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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Illustration on title-page (enclosed in a rectangular border composed of a single line) of a man and woman dancing in a ballroom with onlookers in the background.
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Dublin Core
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Title
A name given to the resource
Woodcut 080_a: Title-page illustration in a single ruled rectangular border of a man and woman dancing in a ballroom with onlookers in the background.
Document
A resource containing textual data. Note that facsimiles or images of texts are still of the genre text.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
The History of Cinderella, or the Little Glass Slipper. New and Improved Series no. 45
Alternative Title
An alternative name for the resource. The distinction between titles and alternative titles is application-specific.
Hop-'O-My-Thumb
New and Improved Series no. 45
Little glass slipper
Creator
An entity primarily responsible for making the resource
Perrault, Charles, 1628-1703
Date
A point or period of time associated with an event in the lifecycle of the resource
1852
Extent
The size or duration of the resource.
24 pages
Identifier
An unambiguous reference to the resource within a given context
<a href="https://ocul-gue.primo.exlibrisgroup.com/permalink/01OCUL_GUE/mrqn4e/alma9923331933505154">s0094b27</a>
Description
An account of the resource
Price One Penny printed at the bottom of the title-page.
Advertisment for other titles in this, and other series on p. 24: "Histories, Religious Tracts, Song Books...Sold by all Booksellers"
Woodcut #80_a: Illustration on title-page (enclosed in a rectangular border composed of a single line) of a man and woman dancing in a ballroom with onlookers in the background.
Abstract
A summary of the resource.
Part of a series of fairy tales printed by the booksellers. This chapbook tells the classic fairy tale of Cinderella, which has several illustrations throughout. This tale is followed by a second fairy tale titled Hop-O’-My-Thumb, which appears to be a composite tale featuring many of the classic elements from tales such as Tom Thumb, Hansel and Gretel, and Jack and the Bean Stalk, among others.
Subject
The topic of the resource
Courtship and Marriage
Chapbooks - Scotland - Glasgow
Is Referenced By
A related resource that references, cites, or otherwise points to the described resource.
<a title="University of Glasgow Union Catalogue of Scottish Chapbooks" href="http://special.lib.gla.ac.uk/chapbooks/search/">University of Glasgow Union Catalogue of Scottish Chapbooks</a>
Contributor
An entity responsible for making contributions to the resource
Archival and Special Collections, University of Guelph Library, Guelph, Ontario, Canada
Rights
Information about rights held in and over the resource
In the public domain; For high quality reproductions, contact Archival & Special Collections, University of Guelph. libaspc@uoguelph.ca, 519-824-4120, Ext. 53413
Format
The file format, physical medium, or dimensions of the resource
JPEGs and PDF derived from master file, which was scanned from the original book in 24-bit color at 600 dpi in TIFF format using an Epson Expression 10000XL scanner.
Publisher
An entity responsible for making the resource available
Glasgow: Printed for the Booksellers
Source
A related resource from which the described resource is derived
Archival & Special Collections, University of Guelph Library, Guelph, Ontario
Type
The nature or genre of the resource
fairytale/folk lore
# of Woodcuts: 11
Activity: dancing
Bib Context: title-page
Chapbook Date: 1851-1860
Chapbook Genre: fairytale/folk tale
Chapbook Publisher - Glasgow: Printed for the Booksellers
Gender: man/men
Gender: woman/women
Indoor Scene
Object: candle(s)
Object: clock(s)
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Woodcut 042: Title-page illustration in a single ruled border of a couple dancing in the middle of a crowded room. A seated musician is playing an instrument on the right.
Document
A resource containing textual data. Note that facsimiles or images of texts are still of the genre text.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Hodge of the mill: or, an old woman clothed in grey. To which is added, Sorrow and care. Pipes and tobacco. The pleasures of wooing. Send home my heart and eyes
Subject
The topic of the resource
Chapbooks - Scotland - Glasgow
Courtship and Marriage
Religion and Morals
Wit and Humor
Date
A point or period of time associated with an event in the lifecycle of the resource
1802
Contributor
An entity responsible for making contributions to the resource
Archival and Special Collections, University of Guelph, Library, Guelph, Ontario, Canada
Rights
Information about rights held in and over the resource
In the public domain; For high quality reproductions, contact Archival & Special Collections, University of Guelph. libaspc@uoguelph.ca, 519-824-4120, Ext. 53413
Identifier
An unambiguous reference to the resource within a given context
<a href="https://ocul-gue.primo.exlibrisgroup.com/permalink/01OCUL_GUE/mrqn4e/alma9923335673505154">s0094b30</a>
Extent
The size or duration of the resource.
8 pages
15 cm
Is Referenced By
A related resource that references, cites, or otherwise points to the described resource.
Scottish Chapbook Catalogue, University of Glasgow
Alternative Title
An alternative name for the resource. The distinction between titles and alternative titles is application-specific.
Sorrow and care.
Pipes and tobacco.
The pleasures of wooing.
Send home my heart and eyes.
Abstract
A summary of the resource.
A collection of short ballads and songs on a variety of topics. The first is a humorous song in which an old woman harries a young man into marrying her daughter after he impregnates her, to which he agrees in exchange for her naming him as her heir. The second song humorously portrays the woes of married life for the husband, focusing for the most part on the tendency of wives to spend their husbands’ money. The third song uses tobacco and pipe smoking as an allegory for the spiritual and bodily journey of men through life, not necessarily encouragingly. The following song criticizes young men as fickle deluders of young women, and cautions others to guard their virginity well, while the final song describes the woes of a scorned lover.
Language
A language of the resource
English
Format
The file format, physical medium, or dimensions of the resource
JPEGs and PDF derived from master file, which was scanned from the original book in 24-bit color at 600 dpi in TIFF format using an Epson Expression 10000XL scanner.
Source
A related resource from which the described resource is derived
Archival & Special Collections, University of Guelph Library, Guelph, Ontario
Publisher
An entity responsible for making the resource available
Glasgow: J. & M. Robertson
Type
The nature or genre of the resource
ballads & songs
# of Woodcuts: 1
Activity: dancing
Architecture: house
Bib Context: title-page
Chapbook Date: 1801-1810
Chapbook Genre: ballads & songs
Chapbook Publisher - Glasgow: J. & M. Robertson
Fashion (Clothing): upper class
Gender: man/men
Gender: woman/women
Indoor Scene
Musical Instruments: bagpipe(s)
Object: painting(s)
Occupation: musician(s)
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PDF Text
Text
THE
EXCELLENT
Old Scots Song
OF T H E
Blaeberry Courtship,
T O W H I C H IS A D D E D ,
T H E CROOK A N D PLAID.
FALKIRK:
PRINTED FOR THE B O O K S E L L E R S
�The Blaeberry Courtship.
W I L L you go the Highlands, my jewel, with me,
Wil you go the Highlands the flocks for to see,
health to my jewel to breath the sweet air,
And to pull the blackberries in the forest so fair.
To the Highlands, my jewel, I will not go with thee,
the road it is long, and the hills they are high,
love those vallies and sweet corn fields,
More than all the blaeberries your wild mountains
yield.
Our
hills they are bonny when the heather's in
bloom,
It would cheer a fine fancy in the month of June,
To pull the blaeberries and carry them home, [on.
And set them on your table when December comes
Out spake her father, that saucy old man,
You might have chosen a mistress among your own
clan.
I t s but poor entertainment to our Lowland dames,
To promise them heather and blue heather bloom.
Kilt up your green plaidie, walk over yon hill,
For a sight of your Highland face does me much ill,
For I will wed my daughter and spare pennies too,
To whom my heart pleases, and what's that to you.
�3
My plaid it is broad, it has colours anew,
Goodman, for your kindness, I'll leave it with you,
I have got a warm cordial keeps the cold from me,
The blithe blinks of love from your daughters eye.
My flocks they are thin, and my lodgings but bare,
And you that has meikle the more you can s p a r e ;
Some of your spare pennies with me you will share,
And you winna send your lassie o'er the hills bare.
H e went to his daughter to give her advice,
Said, if you go with him, I'm sure you're not wise,
He's a rude Highland fellow, as poor as a crow,
He's of the clan of Caithness for ought that I know.
But if you go with him, I'm sure you'll go bare,
You'll have nothing father or mother can spare,
Of all I possess I'll deprive you for aye,
If o'er the hills, lassie, you go away.
It's father, keep what you are not willing to give,
For fain would I go with him, as sure as I live;
What signifies gold or treasure to me,
If the Highland hills is between my love and me.
Now she is gone
Away to a place
H e had no steed
But still he said,
with him in spite of them a',
that her eyes never saw :
for to carry her on,
lassie, think not the road long.
In a warm summer's evening they came to a glen,
Being wearied with travel the lassie sat down;
�4
Get up my brave lassie, let us step on,
Fo, the sun will go round before we get h o m e
My feet are all torn, my shoes are all rent,
I'm wearied with travel and just like to faint,
Were it not for the sake of your kind company,
I would lie in the desert until that I die.
The day is far spent and the night's coming on,
And step you aside to yon bonny mill-town,
And there you'll ask lodgings for thee and for me,
For glad would I be in a barn for to be.
The place it is pleasant and bonny indeed,
But the people are hard-hear ted to us that's in need,
Perhaps they'll not grant us their barn nor byre,
But I'll go and ask them as it is your desire.
The lassie went foremost, sure I was to blame,
To ask for a lodging myself I thought shame ;
T h e lassie replied with tears not a few,
It's ill ale, said she, that's sour when it's new.
In a short time thereafter they came to a grove,
Where his flocks they were feeding in numberlest
droves,
Allan stood musing his flocks for to see,
Step on, says the lady, that's no pleasure to me.
A beautful laddie, with green t a r t i n trews,
And twa bonnie lassies, were bughting in ewes,
�5
They said, honoured master, are you come again,
Long, long have we look'd for you coming hame.
Bught in your ewes lassies, and go your way home
I've brought a swan frae the north, I have her to
tame;
Her feathers are fallen, and where can she lie ?
The best bed in the house her bed shall be.
The lady's heart was far down it coudna well rise ;
Till many a iad and lass came in with a phrase,
To welcome the lady to welcome her home ;
Such a hall in the Highlands she never thought on.
The laddies did whistle and the lassies did sing,
They made her a supper might served a queen;
With ale and with whisky they drank her health
round;
And they made to the lady a braw bed of down.
Early next morning he led her to the hay,
He bid her look round as far as she could spy,
These lands and possessions my debt for to pay,
You winna gae round them in a lang summer day.
O Allan ! O Allan ! I'm indebted to thee,
It is a debt, dear Allan. I never can pay.
O Allan! O Aiian ! how came you for me!
Sure I am not worthy your bride for to be.
How call you me Allan, when Sandy's my name?
Why call you me Allan ? sure you are to blame :
�6
For don't you remember when at school with thee,
I was hated by all the rest but loved by thee ?
How oft have I fed on your bread & your cheese ?
Likewise when you had but an handful of pease,
Your cruel hearted father hound at me his dogs,
They tore my bare heels, and rave all my rags.
Is this my dear Sandy whom I lov'd so dear?
I have not heard of you this many a year ;
When all the rest went to bed, sleep was frae me,
For thinking on what was become of thee.
My parents were born lang before me,
Perhaps by this time they are drown'd in the sea,
These lands and possessions they left them to me,
And I came for you, jewel, to share them with
thee.
In love we began, and in love we will end,
And in joy and mirth our days we will spend:
And a voyage to your father once more we will go,
And relieve the old farmer from his trouble and
woe.
With men and maid servants us to wait upon,
So away to her father in a chaise they are gone ;
The laddie went foremost, the brave Highland loun,
Till tney came to the road that leads to the town.
When he came to the gate, he gave a loud roar,
Come down, gentle farmer, Catherine's at your
door,
�7
When he look'd out at the window, he saw his
daughter's face,
With his hat in his hand he made a great phrase.
Keep on your hat, farmer, don't let it fa'.
For it sets not the peacock to bow to the crow.
It's hold your tongue, Sawney, and do not taunt
me,
For my daughter's not worthy your bride for to be.
Now he held his bridle reins, till he came down,
And then he conveyed him to a fine room ;
With the finest of spirits they drank a fine toast,
And the son and the father drank both in one glass.
The Crook and Plaid.
If lassies loe the laddies, they surely should confess,
For every lassie has a lad she loes aboon the r e s t ;
He's dearer to her bosom whatever be his trade,
And through life I'll loe the laddie that wears the
Crook and Plaid.
He's aye true to his lover, a y e true to me.
He climbs the mountains early, his fleecy flocks to
view,
He spier the little laverocks spring out frae 'mang
the dew;
His
Wanders forward with the laddie that wears the
Crook and Plaid.
For he's, &c.
�8
He pues the blooming heather, he pues the lilly
meek,
Calls the lily like my bosom the heather like my
cheek,
His words are aye so tender, my heart is aye so
glad,
There's nae wooer like the laddie that wears the
Crook and Plaid.
For he's, &c.
I winna hae the laddie that ca's the cart & plough,
Although he may be tender, although he may be
true,
But I will hae the laddie, that has my heart betrayed
He's the faithful shepherd laddie, that wears the
Crook and Plaid.
For he's &c.
It's down beside the hawthorn that blooms in the
vale,
I'll meet him in the gloaming far frae the noisy gale,
His words are aye Sae tender, my heart is aye sae
glad.
For he kens the way sae nicely to row me in his
plaid.
For he's, &c.
To such a faithful lover, oh, who would not comply,
True love gives purer pleasure than aught beneath
the sky,
If love be in your bosom, my heart can ne'er be
sad.
And thro' life I'll lo'e the laddie that wears the
Crook and Plaid.
For he's, &c.
�
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Omeka Image File
The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.
Bit Depth
8
Channels
3
Height
3245
Width
2008
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Woodcut 042: Title-page illustration in a single ruled border of a couple dancing in the middle of a crowded room. A seated musician is playing an instrument on the right.
Document
A resource containing textual data. Note that facsimiles or images of texts are still of the genre text.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
The Excellent Old Scots Song of the Blaeberry Courtship. To which is added, The Crock and Plaid.
Identifier
An unambiguous reference to the resource within a given context
<a href="https://ocul-gue.primo.exlibrisgroup.com/permalink/01OCUL_GUE/mrqn4e/alma9953134473505154">s0100b01</a>
Alternative Title
An alternative name for the resource. The distinction between titles and alternative titles is application-specific.
The Crock and Plaid.
Is Part Of
A related resource in which the described resource is physically or logically included.
Chapbook #16 in a bound collection of 77 chapbooks
Subject
The topic of the resource
Chapbooks - Scotland - Falkirk
Courtship and Marriage
Date
A point or period of time associated with an event in the lifecycle of the resource
1840-1850 per University of Glasgow Union Catalogue of Scottish Chapbooks <a href="University%20of%20Glasgow%20Union%20Catalogue%20of%20Scottish%20Chapbooks%20%20http%3A//special.lib.gla.ac.uk/chapbooks/search/">http://special.lib.gla.ac.uk/chapbooks/search/</a>
Extent
The size or duration of the resource.
8 pages
Is Referenced By
A related resource that references, cites, or otherwise points to the described resource.
University of Glasgow Union Catalogue of Scottish Chapbooks <a href="University%20of%20Glasgow%20Union%20Catalogue%20of%20Scottish%20Chapbooks%20%20http%3A//special.lib.gla.ac.uk/chapbooks/search/">http://special.lib.gla.ac.uk/chapbooks/search/</a>
Contributor
An entity responsible for making contributions to the resource
Archival and Special Collections, University of Guelph Library, Guelph, Ontario, Canada
Format
The file format, physical medium, or dimensions of the resource
JPEGs and PDF derived from master file, which was scanned from the original book in 24-bit color at 600 dpi in TIFF format using an Epson Expression 10000XL scanner.
Rights
Information about rights held in and over the resource
In the public domain; For higher quality reproductions, contact Archival & Special Collections, University of Guelph. libaspc@uoguelph.ca 519-824-4120, Ext. 53413
Publisher
An entity responsible for making the resource available
Falkirk: Printed for the Booksellers
Source
A related resource from which the described resource is derived
Archival & Special Collections, University of Guelph Library, Guelph, Ontario
Type
The nature or genre of the resource
ballads & songs
# of Woodcuts: 1
Activity: dancing
Architecture: house
Bib Context: title-page
Chapbook Date: 1841-1851
Chapbook Genre: ballads & songs
Chapbook Publisher - Falkirk: Printed for the Bookseller
Fashion (Clothing): upper class
Gender: man/men
Gender: woman/women
Indoor Scene
Musical Instruments: bagpipe(s)
Object: painting(s)
Occupation: musician(s)
-
https://scottishchapbooks.lib.uoguelph.ca/files/original/09d6b6b11fb5f6c5e8dfd6b5d07f32b7.pdf
d60abea1bbb16c80e76d13af8c29fa0f
PDF Text
Text
A COLLECTION OF
No.
CONTAINING
TULLOCHGORUM.
BEN BOWLING'S D E P A R T U R E .
WIDOW
WF A TOCHER.
M I N T E D FOR THE
XV»
�jjdlcchgorum.
( orr.p. ; *.'s a parr- the ' dy, < 5 h d,
And lay yoSroisputes. all' a s i o e ; • •
W h a t nonsense is't for folks to chide
For what's beeh dorrebefore them.
L e t W i n g and T o r y all agree/
' W h i g and T o r y . WhiV'fcnH T o r y ,
;
L e t Wrig.atftf'Torjr. afbdgfcee, '
T o d r o p t h e \r w h.i g m fgfp or u m.
L e t W i n g a n d ' T o r y a'\ agree '
T o spendThe-night w ? mirth and glee
A n d cheer fu' s i n , g a l a n g . ^ i ' me
The Heel of Tullochgorum.
Tullochgorum^ my de'i^ht, . ,
It gars us a' in ane unite,
;
A n d onie gumpjv that keeps up spite, ji
I n con science I abh o r him :
R'ithe. and. merry wcfs he
;
1311 (he and merry, blithe and m e n y , ;
••'Mitire and merry we^ b^ a', ,
T o 'mafe a cheerfif qluaruta ;
BI jfche an darner ry»w^s; he, a' •
•
'As'dang as we Irae breach to draw,
And dance'till we be like to fa',
T h e Reel .of Tirlicchgorum.
T h e r e needs rVi be sae great a" phrase
Wi* dringing dull Italian lays ;
I wadna gie our afoiSti-athspeys
Lor hauf* a bunder score o'em.
�3
T h e y ' r e dowfF and dpwje «at the best,
I)o.vvff and :dovvLe* dqvvff and .dories ,,,
T h e y7 re <do w ii' ..afid do w ie;,. fit'. the, be-st,
W i ' a' Ui^ir f y^rjarum :
T h e y ' r e dowff'and'dowie at the best,
Th& i r a i l e g f & & ' d a the refet,
•
T h e y eanna pfeis'e a'Highland t a s t e /
C o m p a F d v i' Tidlochgor Itin.
v
L'et'warjdly minds themselves oppress
YVT'fear o' want, and double ee*s,
And' siiiy*sauls the^nsqlves distress^
W i ' keeping up decorum.
Shall" we sac sour and sulky sit.
Sour" and sulky, spur a».d sulky,
Shall we>ae sour,and sulky sit',- \
L i k e au 1 d r!vriosopl'ioruai ;
S h a l l we aae sour L and -sulky "ait,,
W i ' neither sense, nor mirth, nor wit*
And canna rise to shake a fft
T o the1 Heel of Ailloch^crum ?
M a y choicest blessings still attend," ..
lurch honest-hear,ted open friend,
And cairn and. quiet bp his end, ,
Be a' that's good- before him I ;
M a y peace.and. plenty,, be his., lot,,. .., .f
Peace aud p|ent v;, p e a e e - a n d p i m ty f .
Mxy peace and ..plenty he his. lot, . ». '
And dainties a gr;e.at ,siqr,e..o'ein'.;. ,.
�4
M a y peace and plenty be his lot,
Unstain'd by any vicious blot !
A n d may he never want a groat
That's fond of Tullochgorum.
But for the discontented fool,
W h a want's to be oppression's tool,
M a y envy gnaw his rotten soul,
And blackest fiends devour him !
M a y dool and sorrow be his chance,
Dool and sorrow, dool and sorrow,
M a y dool and sorrow be his chance,
And honest souls abhor him ;
M a y dool and sorrow be his chance,
And a' the ills that come frae France,
W h a e ' e r he be that winna dance
T h e Reel of Tuliochgorurn.
Ben Bowling's
Departure.
Ben Bowling* a true hearted tar,
A right gallant son of old Ocean,
E l a t e with the rumours of war,
$oon felt all his courage in motion ;
T h e king, he said, must be obeyed,
So Molly a truce to thy wailing ;
T o r see, every anchor is weighed,
And all the fleet ready for sailing.
T h e n , kissing his charmer, withdrew,
But often turned kindly to hail h e r ;
W h i l e Molly sighed faintly adieu !
Jin yoking success to h t r sailor.
�5
Behold the fleet now under-weigh,
T h e i r topsails are swelled by the breezes;
W h a t beauty their streamers display,
W h a t grandeur the prospect increases !
See, see, down the Channel they stretchy
T o glory and victory steering;
W h i l e proudly the crowd on the beach
Salute the bold heroes with cheering ;i
And still, while his charmer's in view,
Ben often turns kindly to hail her ;
"While Molly sighs faintly adieu !
Invoking success to her sailor.
Should France, amid thunder and smoke.
Her navy build hopes of success on,
Depend ©n't, our true hearts of oak
W i l l teach her an old English lesson :
May Ben, for his dear M o l l i s sake,
Return again laden with treasure,
And, taking her under his< wake,
Moor sale ki the harbour of pleasure ;
That Ben, when again he shall view,
I I h charmer, with rapture may hail h e r ;
And Molly, who late sighed adieu!
Gladly greet the return of her sailor.
The Wanton Widow.
A wanton widow, old and sour,
W r ouid fain be a S i g n o r a ;
She practised all was in her pow'r
T o wear her weeds no more a : —
�%
But all she did, and all'
Coutcf hot e'p.tlce her charmer ;
So eo-k! her hearts ihe : flams of love •
C o u l d n e v e t r i ^ h i f f warm' h e r !
Oh"! Mistress tilggws, ' •
1)espairing }.Iistre& ; W\ggiris :
She took U ilri'fi
Y
peppbniiiMf/
A n ti m o u r n'd h er f a ill) k sslov
She 8ioh'd,i6lie patiled, frqllecihereyes, .
And used these;efforts often ;;
T h e youth but view'd hierwith surprise,
His \ \ e art could n e v er sp ft en —
At leifgtn,* a brisk'yoiitig mifid'he Ilandshme, tall, and clever ;
She lik'd him,, though, he came'so rude, 5
And' vowed s h e ' d love for ever.
' Oil l" Mistress Wiggins.
T i n s damsel's name was S a l l y P f l n i ,
H e r 'daddy '.Was' a brazier ;'
T h y youth vv'as ftiek-narn'd B f l l j SHm?
And was by trade a g l a i i e r ;
T h e i r hands they'jo'iifd in'Vedloc'k's tie.
And told their j o y in kisses —•
Let this a warning word imply,
T o widoW's'a'nd old' missy's
O h ! Misl ress W i n s y
Distracted Mistress W i g g i n s I
'She kilPd herself w i t h pq>pemtfinty
'AndHeft her feilhlebs lover.-
�Hey for: a
a JJtch&n u ;
A vva wi; joii^witeifcr^ft
Volarttfs;-' j
T h e slender iiH hciixiiyjWgHrgp in your aftrtS ;
0 , gie me the fas's lliat hsii S i T e ' s ^ dhamJ?,
0 , gie me the lass Wi the weel-stockit farms.
Th^U hoy for a lass xvV a tocher,
Then \\e:y for a.'I&ss.wi\a t o c h e r ;
T h e n bey for a lass wi' a tocher ;
T h e nice yellow guineas for me.,
u
Your beauty's a,.flovVT in the morning, thaVhlayrs,
And withers .the faster, the f a i l e r it grows ;
lk.it the rapturous charm" 6 ' " t h e ' boniiie green
knowes ; f • »
. •,
• > ,
Ilk spring they're new deck it wV bqnn^e \wfioe
yowes;
.vC'r^r
i
* -V
Then, hey, kc. / , 4
i Yr\- * i % r\
And e'en when- -this 'beauty : yonr 'bosom -'lias blest,
The brightest-"cP- beauty may cloy
^o^st;
But the sweet
da flings
'Geordie
aawji as nut b ifA
The ianger y e hae them—the mair they're caresl.
Then h&yy k t . *
Tm
Glen.
M y heart is a-breaking, dear T i t t l e ,
Some counsel unto me.conie l e n ' ;
T o anger them a ' i s a pity,
Hut what wiil.X do w i ' T a r n Glen ?
�8
I'm thinking, wi* sic a braw fallow,
In poortith I might make a fen' ;
W h a t care I in riches to wallow,
If I maunua m a r r y Tarn Glen.
T h e r e ' s L o w r i e , the laird e' Drummeller,
" Gude-day to y o u , " brute, he comes bi
H e brags, and he blaws o" his siller,
But whan will he dance like Tarn Glen
M y minnic does constantly deave me.
And bids me beware o" young men ;
T h e y flatter, she says, to deceive m e ;
But wha can think sae o' T a m Glen ?
M y daddie says, gin I'll forsake him,
IIe n ll gie me gude hunder marks ten ;
But if it's ordain'd I maun tak him,
O wha will I get but Tarn Glen ?
Yestreen at the valentines dealing,
M y heart to my mou' gied a sten,
F o r thrice 1 drew ane without failing,
And thrice it was written, T a m Glen.
T h e last Hallowe'en I was waukin\
M y droukit sark sleeve, as y e ken,
His likeness cam up the house staukin,
A n d the very grey breeks o* T a m Glen.
Come counsel, dear T i t t i e , don't tarry ;
I'll gie you my bonnie black hen,
Gif y e will advise me to m a r r y
T h e lad I lo'e dearly, T a m Glen.
�
https://scottishchapbooks.lib.uoguelph.ca/files/original/5da8f7e0c5a86bcd83c72a4dd56fb1ec.jpg
843557f0936de58eca9056b74a78fb4d
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Title
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A Collection of Songs, &c. No. XV Containing Tullochgorum. Ben Bowling's Departure. The Wanton Widow. Hey for a Lass Wt a Tocher. Tam Glen
Identifier
An unambiguous reference to the resource within a given context
<a href="https://ocul-gue.primo.exlibrisgroup.com/permalink/01OCUL_GUE/mrqn4e/alma9953133903505154">s0499b33</a>
Alternative Title
An alternative name for the resource. The distinction between titles and alternative titles is application-specific.
Tullochgorum.
Ben Bowling's Departure.
The Wanton Widow.
Hey for a Lass Wt a Tocher.
Tam Glen
Extent
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8 pages
Is Part Of
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Chapbook #29 in a bound collection of 40 chapbooks
Description
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Woodcut image of a man and women with a fiddler and dancers in the background on the title-page.
Subject
The topic of the resource
Ballads and songs
Chapbooks - Scotland - Edinburgh
Contributor
An entity responsible for making contributions to the resource
Archival and Special Collections, University of Guelph Library, Guelph, Ontario, Canada
Is Referenced By
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<a title="University of Glasgow Union Catalogue of Scottish Chapbooks" href="http://special.lib.gla.ac.uk/chapbooks/search/">University of Glasgow Union Catalogue of Scottish Chapbooks </a>
Rights
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In the public domain; For high quality reproductions, contact Archival & Special Collections, University of Guelph. libaspc@uoguelph.ca, 519-824-4120, Ext. 53413
Format
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JPEGs and PDF derived from master file, which was scanned from the original book in 24-bit color at 600 dpi in TIFF format using an Epson Expression 10000XL scanner.
Publisher
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Edinburgh: Printed for the Bookseller
# of Woodcuts: 1
Activity: dancing
Architecture: door(s)
Architecture: window(s)
Bib Context: title-page
Chapbook Date: no date
Chapbook Genre: ballads & songs
Chapbook Publisher - Edinburgh: Printed for the Booksellers
Gender: man/men
Gender: woman/women
Musical Instrument: fiddle(s)
Nature: hill(s)
Outdoor Scene