1 10 14 https://scottishchapbooks.lib.uoguelph.ca/files/original/f44b25d9d492d10fc39caf1a854d2cae.jpg a7924a5beae3994a4357a6682008c2de Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 3248 Width 1890 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Illustration on title-page of a young woman wearing a hat, dress, and shawl standing before a gate. https://scottishchapbooks.lib.uoguelph.ca/files/original/4cec8e3c61b88d1f389d79bba316ad05.pdf 34d6a37f0dc0fc4e6817b0b26a9f331c PDF Text Text FIVE Favourite Songs —p rr >? K A T E KEARNEY, A SOLDIER'S SONG. PATIE'S WEDDING. THE LASS OF GOWRIE, YOUNG WILLIAM. GLASGOW: F E I N T ^ FOR THE WQ&SELh}ffi& 43. �ST/II SONGS. ir(y(fiA3X ai'A/i oMoa B'hmalioz A SOLDIER'S SONG. • !ua:gw , ; How Stands the glass around, For shame you take no care, my hoy% How stands the glass around, Let mirth and wipe abound, The trumpets sound, The colours they are flying, boys. To fight, kill, or wound, May we still be found, Content with our hard fate, my boys, On the cold ground, Why, soldiers, why, Whose business tistodie! What sighing fie, Damn fear, drink on, be jolly, boys, 'Tis he, you or I, Cold, hot wet, or dry, Are always bound to follow, boys. And scorn to fly, 'Tis but in vain, I mean not to upbraid ye, boys; 'Tis but in vain. For soldiers to complain,. Should next campaign Bond its to him who made its boy& M �3 We're free from pain; But if we remain, A bottle and kind landlady Cure all again. KATE KEARNEY. O did you not hear of Kate Kearnj ? She lives on the banks of Killarney: From the glance of her eye, shun danger and fl/f For fatal's the glance of Kate Kearney. For that eye is so modestly beaming, You'd ne'er think of mischief she's dreaming, Yet, oh! I can't tell how fatal's the spell That lurks in the eye of Kate Kearney, v _ / " ' " ' ' . ; \ ^ " £ Oh, should you e'er meet this Kate Kearney, Who lives on the banks of Killarney, Beware of her smile, for many a wile Lies hid in the bosom of Kate Kearney. Though she looks so bewitchingly simple, There's mischief in every dimple, And who dare inhale her mouth's spicy gale, Must die by the breath of Kate Kearney. Y" 1 ' ' P A T I E ' S WEDDING. As Patie cam* up frae the glen, Driving his wethers before him, He met bonny Meg ganging liame, Her beauty was like for to smoor him. �0 dinna ye ken, beanie Mfcg* I etfsW That you and I s gamitfco be maniiiad ? X rather had broken any leg, • *• ''•.•* A . Before such a bargain miscarried. Na, Patie, 0 ilia's teWd tfeat ? I think that of n^w^they ye b^eii^aasj^^ That I should he married-so soon, Or yet should ha'e been sae yaxml}\ 1 Winn a'- w married.the year, Suppose 1 were courted by twenty ; »Sae Patie, ye needna ma/ir spier, For weel I wat I dinna want ye. Now 'Kfaggie, what makes ye sae sweert, Is it because that I ,U^na a m&ilin? The lad that has plenty o' gear Need-rietfer want a liauf or a hale ana My dad hasago^d grey.i)i,are, And yours lias twa cows and a lilly. And that will be plenty of gear, Sae Maggie, be nae sae ill-willy. Indeed, Patie, I dinna ken, But first ye maun spier at my daddy, You are as well born as Ben, And I oaM&Uiy but i am reaMv ; There is plentyof yarn,i^^JjUQ^ To make me a. coat and a j w p y ; And plaide^ e n e i i g h ^ G i f j c get it, I shanna scrimp ye. B �Now, fare ye weel, my bonny Meg, I'se W a weo smacky fa' on yen ; May my neck be as lang as my leg f ; . ^ 4fV If I be an ill hii%nd unto you. Sae gang ypixr way ham6 e now, ' ~ Mak' ready this day fifteen days, And tell your father the news That I'll be his son in great kindness. Hi ffi ... .. 1 tlU )V I Then Maggie as bly.the as a wren After a blast o* ill weather, Gaed a' the haj^ gate singing hame, To tell the glad news to her (father., But ay the auld man said to her, • Ye'11 no be in this mind till Monday ^ 0 never you mind, quo' Maggie, For I got a kiss, to the bounty, ,ow bxiB t iiiodrfQion Itoos Ik oT It was nae lang after that, Wha came to our bigging but Patie, Weel drest in a braw new coat, . Jmd wow but lie f o u g h t himself pretty, His "bannet was little fr$e new, In i t was a laop and a flitty, , "; To tie in a ribbon sae blue, To bab at the neck o' his coatv, 1 a Iml .ihufoid* .bV^Y?. * nh f*7/?! Then Patie caane in with a Said,'peace be here to the bigging, You re welcome, quo' Willi am. come1 ben. Or I wish5 it may rive frae the ^iggiiigf Now draw in your seat and sit down, , And tell-us a^ydiir riews in a hurry ; : �6 And haste ye Meg, and be done, And hing on the* pan wi' the berry. Quoth Fatie, my news is nae thrang, Yestreen I was wi' his honour, Fve ta'en three rigs o' braw land, And ha'e bound myself under a bonnar. And now my errant to you, Is for Maggie to help me to labour, I think you maun gi'es the best cow, Because that our biddins but sober. Well now, for to help you through, Fll be M the cost o' the bridal, 111 cut the craig of the ewe That had maist died of the side ill. And that'll be plenty of bree, Sae lang as our will is nae reisted, TQ all the good neighbours and we, j think we'll no be that ill feasted, Quoth Patie' 0 that'll do well, And I'll gi'e you your brose in the mornmg\ O kail that was made yestreen, For I like it best in the forenoon, Sae Tam the piper did play, And ilka ane danc'd that was willing ; And a' the lave they rank'd through, And they held the stoupy ay filling. The auld wives sat and they chow'd, And when that the carles grew nappy, They danc'd as weel as they dow'd, Wi' a crack o' their thumbs and a kappie. �7d The lad that wore the white band, tfdT I think they caVl him Jamie Mather, And he took the brWe h j the handr v And cried to play up Maggy L'awderA .maijIHTozuoy THE LASS Q' GOWRIE. )Y Twas on a simmer s afternoon, d) -nlT A wee before the sun gaed down, My lassie wi' a braw new gown Came o'er the hills to Gowrie. H .bnitlod jlal ed oiijsL 'iori The rose-bud tingVI with morning showers* Bloom'd fresh within the sunny bowers, But Kitty was the fairest flower i() That ever bloom'd in Gowrie. 'gnoi oa vorii jiohanq edT I had nae thought to dae her' wrang, But round her ne9k my arms I fla^g, And said, My lassie, will ye gang, ? To view the Carse o' Gowrie ? \< \i H J <L> J L JjooJ* '§n3to 'jfh 'io't labnei 9ilT 111 tak' ye to my father's ha*, ; f In yon green field- beside the shaw, And mak' ye lady o' them a', The brawest od? { ,in Gowrie. wife >!ooi.f> uJj/o'ii i).»iA • Soft kisses on her cheek I laid, The blush upon lier cheek soon spread, She whisper'd modestly, arid said, 4 I'll gang wi' you to G6#rie. �The auld folk s&on gi tbiw consent^ So? to . Mess John we quickly went,, Wha tied us . to our heaift^ con tout,. And now she's tady Gowrie! YOUNG WILLIAM. Young William was a seamair tiAie, The darfijag of our bonny ereW! k -r« For blythe was h%l and kind; ./. For thfwghvw iag^wf lubber ; ; Right, loth he was to; go to-sea* ; For Jane he left behind. And Jemiy lovM, lint; all by- stealth, Rer father hadmueh store of wmJtii, Of Will fie would not hear; A M Till criel change atdengtb reveaM' The passion they so long conceal'd, And William tet his 4?&r. , A friendly voice poor A ruffian gang the youth assai Pd» 'Twa^ cfoiifr by cursed gold ; The tender for the offing stood. The cutte^ikimi#Vl tjie yieldjn^f They cateh^hi^ihth& hold,; She, troubled wqlks the be&qU in haste, And troubl'd look'd the waste, And by, the jio^f jng, w^xe.; jx ^corpsp was warfiM, upon >rFwa$ William, and >vit|i £,c&rs thajv^ore Two loyers to the. graye, "it * � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Woodcut 062: Title-page illustration of a young woman wearing a hat, dress, and shawl standing before a gate. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Five Favourite Songs. Kate Kearney. A Soldier's Song. Patie's Wedding. The Lass of Gowrie. Young William. Identifier An unambiguous reference to the resource within a given context <a href="https://ocul-gue.primo.exlibrisgroup.com/permalink/01OCUL_GUE/mrqn4e/alma9923314953505154">s0427b19</a> Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Kate Kearney. A Soldier's Song. Patie's Wedding. The Lass of Gowrie. Young William. Date A point or period of time associated with an event in the lifecycle of the resource [1840-1850] per University of Glasgow Union Catalogue of Scottish Chapbooks Extent The size or duration of the resource. 8 pages 16 cm Description An account of the resource 43 printed at the bottom of the title-page. Woodcut #62: Illustration on title-page of a young woman wearing a hat, dress, and shawl standing before a gate. Subject The topic of the resource Ballads and songs Chapbooks - Scotland - Glasgow Contributor An entity responsible for making contributions to the resource Archival & Special Collections, University of Guelph Library, Guelph, Ontario Canada Is Referenced By A related resource that references, cites, or otherwise points to the described resource. <a title="University of Glasgow Union Catalogue of Scottish Chapbooks" href="http://special.lib.gla.ac.uk/chapbooks/search/">University of Glasgow Union Catalogue of Scottish Chapbooks&nbsp;</a> Rights Information about rights held in and over the resource In the public domain; For high quality reproductions, contact Archival & Special Collections, University of Guelph. libaspc@uoguelph.ca, 519-824-4120, Ext. 53413 Format The file format, physical medium, or dimensions of the resource JPEGs and PDF derived from master file, which was scanned from the original book in 24-bit color at 600 dpi in TIFF format using an Epson Expression 10000XL scanner. Publisher An entity responsible for making the resource available Glasgow: Printed for the Booksellers Source A related resource from which the described resource is derived Archival & Special Collections, University of Guelph Library, Guelph, Ontario # of Woodcuts: 1 Architecture: gate Bib Context: title-page Chapbook Date: 1841-1850 Chapbook Genre: ballads & songs Chapbook Publisher - Glasgow: Printed for the Booksellers Gender: woman/women Outdoor Scene https://scottishchapbooks.lib.uoguelph.ca/files/original/8b33d59d1c454deb9837c17ea3cf2d84.jpg e36ab2c78ac2524ea297a21790492630 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 3126 Width 1891 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Illustration on title-page of a young woman wearing a hat, dress, and shawl standing before a gate. https://scottishchapbooks.lib.uoguelph.ca/files/original/37d5b8073ebf2f9eb00928ceba0226c0.pdf df666593f61b9b43ddee43bf5f7383bd PDF Text Text Jim Crow. HEY FOR A LASS W F A TOCHER. MARY OF CASTLECARY. HAUD AWA FRAE M E DONALD. T H I S IS N O MY PLAID. O F A' T H E A I R T S T H E - W I N D € A N BLAW* AULD LANGSYNE. GLASGOW: PRINTED FOR THE B OOIl SELLERS. 66. �SONGS. a iA J I M CROW. I came from ole Kentucky, A long time ago, Where 1 first larned to wheel about, And jump Jim Crow. Wheel about, and turn about, and do jis so Ebry time I wheel about, I jump Jim Crow I us'd to take him fiddle, Ebry morn and afternoon, And charm de ole buzzard, And dance to de racoon. Wheel about, &c. I landed fust at Liverpool, Dat place of ships and docks, I strutted down Lord Street, And ask'd de price of stocks. Wheel about, &c. 1 paid my fare den up to town, On de coach to cut a dash De axle-tree soon gave way, And spilt us wid a smash. Wheel about, &c. �3 I lighted den upon my head, All in de nassy dirt, Dey all thought that I was dead, But I laughed and was'nt hurt. Wheel about, &e. Dis head you know am pretty tick, Cause dere it makes a hole, On de dam macadamis road, Much bigger dan a bowl. Wheel about, &c. When I got into Lunnon, Dey took me for a savage, B u t I war pretty well behaved, So I 'gaged wid Massa Davidge. Wheel about, &e. Dem young J i m Crows 'bout de streets, More like a raven rader, Pray good people don't mistake, Indeed I'm not dare fader. Wheel about, &c. Dem urchin's dat sing my song, Had better mind dar books, For any how dey can' be Crows, You see d'are only Rooks. Wheel about, &e. HEY FOR A LASS WI' A TOCHER. Awa wi' your witchcraft o' beauty's alarms, The slender bit beauty you grasp in your arms, �4 « O gie me the lass that has acres o* ctiarms, O gie me the lass wi' the weel stockit farms. Then hey for a lass wi' a tocher, Then hey for a lass wi' a tocher • Then hey For a lass wi' a tocher. The nice yellow guineas for me. Your beauty's a flower in the morning that blows, And withers the faster, the faster it grows : But the rapturous charm o' the bonny green knowes, Ilk spring they're new decked wi' bonnv white yowes. 'Then hey, &e. And e'en when this beauty your bosom has blest, The brightest o' beauty may cloy when possest; But the sweet yellow darlings wi' Geordie imprest. The langer ye hae them—the mair they're carest. Then hey, &c. MARY O F CASTLECARY. Saw ye my wee thing ? saw ye my ain thing ? SawT ye my true love down by yon lea ? Crossed she the meadow yestreen at the gloaming, Sought she the burnie wbare flowers the haw tree? Her hair it is lint-white, her skin it is milk-white, Dark is the blue o' her saft-rolling e'e, Red, red her ripe lips, and sweeter than roses, Where could my wee thing wander frae me ? I saw your ain Mary, she's frae Castlecary, I saw your ain true love down on yon lea, �5 Proud as her heart is, and modest her nature, Sweet were the kisses that she gae to me. Sair gloom'd his dark brow, blood red his cheek grew, Wild flash'd the fire frae his dark rolling e'e; Ye'll rue sair this morning your boasts and your scorning, Defend ye, fause traitor, fu' loudly ye lie! Awa wi' beguiling, cried the youth smiling, AfF went the bonnet, the lint-white locks flow, Trie belted plaid fa'ing, her white bosom shawing, Fair stood the loved maid wi' the dark-rolling e'e. Is it my wee thing? is it my ain thing? Is it my true love here that I see ? Oh, Jamie ! forgie me, your heart's constant to me, I'll never mair wander, dear laddie, frae thee ! HAUD AWA FRAE ME, DONALD. Haud awa, bide awa, Haud awa frae me, Donald ; What care I for a' your wealth, And a' that ye can gie Donald ? I wadna lea my lowland lad, For a' your goud an.' gear, Donald, Sae tak your plaid, and o'er the hill, And stay nae langer here, Donald. Haud awa, bide awa, &c. My Jamie is a gallant youth— I loe but him alane, Donald; And in bonny Scotland's isle, Like him there is nane, Donald. �Haud awa, bide awa, Haud awa frae me, Donald; What care I for a your wealth, An a' that ye can gi'e, Donald ? He wears nae plaid, nor tartan hose, Nor garters at his knee, Donald; But O he wears a faithfu' heart, And love blinks in his e'e, Donald. Sae haud awa, bide awa, Come nae mair at e'en, Donald; I wadna break my Jamie's heart, To be a Highland Queen, Donald. T H I S IS N O MY PLAID. O this is no my plaid, My plaid, my plaid, 0 this is no my plaid, Bonny though the colours be. The ground of mine was mix'd wi' blue, 1 got it frae the lad I loe; He ne'er has gi'en me cause to rue, And O the plaid was dear to me. Farewell ye lowland plaids o' grey, Nae kindly charms for me ye hae, The tartan shall be mine for aye, For O the colour's dear to me. For mine was silky, saft and warm, It wrapped me round frae arm to arm, And like mysel' it bore a charm, And O the plaid is dear to me. �7 Although the lad the plaid who wore, Is now upon a distant shore; And cruel seas between us roar, I'll mind the plaid that sheltered me. The lad that gied me't likes me wee!, Although his name I darna tell, He likes me just as weel's himsel', And O the plaid is dear to me. O may the plaidie yet be worn, By Caledonians yet unborn ; 111 fa' the wretch that e'er doth scorn, The plaidie that's sae dear to me. : mjz-gaBl bluB somZ O F A' T H E A I R T S T H E W I N D C A N B L A W , Of a' the airts the wind can blaw, I dearly loe the west, For there the bonny lassie lives, The lassie I loe best. Though wild-woods grow, and rivers row Wi' mony a hill between, Baith day and night my fancy's flight Is ever wi' my Jean. I see her in the dewy flower, Sae lovely, sweet and fair ; I hear her voice in ilka bird, Wi' music charm the air. There's no a bonnie flower that springs* By fountain, shaw, or green, N o r yet a bonny bird that sings, But minds me o' my Jean. �AULD L A N G S Y N E . Should auld acquaintance be forgot. And never brought to min' ? Should auld acquaintance be forgot, And days o' langsyne ? For auld langsyne, my dear, For auld langsyne, We'll take a cup of kindness yet, For auld langsyne. We twa hae run about the braes, And pu'd the gowans fine; But we've wander'd mony a weary foot, Since auld langsyne. For auld langsyne, &c. We twa ha'e paidel'tin the burn, Frae morning sun till dine,; But seas between us braid hae roared Sin' auld langsyne. For auld langsyne, &c. Now there's a hand my trusty frien', And gie's a hand o' thine, And we'll take a right gude wallie-waucbt. For auld langsyne. For auld langsyne, &c. And surely yell be your pfint-stoup, As sure as I'll be mine, And we'll take a cup o kindness yet, For auld ladgsyne. For auld langsyne, &c. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Woodcut 062: Title-page illustration of a young woman wearing a hat, dress, and shawl standing before a gate. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Jim Crow. Hey for a Lass Wi' a Tocher. Mary of Castlecary. Haud Awa Frae Me Donald. This is No My Plaid. Of A' The Airts The Wind Can Blaw. Auld Langsyne. Identifier An unambiguous reference to the resource within a given context <a href="https://ocul-gue.primo.exlibrisgroup.com/permalink/01OCUL_GUE/mrqn4e/alma9923344533505154">s0362b23</a> Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Hey for a Lass Wi' a Tocher. Mary of Castlecary. Haud Awa Frae Me Donald. This is No My Plaid. Of A' The Airts The Wind Can Blaw. Auld Langsyne. Date A point or period of time associated with an event in the lifecycle of the resource [1840-1850?] per National Library of Scotland Extent The size or duration of the resource. 8 pages 16 cm Description An account of the resource Woodcut #62: Illustration on title-page of a young woman wearing a hat, dress, and shawl standing before a gate. 66 is printed at the bottom of the title-page. Contributor An entity responsible for making contributions to the resource Archival and Special Collections, University of Guelph Library, Guelph, Ontario, Canada Is Referenced By A related resource that references, cites, or otherwise points to the described resource. <a title="National Library of Scotland" href="http://www.nls.uk/">National Library of Scotland&nbsp;</a> Rights Information about rights held in and over the resource In the public domain; For high quality reproductions, contact Archival & Special Collections, University of Guelph. libaspc@uoguelph.ca, 519-824-4120, Ext. 53413 Format The file format, physical medium, or dimensions of the resource JPEGs and PDF derived from master file, which was scanned from the original book in 24-bit color at 600 dpi in TIFF format using an Epson Expression 10000XL scanner. Publisher An entity responsible for making the resource available Glasgow: Printed for the Booksellers Type The nature or genre of the resource ballads & songs Subject The topic of the resource Chapbooks - Scotland - Glasgow Courtship and Marriage Source A related resource from which the described resource is derived Archival & Special Collections, University of Guelph Library, Guelph, Ontario # of Woodcuts: 1 Architecture: gate Bib Context: title-page Chapbook Date: 1841-1850 Chapbook Genre: ballads & songs Chapbook Publisher - Glasgow: Printed for the Booksellers Gender: woman/women Outdoor Scene https://scottishchapbooks.lib.uoguelph.ca/files/original/e950dd15eccdecbf505e4eb6e980c820.pdf c230c361af084e43c002b7b6692126f9 https://scottishchapbooks.lib.uoguelph.ca/files/original/aca72498f0faabf2c741959e32768cd8.jpg 145a52413c5be41f987b556cd0b0325e Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. 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For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Woodcut 062: Title-page illustration of a young woman wearing a hat, dress, and shawl standing before a gate. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Tragical History of Jane Arnold, Commonly called Crazy Jane; and Mr. Henry Percival; Giving an account of their birth, parentage, courtship, and melancholy end. Identifier An unambiguous reference to the resource within a given context <a href="https://ocul-gue.primo.exlibrisgroup.com/permalink/01OCUL_GUE/mrqn4e/alma9953133973505154">s0042b27</a> <a href="https://ocul-gue.primo.exlibrisgroup.com/permalink/01OCUL_GUE/mrqn4e/alma9953134493505154">s0231b06</a> <a href="https://ocul-gue.primo.exlibrisgroup.com/permalink/01OCUL_GUE/mrqn4e/alma9953133963505154">s0098b48</a> Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. History of Crazy Jane. Jonathan's hunting excursion. Holding one's own. An American jury. Sweets of liberty. An Irish coachman gaining his first place. No wish to intrude. Scene in a school-room. Date A point or period of time associated with an event in the lifecycle of the resource 1840-1850 per National Library of Scotland Extent The size or duration of the resource. 24 pages Is Part Of A related resource in which the described resource is physically or logically included. Chapbook #5 in a bound collection of 20 chapbooks (s0231b06) Chapbook #15 in a bound collection of 34 chapbooks (s0098b48) Chapbook #31 in bound collection of 37 chapbooks (s0042b27) Description An account of the resource 71 printed at the bottom of the title-page. Woodcut #62: Illustration on title-page of a young woman wearing a hat, dress, and shawl standing before a gate. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Wiltshire, England Subject The topic of the resource Courtship and Marriage Crime Chapbooks - Scotland - Glasgow Supernatural Is Referenced By A related resource that references, cites, or otherwise points to the described resource. <a title="National Library of Scotland" href="http://www.nls.uk/">National Library of Scotland&nbsp;</a> Contributor An entity responsible for making contributions to the resource Archival and Special Collections, University of Guelph Library, Guelph, Ontario, Canada Rights Information about rights held in and over the resource In the public domain; For high quality reproductions, contact Archival & Special Collections, University of Guelph. libaspc@uoguelph.ca, 519-824-4120, Ext. 53413 Abstract A summary of the resource. This chapbook provides a moral tale that advises young women to be wary of the promises of young men by describing the potential dangers of giving up one’s virtue before marriage. The story describes the courtship of the beautiful and virtuous Jane Arnold by the deceptive Henry Percival, who seduces her with promises of love and marriage. She eventually succumbs to his deceptions and gives up her virtue, only to be strung along with more promises until he finally abandons her altogether to make his fortune in the West Indies. These tragic events cause her to miscarriage and lose her sanity. When Henry’s deceptions become known to both families, Henry is disowned and disinherited, while Jane continues to be doomed to madness until she eventually dies, presumably of a broken heart. Years later, Henry returns, haunted by regrets of what he had done to Jane, as well as by the ghost of Jane herself, until he eventually commits suicide. The tale concludes with a brief reminder to all young lovers of the tragic end awaiting all such couples who fail to wait for marriage. The tale itself is followed by seven short, humorous anecdotes. Format The file format, physical medium, or dimensions of the resource JPEGs and PDF derived from master file, which was scanned from the original book in 24-bit color at 600 dpi in TIFF format using an Epson Expression 10000XL scanner. Publisher An entity responsible for making the resource available Glasgow: Printed for the Booksellers Source A related resource from which the described resource is derived Archival & Special Collections, University of Guelph Library, Guelph, Ontario Type The nature or genre of the resource moral tales # of Woodcuts: 1 Architecture: gate Bib Context: title-page Chapbook Date: 1841-1850 Chapbook Genre: religion & morals Chapbook Publisher - Glasgow: Printed for the Booksellers Gender: woman/women Outdoor Scene https://scottishchapbooks.lib.uoguelph.ca/files/original/50e1914db4086314050ef791f67a80d1.pdf 23da119633cc159704c65a9117cd444d PDF Text Text THREE Excellent Songs. BONNY B A R B A R A ALLAN. SIR PATRICK SPENCE. LORD JOHN'S MURDER. GLASGOW: PRINTED FOR THE BOOKSELLERS. 22. �S O N G S . BONNY B A R B A R A ALLAN. I was in and about the Martinmas time, When the green leaves were a falling, That Sir John Graeme in the west countrie Fell in love with Barbara Allan. He sent his man down thro the town, To the place where she was dwelling: O haste and cum to my master dear, Gin ye be Barbara Allan. O hooly, hooly rose she up, To the place where he was lying, And when she drew the curtin by, Young man, I think youre dying. O its I'm sick, and very very sick, And 'tis a' for Barbara Allan. O the better for me ye's never be, Tho your heart's blood were a spilling. O dinna ye mind, young man, said she, When ye was in the tavern a drinking, That ye made the healths gae round and round, And slighted Barbara Allan. �m He turn'd his face into the wa', And death was with him dealing, Adieu, adieu, my dear friends a' And be kind to Barbara* Allan. And slowly, slowly raise she up, ; And slowly, slowly left him"; And sighing, said she cou'd not stay, Since death of life had reft him. She had nae gane a mile but; twa, When she heard the deid-bell ringuag, And ey'ry jow that the deid-bell geid. It cry'd, woe to Barbara Allan! 0 mother, mother, mak my bed, 0 mak it saft and narrow ; Since my luve died for me to-day I'll die for him to morrow. 1 SIR PATRICK SPEN'CE. " The king sits in Dunfermlin town, Sae merrily drinkm' the wine r "Whar will I get<a mariner. Will sail this ship o/ mine ?" Then up bespak a bonnie boy, Sat just at the king's kf*@e; " Sir Patrick Spenee is the- best seamaa That e'er set foot on sea." �4 The king has written a braid letter, Seal'd it wi' his ain hand ; He has sent word to Sir Patrick, To come at his command. " O wha is this, or wha is that, Has tald the king o' me? For I was never a good seaman, Nor ever intend to be." " Be't wind, be't weet, be't snaw, be't sleet, Our ships maun sail the morn." " Ever alack ! my master dear, For I fear a deadly storm." They mounted sail on Munenday morn Wi' a' the haste they may ; And they hae landed in Norraway, Upon the Wednesday. They hadna been a month, a month In Norraway but three, Till lads o' Norraway began to say, " Ye spend a' our white monie. " Ye spend a' our good king's gowd, But and our queen's fee.'' "Ye lie, ye lie, ye liars loud, Sae weel's I hear you lie ; " For I brought as much white monie As will gain my men and me : I brought half a fou o' good red gowd But ower the sea wi' me." �5 " Be't wind or weet, be't snaw or sleet, Our ships maun sail the morn." "Oever lack! my master clear, I fear a deadly storm." " I saw the new moon late yestreen, Wi' the auld moon in her arm ; And if we gang to sea, master, I fear we'll suffer harm," They hadna sail'd a league on sea, A league but barely ane, Till anchors brak, and tapraasts lap There cam a deadly storm. " Whar will I get a bonnie boy Will tak thir sails in hand ; That will gang up to the tapmast, See an he ken dry land?" Laith, laith were our good Scots lords To weet their leather shoon ; But ere the morn, at fair day-light. Their hats were wat aboon. Mony was the feather-bed That flotter'd on the faem ; And mony was the good Scots lord Gaed awa that ne'er cam hame ; And mony was the fatherless bairn That lay at hame greetin. Tis forty miles to Aberdeen, And fifty fathoms deep ; �6 And there lyes a' our good Scots lords, Wi' Sir Patrick at their feet. The ladies wrung their hands sae white, The maidens tore their hair,— A' for the sake o' their true loves For them they'll see nae mair. Lang lang may our ladies stand Wi' their fans in their hand, Ere they see Sir Patrick and his men Come sailing to dry land. LORD JOHN'S MURDER, Lord John stands in his stable door, Says he, I will gae ride ; His lady, in her bigly bower, Desired him to bide. " How can I bide, how can I bide? How shall I bide wi' thee ?.. When I hae kill'd your ae brother You hae nae mair but he. " If ye hae kill'd my ae brother, Alas! and wae is me ; If ye be weel yoursel, my love, The less matter will it be ! " Ye'll go you to yon bigly bower, And take a silent sleep, And I'll watch in my highest tower, Your fair body to keep. �7 She has shut her bigly bower, All wi' a silver pin ; And gone her to the highest tower, To watch that nane come in. But as she looked round about, To see what she could see, There she saw nine armed knights Come riding o'er the lea. " God mak you safe and free, lady, God mak you safe and free! Did you see a bluidy knight Come riding o'er the lea ?" " O what like was his hawk, his hawk? And what like was his hound? If his steed has ridden well, He's pass'd fair Scotland's strand, "Gome in, come in, gude gentlemen, And tak white bread and wine ; And aye the better ye'll pursue, The lighter that ye dine." " We thank you for your bread, lady, We thank you for the wine ; And I would gie my lands sae broad, Your fair body were mine." She has gane to her bigly bower, Her ain gude lord to meet; A trusty brand he quickly drew, Gae her a wound sae deep. �8 " What harm, my lord, provokes thine ire, To wreak itself on me, When thus I strove to save thy life, Yet served for sic a fee?" " Ohon, alas! my lady gay, To come so hastilie ; I thought it was my deadly foe, Ye had trysted into me." "Olive, O live, my gay lady, The space o' ae half hour, And nae a leech in a' the land But I'se bring to your bower." " How can I live, how shall I live ? How can I live for thee ? Ye see my bluid rins on the ground, My heart's bluid by your knee." " O tak to flight, and flee, my love, O tak to flight, and flee! I wouldna wish your fair body For to get harm for me." " Ae foot I winna flee, lady, Ae foot I winna flee; I've dune the crime worthy o' death, It's right that I should die. "Odeal ye well at my love's lyke, The beer but an' the wine ; For, ere the morn, at this same time, Ye'll deal the same at mine.'' � https://scottishchapbooks.lib.uoguelph.ca/files/original/31e70d5247f0c9c32d88ca0dbacc932a.jpg 23cebd81df7edc6de56857746b88a7f8 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 3190 Width 1772 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Illustration on title-page of a young woman wearing a hat, dress, and shawl standing before a gate. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Woodcut 062: Title-page illustration of a young woman wearing a hat, dress, and shawl standing before a gate. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Three Excellent Songs. Bonny Barbara Allan. Sir Patrick Spence. Lord John's Murder. Identifier An unambiguous reference to the resource within a given context <a href="https://ocul-gue.primo.exlibrisgroup.com/permalink/01OCUL_GUE/mrqn4e/alma9923429073505154">s0106b36</a> Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Bonny Barbara Allan Sir Patrick Spence Lord John's Murder Abstract A summary of the resource. A collection of ballads and songs, all featuring certain lords in Scotland. In the first, Sir John Graeme falls sick with love for Barbara Allan, but when she visits him, she rejects him due to a slight he had given her once. Consequently, the young man dies and she goes home declaring that she would die herself on the next day since her lover had died for her. In the second, the king nominates Sir Patrick Spence to sail his vessels, even though the man declares that he has no knowledge of the sea. After spending three months in Norway, Sir Patrick and his men are kicked out, whereupon they sink in a storm on their way back to Scotland. In the last, a lord kills his wife’s brother and tries to flee. Regardless, the wife convinces him to stay and vows to protect him. When the dead man’s kin come hunting the killer, she welcomes them and entertains them while her lover hides, but when she visits him later that evening, he mistakes her for his enemies and stabs her, whereupon he declares he will gladly die himself the next day. Date A point or period of time associated with an event in the lifecycle of the resource 1840-1850 per University of Glasgow Union Catalogue of Scottish Chapbooks Description An account of the resource 22 printed at bottom of title-page Woodcut #62: Illustration on title-page of a young woman wearing a hat, dress, and shawl standing before a gate. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Norway Scotland Subject The topic of the resource Courtship and Marriage Crime Chapbooks - Scotland - Glasgow Is Referenced By A related resource that references, cites, or otherwise points to the described resource. University of Glasgow Union Catalogue of Scottish Chapbooks <a title="University of Glasgow Union Catalogue of Scottish Chapbooks" href="http://special.lib.gla.ac.uk/chapbooks/search/" target="_blank" rel="noopener">http://special.lib.gla.ac.uk/chapbooks/search/</a> Extent The size or duration of the resource. 8 pages 16 cm Contributor An entity responsible for making contributions to the resource Archival and Special Collections, University of Guelph Library, Guelph, Ontario, Canada Rights Information about rights held in and over the resource In the public domain; For high quality reproductions, contact Archival & Special Collections, University of Guelph. libaspc@uoguelph.ca, 519-824-4120, Ext. 53413 Language A language of the resource English Format The file format, physical medium, or dimensions of the resource JPEGs and PDF derived from master file, which was scanned from the original book in 24-bit color at 600 dpi in TIFF format using an Epson Expression 10000XL scanner. Publisher An entity responsible for making the resource available Glasgow: Printed for the Booksellers Source A related resource from which the described resource is derived Archival & Special Collections, University of Guelph Library, Guelph, Ontario Type The nature or genre of the resource ballads & songs # of Woodcuts: 1 Architecture: gate Bib Context: title-page Chapbook Date: 1841-1850 Chapbook Genre: ballads & songs Chapbook Publisher - Glasgow: Printed for the Booksellers Fashion (Clothing): working class Gender: woman/women Outdoor Scene https://scottishchapbooks.lib.uoguelph.ca/files/original/83d08deb6d2d162b3dbe5405558b434a.jpg 70fd73400ca40d59370edbe430943551 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 3252 Width 1772 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Woodcut on title-page portraying a girl holding a flower standing between two pillars with flowers in vases on top. Large house in the background https://scottishchapbooks.lib.uoguelph.ca/files/original/a9919d36342f115a750230ac77ec4d12.pdf 4e5edb62e81ee9afe21346e85815a4ae Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Woodcut 005: Title-page illustration in a single-ruled rectangular border of a girl holding a flower standing between two pillars in an outdoor scene. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Six Songs. Braes of Galloway. Mine ain Dear Somebody. Oh! Send me Lewis Gordon hame. Bonny Winsome Mary. Why Unite to Banish Care. Wat Ye Wha's in Yon Town. Identifier An unambiguous reference to the resource within a given context <a href="https://ocul-gue.primo.exlibrisgroup.com/permalink/01OCUL_GUE/mrqn4e/alma9953134473505154">s0100b01</a> Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Braes of Galloway. Mine ain Dear Somebody. Oh! Send me Lewis Gordon hame. Bonny Winsome Mary. Why Unite to Banish Care. Wat Ye Wha's in Yon Town. Date A point or period of time associated with an event in the lifecycle of the resource 1820-1837 per National Library of Scotland Extent The size or duration of the resource. 8 pages Is Part Of A related resource in which the described resource is physically or logically included. Chapbook #71 in a bound collection of 77 chapbooks Description An account of the resource No. 6. printed at the top of the title-page. Woodcut #05: Illustration on title-page of a girl holding a flower standing between two pillars in an outdoor scene. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Galloway, Scotland Is Referenced By A related resource that references, cites, or otherwise points to the described resource. National Library of Scotland <a title="National Library of Scotland" href="http://www.nls.uk/" target="_blank" rel="noopener">http://www.nls.uk/</a> Contributor An entity responsible for making contributions to the resource Archival and Special Collections, University of Guelph Library, Guelph, Ontario, Canada Format The file format, physical medium, or dimensions of the resource JPEGs and PDF derived from master file, which was scanned from the original book in 24-bit color at 600 dpi in TIFF format using an Epson Expression 10000XL scanner. Rights Information about rights held in and over the resource In the public domain; For higher quality reproductions, contact Archival & Special Collections, University of Guelph. libaspc@uoguelph.ca 519-824-4120, Ext. 53413 Subject The topic of the resource Chapbooks -- Scotland -- Newton Stewart Source A related resource from which the described resource is derived Archival & Special Collections, University of Guelph Library, Guelph, Ontario Publisher An entity responsible for making the resource available Newton-Stewart: J. McNairn Type The nature or genre of the resource ballads & songs # of Woodcuts: 1 Architecture: gate Architecture: house Bib Context: title-page Chapbook Date: 1821-1830 Chapbook Genre: ballads & songs Chapbook Publisher - Newton-Stewart: J. McNairn Fashion (Clothing): bloomers Fashion (Clothing): children's clothes Fashion (Clothing): dress Fashion (Clothing): stockings Fashion (Clothing): upper class Gender: girl(s) Outdoor Scene https://scottishchapbooks.lib.uoguelph.ca/files/original/d148846335e1987f48d66b96df1ddac3.jpg 1538cf0da4c74eab489d08c299c66d20 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 3018 Width 1714 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Woodcut on title-page portraying a girl holding a flower standing between two pillars with flowers in vases on top. Large house in the background https://scottishchapbooks.lib.uoguelph.ca/files/original/14749013fc1fddcbacb9ea767ba255d4.pdf 3a1edca03c89edaa4c82ea7a7e9365f2 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Woodcut 005: Title-page illustration in a single-ruled rectangular border of a girl holding a flower standing between two pillars in an outdoor scene. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Six Excellent Songs. Farewell. Drucken Jenny Din. The Gallant Weaver. John Anderson My Jo. The Nightingale. Scotland's Hills for me. Identifier An unambiguous reference to the resource within a given context <a href="https://ocul-gue.primo.exlibrisgroup.com/permalink/01OCUL_GUE/mrqn4e/alma9953134473505154">s0100b01</a> Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Farewell. Drucken Jenny Din. The Gallant Weaver. John Anderson My Jo. The Nightingale. Scotland's Hills for me. Date A point or period of time associated with an event in the lifecycle of the resource 1820-1837 per University of Glasgow Union Catalogue of Scottish Chapbooks Extent The size or duration of the resource. 8 pages Is Part Of A related resource in which the described resource is physically or logically included. Chapbook #61 in a bound collection of 77 chapbooks Is Referenced By A related resource that references, cites, or otherwise points to the described resource. University of Glasgow Union Catalogue of Scottish Chapbooks <a title="University of Glasgow Union Catalogue of Scottish Chapbooks" href="http://special.lib.gla.ac.uk/chapbooks/search/" target="_blank" rel="noopener">http://special.lib.gla.ac.uk/chapbooks/search/</a> Contributor An entity responsible for making contributions to the resource Archival and Special Collections, University of Guelph Library, Guelph, Ontario, Canada Format The file format, physical medium, or dimensions of the resource JPEGs and PDF derived from master file, which was scanned from the original book in 24-bit color at 600 dpi in TIFF format using an Epson Expression 10000XL scanner. Rights Information about rights held in and over the resource In the public domain; For higher quality reproductions, contact Archival & Special Collections, University of Guelph. libaspc@uoguelph.ca 519-824-4120, Ext. 53413 Subject The topic of the resource Alcohol Chapbooks -- Scotland -- Newton Stewart Source A related resource from which the described resource is derived Archival & Special Collections, University of Guelph Library, Guelph, Ontario Publisher An entity responsible for making the resource available Newton-Stewart: J. McNairn Type The nature or genre of the resource ballads & songs Description An account of the resource Woodcut #05: Illustration on title-page of a girl holding a flower standing between two pillars in an outdoor scene. # of Woodcuts: 1 Architecture: gate Architecture: house Bib Context: title-page Chapbook Date: 1821-1830 Chapbook Genre: ballads & songs Chapbook Publisher - Newton-Stewart: J. McNairn Fashion (Clothing): bloomers Fashion (Clothing): children's clothes Fashion (Clothing): dress Fashion (Clothing): stockings Fashion (Clothing): upper class Gender: girl(s) Outdoor Scene https://scottishchapbooks.lib.uoguelph.ca/files/original/c4d10864343bcf20f613b7d79571665c.jpg c6a74b2d09715180579803ae17e64656 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 3072 Width 1900 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Woodcut on title-page portraying a girl holding a flower standing between two pillars with flowers in vases on top. Large house in the background https://scottishchapbooks.lib.uoguelph.ca/files/original/cdf586da5e2115a512d7a253336b1fd4.pdf a9f7dd0e4f79338101c5cc0027484ded PDF Text Text SIX EXCELLENT § © W ® S, CLARINDA. THE HIGHLAND PLAID. v M U S I N G O N T H E R O A R I N G OCEANL A RED, RED ROSE; THE YOUNG HIGHLAND 'Jtm&m^ ' A MOTHER'S L A M E N T FOR T H E .DEATH O F H E R SON. 3tfi g^aua ^ b s r f a w l l a o s r l r ^ s a i l a w fisiil NE WTOmSTJEWART PRINTED, AND RETAIL SOLD : WHOLESALE B Y J. M ' N A i R i N t AND �THE HIGHLAND PLAID, L O W L A N D lassie, wilt thou go Where the hills are clad wi' snow; Where beneath the icy steep, The hardy "shepherd tends his sheep? Ill nor wae ahall thee betide, When row'd within my Highland plaid. Soon the voice of cheery spring Will gar a' our plantings ring ; Soon our bonny heather braes Will put on their simmer claes; On the"xnontain's sunny side, We'll lean us on my Highland plaid. When the simmer spreads the flower's Busk's the glen in leafy bowr's, Then we'll seek thee caller shade, Lean uspn the primrose bed: While the burning hours preside. I'll screen thee wi' my Highland plaid, �M Then we'll leave the sheep and goat, I will launch the honnv boat, Skim the loch wi' canty glee, Rest the oars to pleasure thee ; When chily breezes sweep ,the tide, I'll hap thee wi' my Highland p! aid. Lowland lads may dress mair fin^ .q W o o in words mair saft than mine; Lowland ladshaemair of art, A ' my boast's an honest heart, .V'H) ^fTJW ?fB98 Dili £ LliT Whilk shall ever be my pride; O row thee in my Highland plaid. :hjjh oili 'iw ilslfri bjBoi (nit bnA Bonny lad, ye've been sae leal, M v heart would break at our farewell; Lang your love has made me fain, Take me, take me for your ain! 'Cross the Frith, away then glide, Young Dor,aid and his Lowland bridev>vor yr;i ,nrB|s smo'j (lift I bnA VtuUfifoffa isbt o v m ti 'otfT �A RED, R E D ROSE: O my luve's like a red, red rose. That's newly sprung in June. I 0 my love's like tlie melodie That's sweetly play'd in tune. As fair art tliou, my bonnielass, So deep in hive am I ; And 1 will luve thee still my dear, ! Till i a' the seas gang dry. T i l l a' the seas gang dry, my dear, And the rocks melt wi' the sun; 1 will love thee still my dear, While the sands o' life shall run. And fare thee weel? my only luve, And fare thee weel, a while! And I will come again, my luve, Tho' it vere ten thousand mile, �5 CLAIiiNDAo Clarinda, mistress of my soul, The measured time is run! The wretch beneath the dreary pole. So marks his latest sun. T o what dark cave of frozen night Shall poor Sylvander hie; Depr'v'd of thee, his life and light. The sun of all his joy. W e part,—but by these precious drops ; That fill thy lovely eyes! No other light shall guide my steps. Till thy bright beams arise. '• ' 1 ,^'OfJ ffijfel -JrM W She, the fair sun of all her sex, Has blest my glorious day : And shall a glimmering planet fix M y worship to its ray? n7'J �Q A MOTHER'S L A M E N T FOR OF I i E R SON, Fate gave the word, the i THE I)EAT] < ntekn ^ i^sped^ ^ And pierc'dmy darlings heart : And with him all the joys are fled Life can to me impart. B y cruel hands the sapling drops, In dust dishonour,d laid: So fell the pride of all my hopes, M y age's future shade. <1 The mother linnet in the brake Bewails her ravished young ; So I, for my lost daring's sake, Lament the live-day long. [di Uh teilT rH^il ledio o rid vdi ffiT Death oft I've fear'd thy fatal blow, Now, fond I bare my breast, O do thou kindly lay me low With him I love at rest! (ax tsold eell raib 8 fhsda Im i �THE YOUNG H I G H L A N D ROVER* Loud blaw the fi osty breezes, The snows the mountains cover ; Like winter on me seizes, Since my young highland rover Far wanders nations over. Where'er he go, where'er he stray, May Heaven be his warden : Return him safe to fair Strathspey, And bonnie Castle-Gordon. The trees now naked groaning, Shall soon wi' leaves be hinging, The birdies dowie moaning, Shall a' be blythely singing, And every (lower be springing. Sae I'll rejoice the lee*lang d ay, When by his mighty warden M y youth's returned to fair Strathspey, And bonnie Castle-Gordon. �MUSING ON T H E R O A R I N G OCEAN. Musing on the roaring ocean, Which divides my love and m e ; Wearying heaven in warm devotion, 9iUj For his weal where'er he be. Hope and fear's alternate billow Yielding late to nature's law, Whisp'ring spirits round my pillow Talk of him that's far awa. *:.. ' Ot'-i' * (Oil'. : il j'.l Ye whom sorrow never wounded, Ye who never shed a tear, Care-untroubled, joy-surrounded ? Gaudy day to you is dear. Gentle night do thou befriend me : Downy sleep the curtain draw; Spirits kind, again attend me, Talk of him that's far awa, , i v. '§i:ra r^i oi bwwtei . 1 yd rod'// tiliaoy yrV tes/J oidwd hik � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Woodcut 005: Title-page illustration in a single-ruled rectangular border of a girl holding a flower standing between two pillars in an outdoor scene. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Six Excellent Songs. Clarinda. The Highland Plaid. Musing on the Roaring Ocean. A Red, Red Rose. The Young Highland Rover. A Mother's Lament for the Death of her Son. Identifier An unambiguous reference to the resource within a given context <a href="https://ocul-gue.primo.exlibrisgroup.com/permalink/01OCUL_GUE/mrqn4e/alma9953134473505154">s0100b01</a> Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Clarinda. The Highland Plaid. Musing on the Roaring Ocean. . A Red, Red Rose. The Young Highland Rover. A Mother's Lament for the Death of her Son Date A point or period of time associated with an event in the lifecycle of the resource 1820-1837 per University of Glasgow Union Catalogue of Scottish Chapbooks Extent The size or duration of the resource. 8 pages Is Part Of A related resource in which the described resource is physically or logically included. Chapbook #5 in a bound collection of 77 chapbooks Is Referenced By A related resource that references, cites, or otherwise points to the described resource. University of Glasgow Union Catalogue of Scottish Chapbooks <a title="University of Glasgow Union Catalogue of Scottish Chapbooks" href="http://special.lib.gla.ac.uk/chapbooks/search/" target="_blank" rel="noopener">http://special.lib.gla.ac.uk/chapbooks/search/</a> Contributor An entity responsible for making contributions to the resource Archival and Special Collections, University of Guelph Library, Guelph, Ontario, Canada Format The file format, physical medium, or dimensions of the resource JPEGs and PDF derived from master file, which was scanned from the original book in 24-bit color at 600 dpi in TIFF format using an Epson Expression 10000XL scanner. Rights Information about rights held in and over the resource In the public domain; For higher quality reproductions, contact Archival & Special Collections, University of Guelph. libaspc@uoguelph.ca 519-824-4120, Ext. 53413 Subject The topic of the resource Chapbooks -- Scotland -- Newton Stewart Highlands Source A related resource from which the described resource is derived Archival & Special Collections, University of Guelph Library, Guelph, Ontario Publisher An entity responsible for making the resource available Newton-Stewart: J. McNairn Type The nature or genre of the resource ballads & songs Description An account of the resource Woodcut #05: Illustration on title-page of a girl holding a flower standing between two pillars in an outdoor scene. # of Woodcuts: 1 Architecture: gate Architecture: house Chapbook Date: 1821-1830 Chapbook Genre: ballads & songs Chapbook Publisher - Newton-Stewart: J. McNairn Fashion (Clothing): bloomers Fashion (Clothing): children's clothes Fashion (Clothing): dress Fashion (Clothing): stockings Fashion (Clothing): upper class Gender: girl(s) Outdoor Scene https://scottishchapbooks.lib.uoguelph.ca/files/original/d740d171fe0226023c4cac9bac9acf9b.jpg d2bf86ffed90e58abfc1669cce26e970 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 3426 Width 1890 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Woodcut on title-page portraying a girl holding a flower standing between two pillars with flowers in vases on top. Large house in the background https://scottishchapbooks.lib.uoguelph.ca/files/original/87ce8154b113c2438b5f4b399cda58d7.pdf d447397d5e9b6be4cb997324306ba0ab PDF Text Text Seven Excellent SONGS. The year that's awa. Blue Bonnets over the Border. The Laird o' Cockpen. Jock o' Hazeldean. Pity and protect the Slave. Hurrah for the bonnets of blue. Here's a health to all good lasses—A Glee. NEWTON-STEWART : Printed and Sold, Wholesale and Retail, BY J. M ' N A I R N . �THE YEAR THAT'S AWA. Oh ! here's to the year that's awa, We'll drink it in strong and in sma ; And here's to the bonnie young lassie we loe'd, While swift flew the year that's awa. And here's to the, &c. And here's to the soldier wha bled, To the sailor wha bravely did fa' ; Their fame is alive tho' their spirits are fled On the wings of the year that's awa. Their fame is alive, &c. And here's to the friend we can trust. When the storms of adversity blaw ; May he join in our song, and lie nearest our heart, Nor depart like the year that's awa. May he join in, &c. BLUE BONNETS OVER THE BORDER March, march, Ettrick and Tivotdale : Why, my lads, dinna ye march forward in order ? March, march, Eskdale and Liddesdale ; All the blue bonnets are over the border, �3 Many a banner spread, Flutters above your head, Many a crest that is famous in story ; Mount and make ready then, Sons of the mountain glen, [glory. Fight for your Queen and your old Scotish Come from the hills where your hirsels are grazing ; Come from the glen of the buck and the roe ; Come to the craig where the beacon is blazing ; Come with the buckler the lance and the bow. Trumpets are sounding, War-steeds are bounding;--[order, Stand to your arms and march in good orEngland shall many a day Tell of the bloody fray, When the blue bonnets came over the border. T H E LAIRD O' COCKPEN. The Laird o' Cockpen he's proud and he's great ; His mind is taen up wi' things o' the state. �4 He wanted a wife his braw house to keep, But favour wi wooin' was fashous to seek. Doun by the dyke-side a lady did dwell, At his table-head he thought she'd look well M'Clish's ae dochter o' Claverseha Lee, A pennyless lass, wi a lang pedigree. His wig was weel pouthered, as guid as when new, His waistcoat was white, his coat It was blue, He put on a ring, a sword and cocked hat, And wha could refuse the Laird wi a that? He took the gray mare and rade cannily ; An' rapped at the yett o' Claverseha Lee, " G a e tell Mistress Jean to come speedly ben ; She's wanted to speak to the Laird o' Cockpen." Mistress Jean was makin' the elder-flower wine— "An' what brings the Laird at sic a like time ?" She pat aff her apron an' on her silk gown, Her mutch wi' red ribbons an' gaed awa down. �5 An' when she came ben he boued fu' low ; An' what was his errand he soon let her know. Amazed was the Laird, when the lady said—"Na !" An' wi a laigh courtly she turned awa. Dumfundered he was—but nae sigh did he gie ; He mounted his mare and rade cannily : An' aften he thocht as he gaed through the glen, "She's daft to refuse the Laird o' Cockpen." Near to the house amang the lang trees, There did he meet sweet Jeanie Greenlees. She sits at his table like a white tappet hen. — Thus ended the courtships o' the Laird o' Cockpen. JOCK O' HAZELDEAN. "Whyweep ye by the tide lady ? Why weep ye by the tide ? I'll wed ye to my youngest son, And ye sall be his bride. �6 And ye sall be his bride, lady, Sae comely to be seen:" — But aye she loot the tears down fa' For Jock o' Hazeldean. "Now let this wilful grief be done, And dry that cheek so pale ; Young Frank is chief of Errington, And Lord of Langley dale. His step is first in peaceful ha', His sword in battle keen:" — But aye she loot the tears down fa' For Jock o' Hazeldean. "A chain of gold ye sall not lack, Nor braid to bind your hair, Nor mettled hound, nor managed hawk, Nor palfrey fresh and fair. And you the foremost o' them a' Shall ride our forest queen:"--But aye she loot the tears down fa' For Jock o' Hazeldean. The kirk was decked at morning tide The tapers glimmered fair— The priest and bridegroom wait the bride, And dame and knight are there. They sought her both by bower and ha'-— The lady was not seen :— She's o'er the border and awa Wi' Jock o' Hazeldean. �7 PITY AND PROTECT THE SLAVE Sons of freedom ! hear my story, Mercy well becomes the brave, Humanity is Britain's glory — Pity and protect the slave ! Free-born daughters ! who possessing Eyes that conquer, hearts that save, Greet me with a sister's blessing— Oh ! pity and protect the slave ! HURRAH FOR THE BONNETS OF BLUE. Here's a health to them that's awa, Here's a health to them that's awa, And wha winna wish guid luck to our cause, May never guid luck be their fa'. It's guid to be merry and wise, It's guid to be honest and true, It's guid to support Caledonia's cause, And bide by the bonnets of blue. Hurrah for the bonnets of blue, Hurrah for the bonnets of blue. It's guid to support Caledonia's cause, And bide by the bonnets of blue. �8 Here's a health to them that's awa, Here's a health to them that's awa, Here's a health to Charlie the chief o' the clan, Although that his band be sae sma'. Here's freedom to them that would read, Here's freedom to them that would write, There's nane ever fear'd that the truth should be heard, But they whom the truth wad indite. Hurrah for the bonnets of blue, Hurrah for the bonnets of blue, It's guid to be wise, to be honest and true, And bide by the bonnets of blue. HERE'S A HEALTH TO ALL GOOD LASSES. A Glee Heres' a health to all good lasses, Pledge it merrily fill your glasses, Let a bumper toast go round ! May they lead a life of pleasure, Without mixture, without measure, For with them true joys are found. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Woodcut 005: Title-page illustration in a single-ruled rectangular border of a girl holding a flower standing between two pillars in an outdoor scene. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Seven Excellent Songs. The year that's awa. Blue Bonnets over the Border. The Laird o 'Cockpen. Jock o' Hazeldean. Pity and protect the Slave. Hurrah for the bonnets of blue. Here's a health to all good lasses-A Glee. Identifier An unambiguous reference to the resource within a given context <a href="https://ocul-gue.primo.exlibrisgroup.com/permalink/01OCUL_GUE/mrqn4e/alma9953134473505154">s0100b01</a> Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. The year that's awa. Blue Bonnets over the Border. The Laird o 'Cockpen. Jock o' Hazeldean. Pity and protect the Slave. Hurrah for the bonnets of blue. Here's a health to all good lasses-A Glee Contributor An entity responsible for making contributions to the resource Archival and Special Collections, University of Guelph Library, Guelph, Ontario, Canada Rights Information about rights held in and over the resource In the public domain; For high quality reproductions, contact Archival & Special Collections, University of Guelph. libaspc@uoguelph.ca, 519-824-4120, Ext. 53413 Date A point or period of time associated with an event in the lifecycle of the resource [1820-1837?] per University of Glasgow Union Catalogue of Scottish Chapbooks Extent The size or duration of the resource. 8 pages Is Part Of A related resource in which the described resource is physically or logically included. Chapbook #65 in a bound collection of 77 chapbooks Is Referenced By A related resource that references, cites, or otherwise points to the described resource. University of Glasgow Union Catalogue of Scottish Chapbooks <a title="http://special.lib.gla.ac.uk/chapbooks/search/" href="http://special.lib.gla.ac.uk/chapbooks/search/" target="_blank" rel="noopener">http://special.lib.gla.ac.uk/chapbooks/search/</a> Format The file format, physical medium, or dimensions of the resource JPEGs and PDF derived from master file, which was scanned from the original book in 24-bit color at 600 dpi in TIFF format using an Epson Expression 10000XL scanner. Subject The topic of the resource Chapbooks -- Scotland -- Newton Stewart Supernatural Source A related resource from which the described resource is derived Archival & Special Collections, University of Guelph Library, Guelph, Ontario Publisher An entity responsible for making the resource available Newton-Stewart: J. McNairn Type The nature or genre of the resource ballads & songs Description An account of the resource Woodcut #05: Illustration on title-page of a girl holding a flower standing between two pillars in an outdoor scene. # of Woodcuts: 1 Architecture: gate Architecture: house Bib Context: title-page Chapbook Date: 1821-1830 Chapbook Genre: ballads & songs Chapbook Publisher - Newton-Stewart: J. McNairn Fashion (Clothing): bloomers Fashion (Clothing): children's clothes Fashion (Clothing): dress Fashion (Clothing): stockings Fashion (Clothing): upper class Gender: girl(s) Outdoor Scene https://scottishchapbooks.lib.uoguelph.ca/files/original/595a4a78c46d9b706bdba2a6bc9eb6df.pdf b52e3f70107ce6c24dca4ed28f1ecd74 PDF Text Text No. 13. Four Excellent S O N G S . Home, sweet Home. Up and warn a' Willie. R o y a l Charlie. The piper o' Dundee. NEWTON- S T E W A R T . Printed and Sold, Wholesale and Retail, by J. M'NAIRN. �HOME! SWEET HOME. 'Mid pleasures and palaces tho' we may roam, Be it ever so humble, there's no place like home ; A charm from the skies seems to hallow us there, Which, seek thro' the world, is ne'er met with elsewhere. Home, home! sweet, sweet home. There's no place like home ! there"s no place like home. An exile from home, splendour dazzles in vain, O h ! give me my lowly thatch'd cottage again, The birds singing gaily, they came at my call Give me them with the peace of mind clearer than all. Home, home! sweet, sweet home, There's no place like home! there's no �3 U P A N D W A R N A', W I L L I E . Up and warn a' Wille, Warn, warn a' ; T o hear my canty Highland sang Relate the thing I saw, Wille. When we gaed to the braes o' Mar, And to the weapon shaw, Willie, Wi' true design to serve our king And banish Whigs awa, Willie. Up and warn a', Willie. Warn, warn a' ; For lords and lairds cam here bedeen, And wow but they were braw, Willie. But when the standard was set up Right fierce the wind did blaw, Willie; The royal nit upon the tap Down to the ground did fa', Willie, Up and warn a' Willie, Warn, warn a' : Then second sighted Sandy said, We'd do nae gude at a', Willie. �4 But when the army joined at Perth, The bravest e'er ye saw, Willie, W e did na doubt the rogues to rout, Restore our king and a', Willie, Up and warn a' Willie, Warn, warn a' ; The pipers play'd frae right to left, O whirry Whigs awa', Willie, But when we marched to Sherramuir, And there the rebels, saw, Willie ; Brave Argyle attacked our right, Our flank, and front and a', Willie, Up and warn a', Willie, Warn, warn a ' ; Traitor Huntly soon gave way, Seaforth, St Clair and a', Willie. But brave Glengary on our right, The rebel's left did claw, Willie, He their the greatest slaughter made, That ever Donald s a w , W i l l i e , Up and warn a' Willie, Warn, warn a' ; And Whittam fyl'd his breeks for fear, A n d fast did rin awa, Willie. �5 For he called us a Highland mob, And swore he'd slay us a' Willie ; But we chass'd him back to Stirling brig Dragoons arid foot and a' Willie. Up and warn a' Willie, Warn, warn a' ; At length we rallied on a hill, And briskly up did draw, Willie. But when Argyle did view our line, And them in order saw, Willie, He straight gaed to Dumblane again, And back his left did draw, Willie. Up and warn a' Willie, Warn, warna'; Then we to Auchterarder march'd, T o wait a better fa', willie. Now if ye speir wha wan the day, I've tell'd ye what I saw, willie. W e baith did fight and baith were beat, And baith did rin awa, willie. Up and warn,a'willie, Warn, warn a' ; For second sighted Sandy said We'd do nae good at a', willie. �6 ROYAL CHARLIE. When France had her assistance lent, Our darling prince to us she sent, Towards the north his coarse he bent, His name was Royal Charlie, But O, he was lang o' c o m i n g , O, he was lang o' Coming, O, he was lang o ' coining ; — Welcome Royal Charle. When he upon the shore did stand, The friends he had within the land Came down and shook him by the hand, And welcomed Royal Chalie. O, ye've ben lang o' coming, & c . The dress that our Prince Charlie had Was bonnet blue and tartan plaid And O he was a handsome lad ! Few could compare w' Charlie. But O, he was lang o' coming, &c. ; �7 T H E P I P E R O' D U N D E E . T h e piper came to our town, T o our town, to our town, The piper came to our town, And he play'd bonnilie. He play'd a spring the laird to please, A spring brent new frae yont the seas ; And then he gae his bags a wheeze, And play'd anither key. And wasna he a roguy, A roguy, a roguy, And wasna he a roguy, The piper o' Dundee ? He play'd " T h e welcome o'er the Main," And " Y e ' s e be fu' and I'se be fain," And "Auld Stuarts back again," Wi' muckle mirth and glee. And wasna, &c. He play'd " T h e Kirk" he play'd " T h e Queer," "The Mullin dhu," and "Chevalier," �8 And "Lang away, but welcome here," Sae sweet, sae bonnilie. And wasna, &c. It's some gat swords, and some gat nane, And some were dancing mad their lane, And mony a vow o' weir was taen That night at Amulrie. And wasna, &c. There was Tullibardine and Burleigh, And Struan, Keith and Ogilvie, And brave Carnegie, wha but he, The piper o' Qundee ? F I N I S � https://scottishchapbooks.lib.uoguelph.ca/files/original/aaab87a4d30ddb7b277220288edb49ce.jpg 086c88f85764471a6c8d9977f2f69838 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 2855 Width 1644 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Woodcut on title-page portraying a girl holding a flower standing between two pillars with flowers in vases on top. Large house in the background Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Woodcut 005: Title-page illustration in a single-ruled rectangular border of a girl holding a flower standing between two pillars in an outdoor scene. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Four Excellent Songs. Home, sweet home. Up and warn a ' Willie. Royal Charlie. The piper o' Dundee. Identifier An unambiguous reference to the resource within a given context <a href="https://ocul-gue.primo.exlibrisgroup.com/permalink/01OCUL_GUE/mrqn4e/alma9953134473505154">s0100b01</a> Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Home, sweet home. Up and warn a ' Willie. Royal Charlie. The piper o' Dundee. Date A point or period of time associated with an event in the lifecycle of the resource [1820-1837?] per National Library of Scotland Extent The size or duration of the resource. 8 pages Is Part Of A related resource in which the described resource is physically or logically included. Chapbook #22 in a bound collection of 77 chapbooks Description An account of the resource No. 13. is printed at the top of the title-page. Woodcut #05: Illustration on title-page of a girl holding a flower standing between two pillars in an outdoor scene. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Dundee, Scotland Contributor An entity responsible for making contributions to the resource Archival and Special Collections, University of Guelph Library, Guelph, Ontario, Canada Is Referenced By A related resource that references, cites, or otherwise points to the described resource. <a title="University of Glasgow Union Catalogue of Scottish Chapbooks" href="http://special.lib.gla.ac.uk/chapbooks/search/">University of Glasgow Union Catalogue of Scottish Chapbooks&nbsp;</a> <a title="National Library of Scotland" href="http://www.nls.uk/">National Library of Scotland</a> Rights Information about rights held in and over the resource In the public domain; For high quality reproductions, contact Archival & Special Collections, University of Guelph. libaspc@uoguelph.ca, 519-824-4120, Ext. 53413 Format The file format, physical medium, or dimensions of the resource JPEGs and PDF derived from master file, which was scanned from the original book in 24-bit color at 600 dpi in TIFF format using an Epson Expression 10000XL scanner. Subject The topic of the resource Chapbooks -- Scotland -- Newton Stewart Jacobites Source A related resource from which the described resource is derived Archival & Special Collections, University of Guelph Library, Guelph, Ontario Publisher An entity responsible for making the resource available Newton-Stewart: J. McNairn Type The nature or genre of the resource ballads & songs # of Woodcuts: 1 Architecture: gate Architecture: house Bib Context: title-page Chapbook Date: 1821-1830 Chapbook Genre: ballads & songs Chapbook Publisher - Newton-Stewart: J. McNairn Fashion (Clothing): bloomers Fashion (Clothing): children's clothes Fashion (Clothing): dress Fashion (Clothing): stockings Fashion (Clothing): upper class Gender: girl(s) Outdoor Scene https://scottishchapbooks.lib.uoguelph.ca/files/original/772b5e7ad43dade20461599d6e10b624.pdf 85b4d932d9c8c6ed1dfde92931a759b9 PDF Text Text Five Favourite SONGS. Royal Charlie. John Anderson my Jo. Whistle and I'll Come to you my Lad. Love and Glory. Nobody Coming to Marry me. NEWTON-STEWART : Printed and SoLd, Wholesale and Retail, by J. M'NAIRN. �R O Y A L CHARLIE. The wind comes frae the land I love, It moves the flood fu' rarely; Look for the lily on the lea, And look for royal Charlie. Ten thousand swords shall leave their And smite fa' sharp and sairly, [sheaths And Gordon's might and Erskine's pride, Shall live and die wi' Charlie. The sun shines out—wide smiles the s e a , The lily blossoms rarely; ; O yonder comes his gallant ship, Thrice welcome, royal Charlie ! "Yes,yon's a good and gallant ship, Wi' banners flaunting fairly ; But should it meet your darling, prince, 'Twill feast the fish wi' Charlie. Wide rustled site wi' silks in state, And waved her white hand proudlie, And drew a bright sword from the sheath, And answered high and loudlie. �3 " I had three sons, and a good lord, Wha sold their lives fu' dearlie ; And wi' their dust I'd mingle mine, For love of gallant Charlie. It wad hae made a hale heart sair, T o see our horsemen flying ; And my three bairns, and my good lord, Amang the dead and dying : " I snatched a banner—led them back— The white rose flourish'd rarely : The deed I did for royal James I'd do again for Charlie. JOHN ANDERSON, M Y John Anderson my jo, John, Ye were my first conceit, I think nae shame to say, John, I loe'd ye ear and late ; JO. �4 They say you're turning auld, John, And what though it be so ? Ye are ay the same kind man to me, John Anderson my jo. John Anderson my Jo, John, When we were first acquent, Your locks were like the raven, Your bonny brow was brent ; But now ye're turned bald, John, Your locks are like the snow ; My blessings on that frosty pow, John Anderson my jo. John Anderson my jo, John, We've seen our bairn's bairns, And yet my dear John Anderson, I'm happy In your arms ; And sae are ye in mine, John, I'm sure ye'll no say no, Tho' the days are past that we hae seen, John Anderson my jo. �5 John Anderson my jo, John, We clamb the hill thegither, And mony a canty day, John, We've had wi' ane anither ; Now we maun totter down, John, But hand in hand we'll go, And sleep thegither at the foot, John Anderson my jo. WHISTLE, AND I'LL COME TO YOU, MY LAD. O whistle, and I'll come to you my lad; O whistle, and I'll come to you, my lad: Tho' father and mither and a' should gae mad, O whistle, and I'll come to you, my lad. But warily tent when ye come to court me, And come nae unless the back-yet he a-jee; Syne up the hack style, and let naebody see And come as ye war na comin' to me. And COME, & c . �6 At kirk or at market, whene'er ye meet me Gang by me as though that ye cared na a flie, But steal me a blink o' your bonny black e'e, Yot look as ye war, na lookin at me. Yet look, &c. Ay vow and protest that ye carena for me, And whiles ye may lightly my beauty a wee; But court na anither, though jokin ye be, For fear that she wyle your fancy frae me. For fear, &c. L O V E AND GLORY. Young Henry was as brave a youth As ever graced a martial story : And Jane was fair as lovely truth— She sighed for love, and he for glory. With her his faith he meant to plight, And told her many a gallant story; �7 Till war, their honest joys to blight; Called him away from love to glory. Brave Henry met the foe with pride ; Jane followed, fought—ah! hapless story! In man's attire by Henry's side, She died for love, and he for glory. NOBODY COMING T O M A R R Y ME. Last night the dogs did barky, I went to the gate to see : When every lass had a spark, But nobody comes to me. And it's oh dear! what will become of me Oh dear ! what will I do ? Nobody coming to marry me, Nobody coming to woo. My father' s a hedger and ditcher, My mother does nothing but spin, �8 And I'm a pretty young girl, But the money comes slowly in. They say I'm beauteous and fair, They say I'm scornful and cold ; Alas ! i must now despair, For ah ! I am grown very old. And now I must die an old maid, Oh dear! how shocking the thought! And all my beauty must fade, But I'm sure it is not my fault. FINIS. � https://scottishchapbooks.lib.uoguelph.ca/files/original/93fcffc964dc945b63ab03b604fac8c1.jpg ee4f2a0c67d6a1f169f35546340ae241 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 3162 Width 1810 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Woodcut on title-page portraying a girl holding a flower standing between two pillars with flowers in vases on top. Large house in the background Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Woodcut 005: Title-page illustration in a single-ruled rectangular border of a girl holding a flower standing between two pillars in an outdoor scene. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Five Favourite Songs. Royal Charlie. John Anderson my Jo. Whistle and I'll Come to you my lad. Love and Glory. Nobody coming to marry me. Identifier An unambiguous reference to the resource within a given context <a href="https://ocul-gue.primo.exlibrisgroup.com/permalink/01OCUL_GUE/mrqn4e/alma9953134473505154">s0100b01</a> Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Royal Charlie. John Anderson my Jo. Whistle and I'll Come to you my lad. Love and Glory. Nobody coming to marry me. Date A point or period of time associated with an event in the lifecycle of the resource [1820-1837?] per National Library of Scotland Extent The size or duration of the resource. 8 pages Is Part Of A related resource in which the described resource is physically or logically included. Chapbook #68 in a bound collection of 77 chapbooks Contributor An entity responsible for making contributions to the resource Archival and Special Collections, University of Guelph Library, Guelph, Ontario, Canada Is Referenced By A related resource that references, cites, or otherwise points to the described resource. <a title="University of Glasgow Union Catalogue of Scottish Chapbooks" href="http://special.lib.gla.ac.uk/chapbooks/search/">University of Glasgow Union Catalogue of Scottish Chapbooks</a> <a title="National Library of Scotland" href="http://www.nls.uk/">National Library of Scotland</a> Rights Information about rights held in and over the resource In the public domain; For high quality reproductions, contact Archival & Special Collections, University of Guelph. libaspc@uoguelph.ca, 519-824-4120, Ext. 53413 Format The file format, physical medium, or dimensions of the resource JPEGs and PDF derived from master file, which was scanned from the original book in 24-bit color at 600 dpi in TIFF format using an Epson Expression 10000XL scanner. Publisher An entity responsible for making the resource available Newton-Stewart: J. McNairn Type The nature or genre of the resource ballads & songs Subject The topic of the resource Chapbooks -- Scotland -- Newton Stewart Jacobites Charles Edward, Prince, grandson of James II, King of England, 1720-1788 War Courtship and Marriage Description An account of the resource Woodcut #05: Illustration on title-page of a girl holding a flower standing between two pillars in an outdoor scene. # of Woodcuts: 1 Architecture: gate Architecture: house Bib Context: title-page Chapbook Date: 1821-1830 Chapbook Genre: ballads & songs Chapbook Publisher - Newton-Stewart: J. McNairn Fashion (Clothing): bloomers Fashion (Clothing): children's clothes Fashion (Clothing): dress Fashion (Clothing): stockings Fashion (Clothing): upper class Gender: girl(s) Outdoor Scene