the resource available
Newton-Stewart: J. McNairn
Type
The nature or genre of the resource
ballads & songs
Description
An account of the resource
Woodcut #05: Illustration on title-page of a girl holding a flower standing between two pillars in an outdoor scene.
# of Woodcuts: 1
Architecture: gate
Architecture: house
Chapbook Date: 1821-1830
Chapbook Genre: ballads & songs
Chapbook Publisher - Newton-Stewart: J. McNairn
Fashion (Clothing): bloomers
Fashion (Clothing): children's clothes
Fashion (Clothing): dress
Fashion (Clothing): stockings
Fashion (Clothing): upper class
Gender: girl(s)
Outdoor Scene
-
https://scottishchapbooks.lib.uoguelph.ca/files/original/8b33d59d1c454deb9837c17ea3cf2d84.jpg
e36ab2c78ac2524ea297a21790492630
Omeka Image File
The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.
Bit Depth
8
Channels
3
Height
3126
Width
1891
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Illustration on title-page of a young woman wearing a hat, dress, and shawl standing before a gate.
https://scottishchapbooks.lib.uoguelph.ca/files/original/37d5b8073ebf2f9eb00928ceba0226c0.pdf
df666593f61b9b43ddee43bf5f7383bd
PDF Text
Text
Jim Crow.
HEY FOR A LASS W F A TOCHER.
MARY OF CASTLECARY.
HAUD AWA FRAE M E DONALD.
T H I S IS N O MY PLAID.
O F A' T H E A I R T S T H E - W I N D € A N BLAW*
AULD LANGSYNE.
GLASGOW:
PRINTED FOR THE B OOIl SELLERS.
66.
�SONGS.
a iA
J I M CROW.
I came from ole Kentucky,
A long time ago,
Where 1 first larned to wheel about,
And jump Jim Crow.
Wheel about, and turn about, and do jis so
Ebry time I wheel about, I jump Jim Crow
I us'd to take him fiddle,
Ebry morn and afternoon,
And charm de ole buzzard,
And dance to de racoon.
Wheel about, &c.
I landed fust at Liverpool,
Dat place of ships and docks,
I strutted down Lord Street,
And ask'd de price of stocks.
Wheel about, &c.
1 paid my fare den up to town,
On de coach to cut a dash
De axle-tree soon gave way,
And spilt us wid a smash.
Wheel about, &c.
�3
I lighted den upon my head,
All in de nassy dirt,
Dey all thought that I was dead,
But I laughed and was'nt hurt.
Wheel about, &e.
Dis head you know am pretty tick,
Cause dere it makes a hole,
On de dam macadamis road,
Much bigger dan a bowl.
Wheel about, &c.
When I got into Lunnon,
Dey took me for a savage,
B u t I war pretty well behaved,
So I 'gaged wid Massa Davidge.
Wheel about, &e.
Dem young J i m Crows 'bout de streets,
More like a raven rader,
Pray good people don't mistake,
Indeed I'm not dare fader.
Wheel about, &c.
Dem urchin's dat sing my song,
Had better mind dar books,
For any how dey can' be Crows,
You see d'are only Rooks.
Wheel about, &e.
HEY FOR A LASS WI' A TOCHER.
Awa wi' your witchcraft o' beauty's alarms,
The slender bit beauty you grasp in your arms,
�4
«
O gie me the lass that has acres o* ctiarms,
O gie me the lass wi' the weel stockit farms.
Then hey for a lass wi' a tocher,
Then hey for a lass wi' a tocher •
Then hey For a lass wi' a tocher.
The nice yellow guineas for me.
Your beauty's a flower in the morning that blows,
And withers the faster, the faster it grows :
But the rapturous charm o' the bonny green knowes,
Ilk spring they're new decked wi' bonnv white yowes.
'Then hey, &e.
And e'en when this beauty your bosom has blest,
The brightest o' beauty may cloy when possest;
But the sweet yellow darlings wi' Geordie imprest.
The langer ye hae them—the mair they're carest.
Then hey, &c.
MARY O F CASTLECARY.
Saw ye my wee thing ? saw ye my ain thing ?
SawT ye my true love down by yon lea ?
Crossed she the meadow yestreen at the gloaming,
Sought she the burnie wbare flowers the haw tree?
Her hair it is lint-white, her skin it is milk-white,
Dark is the blue o' her saft-rolling e'e,
Red, red her ripe lips, and sweeter than roses,
Where could my wee thing wander frae me ?
I saw your ain Mary, she's frae Castlecary,
I saw your ain true love down on yon lea,
�5
Proud as her heart is, and modest her nature,
Sweet were the kisses that she gae to me.
Sair gloom'd his dark brow, blood red his cheek grew,
Wild flash'd the fire frae his dark rolling e'e;
Ye'll rue sair this morning your boasts and your scorning,
Defend ye, fause traitor, fu' loudly ye lie!
Awa wi' beguiling, cried the youth smiling,
AfF went the bonnet, the lint-white locks flow,
Trie belted plaid fa'ing, her white bosom shawing,
Fair stood the loved maid wi' the dark-rolling e'e.
Is it my wee thing? is it my ain thing?
Is it my true love here that I see ?
Oh, Jamie ! forgie me, your heart's constant to me,
I'll never mair wander, dear laddie, frae thee !
HAUD AWA FRAE ME, DONALD.
Haud awa, bide awa,
Haud awa frae me, Donald ;
What care I for a' your wealth,
And a' that ye can gie Donald ?
I wadna lea my lowland lad,
For a' your goud an.' gear, Donald,
Sae tak your plaid, and o'er the hill,
And stay nae langer here, Donald.
Haud awa, bide awa, &c.
My Jamie is a gallant youth—
I loe but him alane, Donald;
And in bonny Scotland's isle,
Like him there is nane, Donald.
�Haud awa, bide awa,
Haud awa frae me, Donald;
What care I for a your wealth,
An a' that ye can gi'e, Donald ?
He wears nae plaid, nor tartan hose,
Nor garters at his knee, Donald;
But O he wears a faithfu' heart,
And love blinks in his e'e, Donald.
Sae haud awa, bide awa,
Come nae mair at e'en, Donald;
I wadna break my Jamie's heart,
To be a Highland Queen, Donald.
T H I S IS N O MY PLAID.
O this is no my plaid,
My plaid, my plaid,
0 this is no my plaid,
Bonny though the colours be.
The ground of mine was mix'd wi' blue,
1 got it frae the lad I loe;
He ne'er has gi'en me cause to rue,
And O the plaid was dear to me.
Farewell ye lowland plaids o' grey,
Nae kindly charms for me ye hae,
The tartan shall be mine for aye,
For O the colour's dear to me.
For mine was silky, saft and warm,
It wrapped me round frae arm to arm,
And like mysel' it bore a charm,
And O the plaid is dear to me.
�7
Although the lad the plaid who wore,
Is now upon a distant shore;
And cruel seas between us roar,
I'll mind the plaid that sheltered me.
The lad that gied me't likes me wee!,
Although his name I darna tell,
He likes me just as weel's himsel',
And O the plaid is dear to me.
O may the plaidie yet be worn,
By Caledonians yet unborn ;
111 fa' the wretch that e'er doth scorn,
The plaidie that's sae dear to me.
:
mjz-gaBl bluB somZ
O F A' T H E A I R T S T H E W I N D C A N B L A W ,
Of a' the airts the wind can blaw,
I dearly loe the west,
For there the bonny lassie lives,
The lassie I loe best.
Though wild-woods grow, and rivers row
Wi' mony a hill between,
Baith day and night my fancy's flight
Is ever wi' my Jean.
I see her in the dewy flower,
Sae lovely, sweet and fair ;
I hear her voice in ilka bird,
Wi' music charm the air.
There's no a bonnie flower that springs*
By fountain, shaw, or green,
N o r yet a bonny bird that sings,
But minds me o' my Jean.
�AULD L A N G S Y N E .
Should auld acquaintance be forgot.
And never brought to min' ?
Should auld acquaintance be forgot,
And days o' langsyne ?
For auld langsyne, my dear,
For auld langsyne,
We'll take a cup of kindness yet,
For auld langsyne.
We twa hae run about the braes,
And pu'd the gowans fine;
But we've wander'd mony a weary foot,
Since auld langsyne.
For auld langsyne, &c.
We twa ha'e paidel'tin the burn,
Frae morning sun till dine,;
But seas between us braid hae roared
Sin' auld langsyne.
For auld langsyne, &c.
Now there's a hand my trusty frien',
And gie's a hand o' thine,
And we'll take a right gude wallie-waucbt.
For auld langsyne.
For auld langsyne, &c.
And surely yell be your pfint-stoup,
As sure as I'll be mine,
And we'll take a cup o kindness yet,
For auld ladgsyne.
For auld langsyne, &c.
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Woodcut 062: Title-page illustration of a young woman wearing a hat, dress, and shawl standing before a gate.
Document
A resource containing textual data. Note that facsimiles or images of texts are still of the genre text.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Jim Crow. Hey for a Lass Wi' a Tocher. Mary of Castlecary. Haud Awa Frae Me Donald. This is No My Plaid. Of A' The Airts The Wind Can Blaw. Auld Langsyne.
Identifier
An unambiguous reference to the resource within a given context
<a href="https://ocul-gue.primo.exlibrisgroup.com/permalink/01OCUL_GUE/mrqn4e/alma9923344533505154">s0362b23</a>
Alternative Title
An alternative name for the resource. The distinction between titles and alternative titles is application-specific.
Hey for a Lass Wi' a Tocher.
Mary of Castlecary.
Haud Awa Frae Me Donald.
This is No My Plaid.
Of A' The Airts The Wind Can Blaw.
Auld Langsyne.
Date
A point or period of time associated with an event in the lifecycle of the resource
[1840-1850?] per National Library of Scotland
Extent
The size or duration of the resource.
8 pages
16 cm
Description
An account of the resource
Woodcut #62: Illustration on title-page of a young woman wearing a hat, dress, and shawl standing before a gate.
66 is printed at the bottom of the title-page.
Contributor
An entity responsible for making contributions to the resource
Archival and Special Collections, University of Guelph Library, Guelph, Ontario, Canada
Is Referenced By
A related resource that references, cites, or otherwise points to the described resource.
<a title="National Library of Scotland" href="http://www.nls.uk/">National Library of Scotland </a>
Rights
Information about rights held in and over the resource
In the public domain; For high quality reproductions, contact Archival & Special Collections, University of Guelph. libaspc@uoguelph.ca, 519-824-4120, Ext. 53413
Format
The file format, physical medium, or dimensions of the resource
JPEGs and PDF derived from master file, which was scanned from the original book in 24-bit color at 600 dpi in TIFF format using an Epson Expression 10000XL scanner.
Publisher
An entity responsible for making the resource available
Glasgow: Printed for the Booksellers
Type
The nature or genre of the resource
ballads & songs
Subject
The topic of the resource
Chapbooks - Scotland - Glasgow
Courtship and Marriage
Source
A related resource from which the described resource is derived
Archival & Special Collections, University of Guelph Library, Guelph, Ontario
# of Woodcuts: 1
Architecture: gate
Bib Context: title-page
Chapbook Date: 1841-1850
Chapbook Genre: ballads & songs
Chapbook Publisher - Glasgow: Printed for the Booksellers
Gender: woman/women
Outdoor Scene
-
https://scottishchapbooks.lib.uoguelph.ca/files/original/ff7b43d641b62a28a097f5251f901265.pdf
b0fa01e0b7b9487fecb09bb67c55ebe0
PDF Text
Text
ROSANNA;
THE OXFORD TRAGEDY.
IN
T W O
P A R T S .
PART I.—How Fair Rosanna, of the City of Oxford,
was by a young Gentleman betrayed of her virginity.
PA&T II.—His cruelty in murdering her, and how a
rose-bush sprung upon her grave, which blossoms
all the year through ; and how the murder came to
be found out, by his cropping the rose, &c.
GLASGOW:
PRINTED FOR TIIE BOOKSELLERS.
�TBE
OXFORDSHIRE TRAGEDY.
PART
I.
Young virgins fair, of beauty bright,
And you tliat are of Cupid's fold,
Unto my tragedy draw near,
F o r it's as true as ever was told.
In Oxford liv'd a lady fair,
The daughter of a worthy knight,
A gentleman that lived near,
Was enamoured with her beauty bright.
Rosanna was this maiden's name,
The flower of fair Oxfordshire
This gentleman a-courting caie.
Begging her to be his dear.
Her youthful heart to love inclin'd,
Young Cupid bent bis golden bow,
And left his golden dart behind,
Which proved Rosanna's overthrow.
Within the private groves they'd walk,
And valleys where the lambs d o play,
Sweet pleasant tales of love they'd talk,
For to pass away the summer's day.
My charming lovely Rose, said he,
See how the pleasant flowers spring
The pretty birds on every tree,
With melody the groves do ring.
�3
I nothing want for to delight
M y soul, but those charms of thine ;
Our hearts are fix'd, therefore my dear
Like turtle-doves let us combine.
Let me embrace my heart's delight
Within this pleasant bower here,
This bank of violets for our bed,
Shaded with these sweet roses fair.
She said, what can you mean, I pray?
I am a noble lady born,
W h a t signifies my beauty bright,
That's a trifle when my honour's gone.
M y parents they will me disdain,
Young virgins they will me deride,
Oh ! do not prove my overthrow,
If you love me, stay till I am your bride.
Sweet angel bright, I here do vow,
By all the powers that are divitie,
I'll ne'er forsake my dearest dear,
Y o u re the girl that doth my heart confine.
But if you will me still delay,
This sword shall quickly end the woe ;
Then from her arms he flew straightway,
In fury out his sword he drew.
Her hands as white as lilies fair,
Most dreadfully she-then did wring,
And for the j e w e l she had lost,
She said, my death's approaching.
�4
It only brings my fatal fall.
It's I that must receive the wound :
T h e crimson dye forsook his cheek,
At his feet she dropp'd upon the ground.
Thus innocence he did betray,
Full sore against her chaste desire,
True love is a celestial charm,
But the flame of love is a raging fire.
But when her senses did revive,
H e many vows and oaths did make,
That he'd for ever true remain,
Her company, would not forsake.
PART
II.
Into the lonely valley she
W o u l d often wander all alone;
Sighing sadly to assuage her grief,
Thus in the bower would often mourn.
Oh that I was some pretty bird,
That I might fly and hide my shame,
Oh silly maid, for to believe
All the fair delusions of a man.
The harmless lamb can sport and pray,
T h e turtle constant to his mate,
Nothing so wretched is as I,
T o love a man that does me hate.
�5
I will to him a letter send,
Remembering of the oath he made,
Within the tender bower where
M y tender heart he first betrayed.
Her trembling hand a letter wrote,
M y dearest dear, what must I do ?
Alas I what have I done, that I
A m forsaken and forgot by yon ?
I could have many a lord of fame,
W h o little knows my misery ;
I did forsake a worthy knight,
'Tis for the love I bear to thee.
And now my little infant dear
Will quickly spread abroad my shame,
One line of comfort to me send,
Ere by your cruelty I am slain.
This answer he to her did send,
Y o u r insolence amazeth me,
T o think that I should marry one
With whom before I have been free.
Indeed I will no father be
Unto any bastard you may bear,
So take no further thought of rne,
No more from you pray let me hear.
When she this letter did receive.
She wrung her hands and wept full sore,
And every day she still would range,
T o lament within that pleasant bower
�6
The faithless wretch began to think
H o w noble were her parents dear.
H e said, I sure will punished be,
Soon as the story they shall hear.
So then the devil he did begin
T o enter in his wretched mind,
H e r precious life he then must have,
An opportunity thus he did find.
H e many times had watch'd her out
Into the pleasant valley, where
One day he privately did go,
W h e n he knew the lady was not there.
And privately he dug a grave,
Underneath an oaken tree ;
Then in the branches he did hide,
For to act this piece of cruelty.
Poor harmless soul, she nothing knew,
A s usual she went there alone,
And on a bank of violets she
In mournful silence sat her down.
Of his unkindness did complain,
At length she did the grave espy,
She rose indeed to view the same,
Little thinking he was so nigh.
Y o u gentle gods so kind, said she,
Did you this grave for me prepare :
H e then descended from the tree,
Saying, strumpet, thy death is near.
�7
Oh, welcome, welcome, she replied,
As long as by your hands I die,
This is a pleasant marriage bed,
I'm ready—use your cruelty.
But may the heavens bring to light
T h y crime, and thus let it appear:
Winter and summer on this grave,
May the damask rose in bloom spring here.
Never wither though 'tis cropp'd,
But when thy hand doth touch the same,
Then may the bloom that minute blast,
T o bring to light thy bitter shame.
More she'd have said, but with his sword
H e pierced her tender body through,
Then threw her in the silent grave,
A n d filled the grave close up again.
With weeds the same did overspread,
Then unconcerned straight went home,
Immediately went he to his bed,
And thought no more of what he'd done.
The loss of their young daughter dear,
Her parents much did grieve,
She was sought after far and near,
For to all the riches she was heir.
'Tis twelve months since that this was done,
There's thousands for a truth doth know't
And many wonder'd at the same,
For all the winter it did spring.
�If any one did crop that rose,
In a moment it would grow again ;
This thing was blaz'd the country round,
A n d thousands went the same to see.
He amongst the rest must curious be,
T o go and see if it was true,
And when unto the place he came,
The beauteous rose he saw in bloom.
The leaves did fall from off the bush,
The rose within his hand did d i e ;
He cried, 'tis fair Rosanna's blood.
That did spring from her fair body.
Many people that were there,
T o o k notice of what he did say,
They told he had some murder done,
H e the truth confess'd without delay.
They dug and found the body there,
The first of April it was known,
He was seiz'd and carried off to jail,
And shortly after suffer'd his doom.
�
https://scottishchapbooks.lib.uoguelph.ca/files/original/82bfa7a2f148f2790f212fe529190109.jpg
b80362c3468366c25e3daec0b924d576
Omeka Image File
The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.
Bit Depth
8
Channels
3
Height
3190
Width
1944
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Illustration on title-page of a young woman wearing a hat, dress, and shawl standing before a gate.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Woodcut 062: Title-page illustration of a young woman wearing a hat, dress, and shawl standing before a gate.
Document
A resource containing textual data. Note that facsimiles or images of texts are still of the genre text.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Rosanna; the Oxford tragedy. In two parts.
Subject
The topic of the resource
Courtship and Marriage
Crime
Chapbooks - Scotland - Glasgow
Description
An account of the resource
'20' is printed at the bottom of the title page
Woodcut #62: Illustration on title-page of a young woman wearing a hat, dress, and shawl standing before a gate.
Date
A point or period of time associated with an event in the lifecycle of the resource
1840-1850 per National Library of Scotland
Language
A language of the resource
English
Identifier
An unambiguous reference to the resource within a given context
<a href="https://ocul-gue.primo.exlibrisgroup.com/permalink/01OCUL_GUE/mrqn4e/alma9923406183505154">s0172b29</a>
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Oxford, England
Alternative Title
An alternative name for the resource. The distinction between titles and alternative titles is application-specific.
The Oxford tragedy
Extent
The size or duration of the resource.
8 pages
16 cm
Abstract
A summary of the resource.
A young girl from Oxfordshire is courted by a gentleman who persuades her to go out walking with him one day and rapes her. When she discovers she is with child, she writes to him begging him to marry her and save her from the public shame that would follow an illegitimate birth. The young man scorns her proposal but secretly fears what will happen when the pregnancy comes to light, so he decides to return home and murder her. He digs a grave under a tree that he knows she will walk by, and jumps out of the tree when she notices the grave. He kills her and buries her in the grave, but before she dies she claims that a damask rose will bloom upon her grave in winter as well as spring as proof of his deed. When this comes to pass and many marvel at the rose one year later, he returns to see if the rumours are true. When he touches the rose, it withers into dust, thereby proving that he is the murderer for all to see, which he immediately confesses to and is imprisoned.
Is Referenced By
A related resource that references, cites, or otherwise points to the described resource.
National Library of Scotland <a href="http://www.lib.uoguelph.ca/find/find-type-resource/archival-special-collections/scottish-studies">http://www.nls.uk/catalogues/main-catalogue-overview/</a>
Contributor
An entity responsible for making contributions to the resource
Archival and Special Collections, University of Guelph Library, Guelph, Ontario, Canada
Format
The file format, physical medium, or dimensions of the resource
JPEGs and PDF derived from master file, which was scanned from the original book in 24-bit color at 600 dpi in TIFF format using an Epson Expression 10000XL scanner.
Rights
Information about rights held in and over the resource
In public domain; For higher quality reproductions, contact Archival & Special Collections, University of Guelph. libaspc@uoguelph.ca 519-824-4120, Ext. 53413
Publisher
An entity responsible for making the resource available
Glasgow: Printed for the Booksellers
Source
A related resource from which the described resource is derived
Archival & Special Collections, University of Guelph Library, Guelph, Ontario
Type
The nature or genre of the resource
ballads & songs
# of Woodcuts: 1
Architecture: gate
Bib Context: title-page
Chapbook Date: 1841-1850
Chapbook Genre: ballads & songs
Chapbook Publisher - Glasgow: Printed for the Booksellers
Gender: woman/women
Outdoor Scene
-
https://scottishchapbooks.lib.uoguelph.ca/files/original/d740d171fe0226023c4cac9bac9acf9b.jpg
d2bf86ffed90e58abfc1669cce26e970
Omeka Image File
The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.
Bit Depth
8
Channels
3
Height
3426
Width
1890
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Woodcut on title-page portraying a girl holding a flower standing between two pillars with flowers in vases on top. Large house in the background
https://scottishchapbooks.lib.uoguelph.ca/files/original/87ce8154b113c2438b5f4b399cda58d7.pdf
d447397d5e9b6be4cb997324306ba0ab
PDF Text
Text
Seven Excellent
SONGS.
The year that's awa.
Blue Bonnets over the Border.
The Laird o' Cockpen.
Jock o' Hazeldean.
Pity and protect the Slave.
Hurrah for the bonnets of blue.
Here's a health to all good lasses—A Glee.
NEWTON-STEWART
:
Printed and Sold, Wholesale and
Retail, BY J. M ' N A I R N .
�THE YEAR
THAT'S AWA.
Oh ! here's to the year that's awa,
We'll drink it in strong and in sma ;
And here's to the bonnie young lassie we
loe'd,
While swift flew the year that's awa.
And here's to the, &c.
And here's to the soldier wha bled,
To the sailor wha bravely did fa' ;
Their fame is alive tho' their spirits are
fled
On the wings of the year that's awa.
Their fame is alive, &c.
And here's to the friend we can trust.
When the storms of adversity blaw ;
May he join in our song, and lie nearest
our heart,
Nor depart like the year that's awa.
May he join in, &c.
BLUE BONNETS OVER THE BORDER
March, march, Ettrick and Tivotdale :
Why, my lads, dinna ye march forward
in order
?
March, march, Eskdale and Liddesdale ;
All the blue bonnets are over the border,
�3
Many a banner spread,
Flutters above your head,
Many a crest that is famous in story ;
Mount and make ready then,
Sons of the mountain glen,
[glory.
Fight for your Queen and your old Scotish
Come from the hills where your hirsels are
grazing ;
Come from the glen of the buck and the
roe ;
Come to the craig where the beacon is
blazing ;
Come with the buckler the lance and the
bow.
Trumpets are sounding,
War-steeds are
bounding;--[order,
Stand to your arms and march in good orEngland shall many a day
Tell of the bloody fray,
When the blue bonnets came over the
border.
T H E LAIRD O' COCKPEN.
The Laird o' Cockpen he's proud and he's
great ;
His mind is taen up wi' things o' the state.
�4
He wanted a wife his braw house to keep,
But favour wi wooin' was fashous to seek.
Doun by the dyke-side a lady did dwell,
At his table-head he thought she'd look well
M'Clish's ae dochter o' Claverseha Lee,
A pennyless lass, wi a lang pedigree.
His wig was weel pouthered, as guid as
when new,
His waistcoat was white, his coat It was
blue,
He put on a ring, a sword and cocked hat,
And wha could refuse the Laird wi a that?
He took the gray mare and rade cannily ;
An' rapped at the yett o' Claverseha Lee,
" G a e tell Mistress Jean to come speedly
ben ;
She's wanted to speak to the Laird o'
Cockpen."
Mistress Jean was makin' the elder-flower
wine—
"An' what brings the Laird at sic a like
time ?"
She pat aff her apron an' on her silk gown,
Her mutch wi' red ribbons an' gaed awa
down.
�5
An' when she came ben he boued fu' low ;
An' what was his errand he soon let her
know.
Amazed was the Laird, when the lady
said—"Na !"
An' wi a laigh courtly she turned awa.
Dumfundered he was—but nae sigh did
he gie ;
He mounted his mare and rade cannily :
An' aften he thocht as he gaed through the
glen,
"She's daft to refuse the Laird o'
Cockpen."
Near to the house amang the lang trees,
There did he meet sweet Jeanie Greenlees.
She sits at his table like a white tappet
hen. —
Thus ended the courtships o' the Laird o'
Cockpen.
JOCK O'
HAZELDEAN.
"Whyweep ye by the tide lady ?
Why weep ye by the tide ?
I'll wed ye to my youngest son,
And ye sall be his bride.
�6
And ye sall be his bride, lady,
Sae comely to be seen:" —
But aye she loot the tears down fa'
For Jock o' Hazeldean.
"Now let this wilful grief be done,
And dry that cheek so pale ;
Young Frank is chief of Errington,
And Lord of Langley dale.
His step is first in peaceful ha',
His sword in battle keen:" —
But aye she loot the tears down fa'
For Jock o' Hazeldean.
"A chain of gold ye sall not lack,
Nor braid to bind your hair,
Nor mettled hound, nor managed hawk,
Nor palfrey fresh and fair.
And you the foremost o' them a'
Shall ride our forest queen:"--But aye she loot the tears down fa'
For Jock o' Hazeldean.
The kirk was decked at morning tide
The tapers glimmered fair—
The priest and bridegroom wait the bride,
And dame and knight are there.
They sought her both by bower and ha'-—
The lady was not seen :—
She's o'er the border and awa
Wi' Jock o' Hazeldean.
�7
PITY AND PROTECT THE SLAVE
Sons of freedom ! hear my story,
Mercy well becomes the brave,
Humanity is Britain's glory —
Pity and protect the slave !
Free-born daughters ! who possessing
Eyes that conquer, hearts that save,
Greet me with a sister's blessing—
Oh ! pity and protect the slave !
HURRAH FOR THE BONNETS OF BLUE.
Here's a health to them that's awa,
Here's a health to them that's awa,
And wha winna wish guid luck to our
cause,
May never guid luck be their fa'.
It's guid to be merry and wise,
It's guid to be honest and true,
It's guid to support Caledonia's cause,
And bide by the bonnets of blue.
Hurrah for the bonnets of blue,
Hurrah for the bonnets of blue.
It's guid to support Caledonia's cause,
And bide by the bonnets of blue.
�8
Here's a health to them that's awa,
Here's a health to them that's awa,
Here's a health to Charlie the chief o'
the clan,
Although that his band be sae sma'.
Here's freedom to them that would read,
Here's freedom to them that would write,
There's nane ever fear'd that the truth
should be heard,
But they whom the truth wad indite.
Hurrah for the bonnets of blue,
Hurrah for the bonnets of blue,
It's guid to be wise, to be honest and true,
And bide by the bonnets of blue.
HERE'S A HEALTH TO ALL GOOD LASSES.
A Glee
Heres' a health to all good lasses,
Pledge it merrily fill your glasses,
Let a bumper toast go round !
May they lead a life of pleasure,
Without mixture, without measure,
For with them true joys are found.
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Woodcut 005: Title-page illustration in a single-ruled rectangular border of a girl holding a flower standing between two pillars in an outdoor scene.
Document
A resource containing textual data. Note that facsimiles or images of texts are still of the genre text.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Seven Excellent Songs. The year that's awa. Blue Bonnets over the Border. The Laird o 'Cockpen. Jock o' Hazeldean. Pity and protect the Slave. Hurrah for the bonnets of blue. Here's a health to all good lasses-A Glee.
Identifier
An unambiguous reference to the resource within a given context
<a href="https://ocul-gue.primo.exlibrisgroup.com/permalink/01OCUL_GUE/mrqn4e/alma9953134473505154">s0100b01</a>
Alternative Title
An alternative name for the resource. The distinction between titles and alternative titles is application-specific.
The year that's awa.
Blue Bonnets over the Border.
The Laird o 'Cockpen.
Jock o' Hazeldean.
Pity and protect the Slave.
Hurrah for the bonnets of blue.
Here's a health to all good lasses-A Glee
Contributor
An entity responsible for making contributions to the resource
Archival and Special Collections, University of Guelph Library, Guelph, Ontario, Canada
Rights
Information about rights held in and over the resource
In the public domain; For high quality reproductions, contact Archival & Special Collections, University of Guelph. libaspc@uoguelph.ca, 519-824-4120, Ext. 53413
Date
A point or period of time associated with an event in the lifecycle of the resource
[1820-1837?] per University of Glasgow Union Catalogue of Scottish Chapbooks
Extent
The size or duration of the resource.
8 pages
Is Part Of
A related resource in which the described resource is physically or logically included.
Chapbook #65 in a bound collection of 77 chapbooks
Is Referenced By
A related resource that references, cites, or otherwise points to the described resource.
University of Glasgow Union Catalogue of Scottish Chapbooks <a title="http://special.lib.gla.ac.uk/chapbooks/search/" href="http://special.lib.gla.ac.uk/chapbooks/search/" target="_blank" rel="noopener">http://special.lib.gla.ac.uk/chapbooks/search/</a>
Format
The file format, physical medium, or dimensions of the resource
JPEGs and PDF derived from master file, which was scanned from the original book in 24-bit color at 600 dpi in TIFF format using an Epson Expression 10000XL scanner.
Subject
The topic of the resource
Chapbooks -- Scotland -- Newton Stewart
Supernatural
Source
A related resource from which the described resource is derived
Archival & Special Collections, University of Guelph Library, Guelph, Ontario
Publisher
An entity responsible for making the resource available
Newton-Stewart: J. McNairn
Type
The nature or genre of the resource
ballads & songs
Description
An account of the resource
Woodcut #05: Illustration on title-page of a girl holding a flower standing between two pillars in an outdoor scene.
# of Woodcuts: 1
Architecture: gate
Architecture: house
Bib Context: title-page
Chapbook Date: 1821-1830
Chapbook Genre: ballads & songs
Chapbook Publisher - Newton-Stewart: J. McNairn
Fashion (Clothing): bloomers
Fashion (Clothing): children's clothes
Fashion (Clothing): dress
Fashion (Clothing): stockings
Fashion (Clothing): upper class
Gender: girl(s)
Outdoor Scene
-
https://scottishchapbooks.lib.uoguelph.ca/files/original/c4d10864343bcf20f613b7d79571665c.jpg
c6a74b2d09715180579803ae17e64656
Omeka Image File
The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.
Bit Depth
8
Channels
3
Height
3072
Width
1900
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Woodcut on title-page portraying a girl holding a flower standing between two pillars with flowers in vases on top. Large house in the background
https://scottishchapbooks.lib.uoguelph.ca/files/original/cdf586da5e2115a512d7a253336b1fd4.pdf
a9f7dd0e4f79338101c5cc0027484ded
PDF Text
Text
SIX
EXCELLENT
§ © W ® S,
CLARINDA.
THE HIGHLAND PLAID. v
M U S I N G O N T H E R O A R I N G OCEANL
A RED, RED ROSE;
THE YOUNG HIGHLAND 'Jtm&m^ '
A MOTHER'S L A M E N T FOR T H E .DEATH
O F H E R SON.
3tfi g^aua
^ b s r f a w l l a o s r l r ^ s a i l a w fisiil
NE
WTOmSTJEWART
PRINTED,
AND
RETAIL
SOLD
:
WHOLESALE
B Y J. M ' N A i R i N t
AND
�THE HIGHLAND
PLAID,
L O W L A N D lassie, wilt thou go
Where the hills are clad wi' snow;
Where beneath the icy steep,
The hardy "shepherd tends his sheep?
Ill nor wae ahall thee betide,
When row'd within my Highland plaid.
Soon the voice of cheery spring
Will gar a' our plantings ring ;
Soon our bonny heather braes
Will put on their simmer claes;
On the"xnontain's sunny side,
We'll lean us on my Highland plaid.
When the simmer spreads the flower's
Busk's the glen in leafy bowr's,
Then we'll seek thee caller shade,
Lean uspn the primrose bed:
While the burning hours preside.
I'll screen thee wi' my Highland plaid,
�M
Then we'll leave the sheep and goat,
I will launch the honnv boat,
Skim the loch wi' canty glee,
Rest the oars to pleasure thee ;
When chily breezes sweep ,the tide,
I'll hap thee wi' my Highland p! aid.
Lowland lads may dress mair
fin^
.q
W o o in words mair saft than mine;
Lowland ladshaemair of art,
A ' my boast's an honest heart,
.V'H) ^fTJW ?fB98 Dili £ LliT
Whilk shall ever be my pride;
O row thee in my Highland plaid.
:hjjh oili 'iw ilslfri bjBoi (nit bnA
Bonny lad, ye've been sae leal,
M v heart would break at our farewell;
Lang your love has made me fain,
Take me, take me for your ain!
'Cross the Frith, away then glide,
Young Dor,aid and his Lowland bridev>vor yr;i ,nrB|s smo'j (lift I bnA
VtuUfifoffa isbt o v m ti 'otfT
�A RED, R E D ROSE:
O my luve's like a red, red rose.
That's newly sprung in June.
I
0 my love's like tlie melodie
That's sweetly play'd in tune.
As fair art tliou, my bonnielass,
So deep in hive am I ;
And 1 will luve thee still my dear,
! Till
i
a' the seas gang dry.
T i l l a' the seas gang dry, my dear,
And the rocks melt wi' the sun;
1 will love thee still my dear,
While the sands o' life shall run.
And fare thee weel? my only luve,
And fare thee weel, a while!
And I will come again, my luve,
Tho' it vere ten thousand mile,
�5
CLAIiiNDAo
Clarinda, mistress of my soul,
The measured time is run!
The wretch beneath the dreary pole.
So marks his latest sun.
T o what dark cave of frozen night
Shall poor Sylvander hie;
Depr'v'd of thee, his life and light.
The sun of all his joy.
W e part,—but by these precious drops ;
That fill thy lovely eyes!
No other light shall guide my steps.
Till thy bright beams arise.
'• '
1
,^'OfJ ffijfel -JrM W
She, the fair sun of all her sex,
Has blest my glorious day :
And shall a glimmering planet fix
M y worship to its ray?
n7'J
�Q
A
MOTHER'S
L A M E N T FOR
OF I i E R SON,
Fate gave the word, the i
THE
I)EAT]
< ntekn
^ i^sped^
^
And pierc'dmy darlings heart :
And with him all the joys are fled
Life can to me impart.
B y cruel hands the sapling drops,
In dust dishonour,d laid: So fell the pride of all my hopes,
M y age's future shade.
<1
The mother linnet in the brake
Bewails her ravished young ;
So I, for my lost daring's sake,
Lament the live-day long.
[di Uh teilT
rH^il ledio o
rid vdi ffiT
Death oft I've fear'd thy fatal blow,
Now, fond I bare my breast,
O do thou kindly lay me low
With him I love at rest!
(ax tsold eell
raib 8 fhsda Im i
�THE YOUNG H I G H L A N D
ROVER*
Loud blaw the fi osty breezes,
The snows the mountains cover ;
Like winter on me seizes,
Since my young highland rover
Far wanders nations over.
Where'er he go, where'er he stray,
May Heaven be his warden :
Return him safe to fair Strathspey,
And bonnie Castle-Gordon.
The trees now naked groaning,
Shall soon wi' leaves be hinging,
The birdies dowie moaning,
Shall a' be blythely singing,
And every (lower be springing.
Sae I'll rejoice the lee*lang d ay,
When by his mighty warden
M y youth's returned to fair Strathspey,
And bonnie Castle-Gordon.
�MUSING ON T H E R O A R I N G
OCEAN.
Musing on the roaring ocean,
Which divides my love and m e ;
Wearying heaven in warm devotion,
9iUj
For his weal where'er he be.
Hope and fear's alternate billow
Yielding late to nature's law,
Whisp'ring spirits round my pillow
Talk of him that's far awa.
*:.. ' Ot'-i' * (Oil'.
:
il j'.l
Ye whom sorrow never wounded,
Ye who never shed a tear,
Care-untroubled, joy-surrounded ?
Gaudy day to you is dear.
Gentle night do thou befriend me :
Downy sleep the curtain draw;
Spirits kind, again attend me,
Talk of him that's far awa,
, i
v. '§i:ra
r^i oi bwwtei
. 1 yd rod'//
tiliaoy yrV
tes/J oidwd
hik
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Woodcut 005: Title-page illustration in a single-ruled rectangular border of a girl holding a flower standing between two pillars in an outdoor scene.
Document
A resource containing textual data. Note that facsimiles or images of texts are still of the genre text.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Six Excellent Songs. Clarinda. The Highland Plaid. Musing on the Roaring Ocean. A Red, Red Rose. The Young Highland Rover. A Mother's Lament for the Death of her Son.
Identifier
An unambiguous reference to the resource within a given context
<a href="https://ocul-gue.primo.exlibrisgroup.com/permalink/01OCUL_GUE/mrqn4e/alma9953134473505154">s0100b01</a>
Alternative Title
An alternative name for the resource. The distinction between titles and alternative titles is application-specific.
Clarinda.
The Highland Plaid.
Musing on the Roaring Ocean. .
A Red, Red Rose.
The Young Highland Rover.
A Mother's Lament for the Death of her Son
Date
A point or period of time associated with an event in the lifecycle of the resource
1820-1837 per University of Glasgow Union Catalogue of Scottish Chapbooks
Extent
The size or duration of the resource.
8 pages
Is Part Of
A related resource in which the described resource is physically or logically included.
Chapbook #5 in a bound collection of 77 chapbooks
Is Referenced By
A related resource that references, cites, or otherwise points to the described resource.
University of Glasgow Union Catalogue of Scottish Chapbooks <a title="University of Glasgow Union Catalogue of Scottish Chapbooks" href="http://special.lib.gla.ac.uk/chapbooks/search/" target="_blank" rel="noopener">http://special.lib.gla.ac.uk/chapbooks/search/</a>
Contributor
An entity responsible for making contributions to the resource
Archival and Special Collections, University of Guelph Library, Guelph, Ontario, Canada
Format
The file format, physical medium, or dimensions of the resource
JPEGs and PDF derived from master file, which was scanned from the original book in 24-bit color at 600 dpi in TIFF format using an Epson Expression 10000XL scanner.
Rights
Information about rights held in and over the resource
In the public domain; For higher quality reproductions, contact Archival & Special Collections, University of Guelph. libaspc@uoguelph.ca 519-824-4120, Ext. 53413
Subject
The topic of the resource
Chapbooks -- Scotland -- Newton Stewart
Highlands
Source
A related resource from which the described resource is derived
Archival & Special Collections, University of Guelph Library, Guelph, Ontario
Publisher
An entity responsible for making the resource available
Newton-Stewart: J. McNairn
Type
The nature or genre of the resource
ballads & songs
Description
An account of the resource
Woodcut #05: Illustration on title-page of a girl holding a flower standing between two pillars in an outdoor scene.
# of Woodcuts: 1
Architecture: gate
Architecture: house
Chapbook Date: 1821-1830
Chapbook Genre: ballads & songs
Chapbook Publisher - Newton-Stewart: J. McNairn
Fashion (Clothing): bloomers
Fashion (Clothing): children's clothes
Fashion (Clothing): dress
Fashion (Clothing): stockings
Fashion (Clothing): upper class
Gender: girl(s)
Outdoor Scene
-
https://scottishchapbooks.lib.uoguelph.ca/files/original/d148846335e1987f48d66b96df1ddac3.jpg
1538cf0da4c74eab489d08c299c66d20
Omeka Image File
The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.
Bit Depth
8
Channels
3
Height
3018
Width
1714
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Woodcut on title-page portraying a girl holding a flower standing between two pillars with flowers in vases on top. Large house in the background
https://scottishchapbooks.lib.uoguelph.ca/files/original/14749013fc1fddcbacb9ea767ba255d4.pdf
3a1edca03c89edaa4c82ea7a7e9365f2
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Woodcut 005: Title-page illustration in a single-ruled rectangular border of a girl holding a flower standing between two pillars in an outdoor scene.
Document
A resource containing textual data. Note that facsimiles or images of texts are still of the genre text.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Six Excellent Songs. Farewell. Drucken Jenny Din. The Gallant Weaver. John Anderson My Jo. The Nightingale. Scotland's Hills for me.
Identifier
An unambiguous reference to the resource within a given context
<a href="https://ocul-gue.primo.exlibrisgroup.com/permalink/01OCUL_GUE/mrqn4e/alma9953134473505154">s0100b01</a>
Alternative Title
An alternative name for the resource. The distinction between titles and alternative titles is application-specific.
Farewell.
Drucken Jenny Din.
The Gallant Weaver.
John Anderson My Jo.
The Nightingale.
Scotland's Hills for me.
Date
A point or period of time associated with an event in the lifecycle of the resource
1820-1837 per University of Glasgow Union Catalogue of Scottish Chapbooks
Extent
The size or duration of the resource.
8 pages
Is Part Of
A related resource in which the described resource is physically or logically included.
Chapbook #61 in a bound collection of 77 chapbooks
Is Referenced By
A related resource that references, cites, or otherwise points to the described resource.
University of Glasgow Union Catalogue of Scottish Chapbooks <a title="University of Glasgow Union Catalogue of Scottish Chapbooks" href="http://special.lib.gla.ac.uk/chapbooks/search/" target="_blank" rel="noopener">http://special.lib.gla.ac.uk/chapbooks/search/</a>
Contributor
An entity responsible for making contributions to the resource
Archival and Special Collections, University of Guelph Library, Guelph, Ontario, Canada
Format
The file format, physical medium, or dimensions of the resource
JPEGs and PDF derived from master file, which was scanned from the original book in 24-bit color at 600 dpi in TIFF format using an Epson Expression 10000XL scanner.
Rights
Information about rights held in and over the resource
In the public domain; For higher quality reproductions, contact Archival & Special Collections, University of Guelph. libaspc@uoguelph.ca 519-824-4120, Ext. 53413
Subject
The topic of the resource
Alcohol
Chapbooks -- Scotland -- Newton Stewart
Source
A related resource from which the described resource is derived
Archival & Special Collections, University of Guelph Library, Guelph, Ontario
Publisher
An entity responsible for making the resource available
Newton-Stewart: J. McNairn
Type
The nature or genre of the resource
ballads & songs
Description
An account of the resource
Woodcut #05: Illustration on title-page of a girl holding a flower standing between two pillars in an outdoor scene.
# of Woodcuts: 1
Architecture: gate
Architecture: house
Bib Context: title-page
Chapbook Date: 1821-1830
Chapbook Genre: ballads & songs
Chapbook Publisher - Newton-Stewart: J. McNairn
Fashion (Clothing): bloomers
Fashion (Clothing): children's clothes
Fashion (Clothing): dress
Fashion (Clothing): stockings
Fashion (Clothing): upper class
Gender: girl(s)
Outdoor Scene
-
https://scottishchapbooks.lib.uoguelph.ca/files/original/614d13327def025b2de85a04ddb5875d.jpg
cffb70dc55570399110576b360047b60
Omeka Image File
The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.
Bit Depth
8
Channels
3
Height
3072
Width
1891
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Illustration on titel-page of a young woman wearing a hat, dress, and shawl standing before a gate.
https://scottishchapbooks.lib.uoguelph.ca/files/original/42d7baa1d81c007882f189e674c91130.pdf
d1eb23751eb9a896c193f8bbd1ee7a16
PDF Text
Text
SIX
L O V E SONGS
JOCKEY TO THE FAIR.
W H A ' S AT T H E WINDOW,
WHA?
FAIREST OF THE FAIR.
THE F L O W E R O' D U M B L A N E .
THE MAID OF ARUNDEL.
F A R EWELL,
F A R E W E L L.
GLASGOW r
PRINTED FOR THE BOOKSELLERS.
34.
�SONGS.
WHA'S AT THE WINDOW,
WHA?
O wha's at the window, wha ? wha ?
0 wha's at tli© window, wha ? wha ?
Wha but blythe Jamie Glen,
He's come sax miles and ten,
To tak bonnie Jeanie awa, awa,
To tak bonnie Jeanie awa.
He has plighted his troth, an' a', an' a\
Leal love to gi'e, an' a', an' a',
And sae has she dune,
By a' that's aboon ;
For he loe's her, she lo'es him 'boon a', 'boon a*
He lo'es her, she lo'es him 'boon a'.
Bridal maidens are braw, braw,
0 bridal maidens are braw, braw,
But the bride's modest e'e,
And warm cheek, are to me
'Boon pearl ens and brooches, an* a', an' a\
'Boon pearlens and brooches, an' a'.
There's mirth on the green, in the ha', the ha\
There's mirth on the green, in the ha',
�There's laughing, there's quaffing,
There's jesting, there's daffing,
But the bride's father's blythest of a', of a',
But the bride's father's blythest of a'.
It's no that she's Jamie's ava, ava,
It's no that she's. Jamie's ava, ava,
That my heart is sae wearie,
When a' the lave's cheerie,
But it's just that she'll aye be awa, awa,
But it's just that she'll aye be awa.
THE FLOWER 0 '
DUMBLANE.
The sun had gane down o'er the lofty Benlomond,
And left the red clouds to preside o'er the scene ;
While lanely I stray in the calm simmer gloaming,
To muse on sweet Jessie, the flower o' Dumblane.
0 sweet is the brier wi' its saft faulding blossom,
And sweet is the birk wi' its mantle o' green;
Yet sweeter and fairer, and dear to this bosom,
Is lovely young Jessie, the flower o' Dumblane.
She's modest as ony, and blythe as she's, bonny,
For guileless simplicity marks her its ain ;
And far be the villain, divested of feeling,
Wha'd blight in its blossom the flower o' Dumblane
Sing on, thou sweet mavis, thy hymn to the e'ening,
Thou'rt dear to the echoes of Calderwood glen,
Sae dear to this bosom, sae artless and winning,
Is charming young Jessie, the flower o' Dumblane.
�4
How lost were my days till I met with my Jessie,
The sports of the city seem'd foolish and vain ;
I ne'er saw a nymph I would ca' my dear lassie,
Till charm'd wi* sweet Jessie, the flower o* Dumblane,
Tho' mine were the station of loftiest grandeur,
Amidst its profusion I'd languish in pain ;
And reckon as naething the height o' its splendour,
If wanting sweet Jessie, the flower o* Dumblane.
T H E M A I D OF A R U N D E L .
Thou fairest of the fairest maids,
In Arundel's embowering shades,
When beauty smiles in all her charms,
And love's delighted bosom warms,
With thee I woo each sylvan scene,
Of fragrant bower and arbour green,
While smiling hope our care dispels,
We bless the shades of Arundel.
When twilight steals along the world,
And wandering shepherds leave the fold,
To woo the bower, the scented grove,
And sigh upon the lips of love ;
Again my lovely Rosalie,
With bounding heart I fly to thee,
Love's dear and fond delights to tell
Amid the shades of Arundel.
As wandering by the castle mound,
Or moving in the festive round,
�o
I feel the power of love divine,
Bright beaming in these eyes of thine.
And sweeter is thine artless tale,
Than midnight song of nightingale,
Soft dying on the breezy swell
That fan the shades of Arundel.
JOCKEY TO T H E
FAIR.
'Twas on the morn of sweet May-day,
When Nature painted all things gay,
Taught birds to sing, and lambs to play,
And gild the meadows fair ;
Young Jockey early on the morn
Arose, and tript it o'er the lawn,
For Jenny vow'd away to run
With Jockey to the Fair ;
For Jenny vow'd away to run
With Jockey to the Fair.
The cheerful parish bells had rung,
With eager steps he trudg'd along,
While garlands round him hung
Which shepherds us'd to wear:
He tapt the window, 44 Haste my dear,"
Jenny impatient cried, " Who's there I"
" 'Tis I, my love, and no one near,
Step gently down, you've nought to fear,
With Jockey to the Fair ;
Step gently down, &c.
�6
" My dad and mammy's fast asleep,
My brother's up and with the sheep,
And will you still your promise keep
Which I have heard you swear ?
And will you ever constant prove ?
44 1 will, by all the powers above,
And ne'er deceive my charming dove:
Dispel those doubts, and haste my love,
With Jockey to the Fair
Dispel those doubts, &c.
" Behold the ring," the shepherd cried,
" Will Jenny be my charming bride?
Let Cupid be our happy guide,
And Hymen meet us there."
Then Jockey did his vows renew,
He would be constant, would be true,
His word was pledg'd, away she flew
With Jockey to the Fair ;
O'er cowslips tript, &c.
In raptures meet the joyful train,
Their gay companions, blithe and young,
Each join the dance, each join the throng.
To hail the happy pair ;
In turns there's none so fond as they,
They bless the kind propitious day,
The smiling morn of blooming May,
When lovely Jenny ran away
With Jockey to the Fair ;
When lovely Jenny, &c.
�7
F A I R E S T OJ? T H E
FAIR.
0 Nannie, wilt thou gang wi' me,
Nor sigh to leave the flaunting town ;
Can silent glens have charms for thee,
The lowly cot, and russet gown ?
Nae langer drest in silk and sheen,
Nae langer deck'd wi' jewels rare,
Say, canst thou quit each courtly scene,
Where thou wert fairest of the fair O Nannie, when thou'rt far away,
Wilt thou not cast a look behind ?
Say, canst thou face the parching ray,
Nor shrink before the wintry wind ?
0 can that saft and gentlest mien
Severest hardships learn to bear,
Nor sad, regret each courtly scene,
Where thou wert fairest of the fair ?
O Nannie, canst thou love so true,
Thro' perils keen wi' me to gae ?
Or when thy swain mishap shall rue,
To share with him the pang of wae.
And when invading pains befal,
Wilt thou assume the nurse's care,
Nor wishful those gay scenes recal,
Where thou wert fairest of the fair ?
And when at last thy love shall die,
Wilt thou receive his parting breath ?
Wilt thou repress each struggling sigh,
And cheer with smiles the bed of death
�8
And wilt thou o'er his much-lov'd clay
Strew flowers, and drop the tender tear ;
Nor then regret those scenes so gay,
Where thou wert fairest of the fair I
FAREWELL,
FAREWELL.
Farewell, farewell, dear Erin's Isle!
My native land, adieu!
I've seen thy hours of sunshine smile,
And mark'd thy sorrows too.
The pale moon trembles on the deep,
But ere the morning dawn,
Th© winds will only hear me weep
For thee, my Peggy Bawn.
And though I haste beyond the sea,
Where sweeter scenes may smile,
My heart unchanged will turn to tliee,
My own, my native isle.
But now a long, a kind farewell,
To mountain, grove, and lawn,
While tears alone my parting tell,
From thee, my Peggy Bawn.
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Woodcut 062: Title-page illustration of a young woman wearing a hat, dress, and shawl standing before a gate.
Document
A resource containing textual data. Note that facsimiles or images of texts are still of the genre text.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Six love songs. Jockey to the fair. Wha's at the window, wha? Fairest of the fair. The flower o' Dumblane. The maid of Arundel. Farewell, farewell.
Subject
The topic of the resource
Courtship and Marriage
Chapbooks - Scotland - Glasgow
Date
A point or period of time associated with an event in the lifecycle of the resource
1840-1850 per University of Glasgow Union Catalogue of Scottish Chapbooks
Language
A language of the resource
English
Identifier
An unambiguous reference to the resource within a given context
<span class="EXLResultStatusAvailable"><span class="EXLAvailabilityCallNumber"><a href="https://ocul-gue.primo.exlibrisgroup.com/permalink/01OCUL_GUE/mrqn4e/alma9943830973505154">s0615b35</a></span></span>
Alternative Title
An alternative name for the resource. The distinction between titles and alternative titles is application-specific.
Jockey to the fair.
Wha's at the window, wha?
Fairest of the fair.
The flower o' Dumblane.
The maid of Arundel.
Farewell, farewell.
Extent
The size or duration of the resource.
8 pages
15 cm
Description
An account of the resource
Woodcut #62: Illustration on title-page of a young woman wearing a hat, dress, and shawl standing before a gate.
'34' is printed at the bottom of the title page
Accrual Method
The method by which items are added to a collection.
Purchased through Jane Grier Family Trust. 2012
Is Referenced By
A related resource that references, cites, or otherwise points to the described resource.
University of Glasgow Union Catalogue of Scottish Chapbooks <a href="%20University%20of%20Glasgow%20Union%20Catalogue%20of%20Scottish%20Chapbooks%20%20http%3A//special.lib.gla.ac.uk/chapbooks/search/">http://special.lib.gla.ac.uk/chapbooks/search/</a>
Contributor
An entity responsible for making contributions to the resource
Archival and Special Collections, University of Guelph Library, Guelph, Ontario, Canada
Format
The file format, physical medium, or dimensions of the resource
JPEGs and PDF derived from master file, which was scanned from the original book in 24-bit color at 600 dpi in TIFF format using an Epson Expression 10000XL scanner.
Rights
Information about rights held in and over the resource
In the public domain; For higher quality reproductions, contact Archival & Special Collections, University of Guelph. libaspc@uoguelph.ca 519-824-4120, Ext 53413
Publisher
An entity responsible for making the resource available
Glasgow: Printed for the Booksellers
Type
The nature or genre of the resource
ballads & songs
# of Woodcuts: 1
Architecture: gate
Bib Context: title-page
Chapbook Date: 1841-1850
Chapbook Genre: ballads & songs
Chapbook Publisher - Glasgow: Printed for the Booksellers
Gender: woman/women
Outdoor Scene