<?xml version="1.0" encoding="UTF-8"?>
<itemContainer xmlns="http://omeka.org/schemas/omeka-xml/v5" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://omeka.org/schemas/omeka-xml/v5 http://omeka.org/schemas/omeka-xml/v5/omeka-xml-5-0.xsd" uri="https://scottishchapbooks.lib.uoguelph.ca/items/browse?output=omeka-xml&amp;page=62&amp;sort_field=Dublin+Core%2CCreator" accessDate="2026-07-01T02:38:04+00:00">
  <miscellaneousContainer>
    <pagination>
      <pageNumber>62</pageNumber>
      <perPage>10</perPage>
      <totalResults>639</totalResults>
    </pagination>
  </miscellaneousContainer>
  <item itemId="1048" public="1" featured="0">
    <fileContainer>
      <file fileId="1959" order="1">
        <src>https://scottishchapbooks.lib.uoguelph.ca/files/original/3cc4624a2abdff7af969251002f0dea5.jpg</src>
        <authentication>57c1c1b9e1252db49cfb7160d9ce9a0b</authentication>
        <elementSetContainer>
          <elementSet elementSetId="1">
            <name>Dublin Core</name>
            <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
            <elementContainer>
              <element elementId="50">
                <name>Title</name>
                <description>A name given to the resource</description>
                <elementTextContainer>
                  <elementText elementTextId="24795">
                    <text>Woodcut on title-page portraying a young man wearing a straw hat and coat standing in front of a large box of tobacco in a tropical climate</text>
                  </elementText>
                </elementTextContainer>
              </element>
            </elementContainer>
          </elementSet>
        </elementSetContainer>
      </file>
      <file fileId="1960" order="2">
        <src>https://scottishchapbooks.lib.uoguelph.ca/files/original/a986574d595e19cdb5942ea65a1caa5f.pdf</src>
        <authentication>12fe3bdef0d080a129571c45504c4c95</authentication>
        <elementSetContainer>
          <elementSet elementSetId="7">
            <name>PDF Text</name>
            <description/>
            <elementContainer>
              <element elementId="119">
                <name>Text</name>
                <description/>
                <elementTextContainer>
                  <elementText elementTextId="22041">
                    <text>THE

COMICAL

STORY

OF

T H f t U H i l Y CAP
AND

THE

GHAIST
TO WHICH IS ADDED
THE HIGHLAND

STORY

OF

DONALD&amp; HIS DOG.

GLASGOW:
PRINTED FOR THE BOOKSELLERS

�0
I
Y30T8- .UlDIMOO

©

3 H T

T 81A H O
a a a a A si HDIHW OT
iftIVi

u /AAWVUl^ 'MVV

.OOfl filli MLI./../KXI

: WO03V TO
3HT JHH &lt;MTKIJIr

�THRUMMY CAP.
A

TALE.

IN ancient times, far i' the north,
A hunder miles ayont the forth,
Upon a stormy winter day,
Twa men forgather'd oc the way,
Ane was a sturdy bardoch chiel
An' frae the weather happit weel,
Wi« a mill'd plaiding jockey-coat
And eke he on his head had got
A thrummy cap baith large and gtout,
Wi&lt; flaps ahind, as weel's a snout,
Whilk button'd close aneath his chin,
To keep the cauld frae getting in :
Upon his legs he had gammashes,
Whilk sodgers term their spatterdashes
An' on his hands, instead o' gloves.
Large doddy mittens, whilk he'd roo*«t
Tor warm ness, an4 an aiken stick
Nae verra lang, but unco thick,
Intill his nieve—he drave awa',
But car d tor neither frost nor suaw,
The ither was just the reverse,
(J- claes and courage baith was scarce,
Sae in our tale, ; s we go on,
1 think we'll ca' him cowVldy John.
Sae on they gade at a gnde scowe'r,
'Cause that they saw a gathering shower,-

�4
Grow verra thick upon tlie wind,
Whilk to their wae they soon did find 5
A mighty show'r o' snaw and drift,
As ever dang down frae the lift !
Right wild and boist'rous Boreas roar'd,
Preserves! quoth John, we'll baith be smor'd*
Our trystic end we'll ne'er make o u t ;
Chear up, says Thrummy, never d o u t .
But I'm some fly'd we've tint our way,
Howe'er at the neist house we'll stay,
Until we see gif it grow fair,
Gin no, a' night we'll tarry there.
Weel, weel, says Johnny, we shall try ?
Syne they a mansion house did spy,
Upo' the road a piece afore,
Sae up they gade unto the door,
W here Thrummy chappit wi' his stick,
Syne to the door came verra quick,
A meikle dog, wha barked fair,
But Thrummy for him didna c a r e ;
H e handled weel his aikeu staff,
An' spite o*s teeth he kept him aff
Until the Landlord came to see,
And ken fat might the matter be ;
Then verra soon the dog did cease
The Landlord then did spear the case
Quoth Thrummy, Sir, we ha'e gane rill ;
we thought we'd ne'er a house get till,
W e near were smor'd amo' the drift,
And sae gudeman, ye ll mak' a shift
To gi'e us quarters a' this night,
For now we dinnaha'e the light,
Farer to gang, tho' it were fair,
See gin ye hae a bed to spare.

�5
Whatever ye charge we cauna grudge.
But satisfy ye, ere we budge
T o gang awa - - a n d fan 'tis day,
We'll pack out all, and tak the way.
T h e Landlord said, O 6 beds I've nane,
O u r ain fowks they will scarce contain,
But gin ye'll gang but twa miles foret
Aside the Kirk dwalls Robbie Dorret,
W h a keeps a Change-house, sells guide drink,
H i s house ye may mak out I think.
Quoth Thrnmmy, th t's owre far awa',
T h e roads are sae blawn up wi' snaw,
To mak it is na in our power;
For, look ye, there's a gathering shower
Just coming on— you'll let us bide,
T h o ' we should sit by the fire side.
The Landlord said to him, Na, na,
I canna let you bide ava,
Chap aff, for 'tis iia worth your while
T o bide, when ye hae scrimp twa mile
To g a n g - - s a e quickly aff you'll steer,
F o r faith, 1 doubt ye'll na be here.
T ^ a mile! quo' Thrummy, deil speed me,
If frae your house this night 1 jee,
A r e we to starve in Christian land ?
As lang's my stick bides in my hand,
A n ' siller plenty in my pouch,
T o nane about your house I'll crouch,
Landlord, ye needna be sae rude,
For faith we'll mak our quarters good.
Come, John, let's in, we'll tak a sate,
F a t sorrow gars yon look so blate ?
Sae in he gangs, and sets him down,
-Says lie, there's nae about your town.

�6
Sill put flie out till a ne&gt;v day.
Lang as I've silier for to pay,
The Landlord said., Ye'r&lt;' rather rash,
To turn you out I carina fash,
Since ye're so positive to hide,
But troth. vese sit by the fire-side;
[ tald ye else of beds I've name,
Unoccupied, except bareane;
In it. 1 fear, ye winna Iy ;
lu&gt;r stoutest heart has aft,been shy
To venture in wjthin the room,
After the night begins to gloom;
For in it they can ne'er get rest,
k
l is haunted by a frightful ghaist;
Oursels are terrified a' night,
Sae ye may chance to get a sight,
Like that which some o' our fowk saw,
}
(ilar better still ye gang awa',
Or else ye'll maybe rue the day,
Guide faith quo' John, I'm thinking sae ;
Better into the neuk to sit,
Than fla'd, Gude keep's, out o' out wit;
Preserve us ever frae all evil,
I widna like to seethe devel!
Whisht gowk, quo1 Thrummy, baud your peace
That sanna gar me quit this place ;
Nor great nor sma' 1 ne'er did ill,
The ghaist nor deil my rest shall spill.
I will defy the meikle deil,
And a' his warks I wat fu' weel;
What the sorrow then maks you sae erry ?
Fling by your fears, and come he cheery,
Landlord gin ye'll mak up that bed,
J promise I'll he verra glad,
4

�7
W i t h i n the same a' night to lie,
If t h a t the room be warm and dry,
T h e Lanlord says, Ye'se get a tire,
And candle too gin ye desire,
W i ' beuks to r e a d ; and for your bed,
I'll orders gie, to g e t it made.
J o h n says, as I'm a Christian man,
W h o never likes to curse nor ban,
N o r steal, nor lie, nor drink, nor roar,
I'll never gang within its door,
But sit by the fireside a' nighit,
And gang awa' where'er 'tis light.
Says Thrummy till him, wi' a glow'tr,
Y e cowardly gowk I 11 mak ye cow r *
Come up the stair alang wi' me,
A n d I shall cautiou for ye be.
Then J o n n y faintly gaed consent.
Sine up the stairs to the room they went,
W h e r e soon they gat baith fire and light,
T o haud them hearty a' the n i g h t ;
T h e Landlord likewise gae them m e a t ;
Meikle as they baith could eat •
Shew'd then their bed and bade them gang
T o it, whene'er they did think l a n g :
Sae wishing them a gude repose
Straight syne to his ain bed he goes.
O u r travelers now being left alane,.
'Cause that the frost was nipping keen,
Coost aff their shoon, and warme d their feet,
T h e n syne gaed to their bed to sleep.
B u t cowardly J o h n wi' fear was quaking,
He coudna sleep but still lay waking,
Sae troubled with his panic fright,
W h e n near the twalt hour o l night,

�8
That Thrummy waken'd, arid thus spoke,
Preserv's ! quoth he, I rn like to chock
Wi' thirst, arid I maun hae a drink,
I will gang down the stair, I think,
And grapple for the water-pail,
0 for a waught o' caller ale I
Johnny grips till him, and says, Na,
1 winna let you gang awa':
W o w will you gang and leave'me here
A3ane to die wi perfect fear ?
Rise and gae wi me then, quoth Thrumm
Ye senseless gude-for-naething bummy,
I'm only gaen to seek some water,
i will he back just in a clatter.
Na na says J o h n I'll rather He
But as I'm likewise something dry
G if ye can get a jug or cap
Fesh up to me a little drap.
Av ay quoth Thrummy that I will
Aitho ye shonldna get a gill.
Sae dow n he goes to seek a drink,
But then he sees a little blink
O' light that shone upon the floor,
Out throngh the lock-hole o' the door,
Which wasna fast but stood a-gee,
Whatever's there he thinks he'll see:
Sae bauldly o'er the threshold ventures.
Then in within the door he enteis.
But reader judge of the surprise
T h a t there he saw with wondering eyes
A spacious vault well stored wi' casks
(T reaming ale and some big flasks,
And stride-legs o'er a cask o' ale
He saw the likeness oi himsel'.

�9
J u s t in the dress that he coost aff,
A thrummy and an aiken staff,
Gammashes and the jockey coat;
And in its hand the Ghaist had got
A big* four-legged timber bicker,
Fill'd to the brim wi' nappy liquor,
Our hero at the spectre stared,
But neither daunted was not car'd,
lint to the Ghaist stright up did step,
AU' says, dear brother, Thrummy Cap,
T h e warst ye surely dinna drink,
So I wi' you will taste 1 t h i n k ;
Syne took a jug, pou'd out the pail,
A id fill d it up wi' the same ale,
Frae under where the spectre sat,
And then up stairs wi' it he g a t ;
Took a gude drink, gae John auither,
Bnt never tald him o' his brither
That he inta the cellar saw,
Mair t h a n he'd naething seen ava,
Light brown and nappy was the beer :
W h a r did you get it ? John did speir,
S iys Thrummy, sure ye ncedna tare,
I'll gae and try and get some mair,
Sae down the stair again he goes,
T o get o' drink anlther dose.
Being positive to hae some mair
But still he fand the Ghaist was there,
Now on a butt behind the door:
Says he, ye didri* ill before,
Dear brother Thrummy, sae I'll try
You ance again, because I'm dry.
H e tills his jug stright out below,
An up the stair again does go.

�10
J o h n marvelled sair, but didna speir
Again w here he did get the beer,
F o r it was stronger then the first,
Sa^ they baith drank till like to burst,
Syne did compose themsels to rest,
T o sleep a while they thought it best.
One hour in bed they hadna been,
They scarcely weel had closed their een,
When j u s t into the neighbouring c h a n c e r
T h e y heard a dreadfu' din and clamour.
Beneath the bed-claes J o h n did cow'r,
B u t T h r u m m y jump'd upon the floor,
Him by the sark tail J o h n did baud ;
L y e still, quoth he, fat are ye mad ?
T h r u m m y then gaed hasty j u m p ,
Syne took J o h n on the ribs a thump,
Till oti the bed he tumbled down,
In little better then a swoon,
W h i l e T h r u m m y fast as he could rin,
Sets aff to see what made the din.
T h e chamber seem'd to him as light,
G i f a s t h e sun where shining bright,
T h e Ghaist was stanen at the door ;
In the same' dress he had afore ;
And o'er a n e n t i t , at the wa',
W e r e ither apparitions twa.
T h r u m m y beheld them for a-wee,
B u t deil a word as yet spake he
T h e spirits seerne'd to kick a ba f ,
T h e Ghaist against the other twa ;
Whilk close they drave baith back and fore,
Atween the chimney and the door.
H e stops a while and sees the play,
Syne, riiinin up, he this did say^

�11
Ane for ane may weel compare.
B u t twa for ane is rather sair ;
T h e play's nae equal, say I vow,
Dear brother T h r u m m y , I'll help you*
T h e n wi' his fit he kicked the ba&lt;,
G a r d it play stot against the wa';
Quick then, as lightning f r a the sy,
T h e spectres with a horrid cry,
a' vanished in a clap oc thun'er.
while T h r u m m y at the same did won'er.
T h e room WT?S quiet now aud dar&amp;,
An4 T h r u m m y striping in his sark;
Glauming the gate back to his bed,
H e thinks he hears a parson tread,
An' ere he gat without the door,
T h e Ghaist again stood him before,
And in his face did staring stand,
Wi4 a big candle in its hand.
Q u o t h T h m m m y , Friend, I want to know
w h a t brings you frae the shades below,
1 in goodness 4 name command
Y o u tell your story just aff hand ?
F a t wad ye h a e ? — M l do my best
F o r you, to let you be at rest.
T h e n says the Ghaist, ' T i s thirty year
Sinse I've been doorn'd to wander here ;
I n all that time there has been none
Behave ( d sae bold as ye have d o n e :
S ae if you'll do a j o b for me,
Disturbance mair I'll never gie.
Sae on your tale, quoth T h r u m m y
T o do ye justice sure will try.
T h e n mark me weel, the Ghaist replied
A n d ye shall soon be satisfied:

�12
E£r&lt;ae this aback near forty year,
I of this place was overseer,
When this L a n d ' s father had the land r
A' thin^ was then at my command,
W i ' power to do as 1 thought tic,
In ilka cause I chief did s i t :
T h e Laird paid great respect for me
But I an ill return did ^ie,
T h e Title-Deeds of his Estate
(Jut of the sajue I did hitu cheat,
And stale them frae whare they did lie
Some days before the Laird did die
His son at that time was in France,
And sae I thought I'd liae a chance,
(xif he sud never come agaiu,
T h a t the Estate would be my ain.
But scarcely three bare weeks were past,
When death did come and grip me fast,
Sae sudden that I hadna pow'r
The charter back for to restore,
Soon after that hame came the heir,
And syne got up the reefu rair,
W h a t sorrow was come o' the Rights?
Thev sought them several days and nights
But never yet hae they been seen,
As 1 aneath a inuckle stane
Did hide them i' this cham'er wa\
Weel sew'd up in a leather ba';
But 1 was ne'er allow'd to rest
Untill that I the same confest;
But this to do i hadna power,
F r a e yon time to this verra hour
T h a t I've revealed it a to you,
And now I'll tell you what to do.

�13
Till nae langsyne nae mony kenfc,
That this same laird the rights did w a n t ;
But now they hae him at the law,
And the neist week the laird maun shaw,
Before the court the rights o's land,
This put him to an unco stand,
For if he didna shaw them there,
O a4 his lands he'll be striped bare ;
Nae hopes has he to save his state,
This makes him sour and unco blate:
He canna think whar's rights may be^
And ne're expects them mair to see,
But now my friend mark what I tell
And ye'll get something to yoursel.
Tak out the stane there in the wa',
And there ye'll get the leather ba',
Tis just ihe same that you did see,
W h e n you said that you would help m e ;
T h e rights are sewed up in its heart,
But see you dinna wi4 them part,
Until the laird shall pay you down
,I ust fifty guineas and a crown,
Wliilk at my death was due to me,
This for thy trouble I'll give thee ;
And I'll disturb this house nae mair,
'Cause 1 11 be free frae all my care.
This Thrummy promised to do,
And syne the Ghaist bid him adieu
And vanished with a pleasant sound
Down through the laft and thro' the ground.
Thrummy gaed back sine to his bed,
And cowardly John was verra glad,
That he his neibour sawance mair,
For of his life he did despair.

�14
Wow man, quo' John, whare hae you been.
Come tell rne a4 fat ye hae seen.
Na, bide, says Thrummy, till day-light,
And syne I'll tell you hale and right.
Sae baith lay still arid took a nap,
Until the ninth hour it did chap.
Thrummy syne raise, put on his claes,
And to the chamber quick he gaes,
Taks out the stane into the wa'.
And soon he found the leathern h a ' ;
Took out the Rights, replac'd the stane,
Ere J o h n did ken vvhar he had been :
Then baith came stappingdown the stair,
The morning now was calm and fair.
Weel, quoth the Laird, my trusty frien',
Hae ye ought in our chamber seen ?
Quoth Thrummy, Sir, I naething saw
T h a t did me ony ill ava.
Weel, qnoth the Laird, ye now may gang,
Ye ken the day's verra lang ;
In the meantime its calm and clear,
Y e lose your time in bidiug here.
Quoth Thrummy, Sir, mind what 1 tell,
I've mair right here than you yoursel.
Sae till I like I here shall bide,
The Laird at this began to chide:
Says he, my friend, you're turning rude.
Quoth Thrummy, I'll my claim make good,
F o r here I just before you a*,
T h e Rights o' this Estate can shaw,
And that is mair than ye can do.
W h a t ! quo' the Laird, can that he true ?
T i s true, quoth Thrummy, look and see,
D'ye think that I would tell a lie.

�The Parchments frae his pouch then drew,
And down upon the table threw.
The Laird at this up to him ran,
And cried, Whar did you get them, man ?
Syne Thrummy taid him a4 the tale
As I've taid you, baith clear and hale.
T h e Laird at this was fidgin Tain,
T h a t he had gat his Rights again:
And fifty guineas down did tell,
Besides a present fra\» himsel.
Thrummy thanked him, an' syne his gowd
Intil a muckle purse he stow'd.
And cramm'd it in his oxter-pouch,
And syne sought out his aiken crutch :
And fare-ye-weel, I maun awa,
And see gin I get thro' the sna';
Weel, fare-ye-weel, replied the Laird :
But how comes it ye hanna' s h a r d
Or gien your neibor o( the money?
Na, by my saul I, Sir, quo' Thrummy, '
When I the siller, Sir, did win,
( T o ha'e done this wad be a sin.)
Before that- I the Ghaist had laid,
T h e nasty beast had
the bed..
And sae my tale 1 here do eud,
I hope no one it will offend :
My muse wil! na assist, me linger,
T h e dorty jade sometimes does anger,
I thought tier ance a gay sm irt lass,
But now she's come to sic a pass,
That a* my cudgeli lg ond weeping,
Will hardly wake her out o' sleeping:
To plague her 1 winna try,
But dight my pen and lay it by.

�DON AL
AND

D

HIS

DOG.
Atween twa hills that tower'd up to the clouds,
Clad o'er with heather, bent, and wuds ;
'Mang rocks, and steeps, and waters falling,
W a s Highland Donald's humble dwelliug.
Aroun' his hut, beneath his eye,
Fed bout a score o' stirks and key,
Whiik, wi- his wife and family, were
His pleasure aud pecular care :
A mang sic barren heights and howes,
W h a r grain for food but scanty grows,
His family were but sparely fed—
Right coarse, and barely were they clad;
l or he had wi' the laird for years
Had, 4 aginst his will been in arrears
For whiik he had to thole the snarl
And threats o' the tyrannic carl
Till Donald's independent spirit

�17
Nae langer was resolved to bear it,
And hardships was resolved to scorn—
As the saying is, 4 to inak' a spoon or spoil a
horn.'
He shrewd and clever was, I t r o w ;
Spak 4 Gaelic weel, and Lawlan's, too ;
And, as he was an honest chiel,
By a4 his neighbours liket weel.
Ae day—contrivin' what to dae
To keep hiinsel' aboon the brae—
A plan he modell'd in his head,
And thus it down before them laid :—
That twa weeks hence in England, there
W a d be a great black cattle fair,
Wliar kye as he learnt frae men o' dealings
Gied double price gi'en in the Highlands.
Now if, wi' what he could himsel
Spare safely frae his flock to sell,
They wad mak' up a drove amang them,
He pledged his word he wadna wrang them,
But render, at his 0011™' back,
A just account 0' ilka plack;
Allowing him for recompense
Some sma' commission a n d ' s expense.'
On this they quickly greed to gie

�Itf
Out o' their flocks some twa, some three
Till a handsome drove colleckit,
x\nd to the south his way direckit.
H e mounted was upon a pony,
A dog his servant was, and crony;
And by his side, like ony lord,
There hung a braid sheep-headed s w o r d No as a wcaqon o' offence;
But, in case o' need, for self-defeijee ;
For they wlia liket, rich or poor,
Might wear a sword in days b1 yore.
Baith ear' and late—baith wat and dry—r
The dog and Donald drave the kye :
And, after muckle toil and care
A* safe and sound they reached the fair.
The kye were said—the price was paid—
'Twas down in yellow guineas laid;
The guineas in his purse was sneckit—
The price was mare than he expeckit.
Whilk raised his heart—and I wat weel
H e thought himsel' a clever chiel.
Instead o' Donald longin' careless
About the fair, to keek at fairlies,
Or bonze wi limmers, or to gamble,
Or spend his cash in ony ramble^

�19
He wisely mounts
Highland sheltv,
And took the roful on heltv skeftyv
As he rode on and cracked his wimp,
y gentleman came riding up,
Wha bade' Good day/ wi friendly air,
And spiered • if he'd been at the fair?'
When Donald; without vain parade,
Returned him thanks, and said 4 he had f
And a his business; tap and tail o't,
When at the fair, he la ni l the hale o't.
Right crotise they grew wi' ane anither.
And mony stories tanfd to ither,
Rout kings ain' priests an' great commanders,
The wars in Britain, France, and Flanders.
When mony niHeVthey'd rode in league,"
They in a hollow reached a brig
Across a burn, that ran wi' ease
Down through a glen adorned wi' trees.
Now 'twas a bonnie summer's day,
When a' the fields were clothed and gay,
They stopped, and dropped there tales and jokin',
Their horses'lowing drouth to slokeri,
And greed some little time to pass,
To let them rest and eat some grass.

�20
Now, as Donald and his comrade sat
Upon the green, they resumed their c h a t :
And Donald's dog before their teet
Lay stretched, and panting wi' the heat —
And Donald's sword, which he did carry
Beneath his hodden-grey havarry,
The Englishman's attention seized,
He begged a sight o% if he pleased
Whilk Donald drew and frankly gave him,
In confidence he'd not deceive him.
The billy thanked him for the sight o't,
Then praised the size the mak, an weight o't.
And asked at Donald, on his word,
If maist he trusted to the dog or sword,
Supposing the case, that any pad
Should demand the money that he had ?
' The sword,' quoth Donald, * I can wield,
And should sic wretch, by road or field,
E'er daur demand frae me a shilling,
I'd plunged with freedom in the villain ;
Yet ne'ertheless, for a' my cracks o't,
1 wadna gie the dog for sax o't.
W i ' this the fellow, at the word,
Chapped aff the dog's head with the sword ;
Syne pointed it to Donald's heart,

�21
And swore he with his cash should part,
Or instantly, with stabs and cuts,
He'd pierce his heart and rip his guts.
* 0 1 ' says Donald, * spare my life,
F o r sake o' my poor weans and wife!
Hae, there's the cash; but wi&lt; what shame
And grief maun I face friends at hame !
They'll no believe a word o't neither—
Lord help's, we're ruined a thegitker 24
' Stop,' says the fellow, ? cease your crying
Your friends will not suppose you lying;
They will believe what you say to them.
By evidence which you shall give them
From ever man I rob I've credit,
By giving me his hand I did i t ;
My comrades ami I together
This token give to one another ;
So one of your hands must go with me
So take your choice, which shall it be,
&lt; My dog is gane and darling purge,
And now my hand - s t i l l worse and worse
Hae mercy on me " Donald prays,
I'll be a beggar a' my days.'
'No mercy for you, ' cried the wretch ;
^pme, down wi t—I'll make quick dispatek

�22
&lt; Weel-then,' says Donald, 4 I submit,
But ae repuest grant, if it's f i t ;
That is, since my left hand must go,
Drive't aff at ae most desperate blow •
N o on the saft green, there perhaps
Ye'll pine me sair by several chaps,
But ye'll at ance mair siocar do t
On yonder smooth tree's spreading root.*
P u i r Donald's prayer was heard, he then
Made bare his left hand shackle-bane,
And on the tree root laid it quaking ;
The robber now his aim was taking—
Baith hands raised the vengfV whittle,
And, as he drew with awful ettle,
Sly Donald slipped his arm a-jee.
W h e n firm the sword stuck in the tree.
4
Have at ye now, ye cruel wretch,'
Quoth Donald, 4 I am now your match V
that he caught him by the collar,
G i e d h i m a jerk that garred him gollar;
Donald's blood boiled in a passion,
H e gied his face a horrid bashin,
His cravate Donald squeesed sae tight,
T h a t faith he strangled him maisfc outright.
By this means Donald manned to mak

�23
His hands secure ahint his back*
Syne on the horse he put the billy,
His feet he tied beneath his belly;
T h e dog, whom Donald mourned full sore,
A frightfu' sight of reeling gore,
H e on ahint the fellow placed
Across the hurdies of the beast.
Syne, Donald's triumph to evince,
H e mounts his horse proud as a prince—Brandished the sword, and dared the blade
To move his hands, feet, tongue, or head;
T h a t if he did, he warned him now
Up to the hilt he'd run him through.
Sae on t h e road they moved alang,
And Donald crooned a Highland sang;
They reache'd the town, folks were surpris'd
T h e rober soon was recognized;
The magistrates they brawly kent him,
F o r mair nor arice he'd been f o m e n t them,
F o r mony years his deeds of horror
H a d kept baith far and near in terror,
F o r whilk, whae'er wad apprehend him,
And to the nearest prison send him,
W a d he entitled to regard,
And twenty guineas of reward,

�24
Whilk Donald got in word a«d deed,
With honours heaped upon his head.
T h e rober, too got his reward—
Stern Justice at him awfu' stared;
(3 u lt and remorse his bosom stung,
Hence he was tried, condemned, and hung.
Bauld Donald soon arrived at ha me,
Paid aff his laird and ilka claim ;
Mair o' him ye'd tire to hear me tell,
But he was soon a laird himsel ,
Yet ne'er forgot the awfu* shock,
When his left hand lay on the block

E N D OF DONALD AND HIS

DO0

�</text>
                  </elementText>
                </elementTextContainer>
              </element>
            </elementContainer>
          </elementSet>
        </elementSetContainer>
      </file>
    </fileContainer>
    <collection collectionId="40">
      <elementSetContainer>
        <elementSet elementSetId="1">
          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="26656">
                  <text>Woodcut 033:Title-page illustration of a young man in casual dress standing in front of a large box of tobacco in a tropical climate.</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <itemType itemTypeId="18">
      <name>Document</name>
      <description>A resource containing textual data.  Note that facsimiles or images of texts are still of the genre text.</description>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="22032">
                <text>The comical story of Thrummy Cap and the Ghaist. To which is added The Highland story of Donald &amp;amp; his dog.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="52">
            <name>Alternative Title</name>
            <description>An alternative name for the resource. The distinction between titles and alternative titles is application-specific.</description>
            <elementTextContainer>
              <elementText elementTextId="22033">
                <text>The Highland story of Donald &amp;amp; his dog</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="78">
            <name>Extent</name>
            <description>The size or duration of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="22035">
                <text>24 pages</text>
              </elementText>
              <elementText elementTextId="24607">
                <text>15 cm</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="22036">
                <text>&lt;a href="https://ocul-gue.primo.exlibrisgroup.com/permalink/01OCUL_GUE/mrqn4e/alma9923288593505154"&gt;s0488b16&lt;/a&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="37">
            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="22037">
                <text>Archival and Special Collections, University of Guelph Library, Guelph, Ontario, Canada</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="22039">
                <text>In the public domain; For high quality reproductions, contact Archival &amp; Special Collections, University of Guelph. libaspc@uoguelph.ca, 519-824-4120, Ext. 53413</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="22040">
                <text>1840-1850 per National Library of Scotland</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="24606">
                <text>JPEGs and PDF derived from master file, which was scanned from the original book in 24-bit color at 600 dpi in TIFF format using an Epson Expression 10000XL scanner.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="24760">
                <text>Glasgow: Printed for the Booksellers</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="26313">
                <text>Archival &amp; Special Collections, University of Guelph Library, Guelph, Ontario</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="26657">
                <text>poetry</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="26658">
                <text>Wit and Humor</text>
              </elementText>
              <elementText elementTextId="26659">
                <text>Supernatural</text>
              </elementText>
              <elementText elementTextId="26724">
                <text>Chapbooks - Scotland - Glasgow</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
    <tagContainer>
      <tag tagId="206">
        <name># of Woodcuts: 1</name>
      </tag>
      <tag tagId="260">
        <name>Architecture: hut</name>
      </tag>
      <tag tagId="103">
        <name>Bib Context: title-page</name>
      </tag>
      <tag tagId="110">
        <name>Chapbook Date: 1831-1840</name>
      </tag>
      <tag tagId="106">
        <name>Chapbook Date: 1841-1850</name>
      </tag>
      <tag tagId="297">
        <name>Chapbook Genre: fairytale/folk tale</name>
      </tag>
      <tag tagId="105">
        <name>Chapbook Publisher - Glasgow: Printed for the Booksellers</name>
      </tag>
      <tag tagId="331">
        <name>Fashion (Clothing): working class</name>
      </tag>
      <tag tagId="91">
        <name>Gender: man/men</name>
      </tag>
      <tag tagId="155">
        <name>Nature: flower(s)</name>
      </tag>
      <tag tagId="144">
        <name>Nature: tree(s)</name>
      </tag>
      <tag tagId="261">
        <name>Object: crate/barrel(s)</name>
      </tag>
      <tag tagId="262">
        <name>Object: tobacco</name>
      </tag>
      <tag tagId="102">
        <name>Outdoor Scene</name>
      </tag>
    </tagContainer>
  </item>
  <item itemId="1049" public="1" featured="0">
    <fileContainer>
      <file fileId="1962" order="1">
        <src>https://scottishchapbooks.lib.uoguelph.ca/files/original/c7939eb28486fc07bce3bda06f76d7f9.pdf</src>
        <authentication>782c8e0edd617040a91f071e9ebcc640</authentication>
        <elementSetContainer>
          <elementSet elementSetId="7">
            <name>PDF Text</name>
            <description/>
            <elementContainer>
              <element elementId="119">
                <name>Text</name>
                <description/>
                <elementTextContainer>
                  <elementText elementTextId="22058">
                    <text>T H E CONSTANT

LOVERS;

JEMMY AND NANCY OF YARMOUTH.
PART 1. Shewing how beautiful Nancy of Yarmouth fell in love
with young Jemmy the Sailor.—2. How the Father conveyed a
letter to destroy young Jeminy, his daughter's sweetheart.—3. Shewing how the Ghost of young Jemmy the Sailor appeared to beautiful
Nancy of Yarmouth.—4. How the Ghosts of these two unfortunate
Lovers appeared to the boatswain, and he, having his trial, wag
hanged at the yard's arm.

THE BLOODY GARDENER.
L I K E W I S E A BRIEF HISTORY OP

THE EARL OF ESSEX,
A GREAT

FAVOURITE

OF

QUEEN

ELIZABETH;

WITH A LAMENTABLE BALLAD 0R HIS DEATH.
TO W I H IS A D D
H
C
DE,

DAFT WATTY'S RAMBLE
TO CARLISLE.

GLASGOW:
PRINTED FOR THE BOOKSELLERS.

95

iSt

gs

�§

rKAT8KO0 ' f K T

• HTU0MH/.7 10
e &gt; o i . ?ri ifo'l
is bzrrmoj

I'^'omfflY
• v'

:-f

to

.

&lt;KA 7MM31
I t / i n i f f or'

o»lt w«»i&gt;

iofi.;^

-wor!
f&gt;i!1

J

nm-ol

K

^ftiroT

dltrr

O

- w o r i ^ . 8 — . J i r u H o i r w a a'l&amp;tifyu/sij «tii , 7 m u i ) l s i m j o / x o i J a a f c o J fo-tt^I

££

IjrtlJussd o ) bstifidqqA i o i i r . 8 orf» y . n i n i 3 t 3 * 0 / 0 7 ^

^

eititwHo'Uw

offi

M9dt

Jfitt* 8i ' 3

^

t o a*

woH

li .Oil •/' ,r':&lt;

„

)o 7

J -.diuoansl

»1 it;-:
»

.ariu

"u1.

a'bifi

-

-oJt

in Jm iitnd

io!

W,

§8

oj,

3
IVdVWUU.V)
£K
0

Y d O O J H

I " TKOTBIH

f

• ?

i

-HTK-AASIJK

§

/Q*

j*orf*&gt; od-i r-orf

, Ty j
H

r

i()
19 1 0

M H T

J H /

M

3TIFL'J07AL

1

joi

A SAI^RNXI.

TASK?)

H T
A-

*fH KO «A J i A a I J I M I t S l i J

8i&gt;0
s

HTi?

I.i.jai/ujr

i

a - Y T T A w

n /

. a j e u H A O OT

a

i

Se
§3

£3
A
o&lt;
S3

: WO 0 3 Ad D
f iia r j a « H 0 0 a a m n o t

B^ - a m c c f f i r r f '

ccm.

n - i i A i a t

i

1

�T H E CONSTANT LOVERfif;
9
.boid iiftsnr o« -f ifn- f quo rftivr bow rror K
OR, TRAGICAL LOVES OF

,8iUKhoi XaOT;: ,&gt; 'Jim V Y
!
O
gnuo^ i&gt;ii», gmccnu&amp;tfa Jutrunv^'f

uo^ sodissu ^

JEMMy AND NANCY OF YARMOUTH

PART I.
Shewing how beautiful Nancy-of Yarmouth fell in lovo with young
iemniy the Sailor.

:v '

TUNE—" The Yarmouth Tragedy

LOVERS, I pray, lend an ear to my story,
Take an example by this constant pair ;
How love a Ypung virgin did blast in her g w y ,
.Naaicy of Yarmouth we hear.
Slie was a merchant's only daughter,
Heir unto fifteen hundred a-year ;
A young man who courted her call'd her Li - j vrel,
Jhe son of a gentleman who lived near.
j W f H'J f f : T Ik*-: 1
r
Many long y'fcars the fair maid he admir'd
When they were infants in love they agr; • ' :
And when at age this young couple arrrv'd,
Cupid an arriow between them displayed.
Their tender hearts were linked together—
But when her parents the same they did hear,
They to their charming young beautiful daughte?
Acted a "part that was hard and severe.

�4

Daughter, they said, give o'er your proceeding;
If that against our. consent you do wed,
For evermore we resolve to disown you,
If you wed with one that is so mean bred.
Her mother said, you have a great fortune,
Besides you are beautiful, charming and young;
You are a match, dear child, that-is fitting
For any Lord that is in Christendom.
Then did reply the young beautiful virgin,
Riches and honours I both do defy,
If that I'm denied of my dearest lover,
Then farewell, world! which is all vanity.
Jemmy's the man that I do admire,
He is the riches that I do adore ;
For to be greater I never desire,
My heart is fix'd, never to love more.
Then, said her father, 'tis my resolution,
Although I have no more daughters but theo,
If that with him you resolve for to marry,
Banish'd for ever from me thou shalt be.
Well, cruel father, but this I desire,
Grant me that Jemmy once more I may sea,
Though you do us part I still will be loyal,
For none in the world I admire but he.
For the young man he sent in a passion,
Saying, for ever, Sir, now take your leave ;
I have a match more fit for my daughter,
Therefore it is but a folly to grieve.
Honoured father, then said the young lady,
Promis'd we are by the powers above *

�«
Why of all comforts will you bereave me,
Our love is fix'd never to be removed.
Then said her father a trip to the ocean,
You first shall go in a ship of my own,
And 111 consent you shall have my daughter,
When to Yarmouth again you return.
Honoured Sir, then said the two lovers,
Since 'tis your will we are bound to obey,
Our constant hearts can never be parted,
But our eager desires no longer can stay.
Then said kind Nancy, behold, dearest Jemmy,
Here take this ring, the pledge of our vows,
With it my heart, keep it safe in your bosom,
Carry it with you wherever you go.
Then in his arms he close did enfold her,
While chrystal tears like a fountain did flow ;
Crying, my heart in return I do give you,
And you shall be present wherever I go.
When on the ocean, my dear, I am sailing,
The thoughts of my jewel the compass shall steer ;
These tedious long days speedily time will devour,
And bring me home again safe to my dear.
Therefore be constant, my dear lovely jewel,
For, by the Heavens! if you are untrue,
My troubled ghost shall torment you for ever,
Dead or alive, I will have none but you.
Her lovely arms round his neck then she twined,
And saying, my dear, when you are on the seas,
If the fates unto us should prove cruel.
That we each other no more ever see

�6

No man alive shall ever &lt;$ijoy me—
Soon as t^e, tidings of
rea«h myrear*
Then, like a poor unfortunate lover,
Down to the grave I will go to my dear.
- -. r
» i. — i t' i J!
Kfrs
Then with a sorrowful sigh fie departed,
The wind next morning blew a pleasant gale
All things being-ready, the fam'd Mary Galley,
Then for Birbadoes sho straightway set sail
j m o Off bnnod oxa f t

U i W UJOY

atf aonitf

How the Father conveyed a letter to destroy young Jemmy hi&lt;?
daughter's sweetheart.-,.
•r ' *
j t

,TIIIfQ9t J89169B .DKM'Ju
DIUA J}I£3 JBU I
JEMMY was floating upon t&amp;E wide ocean*
And har cruel parents were pktttskig! i$m whiles
How that the heart of-tfeeir beautiful? dfaUgfym/
With cursed gold should strive to beguile.
Many a Lord of fame, birth, and breeding,
Came to court this young beautiful maid ;
But their rich presents and proffers vshe slighted*
Constant I'll be to my jewel, she said.
Now for a while we will leave this fair maiden,
And toll how things with, her did go ;
In fair J^arba^qes the sftip fairly arrived,
But now observe tliis lover's overthrow.
fewoi vloyol
yra liifi^noa
aiotwsiIT
Young Je;mny: Wci3 SWH? m
Mature, ,
riglish
She dressed herself in gallant, attire,
With costly diamonds she plaited her hair,
S3
V

Of

�And a hundred slaves well dressed to attend her,
She sent for this young man to come to her.
Come, noble sailaiy she cry'd, can you fancy
A lady whose riches are very great,
A hundred slaves you shall have to attend you,
And music to charfti ypu iii your .silent sleep.
In robes of gold, my dear, I will deck you,
Pearls and rich jewels I'll lay at your feet,
In a pharioi of gold you shall ride for your pleasure
If you can fancy me, answer ine straight.
Amazed with wonder, awhile he stood gazing,
Forbear, noble lady, at length he replied,
In flourishing England I've voAv'd to a lady,
At my return for to make her my bride.
She is a charming, young, beautiful creature,
She has my heart, and I can love no tiiore;
I bear in my eye her sweet lovely feature,
No other creature in earth I'll adore.
ovoI'aM oi teb'rfg ftttbort ail-I
tt*SKbih
Hearing of this she did rave in distraction,
Crying,' unfortunate maid, thus to love
One that does basely slight all my glory,
And of my person he will not approve.
Loifds of renown, I their favours have slightod,
Nx)W I must die for a sailor so bold :'
'T'
I must not blame him because he is constant,
True love, I know, is far better than gold.
A costly jewel she instantly gave him,
Tfeen in her trembling hand took a knife,
One fatal stroke, before they could save her,
. Qurckly^ dift put an end to her • life.

�8

Great lamentation was made for this lady—
Jemmy on board the ship he did steer;
And then to England he homeward came sailing,
With a longing desire to meet with his dear.
But when her father found he was returning,
A letter he wrote to the boatswain, his friend,
Saying, a handsome reward I will give you,
If you the life of young Jemmy will end.
Void of all grace, and for sake of the money,
The cruel boatswain the same did complete,
As they on the deck were lovingly walking,
He suddenly tumbled him into the deep.

P A R T III.
Shewing how the Ghost of young Jemmy the Sailor appeared to
beautiful Nancy of Yarmouth.

IN dead of the night, when all were asleep,
His troubled ghost to his love did appear,
Crying, Arise, you beautiful Nancy,
Perform the vow you made to your dear.
You are my own, therefore tarry no longer,
Seven long years for your sake did I stay ;
Hymen does wait for to crown us with pleasure,
The bride guests are ready, then come away.
She cry'd, Who is there under my window ?
Surely it is the voice of my dear:
Lifting her head off her downy pillow,
Straight to the casement she then did repair.
By light of the moon, which brightly was shining,
She espied her lover, who to her did say,

�Your parents are sleeping, before they awaken,
Stir, my dear creature, and straight come away,
0 Jemmy, slie cried, if my father should hear the
We shall be ruin'd, pray therefore repair,
At the sea-side I will instantly meet you,
With my two maids I will conie to you there".
Her night-gown, embroidered with gold anu
Carelessly round her body she throws,
With the two maidens who did attend her.
To meet her true-love she instantly goes.
Close in his arms the spirit did enfold her,
Jemmy, she said, you are colder than clay ;
Sure you can never be the man I admire,
Paler than death you appear unto me.
Yes, fairest creature, I am your true lover,
Dead or alive, you know you are mine :
1 come for my vow, my dear, you must follow
My body now to a cold watery tomb.
I for your sake refus'd gold and silver,
Beauty and riches for you I despis'd,
A charming young lady for ine did expire,
For thinking of you I was deaf to her cries.
Your cruel parents have been my undoing,
And I do sleep in a watery tomb,
Now for your promise, my dear, I am suing,
Dead or alive, love, you are my own.

\

�1*0

7sffr

• = &gt;- j-1fj&gt;m: ^e'fwifi^'f)
PART

vm

IV.

B«w the Ghosts of these two unfortunate Lovers appeared to llie
Boatswain, and he, having his trial, was hanged at the-yard'a arm,

THE trembling lady was sorely affrighted,
Amazed, she stood near the brink of the sea,
With eyes lift to heayeri, ,she cried, Cruel parents,
Heaven requite you for j o u r cruelty.
Indeed I prolnis'd, my dbarest creature,
Dead or alive, I would be his -own ;
Now to perform my solemn vow I am ready,
And to follow him to his watery tomb.
The maids they heard the sad lamentation,
But the apparition indeed could not see :
Thinking the lady was fallen into distraction,
They strove to persuade her contented to be, , j
: Q I K O'lfi iK)7 woiisf i; )V ,0'fils 10 b£9(l
UC
But still she cried, My dear, X am comings
And in thy bosom I'll soon fall; asleep :
When she had spoke, this unfortunate lady
Suddenly plunged herself into, the deep.
! « .-"f hi i. VtlWjyH
••
'
But when to her father the maids told
maker,
He wrung his hands, crying, What have i J.done ?
Uli! dearest child, it was thy cruel fattier
That did provide thee a watery tomb.
Two or three days then being expir'cl,
These two unfortunate lovers were seen,
in each others arms they together were floating,
By the side of a ship, on the watery main.
The cruel boatswain was stricken with horror,
Straight did confess the sad deed he had done—

\

�11

Shewing the letter that came from her father
Which was the cause of these true-lovers' doom.
On hoard the ship lie was tried for the murder,
At the yard's arm wfsfs^ing'd for the same,
Her father he soon broke his heart for his daughter,
Before the ship into the harbour then came.
The cursed gold has^used destruction,
Why should the rich covet after gain ?
I hope this story it will be a warning,
That cruel parents may ne'er do the same.
True love is better .than jewels and treasure,
Riches can never buy true love, I know ;
But this young couple,the^
measure,
Love was the occasion of their overthrow.
.woiiiiiovo i-jii ovoiq i X -&gt;voI out?
*meIo

m l died
^Jnaod fo a&amp;w od&amp;
\ 9*0^ behuoo erfa biol oldon ji y d baA
Jbinl ow .^nnov ooi znvr
ot 070f bnol JOY ?./
fhcifn
.siAazne

% e o i f t c

.
L
v-

bib
wo:t

Jissd
itejd

isd
v-iov

biquD
-n-nr

.-hill
ajnewi

,n&gt;H
&amp;i3(

.iWtem on u ivAz ,
vM &lt;bi.es ^oifT
/JTAif ^iri^old I O b'nov &gt;]
U

&gt;

4©brri

o w icdw

tu-J ?.u J r u n : *

Hah ow modw ot :.:J onuri.fcsv

gnunifiiio &amp; 3«orio sv'I tno?. yen &lt;tfoy IOI
; obiasd Mitoasd Luis ,ffoh bus ^nnoy
, &lt;cml bnn bnri v&gt;qmo*10\ .
~~~ooiii iol opcode I ii:&gt;xj3ai airfT

�THE
)iii w, »«rrl 'ioi jj, or! tiiUdmd n- ; ed 'i , !.&gt;f?t iof

BLOODY GARDENER'S TRAGEDY.

You constant lovers all, pray lend an ear
To this relation which I bring you here ?
'Tis of a maiden fair,
A Shepherd's daughter dear,
True loye did prove her overthrow.
She was of beauty bright, both fair and clear,
And by a noble lord she courted were;
She was too young, we find,
As yet fond love to mind,
But little Cupid her heart did ensnare.
His parents were very high now in degree,
They said, My son, she is no mattfi for thee:
If you'd our blessing have,
Grant us but what we crave,
Pray wed.none but to whom we shall agree.
For you, my son, IVe chose a charming bride,
She's young, and rich, and beautiful beside;
Of temper kind and free,
This match I choose for thee—
A shepherd's daughter of so menu degree!

�13

If that by us you 11 not be rul'd or led,
From our presence you shall be banished 5
No more we will you own,
For to be our son ;
O! let our will be done, or we'll end the strife.
Madam, if I a begging witli you should go,
Contented should I be in doing so,
So that I could but have
The girl that I crave—
No cursed gold should part my dear and me.
Was she as poor as Job, and I of royal line,
And lord of all the globe, she should be mine ;
His mother said, in scorn,
My son is noble born,
And with a beggar's brat shall ne'er be join'd.
He hearing of his mother saying so
Tears from his eyes in fountains did flow ;
A promise I have made,
Her heart I have betray'd,
No other for my bride you e'er shall see.
A snare then for her precious life she laid,
And for to act the thing which she then did
With her gardener she agreed,
To do this bloody deed,
Her butcher for to be and dig her grave.
To the bloody gardner, she gave eighty pound,
To murder her, and lay her under ground ;
All in a grave so deep,
In everlasting sleep,
That her fair body never might be found.
He wrote a letter, and sent it with speed,
Saying, My dearest love, with h?ste proceed,

�14

b'hn^d ioa il ooy su
iv dear
Meet me to niglit, my .dea
Something I will declare:
Poor soul! she little thinking of tho deed.
She threw the fetter down and run with speed,
Thinking to mqet her own trpe love iiadeet};
She search^ the garden round,
But no true lovc; she found :
At length the bloocjy gardener did appear.
What business have you here, madam, I pray ?
0, are you come to rob ; p y garden gay ?
She said, 110 thief I am,
1 wait for a young man,
Who did appoint this night to meet mp here.
He iiotliiiig more did say, but took a knife,
And bade her straight prepare to lose her ljJfec
She on iier knees did fall,
Ancl to heaven did call,
0 ! welcome, welcomo cloatli, my fatal stroke !
Was this done, my dear, by your cresign ?
it by y&lt;j)ur jmr^jitsy most
uj^nd,
My .life is thus betray d?
Farewell! fQiicUove, she, said,
I hope in lie&amp;ven I a p^ace shallfimd\
The bloody gardener found her life was gone,
Dead in the ground hq laid her body down ;
T^ith flowers fine and gay,
The grave did overlay,
Thinking her fair boay never might be found.
This youthful lord, indeed, did little know,
Next day jjo sero ^is own true love did go ;
No shepherdess was there,
M l rourici the vallies fair,
The pretty lambs were wand'ring to and fro,

�15
Lamenting for £he*r tender shepherdess,
Then he laid him down upon the grass,
T™ Heavens lie did implore,
That he might see her once moye,;
0 ! then ye gods, sa^s he, t.sliiall be biessU. .
dlftfoob of) I ovoi» £ :i0ri
Where shall I go to find that jangeL ,hnght ?
She is the pleasure of my heart's delight ;
Oh ! i f alive she be,
Once. moi^e lot me her
.. • ^ j, 0n t [:
Or else my soul shall quickly take its flight. i:[{[
^
• ' '»'
i n VjioiVujnt^ ni orfB
The woods and groves with him did seemio mourn,
The small birds they did sing a mournful tune
Saying! Your true love is gone,
And-y(pu are left alone :
. . ,,
Then on a mossy bank lie laid him down.
II 1 1
I ' l T
'
lie had no sooner clos d lus
to resit, /
But a milk-white dove did hover on his breast^ r j
The fiuttring wings did bear
Which wak'jcl him. .fejn his sJcej^,, •
T
And then the dove took flight, and lie was left.
Now wailing for his love,, in sad despair,,
To his mother's garden li^j^en (li^kep^ii^
"Whe#etfi'6"dove again he 3id see
Sitting on a myrtle tree,
With drooping wings it did sorrowful appear.
Thou Dove so innocent, Why did you come,
0 have you lost your mate, as I have done ?
No shepherdess was there,
All round the vallies fair,
The pretty lamb3 were wand'ring to and fro.
And on the virgin did seem to go,
Out of her milk-white breast the blood did flow;

�16
To the place it did repair,
But no true-love was there ;
Then frightened to his mother he did g o :
And told what unto him there did appear,
Saying, I fear you have kill'd my dear ;
For a dove I do declare,
Did all in blood appear,
And if she is dead, I'll have my share.
His mother hearing of what he did say,
Did turn as pale as death, and swoon'd away
She in distraction run,
And told him what she'd done,
And where the virgin's body it was laid.
He nothing more did say, but took a knife,
Farewell the joy and pleasure of my life:
He unto the garden flew,
And pierc'd his body through ;
It was cursed gold that caus'd the strife!
These lovers in one silent tomb were laid,
And many a briny tear for them was paid:
The gardener, as we hear,
Was apprehended there,
And now all three are in their silent grave.

�17

A

B R I E F

H I S T O R Y
Of

R O B E R T D E V E R A U I , E A R L OF ESSEX.
A GREAT FAVOURITE OF QUEEN ELIZABETH ;

With a Lamentable Ballad on his Death.

ROBERT DEVEREAUX, Earl of Essex, was in every
respect qualified for a soldier, but the most unfit
man in the world for a courtier. He was very
young when his father died; and was not taken
notice of till the year 1589, a twelvemonth after
the destruction of the Armada, at which time he
hired some ships, and bore Drake company in an
expedition he was going upon.—In 1591 he began
to grow into favour, and was that year sent to the
assistance of the king of France, with some forces
under his command, and acquired much fame, so
that in 1597 he was sent admiral of an expedition
into America. On his return he grew high in the
queen's favour, and grew so insolent upon it as
often to contradict her ; but this never so arrogantly as in the year 1598, when the queen consulted with three or four counsellors about sending
a superintendant of the affairs of Ireland into that
kingdom. The queen had thoughts of Sir William

�18

Knowles, uncle to Essex; but he as strenuously
stood up for Sir George Carew; but with this the
queen would not comply, when he, in a^contemptuous manner, turned Ins back upon her, which she
immediately msente^'Hy'hiitMg'hW^a box on the
ear. The earl now laid his hand upon his sword,
but the others interposing, he was obliged to retreat. Essex afterwards made submission, and
W^-again rMeij^LiHto foyour. At ihifs timp ihe
^Mficm in IrefaM wa^grown to a 'greaii height,
and the lord-deputy being dead, several were proposed .to be sent thither? when Essex hinted he
should be glad of that command, to which the
queen consented. lie accordingly went with a
large army, and an unlimited generahcommisAion,
and soon appointed the Earl of Southampton as
acting general. The intention of the government
was, that Tir-Owen, the most formidable of the
rebels, should be immediately attacked ; but the
whole summer was spent in the pursuit of some
robels of little note.—This conduct obliged the
queen to send him some very sharp' lettefe, which
lie highly Resented. At' lerigtfft lid ordered the
army to march against Tir-OweA ; but ihsteM1 of
eom*ng; to' a battle, lie held" a' private parlby• with
that tfebel, and' concluded a ttarce wfthMn M six
Weokfe,' -renewable dt the end of tliat'time for six
we&amp;ks mbr£; and*so oil. But finding his cortdtifct
disliked1 in Etiglaivd, he h&amp;stened thither, lfeayirigf
Ireland witltout orders ; upon which he was put
jftto etasfcody- at tile Itfrd keeper's house. Aftei4J
moiitfte':confinement he was suffered to go to his
The- qtieeh now ffcoceed^d agaiftst
feftn}k&gt;WW)uWhm' sUfteF Kim
itnpeaclied in
tite sta^chft*liHer,fest thoy'r should accuse him of
high treason, or fine him "considerably. She apjloii&lt;t§4:a s^lefetreMVnnteibii!try him at tfie'lordkeepers, where, after a long hearing, they determim

AMpW

lo tlffoffoifjfiirfimtfp9AT . .mob

�19
edhe should lose his places, and remain in confinement dining the queen's pleasure. Had iria behaviour, : during his confinement, answer^- the
mildness with which ha was treated,
no (foivbt
would soon have been restored to- fawu'iirl^tt I ©
n
wa§ too hot-headed, and those about kiin piNt Him
wrong counsel; they told him the lmi^i^ti'i^
his enemies, and since he could noi/byfeir imam;
he ought to endeavour to remove tdiem biyfrfoimEssex and his colleagues, ,now formed a (teign
of seizing upon the palace, and in ift tke queen and
her • counsel, and also* upon the Towner ami the city
of' London ; but being suspeoted,»he^ wa* summon*'
od. before the council, and refused /to appear un&lt;tep
a pretence of indisposition. Finding- Iris measure*
entirely broken, 011 the 8th of February,: l#0fli W&gt;
ing Sunday, , and early in the mdfn^igi h r hadnsofc
some noblemen and about 300
wifb liiuj,
Thp news- of this beingj brought t£)--thie. queen,
sent the lord keeper, with three more of thcf &lt; O W
JH
:
cilj'to learn the meaning of so&gt; tumultuous .fa &gt; &gt; &gt;
wnv,ention; but instead of Answering them,
iwjfc
Uiean into custody, till lie' could-.-'gtft nito ilio tviaq^
expecting to find every body there would jonfci)i#f:fc
but in this he was entirely deceived, as not one per son would take up arms. He was now proclaimed
a traitor, and a party of- tW-queen's meeting him
near St Paul's, there was a skirmish, in which
some few were killed, and Essex was obliged to*
retreat by watfcri lie /w*iit IW fills own Jious(\
which he fortified in some measure, but in vain.
The great ordnance. was -brought against hirm/,and,
after a &gt; short defence; iu which some livds were
&lt;
lost, he surrendered and was brb light to trial, with
Southampton, before his peers, impeached &lt;of high
treason, convicted, and condemned. Southairripton
was saved; but Essex, on the 2&amp;th&gt; .(being AshWednesday) was. priyajbely• ORAEGLITBIK in- the- Tower.
.*rf2'ff f'^t? t&gt;r.f *?{{ &gt;(ooi
^Ft

�20

'

.-'J

Some writers have asserted, that of all the queen's
paramours, Essex was her greatest favourite ; that
on a certain occasion she presented him with a
diamond ring, as a token of her love and esteem,
and told him, that if at any time he should be
placed in difficult circumstances, on sending her
this ring, she would do her utmost to relieve him.
But unfortunately for him, in the time of his greatest need, he possessed not this token of her affection—a beautiful lady of quality, whom he loved
more than the queen, having previously got it from
him. Some time after the death of Essex, the
queen was informed of the lady who had the ring,
when she hastened to her house, where she found
her in bed, in a dying state, and dragged her from
thence on to the floor by the hair of the head, uttering bitter reflections and imprecations on her for
her conduct.—The queen never recovered her
wonted cheerfulness after this affair, but was more
retired, and less attentive to public business. Her
spirits became more and more depressed, till the
spring of 1603, when death put a period to her
sufferings.

THE

BALLAD.

ALL you that cry 0 llone! 0 Hone!
Come now and.sing 0 Hone with me,
For why, our Jewel is from us gone,
The valiant Knight of Chivalry :
Of rich and poor belov'd was he,
In time an honourable Knight,
When by our laws condemn'd to die,
He lately took his last good night.

�si
Count him not like to Champion,
Those traiterous men of Babington,
Nor like the Earl of Westmoreland,
By whom a number were undone:
He never yet hurt mother's son—
His quarrel still maintain'd the right,
The salt, salt tears my face run down,
When I think on his last good night.
The Portugals can witness be,
His dagger at Lisbon-gate he flung,
And, like a Knight of Chivalry,
His chain upon the gates he hung:
I would to God that he would come,
To fetch them back in order right,
Which thing was by his honour done,
Yet lately took his last good night.
The Frenchmen they can testify,
The town of Gournay he took in,
And march'd to Rome immediately,
Not caring for his foes a pin:
With bullets then he pierc'd their skin,
And made them fly before his sight;
He then that time did credit win,
And now hath ta'en his last good night
Would God he ne'er had Ireland kti'otav.
Nor set one foot on Flanders grounJ,
Then might we well enjoy our own,
But oh, our jewel can not be found—
Which makes our trickling tears abound, •
Washing our cheeks—a mournful sight; 7
Still, still his name in our ears doth sound,
But now he's ta'en his last good night!
•&gt;RIT
r

jva

* ,?LF&gt;

*

"FR

�or 0"Iff ion HU'l HittoO
&gt;o nem
osoiIT
.bnsbiom^o/A lo h*EE ortt oiil to&gt;!

DAFT W A T T Y ' S RAMBLE TO
i n o d i !7 &lt;frf-jni«rrrlM?TT( m c r t p S f H •

.. vol; mrr '

rl

. h " l ^ r r h r r

r rn:?;

^

i.h I

o.&lt;(T

IF J U ax me where I come frae, I say the fell syde,
O
Where ladder and mudcler, aiid honest fVok;beyde,
And my sweetheart, 0 bless her! she thoji^ht nyen
like me,
»
H
_
For when slid shiilk lipids, the tears tiish^d frae
her e'e,
U
Says I * I itiun e'en get a spot if 1 can,
But whafflkH betMe mo, I'll thii&amp; o ' t M , Nan!"
Nan was a perfect |)eauty, wi' twee cheeks like
codlin blossoms-; tip yerra s^t. on her j£$de my
mouth a# water, " Fares-te-weel, Watty!" says
she ; " tou's a wag amang lasses, and 111 snje thee
nae mair!''—Nay, dun net growl, Nan, says I—
,nrw jiboio bib oixiii todi norft eH
" For, mappen, er lang, I'se be jnais&amp;n* mysel';'
Sae we buss'd, and I tuik a last luik at the fell;
On I whussl'd and wander*d ; my bundle I flung
O'er my shoulder* wheai Cow\ey he efter me sprung,
And howl'd, silly, follow! aad fawri'd at myrfit,
As if to say, Watty, we mu»net part yet !?
At Carol I staid wi' a &amp;trae i' my mouthy
And they tuik me, nae doubt, for a promis1'
.bum

j

r

fen

! Mgfrr bcog t &gt;'.f Aifi :vj s ' r on tuE
The weyves com round me in clusters—" What
weage dus te ax, canny lad ?" says yen. " Wey,

i

,

�?3,
three pun and a crown : wunnet beate &amp; hair 0*
mi
b M 9 * « f # h » m
r.
« Dui—wey I cufi ploughs sow, "mow, shear;ffinish,
dlkfy ftiilk, ktirh, W c k i M , fcife ar'^Mfffleiid
cargear, dance a whompype, nick a n?tg\s tail,
hunt a brock, or feight iror a yen o' mv wefeht in
10
aw Croglin parish.'"/''
*
*
An a u m i b e a ^ ^ ^ y ^ ^ c d f ^ W ^ e ^ taw&amp;T*
But that day, I may say't, aw my sorrow began.
ol]&gt;k&gt;t ivy '3 i n &lt;o?&gt;mqqirt bite rfiwg oowi iw .wo/
Furst, Cowley, peur fellow! they h&amp;rtgM i' the
-r(f.G-&gt;nstreet,,Y jj^//' elnfw
a 6f W m J w
Awi sMnn'dj eod' fdrgie them! 'for ehooil W tlrefr
isii*tffT»ftt voIwoO tooq mtblhi
I flriW
1 cry'd, and they caw'd me poor half witted clown,
And' banter'd and follow'd me all up and dowri i
Neist my deam she e'en starv'd me tliattWter liv'd
j-fweei^ifv/ &gt;[iii'&gt;;'il an oi b'irrirtoi n i l 00?. o f
Her. ha*d words; and luiks wad hae frecten'd tfie
: oudetfiLnisbrt
eoimra o^IH moostau^IGW
She had a lang beard, for aw t'warl' like a billygoat, wV a kiln-dried frosty face, and then the
smawest leg 0' mutton in aw Carel market sarvcd
the cat, me and her for a week. The bairnS meade
sec gam 011 us,' and thundered at the tapper, as if
to waken a corp ; when I opened the duir, they
threw stour i' my
caw'd me daft Watty;
Sae I pack'dri4pmy duds S^lien niv quarter was out,
A i i ^ w f ^ w e a ^ r riiy ^clM',
Suin my reet hand breek pocket they pick'd in a
fray*
, Aim ART
And wi' fifteen white shillings they slipp d clean
away,
Forby my twee letters frae mudder and Nan,
Where they said Carel lasses wad Watty trapan ;

�24
*o m i l
ft
Jonnnw
B bflfl nirq oojffa
Ay, there were some forgery chaps had me just
sign my neame. " Nay," says I, " you've getten
a wrang pig by the lug, for I cannot write!"
Then a fellow like a lobster, aw leac'd and feathered, ax't me, " Watty, wull te list ? thou s either be
a general or gomeral." Nay, I winnet, that's
plain ; I's content wi' a cwot a' mudder's spinnin
laxg&amp;S wonoa y rrr vrn J r M %Am I
terfi
JpH
Now, wi' twee groats and tuppence, I'll e'en toddle
heame,
But ne'er be a swodger, while Watty's my neame,
Now my mudder '11 gowel, and my fadder 11 stare,
When I tell them poor Cowley they'll never see
mair;
Then they'll bring me a stuil; as for Nan she'll be
fain,
To see I'm returned to my friends yence again ;—
The barn and the byer, and the auld hollow tree,
Will just seem like cronies yen's fidgin to see ;
The sheep aw ken Watty's voice now. The
peat-stack we used to lake round 'ill be burnt ere
this! As fo* Nan, she'll be owther married or
broken-hearted ere now. An' aw be weel, we'll
hae sic fun, sic fiddlin, dancin, drinkin, singin,
and smeukin, till aw's blue with us—
Amang aw our neybors sec wonders I'll tell,
And never mair leave my auld friends or the fell.
• U - OT^m
M l
THE END.

Y ' i j t d eavrt T i n ^d'lO i
isQ b ru '/'nit ©loriW

�</text>
                  </elementText>
                </elementTextContainer>
              </element>
            </elementContainer>
          </elementSet>
        </elementSetContainer>
      </file>
      <file fileId="1961" order="2">
        <src>https://scottishchapbooks.lib.uoguelph.ca/files/original/a71f3d72321459fdfc223b410cbf56de.jpg</src>
        <authentication>c33f6ad688c5c2ee9b26537231df9057</authentication>
      </file>
    </fileContainer>
    <itemType itemTypeId="18">
      <name>Document</name>
      <description>A resource containing textual data.  Note that facsimiles or images of texts are still of the genre text.</description>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="22042">
                <text>The Constant Lovers; or Jemmy and Nancy of Yarmouth. Also, The Bloody Gardner. Likewise a brief history of The Earl of Essex, a great favourite of Queen Elizabeth; with a lamentable ballad on his death. To which is added, Daft Watty's Ramble to Carlisle.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="52">
            <name>Alternative Title</name>
            <description>An alternative name for the resource. The distinction between titles and alternative titles is application-specific.</description>
            <elementTextContainer>
              <elementText elementTextId="22043">
                <text>The Bloody Gardner</text>
              </elementText>
              <elementText elementTextId="22044">
                <text>Brief History of The Earl of Essex, a great favourite of Queen Elizabeth; with a lamentable ballad on his death</text>
              </elementText>
              <elementText elementTextId="22045">
                <text>Daft Watty's Ramble to Carlisle</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="78">
            <name>Extent</name>
            <description>The size or duration of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="22047">
                <text>24 pages</text>
              </elementText>
              <elementText elementTextId="24605">
                <text>16 cm</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="22048">
                <text>&lt;a href="https://ocul-gue.primo.exlibrisgroup.com/permalink/01OCUL_GUE/mrqn4e/alma9923291353505154"&gt;s0488b29&lt;/a&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="22049">
                <text>95 printed at foot of title page</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="37">
            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="22051">
                <text>Archival and Special Collections, University of Guelph Library, Guelph, Ontario, Canada</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="22053">
                <text>In the public domain; For high quality reproductions, contact Archival &amp; Special Collections, University of Guelph. libaspc@uoguelph.ca, 519-824-4120, Ext. 53413</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="22054">
                <text>1840-1850 per National Library of Scotland</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="22055">
                <text>Chapbooks - Scotland - Glasgow</text>
              </elementText>
              <elementText elementTextId="22056">
                <text>Essex, Robert Devereux, Earl of, 1565-160</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="24604">
                <text>JPEGs and PDF derived from master file, which was scanned from the original book in 24-bit color at 600 dpi in TIFF format using an Epson Expression 10000XL scanner.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="24759">
                <text>Glasgow: Printed for the Booksellers</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="26312">
                <text>Archival &amp; Special Collections, University of Guelph Library, Guelph, Ontario</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="26585">
                <text>ballads &amp; songs</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
  </item>
  <item itemId="1050" public="1" featured="0">
    <fileContainer>
      <file fileId="1963" order="1">
        <src>https://scottishchapbooks.lib.uoguelph.ca/files/original/83903cea1fd110f68fc5a3be57875b08.jpg</src>
        <authentication>29ed4ddf89eedde47df0e246bb6f0581</authentication>
        <elementSetContainer>
          <elementSet elementSetId="1">
            <name>Dublin Core</name>
            <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
            <elementContainer>
              <element elementId="50">
                <name>Title</name>
                <description>A name given to the resource</description>
                <elementTextContainer>
                  <elementText elementTextId="24792">
                    <text>Woodcut on title-page portraying a soldier wearing a helmet with feathers and cloak with ace turned to left</text>
                  </elementText>
                </elementTextContainer>
              </element>
            </elementContainer>
          </elementSet>
        </elementSetContainer>
      </file>
      <file fileId="1964" order="2">
        <src>https://scottishchapbooks.lib.uoguelph.ca/files/original/d109ba6b9a91e7ec5795ade1514de657.pdf</src>
        <authentication>7378d3154a122f449a1a9c53dea237f4</authentication>
        <elementSetContainer>
          <elementSet elementSetId="7">
            <name>PDF Text</name>
            <description/>
            <elementContainer>
              <element elementId="119">
                <name>Text</name>
                <description/>
                <elementTextContainer>
                  <elementText elementTextId="22072">
                    <text>CAPTAIN

W E D D E R B U

UN'S

COURTSHIP.
TO WHICH IS ADDED,

H E Y JOHNNIE COUP.

GLASGOW:
PRINTED FOR THE BOOKSEI.LEKS,

21

�• M

I A

H

A

D

CAPTAIN WEDDERBURN'S COURTSHIP,
' - " • i ^ ^ v %»* ; *&lt; f t
The Lo*4 of Roslrn^ daughter, ^
Walk'd thro* the WooSs lier lane,'
And bye came Captain Wedderburn,
A servant to the lting :
He said unto his servant man,
Were it not against the law,
^ £ j
* I would take her to my own beef,
And lay her next the wa\
I'm walking here albn^she says,
Amang my father's tfees ;
And you may let, m*0 :wklk«alone,
Kind Sir, now if you please ;
The supper-bell it will be furig,
And I'll be miss'd, you.know ;
So I will not lie in you-r bed,.
Neither at stock: nomwaf:
He says, My pretty lady,
I pray lend me jopr'h^nd ;
And you'll have drums and trumpets,
Always at your* command ;
And fifty men to guard you,
Who weirtTieir swords can "draw :
And we'll both lie in ae bed,
And thou'll be next- the wa\
0 hold away from me, kind Sir,
I pray let go my tend ;

'

�The supper-bell it will be rung,
No longer must I stand ;
My father he'll no supper take,
If I be miss'd j o u know :
So I'll not lie in your bed,
Neither at stock nor wa\
Then says the pretty lady,
I pray tell me your name ;
My name is Captain Wedderburn,
A servant to the king:
Tho' thy father and his men were here,
Of them Pd have no awe*
But would take thee into my bed,
And lay thee next the wa\
He lighted off his milk-white steed,
And set this lady ori, .
And held her by the milk-white hand,
Even as they rode along ;
He held her by the middle jimp,
For fear that she should fa',
And said, 111 take thee to my bed,
And lay thee next the wa\
He took her to his lodging-house,
His landlady looked ben,
Says, Many ladies in Edinburgh I've seen,
But never such a one.
For such a pretty face as this,
In it I never saw;

�i
Go make lier up a down bed,
And lay her next the wa\
0 hold away from me, kind Sir,
1 pray you let me be ;
For I will not go to your bed,
Till you dress me dishes three ;
Dishes three you must dress to me,
And I must have them a',
Before that I lie in your bed,
Either at stock or wa\
O I must have to my supper
A cherry without a stone,
And I must have to my supper
A chicken without a bone ;
And I must have to my supper
A bird without a ga\
Before I lie into your bed
Either at stock or wa\
When the cherry is in the bloom,
I'm sure it hath no stone,
And when the chicken is in its shell,
I'm sure it hath no bone ;
The dove it is a gentle bird,
It flies without a ga\
And we shall both lie in ae bed,
And thou's lie next the wa\.
Hold away from me, kind Sir,
I pray you give me o'er,

�$
For I will not go to your bed,
Till you answer me questions four ;
Questions four you must tell me,
And that is twa and twa ;
Or I will not lie in your bed,
Neither at stock nor wa'.
• v Oil r •&gt; •
•;' '
;i j I«7
You must get me some winter fruit,
That in December grew ;
And I must have a silken mantle,
That waft was ne'er ca'd through ;
What bird sings first ? what wood budsfirst?
What dew does 011 them fa' ?
And then I'll lie in your bed,
Either at stock or wa\
My father has winter fruit,
That in December grew ;
My mother has a silken mantle,
That waft was ne'er ca'd through ;
The cock crows, ciders buds first,
The dew does on them fa' :
80 we shall both lie in ae bed,
And thou's lie next the wa\
Hold away from me, kind sir,
And do not me perplex ;
For I'll not lie in your bed,
Till you answer questions six ;
Questions six you must answer me,
And that is four and twa,

�6
Before I lie in your
Either at stock or wa'.
Iktf tanm noy Tjjot sfroitein^
What is greener than the grass ?
What is higher than the-trees!
And what is worse than woman's voice ?
What's deeper than the seas ?
A sparrow's horn, a priest unborn,
This night to join us twa •
Before I lie in yoitr bed,
Either at stock or Wa'.,
Death is greener, than the gras.if;
Skies higher than the trees.;
The devil's worse than woman's voice,
Hell's deeper than the seas ;
A sparrow's horn you may well get,
There's one on every pa,
And two upon the:gab of it,
And you shall have them a'.
;&lt;i8uondiVaono'en
AmterfT'
The priest he's standing1 at the gate,
Just ready to come in,
No man can say that he'was bofcn
No man without a sin.
A hole cut in his mother's side,
He from the same did fa';
So we shall lie in ae bed,
And thou's lie next the wa'.
0 little did this ladj^ .think,t
That morning when she

......

�&amp;J
That it was to be the very last,
Of all her maiden days.
But there's not in the kiiig's realVn,To be found blyther twa l
And now they lie into ae bed, ™ i m o{&gt;
And she lies next the wa\
, &gt;3lI{J&gt;Ji9#l III 6r10U n 0*8(1 ol
.^nitriorn aito x \ WS jih ol
BJ
,-)•&gt;/
» nnnoL ^oH

OrmnaZWArdK \
.y/iiirioifi .*ii'h.!J»«j J !hI iliw-j*
Coup sent a challenge frae Duiaknv
Charlie meet me an ye dare,
And I'll learn you.Ghe art of war,
If you '11 .meet wi' me in &gt;h 2 morning, i
i&lt;
,HJ}\ I nil! ridrt bflootiioo Iiofo ortT
Hey Johnnie Coup1 are ye* waktng Vet',
Or are your drums a-Weatirig yet,
If you were waking I would wait,
To gang to thb hills V the morning. 5
tWSiSb tun too? o sw9M efli tw ecaoo of
• ')]•' ai iV K 'HJ07
/M
'
bt./
When Charlie look'd the letter upon,
. c:
He drew his sword the scabbed, fecte
Come follow me my merry, merry men,
And we'll mee$ Johnnie Ck&gt;jup i' ttemorniiig.
Hey
Artenr^ab liecft xfoiW
\ (xi ^'.-.riil liob ,au3£is msiiJ eosl X W
Now Johnnie be z V g m ^ f i &amp; ^ M , 1 0 8
Come let us try baitfi &gt; m i &amp;

�3
And diima rin away like a frighted bird,
That's chas'd frae its nest in the morning.
Hey Johnnie Coup, (fee.
When Johnnie Coup lie heard of this,
He thought it wadna be amiss,
To bae a horse in readiness,
To flio awa' i' the morning.
Hey Johnnie Coup, &amp;e.
Fy now Johnnie get up and rin,
The Highland bagpipes makes a din,
It's best to sleep in a hale skin,
For 'twill be a bluddie morning,
Hey Johnnie Coup, &amp;c.
.•'/;,;[&gt; ;&gt;in; a:
o
When Johnnie Coup to Dunbar came,
They speir'd at him where's a' your men ;
The deil confound me gin I ken,
For I left them a' in the morning.
Hey Johnnie Coup, &amp;t\
Now Johnnie, troth, ye wasna blate,
To come wi' the news o' your ain defeat,
And leave your men in sic a strait,
So early in the morn itig.
Hey Johnnie Coup, &amp;c,
• • &gt; •; • &gt; r
/ /* ; u
•'v
...
Ah, faith, quo* Johnnie, I got a fleg,
With their claymores and philabegs,
If I face them again, deil break my legs,
80 I wish you a good morning.
Hey Johnnie Coup, &amp;c.

�</text>
                  </elementText>
                </elementTextContainer>
              </element>
            </elementContainer>
          </elementSet>
        </elementSetContainer>
      </file>
    </fileContainer>
    <collection collectionId="39">
      <elementSetContainer>
        <elementSet elementSetId="1">
          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="26642">
                  <text>Woodcut 032: Title-page illustration  of a soldier with his face turned to the left in an outdoor scene. He is wearing a feathered helmet and cloak.</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <itemType itemTypeId="18">
      <name>Document</name>
      <description>A resource containing textual data.  Note that facsimiles or images of texts are still of the genre text.</description>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="22059">
                <text>Captain Wedderburn's courtship. To which is added, Hey Johnnie coup.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="52">
            <name>Alternative Title</name>
            <description>An alternative name for the resource. The distinction between titles and alternative titles is application-specific.</description>
            <elementTextContainer>
              <elementText elementTextId="22060">
                <text>Hey Johnnie coup</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="78">
            <name>Extent</name>
            <description>The size or duration of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="22062">
                <text>8 pages</text>
              </elementText>
              <elementText elementTextId="24603">
                <text>16 cm</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="22063">
                <text>&lt;a href="https://ocul-gue.primo.exlibrisgroup.com/permalink/01OCUL_GUE/mrqn4e/alma9923281033505154"&gt;s0514b40&lt;/a&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="22064">
                <text>21 printed at foot of title page</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="37">
            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="22065">
                <text>Archival and Special Collections, University of Guelph Library, Guelph, Ontario, Canada</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="22067">
                <text>In the public domain; For high quality reproductions, contact Archival &amp; Special Collections, University of Guelph. libaspc@uoguelph.ca, 519-824-4120, Ext. 53413</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="22068">
                <text>1840-1850 per National Library of Scotland</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="24602">
                <text>JPEGs and PDF derived from master file, which was scanned from the original book in 24-bit color at 600 dpi in TIFF format using an Epson Expression 10000XL scanner.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="24758">
                <text>Glasgow: Printed for the Booksellers</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="26311">
                <text>Archival &amp; Special Collections, University of Guelph Library, Guelph, Ontario</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="26643">
                <text>ballads &amp; songs</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="26644">
                <text>Courtship and Marriage</text>
              </elementText>
              <elementText elementTextId="26645">
                <text>Chapbooks - Scotland - Glasgow</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
    <tagContainer>
      <tag tagId="206">
        <name># of Woodcuts: 1</name>
      </tag>
      <tag tagId="103">
        <name>Bib Context: title-page</name>
      </tag>
      <tag tagId="106">
        <name>Chapbook Date: 1841-1850</name>
      </tag>
      <tag tagId="125">
        <name>Chapbook Genre: ballads &amp; songs</name>
      </tag>
      <tag tagId="105">
        <name>Chapbook Publisher - Glasgow: Printed for the Booksellers</name>
      </tag>
      <tag tagId="287">
        <name>Fashion (Clothing): military</name>
      </tag>
      <tag tagId="91">
        <name>Gender: man/men</name>
      </tag>
      <tag tagId="136">
        <name>Weapons: sword(s)</name>
      </tag>
    </tagContainer>
  </item>
  <item itemId="1052" public="1" featured="0">
    <fileContainer>
      <file fileId="1968" order="1">
        <src>https://scottishchapbooks.lib.uoguelph.ca/files/original/2cce36cfd7aea44a9cc109fad6ff099c.pdf</src>
        <authentication>c36fd6941a0cfe1c9edc36abc95cef17</authentication>
        <elementSetContainer>
          <elementSet elementSetId="7">
            <name>PDF Text</name>
            <description/>
            <elementContainer>
              <element elementId="119">
                <name>Text</name>
                <description/>
                <elementTextContainer>
                  <elementText elementTextId="22096">
                    <text>THE STORY

OF THE

LITTLE

WHITE

MOUSE:

OR THE

OVERTHROW OF THE TYRANT KING.

GLASGOW:
PRINTED FOR THE BOOKSELLERS.

30

�LITTLE WHITE

MOUSE.

ANCIENT history furnishes an example of a
k i n g and queen so tenderly attached to each
other, that nothing was wanting to make
their felicity complete.
Their wishes and
their sentiments corresponded exactly on all
subjects; they went frequently to hunt, killing
various sorts of game, and the stag often
became the object of their amusement, or the
victim of their exertions ; they visited the
rivers for the diversion of fishing; and, in
short, whatever gratified the one, became a
source of real delight to the other.
Their
subjects followed so amiable an example,
and thus the happiness of all the nation
consisted
happy.

in mu

T h e k i n g of an adjoining state, whose
manners and dispositions were directlycontrar
k i n g of the L a n d o f Pleasure; for so the
country was called, on account of the
tranquillity
and j o y
there. He was a declared enemy to pleasure;

�3

he sought for nothing but wounds and
bruises; his air was stern and forbiding,
with a l o n g beard and hollow eyes.
H e was
lean and withered always dressed in black ;
his bristly locks were dirty and uncombed;
there was no way so secure to obtain his
favour, but by committing the most atrocious
murders or assassinations: he took upon

himself the office of public executioner,becausehed
suffered. T h i s kingdom was therefore called
the L a n d of Tears,
T h i s wicked wretch, unworthy to possess
a throne, raised an immense army, and
determined with it to spread through the
territory o f this happy neighbour that desolation which was his greate
W h e n all was ready he began his m a r c h ;
but the news of his intention reached the K i n g
of the L a n d of Pleasure l o n g before the
invading
best possible state of defence, and waited the
attack with firmness and resolution.
But
the timid disposition of the queen suggested
a thousand f e a r s : " Sire' said she, " l e t
usfly;let us take the, wealth we possess,
and seek that safety in another quarter or
the world which we cannot now find here."
" I t is m y duty, madam," said the k i n g ,
to remain and protect m y subjects. I am
determined, therefore, to share
their

army, who put

�4
H e then assembled his forces, took a tender
leave of the queen, and marched out to meet
the enemy.
A s soon as he was departed, the queen
g a v e way to the excess of her sorrow, and
clasping her hands together, " A l a s !"
exclaimed
should fall in battle, I shall be left a widow,
in the power of a cruel monster, and my
unborn
idea redoubled her affliction. T h e k i n g wrote
to her every d a y ; but one morning, when
she was watching for the usual messenger,
with fear pictured in his countenance, he
dismounted immediately, and entering her
presence, " O h ! madam," said he, " a l l is
lost; the k i n g , is slain, the army defeated,
and the ferocious conquerer almost at our
backs."

she,

chil

T h e poor queen fell senseless; her attendants carried her to
stood weeping round; they tore their hair
in the bitterness of their affliction, and no
scene in the world could have been more
affecting. B u t their sobs and lamentations
were soon drowned by the cries that every
where spread through the palace of the cruel
manner in which the victorious army was
desolating the city.
T h e wicked k i n g , at
the head of his savage troops, was incessantly
employed
in e x c i t i n g them to acts of cruelty

�5

and plunder; and, thus directed, they slew,
without discrimination, every person they
met.
H e entered the palace, and penetrated
without ceremony into the most , retiredapartments,whe
distresses unmoved, and b y his ferocious
manner and brutal threats, added terror to
the pangs she felt before.
T h u s , too much
intimidated to answer a word, this monster
of a k i n g , supposed her silence to proceed
from sullenness and ill humour; he seized
her rudely by the hair, which the negligence
of g r i e f had suffered to fall loosely on her
shoulders, and then d r a g g i n g her from the
bed on which she lay, he through her across
his shoulders, and carried her a w a y without
remorse; he then mounted with her on his
steed, and rode off.
She besought him, with
tears and supplications, to have pity on her
sufferings; but he mocked her cries, and
said to her, u Weep on ; your complaints
are a source of pleasure and deversion to
me."

He carried her towards his own capital,
and, during the time that he was on the road,
he took the most dreadful oaths that he would
h a n g her as soon as he readied i t ; but he
was soon informed, on his arrival, that the
queen was pregnant.
W h e n the wicked k i n g knew this, a

�6

thought struck him;
daughter he could marry her to his son, and
to ascertain whether it was a daughter that
she should have, he sent for a fairy who lived
on the frontiers of his dominions. W h e n
she arrived, he entertained her with much
more hospitality than he showed to his most
intimate friends, and then led her to a tower,
in the highest room of which the poor queen
was confined. N o t h i n g Could Equal the misery
of the poor queen, and the unpleasantness of
her
apartment.
T h e broken casements
admitted both the wind and the rain, the
flooring was broken in several places, and
the damps that ran down the walls were
dangerous, especially to a person of so weak
a constitution as the queen ; the bed was
composed of nothing but an old matress,
worse than is found in the habitations o f the
poorest class of people,
in this miserable
condition, the queen passed both day
night, weeping bitterly at the thoughts
of
her own situation, and for the death of the
king her husband.
T h e fairy's heart was touched
so deplorable a s i g h t ; she embraced the
queen, and, at the same time, she whispered
her ear the following Words: " T a k e
courage,madam,your misfortunes will soon
be at an end ; I hope soon, to contribute to
your
happiness."
T h e queen was a little

�consoled by these words, and earnestlyentreated
princess, who had once enjoyed the greatest
favours of f o r t u n e ; instead of which, she
could now boast of nothing but suffering
the greatest misery.
T h e y were thus talking together, when the
wicked king, g r o w i n g ; impatient,
Come,
come'
said he, " let us not have so many
compliments ; I brought you here to inform
me whether the queen will have a daughter
or s o n ' " She is pregnant of a daughter,"
replied the fairy, " w h o will be the most
beautiful and, most accomplished princess
that has ever been seen, and the queen will
wish to see her placed in the highest possible
situation of rank and honour."
" I f she is
not very beautiful and accomplished," said
the k i n g , " I will h a n g her mother to a tree,
with the child at her neck, and nothing shall
prevent it." H a v i n g said this, he left the
place with the fairy, and took no notice, of
the unfortunate queen, who wept bitterly,
what shall I do ? I f I have a beautiful little
girl, he will give her to his reptile of a son;
and if she is u g l y , he will h a n g us both.
T o what an extremity am I reduced !
he can never see it ?"

T h e time approached when trie little princess

thus lamen

Cannot

I

�8
cess was to come into the world, and the
gaoler who guarded her g a v e her nothing
but three boiled peas and a small bit of black
bread for her food during the d a y ; by which
she was reduced so thin as to become little
else than skin and bone.

distress

O n e evening while she was employed in
spinning, (for the wicked k i n g was so
avaricious
as
him) she saw, entering at a small hole, a
pretty little mouse as white as snow. " A h !
pretty creature," exclaimed the queen,, " w h a t
do you come here to seek ? I have but three
peas to last me all d a y ; begone, i f you wis'
not to fast." T h e little mouse ran about
here and there, and danced and skipped like
a little m o n k e y : the queen was so pleased
with it, that she g a v e it the only pea that
remained for her supper. " H e r e * said she,
" h e r e , poor little t h i n g , eat this: I have
got no more; but I g i v e it thee w i l l i n g l y . "
T h e instant she had done this, to her great
surprise there appeared upon the table two
partridges, cooked most wonderfully well,
and two pots of preserves,
" R e a l l y , "exclaime
She ate a little; but, with fasting so l o n g ,
her appetite was almost gone.
She threw
down some to the mouse, which, having

�9
nibbled them a w a y , began to leap about with
more glee than before.
T h e next morning very early the gaoler
brought the queen three peas, which he had
put as usual in a large dish, to mock her
sufferings; the little white mouse came softly
and ate them all three, as well as the bread.
W h e n the queen wished to dine, she found
nothing there; at which she was very a n g r y
with the mouse.
" W h a t a wicked little
beast," cried the queen; " i f it continues
thus, I shall die with h u n g e r . "
A s she was
g o i n g to cover the plate which the mouse had
left empty, she found it full of all sorts of
things good for to e a t : she was very g l a d
and ate of them ; but while she was eating,
a thought came into her head, that in a few
days the k i n g would perhaps kill her child,
and she quitted the table to weep.
" A h !"
ejaculated the disconsolate queen, " i s there
no w a y of s a v i n g it ?"
A t the same time
that she pronounced these words she perceived
the mouse p l a y i n g with some straws; she
took some of them and began to work,
saying,
make a covered basket to put m y little
daughter in, and g i v e it out of the window
to the first charitable person who will take
care of it."
She then began to work very d i l i g e n t l y ;
and she never wanted straw, for the mouse

" I f I ha

�10
always brought some into the chamber; and
as at usual meal-time the queen always gave
it the three peas, she found in exchange a
number of dishes of the most delicate meats.
One day the queen was looking out of the
window, to see how long she should make
the cord to tie the basket to, when she should
let it down, and she perceived an old woman
below, leaning upon a stick, who spoke to
her
thus
i
know your trouble, and if
you wish it, I will serve you." " Alas!
my dear friend," replied the queen, " y o u
will very much oblige me, if you will come
every evening to the bottom of the tower, to
receive my child, w h o m 1 will let down to
y o u : you must feed and nurse it, and if ever
I am rich I will repay you well." " I care
for no pecuniary reward," answered the old
woman; ' ; but I am very nice in m y eating,
and wish for nothing so much as a fat plump
mouse. I f you find such a one in your prison,
kill i t and throw it to me; your infant will
the better for it.
When the queen heard this, she began to
weep without answering, and the old woman,
after having waited a little, asked her why
she cried : " Because,' replied the queen,
" there only comes into my chamber one
little mouse, so pretty and so engaging,
find in my heart to kill it," " H o w "
replied the old woman, with great anger, " d o

�11

you like a little rogue of a mouse, which
teats and eats e v e r y t h i n g , better than your
own c h i l d ?
V e r y well, madam, you are
not much to be pitied; remain in the good
company you have chosen; I can have plenty
of mice without y o u ; so I care but little
about i t ; " and, scolding in this manner, she
hobbled away.
A l t h o u g h the queen had a good repast
before her, the mouse played about as u s u a l ;
she never raised her eyes from the ground
where she had fixed them, and tears ran
down her cheeks.
O n this same n i g h t the little princess came
into the world, and her beauty surpassed all
the queen had ever beheld: instead of
crying
at h
smiled on her affectionate parent, and
extended
her little h
a good understanding.
T h e queen caressed
and kissed her fondly, at the same timesorrowfully
i f you fell into the hands of the wicked
k i n g , it will cost you your l i f e ; " she shut
it up in the basket, with a paper attached to
the clothes, on which was written

0

you, whose steps the fav'ring pow'rs direct
T o these lone scenes, your generous aid I claim ;
M y hapless child, in infant years, protect
From sorrow's grasp—and Juliet be her name.

A n d h a v i n g turned away for a moment, she

�12

looked again, and found the infant dressed
in the finest linens and laces: she then kissed
it, and shed a torrent of tears, not k n o w i n g
how to part with her treasure.
A t this moment in came the little mouse,
and jumped into the basket.
" A h ! little
creature," said the queen, cc how much it costs
me to save your life ! I shall perhaps lose my
dear Juliet.
A n y other than me would have
killed you for the dainty old woman ; but I
could not consent to it. "
" Y o u will not
repent
not so unworthy of your friendship as you
suppose." T h e queen was like onethunderstruck,w
change to that of a woman, and the paws
become hands and feet. A t length the queen,
hardly daring to look up, discovered the
figure to be the fairy that had visited her
before,
an
her misfortunes and sufferings.
" I wished
to try the goodness of your heart," said the
f a i r y ; " 1 know now that you are virtuous
and worthy of m y friendship.
Fairies like
me, who possess treasures and riches more
than I can relate, do not seek so much for
the luxuries of life as for friendship, and we
seldom find it." " Is it possible, great fairy,
exclaimed the queen, " that y o u , who are so
powerful and wealthy, find it such a great
trouble to g a i n a friend ?" " Yes*" replied

�13

she, " b e c a u s e persons seldom love us but for
interest; but when you loved me as a little
mouse, it seemed from a disinterested motive,
and I wished to put you to a still greater
trial: I took the figure of an old woman,
and it was I who spoke to you at the bottom
of the tower; you have always answerd my
best expectation."
A t these words she
embraced
the queen,
vermilion mouth of the infant princess, and
said, " M y pretty little girl, you shall
henceforth
be your mother's
be richer than your father; you shall live an
hundred years without illness, wrinkles, or
old a g e . "
T h e enraptured queen returned
thanks, and begged that the fairy would take
Juliet away, and be careful of her, adding
at the same time, " I g i v e her to be your
daughter."

T h e fairy accepted the offer, and thanked
h e r : she then put the little one into the
basket,
tower, and h a v i n g again taken the form of
a mouse, she descended by the cord; but
when she got down, she could not find the
child a n y where, and remounting in a fright,
" A l l is lost," cried she to the queen, " my
enemy Cancaline has j u s t carried away the
princess.
Y o u must know that she is a cruel
fairy, who hates me, and, unhappily, she is
older than I am, and has more power.
I

which she let d

�14

know not by what means to get the child out
of her wicked hands. "
W h e n the queen heard this melancholy
account, she almost died with g r i e f ; she
wept bitterly, and beseeched her good friend
to save her child, at whatever price it m i g h t
be done.
W h e n the gaoler entered the chamber of
the queen, he perceived that she had been
delivered, and he went and told the k i n g of
it, who came in a great passion to ask for the
c h i l d ; but she told him that a fairy, whose
name she knew not, had entered the prison,
and carried it away by force.
A t this the
wicked k i n g stamped and bit his lips, with
every expression of the most violent rage,
" I promised to h a n g thee," said he to the
unfortunate queen, " a n d now I will keep
m y word.
H e then d r a g g e d her by the hair
from the place of her confinement to a neighbouring wood, mo
just g o i n g to h a n g her, when the fairy, having rendered herself
rudely down, and four of his teeth were struck
out b y the fall.
Before he had time to
recover
himse
victim to a secure retreat i n her magnificent
palace.
She was there treated with every
attention and kindness, and if it had not
been for the thoughts of her little daughter,
she had once more been h a p p y ; but she
was

�15
unable to procure a n y intelligence of the
infant, though the little white mouse made
every exertion in her power for that purpose.

A t length, by the progress of time, the
queens grief abated, and fifteen years passed
away without any change in her situation.
A t this period there was great talk all over
the kingdom, that the son o f the wicked
monarch had fallen in love with the keeper
of the poultry, and that the y o u n g woman
refused to accept of him for a husband. T h i s
extraordinary refusal surprised every one;
however, the nuptial dresses were prepared,
and the marriage ceremony was soon expected
to take place.
T h e little white mouse
determined
to see this extraord
had resolution enough to refuse the son of a
k i n g , and immediately transported herself to
the capital.
She entered into the poultry
yard,
and found he
woollen g o w n , with her feet bare, and a cap
of goat's skin on her head; l y i n g by her side
were magnificent dresses, embroidered with
gold and silver, and ornamented with a
number of precious stones ; the turkeys and
other fowls that surrounded her trampled on
and spoiled them.

T h u s habited, and thus careless of the
splendour that awaited her, the keeper of the
poultry sat on a large stone in the middle of

�16
the yard, when the k i n g ' s son arrived: he
was crooked and humph-backed, and marked
with every kind of deformity.
" I f you
you to be put to death instantly."
She
answered him4 with disdain, " I will never
marry y o u ; you are too u g l y and too
pullets, to all the honours you have power to
bestow."

persist

wicked.

T h e little white mouse observed her with
wonder and admiration; for, though in so
a humble dress, she appeared to possess an
incomparable beauty.
A s soon therefore as
the prince retired, the fairy assumed the
figure of an old shepherdess.
" Good day,
fair damsel," said she, " the fowls do credit
to your care of them." T h e y o u n g woman
raised her eyes, and looked at her with a
countenance full of sweetness : " they w i s h '
answered she, " to persuade me to quit m y
present employment for a crown which I do
not want, and for a husband whom I should
despise; pray, good mother, what is your
advice ? " " M y child," returned the fairy,
" a crown is a dazzling object; but you
cannot
who wear it." " B u t suppose I do know all
this," quickly answered the keeper of the
k i n g ' s poultry, " still I would refuse to

imagine th

accept

�17

lation, and know not even the name of those
who gave me b i r t h '
" Y o u have their
beauty and virtue, m ychild"returnedthe
-wise and benevolent fairy, " w h i c h are worth
more than a thousand k i n g d o m s ; tell
m
then who placed you here, since you are
without'
parents a;nd withou
named Cancaline, is the cause that I have
been placed here," replied the y o u n g woman
she beat me till she almost killed me,
without
the least p
sufferings, one day I ran away from her,
and, not k n o w i n g where to g o , I stopped to
rest myself in a wood, where the son of the
wicked k i n g came by chance to w a l k : he
asked if I Would enter his service.
I
consented,
and was
poultry; where he came constantly to see
them, and always took great notice of them.
A l a s ! he soon conceived a violent love for
me, and has ever since so teased me with
expressions
of it, that I
in the world."

T h i s recital made the fairy suspect she
had a t last met with the princess Juliet, and
she therefore asked to know her name.
" I
am called Juliet," added she, modestly;
" but who g a v e me that name I never knew."
T h e doubts of the fairy were thus instantly
removed; she threw herself on the neck of the
princess, exclaiming, " J u l i e t , 1 have known

�you, l o n g ; I am., delighted to find you so
sensible and so lovely ; but I wish you were
better dressed ; take the clothes that are
obeyed immediately, and t a k i n g from, her
head the cap of goat's skin, her beautiful
golden hair fell in curls upon her shoulders;
then, ; t a k i n g some water from a fountain
that ran through the yard., she washed her
hands and face, and discovered a complexion
more bright and transparent than the choicest
pearls of I n d i a ; roses seemed to bloom
fresh on her cheeks; coral seemed to form her
beautiful m o u t h ; and her eyes shone like the
most brilliant diamonds,
W h e n she had
finished dressing herself, the gracefulness of
her form appeared equal to the beauty, of her
countenance, and the fairy gazed on her with
wonder and delight.

before

y

"
P r a y , who d
be now, m y dear c h i l d ? " asked the fairy.
" R e a l l y , " answered she, " I could fancy
myself to be the daughter of some great
k i n g . " u Should you be g l a d of it ? "
demanded
the
good mother," replied the princess, " f o r it
would g i v e me the power of assisting many
that are in distress." "Be happy then," Exclaimed the fairy
parents : to-morrow you shall know more."

The

fairy returned

immediately to her

�19

palace, where she had left the queen.
I bring you, madam," cried she, " ' t h ehappies
" what tidings of j o y can come to meT, who
•have lost both m y husband and my child ??
" I t is always right to hope," replied the
little white mouse, for the fairy had again
taken that figure; " I have seen the princess
your daughter, and she is more beautiful than
the blushes of the d a w n i n g d a y . "
She then
related the whole of her discovery, at which
the queen wept with j o y .
" W h o would
have thought," said she, " i n the days of
m y prosperity, that I should ever bear a
daughter to become the keeper ofhensand
'turkeys !" " It is the cruel Cancaline," said
the fairy, ^ who, k n o w i n g how I love you,
has brought this misery on your child,
purposely
to v e x m e ; b

I am determined," said the q u e e n . " that
she shall not marry the prince; pray g o
and seek her immediately, and bring her to
me."
T h e son of the wicked k i n g left Juliet in
a great r a g e at her obstinate refusal, arid
went into the gardens of the palace to
consider
what he sh
groaned so loud, that his father overheard
him, and, leaning through thewindow,inquiredthe cause of his

�20
I be otherwise than afflicted' answered he,
" to be thus, set at defiance by a keeper of
poultry ?"" W h a t , will not she love you ?"
said the k i n g ; " I am determined she shall
love you, or be put to death." H e then
her here immediately ; I will punish her so
severely, that she shall soon repent of her
obstinacy."

called

h

T h e y went to the poultry-yard, and found
Juliet there, magnificently dressed, as the
fairy left h e r ; they had never seen so lovely
a figure, and, t a k i n g her for some princess,
were afraid to speak to her.
She said
to them, in a sweet and condescending
voice, " P r a y whom do you seek h e r e ? "
" M a d a m , " said they, " we seek anunfortunat
person you seek," replied she; " w h a t do
you w a n t ? "
H e a r i n g this, they seized her,
and h a v i n g tied her hands and feet with
cords, lest she should escape, they carried
her into the presence of the k i n g .
" Well,
insolent wretch," said he, " a n d so you are
determined not to love my son?
He is a
thousand times handsomer than y o u ; love
him therefore immediately, or I'll have you
flayed alive." T h e princess, trembling l i k e
an affrighted dove, kneeled before him, and
tried to inspire pity in a heart that never
felt a n y ; but she pleaded in vain, as the

�21
prince insisted upon it, that his father should
order her for immediate execution.However,they
ment more severe than death, to shut her up
for life in a tower, where she would never
more see the light of the sun.
A t this moment the fairy and the good
queen arrived in a flying chariot, and the
affectionate mother began to weep bitterly,
on hearing the sad fate to which her longlost daughter was just condemned.
" Be
good comfort," said the fairy, " you shall in
the end be made happy, and your enemies
be amply punished." T h e princess was
bed; the fairy then resumed the form of the
little white mouse, and got upon his pillow.
Whenever he attempted to sleep she bit his
e a r ; at which, being much disturbed, he
turned the other side, and she bit at that also,
without mercy : he cried out for assistance,
and when his attendants came, they found
his ears bleeding so fast, that they were
seeking about the apartment to find the
mouse, she was gone into the prince's room
to inflict the same vengeance upon him ; he
likewise called his attendants, and h a v i n g
shown his wounded ears, made them put a
plaster on each.
T h e little white mouse, in
the mean time, returned to the k i n g , and

conveyed

to the tow

unable

to stop h

�22
she bit his nose and gnawed his face i n
several places: he put up his hands to delend his face, and she bit his fingers; he
cried out, " M e r c y ! m e r c y ! I am l o s t ; , ,
and, while his mouth was thus open, the
little white mouse entered it, and bit a piece
off his t o n g u e : his attendants came in once
more ; but he was now unable to speak to
them, his tongue was so severely wounded;
so he made signs that it was a mouse that
had thus wounded him, and every corner of
the room was immediately examined to find
the offender, but in vain, she was gone to
to pay a visit to the prince, and to treat him
much worse than she had treated his father.
She ate out one of his eyes, which left him
in total darkness; for he was blind of the
other before.
H e leaped out of bed instantly,
apartment of his father, who also had taken
his sword, storming and swearing that he
Would kill every one who came in his way till
the mouse was found.
W h e n he saw his son in such a passion,
he scolded him, and the prince, whose ears
were burning with pain, not k n o w i n g the
voice of his father, attacked him furiously.
T h e k i n g exceedingly irritated, made a
violent cut at him with his sword, and
same moment; so that they both fell to the

seized his

received

a

�ground bleeding profusely. A l l their
subjects,
only served and submitted to therm through
fear, now dreading them no longer, tied
cords to their feet, and d r a g g e d them into
the river, s a y i n g they were happy thus to
g e t rid of their tyrants.

who hated them

T h u s ended the days of the wicked k i n g
and his son.
T h e good fairy, who had seen
all that passed, went immediately to seek the
queen, and they went together to the black
tower, where the princess Juliet was confined
under more than forty locks.
T h e fairy
struck three times with a little r i n g on the
great door, which opened instantly, as did
all the rest; they found the poor princess
very thoughtful, and with scarcely spirits to
speak a word.
T h e queen ran to embrace
h e r ; " M y dear child, I am thy mother,
the queen of the L a n d of P l e a s u r e ! "exclaimed
of her birth. W h e n Juliet heard these happy
tidings, she was as near d y i n g with j o y as
she had been near d y i n g with g r i e f : she
threw herself at the feet of the queen, embraced her knees, and we
the tears she shed upon them.
She likewise
carressed the good fairy, who had conferred
so many obligations on them both.
The
fairy said to them, " It is not time now to
think of amusing ourselves; let us g o to

�24
the great hall of the castle and harangue
the people."
She walked first, with a g r a v e and
majestic
next came the queen in robes suitable to her
r a n k ; the princess followed, decorated in a
splendid habit, which the fairy had brought
her for the occasion ; but distinguished much
more by her native modesty and the lustre of
her beauty, which had never before been
equalled. They bowed gracefully to every
one they met by the w a y , whether rich or
poor, and by this condescension attracted the
notice of every one.
W h e n the great hall was full, the good
fairy said to the subjects of the deceased
tyrant, that she would recommend them to
choose for their sovereign the daughter of a
neighbouring k i n g , whom she then presented
to them. " Under so amiable a queen,"
said she, " you cannot fail to live in a state
of continual happiness and tranquillity." A t
these words the people cried out with one
voice, " Y e s ! y e s ! we choose her for our
queen, and we trust she will make us amends
for the miseries we have so l o n g endured
A s soon as the intelligence was generally
known, joy spread throughout the city, and
every sort of business was laid aside, to give
place to feasting and merriment.
FINIS.

air, a

�</text>
                  </elementText>
                </elementTextContainer>
              </element>
            </elementContainer>
          </elementSet>
        </elementSetContainer>
      </file>
      <file fileId="1967" order="2">
        <src>https://scottishchapbooks.lib.uoguelph.ca/files/original/e4c36e4d3ccd22af0c4ee0c14397fd1f.jpg</src>
        <authentication>d54c2818f099f2e8744c2309451178cb</authentication>
        <elementSetContainer>
          <elementSet elementSetId="1">
            <name>Dublin Core</name>
            <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
            <elementContainer>
              <element elementId="50">
                <name>Title</name>
                <description>A name given to the resource</description>
                <elementTextContainer>
                  <elementText elementTextId="24789">
                    <text>Woodcut on title-page portraying exterior of a castle</text>
                  </elementText>
                </elementTextContainer>
              </element>
            </elementContainer>
          </elementSet>
        </elementSetContainer>
      </file>
    </fileContainer>
    <collection collectionId="37">
      <elementSetContainer>
        <elementSet elementSetId="1">
          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="26638">
                  <text>Woodcut 030: Title-page Illustration of the exterior of a castle.</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="22084">
                <text>The story of the Little White Mouse: or the overthrow of the tyrant king.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="52">
            <name>Alternative Title</name>
            <description>An alternative name for the resource. The distinction between titles and alternative titles is application-specific.</description>
            <elementTextContainer>
              <elementText elementTextId="22085">
                <text>The overthrow of the tyrant king.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="78">
            <name>Extent</name>
            <description>The size or duration of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="22087">
                <text>24 pages</text>
              </elementText>
              <elementText elementTextId="24598">
                <text>16 cm</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="22088">
                <text>&lt;a href="https://ocul-gue.primo.exlibrisgroup.com/permalink/01OCUL_GUE/mrqn4e/alma9934198783505154"&gt;s0585b15&lt;/a&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="22089">
                <text>30 printed at the foot of title page</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="37">
            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="22090">
                <text>Archival and Special Collections, University of Guelph Library, Guelph, Ontario, Canada</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="22092">
                <text>In the public domain; For high quality reproductions, contact Archival &amp; Special Collections, University of Guelph. libaspc@uoguelph.ca, 519-824-4120, Ext. 53413</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="22093">
                <text>1840-1850 per National Library of Scotland</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="24596">
                <text>JPEGs and PDF derived from master file, which was scanned from the original book in 24-bit color at 600 dpi in TIFF format using an Epson Expression 10000XL scanner.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="24788">
                <text>Glasgow: Printed for the Booksellers</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="26309">
                <text>Archival &amp; Special Collections, University of Guelph Library, Guelph, Ontario</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="26639">
                <text>fairytale/folk lore</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="26721">
                <text>Chapbooks - Scotland - Glasgow</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
    <tagContainer>
      <tag tagId="206">
        <name># of Woodcuts: 1</name>
      </tag>
      <tag tagId="188">
        <name>Architecture: castle</name>
      </tag>
      <tag tagId="103">
        <name>Bib Context: title-page</name>
      </tag>
      <tag tagId="110">
        <name>Chapbook Date: 1831-1840</name>
      </tag>
      <tag tagId="106">
        <name>Chapbook Date: 1841-1850</name>
      </tag>
      <tag tagId="297">
        <name>Chapbook Genre: fairytale/folk tale</name>
      </tag>
      <tag tagId="105">
        <name>Chapbook Publisher - Glasgow: Printed for the Booksellers</name>
      </tag>
      <tag tagId="155">
        <name>Nature: flower(s)</name>
      </tag>
      <tag tagId="255">
        <name>Nature: rock(s)</name>
      </tag>
      <tag tagId="144">
        <name>Nature: tree(s)</name>
      </tag>
      <tag tagId="102">
        <name>Outdoor Scene</name>
      </tag>
    </tagContainer>
  </item>
  <item itemId="1054" public="1" featured="0">
    <fileContainer>
      <file fileId="1971" order="1">
        <src>https://scottishchapbooks.lib.uoguelph.ca/files/original/37612a07cf6f7236810b0f4742f97443.jpg</src>
        <authentication>fa8a33e42102afe71bd8251c4cbf12f9</authentication>
        <elementSetContainer>
          <elementSet elementSetId="1">
            <name>Dublin Core</name>
            <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
            <elementContainer>
              <element elementId="50">
                <name>Title</name>
                <description>A name given to the resource</description>
                <elementTextContainer>
                  <elementText elementTextId="24786">
                    <text>Woodcut on title-page portraying a bull charging a man on rocky terrain </text>
                  </elementText>
                </elementTextContainer>
              </element>
            </elementContainer>
          </elementSet>
        </elementSetContainer>
      </file>
      <file fileId="1972" order="2">
        <src>https://scottishchapbooks.lib.uoguelph.ca/files/original/675f04f5a6d5dadd02d401394f2dd5c0.pdf</src>
        <authentication>2c78690376c26d798f2bbefa6419abae</authentication>
        <elementSetContainer>
          <elementSet elementSetId="7">
            <name>PDF Text</name>
            <description/>
            <elementContainer>
              <element elementId="119">
                <name>Text</name>
                <description/>
                <elementTextContainer>
                  <elementText elementTextId="22125">
                    <text>STORYS OF
THE

THREE

BEGGARS

SOLDIER'S WIFE,

AND

JACK EASY,

GLASGOW
PRINTED FOR TIIE BOOKSELLERS,

��THE THREE

BEGGARS.

THREE blind beggars were on their way from
Cornpiegne, to seek alms in the neighbourhood. They kept the high road to Seal is,
and walked at a great pace, each holding a
cup and stick in his hand. A young
ecclesiastic, well mounted, who was riding
towards Compiegne, and attended by a valet
on horseback, was struck at a distance with
their steady and rappid strides.
" Those fellows," said he, " for men who
appear blind, make very firm steps; PJ1 endeavour to find them out, and see if they are
not impostors."
Accordingly, as he came near them, and
as the beggars, hearing the trampling of the
horses' feet, had ranged themselves in a line
to ask for charity, he called to them, and
pretending to give them some money, but in
reality giving them nothing, said :—
66
There is a besant; it is intended for
you all three; and you will divide it between
you."
" Yes, your reverence; and may God
bless you in return for it!"
Although no one of them received the

�4
money? yet each was confident his comrade
had got it. Thus, after many thanks and
good wishes to the horseman, they resumed
their march, full of spirits; but at the same
dme slackening their pace.
The churchman feigned also to proceed
on his journey: but at some distance he
alighted, and delivering his horse to the care
of his valet, directed him to wait his arrival
at the gates of Compiegne : he then gently
approached the beggars, and followed them,
10 watch the issue of the adventure.
When they 110 longer heard the noise of
horses, the leader of this little band halted.
" Comrades," said he, " we have made a
good day's work ; and I think we had best
return to Compiegne, and spend the money
this good christian hath given us. It is a
long time since we have had a carousal:
and now we have enough to enjoy ourselves
completely, let us think of nothing but pleasure.
On their arrival in town, they heard aery
of u Good wine!—wine of Soisons!—wine
of Auxerre !—lish and good fare! Walkin gentlemen ; pray walk in."
They would not go any farther, but enter' d the first house; and after having cautioned
the people not tojudge of their means by their
outward appearance, (in the tone of men who
derive confidence from the weight of their

�5
purse) they desired that they might be served
quickly and well.
Nicholas (for that was the name of the
landlord) being used sometimes to see persons
of their vocation spend more than such as
appear to be much more in affluent circumstances, received them respectfully.
He
showed them into his best dining-room;
begged they would be seated, and order what
they liked best; assuring them that there
was nothing in Compiegne but what he could
set before them, and in a style that would
give them perfect satisfaction.
They desired that plenty of good tilings
mi^ht be got ready; and, instantly, master,
waiter, maid, all in the house set about it.
A neighbour was even sent for to assist.
At length, by virtue of several hands and
good speed, they contrived to serve up a
good dinner of live dishes; and immediately
the beggars sat down to it, laughing, singing, drinking to each other, and diverting
themselves with clumsy jokes on the simple
traveller who was at the expence of the
feast.
He had followed them with his valet to
the inn, and was within hearing of the merriment.— He even resolved, that he might
not lose any part of it, to dine and sup in a
snug manner with the landlord. The beggars all this while occupied the best room,

�,:nd were waited on like noblemen. Their
mirth was thus prolonged till the night was
pretty far advanced, when, to make a suitable close to so jovial a day, they each called
ft/r a bed, and went to rest.
The next morning the landlord, who
wanted to get rid of them, sent his servant
to call them up. When they were come
down stairs, he made out their bill, which
amounted to ten pence.
That was the
moment the mischievous churchman so impatiently expected. To enjoy the transaction more at his ease, he came and posted
himself in a corner of the room, but without
showing himself, least his presence might be
a restraint on the guests.
u
Master," says the blind men to the landlord, ' ' we have a besant; take your account,
and give us our change."
He holds out his hand to receive it; and,
ns no one offers it him, he asks them again,
when each says, " It is not I."
The landlord then gets into a passion.—
u
So, gentlemen vagrants, you think I am
to serve here as a butt for your diversion.
Be so good as to end all this mockery, and
pay me immediately my ten-pence, otherwise
I'll give you all three a drubbing."
1 hey then began to enquire of each other
for the piece of money—to suspect each
other's honesty—to call names—to quarrel;

�7
ti!l at length such an uproar and confusion
ensued, that the landlord, after giving each
of them a box on the ear, called his servant
to come down with two good sticks.
The ecclesiastic all this while kept laughing in his hiding-place till he was ready to
fall into convulsions. But when lie found
the affair was becoming serious, and heard
them talk of sticks, he came forward, and,
with an air of surprise, asked the cause of
the quarrel. " Sir, here are three knaves
who came yesterday to consume my provisions ; and now I ask them for my due, they
have the insolence to mock me. But, by
all that's sacred, they shall not get off :n
that manner, and before they go out
."
" Softly, softly, master Nicholas," said
the churchman, "these poor men have not
wherewithal to pay you; and, in that case,
they deserve rather your pity than your resentment. How much does their bill amount
to?"
" Ten-pence."
" W h a t ! is it for so paltry a sum that
you raise all this disturbance?
Come,
make yourselves easy; I will take it upon
myself. And, for my part, what am I to
pay you ?"
"Five-pence, Sir."
" That's enough. I shall pay you fifteenpence ; now let these unfortunate men go;

�8
and know that to harass the poor is a sin of
the first magnitude."
The blind men, who were terrified at the
apprehension of the bastinado, made their
escape with all possible haste; while Nicholas,
who had reckoned 011 losing his ten-pence^
(being delighted to find a person to pay it)
launched out into the most flattering encomiums 011 the churchman.
" What a good man !" cried he; " that
is the kind of priests we should have, and
then they would be respected. But, unfortunately, there are lew such ! Be assured,
Sir, so handsome an action will not go unrewarded. You will prosper in the world,
take my word for it; and will find the good
effects of your generosity."
All that the crafty traveller had been
saying to his host, was but a fresh piece of
roguery on his part; for, in luring the inn- .
keeper with such ostentation of generosity,
he only meant to trick him as he had already
done the beggars.
Just at that moment the parish-bell was
ringing to prayers. He asked who was to
perform the service: they told him it wa3
their parson.
" As he is your pastor, master Nicholas,"
he further said, " you are mopt probably
acquainted with him ?
" Y e s , Sir."

�9
" And if lie would engage to pay the
fifteen-pence that I owe you, would you not
acknowledge us quit ?"
" Undoubtedly, Sir, if it were thirty, and
you desired it."
" Well then, come along with me to the
church, and we will speak to him."
They went out together; but first the
ecclesiastic directed his valet to saddle the
horses, and to keep them in readiness.
The priest, as they entered the church,
had just put on his sacerdotal habit, and was
going- to read prayers.
u
This will keep us very long," said the
traveller to his host; 6 6 1 have not time to
wait, but must proceed immediately upon
my journey. It will satisfy you, I should
imagine, to have the parson's word for the
money ?"
Nicholas having nodded assent, the other
went up to the parson, and dexterously slipping into his hand twelve deniers, said :—
u
Sir, you will pardon my coming so near
the pulpit to speak to you; but much ceremony need not be observed between persons
of the same condition. I am travelling
through your town, and lodged last night
at one of your parishioners', whom in all probability you know, and whom you may see
hard by. He is a well-meaning man, honest,
and entirely exempt f n m vice; but, unfor-

�10
tunately, his head is not so sound as his
heart; his brain is somewhat cracked: last
night one of his fits of madness prevented
us all from sleeping. He is a good deal
better, thank God, this morning; nevertheless, as his head is still aliected, and full ol
religion, he begged we would conduct him
to church, and that he might hear you say
a prayer, that the Lord may, in his good3iess, restore him to perfect health."
" Most cheerfully," answered the parson.
He then turned to his parishioner, and said
to him, u Friend, wait till I have done the
service, when I'll take care that you shall
have what you desire."
Nicholas, who thought this an ample assurance of what he went for, said 110 more :
but attended the traveller back to his inn,
wished him a good journey, and then returned to the church to receive his payment from
the parson.
The latter, as soon as he had performed
the service, came with his stole and book
towards the innkeeper.
" Friend," said he, " go down upon your
knees."
The other, surprised at this preamble,
observed that there was 110 occassion for such
ceremony in receiving fifteen-pence.
66
Truly they are not mistaken," said the
parson to himself; u this man cannot be in

�11
his right senses." Then asuining a tone of
soft insinuation, u Come, my good friend,"
said he, " place your trust in God; he will
havre pity on your condition."
At the same time he puts the Bible on thp
other's head, and begins his prayer.—
Nicholas, in anger, pushes away the book;
declares he cannot stay to be trifled with,
guests being waiting for him at his house;
that he wants his fifteen-pence, and has no
occasion for prayers.
The priest, irritated at this, calls to Lie
congregation, as they were going out KA
church, and desires thern to seize the ma
who was raving.
" No, 110! 1 am not mad; and, by Si.
Corneille, you shall not trick me in this
manner. You engaged to pay me, and 1
will not leave this place till I get my
money."
" Seize him ! seize him!" cried the priest
They accordingly lastened upon the poor
devil; one taking hold of his arms, another
of his legs, a third clasping him round the
middle, while a fourth exhorted him to be
composed. He makes violent efforts to gel
out of their clutches, swears and foams with
rage, like one possessed,—but all in vain ;
for the parson puts the stole round his neck,
and reads quickly his prayer from beginning
to endj without excusing him a single word. - —

tJ

�After which he sprinkles him copiously with
holy water, bestows on him a few benedictions, and lets him loose.
The unlucky wight saw clearly that he
had been made a dupe—He went home,
overwhelmed with shame and vexation at
the loss of his fifteen-pence ; but then he had
in lieu of them, got a prayer and benediction.

�13
THE SOLDIERS

WIFE.

WALDEN was playing on his flute in a slow
and pensive strain, when the mournful cries
of a child, and the complaining voice of a
woman, struck his ears. 66 Oh ! merciful
God ?" exclaimed the poor creature, u hear
with compassion the moans of my unhappy
babe !"
Walden ceased to play, and looking over
the hedge, he surveyed the child with compassion, as the woman lay on the grass to
rest herself: he asked her, in a soft voice,
why the poor infant cried.
u
He is hungry," replied the wroman,
weeping bitterly, u we have not had anything to eat since yesterday morning."
u
Gracious God! since yesterday morning ! wait here a few minutes, and I will
v
eturn."
He flew away with incredible swiftness,
and re-appeared in a short time, with a bowl
of milk and a small loaf, towards which the
child stretched out his little arms, and the
woman to whom he delivered them began to
feed it.
u
Sit down my good woman, and eat of it

�*

4

yourself," said Walden, u I will take jarcof
your infant." Placing himself on the gTaS3
beside it, he dipped a bit of the loaf in tlie
milk, and patiently assisted his little famished charge.
The child looked up in his face and smiled:
Walden, pleased and affected at this intuitive mark of gratitude, kissed its little forehead.
u
What is your occupation?" he asked
the woman, who was eating with avidity;
"you are, I suppose, the mother of this little
creature : where do you live ?"
u
No, it is not my own," replied she, &lt; -and
I did not know its parents. I am the wife
of a poor soldier, my worthy sir, and I have
travelled from beyond Berlin a great way;
my husband had been away from me three
years, and I wanted to see him again—for I
loved him dearly. My own two little children I left with their grandmother, and I
sold every thing I did not absolutely want at
home, that I might carry him a little trifle
of money. Accordingly I set out, and got
to the end of my journey just as my husband
had marched with his corps to drive a party
of Austrians from some little village; so
when it was all over, and they had done
what they had been ordered, 1 ran to the
place to meet him."
Here the poor woman burst into tears.

�15
u

And when I got there lie was dying of his
wounds; yet he knew me, and stretched out
his hand, saying, &lt; Oh, Annete! our child r e n T h e s e were his last words; I thought
I should have died too, but God willed, for
the sake of our little ones and this babe,
that I shoidd live. In the same house where
my poor husband expired, was the wife of an
Austrian soldier, who died two days afterwrards, and left this babe, which nobody on
earth seemed to take care about. Almost all
the village had been burned down, and all
the inhabitants had run away; so that when
our soldiers marched, I begged them to take
the poor child with them ; but then they said
to me, 6 What could wre do with it ?' and
that was very true; but to let the child stay,
and die with hunger, was impossible; so 1
resolved to take it, let what would happen :
and I set out to return to my own home,
with the babe in mine arms. In my way I
was weary enough; but I never met with
any body that took compassion on me or my
burden, so I walked on; but I fell sick, as
you may see by my looks, and spent the
little money I had left, and then I sold my
clothes and every thing I could spare. All
wrent except these poor rags; vet still I
thought if I could but get home I should do
very well. I am used to hard work, and I
could even do for this little creature, who has

�16
nobody in the world but me to put a morsel
of bread into its poor mouth; so I can't bear
to let it starve !"
As she said this, she pressed the child to
her bosom, and her tears dropped upon it,
whilst she repeated, " i f I was but able to
work, or I couM but get enough to keep it
till I reach my home!"
" Poor babe!" said Walden, " poor, yet
happy creature, who, in losing her who gave
thee birth, found a second mother! eyes
that dropt tears of pity on thy lot, and a
heart that loves thee! no, thou slialt not
from hard necessity be deserted!"
Walden then wrote upon a leaf of his
pocket-book the name of the woman, and
that of the village where she informed him
she lived with her family; and giving her a
small sum of money, promised that he would
remit the same to her every year.
The woman, on holding the gold in her
hand, which had never contained so much
before, exclaimed, " O h ! this is to much,
worthy sir:" and being desired to keep it,
die added, " w e shall now be rich indeed!
my own little ones, and this one, and their
grandmother, we shall all be rich !"
"Goodcreature!" exclaimed Walden with
emotion, " y o u are rich indeed, in a heart
to which all other riches are dross! your
humanity to this orphan will be better re-

�warded ; but if this were my last crown you
should have it. Hasten away, or I may be
tempted to take the child, to have the pleasure of bringing it up, that it may love me
as it will you." On hearing this, the woman
hastily pressed the infant to her bosom, and
giving Walden a farewell benediction, pursued her journey with alacrity.

)

�18
BARON TRENCK.
• •
BARON TRENCK, at the time of the first war

between the king of Prussia and the house
of Austria, being young and enterprising,
offered himself, with a small band of determined men, to carry off the king of Prussia,
when he went out from his camp to reconnoitre the position of the Austrians. In fact,
he did attempt the enterprise; but succeeded
so ill that he was taken prisoner himself, and
condemned to perpetual confinement in the
castle of Magdeburgh. The treatment he
received was equally singular and cruel.
He was chained, standing against the wall;
F that, for several years, he coidd neither
O
sit nor lie down. His gaurds had orders not
to let him sleep more than a certain time;
very short, but long enough to prevent his
strength from being entirely exhausted.
He remained four or five years in this dreadfid situation; after which, there being
reason to fear he could not live long in that «
&lt;
state, he was chained in such a manner that
he might sit down, which appeared to him
to be a great alleviation of his sufferings.
He told me himself, that after having suffered

�19
severe illness during the first year of his imprisonment, his constitution, which was
strong and robust, was so unbroken, that he
recovered his health; and though he received
no other sustenance than bread and water,
yet he was remarkably well, and resumed
his former gaiety. In this state of mind he
found means to soothe the tedium of so long
an imprisonment by making verses; which
he set to music as well as he could, and sung
for half the day. As he had nothing worse
to dread, the king of Prussia was frequently
the subject of his songs, and was not spared
in them. He also had recourse to the power
of imagination, to soothe the horrors of his
situation; and the whole time that he did
not spend in singing, was passed in turning
his ideas to all the agreeable conditions whicli
it was possible for him to conceive. He was
almost brought to consider these wanderings
of his imagination as realities, and to regard
his misfortunes as mere dreams. At last the
Empress Queen, who for a long time had
believed that lie was dead, being informed of
his miserable existence, solicited his liberty
from the king of Prussia with so much earnestness, that she obtained his release. I
saw him at Aix-la-Chapelle, enjoying very
good health; having married a handsome
woman, the daughter of one of the principal
inhabitants of that imperial city, to which

�20
lie had retired, that he might not be exposed
to the power of an arbitrary goverment.
He published several German works, some
of which are the fruits of the reflections he
made during the time of his imprisonment;
some poetry against the king of Prussia,
and some details relative to the manner in
which he passed his time at MagdeburgL
He gave them to me himself; and though
his works had no great merit in the style,
yet the singularity of his thoughts, and the
extraordinary fate of the author, rendered
them interesting.
What astonished me
most in him was, the force of mind, the
courage, and the constancy which had supported him in a situation in which there was
no hope of his seeing better days. He appeared now to have forgotten the whole, or to
recall the remembrance of his past sufferings,
only that he might the better enjoy the happiness of his present condition. He was
very gay; and there were moments when
one might have supposed, without doing
him great injustice, that his reason had been
in some degree affected by his long confinement; but it was only surprising that this
did not appear in a more eminent degree.*
* Poor Treiiek, wishing to take a part in the French
Revolution, went to Paris in the year 1 7 9 3 , and was
guillotined on the 25th of July, 1 7 9 4 , two days before
the execution of Robespierre

�21

J A C K EASY.

4

But Hmlibras, who scorn'd to stoop
To Fortune, or be said to droop,
Cheer'd up liiinself with ends of verse,
And sayings of philosophers."

AMONG the happy people in the world, art
those, in whose minds nature or philosophy
has placed a kind of acid, with which care
or disappointment will not easily mix.
This acid differs very much from ill-nature;
it is rather a kind of salt, expressed from
frequent observations on the folly, the vanity,
and the uncertainty of human events; from
that best of all philosophy, which teaches us
to take men as we find them, and circumstances as they occur, good or bad, for better
or lor worse; that dwells not on future prospects, reflects not on past troubles, and cares
not a lig for present difficulties, but dexterously turns them to ridicule or advantage;
snatching, at every opportunity, accidental
pleasures, and nobly bearing up against the
rubs of ill-fortune.
When reflections upon the troubles of life
are mixed up in a disposition naturally illtempered, they compose what is called

�22
melancholy; but as they have no chemical
affinity with good humour, they will not
easily combine; and the small particles that
are miscible, produce only the sweet and acid
salt of true philosophy.
Such a traveller, in his journey through
the world, was my honest friend Jack Easy.
Jack came to a good fortune at the death of
his father, and mounted his hobby without
its ever having been properly broken in ; he
galloped over the plains of Fancy, went off
in a full canter to the road of Dissipation,
and leaped over all the five-barred gates of
Advice and Discretion. It may naturally
be supposed, that before long his filly gave
him a fall: poor Jack came down sure
enough ; but he only shook himself, brushed
off the dirt of the road, and mounted again
in as high spirits as ever; excepting, that
he nowT began to sit firmer in the saddle, and
to look about him : this, however, did not
hinder him from getting into a swamp, called
a law-suit, where he remained a considerable
time before he could get out: his fortune
was now reduced from some thousands to a
few hundreds; and by this time, no man
better knew the way of life than my friend
Jack Easy. He had been through all the
dirty cross-roads of business, money-borrowing, bankruptcy, and law; and at last
arrived at a goal.

�23
My friend Jack did not despond; he
consoled himself with the reflection that he
was a single man; some of his misfortunes
were the consequences of his own imprudence,
others of unforseen accidents, and most of
them originated from his good nature and
generosity. He, however, never excused;
lie lumped them all together, took them in
good part, and blamed nobody but himself;
he whistled away his troubles, and often repeated.
" I am out of Fortune's power :
" H e who is down can sink no lower."

The goddess, however, at last put on her
best smiles, and paid Jack a visit in the
King's-Bench, in the shape of a handsome
legacy. Jack smiled at the thing, being,
as he called it, so extremely a-propos! and
once more mounted his nag. He now rode
more cautiously, and turned into the road of
Economy, which led to a comfortable inn
with the sign of Competency over the door;
lie had borrowed a martingale from an old
hostler called experience; and for the first
time in his life used a curb. He began
already to find, that though he did not gallop
away as formerly, yet he went on in his journey pleasantly enough. Some dashing riders
passed him, laughing at his jog-trot pace;
but he had no occassion to envy them long;
for presently some of them got into nits, others

�24
wore stuck fast in bogs and quagmires, and
the rest were thrown from their saddles to the
great danger of their necks. Jack Easy,
meanwhile, jogged on merrily; hot or cold,
wet or dry, he never complained; he now
preferred getting off, and opening a gate, to
leaping over it; and smiled at an obstacle
as at a turnpike, where lie must necessarily
pay toll.
The man who is contented either to walk,
trot, or canter through life, has by much the
advantage of his fellow travellers. He suits
himself to all paces, and seldom quarrels with
the tricks which the jade Fortune is sometimes disposed to play him. You might now
see Jack Easy walking his hobby along the
road, enjoying the scene around him, with
contentment sparkling in his eyes. If the
way happened to be crowded with horsemen
and carriages, you might observe him very
readily taking his own side of the road, and
letting them pass. * If it began to rain or
blow, Jack only pulled up the collar of his
great-coat, flapped his hat, and retreated to
the best shelter he could find till the storm
was over.
Thus my frienu Jack Easy came in with
a jog-trot to the end of his journey, leaving
his example behind him as a kind of fingerpost for the good of other travellers,
FINIS.

�</text>
                  </elementText>
                </elementTextContainer>
              </element>
            </elementContainer>
          </elementSet>
        </elementSetContainer>
      </file>
    </fileContainer>
    <collection collectionId="36">
      <elementSetContainer>
        <elementSet elementSetId="1">
          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="26636">
                  <text>Woodcut 029_a: Title-page illustration of a bull charging a man on rocky terrain.</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="22110">
                <text>Storys of the Three Beggars, Soldier's Wife, Baron Trenk, and Jack Easy.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="52">
            <name>Alternative Title</name>
            <description>An alternative name for the resource. The distinction between titles and alternative titles is application-specific.</description>
            <elementTextContainer>
              <elementText elementTextId="22111">
                <text>Soldier's Wife</text>
              </elementText>
              <elementText elementTextId="22112">
                <text>Baron Trenk</text>
              </elementText>
              <elementText elementTextId="22113">
                <text>Jack Easy</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="78">
            <name>Extent</name>
            <description>The size or duration of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="22115">
                <text>24 pages</text>
              </elementText>
              <elementText elementTextId="24640">
                <text>16 cm</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="22116">
                <text>&lt;a href="https://ocul-gue.primo.exlibrisgroup.com/permalink/01OCUL_GUE/mrqn4e/alma9934228083505154"&gt;s0585b29&lt;/a&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="22117">
                <text>31 printed at the foot of the title page</text>
              </elementText>
              <elementText elementTextId="27121">
                <text>Woodcut #29a: Illustration on title-page of a bull charging a man on rocky terrain </text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="37">
            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="22118">
                <text>Archival and Special Collections, University of Guelph Library, Guelph, Ontario, Canada</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="22120">
                <text>In the public domain; For high quality reproductions, contact Archival &amp; Special Collections, University of Guelph. libaspc@uoguelph.ca, 519-824-4120, Ext. 53413</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="22121">
                <text>1840-1850 per National Library of Scotland</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="24639">
                <text>JPEGs and PDF derived from master file, which was scanned from the original book in 24-bit color at 600 dpi in TIFF format using an Epson Expression 10000XL scanner.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="24787">
                <text>Glasgow: Printed for the Booksellers</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="24851">
                <text>English</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="26307">
                <text>Archival &amp; Special Collections, University of Guelph Library, Guelph, Ontario</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="26637">
                <text>fairytale/folk lore</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
    <tagContainer>
      <tag tagId="206">
        <name># of Woodcuts: 1</name>
      </tag>
      <tag tagId="253">
        <name>Activity: running</name>
      </tag>
      <tag tagId="254">
        <name>Animal: bull(s)</name>
      </tag>
      <tag tagId="103">
        <name>Bib Context: title-page</name>
      </tag>
      <tag tagId="106">
        <name>Chapbook Date: 1841-1850</name>
      </tag>
      <tag tagId="297">
        <name>Chapbook Genre: fairytale/folk tale</name>
      </tag>
      <tag tagId="105">
        <name>Chapbook Publisher - Glasgow: Printed for the Booksellers</name>
      </tag>
      <tag tagId="91">
        <name>Gender: man/men</name>
      </tag>
      <tag tagId="155">
        <name>Nature: flower(s)</name>
      </tag>
      <tag tagId="255">
        <name>Nature: rock(s)</name>
      </tag>
      <tag tagId="144">
        <name>Nature: tree(s)</name>
      </tag>
      <tag tagId="102">
        <name>Outdoor Scene</name>
      </tag>
    </tagContainer>
  </item>
  <item itemId="1056" public="1" featured="0">
    <fileContainer>
      <file fileId="1976" order="1">
        <src>https://scottishchapbooks.lib.uoguelph.ca/files/original/ee45fbaacfead75f4b81d207502b80b6.pdf</src>
        <authentication>0c002c4d456d9f40f1c4c93bb839d685</authentication>
        <elementSetContainer>
          <elementSet elementSetId="7">
            <name>PDF Text</name>
            <description/>
            <elementContainer>
              <element elementId="119">
                <name>Text</name>
                <description/>
                <elementTextContainer>
                  <elementText elementTextId="22148">
                    <text>THE

GHOST
OF

MY UNCLE.

TO WHICH IS ADDED, THE

OUTWITTED TAX-GATHERER.

GLASGOW:
PRINTED FOR THE BOOKSELLERS.

25

��GHOST
OF

M Y

U N C L E .

I AROSE early in the morning, and after
taking a good breakfast, set out from home.
A quantity of rain had fallen in the night
It was, however, fair when I commenced
my expedition, and I wished it so to remain.
The morning was still and beautiful; it was
the early hour of four; I could not yet
distinguish the sun, though I was sensible
he had left his ocean bed from the beautiful
streaks of colouring in the eastern sky. To
express the softness, mildness, and calmness
of the scenery, at that hour, I cannot find
adequate words; those only can conceive it
who have witnessed the scene. I had not
proceeded more than two miles, before a few
drops alarmed me with apprehension of a
soaking shower, from a heavy black cloud
that was slowly sailing over my head, and
my fears were soon realized by a very thick
descent that followed, on which I betook

�4
myself with all speed to a thatched cottage, that
I saw at some distance, for shelter.
Many years had elapsed since I had
wandered about in this spot in careless infancy,
and the pretty secluded cot to which I was
advancing,
had once been my home. I
looked around on the hills and dales, and
could easily recognise them as my old
acquaintances. ' Ha,' said I, ' ye change not
your appearance, ye grow not old in the
course of time, the feebleness of age cometh
not upon you ;---ye still smile in the brightness
of summer, and frown in the lowering
winter.
For ages ye have reared your
towering crests and given food to the flocks
and the herds that have chequered your dark
surface; ye have given a direction to the
murmuring brook that proceeds from you,
till it seeks, far distant, the mighty ocean;
and while generation after generation hath
passed away, ye have preserved unvaried the
features ye possessed in ages gone--- Even
now, as in years past, my eyes behold the
still sunshine sleeping upon your gentle
s'oping declivities, interrupted only when
the light cloud of spring, for a moment,
casts over them its passing shadow ! My
cogitations were suddenly interrupted by the
gate at the end of the pasture, whichIopened.
In another moment I was in the porch
of the cottage; I lifted the latch, and went

�5
in. The house appeared just the same as I
had left it ten years before. The furniture
was the same, and each piece occupied the
same position. The old clock stood ticking
in the corner, as it had done for four-score
years, the oaken settle remained behind the
door, and my uncle's antique two armed
chair by the fire-side; but I saw no living
creature in the house besides the cat on the
hearthstone. I listened awhile, but could
hear nothing. At this I rather wondered,
as of yore the house was seldom, scarcely
ever, totally deserted. I then went forward
into the spence, or country parlour, where I
found several neighbour cousins, and the
servants, all standing in deep silence around
the bed of my dying uncle.
On entering, all eyes turned upon me;
I was a stranger to most of them; there
were, however, one or two who remembered
me. I advanced to the bed-side, and the
countenance of my uncle for a moment
brightened up at my approach, but soon
subsided again into a cold tranquil indifference.
It was plain that death was rapidly
approaching.
He had been speechless
several hours; consequently we could hold
no conversation. He, however, put out his
hand, which I grasped with an affection
redoubled by the prospect of soon losing him
for ever. In my younger days I had lived

�with him, and he having no children of his
own, was then remarkably fond of me;
subsequently that affection was strengthened
between us, and although circumstances had
cast my lot in another country, yet we had
kept up a friendly and affectionate
intercourse. Some time previous to his indisposition,
I had again removed to within thirty
miles of his residence, which was the place
from whence I set out on this sorrowful
visit.
My uncle was a man of sound judgment,
keen observation, and cheerful social disposition,
joined to a thorough knowledge of
mankind; he possessed a good portion of
eccentricity and humour. He loved a cheerful
glass; he was kind to his servants, and
dependants, and though rather of a frugal
and saving disposition, yet he was charitable
to his poor neighbours. In his freindships
he was rather capricious, but firm in his
attachment to the kirk and goverment of his
country. He was apt to be a little passionate
and hasty in his temper; but his resentment
was seldom of long duration. He was
well beloved by those among whom he dwelt,
and might be pronounced a good neighbour,
and an excellent subject. By a long course
of industry in his profession, he had amassed
a pretty good property, the knowledge of
which had drawn around him a host of needy

�7
relations, who besieged him with flattery and
professions, but those attentions were chiefly
drawn forth by their hopes of inheriting the
old man's property. How he had willed it
was not known. He was a man of prudence,
and seldom blabbed out his private affairs.
On my arrival, I found all the friends
about him remarkably attentive and duteous
in their behaviour, though it was evident
that a good deal of the affection was assumed.
Shortly after, he fell into a kind of a
dose, and all left the room save an attendant
or two. Peggy, the servant who had lived
With my uncle fourteen years, now insisted
on my taking some refreshment. But I
was too much agitated to feel any thing like
pleasure in my repast, and what I ate was
more to please the faithful old domestic, than
from any inclination of my own. When
my slight meal was over, I got up and went
to the window in a serious and reflecting
mood. The afternoon was far advanced,
and the scenery without was wrapped in
tranquillity. I was soon summoned from
my station to the parlour. My uncle had
somewhat revived, and his speech had returned.
He told us death was making rapid
advances, and that we might soon expect
the moment of his dissolution. He informed
us where we should find his will, and gave us
some excellent advice on our future conduct.

�8
Some things he requested us to perform,
which I thought were a little odd. He
wished us to read his will in the room where
he was, immediately after he had expired.
He desired that he might not he laid out, as
it is commonly called, until at least twelve
hours after his departure; that his large two
armed oaken chair might be placed in all
order and solemnity at the head of the table
every meal, and that it should remain
unoccupied
till after his funeral. He also wished
to be interred in a very deep grave. All
these requests, we promised faithfully to
observe, when, after taking an affectinate
farewell of each, he quietly resigned himself
to his pillow; his breathing became more
and more faint, till at last we could perceive
it no more.
During these transactions my mind was
in a state I cannot well describe : my
thoughts were all confusion, while at the
same time I struggled to be calm and
composed. Poignant as were my feelings, I
gazed on my dying relative with a sort of
apathy and grief, and at the moment when
nature was yielding up the contest I could
not shed a tear. In a short time all quitted
the appartment, and I was left alone. The
branches of the huge elm trees, with their
thickening foliage, partially screening the
window, made it, under such circumstances,

�9
awfully gloomy and tranquil. I took several
turns about the room, and with a soft step
I approached the bed, gazed a moment,
turned away, and then going up to the
window, strove to divert my thoughts by
looking at the surrounding landscape.
Twilight
was descending, and the sober hues of
evening gradually enveloped the lofty hills.
No sound struck my ear, except the faint
and low murmers of the brook, which brawled
down the valley at the bottom of the
Flinty Knowe—the shout, softened by
distance, of the peasant committing his herds to
the pasture—and now and then the solitary
barking of a shepherd's dog among the echoing
dales, attendant on his master looking
out his charge for the night.
I had not stood at the casement many
minutes when my cousins, all talking in a
rude, noisy, and indecorous manner, came
into the room with the will, which it seems
they had departed in search of the moment
the testator had expired. I was a good deal
shocked at the frivolity they manifested,
and could not help reproving them, though
in a mild and gentle manner, for the little
respect they paid to the deceased. ' Why
ye ken,' said one, 'he tauld us to read the
will amaist as soon as he died.''Ay,'cried
another, ' and sae in conformity wi' his
command, we went straight up the stairs and

�10
rummaged o'er his auld kist, till we found
it.' ' Mind your ain concerns, gudeman,
and we'll mind ours,' rejoined a third, rather
gruffly; so that my well meant admonitions
had no better effect than to cause me to be
more disliked by the party; for I could
perceive before this that they looked on me in
the light of an unwelcome intruder.
The will was now read, to which all paid
the greatest attention. A mute anxiety and
deep interest sat on every countenance : their
aspects was, however, instantly changed into
those of intense disappointment and
vexation, on hearing that my uncle had made
a stranger, whom none of us knew, the heir
of all his property, real and personal. For
my part, this circumstance did not affect me
in the least. I had not had any expectation
of inheriting the smallest portion; therefore
could not feel disappointed. But with the
others it was different; they had clung to
him like so many leeches, or like the ivy to
the old ruin, and with about as much affection
as the two before-mentioned things have
for the objects to which they so closely
adhere. A most appalling and disgusting
scene now took place among the disappointed
legacy hunters. They abused the old
man in the most shocking terms: they taxed
him with injustice and villany, and even
proceeded to call down imprecations upon his

�11
lifeless corse. I shuddered at the conduct of
the unprincipled villains; I trembled at the
impiety of men who could, at a time the
most solemn and impressive to a human
being, act in a manner sufficient to call down
upon them immediate and divine vengeance.
I was chilled with horror. I almost expected
every moment to see the lifeless corse of
my uncle start from the bed, on which it lay,
to take vengeance on the audacious wretches.
Once, indeed, I actually thought I saw his
lips quiver with rage—his eyebrows knit
together—and all the muscles of his
countenance
contract into a dreadful frown. I
shuddered at the sight, and withdrew my
gaze.
At length they went into the kitchen, and
I was once more left, alone in the chamber of
death. I went to the bed-side, and the scene
I had just witnessed operated so forcibly tin
my feelings, that I burst into tears, and
uttered aloud my lamentations overmylifeless
relative.
When this ebullition had
somewhatsubsided,I began to reflect a little
where I was, and a sort of timidity came
creeping over me. There is an
undefinable
apprehension which we feel while we are in
company with the dead. We imagine, in
spite of the efforts of reason, that the departed
spirit is hovering near its former tenement,
It being now quite dark, and having these

�feelings in a strong degree, it is no wonder
that I rather preferred the company of the
wretches in the kitchen, than to remain long
where I was.
I accordingly proceeded thither, where I
found them all carousing round a large table,
on which were placed the fragments of the
dinner, and plenty of liquor. I reminded
them of our promise to place my uncle's old
two armed chair at the head of the table, as
he had requested, which they had neglected
to do, and which they now strenuously
opposed my doing. I was, however,
resolutely determined to have it done, and at
length succeeded. I then retired to the
fireside, where I sat, without taking any part
in the conversation, or in any thing that
passed during the whole evening. I shall
pass over the several succeeding hours, the
whole of which they sat drinking, till they
were all in a greater or less degree intoxicated,
and generally brawling, wrangling,
and swearing in a loud and boisterous
manner. The night became stormy as it
advanced. The wind arose, and at intervals
moaned, sighed, and whistled shrilly
without,
roared in the wide chimney, and as it
furiously bent the trees in which the house
was embosomed, made a sound similar to the
dashing of the waves on the shore of the
ocean. The rain fell in torrents, and the

�13
large drops pattered against the window with
a ceaseless and melancholy cadence.
It was now getting nigh the 'witching
time of night,' and I saw no signs of the
revellers quitting the table. On the
contrary, they grew more loud and boisterous.
In obedience to their imperious commands,
yet evidently with the greatest reluctance,
Peggy had kept replenishing the exhausted
vessels with more liquor, and their demands
increased in proportion to the reluctance with
which they were satisfied. At length,
however, on receiving an intimation from me
that I would interpose, she absolutely refused
to draw any more liquor for them, telling
them they had plenty, and that it was time
to retire to bed. The scene that now ensued
was such as is impossible for me to describe;
maddened and inflamed with rage at being
thus refused, the wretches began to throw
the furniture up and down the house, break
the glasses and jugs, and to abuse the
servant, from whom they attempted to wrest
the key of the cellar, yelling out at the same
time the most horrid oaths and
imprecations.
The table was shortly overset, and the
lights put out in the scuffle, and in a few
moments we should, in all probability, have
had blood shed, as I felt myself roused to a
pitch of fury, and was advancing with the

�14
large heavy headed fire-poker to the assistance
of the servant, who was loudly shrieking
for help: just then the old clock struck
twelve rapid strokes, and the bell had not
ceased to vibrate, when we heard three heavy
knocks, as if given by a mallet upon the
wall, which seperated the kitchen from the
parlour where my uncle lay. There appeared
to be something supernatural in this.
The whole house seemed to shake to its very
foundation. A deep silence ensued. I stood
still. The wretches instantly became sober.
We all gazed earnestly and wildly at the place
from whence the noise proceeded. Scarce
had we recovered from the shock, when we
were again thunderstruck with a noise in the
parlour; it was unlike any sound that I had
ever heard before. It seemed as if all the
furniture in the room was violently crashed
together, mingled with the noise of fire-arms.
Shrieks and exclamations burst from all.
The windows shook and every door of the
habitation gave a momentary jar. I trembled
with awe. I felt every hair of my head
bristling upwards—my knees smote against
each other—a deathly paleness sat on every
countenance, and all eyes were fixed in an
intense gaze on the door, at the upper part
of the kitchen, which led to the staircase,
buttery, and parlour. When, to complete
the horror of the scene, the door burst wide

�15
open—dashed against the wall, and in, gliding
at a slow pace, came a dreadful apparition.
Its countenance was that of death.
It seemed to have been long the inhabitant
of that dark and narrow house— the grave;
the worms had revelled upon its eyes, and
left nothing but the orbless sockets. The
rest of the skeleton was enveloped in a long
and white sheet. The horrid spectre
advanced into the middle of the room. I
involuntarily shrunk back—the heavy weapon
dropped from my hand and rang loudly on
the stone floor; overcome with terror, I sank
into a chair. A cold sweat broke from my
forehead, and I had well nigh fainted on its
first appearance; the others had tumbled one
over the other, in the greatest horror and
confusion, and now lay as if dead in all
directions.
The spectre gazed wildly round for a
moment—at the clock—at the fire—and
then turned its eyeless sockets upon each
individual, motioning at the same time with
its long arm, and pointing to the outer door,
seemingly directing to an outlet for an
escape, and wishing for their exit. They
were not long in obeying this intimation,
out severally crawled away on their hands
and knees, with all the speed they could
possibly make; none of them daring to stand
upright.
The spectre all the while was

�16
standing in the middle of the floor, eyeing,
or rather appearing to eye them, through
the void sockets, where eyes had once
glistened, as they retreated one by one in the
greatest fear and trepidation. When Peggy
and I offered to decamp along with the rest,
the spectre motioned us to remain where we
were, and we durst not for our lives disobey.
When the last of the crew was making his
exit, and had crawled nearly to the door, the
spectre, which had hitherto stood motionless,
except waving its arm and slowly turning
its eyeless countenance on the wretches as
they crept successively out of the door,
bounded with the rapidity of lightning after
the terrified wretch. But swift as the flight
of spirits are, in this case that of the mortal
was swifter : the fellow gave a thrilling
scream—made a convulsive spring—his
heels struck violently against the lintel of the
door in his course, and he vanished from my
sight and the spectre after him. ' Gude
defend us,' said Peggy. For my part, ill
as I was frightened, I could scarce forbear
laughing outright at the last incident so
comic and farcical.
Half a minute had not elapsed, when I
heard a step, and in another instant (I still
kept my eyes on the door) in came the very
form of my uncle, muttering, ' Villains!
Rascals! Hypocrites !' He fastened the door

�17
after him, shut out his nephews and the
spectre, and then came towards the fire. A t
this I was more amazed than ever. He,
however, gave me to understand that he was
alive and well, and that all I had seen
transacted
in the afternoon and evening, was
nothing but a stratagem he had made use of
to try the sincerity of his relations, and if he
found them, as he conjectured, false in their
professions, to get rid of them. The scheme
answered nobly, and, it must be confessed,
the stratagem was well planned and exceedingly
well executed.
My uncle concluded his relation with
assuring me, that, excepting a good legacy
for his faithful servant Peggy, I should
inherit all that he possessed, as some little
acknowledgement for the fright he had
caused me; and as for the wretches he had
expelled from his house, in so singular a
manner, they should never more cross the
threshold of his door. W e all three now
sat down to a little supper, of which my
uncle stood in great need, and after taking
a cheerful glass retired to bed.
Notwithstanding the fatigue of my journey,
and sitting up so late, my sleep was
far from being sound and refreshing. I
was disturbed with fearful dreams the whole
night. At length the cocks began to crow
—the clouds of the eastern sky to break

�18
assunder, and the morning to dawn.
When
it was tolerably light I started up, resolved
on a stroll over the meadows. Before going
out, however, I went into the parlour, where
I found every thing in the utmost confusion.
Chairs, tables, walking-sticks, and logs of
wood, lay all over the floor, and every thing
upset or in a wrong position. I then
proceeded to the outer door, which I opened,
but started back in horror, on perceiving a
human skull lying on a sheet at my right
hand, just without the door. Recovering
from my fright, I gathered it up, and could
not restrain my laughter, when I discovered
it to be nothing more than a mask,
representing
a death's head. It seems while we
were all wrangling the night before, my
uncle had stepped out of bed—dressed
himself
—piled all the furniture, logs of wood
and timber, he could in the apartment, in a
heap, crowning the pyramid with a dozen or
more walking-sticks, which had lain time
out of mind on the top of an old cupboard
—then gone up stairs and put on the horrid
mask—brought down a pistol, and enveloped
himself from his feet to his chin, in a clean
white sheet; after alarming us, just as the
clock struck the awful hour of twelve, by
striking three heavy blows against the
wall with a huge log of wood, he contrived
to tumble down the whole mass of furniture

�19
at once—fired his pistol at the same moment,
and then burst in upon us in the manner
described.
I now went out. As I was crossing the
yard, I discovered several drops of blood on
a stone, which I could no way account for,
but by supposing some of my good cousins
had received, in their retreat, a fall; and, a
little further, I discovered a pair of shoes.
A receptacle for the filth of the byre, in
another part of the yard, bore evident marks
of some one having had therein a severe
struggle.
Indeed the adventures of the flying heroes
had been various and woful; one of them,
he at whom the spectre had made such a
sudden bound, as I afterwards ascertained,
actually ran seven miles without stopping,
and with his shrieks, supposing the grim
monster close at his heels, almost raised the
whole country. I now proceeded onwards
over the fields, listening to the warbling
lark ' springing blithely up to greet the
purpling east.' The air was fresh and
pure, and, in the beauties of nature, I
awhile forgot the events of the preceding
evening. With hasty steps I roved over
the faintly recollected scenes, where I had
in childhood spent some of my happiest
hours, until weary with my rambles I
returned to breakfast.

�20
OUTWITTING A TAX-GATHERER.

SOME writers have stated the number of
islands in Strangford Lough to be upwards
of two hundred, but it has been ascertained
that there are not more than fifty-four. Some
are inhabited ; on others cattle of various
kinds are kept by the proprietors of the
grounds on the opposite shore. Upon one
of them there is a very extensive rabbitwarren. The individual who resides on this
island had for many years derived a very
considerable income from the sale of the
rabbit skins, and although he had erected a
very good house, he never once dreamed of
paying any thing in the shape of excise or
taxes. At length, however, a tax-gatherer,
who had paid a visit to the houses on the
neighbouring shore, beheld with anxious
gaze the goodly edifice which presented
itself upon the island, and determined upon
visiting it in the name of his Majesty. The
proprietor of the place, having been in the
habit of receiving visits from persons who
came to purchase his skins, and supposing
the taxman to be one of them, sent off a boat
to fetch him to the island. On reaching the
place, the man of taxes began to make
various enquires as to the time the house had

�21
been erected, the number of windows,
hearths, &amp;c., it contained: and, having
gained the desired information, he immediately
demanded, on behalf of his Majesty,
a considerable sum, as the amount of taxes
and arrears due upon the place. In vain
the poor man protested against the proceeding,
as an imposition, in vain he contended,
that the demand, never having been made
before, he had no right to pay it then. The
stranger was inexorable, and nothing would
satisfy him but the payment of the money
down, or, in default thereof, he threatened
to return direct, with a party of the army,
and lead, drive, and carry away all that he
couldfinduponthe island. Atlength,fearing
such a catastrophe, and finding every
effort to soften the hard heart of the exciseman
completely fruitless, the poor man paid
down the amount demanded, and got a
regular acknowledgement for the same; and
the officer, having put the money in his
pocket, haughtily desired that he might be
put ashore. ' No, no,' said the old man ;
'althoughhis Majesty may compel me to
pay taxes, he cannot compel me to keep a
boat to row you, and the likes ofyou,back
and forward.' After many threats and
entreaties, the, islanderatlastconsented,as
he had brought his visitorover,togivehim
' a bit of arow'backagain;andboth

�getting into the boat, along with a young lad,
son to the proprietor, they pulled for some
time in the direction of shore. When about
midway, however, the islander, quietly laying
down his oar, informed the officer, that
although he had promised to give him ' a
bit of a row,'he had never any intention of
taking him the entire way, and that he must
now do the best he could, as he was himself
obliged to return to the island, or that they
would land him on Phaddy Lhug, (a large
rock, which was visible at low water, but
was many feet beneath the surface at full
tide,) from which, if he shouted loud enough,
perhaps some of his friends on the shore
might hear him, and send a boat to convey
him the remainder of the distance. On the
other protesting against such conduct, and
insisting that they should continue their
labour, and take him ashore—the old man,
pulling his oar into the boat, and desiring
his son to do the same, very drily observed,
that if the gentleman did not wish to quit
the boat, they would not insist upon his doing
so, as they ' could swim like two water dogs,
and thus easily regain the island; but that
if he chose to pay him for it, he would
willingly land him at any place he wished.
Finding himself outwitted by the islanders,
the officer deemed it the more advisable way
to accede to the terms proposed—when, to his

�23
astonishment, he found that the demand was
nothing less than the entire amount he had
received for the taxes, together with a receipt
for those of the following year, and a special
engagement, that he would never again
return to that island to demand taxes on excise.
Hard as the terms were, he was at length
compelled to accede to them, rather than
take on a tide which, at the time, was
running at the rate of nine mites an hour, the
alternative of being left to drift out to sea in
an open boat, with scarcely a hope of relief
from any quarter. It is scarcely necessary
to observe, that having paid back the money,
and giving the required receipt, the
crestfallentaxmanwas put safely ashore, and
never again visited the island, or trusted
himself in company with so tricky a customer
as the old dealer in rabbit skins.

SCARLET

DISCOVERED.

A Highlander entered a haberdasher's shop
in Perth, and asked for a piece of scarlet
cloth to make him a waistcoat. The rustic
manner of the Gael set some young women
who were at the counter a-giggling; and
the shopman, willing to afford them sport,
began to play off his small wit upon the

�24
stranger. " So, goodman, ye want a piece
of scarlet ? Would you know scarlet if you
saw it?" " I tink I would," replied the
mountaineer. The shopman threw down a
piece of blue cloth: " Is that scarlet ?"
" Hout no, no! that no be it." A piece of
green cloth was produced; the same question
was repeated, and received a similar answer
to the great amusement of the querist and
his female friends, who were at no pains to
conceal their mirth. The Highlander took
revenge in his own way ; He put his nose
to the cloth, and affected to judge of the
colour by the smell. The shopman, at
request, did the same; but the instant he
bent his nose towards the counter, the
Highlander seized him by the ears, and
made his nasal protuberance come, in such
violent contact with the boards, that the blood
sprung from it " Tat," said the
Highlander,
" i s ta colour o', scarlet tae ye noo,
lad;" and he walked away.

�</text>
                  </elementText>
                </elementTextContainer>
              </element>
            </elementContainer>
          </elementSet>
        </elementSetContainer>
      </file>
      <file fileId="1975" order="2">
        <src>https://scottishchapbooks.lib.uoguelph.ca/files/original/5f93b7a2701fc16b147fb28c25a60766.jpg</src>
        <authentication>16b01e124a931a6ad032976f2674b360</authentication>
        <elementSetContainer>
          <elementSet elementSetId="1">
            <name>Dublin Core</name>
            <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
            <elementContainer>
              <element elementId="50">
                <name>Title</name>
                <description>A name given to the resource</description>
                <elementTextContainer>
                  <elementText elementTextId="24781">
                    <text>Woodcut portraying outdoor scene with man in boat in foreground and village in background; a basket and anchor on path leading to village</text>
                  </elementText>
                </elementTextContainer>
              </element>
            </elementContainer>
          </elementSet>
        </elementSetContainer>
      </file>
    </fileContainer>
    <collection collectionId="35">
      <elementSetContainer>
        <elementSet elementSetId="1">
          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="26577">
                  <text>Woodcut 027: Title-page illustration  of a man in a small boat. A village can be seen in the background.</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="22139">
                <text>The Ghost of My Uncle. To which is added, the Outwitted Tax-Gatherer.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="52">
            <name>Alternative Title</name>
            <description>An alternative name for the resource. The distinction between titles and alternative titles is application-specific.</description>
            <elementTextContainer>
              <elementText elementTextId="22140">
                <text>The Outwitted Tax-Gatherer</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="78">
            <name>Extent</name>
            <description>The size or duration of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="22142">
                <text>24 pages</text>
              </elementText>
              <elementText elementTextId="24635">
                <text>15 cm</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="22143">
                <text>&lt;a href="https://ocul-gue.primo.exlibrisgroup.com/permalink/01OCUL_GUE/mrqn4e/alma9934228043505154"&gt;s0585b34&lt;/a&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="22144">
                <text>25 printed at the foot of the title page</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="37">
            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="22145">
                <text>Archival and Special Collections, University of Guelph Library, Guelph, Ontario, Canada</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="22147">
                <text>In the public domain; For high quality reproductions, contact Archival &amp; Special Collections, University of Guelph. libaspc@uoguelph.ca, 519-824-4120, Ext. 53413</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="24634">
                <text>JPEGs and PDF derived from master file, which was scanned from the original book in 24-bit color at 600 dpi in TIFF format using an Epson Expression 10000XL scanner.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="24782">
                <text>Glasgow: Printed for the Booksellers</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="24783">
                <text>ca.1840-1850?</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="26305">
                <text>Archival &amp; Special Collections, University of Guelph Library, Guelph, Ontario</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="26323">
                <text>Chapbooks - Scotland - Glasgow</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="26578">
                <text>supernatural &amp; ghost stories</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
    <tagContainer>
      <tag tagId="165">
        <name>Architecture: city view</name>
      </tag>
      <tag tagId="103">
        <name>Bib Context: title-page</name>
      </tag>
      <tag tagId="106">
        <name>Chapbook Date: 1841-1850</name>
      </tag>
      <tag tagId="164">
        <name>Chapbook Genre: supernatural</name>
      </tag>
      <tag tagId="105">
        <name>Chapbook Publisher - Glasgow: Printed for the Booksellers</name>
      </tag>
      <tag tagId="91">
        <name>Gender: man/men</name>
      </tag>
      <tag tagId="167">
        <name>Object: anchor(s)</name>
      </tag>
      <tag tagId="166">
        <name>Object: basket(s)</name>
      </tag>
      <tag tagId="102">
        <name>Outdoor Scene</name>
      </tag>
      <tag tagId="142">
        <name>Transportation: ship/boat(s)</name>
      </tag>
    </tagContainer>
  </item>
  <item itemId="1057" public="1" featured="0">
    <fileContainer>
      <file fileId="1977" order="1">
        <src>https://scottishchapbooks.lib.uoguelph.ca/files/original/8d9380d55c332591430ba8e53d9a17d0.jpg</src>
        <authentication>e32c68b335c29afde46fa6beaa5f9e16</authentication>
        <elementSetContainer>
          <elementSet elementSetId="1">
            <name>Dublin Core</name>
            <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
            <elementContainer>
              <element elementId="50">
                <name>Title</name>
                <description>A name given to the resource</description>
                <elementTextContainer>
                  <elementText elementTextId="24753">
                    <text>Woodcut on title-page portraying a man wearing a hat, kilt, and plaid socks holding an upright rifle. To his left is a door marked with the letter V</text>
                  </elementText>
                </elementTextContainer>
              </element>
            </elementContainer>
          </elementSet>
        </elementSetContainer>
      </file>
      <file fileId="1978" order="2">
        <src>https://scottishchapbooks.lib.uoguelph.ca/files/original/04173de2230ee97b8691b56ec3e8ff6b.pdf</src>
        <authentication>b6f5cabe7a639a6fe3a2274f08150103</authentication>
        <elementSetContainer>
          <elementSet elementSetId="7">
            <name>PDF Text</name>
            <description/>
            <elementContainer>
              <element elementId="119">
                <name>Text</name>
                <description/>
                <elementTextContainer>
                  <elementText elementTextId="22165">
                    <text>THE

BATTLE OP

PHILIPHAUQH;
TOGETHER WITH THE

BATTLE

OF

LOUBONHILL,
AND

AUCHINDOWN,

GLASGOW:
PRINTED FOR THE BOOKSELLERS.

80.

�THE BATTLE OF PHILIPHAUGH.

On Pliiliphaugh a fray began,
At Hairhead wood it ended ;
The Scots out o'er the Graemes they ran,
Sae merrily they bended.
Sir David frae the border came,
W i ' heart an' hand came he ;
Wi' him three thousand bonnie Scots,
To bear him company.
W i ' him three thousand valiant men,
A noble sight to see!
A cloud o' mist them weel concealed,
As close as e'er might be.
When they came to the Shaw burn,
Said he, " Sae weel we frame,
I think it is convenient,
That we should sing a psalm."
When they came to the Lingly burn,
As day-light did appear,
They spy'd an aged father,
And he did draw t. em near.

�" Come hither, aged father!"
Sir David he did cry,
" And tell me where Montrose lies,
With all his great army.
" But, first, you must come tell to me.
If friends or foes you be ;
I fear you are Montrose's men,
Come frae the north country."
" No, we are nane o' Montrose's men,
Nor e'er intend to be ;
I am Sir David Lesly,
That's speaking unto thee."
" If you're Sir David Lesly,
As I think weel ye be,
&lt;
I'm sorry ye ha'e brought so few
Into your company.
There's fifteen thousand armed men,
Encamped on yon lee ;
Ye'll never be a bite to them,
For aught that I can see.

44

" But, halve your men in equal parts,
Your purpose to fulfil;
Let ae half keep the water side,
The rest gae round the hill.
" Your nether party fire must,
Then beat a flying drum;
And then they'll think the day's their ain,
And frae the trench they 11 come.

�4
" Then, those that are behind them maun
Gi'e shot, baith grit and sma';
And so, between your armies twa,
Ye may make them to fa'."
" 0 were ye ever a soldier ? "
Sir David Lesly said;
" 0 yes; I was at Solway flow,
Where we were all betray'd.
" Again I was curst at Dunbar,
And was a pris'ner ta'en :
And many a weary night and day,
In prison I lia'e lien."
" If ye will lead these men aright,
Rewarded shall ye be ;
But, if that ye a traitor prove,
I'll hang thee on a tree."
" Sir, I will not a traitor prove ;
Montrose has plundered me ;
I'll do my best to banish him
Away frae this country."
He halv'd his men in equal parts,
His purpose to fulfil;
The one part kept the water side,
The other gaed round the hill.
The nether party fired brisk,
Then turn'd and seem'd to rin;
And then they a' came frae the trench,
And cry'd, " The day's our ain!"

�5
The rest then ran into the trench,
And loos'd their cannons a ' ;
And thus, betweeen his armies twa,
He made them fast to fa'.
Now, let us a' for Lesly pray,
And his brave company!
For they ha'e vanquish'd great Montrose,
Our cruel enemy.

T H E B A T T L E OF LOUDON-HILL.
marvel when I tell ye o*
Our noble Burly, and his train ;
When last he march'd up thro' the land,
Wi' sax-and-twenty westland men.

YOU'L

Than they I ne'er o' braver heard,
For they had a* baith wit and skill;
They proved right well, as I heard tell.
As they cam* up o'er Loudon-hill.
Weel prosper a' the gospel lads,
That are into the west countrie ;
Ay wicked Claver'se to demean,
And ay an ill dead may he die!
For he's drawn up i' battle rank,
An' that baith soon and hastilie ;
But they wha live till simmer come,
Some bludie days for this will see.

s

�6
But up spak' cruel Claver'se then,
W i ' hastie wit, an' wicked skill;
" G i ' e fire on yon westlan' men ;
I think it is my sov'reign's will."
But up bespake his cornet, then,
" It's be wi' nae consent o' me!
I ken I'll ne'er come back again,
An* mony mae as weel as me.
'* There is not ane of a' yon men,
But wha is worthy other three ;
There is na ane amang them a',
That in his cause will stap to die.
" An' as for Burly, him I knaw ;
He's a man of honour, birth, an' fame
Gi'e him a sword into his hand,
He'll fight thysel' an' other ten."
But up spake wicked Claver'se then,
I wat his heart it raise fu' hie!
And he has cry'd that a' might hear,
" Man, ye ha'e sair deceived me.
" I never ken'd the like afore,
Na, never since I came frae hame,
That you sae cowardly here .suld prove,
An' yet come of a noble Graeme."
But up bespake his cornet, then,
44 Since that it is your honour's will,
Mysel' shall be the foremost man,
That shall gi'e fire on Loudon-liill.

�r»
4

" At your command 1*11 lead them on,
But yet wi' nae consent o' me ;
F o r Weel I ken I'll ne'er return,
A n d mony mae as weel as me."

Then up he drew in battle rank;
I wat he had a bonnie train!
But the first time that bullets flew,
Ay he lost twenty o' his men.
Then back he came the way he gaed,
I wat right soon and suddenly!
He gave command amang his men,
And sent them back, and bade them flee.
Then up came Burly, bauld an' stout,
W i s little train o' Westland men ;
Wha inair than either aince or twice
In Edinburgh confined had been.
They ha'e been up to London sent,
An' yet they're a' come safely flown ;
Sax troop o' horsemefc they ha'e beat,
And chased them into Glasgow town.

AUCHINDOWN.
AT Auchindown, the tenth of June,
Sae merry blythe, and gay. Sir,
Each lad and lass did fill a glass.
And drink a health that day, Sir

�8
We drank a health, and nae by stealth,
'Mang kimmers bright and lordly:
" King James the Eighth! for him we'll'fight,
And down wi' cuckold Geordie!"
We took a spring, and danc'd a fling,
And wow but we were vogie!
We didna fear, though we lay near
The Campbells, in Stra'bogie ;
Nor yet the loons, the black dragoons,
At Fochabers a-raising:
If they durst come, we'd pack them home,
And send them to their grazing.
We fear'd no harm, and no alarm,
No word was spoke of dangers;
We join'd the dance, and kiss'd the lance,
And swore us foes to strangers,
To ilka name that dar'd disclaim
Our Jamie and his Charlie.
" King James the Eighth! for him we'll fight,
And down the cuckold carlie!"

�</text>
                  </elementText>
                </elementTextContainer>
              </element>
            </elementContainer>
          </elementSet>
        </elementSetContainer>
      </file>
    </fileContainer>
    <collection collectionId="34">
      <elementSetContainer>
        <elementSet elementSetId="1">
          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="26553">
                  <text>Woodcut 026: Title-page illustration of a Highland soldier in a kilt and plaid socks holding an upright rifle in a outdoor scene. A door in background  is imprinted with the letter "V".</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="22149">
                <text>The Battle of Philiphaugh; together with the Battle of Loudon-Hill, and Auchindown.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="52">
            <name>Alternative Title</name>
            <description>An alternative name for the resource. The distinction between titles and alternative titles is application-specific.</description>
            <elementTextContainer>
              <elementText elementTextId="22150">
                <text>Battle of Loudon-Hill</text>
              </elementText>
              <elementText elementTextId="22151">
                <text>Auchindown</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="78">
            <name>Extent</name>
            <description>The size or duration of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="22153">
                <text>8 pages</text>
              </elementText>
              <elementText elementTextId="24633">
                <text>15 cm</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="22154">
                <text>&lt;a href="https://ocul-gue.primo.exlibrisgroup.com/permalink/01OCUL_GUE/mrqn4e/alma9934228133505154"&gt;s0585b36&lt;/a&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="22155">
                <text>80 printed at the foot of the title page</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="37">
            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="22156">
                <text>Archival and Special Collections, University of Guelph Library, Guelph, Ontario, Canada</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="22158">
                <text>In the public domain; For high quality reproductions, contact Archival &amp; Special Collections, University of Guelph. libaspc@uoguelph.ca, 519-824-4120, Ext. 53413</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="22159">
                <text>1840-1850 per National Library of Scotland</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="24632">
                <text>JPEGs and PDF derived from master file, which was scanned from the original book in 24-bit color at 600 dpi in TIFF format using an Epson Expression 10000XL scanner.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="24752">
                <text>Glasgow: Printed for the Booksellers</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="26300">
                <text>Archival &amp; Special Collections, University of Guelph Library, Guelph, Ontario</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="26554">
                <text>ballads &amp; songs</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="26555">
                <text>War</text>
              </elementText>
              <elementText elementTextId="26556">
                <text>Covenanters</text>
              </elementText>
              <elementText elementTextId="26557">
                <text>Philiphaugh, Battle of, Scotland, 1645</text>
              </elementText>
              <elementText elementTextId="26559">
                <text>Chapbooks - Scotland - Glasgow</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
    <tagContainer>
      <tag tagId="206">
        <name># of Woodcuts: 1</name>
      </tag>
      <tag tagId="103">
        <name>Bib Context: title-page</name>
      </tag>
      <tag tagId="106">
        <name>Chapbook Date: 1841-1850</name>
      </tag>
      <tag tagId="125">
        <name>Chapbook Genre: ballads &amp; songs</name>
      </tag>
      <tag tagId="105">
        <name>Chapbook Publisher - Glasgow: Printed for the Booksellers</name>
      </tag>
      <tag tagId="405">
        <name>Fashion (Clothing): feather bonnet</name>
      </tag>
      <tag tagId="332">
        <name>Fashion (Clothing): Highland attire</name>
      </tag>
      <tag tagId="286">
        <name>Fashion (Clothing): kilt</name>
      </tag>
      <tag tagId="287">
        <name>Fashion (Clothing): military</name>
      </tag>
      <tag tagId="406">
        <name>Fashion (Clothing): sporran</name>
      </tag>
      <tag tagId="91">
        <name>Gender: man/men</name>
      </tag>
      <tag tagId="122">
        <name>Indoor Scene</name>
      </tag>
      <tag tagId="248">
        <name>Occupation: soldier</name>
      </tag>
      <tag tagId="148">
        <name>Weapons: gun(s)</name>
      </tag>
    </tagContainer>
  </item>
  <item itemId="1058" public="1" featured="0">
    <fileContainer>
      <file fileId="1979" order="1">
        <src>https://scottishchapbooks.lib.uoguelph.ca/files/original/1a8190ca1f72735aa2352c427ddd32fe.jpg</src>
        <authentication>ecda922a33784dfa17879c656e23a9c0</authentication>
        <elementSetContainer>
          <elementSet elementSetId="1">
            <name>Dublin Core</name>
            <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
            <elementContainer>
              <element elementId="50">
                <name>Title</name>
                <description>A name given to the resource</description>
                <elementTextContainer>
                  <elementText elementTextId="24751">
                    <text>Illustration on title-page of a woman praying before an altar on top of which is an open book</text>
                  </elementText>
                </elementTextContainer>
              </element>
            </elementContainer>
          </elementSet>
        </elementSetContainer>
      </file>
      <file fileId="1980" order="2">
        <src>https://scottishchapbooks.lib.uoguelph.ca/files/original/b27b59778afb179513e79310cc45164a.pdf</src>
        <authentication>e7f0df7c8cbbbcc3735327527f6bf980</authentication>
        <elementSetContainer>
          <elementSet elementSetId="7">
            <name>PDF Text</name>
            <description/>
            <elementContainer>
              <element elementId="119">
                <name>Text</name>
                <description/>
                <elementTextContainer>
                  <elementText elementTextId="22176">
                    <text>Fair Margaret's Misfortunes
T o which arc added,

A Cogie of Ale.
The weary pund o' Tow.
Song in Rosina.

EDINBURGH—

rRINTXD FOR TH6 BOOKSELLERS.

�fair Margarets misfortunes.
As it fell out upon a day,
two lovers they sat upon a hill:
They sat together a long summed day,
and could not take their fill.
1 see no harm hy you Marjaret,
and you sec none by me;
Before to morrow at eight clock,
a rich we J ding you shall sot*
Fair Margaret sat in her bower window
a combing of her hair ;
There 6he ip&gt;M sweet William and bri If,
as they were a riding near.
©own the laid her iv.ry comb,
and up she bound her hair,
She went away forth from the bower,
and never more e&amp;jse there.
Whc-n day was gone, and night was iiosae,
and all m:n frst asleep,
There came the spirit of Pair Margaret,
and stood at WillismVbed-feet.

�God give you joy, you true lovers,
in bride-bed fast asleep,
Lo 1 I a« going to my green-gTais grove,
an] I am is my winding sheet
When Jay was come aad ni^ht was gone,
and all men wak'd from sleep.
Sweet Wilium to his lady said,
my dear, I've cause to weep.
I dream'd a dream my dear Lidy
such dreams are never good s
I dream'd thy bow'r was full of red swfne,
and thy bride-bed ful of blood*
Such dreams such dreams, my honoured Sir,
they never do prjve good ;
To dretaa my bower was full of red swin?,
and my bri'le-bed full of blood.
He called up his merry men ail,
by one by two and by three,
Saying, I'll away to fair Margaret's bower,
by the have of ray fair lady.
And when he came to fair Margaret's bo*er,
he knocked at t'.e ring:

�4
So ready were the seven bn tbren
to let 8wetf William in,
Then he turned up the winding s^eet,
pray let me set the dead
Methinks she looks both pale anl wan,
she ba4 lost her cherry reJ.
I will do more for the«, Margtiet,
th»n any of thy kio,
For \ will kisa thy psle wan lips,
though a w$iie I cannot win.
With that Uspokt the seven brethren,
making most piteous moan,
You may go kiss your jolly brow* dame,
and let our sister alone.
If I do kiss my jolly brown dame,
I da but what is right,
For I made DO VOW to your sister dear,
by day nor yet by eight.
Fray tel/ me then how much you'll deal
oi white bread and of wine,
So mnc i as is dealt at he,; funeral to-iay,
t;-mcrrcw shall be desit ss mine.
l

�5
Fair Margaret dy'd to-day to-day,
•weet William hp dy d the morrow;
Fair Margaret dy d for pure true love,
•weet William ha dy d for aorro*.
Margaret wai buried in the totrtr chancel,
and Williaai in the higher
Out of her breast there «pr**g,
and out of hie a briar.
N

%

They greJ* a« high a« the church top,
'till they could grow no Hghsr ;
A*d there grew in a True-lover'a knot,
that mado all people admire.
Then came the clerk of the pariah,
as you this truth ahall hear,
And by misfortunes cut them dowa,
or they had BOW b2en there.
A COGIE OF ALE.
A C O G I E of ale, and a pickle alt meal,
And a dainty wee drappie o' whisky,
Was our forefather'* dose to swell down'thiir brcie
Aod make them blytje cheery, and frisky.

�6
Then hey for the cogie and bey for the ale,
Acd hey for the whisky and bey for the mt*l,
When m:Vd a' thtgitler they do unco weel;
TG&gt; &amp;&amp;k a cbicld cheery and brisk ay,
As I view our Scots lads in their kilts cod cotkad*6,
A' blofimiig tnii fresh as a rose, man;
I ifeink wi znysel 0* the meal and the ale,
Aod the frui's o* our Scottish kail brose maa;
Ttien hey for the co^ie. &amp;J.
x

Whoa our brave Htghlaad blades, wf tkeir clay*
mores and plaids,
In the field, drive like #be*p a1 our fres, fttaa,
"Fheir courage andpow'r, spring frae thif, to besurt,
They're the noblt effrcU of the bro*e, wan,
T£en hey fop the cogie, &amp;c.
t

Tut your spindle-shack'd sparks, wha but ill »et
their sarks,
And ycur pale-vbaged milksops, and beaua, t&amp;aa.
I think when I see them 'twei^e kindneal to gi'e
them,
&amp; A cogie of *le aa3 pf brose man.
Then h*y for the co^ie,

�t h e w e a r y PUND 0 ' TOIV.
The weary pun&amp; the weary punl&gt;
The weary pnnd o' tow;
I think my wife will and her life
Before she spin her tow,
I bought m? wife a staae o' lint,
as good as e'er did grow,
And a that she has made o' tint
Is ae puir puud o tow.
The-e sat a bottle in a nook
Ayont the ingle low,
And ay she took the ither souk
to drouk the stourie tow.
Quoth I, for shame, ye dirty dame,
Gae 6pin your tap o* tow:
She took the rock, and w: knock,
She brak it o'er my pow.
At last her feet, (I fang to tee't)
Gaed foremost o'er a knowe;
And ere I wed another j&amp;de,
I'll wallop in a tow.
9

x

�?
SONG IN R3S1M
When William at eve meets me dowa at the »til&lt;%
UQW gwtet is the nightingale^ song,
Of the day I forget all the labour and toil
whilst the mo&lt; n plays yon branches ameeg.
By her beams without blushing I hear hitt complain
and believe every word of his seng:
You know tot bow sweet Hi* to love the dear swab),
whilst the moon plays yon branches among.

FINIS.

�</text>
                  </elementText>
                </elementTextContainer>
              </element>
            </elementContainer>
          </elementSet>
        </elementSetContainer>
      </file>
    </fileContainer>
    <collection collectionId="32">
      <elementSetContainer>
        <elementSet elementSetId="1">
          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="26473">
                  <text>Woodcut 025: Title-page illustration in a single ruled border  of a woman praying before an altar on top of which is a book.</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="22166">
                <text>Fair Margaret's Misfortunes; to which are added, A Cogie of Ale. The weary pund o' Tow. Song in Rosina.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="52">
            <name>Alternative Title</name>
            <description>An alternative name for the resource. The distinction between titles and alternative titles is application-specific.</description>
            <elementTextContainer>
              <elementText elementTextId="22167">
                <text>A Cogie of Ale</text>
              </elementText>
              <elementText elementTextId="22168">
                <text>The weary pund o' Tow</text>
              </elementText>
              <elementText elementTextId="22169">
                <text>Song in Rosina</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="78">
            <name>Extent</name>
            <description>The size or duration of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="22171">
                <text>8 pages</text>
              </elementText>
              <elementText elementTextId="24631">
                <text>16 cm</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="22172">
                <text>&lt;a href="https://ocul-gue.primo.exlibrisgroup.com/permalink/01OCUL_GUE/mrqn4e/alma9934220883505154"&gt;s0585b51&lt;/a&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="37">
            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="22173">
                <text>Archival and Special Collections, University of Guelph Library, Guelph, Ontario, Canada</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="22175">
                <text>In the public domain; For high quality reproductions, contact Archival &amp; Special Collections, University of Guelph. libaspc@uoguelph.ca, 519-824-4120, Ext. 53413</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="24629">
                <text>JPEGs and PDF derived from master file, which was scanned from the original book in 24-bit color at 600 dpi in TIFF format using an Epson Expression 10000XL scanner.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="24630">
                <text>1815-1825?</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="24750">
                <text>Edinburgh: Printed for the Bookseller</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="26299">
                <text>Archival &amp; Special Collections, University of Guelph Library, Guelph, Ontario</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="26304">
                <text>Chapbooks - Scotland - Edinburgh</text>
              </elementText>
              <elementText elementTextId="26475">
                <text>Courtship and Marriage</text>
              </elementText>
              <elementText elementTextId="26476">
                <text>Alcohol</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="26474">
                <text>ballads &amp; songs</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="26993">
                <text>Woodcut #25: Illustration on title-page of a woman &#13;
praying before an altar on top of which is an &#13;
open book.</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
    <tagContainer>
      <tag tagId="150">
        <name>Activity: praying</name>
      </tag>
      <tag tagId="123">
        <name>Architecture: window(s)</name>
      </tag>
      <tag tagId="103">
        <name>Bib Context: title-page</name>
      </tag>
      <tag tagId="119">
        <name>Chapbook Date: 1811-1820</name>
      </tag>
      <tag tagId="109">
        <name>Chapbook Date: 1821-1830</name>
      </tag>
      <tag tagId="330">
        <name>Fashion (Clothing): upper class</name>
      </tag>
      <tag tagId="149">
        <name>Furniture: altar</name>
      </tag>
      <tag tagId="120">
        <name>Gender: woman/women</name>
      </tag>
      <tag tagId="122">
        <name>Indoor Scene</name>
      </tag>
      <tag tagId="96">
        <name>Object: book(s)</name>
      </tag>
    </tagContainer>
  </item>
  <item itemId="1059" public="1" featured="0">
    <fileContainer>
      <file fileId="1982" order="1">
        <src>https://scottishchapbooks.lib.uoguelph.ca/files/original/42dbb0dede9ae3a3a5d2ee3f6babf05d.pdf</src>
        <authentication>6fae4ad94569c572c30f022e0d63dbdd</authentication>
        <elementSetContainer>
          <elementSet elementSetId="7">
            <name>PDF Text</name>
            <description/>
            <elementContainer>
              <element elementId="119">
                <name>Text</name>
                <description/>
                <elementTextContainer>
                  <elementText elementTextId="22186">
                    <text>STORYS

YOUNG

OF

ROBBER,
AD
N

PUSS IN BOOTS.
1

GLASGOW:

29

��STORY OF

THE YOUNG ROBBER.

I WAS born at the little town of Frosinone,
which lies at the skirts of the Abruzzi.
M y father had made a little property in
trade, and gave me some education, as he
intended me for the church; but I had kept
gay company too much to relish the cowl,
so I grew up a loiterer about the place.
I
was a heedless fellow, a little quarrelsome
on occasion, but goodhumoured in the main;
so I made my way very well for a time,
until I fell in love. There lived in our town
a surveyor or land-bailiff of the prince's,
who had a young daughter, a beautiful girl
of sixteen: she was looked upon as something
better than the common run of our
townsfolk,
I saw her occasionally, and became madly
in love with her she looked so fresh and
tender, and so different from the sun-burned
females to whom I had been accustomed.
A s my father kept me in money, I
of showing myself off to advantage in the
eyes of the little beauty. I used to see her

always

and was kept al

dressed we

�4

at church ; and as 1 could play a little upon
the guitar, I gave a tune sometimes under
her window of an evening; and I tried to
have interviews with her in her father's
vineyard, not far from the town, where she
sometimes walked. She was evidently pleased
with me, but she was young and s h y ; and
her father kept a strict eye upon her, and
took alarm at my attentions, for he had a
bad opinion of me, and looked for a better
match for his daughter.
I became furious
at the difficulties thrown in my way, having
been accustomed always to easy success
among the women, being considered one of
the smartest young fellows of the place.
Her father brought home a suitor for her,
a rich farmer from a neighbouring town.
T h e wedding-day was appointed, and preparations were making
at her window, and 1 thought she looked
sadly at me. I determined the match should
not take place, cost what it might.
I met
her intended bridegroom in the market place,
and could not restrain the expression of
when I drew my stiletto and stabbed him
to the heart. 1 fled to a neighbouring church
for refuge, and with a little money I obtained
absolution, but I did not dare to venture
from my asylum.

At that time our captain was forming his

�5
troop. He had known me from boyhood ;
and hearing' of my situation, came to me in
secret, and made such offers, that I agreed
to enrol myself among his followers. Indeed,
I had more than once thought of taking to
this mode of life, having known several
brave fellows of the mountains, who used to
spend their money freely among us
youngsters
asylum late one night, repaired to the
appointed
were for some time in a distant part of the
mountains, and our wild adventurous kind of
life hit my fancy wonderfully, and diverted
my thoughts. A t length they returned
with all their violence to the recollection of
Rosetta : the solitude in which I often found
myself gave me time to brood over her
image; and, as I have kept watch at night
over our sleeping camp in the mountains,
my feelings have been roused almost to a
fever.

A t length we shifted our ground, and
determined to make a descent upon the road
between Terracina and Naples. In the
course of our expedition we passed a day or
two in the woody mountains which rise
above Frosinone.
I cannot tell you how I
felt when I looked down upon the place, and
distinguished the residence of Rosetta.
I

of the town
place of meeti

�V

determined to have an interview with h e r ;
but to what purpose ? I could not expect
that she would quit her home, and accompany
me in mv hazardous life among the mountains. She had bee
for that; and when I looked upon the
women who were associated with some of our
troop, I could not have borne the thoughts
of her being their companion. A l l return
to my former life was likewise hopeless, for
a price was set upon my head. Still I
determined
fruitlessness of the thing made me furious to
accomplish it.

It is about three weeks since I persuaded
our captain to draw down to the vicinity of
Frosinone, in hopes of entrapping some of
its principal inhabitants, and compelling
them to a ransom. W e were l y i n g in
ambush towards evening, not far from the
vineyard of Rosetta's father. I stole quietly
from my companions, and drew near to
reconnoitre the place of her frequent walks.
How my heart beat when among the vines
I beheld the gloaming of a white dress ! I
knew it must be Rossetta's; it being rare for
any female of the place to dress in white.
I
advanced secretly and without noise, until,
putting aside the vines, and stood suddenly
before her.
She uttered a piercing shriek,
but I seized her in my arms, put my hand

�7
upon her mouth, and conjured her to be
silent. I poured out all the frenzy of m y
passion; offered to renounce my mode of
life; to put my fate in her hands; to fly
with her where we might live in safety
together. A l l that I could say or do would
not pacify her. Instead of love, horror and
affright seemed to have taken possession of
her breast.
She struggled partly from my
grasp, and filled the air with her cries.
In an instant the captain and the rest of
my companions were around us. I would
have given any thing at that moment had
she been safe out of our hands, and in her
father's house. It was too late. The captain
pronounced her a prize, and ordered that she
should be borne to the mountains. I
represented
had a previous claim to her; and I
mentioned
bitterly in reply; observed that brigands
had no business with village intrigues, and
that, according to the laws of the troop, all
spoils of the kind were determined by lot.
Love and jealously were r a g i n g in my heart,
but I had to choose between obedience and
death. I surrendered her to the captain,
and we made for the mountains.

She was overcome by affright, and her
steps were so feeble and faltering that it was
necessary to support her. I could not en-

to him
my form

�dure the idea that my comrades should touch
her, and assuming a forced tranquility,
begged that she might be confided to me,
as one to whom she was more accustomed.
The captain regarded me, for a moment,
with a searching look, but I bore it without
flinching, and he consented. I took her in
my arms; she was almost senseless.
Her
head rested on my shoulder; I felt her
breath on my face, and it seemed to fan the
flame which devoured me. Oh G o d ! to
have this glowing treasure in my arms, and
yet to think it was not mine!
W e arrived at the foot of the mountain.
I ascended it with difficulty, particularly
where the woods were thick, but I would
not relinquish my delicious burden. I
reflected
do so. T h e thoughts that so delicate a
creature must be abandoned to my rude
companions, maddened me. I felt tempted,
the stiletto in my hand, to cut my way
through them all, and bear her off in triumph.
I scarcely conceived the idea before I saw
its rashness; but my brain was fevered with
the thought that any but myself should
enjoy
her ch
my companions by the quickness of my
movements,' and to get a little distance
ahead in case any favourable opportunity
of escape should present.
Vain effort!

�9

T h e voice of the captain suddenly ordered
a halt. I trembled, but had to obey.
The
poor girl partly opened a languid eye, but
was without strength or motion. I laid her
upon the grass. T h e captain darted on
me a terrible look of suspicion, and ordered
me to scour the woods with my companions
in search of some shepherd, who might be
sent to her father's to demand a ransom.
I saw at once the peril. T o resist with
violence was certain death, but to leave her
alone, in the power of the captain ! I spoke
out then with a fervour, inspired by my
passion and my despair. I reminded the
captain that I was the first to seize her;
that she was my prize; and that myprevious
sacred among my companions. I insisted,
therefore, that he should pledge me his
word to respect her, otherwise I should
refuse obedience to his orders. His only
reply was to cock his carbine, and at the
signal my comrades did the same.
They
laughed with cruelty at my impotent rage.
What could I do? I felt the madness
of resistance. I was menaced on all hands,
and my companions obliged me to follow
them. She remained alone with the chief
yes, alone and almost lifeless !
Here the robber paused in his recital,
overpowered by his emotions, Great drops of

�10
sweat stood on his forehead; he panted
rather than breathed; his brawny bosom rose
and fell like the waves of a troubled sea.
i When he had become a little calm, he
continued
I was not long in finding a shepherd,
said he. I ran with the rapidity of a deer,
eager, if possible, to get back before what
I dreaded might take place. I had left my
companions far behind, and I rejoined them
before they had reached onehalf the distance
I had made. I hurried them back to the
place where we had left the captain.
As
we approached, I beheld him seated by the
side of Rosetta. His triumphant look, and
the dessolate condition of the unfortunate
girl, left me no doubt of her fate. I know
not how I restrained my fury.
It was with extreme difficulty, and by
guiding her hand, that she was made to
trace a few characters, requesting her father
to send three hundred dollars as her ransom.
The letter was dispatched by the shepherd.
When he was gone, the chief turned sternly
t o m e : " Y o u have set an example," said
he, " o f mutiny and self-will, which, if
indulged, would be ruinous to the troop.
Had I treated you as our laws require, this
bullet would have been driven through your
brain. But you are an old friend; I have
borne patiently with your fury and your

hi

�11
folly. 1 have even protected you from a
foolish passion that would have unmanned
you. A s to this girl, the laws of our association
he gave his commands: lots were drawn, an I
the helpless girl was abandoned to the troop.

must have their c

Here the robber paused again, panting
with fury, and it was some moments before
he could resume his story.
Hell, said he, was r a g i n g in my heart. 1
beheld the impossibility of avenging myself;
and I felt that, according to the articles
in which we stood bound to one another, the
captain was in the right. I rushed with
frenzy from the place; I threw myself upon
the earth ; tore up the grass with my hands,
and beat my head and gnashed my teeth
in agony and rage. When at length I
returned, I beheld the wretched victim, pale,
dishevelled, her dress torn and disordered.
A n emotion of pity, for a moment, subdued
my fierce feelings. I bore her to the foot
of a tree, and leaned her gently against it.
I took my gourd, which was filled with wine,
and applying it to her lips, endeavoured to
make her swallow a little. T o what a
condition
was she
once seen the pride of Frosinone! whom
but a short time before I had beheld sporting
in her father's vineyard, so fresh, and
beautiful,
and happy!

�12

her eyes fixed on the ground; her form
without motion, and in a state of absolute
insensibility, I hung over her in an agony
of recollection at all that she had been, and
of anguish at what I now beheld her.
I
darted round a look of horror at my companions, who seemed
exulting in the downfall of an angel! and
I felt a horror at myself for being their
accomplice.
T h e captain, always suspicious, saw, with
his usual penetration, what was passing
within me, and ordered me to go upon the
ridge of the woods, to keep a look-out over
the neighbourhood, and await the return of
the shepherd. I obeyed, of course, stifling
the fury that raged within me, though I
felt for the moment that he was my most
deadly foe.
On my way, however, a ray of reflection
came across my mind. I perceived that the
captain was but following, with strictness,
the terrible laws to which we had sworn
fidelity. T h a t the passion by which I had
been blinded might, with justice, have been
fatal to me, but for his forbearance ; that
lie had penetrated my soul, and had taken
precautions, by sending me out of the way,
to prevent my committing any excess in my
anger. From that instant I felt that I was
capable of pardoning him.

�13
Occupied with these thoughts, I arrived
at the foot of the mountain. T h e country
was solitary and secure, and in a short time
I beheld the shepherd at a distance crossing
the plain. I hastened to meet him.
He
had obtained nothing.
He had found the
father plunged in the deepest distress.
He
had read the letter with violent emotion, and
then calming himself with a sudden exertion,
he had replied coldly, " M y daughter has
been dishonoured by those wretches : let her
be returned without ransom, or let her die I"
I shuddered at this reply. I knew,
according
was inevitable. O u r oaths required it.
I
felt, nevertheless, that not having been able
to have her to myself, I could become her
executioner!
T h e robber again paused with agitation.
1 sat musing upon his last frightful words,
which proves to what excess the passions
may be carried when escaped from all moral
restraint. There was a horrible verity in
this story that reminded me of some of the
tragic fictions of Dante.
W e now come to a fatal moment, resumed the bandit.
A f t e r the report of the
shepherd, I returned with him, and the
chieftain received from his lips the refusal
of the father.
A t a signal, which we all understood,

to the laws of

�14

we followed him to some distance from the
victim. He there pronounced her sentence
of death. Every one stood ready to execute
his order; but I interfered. I observed
that there was something due to pity as well
as to justice. That I was as ready as any
one to approve the implacable law, which
was to serve as a warning to all those who
hesitated to pay the ransoms demanded for
our prisoners ; but that though the sacrifice
was proper, it ought to be made without
cruelty.
The night is approaching,continue
let her then be dispatched. A l l I now
claim on the score of former fondness for
her is, let me strike the blow. I will do it
as surely, but more tenderly than another.
Several raised their voices against my
proposition,
but the c
them. He told me I might conduct her
into a thicket at some distance, and he relied
upon my promise.

I hastened to seize upon my prey.
There
was a forlorn kind of triumph at having at
length become her exclusive possessor. I
bore her off into the thickness of the forest
She remained in the same state of
insensibility
did not recollect me; for had she once
murmured

and stupo
my name

�15

him who was to poniard her. Many were
the conflicts I underwent before I could
bring myself to strike the blow. But my
heart had become sore by the recent conflicts
it had undergone, and I dreaded lest, by
procrastination, some other should become
her executioner. When her repose had
continued for some time, I separated myself
gently from her, that I might not disturb
her sleep, and seizing suddenly my poinard,
plunged it into her bosom. A painful and
concentrated murmur, but without anyconvulsive
sigh. So perished this unfortunate!

�16

PUSS IN BOOTS.
THERE was a miller who had three sons,
and when he died he divided what he possessed
He gave his mill to the eldest, his ass to
the second, and his cat to the youngest.
Each of the brothers accordingly took
what belonged to him without the help of an
attorney, who would soon have brought their
little fortune to nothing in law-expenses.
The poor young fellow who had nothing
but the cat complained that he was hardly
used: " M y brothers," said he, " by
joining
in the world; but for me, when I have eaten
my cat, and made a fur-cap of his skin, I
may soon die of h u n g e r ! "
The cat, which all this time sat listening just
inside the door of a cupboard, now ventured
to come out, and addressed him as follows:
" Do not thus afflict yourself, my good
master; you have only to give me a bag,
and get a pair of boots made for me, so
that I may scamper through the dirt and
the brambles, and you shall see that you are
not so ill provided for as you imagine."
Though the cat's master did not much

among- the

their

�17

depend upon these promises yet as he had
often observed the cunning tricks Puss used
to catch rats and mice, such as hanging by
the hindlegs, and hiding in the meal to
make them believe that he was dead, he did
not entirely despair of his being of some
use to him in his unhappy condition.
When the cat had obtained what he asked
for, he gaily began to equip himself; he
drew on the boots and putting the bag
about his neck, he took hold of strings with
his forepaws, and, bidding his master take
courage, immediately sallied forth.
The first attempt Puss made was to go
into a warren, in which there was a great
number of rabbits. He put some bran and
some parsley into his b a g ; and then,
stretching himself out at full length as if
he was dead, he waited for some young
rabbits, (which as yet knew nothing of the
cunning tricks of the world) to come and
get into the bag, the better to feast upon the
dainties he had put into it.
Scarcely had he lain down before he
succeeded
young rabbit crept into the bag, and the cat
immediately drew the strings, and killed
him without mercy.
Puss, proud of his prey, hastened directly
to the palace, where he asked to speak to
the king.
On being shown into the apart

as well as

�18

meat of his majesty, he made a low bow,
and s a i d , " I have brought you, sire, this
rabbit from the warren of my lord the
marquis
o
present it to your majesty with the assurance
of his respect." This was the title the cat
thought proper to bestow upon his master.
" Tell my lord marquis of Carabas," replied the king, " th
with pleasure, and that I am greatly obliged
to him."

Soon after the cat laid himself down in
the same manner in a field of corn, and
had as much good fortune as before; for
two fine partridges got into his bag, which
he immediately killed and carried to the
palace. The k i n g received them as he had
done the rabbit, and ordered his servants to
give the messenger something to drink.
In
this manner he continued to carry presents
of game to the k i n g from my lord marquis
of Carabas, once at least every week.
One day, the cat having heard that the
king intended to take a ride that morning
by the river side with his daughter, who was
the most beautiful princess in the world, he
said to his m a s t e r , " I f you will but
off your clothes, and bathe yourself in the
river, just in the place I shall show you,
and leave the rest to me."

follow

m

�The marquis of Carabas did exactly as
he was desired, without being able to guess
at what the cat intended. While he was
bathing the k i n g passed by, and Puss
directly called out as loud as he could bawl,
" Help! help! my lord marquis of
Carabas is in danger of being drowned!"
The k i n g hearing the cries, put his head
out at the window of his carriage to see
what was the matter; when, perceiving
the very cat which had brought him so many
presents, he ordered his attendants to go
directly to the assistance of my lord marquis
of Carabas.
While they were employed in taking the
marquis out of the river, the cat ran to the
king's carriage and told his majesty, that
while his master was bathing, some thieves
had run off with his clothes as they lay by
the river side, the cunning cat all the time
having hid them under a large stone.
The k i n g hearing this, commanded the
officers of his wardrobe to fetch one of the
handsomest suits it contained, and present it
to my lord marquis of Carabas, at the same
time loading him with a thousand attentions.
A s the fine clothes they brought him made
him look like a gentleman, and set off his
person, which was very comely, to the
greatest advantage, the king's daughter
was mightily taken with his appearance,

�20
and the marquis of Carabas had no sooner
cast upon her two or three respectful glances,
than she became violently in love with him.
The k i n g insisted on his getting into the
carriage, and taking a ride with them.
The cat, enchanted to see how well his
scheme was likely to succeed, ran before to a
meadow that was reaping, and said to the
reapers, " Good people, If you do not tell
the king, who will soon pass this way, that
the meadow you are reaping belongs to my
lord marquis of Carabas, you shall be

chopped

The k i n g did not fail to ask the reapers
to whom the meadow belonged. " T o my
lord marquis of Carabas," said they all at
once; for the threats of the cat had terribly
frightened them. " Y o u have hear a very
fine piece of land, my lord marquis," said
the king.
" T r u l y , sire," replied he, " i t
does not fail to bring me every year a plentiful
The cat, which still went on before, now
came to a field where some other labourers
were making sheaves of the corn they had
reaped, to whom he said as before,
"Good
people, if you do not tell the k i n g , who will
presently pass this way, that the corn you
have reaped in this field belongs to my lord
marquis of Carabas, you shall be chopped
as small as minced meat."

harvest."

�J

21
The king accordingly passed a moment
after, and inquired to whom the corn he saw
belonged. " T o my lord marquis of Carabas," answered they very
which the k i n g again complimented the
marquis on his noble possessions.

g

The cat still continued to go before, and
gave the same charge to all the people he
met with; so that the k i n g was greatly
astonished at the splendid fortune of my lord
marquis of Carabas.
Puss at length arrived at a stately castle,
which belonged to an Ogre, the richest ever
known; for all the lands the k i n g had passed
through and admired were his. The cat
took care to learn every particular about the
Ogre, and what he could do, and then asked
to speak with him, saying, as he entered
the room in which he was, that he could not
pass so near his castle without doing himself
the honour to inquire for his health.
The Ogre received him as civilly as an
Ogre could do, and desired him to be seated.
" I have been informed," said the cat,
" that you have the gift of changingyourself
or an elephant, for example."
It is very
true," replied the Ogre somewhat sternly;
" a n d to convince you, I will directly take
the form of a lion." T h e cat was so much
terrified at finding himself so near a lion,

�22

that he sprang from him, and climbed to
the roof of the house; but not without much
difficulty, as his boots were not very fit to
walk upon the tiles.
Some minutes after, the cat perceiving
that the O g r e had quitted the form of a lion,
ventured to come down from the tiles, and
owned that he had been a good dealfrightened.'1have
continued the cat, " but I know not how to
believe it, that you have the power of taking
the form of the smallest animals also; for
example, of changing yourself to a rat or a
mouse; I confess I should think this must
be impossible."
Impossible! you
sha
see;" and at the same instant he chancer
himself into a mouse, and began to frisk
about the room. T h e cat no sooner cast
his eyes upon the O g r e in this form, than
he sprang upon him, and devoured him in
an instant.
In the mean time the k i n g , admiring, as
he came near it, the magnificent castle of
the Ogre, ordered his attendants to drive up
to the gates, as he wished to take a nearer
view of it. The cat, hearing the noise of
the Carriage on the drawbridge, immediately
came out, saying
" Your majesty is
Carabas."
A n d is this splendid castle
your's
my lord marquis of Carabas ?

welcome

�23
I never saw any thing more stately than the
Building,
or more beautiful than the park
and pleasure-grounds around i t ; no doubt
the castle is no less magnificent within than
without; pray, my lord marquis, indulge
me with a sight of it."
T h e marquis gave his hand to the young
princess as she alighted, and followed the
king, who went before; they entered a
spacious hall, where they found a splendid
collation which the Ogre had prepared for
some friends he had that day expected to
visit him; but who, hearing that the k i n g
with the princess and a great gentleman of
the court were within had not dared to enter.
T h e k i n g was so much charmed with the
amiable qualities and noble fortune of the
marquis of Carabas, and the young princess
too had fallen so violently in love with him,
that when the k i n g had partaken of the
collation, and drank a few glasses of wine,
he said to the m a r q u i s , " It will be your
own fault, my lord marquis of Carabas, if
you do not soon become my son-in-law."
T h e marquis received the intelligence with
a thousand respectful acknowledgments,
accepted the honour confered upon him, and
married the princess that very day.
The cat became a great lord, and never
after ran after rats and mice but for his
amusement.

�24
ANCEDOTE.
THE LAWYER AND THE CHIMNEY-SWEEPER.
A

ROGUISH old lawyer was planning new sin,
A s he lay on his bed in a fit of the g o u t ;
T h e mails and the daylight were just coming in,
The milkmaids and rush-lights were just going out;

W h e n a chimney-sweep's boy, who had made a mistake,
Came flop down the flue with a clattering rush,
A n d bawl'd, as he gave his black muzzle a shake,
"
M y master's a-coming to give you a brush."
" If that be the case," said the cunning old elf,
" There's no time to lose it is high time to
flee.
Ere he gives me a brush, I will brush off myself
So he limp'd to the door without saying his prayers;
B u t Old Nick was too deep to be nick'd of his
prey;
For the knave broke his neck by a tumble down
stairs,
And thus ran to the devil by running away.

FINIS.

�</text>
                  </elementText>
                </elementTextContainer>
              </element>
            </elementContainer>
          </elementSet>
        </elementSetContainer>
      </file>
      <file fileId="1981" order="2">
        <src>https://scottishchapbooks.lib.uoguelph.ca/files/original/1d050a9f2bd9f8822e086f0958874df9.jpg</src>
        <authentication>ac707a280ab736d630f26d8e6cae983b</authentication>
        <elementSetContainer>
          <elementSet elementSetId="1">
            <name>Dublin Core</name>
            <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
            <elementContainer>
              <element elementId="50">
                <name>Title</name>
                <description>A name given to the resource</description>
                <elementTextContainer>
                  <elementText elementTextId="24749">
                    <text> Illustration  on title-page of  a sitting man holding a rifle &#13;
in an outdoor scene with ruins in the background.</text>
                  </elementText>
                </elementTextContainer>
              </element>
            </elementContainer>
          </elementSet>
        </elementSetContainer>
      </file>
    </fileContainer>
    <collection collectionId="31">
      <elementSetContainer>
        <elementSet elementSetId="1">
          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="26471">
                  <text>Woodcut 024:  Title-page illustration of  a man sitting with a rifle with ruins in the background.</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="22177">
                <text>Storys of the young robber, and Puss in boots</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="52">
            <name>Alternative Title</name>
            <description>An alternative name for the resource. The distinction between titles and alternative titles is application-specific.</description>
            <elementTextContainer>
              <elementText elementTextId="22178">
                <text>Puss in boots</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="78">
            <name>Extent</name>
            <description>The size or duration of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="22180">
                <text>24 pages</text>
              </elementText>
              <elementText elementTextId="24628">
                <text>16 cm</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="22181">
                <text>&lt;a href="https://ocul-gue.primo.exlibrisgroup.com/permalink/01OCUL_GUE/mrqn4e/alma9935682553505154"&gt;s0587b41&lt;/a&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="22182">
                <text>29 printed at the foot of the title page</text>
              </elementText>
              <elementText elementTextId="26994">
                <text>Woodcut #24: Illustration  on title-page of  a sitting man  holding a rifle in an outdoor scene with ruins in the background.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="37">
            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="22183">
                <text>Archival and Special Collections, University of Guelph Library, Guelph, Ontario, Canada</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="22185">
                <text>In the public domain; For high quality reproductions, contact Archival &amp; Special Collections, University of Guelph. libaspc@uoguelph.ca, 519-824-4120, Ext. 53413</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="24626">
                <text>JPEGs and PDF derived from master file, which was scanned from the original book in 24-bit color at 600 dpi in TIFF format using an Epson Expression 10000XL scanner.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="24627">
                <text>1840-1850?</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="24711">
                <text>Glasgow: Printed for the Booksellers</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="26298">
                <text>Archival &amp; Special Collections, University of Guelph Library, Guelph, Ontario</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="26301">
                <text>Chapbooks - Scotland - Glasgow</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="26472">
                <text>fairytale/folk lore</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
    <tagContainer>
      <tag tagId="147">
        <name>Architecture: ruins</name>
      </tag>
      <tag tagId="103">
        <name>Bib Context: title-page</name>
      </tag>
      <tag tagId="106">
        <name>Chapbook Date: 1841-1850</name>
      </tag>
      <tag tagId="297">
        <name>Chapbook Genre: fairytale/folk tale</name>
      </tag>
      <tag tagId="91">
        <name>Gender: man/men</name>
      </tag>
      <tag tagId="144">
        <name>Nature: tree(s)</name>
      </tag>
      <tag tagId="102">
        <name>Outdoor Scene</name>
      </tag>
      <tag tagId="148">
        <name>Weapons: gun(s)</name>
      </tag>
    </tagContainer>
  </item>
  <item itemId="1061" public="1" featured="0">
    <fileContainer>
      <file fileId="1985" order="1">
        <src>https://scottishchapbooks.lib.uoguelph.ca/files/original/f03c8f85af1d428dbdcc630fea973c56.jpg</src>
        <authentication>36b07ff95627f178164cf64f5de3d588</authentication>
        <elementSetContainer>
          <elementSet elementSetId="1">
            <name>Dublin Core</name>
            <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
            <elementContainer>
              <element elementId="50">
                <name>Title</name>
                <description>A name given to the resource</description>
                <elementTextContainer>
                  <elementText elementTextId="24746">
                    <text>Illustration on title-page of a young man wearing wig and long coat and pointing to 3 urns on a table. Interior scene with window, stool, and curtain</text>
                  </elementText>
                </elementTextContainer>
              </element>
            </elementContainer>
          </elementSet>
        </elementSetContainer>
      </file>
      <file fileId="1986" order="2">
        <src>https://scottishchapbooks.lib.uoguelph.ca/files/original/d7f2c9595233b4ff2f41503f8783f0bd.pdf</src>
        <authentication>3f714b2a1d0096368485444e3219417a</authentication>
        <elementSetContainer>
          <elementSet elementSetId="7">
            <name>PDF Text</name>
            <description/>
            <elementContainer>
              <element elementId="119">
                <name>Text</name>
                <description/>
                <elementTextContainer>
                  <elementText elementTextId="22206">
                    <text>HISTORY

THE

FOOTMAN.

S H E W I N G H O W HE RAISED HIMSELF FROM T H E

HUMBLE

STATION OF A FOOT B O Y , TO A PLACE OF GREAT
E M I N E N C E A N D TRUST,
HONESTY A N D

BY HIS

INTEGRITY.

ALSO,

ON PRIDE, &amp; T H E COUNTRY CLERGYMAN

pllBliliiiJa
SiM
PAISLEY:
PRINTED BY

CALDWELL

AND

SON,

2,

N E W STREET.

�n i s i d R T
OF

C H A B E E i

JOi\

T

£§.

M y father, George Jones commonly called
Black George, on account of his swarthy complexion, was one of the most industrious men in
the whole vilage. His cottage, which was his
own, and partly built by his own hands, stands
on the common, about a stone's throw from the
road, near the preat Oak tree, in the parish of
King's Charleton in Somersetshire.—The Lord
of the Manor having granted him leave to inclose
a bit of the common for a garden, my father had
got a thriving young orchard and a long strip of
potatoes, besides his cottage, all the produce of
his own industry. It used to be a favourable
saying with him, that no man to whom God had
given two hands, had ever need to want. i For
my part says he, I never knew what want was—
When I am sick, the club supports me, and when
1 am well, I warrant I'll support myself. My
mother, besides being equally industrious, was
ratteh more religious, ani l therefore much happier;
She was as good and sweet-tempered a

�I
wOiTMfen jto Mjf in $ * work^ For cor*S!tocf
Her duty, Friendship, civility to her neighbour**
cleanliness in her own person, her house and her
children, she had not her fellow. But the most
remarkable thing in her(I am afraid a very uncommon thing) was her steady and uninterrupted practice of family prayer. It must have been
a hard days work indeed, that hindered her from
her prayers. At six in the morning and eight in
the evening, as regularly as ever the hour came,
she always knelt down with her children round
her, four of us, and read with great solemnity
and devotion a short form given her by the clergyman, which concluded with the Lord's prayer,
in which we all joined. And she used to say
after she had finished, ' N o w I can go to bed
or to work, in peace; for now we may hope God
will protect us44 I am sorry to say my Father
seldom joined with us. He used to pretend he
was busy or tired; and yet it would not have detained him long nether, for we were never more
than six minutesaboutit, and surely twelve minutes
a day (six in ihe morning and six in the evening) is
no great time to give to God. One thing has often
struck me, that if any thing went wrong and ruffled my dear mother's temper, or made her uneasy,
the prayer seemed to set all to rights. When
she had been to prayers, all her grief seemed to be
fled away. And indeed I observed the same thing
with respect to my father; if he ever did join
with us, it always seemed somehow to compose
and sweeten his mind, and make him a great deal
kinder to my mother and vis.

�4
A* myfeiJheraod mother wer# very tetJmtiiotas
themselves, they were very desirous to make theit
children so ; every child was employd as soon as
he was able, in something or other. At about
thirteen years of age my employment had been for
some time to weed in the parson's garden, and
run errands for him. At fourteen he took me
into his house, and not a little proud was I at obtaining the title of his 'little footman.1
The
morning I left my father's cottage, my dear mother, who was kind as she was good, appeared
to be verj much affected; she said she could not
commit me to the wide world, without first committing me to God who governed it; and then
she knelt down with me by her side, and prayed,
* Gracious Lord, be pleased to have mercy on my
dear boy, T o thy care I commend him. Guard
him, I beseech thee in the many temptations
which he is now beginning to encounter. May
he with solid piety and honest diligence, do his
duty in that state of life in which it hath pleased
thee to place him,'—She then gave me her blessing, put a Testament into my pocket, bid me fear
God, and always act for my master as I would do
for myself.
In my new situation there were to be sure
some few things disagreable. My mistress was
peevish and fretful; the co©k violent and passionate. But what service is there, or indeed, what
situation in life, howsoever much above servitude,
which there is not something unpfeasant ? Every
state has its trials; servants have theirs: but if
they cannot learn to put up with some little itt-

i

�conveniences, they may change their places
every year of their lives, and never be satisfied
after all. This is a lesson I have learnt by long
experience.
Though by God's blessing I had received a
more raligious education than most children, it
yet soon appeared that I had many faults, which
it was necssary for me to be corrected of before
I could become a good servant. At first, when
I was sent npon an errand, I was much given to
loitering. I was then too young to consider that
by loitering in errands I was wasting what was
not my own, but my master's time. Besides this
fault, as every thing which I saw and heard in
my master's house was such as I had never se^i*
or heard before, I was too apt to talk of it to my
old play fellows, or at the village shop, Bat as
soon as ever I became a little older, I began to
reflect that this was very wrong. One Sunday
evening, when I had leave to go home to see my
parents, I was beginning to tell my mother how
there had been a great uproar at the parsonage
the day before, about
Here she put her hand
upon my lips, and said, 'Charles, not a word
more of what has passed at the parsonage.
Whatsoever happens in your masters house is
never to be spoken of out of your master's doors.
A tale bearing servant is alway an unfaithful servant; he betrays the trust which his master puts
in him."
My mother's vehemence surprised me a little,
but it made so much impression upon me, that I
was pretty well broken of the feult from that v©ry

�6
time. Into how many scrapes has thk talkative
tempei brought many servants of my acquaintance ! There was poor Nic Jarret, the squire's
under footman, that lost his place, a new suit of
black broad cloth, and a legacy of five pounds,
which he would soon have had by reason of his
mistress's death, only for saying at a neighbour's
house, that his mistress sometimes fell asleep
while the squire was reading to the family on a
Sunday night.
Nic and I were at one time rather too intimate;
I remember one day, when I was about sixteen,
having attended my master to the squire's house,
Nic prevailed on me after dinner to play with
him at pitch and toss. I was worth at that time
five shillings and two pence, more money than I
had ever possessed before in my life. In about
two hours Nic reduced me to my last shilling
But though it was a heavy stroke at the time,
yet it proved in the end a happy event, for by
my mother's persuasions, I resolved thence forward never to game again as long as I lived, which
resolution, by God's grace, I have hitherto happily kept. I wish from my heart that all other
servants would resolve the same. The practice of
card playing, so common among servants in large
families, is the worst custom they can possibly
fall into. My poor brother Tom suffered enough
for it one day having received in the morning
a quarter's wages, he lost the whole of it before
night at All Fours; and what was the consequence
W h y , from that very time,
took to tbo|p
practices of
Ml 'afattrter wfeki k&amp;tedl &amp;

�7
his ruin. How much better would it be for all
Servants, if instead of wasting their leisure in
card-playing, they would amuse themselves in
reading some Godly book, or improve themselves
in writing, or cyphering. It was by this means,
for I was never taught to write, that I qualified
myself for the place of Bailiff, which I now fill.
I remember Nic used to say, 6 Whilst my master plays cards in the parlour, why shoudst thou
be so sqeamish as not to play in the kitchen?
But Nic did not consider that his master being
rich, and playing for small sums, his loses laid
under no temptation of dishonesty in order to
pay them; besides the Squire could read and
write at any time, whereas this was our only
leisure time, and if we did not improve ourselves
then, we never could; what might be comparatively innocent in him, might be ruinous to us.
And even if my master be a professed gambler,
that is no reason I should be so too. A servant
is to do what is right, let his master do what he
will. If a master swears and gets drunk, and
talks at table with decency, or against God and
religion, to God he must account for it, and a
sorry account it will be, I doubt; but his example
will not excuse our crimes, though it will aggravate his. We must take care of our own souls,
whether our masters take care of theirs or not.
But to return to my history; I am ashamed to
say that I was guilty more than once in the earlier part of my servitude, of the shocking and
detestable crime of lying, in order to excuse or
screen my f a u l t s ^ £(appily l w^s cured of it in

�8
th&lt;3 following manner; Having been one day ordered to carry a bottle of wine to a sick man, one
of my master's parishioners, 1 accidentally broke
the bottle, and of course lost the wine, What
was to be done? Should 1 confess my misfortune,
and acknowledge my carelessness, or conceal it
by a lie? After some deliberation, 1 resolved
upon the lie.— 1 therefore had made up my story,
'how the poor man sent his duty to my master,
and thanked him t a thousand times, and that he
was a little better, and that his wife said she
thought this wine would save his life.4 Being
thus prepared, as 1 was returning home, 1 met a
pedlar, of whom 1 bought for a penny a little
book containing a story of a woman at Dervizes,
who was struck dead on the spot for telling a lie.
To be sure it was Heaven seat the pedlar to me,
to save me from the sin 1 was going to commit.
'If this woman was struck dead for a lie, (said I
to myself) why may not 1 ? " 1 therefore went
directly home, and made a confession of my neg*
ligenee and misfortune. And it was well for me
1 did; for the sick man, whose duty and thanks
1 had wickedly intended to carry to my master,
was dead, as 1 understood afterwards* three
hours before the bottle was broken. From this
time, therefore, 1 began to see, what 1 am now
fully convinced of, that besides the sinfulness of
lieing, it is always more for the interest and lasting comforts of servants to confess the tiuth at
once, than to conceal a fault by falsehood, When
a servant has told a lie, he is always in danger of
its being found out, and sooner or later it gene^v

"'"HCT-

�9
ally h found out, and then hw eharaeter irniucd.
Whereas, if ke confesses the truth at once, ha
probably escapes without any anger at all, or mt
Worst it is soon over, and the fault itself is forgotten.
Having now lived seven years at the parsonage,
and being twenty one years of age, my master
called me one day into his study, where he spent
ft good deal of his time, and said to nie, 'Charles
you have lived with me a considerable time, and
it has been always with much pleasure that 1 have
remarked the decency, sobriety and diligence of
your conduct. These few faults which yot have,
further experience and more years will, 1 doubt
not, cure* You are now qualified for a better
place than mine, and are entitled to higher wages
than it is in my power to gi*e. 1 have therefore
recommended you to a friend of mine in London,
for which place you are to set out, if you approve
of it, in a month. But 1 should think it a crime to
dismiss you to a situation so full of teaiptatio®*,
without giving you some little advice. Listen,
therefore, my dear Charles, to what 1 shall say
as 1 mean it only for your good. 1 n the first place
fear G o d ; and then you will never have an
occasion to be afraid of man. Act always in his
presenee. Never enter or quit your bed without
prtyer. Do always for your master, as you would
your master, if you were to change places, should
do for you. Endeavour to get a pious friend,
but avoid, as you would the plague, all wickcd
company. Be cautious of too great familiarity
with your ftmale fellow §ervaut«£ aa utilaw&amp;U

�10
i«t:er#ewr:e *f l i ^ k i n d will rum you, body
»oul. Flee from an alehouse as you would from
the devil; if you once get into it, you #ill never
be out of it. Keep your money, and your irtoney
*ill keep you. Here Charles, is a Bible for y o « ;
the more you read it, the more you will love it,
the better you will be, and the happier. 1 have
written some directions for you in the first page
of it. God bless you; and when my race, which
is now drawing to its end, shall finish, may we
Caeet in heaven. My master's kindness so affected
me, that 1 could not answer him for tears. 1 was
indeed very glad of going to see so fine a place ac
r
London, though at the same time i eould not
leave a house where 1 had been treated more lika
a child than a servant*, without great regret. 1
shall not attempt to describe my parting with Hy
mother. No description, 1 am sure, could de
justice to the solemn and affectionate manner in
which she exorted me to be pious and just, and
recommended me to God ih prayer. Her last
words 1 shall never forget—'1 know my dear son
(said she) that you love me tenderly, ^nd that
you would not give me unnecessary pain on any
account. Remember then, that whenever yo» 4o
any wrong thing, you are planting a dagger in
your mother's heart." With these words, he*
eyes brim full of tears, and her hands lifted up in
silent prayer to God, she turned away from nee,
and went into the cottage.
And now, Reader, you find me in the great
emd dangerous city of London, in the service of a
vfcy weastlthjf waster, who kept twelve m v m i *

�11
myself. If country people knew London
as well as 1 do, how cautious would they be for
exchanging their safe and peaceful situations in
the country for the perils and temptations of a
great city. How many young fellows have 1
known, who lived honestly aud happily in their
native place, come up to London in the hope of
higher wages, and there forfeit their integrity,
their peace of mind, their health ; their character
and souls. Workmen in particular are yery fond
of getting into large cities, because they think
their labour will turn to better account there than
in their own villages. They do not consider that
in a city, they must give as much for a filthy
roo«a, in a filthy house, inhabited by half a dozen
families, situated in a close, smokey, dirty street,
a« in the country would pay the rent of a cottage
and a garden. They do not consider the dearness of provisions in a city, the temptations they
are under from bad women, wicked company and
the great number of alehouses. In short I am
fully persuaded that a labourer in the country,
on a shilling a day, is better off than one in a
city on two shillings.
When I came to my place, I found every thing
for the first three or four days very smooth and
very pleasant, plenty of provisions, plenty of drink
little work, and a very merry servants hall. But
soon the face of things, with respect to me,
changed very much, and I underwent a severer
temptation than I ever experienced before or since
Xn the whole course of my life. I had always
hitherto been taught feo consider that sobriety and

�12
diligent, and piety, were virtues I therefore
never swore, I never got drunk, I never gamec^
1 went to church as often as 1 could, 1 said my
prayers night arid morning, and on Sunday at
least, if not on other days 1 read a little in my
good old master's Bible, But here 1 soon found
that all this was the worst vice 1 could be guilty
of. As soon as they found me out, it seemed to
be a trial of skill amosgst them who should plague
me most. One called me a Parson; awother, a
Methodist; a third, a conceited Prig; a fourth,
a canting Hypocrite. If I went into any other
gentleman's kitchen it was all the same; my
character flew before me, and many were the jests
and laughs rarised both at home and abroad at
my expense* In short, during three months, my
life wa« a constant amxiety and torment; so that
at l^st I i^as almost tempted, God forgive me for
the thought, to do as they did, and forfeit my
everlasting soul in order to a^oid the present
uneasiness. But while things were in this state,
I felt myself greatly and unexpectedly relieved.
One Sunday morning by a sermon which I happened to hear from our Parish Minister, on the
following text, 6 Blessed are ye when men shall
revile you and persecute you, and shall say all
manner of evil of you falsely for my sake, for
great is your reward in heaven.6 The excellent
discourse which this pious man delivered on these
words was so exactly suited to my circumstances
and feelings, that it seemed as if it had been
addressed solely to me; and it pleased God so to
apply what had been said to my heart and under-

�It
afcandiisg, thai I sot only determined ,*o bear in
future the sneers and scoffs of my fellow sefvants
with patience and fortitude, but even those very
sneers which I formerly considered as my heaviest
calamity, were now no longer grievous. From
this time, therefore, my uneasiness was pretty
well at an end. And I earnestly recommend it
to all other servants, who have been so happy as
to acquire sober and virtuous habits, not to suffer
themselves to be laughed out of their sobriety and
virtue by the jests and ridicule of their fellowservants. They may depend upon it that their
cause is a good one, and though they suffer for it
at first, they will finally triumph. In a short
time all my persecution was at an end. 8 T o be
sure (said the coachman one day to the cook)
Charles is a little too religious, but upon my
word I don't think he is the worse of it. Mayhap
it might be better for us we were more like him.
1 don't see but that he is as humble, friendly,
and worthy a fellow as any amongst us. For my
part I shall laugh at him no longer.4 This speech,
which I happened accidentally to overhear, gave
me great pleasure, and I soon found by the agreeable change in my fellow-servants conduct towards
me, that the coachman had expressed the opinion
of the whole hall. It is true I did every thing
to obtain their good will that lay in my power*
I was civil and obliging to every one among them
as I possibly could. Was any thing to be done ?
if nobody else would do it, I never stopped to
consider whether it belonged to my place or not,
but did it out of hand. If a,py body toek ii in®*

�M
Wa he«fl3 to fell out wMh n e, I gei:er&amp;% disarmed
feim of his wrath by saying nothing. If any little
quarrels, or misfortunes or misconduct, happened
in the hall, I always endeavoured to hush it up,
and never carried any talcs to the master, unless
when I saw any body wronging him, and then I
thought it my duty, or unless the thing was very
bad indeed. In short, by pursuing always this
line of conduct, I found my situation very comfortable and agreeable. My master treated me
with great confidence and kindness; my fellow•ervants with great friendliness and respect.
In about two years time, the footman that used
to go to market being turned away for drunkenness, which vice soon proved his ruin, my master
old me, that as he believed I was aa honest and
careful young man, and perceiving that I could
write and keep aa account, he should ia future
employ me'm marketting. T# market, therefore,
I went every day, and as I had now a good deal
of my master's money always in my haad. 1
prayed heartily to God that he would be pleased
to preserve me under the temptation to which
this exposed me.
My first exploit in this way
was the purchase of ten shillings worth of fruit
at a fruiterer's. When 1 had finished my bargain, and was coming out of the shop, the fruiterer slipt a shilling into my hand. As 1 had
never, to the best of my recollection, seen him
before, 1 was somewhat surprized at his generosity; but fortunately had the presence of mind
to ask him whether he had charged bis fruit the
~ higher qp ac^punt of thi? present to me. 4 W h y

�li
yoing man (said lie) tiifa is an
and 1 will give you an honest answer. The fact
is, that as we know that gentlemen of your cloth
expect some compliment from the tradesmen that
they deal with we are obliged in our own defence
to charge our articles the higher on that account
to their masters.' 'And so, (said I) the money
you give us, comes finally from the pockets of
our masters? *To be sure it does.' ' W h y then,
(said I) I will take your shilling, but shall charge
my master only nine? shillings. And this method
I constantly pursued in the like case ever after;,
for I think the above mentioned practice of footmen, which, however, I hope is not very common
with them, is just the same in conscienee as if
they should rob their master's bureau.
One Monday morniug, having settled my
account for the last week with my master, 1 found
that he had made a mistake against himself of
twenty shillings. As soon as 1 discovered it, 1
said to myself, her* B W is an opportunity for
O
getting twenty shillings without any risk #f detection; but God forbid that 1 should d© it, m it
wouli ruin my peace of mind, and destroy my
soul. 1 therefore pointed out the error to my
master the first opportunity.—'Charles, (said
he) you are right the mistake is obvioas* 1 acknowledge 1 made it purposely to try your honesty
You will find that this affair will tura out, before
long, to your advantage.' Now, though 1 do
not think it quite fair ol masters to lay this kind
of trap for their servant's integrity, yet a» 1 know
h y t h e y sometimes do it, we must be

�16
doubly on i&gt;ur guswd* Indeed, dishonesty i«
Bever a^fe. It always? will out somehow or other.
1 have seen surprizing instances of the discovery
of it, when it seemed to have been committed
with such cunning as to be impossible to be detected.
One day a» 1 was going to market, 1 met Sir
Robert S
'a butler, who told me, that having
long observed my sobriety and diligence, he was
happy to have it now in his power to offer me a
place in his master's family, where my wages
would be raised two guineas a yoar. 1 thanKed
kiai, and told him he skould have his answer
next evening. 1* the mean time 1 called upon
a pious and worthy friend, whom 1 consulted in
ail difficulties* and asked hit opinion.
After
mature deliberation, he said, 'Charles, don't go.
When you are once got into a good place, stick
to it like « leech. The rolling stone gets no *ioss
Tke more years you coatinue in one service, the
more you are respected by your master and all
the world.
A good family considers an old servant as one of themselves, and can no more see
him want thaa a near relation. Whereas servants
that are continually roving from place to place,
have no friend in distress, and seldom get a prevision for old age.' Happy it was for me that 1
followed this good advice. If 1 had not, 1 should
probably have been nothing more than a poor
footman all my life.
But before 1 bring my own story to an end, 1
must beg my reader's patience, to listen to the
sad hte of my poor brother Tom.
! po©r

�17
Tom, he was a great favourite in our kitchen,
because he sung the best song, and told the merriest tale, and paid his card money the most freely of any gentleman footman about town. And
then he swore so much like a gentleman, and was
so complaisant to the ladies, and pushed about
the strong beer so merrily, that he was, said our
servants, the most agreeable company in the
world. And yet all these entertaining qualities
did not preserve my poor brother from the most
dreadful state of distress and ruin. One morning he came to me about ten o'clock with a very
woeful face, which was a thing very unusual for
him, and told me, that he had just been turned
away from his place without a character, that he
had no money, many debts, and no real friends*
and what was worse than all, that he was labouring under disease.
Tom grew worse every day, and was at length
given over. In the morning of that day, while
1 was sitting at his bedside, who should come in
but my dear mother. She had walked 130 miles,
except now and then a lift in the waggon, to attend upon her undeserving son. When she saw
him, pale and emaciated, and his face half consumed by disease, it so shocked her, that she
fainted away. As soon as she recovered, and
wafc a little relieved by a plentiful flood of tears,
she said, • My dear Tom, I am come to take care
of thee, and make thee better, if I can,
Alas I
mother (answered he, putting his clay cold hand
into hers) it is all too late. I have but a few
hour* to live. It is by neglecting your adti

�18
that I am brought to this. Gaming and drink,
and bad company, and bad women have been my
ruin !
O what will become of my soul! if I
could but live my life over again. — Here he was
seized with a sudden fit, and though he lived
some hours, he never spoke after; and died that
evening in my mother's arms.
After recounting the sorrowful history of my
unhappy brother, I must now hasten to conclude
my own. About a twelvemonth after the offer of
a place in Sir Robert S
's family, my master,
in consideration as he said, of my faithful services,
made me his butler. He was indeed so kind and
friendly to me on all occasions, that I found it
necessary to be extreuiely cautious lest I should
grow proud, so saucy, or familiar, which some
servants, when they have lived long in a place,
and find themselves in favour, are apt to do.
After enjoying this post about six years, our
family being now removed into the country, I
made aquaintance with a farmer's daughter living
near the great house, whom on account of her
religious and industrious principles, and her
amiable and cheerfo] temper, I wished to make
my wife. She was no flaunter in fine clothes,
none of your dancing, flirting, forward lasses,
that run about to christenings, and revels, and
hopes, that will ruing a man before he knows
where he is; but a pious, sober, stay-at-home,
industrious young woman ; else I am sure any
body might have had her for me. As I had
never been guilty of any unnecessary expense,
for nobody will call that ^nneee^ary which I sent

�19
yearly to my parents, my savings, the- interest
being added yearly to the principal in the hands
of my master, amounted to two hundred pounds.
And as Fanny's father promised to give her another hundred,! thought we might with this take
a small farm, and maintain ourselves comfortably
and decently.—I therefore communicated the
affair to my master. 'Charles, (said he) though
I am loth to part with so good a servant, yet I
think it an act of gratitude due to you for your
long and faithful services, to consent readily to
any thing which may be for your welfare. But
I do not think it necessary for us to part at all.
I am at present in want of a bailiff. You may,
if you approve it, undertake that office, and still
retain your present wages. Your father-in-law,
who is an experienced farmer, will instruct and
assist you in the duties of it. I will, besides, let
you a small farm on an advantageous lease, which
you may makp the most of for yourself.'
T o this kind and generous offer I freely assented.
And Fanny and myself have now lived together
six years in the farm-house near the park-gate,
happy and prosperous. My father being dead,
and my brother and sister settled, my mother,
who is now very old, lives with me; and by her
example and exhortation I find afeenseof religion
sink deeper into my soul every day, and indeed
I am very well convinced by long experience,
that there is nothing in this world can make us
truly happy but tharfe.

�a®
I uddraw thk Utile book, which I wrote by
little and little in the long evenings of the last
hard winter, to all footmea. I hope they will
not be angry with my well meant endeavours, but
take kindly what is intended only for their good.

�IHfelDfi. #
king of Lydia, having expressed an
extraordinary inclination to see Solon, that philosopher repaired to Sard is to pay him a visit.
The first time he was presented, the king received him seated on his throne, and dressed on purpose in his most sumptuous robes; but Solon
appeared not the least astonished at the sight of
such a glare of magnificence.
" M y friend, said Croesus to him, Fame has
every where reported thy wisdom. 1 know you
have seen many conntries; but have you ever
seen a person dressed so magnificently as 1 am
"Yes, replied Solon, the pheasants and peacocks
are dressed more magnificently, because their
brilliant apparel is the gift of nature, without
their taking any thought or paini to adorn themselves."
Such an unexpected answer very much surprized Croesus, who ordered his officers to open all
his treasures, and shew them to Solon, as also
his rich furniture, and whatever was magnificent
in his palace. He then sent for him a second
time, and asked him if he had ever seen a man,
more happy than he was. "Yes, replied Solon,
and that man was Tellus, a citizen of Athens,
who lived with an unblemished character in a well
regulated republic. He left two children much
respected, with a moderate fortune for their sub^
sLstence, &amp; at last had the happiness to die sword
in hand, after having obtained a victory for his
country. The Athenians have erected a monument to his memory on the spot where he fell,
and have otherwise paid him great hoonrs."
Croesur,

�32
Oroesfcg was no hm asteufelved at tfek tlran at
the first answer, and began to think Solon was
not perfectly right in his senses. " Well, continued Croesus, who is the next happy man to
Tellus?"—"There were formerly, replied Solon,
two brothers, the one named Cleobis, and the
other Biton. They were so robust, that thejf
alwaj/s obtained the prize in every sort of combat, and perfectly loved each other. One feast
dej/, when the priestess of Juno, their mother,
for whom the^ had the most tender affection,
was to go to the temple to sacrifice, the oxen
that were to draw her thither did not come
in time, Cleobis and Biton hereupon fastened
themselves to her carriage, and in that manner
drew her to the temple. All the matrons in
raptures congratulated their mother on having
brought two such sons into the world.
Their
mother, penetrated with emotions of the strongest joy and gratitude, ferventh/ prayed the goddess, that she would bestow on her sons the best
gift she had to confer on mortals. Her prayers
were heard; for, after the sacrifice, the two
sons fell asleep in the temple, and never afterwards awoke. Thus they finished their lives by
a tranquil and peaceful death."
Croesus could no longer conceal his rage,
" W h a t then, said he, do yon not even place
me among the number of happy people ? " — " O
king of the Lydians, replied Solon, yoM possess
great riches, and are master of a great multitude
of people; but life is liable to so many changes,
that we cannot presume to decide on the felicity of
an;y man, until he has finished his mortal career."

�Tfie

C o u n t r y

C l e r g y m a n

Near yonder copse, where once the garden smil'd
and still where many a garden flower grown
wild;
There, where a few torn shrubs the place disclose,
The village preacher's modest mansion rose,
A man he was, to all the country dear,
And passing rich with fort?/ pounds a year;
Remote from towns, he ran his godly race,
Nor e'er had chang'd nor wish'd to change hii
place,
Unpractis'd he to fawn, or seek for power,
By doctrines fashion'd to the varying hour;
For other aims his heart had learn'd to prize,
More skill'd to raise the wretched than to rise.
His house was known to all the vagrant train,
He chid their wand'rings, but relieved their pain ;
The long remembered beggar was his guest,
Whose beard descending, swept his aged breast;
The ruin'd spendthrift now no longer proud,
Claim'd kindred there, and had his claim allowed
The broken soldier, kindlj/ bid to staj/,
Sat by his fire, and talk'd the night away;
Wept o'er his wounds, or tales of sorrow done,
Shoulder'd his crutch, and shewed how fields
were won,
Pleas d with his guests, the good man learn'd to
glow,
And quit forgot their vices in their woe;
Careless their merits, or their faults to scan,
His pity gave ere charity began.

�24
Thug to relieve the wretched was his prrde,
And even his failings lean'd to Virtue's free;
But in his duty prompt at even/ call,
H e watch'd and wept, he pray'd and felt for all
A n d , as a bird each fond endearment tries,
T o tempt its new fledg'ed offspring to the skies;
H e tried each art, reprov'd each dull delaj/,
Allur'd to brighter worlds, and led the waj/.
Beside the bed where parting life was laid,
And sorrow, guilt and pain, by turns disrnay'd,
T h e reverend champion stood. At his control,
Despair and anguish fled the struggling soul;
Comfort came down, the trembling wretch to raise
And his last faultering accents whispered praise.
At church, with meek and unaffected grace,
His looks adorn*d the venerable place ;
Truth from his lips prevails! with double swaj/,
And fools, who came to scoffi remained to pray.
T h e service past, around the pious man,
W i t h ready zeal each honest rustic ran ;
Even children followed with endearing wile,
And pluck'd his gown to share the good mans,
smile.
His ready smile a parent's warmth exprest,
Their welfare pleas'd him, and their cares distrest
T o them his heart, his love, his griefs were given,
But all his serious thoughts had rest in Heaven.
As some tall cliff that lifts its awful form,
Swells from the vale, and midwaj/ leaves the
storm,
T h o ' round its breast the rolling clouds are spread
Eternal sunshine settles on its head.

�</text>
                  </elementText>
                </elementTextContainer>
              </element>
            </elementContainer>
          </elementSet>
        </elementSetContainer>
      </file>
    </fileContainer>
    <collection collectionId="25">
      <elementSetContainer>
        <elementSet elementSetId="1">
          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="26431">
                  <text>Woodcut 022: Title-page illustration in double ruled border of a young man in a wig and long coat pointing to 3 urns on a table. Interior scene.</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="22197">
                <text>The History of Charles Jones, the Footman. Shewing how he raised himself from the humble station of a foot-boy, to a place of great eminence and trust, by his strict honesty and integrity.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="52">
            <name>Alternative Title</name>
            <description>An alternative name for the resource. The distinction between titles and alternative titles is application-specific.</description>
            <elementTextContainer>
              <elementText elementTextId="22198">
                <text>On Pride, &amp;amp; the Country Clergyman</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="22200">
                <text>1839</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="78">
            <name>Extent</name>
            <description>The size or duration of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="22201">
                <text>24 pages</text>
              </elementText>
              <elementText elementTextId="24622">
                <text>16 cm</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="22202">
                <text>&lt;a href="https://ocul-gue.primo.exlibrisgroup.com/permalink/01OCUL_GUE/mrqn4e/alma9935661133505154"&gt;s0587b44&lt;/a&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="37">
            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="22203">
                <text>Archival and Special Collections, University of Guelph Library, Guelph, Ontario, Canada</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="22205">
                <text>In the public domain; For high quality reproductions, contact Archival &amp; Special Collections, University of Guelph. libaspc@uoguelph.ca, 519-824-4120, Ext. 53413</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="24621">
                <text>JPEGs and PDF derived from master file, which was scanned from the original book in 24-bit color at 600 dpi in TIFF format using an Epson Expression 10000XL scanner.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="24703">
                <text>Archival &amp; Special Collections, University of Guelph Library, Guelph, Ontario</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="26296">
                <text>Paisley: G. Caldwell and Son</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="26995">
                <text>Woodcut #22: Illustration on title-page of a young man wearing wig and long coat and pointing to 3 urns on a table. Interior scene with window, stool, and curtain.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="26996">
                <text>moral tales</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="26997">
                <text>Chapbooks - Scotland - Paisley</text>
              </elementText>
              <elementText elementTextId="26998">
                <text>Religion and Morals</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
    <tagContainer>
      <tag tagId="206">
        <name># of Woodcuts: 1</name>
      </tag>
      <tag tagId="98">
        <name>Architecture: house</name>
      </tag>
      <tag tagId="123">
        <name>Architecture: window(s)</name>
      </tag>
      <tag tagId="103">
        <name>Bib Context: title-page</name>
      </tag>
      <tag tagId="110">
        <name>Chapbook Date: 1831-1840</name>
      </tag>
      <tag tagId="335">
        <name>Chapbook Genre: moral tales</name>
      </tag>
      <tag tagId="157">
        <name>Chapbook Publisher - Paisley: G. Caldwell and Son</name>
      </tag>
      <tag tagId="330">
        <name>Fashion (Clothing): upper class</name>
      </tag>
      <tag tagId="127">
        <name>Furniture: stool(s)</name>
      </tag>
      <tag tagId="95">
        <name>Furniture: table(s)</name>
      </tag>
      <tag tagId="122">
        <name>Indoor Scene</name>
      </tag>
      <tag tagId="251">
        <name>Object: urn(s)</name>
      </tag>
    </tagContainer>
  </item>
</itemContainer>
