60 10 639 https://scottishchapbooks.lib.uoguelph.ca/files/original/f5eb91ffd7c91253585047a7d6b04c57.pdf c3d013735c972c66687142334b8b3854 PDF Text Text THE Wife of Beith; With a description of her JOURNEY TO HEAVEN. FALKIRK PRINTED F R THE BOOKSELLERS. O �THE W I F E OF B E I T H . In Beith once dwelt a worthy wife, Of whom brave Chaucer mention makes She lived a licentious life, And namely in venereal acts ; But death did come for all her cracks, When years were spent and days outdriven, Then suddenly she sickness takes, Deceast forthwith and went to heaven. But as she went upen the way. There followed her a certain guide ; And kindly to her did say, Where mean you dame for to abide ? I know you are the Wife of Beith, And would not then that you go wrong For I'm your friend, and will not loath That you go thro' this narrow throng, This way is broader, with me. And very pleasant is the way ; I'll bring thee where you would be, Go with me friend say me not nay. She looked on him. then did speer, I pray you sir, what is your name ? Show me the way how came you here? T o tell it to me is no shame. �3 Is that a favour 'bout your neck ? And what is that upon your side ? Is it a bag or silver sack ? What are you then where do you bide ? I was a servant unto Christ, And Judas likewise is my name. I knew you by your colours first. Forsooth indeed you are to blame; Your master did you not betray ? And hang yourself when ye had done ? Where'er you bide I will not stay ; Go then you knave let me alone. Whatever I be I'll be your guide, Becauseyoui know not well the way ; Will you at once in me confide, I'll do all friendship that I may. What would you me ? Where do you dwell, I have nought will go with t h e e ; I fear it is some lower cell, I pray thee therefore let me be. This is a stormy night and cold, I'll bring you to a warmer inn ; Will you g o forward and be bold, And mend your pace till ye win in. I fear your inn will be too warm, For too much hotness is not b e s t ; Such hotness there may do me harm, And keep me that I do not r e s t ; I know your way it is to hell. For you are not one of the eleven ; �4 Go haste you then unto your cell, My way is only unto heaven. That way is by the gates of hell, I f you intend there for to go, Go dame I will not you compel, Bnt I with you will go also. Then down they went a right steep hill, Where Smoke and darkness did abound And pitch and sulphur burned still, With yells and cries hills did resound, T h e fiend himself came to the gate, And asked him where he had been ; D o you not know and have forgot, Seeking this wife could not be seen. Good dame said he will you be here I pray you then tell me your name ; T h e wife of Beith since that you speer, But to come in I were to blame, I will not have you then good dame For you were mistress of the flyting, If once within this gate you come, I will be troubled with your biting. Cummer go back and let me be, H ere are too many of your rout For women lewd like unto thee, I cannot turn my foot about. Sir thief I say i shall bide out, But gossip thou wast ne'er to me For to come in, I'm not so stout, And of my biting thou'st be free ; ; ; �5 But Lucifer what's that on thee ? Hast thou no water in this place? Thou look'st so black it seems to me, Thou ne'er dost wash thy ugly face; If we had water here to drink, We would not care for washing then, Into these flames and filthy stink. We burn with fire in the doom: Upbraid me then good wife no more, For first when I heard of the name ; Iknewthou had such words in store, Would make the devil to think shame. Forsooth Sir thief thou art to blame, If I had time now to abide ; Once ye were well but may think shame That lost heaven for rebellious pride; Who traitor-like fell with the rest, Because ye would not be content, And now of bliss are dispossest, Without all grace for to repent, Thou made'st poor Eve long since consent, To eat of the forbidden tree ; (Which we her daughters may repent) And made us almost like to thee ; But God be blest who past thee by. And did a Saviour provide ; For Adam's whole posterity, All those who do in him confide, Adieu false fiend, I may not bide, With thee I may no longer stay ; �6; My God in death he was my Guide, O ' e r hell I'll get the victory. Then up the hill the poor wife went Opprest with stinking flames and fear. Weeping right sore with great relent. For to go else she wist not w h e r e ; a narrow way with thorns and briers, and full of mires was here b e f o r e ; She sighed oft with sobs and tears. T h e poor wife's heart was wond 4 rous sore; Tired and torn she went on still, Sometimes she sat and sometimes fell, aye till she came to a high hill, and then she looked back to hell. When that she had climb'd up the hill, Before her was a goodly plain ; Where she did rest and weep her fill, Then rose and to her feet again. H e r heart was glad the way was good Up to the hill she hied with haste, T h e flowers were fair where there she stood, The field were pleasant to her taste. Then she espied Jerusalem, O n Zion's mount where that it stood: Shining with gold light as the sun, H e r silly soul was then right glad ; T h e ports of pearls shining bright, Were very glorious to behold, With precious stones gave such a light �7 T h e walls were of transparent gold; high were the walls the gates were shut and long she thought for to be in But then for fear of biding out, She knocked hard and made some din. T o knock and cry she did not spare Till father Adam did her h e a r ; Who is't that raps so rudely there, Heaven cannot well be won by weir; T h e wife of Beith since that you spier, Hath stood these two hours at the gate. Go back quoth he, thou must forbear, Here may no sinners entrance get. Adam, quoth she, I shall be in, In spite of all such churls as thee T h o u ' r t the original of all sin. For which thou art not flyting free. But for thy soul offences fled. Adam went back and let her be, Looking as if his nose had bled. Then mother Eve did at him speer, Who was it there that made such din? He said, a woman would be here, For me I durst not let her in. I'll go, said she, and ask her will, Her company I would have fain ; But aye she cried and knocked still, And in no ways she would refrain. Daughter, said Eve, you will do well, T o come again another t i m e ; Heaven is not won by sword or steel, ; ; �8 Nor none that's guilty of a crime. Mother said she, the fault is thine, That knocking here so long I stand; Thy guilt is more than that of mine, If thou wilt rightly understand, Thou wast the cause of all our sin, Wherein we were born and conceived. Our misery thou did'st begin, By thee thy husband was deceiv'd. Eve went back where Noah was, and told him all how she was blam'd Of her great sin and first trespass, Whereof she was so much asham'd. Then Noah said i will go down, and will forbid her that she knock ; Go back, he said, ye drunken lawn, Your none of the celestial flock. Noah she said, now hold thy peace, Where I drank ale thou didst drink wine Discover'd was to thy disgrace, When thou wast full like to a swine, If I was drunk I learned at the For thou'rt the father and the first, T h a t others taught and likewise me, T o drink when as we had no thirst. Then Noah turned back with speed and told the patriarch Abra'am then, How that the carlin made him dread, And how she all his deeds did ken. Abra'am then said now get you gone Let us no more hear of your din ; �9 No lying wife as I suppose, May enter in these gates within. Abra'am, she said will you but spare I hope you are not flyting free ; You of yourself had such a care, Deny'd your wife and made a lie; Go then I pray you let me be For I repent of all my sin; Do thou but ope the gates to me, and let me quietly come in. Abra'am went back to Jacob then, and told his grandson how to speed, How that of her nothing he wan, an I that he thought the carlin mad, Then down came J a t o b thro' the close and said go backward clown to h e l l ; Jacob quoth she I know your voice, That gate pertaineth to thyself, Of thy old trumpheries I can tell, With two sisters thou led'st thy life, and the third part of these tribes twelve Thou got with maids besides thy wife ; and stole thy father's bennison, Only by fraud thy father frae ; Gave thou not him for venison, A kid instead of breaken rae ? Jacob himself was tickled so H e went to Lot where he was lying, and to the gate prayed him to go, T o staunch the carlin of her crying Lot says fair dame make less ado, �10 and come again another day. Old harlot carle and drunkard too, Thou with thine own two daughters lay Of thine untimely se d I say, Proceeded never good hut ill. Poor Lot for shame then stole away, And left the wife to knock her fill, Meek Moses then went down at last, T o pacify the carlin then ; Now dame said he, knock not so fast, Your knocking will not let you ben. Good sir, she said, I am aghast, Whene'er i look you in the f a c e ; If that your law till now had last, Then surely I had ne'er got g r a c e : But Moses, sir, now by your leave, although in heaven you be possesst, For all you saw did not believe. But you in Horeb once transgressed, Wherefore by all it is confest. You hut got up the land to see, and in the mount were put to rest, Yea buried there where you did die. Moses meekly turned back, and told his brother Aaron there, How the old carlin did so crack, and in no ways did him forbear. Then Aaron said, I will not swear. But I'll conjure her as I can ; and I will make her now forbear, So that she shall not rap again. �11 Then Aaron said, you whorish wife, Get you gone anil rap no more ; (With idols you have led your life,) Or then you will repent it sore, (rood Aaron priest I know you well, This golden calf you may remember. Who made the people plagues to see. T h e is of you recorded ever ; your priesthood now is nothing worth, Christ is my only priest, and he. My lord, who shall not keep me forth, So I'll get in in spite of thee. U p started Sampson at the length, Unto the gate apace came he, T o drive away the wife with strength, But all in vain it would not he. Sampson, quoth she, t h e world may Thou was a judge that proved unjust ; Those gracious girts which God gave thee, Thou lost by thy licentious lust, From Delila thy wicked wife, Thy secrets chief couldst not refrain, She daily sought to take thy life, Thou lost thy locks and then was slain. Though thou wast strong it was in vain Haunted with harlots here and there, Then Sampson turned back again, And with the wife would mell nae mair, T h e n said king David knock no more, �12 We are troubled with thy cry, David quoth she, how cam'st thou here ? Thou might'st bide out as well as I, Thy deeds no ways thou canst deny, Is not thy sin far worse than mine ? Who with Uriah's wife did lie, And caus'd him to be murder'd syne, Then Jedith said who's there that knocks, And to our neighbour gives these notes Madam said she let be your macks, I came not here for cutting throats: I am a sinner full of blots, Yet through Christ's blood I shall be clean. If you and I be judged by votes, T h e thing you did was worse than mine Then said the sapient Solomon, Thou art a sinner all men say, Therefore our Saviour, I suppose. Thee heavenly entrance will deny, Mind quoth she thy latter days, What idol gods thou did upset, And wast so lewd in Venus' plays, Thou didst thy maker quite forget. Then Jonas said fair dame content you, If you intend to come to grace. You must dree penance and repent you Ere you come within this place. �13 Jonas quoth she how stands the case ? How came you here to be with Christ? How dare you look me in the face ? Considering how you broke your tryst, To go God's errand thou withstood him And held this council in disdain ; The raven messenger thou play'd him, And brought no message back again With mercy thou wastnotcontent, When that the Lord he did them spare Although the city did repent, It grieved thee thy heart was sair : Let me alone and speak no more, Go back again into the whale, For now my heart isalsosore, But yet I hope I shall prevail. Good Jonas said crack on your fill, For here I may no longer tarry, Yet knock as long as e'er you will, And go into a firry farry. Jonas she says ye do miscarry, As I have done in former time, You're no Saint Peter nor Saint Mary, T h y blot's as black as ever mine, So Jonas then he was asham'd, Because he was not fly ting free, Of all his faults she had him blam'd He left the wife and let her be. Saint Thomas then I council thee, Go speak unto yon wicked wife, She shames u s all, and as for me, �14 Her like I never heard all my life. Thomas then said, you make such din, When you are out, and meikle din If you were here, I'll lay my life. No peace the saints would get within; I t is your trade for to be flyting, Still in a fever as one raves. N o marvel though you wives be biting, Your tongues are m a l e of aspen leaves Thomas quoth she, let be your taunts, You play the pick-thank I perceive, Though ye be brother to the saints, An unbelieving heart you have ; Thou brought the Lord unto the grave. But would no more with him remain, And wast the last of all the lave, T h a t did believe he rose again, There mi^ht no doctrine do thee good, Nor miracles make thee confide, Till thou beheld Christ's wounds and blood, And put'st thy hands unto his side ; Didst thou not daily with him bide, And see the wonders which he wrought But blest are they who do confide, And do believe yet saw him n o t ; Thomas, she says, will you speer, If that my sister Magdalene, Will come to me if she be here ; For comfort sure you give me nane. �15 H e was so blythe he turned back, and thanked God that he was gane, He had no will to hear her crack, But told it Mary Magdalene. When she did hear her sister's mocks, She went unto the gate with speed : and asked her who is't that knocks? 'Tis I, the wife of Btith indeed, She said good mistress you must stand Till ye be tried by tribulation. Sister, quoth she, give me your hand, are we not both of one vocation? It is not through your occupation, That you are placed so divine, My faith is fixed on Christ's passion. My soul shall be as safe as thine. Then Mary went away in haste, T h e carlin made her so asham'd, She had no will of such a guest, T o lose her pains and be so blamed. Now good St. Paul, said Magdalene, Because you are a learned man, Go and convince this woman then, For I have done all that I can : Sure if she were in hell I doubt, They would not keep her longer there Cut to the gate would turn her out ; and send her back to be elsewhere. Then went the good apostle Paul, T o put the wife in better tune. Wash off the filth that fyles thy soul, �16 Then shall heav'n's gates be open soon. Remember Paul what thou hast done, For the epistles thou didst compile, Though now thou sittest up above, Thou persecuted Christ awhile. Woman he said, thou art not right, That which I did, I did not know; But thou did sin with all thy might, Although the preachers did thee show, Saint Paul, she said, it is not So, I did not know as well as ye, But I will to my Saviour go; Who will his favour show to me ; You think you are of flyting free, Because you were wrapt up above. But yet it was Christ's grace to thee, and matchlessness of his dear love, Then, Paul she says let Peter come, If he be lying let him rise, To him I will confess my sin. and let him quickly bring the keys. Too long I stand, he'll let me in, For why I cannot longer tarry, Then shall ye all be quit of din, For I must speak with good saint Mary. The good apostle discontent, Right suddenly he turned back, For he did very much repent, T o hear the carlin proudly crack, Paul says good brother now arise, and make an end of all this din, �17 And if be so you have the keys, Open andletthecarlinin; T h e apostle Paul arose at last, and to the gate with speed he he hies, Carlin quoth he knock not so fast, You cumber Mary with your cries. Peter she said let Christ arise, and grant me mercy in my need ; For why, I ne'er denied him thrice, as though thyself hast done indeed. Thou calling bold what's that to thee ? I got remission for my sin ; It cost many sad tears to me, Before I entered here within. I will not be thy muckle din, Will cause heaven gates opened be, Thou must be purified of sin ; and of all sins must be made free. Saint Peter then its nought to you That you were rid of your fears, It was Christ's gracious look I trow That made ye wipe those bitter tears, T h e door of mercy is not closed, I may get grace as well as ye, It is not so as ye supposed I will be in, in spiteofthee. But wicked wife it is too late, Thou shouldest have mourn'd upon earth, Repentance now is out of date : I should have been before thy death ; �18 Thou mightest then have turned wrath T o mercy then and mercy great, But now the Lord is very loth, and all thy crys not worth a jot. Ah ! Peter then what shall I do? H e will not hear me as i hear, Shall I despair of mercy too! No, no, I,ll trust in mercy d e a r : and if I perish here I'll stay, and never go from heaven bright; I'll ever hope and always pray, TntilIget my Saviour's sight. I think indeed you now are right, if you had faith you would win in ; Importune then with all your might, Faith is the feet wherewith you come. It is the hands will hold him fast But weak faith never may presume ; 'Twill let you sink and be aghast. Stongly believe, or your undone. But good Saint Peter, let me be, Had you such faith did it abound ? When you did walk upon the sea, Were ye not likely to he drown'd ? Had not our Saviour helped thee, Who came and took thee by the hand ; So can my Lord dountoto me, and bring me to the promised land, Is my faith weak ? Yea he is still T h e same and ever shall remain ; His mercies last and his good will, �19 T o bring me to his flock a g a i n ; H e will me help and me relieve, and will increase my faith also, If weakly I can but believe, For from this place I'll never go. But Peter said how can that be? How dar'st thou look him in the face ? Such horrid sinners like to thee, Can have no courage to have grace ; Here none comes in but they that's stout, and suffer'd have for the good cause? Like unto thee are keeped cut. For thou hast kroken all Moses' laws. Peter she said, I do appeal, From Moses and from thee also, With him and you I'll not prevail, But to my Saviour I will go; Indeed of old you were right stout, When ysu did cut off Malchus' ear ; But after that you went about. And a poor maid then did you fear. Wherefore Saint Peter do forbear, A comforter indeed your n o t ; Let me alone, I do not fear, Take home the wissel of your g r o a t ; Was it your own or Paul's good sword When that your courage was so keen, You were right stout upon my word, Then you would fain at fishing been For ere the crowing of the cock, ; �20 You did deny your master thrice. For all your stoutness turned: a block, Now flyte no more if ye be wise. Yet at the last the Lord arose, Environed with angels bright. And to the wife in haste he goes, Desir'd her to pass out of sight, O Lord quoth she, cause me do right But not according to my sin, have you not promised day and night, When sinners knocks to let them in ? He said thou wrests the scriptures wrong. The night is come thou spent the day In whoredom thou hast lived long, And do repent thou didst d e l a y ; Still my commandments thou abus'd And vice committed busily, Since now my mercy thou refused, Go down to hell eternally, O Lord, my sou! doth testify, That I have spent my life in vain ; Ah ! make a wandering sheep of me, And bring me to thy flock again. Think'st thou there is no count to crave, Of all these gifts in thee was planted, I gave thee beauty 'bove the lave, A pregnant wit thou never wanted. Master, quoth she it must be granted, My sins are great give me contrition ; �21 The forlorn son when he repented. Obtain'd his father's full remission. I spar'd my judgment many times, And sp'ritual pastors did thee send ; But thou renew'd'st thy former crimes, Aye more and more me to offend. My Lord, quoth she, I do amend, Lamenting for my former vice, The poor thief at the latter end, For one word went to paradise. T h e thief heard never of my teachings, My heavenly precepts and my laws, But thou wast daily at my preachings, Both heard and saw and yet misknows, Master quoth she the scriptures shows, T h e Jewish womanwhoplay'dthelown, Conform unto the Hebrew laws, Was brought to thee to he put down ; But nevertheless thou let'st her go, And made the Pharisee's afraid. Indeed, says Christ, it was right so, And that my bidding was obey'd, Woman, he said, I may not cast, The children's bread to dog's like thee, Although my mercies yet do last, There's mercy here but none for thee, But, loving Lord, may I presume, Poor worm, that I may speak again, The dogs for hunger were undone, And for the crumbs they were right fain ; �22 Grant me one crumb that then doth fall From thy blest children's table Lord, That I may be refresh'd withal, It will me help enough afford. The gates of mercy now are clos'd, And thou canst hardly enter in ; It is not so as thou supposed. For thou art deadly sick in sin. 'Tis true indeed my lord most meek, My sore and sickness I do f e e l ; Yet thou the lamb dost truly seek, Who lay long at Bethseda's pool, Of that thee never sought, Like to the poor Samaritan; Whom thou into thy fold has brought, Even as thou didst the widow of Nain : Most gracious God, didst thou not bid All that were weary come to thee ? Behold I come! even o'erload With sin, have mercy upon me. The issues of thy soul are great, Thou art both leprous and unclean, To be with me thou art not fit, Go from me then, let me alone. Let me thy garments once but touch, My bloody issue will be whole, It will not cost thee very much, To save a poor distressed soul. Speak thou the word I shall be whole, One look of thee shall do me good, Save now good lord my silly soul, �23 Bought with thine own most precious blood. Let me alone, none of my blood, Was ever shed for such as thee, It was my mercy patience good. Which from damnation set them free. I t is confest thou hast been just, Altho' thou had condemned m e ; But O ! thy mercies still do last, T o save the soul that trust in thee : Let me not then condemned be. Most humbly Lord, I thee request, Of sinners all none, like me, So much the more thy praise shall last, Thy praising me is profite, My saints shall praise me evermore: In sinners I have no delight, Such sacrifice I do abhor. Then she unto the Lord did say, At footstool of thy grace I'll lie ; Sweet Lord my God say me not nay, For if I perish here I'll die. Poor silly wretch then speak no more, Thy faith poor soul hath saved thee ; Enter thou into my glory, And rest through all eternity. How soon our Saviour these words said, A long white robe to her was given ; And then the angels did her lead Forthwith within the gates of heaven ; �24 A laurel crown set on her Head. Spangled with rubies and with gold ; A bright white palm she always had, Glorious itWas for to behold ; Her face did shine like to the sun, like threads of gold her hair hung down Her eyes like lamps unto the moon : Of precious stones rich Was her crown, Angels and saints did welcome her, T h e heavenly choir did sing rejoice ; King David with his harp was t h e r e ; The silver bells gave a great noise. Such music and such melody, Was neither ever heard or seen, When this poor saint was plac'd t o high And of her sins made freely clean ; But then when thus she Was possest, And looked back on all her fears, And that she was come to her rest, Free'd from her sins, and all her tears, She from her head did take the crown, Giving all praise to Christ on high, And at his feet she laid it down, For that the Lamb hath m a d e her free, Now doth she sing triumphantly, And shall rejoice for evermore O'er death and hell victoriously, With lasting spirits laid in store. FINIS. . � https://scottishchapbooks.lib.uoguelph.ca/files/original/e69f4df5c03a86a43bceebea3c193432.jpg 0d572f7c109863b52c0815cdd8f4c719 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Height 547 Width 354 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Illustration on title-page of the Resurrection showing Jesus Christ rising from the tomb in a burst of light with 4 soldiers displayed in pairs of two on the ground. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Woodcut 075:Title-page illustration in single ruled border of the Resurrection showing Jesus Christ rising from the tomb in a burst of light with 4 soldiers displayed in pairs of two on the ground. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Wife of Beith: With a Description of Her Journey to Heaven Language A language of the resource English Identifier An unambiguous reference to the resource within a given context <a href="https://ocul-gue.primo.exlibrisgroup.com/permalink/01OCUL_GUE/mrqn4e/alma9923445103505154">s0074b23</a> Abstract A summary of the resource. Inspired by Chaucer’s Wife of Bath, this tale describes the Wife’s journey after death. As the Wife travels first to hell and then to heaven, she is rejected by the Devil – who does not wish to be harried by her scornful tongue – and then a long number of biblical characters in heaven due to her many earthly transgressions. The Wife’s flyting appalls and shames all of these characters until she ultimately comes before Christ who at first rejects her as well, but then ultimately accepts her when she submits faithfully to him. Contributor An entity responsible for making contributions to the resource Archival and Special Collections, University of Guelph Library, Guelph, Ontario, Canada Format The file format, physical medium, or dimensions of the resource JPEGs and PDF derived from master file, which was scanned from the original book in 24-bit color at 600 dpi in TIFF format using an Epson Expression 10000XL scanner. Rights Information about rights held in and over the resource In the public domain; For higher quality reproductions, contact Archival & Special Collections, University of Guelph. libaspc@uoguelph.ca 519-824-4120, Ext. 53413 Extent The size or duration of the resource. 24 pages 15 cm Date A point or period of time associated with an event in the lifecycle of the resource ca.1840-1850 Publisher An entity responsible for making the resource available Falkirk: Printed for the Booksellers Subject The topic of the resource Religion and Morals Chapbooks - Scotland - Falkirk Source A related resource from which the described resource is derived Archival & Special Collections, University of Guelph Library, Guelph, Ontario Creator An entity primarily responsible for making the resource Chaucer, Geoffrey, -1400 Description An account of the resource Woodcut #75: Illustration on title-page of the Resurrection showing Jesus Christ rising from the tomb in a burst of light with 4 soldiers displayed in pairs of two on the ground. Type The nature or genre of the resource poetry # of Woodcuts: 1 Bib Context: title-page Chapbook Date: 1841-1850 Chapbook Genre: religion & morals Chapbook Publisher - Falkirk: Printed for the Bookseller Gender: man/men Nature: cloud(s) Nature: tree(s) Occupation: soldier Religious Figures: Jesus Christ https://scottishchapbooks.lib.uoguelph.ca/files/original/b7befa4ad25e6e9ae5295d40119a1bfe.pdf 0afb00abf1b2aac40cdeacef68a877b9 https://scottishchapbooks.lib.uoguelph.ca/files/original/3751c9b92c9d646648cc568fa8f2b2b5.jpg bcc09d7eb5a110ece1dc8bc1328edfdb https://scottishchapbooks.lib.uoguelph.ca/files/original/7c60f158d60cae785ea5a03ea7b7f049.jpg a97bd0c0f2a7a84a713bc8c5c1e98898 https://scottishchapbooks.lib.uoguelph.ca/files/original/a41a1d27235f500aa66c6b9b1219d068.jpg f6110f824e96d49630e0438ad3027bb2 https://scottishchapbooks.lib.uoguelph.ca/files/original/4a1c7e8d47bc6298edc5cb15d1c63b59.jpg bb440b60201bbc70cf0d8a8050d9ed21 https://scottishchapbooks.lib.uoguelph.ca/files/original/10d5416ae9257069d8fc143dc541e64f.jpg d2a3d173c6da45cd564fa33767afa11f https://scottishchapbooks.lib.uoguelph.ca/files/original/6d29f0a071c6c74ba0ea6c447980cc92.jpg 7c7e04f3417fb600d98125f12f3d6711 https://scottishchapbooks.lib.uoguelph.ca/files/original/f6cc7a4e4cf57e4608a0f118bf0324f6.jpg 97c259b7ff6c24ad9114e21e9c0363a0 https://scottishchapbooks.lib.uoguelph.ca/files/original/6ac8b5485dcd72a1e88f819cb88655c2.jpg dfa16a031a6fde2240f668ec44ca0a65 https://scottishchapbooks.lib.uoguelph.ca/files/original/620b04c4654cdae105391bea3ad87f53.jpg db44ce9cadae132526aae0b6d765a87a https://scottishchapbooks.lib.uoguelph.ca/files/original/cce455fa0acd373cc86bbba7bbfdd459.jpg db8121abce6f6f6fc7ffe6f1c1624481 https://scottishchapbooks.lib.uoguelph.ca/files/original/2f341a03331c496d706bd2b5605fc33d.jpg 4238f843a1a76c660eb7e4b0bfbf233e https://scottishchapbooks.lib.uoguelph.ca/files/original/dbabc3f9fa8457e8859c18ec6789fa42.jpg 2dcd629e27e0d9d85df25a218f53cb35 https://scottishchapbooks.lib.uoguelph.ca/files/original/23c388458fdede137f221ce30d339cc9.jpg 405dfd013ddffa080c2794dbdb4fe828 https://scottishchapbooks.lib.uoguelph.ca/files/original/fbdb3ce7f74aa419d4b33b02e8135c63.jpg cdf6f3c559acdde0a17005111e2a4e1b https://scottishchapbooks.lib.uoguelph.ca/files/original/d83e73eaa3bf475b9030f00fb566c141.jpg d8cd9f379d832624a673a3cf30994d23 https://scottishchapbooks.lib.uoguelph.ca/files/original/e17f504276d636621c115c830d6ed84b.jpg a4f1a299710b4cf764f73c285f8c9f12 https://scottishchapbooks.lib.uoguelph.ca/files/original/115047a3faaebfd821e2eaed67e6ef51.jpg 288fdd733f7b3bdadbacf6850140be2f https://scottishchapbooks.lib.uoguelph.ca/files/original/150b0ec3eb907150af97b085fc68fb46.jpg b683aaf819b5c11b70994a04fd2d898c https://scottishchapbooks.lib.uoguelph.ca/files/original/6edb855c89d8cb7bdd534a38558b299b.jpg 03dddd8fad532c2b377c4cf43fbabb1f https://scottishchapbooks.lib.uoguelph.ca/files/original/9469d672bc475a636566f482e2c7b60b.jpg f02a1a48ba92d42d927a0a118a9bdeee https://scottishchapbooks.lib.uoguelph.ca/files/original/5b8e5c8f63458c21928118d04a7e4622.jpg 3bac41e342de9f1285b8eec337981daa https://scottishchapbooks.lib.uoguelph.ca/files/original/df4ad490083c3ac72e5b418073d52619.jpg 416666f180cc1c3f7659f88520e0f4f9 https://scottishchapbooks.lib.uoguelph.ca/files/original/203aef4bd73817f15318231d3d7bab7e.jpg 82d282b87f15a02a86f25d215175a8f9 https://scottishchapbooks.lib.uoguelph.ca/files/original/60c323b226cb32103234b5123d6b1372.jpg 5e06774f0a2b9d6888553dc5ce59646f Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Wonderful Adventures of sixteen British Seamen; Also, A Cure for the Toothache. Identifier An unambiguous reference to the resource within a given context <a href="https://ocul-gue.primo.exlibrisgroup.com/permalink/01OCUL_GUE/mrqn4e/alma9923446053505154">s0072b10</a> Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. A Cure for the Toothache Date A point or period of time associated with an event in the lifecycle of the resource 1840-1850 ? per University of Glasgow Scottish Chapbook Union Catalogue Extent The size or duration of the resource. 24 pages 16 cm Description An account of the resource 103 printed at bottom of title-page Abstract A summary of the resource. Set during the wars of independence in South America, this story describes the adventures of a company of British seamen and their Scottish captain who became privateers and occasional pirates along the Chilean and Peruvian coast. In an act of desperation, these sixteen men audaciously attack and capture the Spanish Minerva from 250 Spanish defenders, to the benefit of the government of Valparaiso and themselves. An additional short story tells the tale of the author’s toothache and the advice he receives from many individuals in how to care for it, ending with an easy recipe and cure for the malady. Two short humorous anecdotes follow, one describing the conversation between an Englishman and a Highlander and their various miscommunications, and one about a native’s “fiery nose” and the observations of young African servant. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Peru Chile Africa Is Referenced By A related resource that references, cites, or otherwise points to the described resource. <p>University of Glasgow Union Catalogue of Scottish Chapbooks</p> <p><a href="http://special.lib.gla.ac.uk/chapbooks/search/">http://special.lib.gla.ac.uk/chapbooks/search/</a></p> Subject The topic of the resource Crime Highlands War Wit and Humor Chapbooks - Scotland - Glasgow Contributor An entity responsible for making contributions to the resource Archival and Special Collections, University of Guelph Library, Guelph, Ontario, Canada Format The file format, physical medium, or dimensions of the resource JPEGs and PDF derived from master file, which was scanned from the original book in 24-bit color at 600 dpi in TIFF format using an Epson Expression 10000XL scanner. Rights Information about rights held in and over the resource In the public domain; For higher quality reproductions, contact Archival & Special Collections, University of Guelph. libaspc@uoguelph.ca 519-824-4120, Ext. 53413 Publisher An entity responsible for making the resource available Glasgow: Printed for the Booksellers Source A related resource from which the described resource is derived Archival & Special Collections, University of Guelph Library, Guelph, Ontario # of Woodcuts: 1 Bib Context: title-page Chapbook Genre: ballads & songs Chapbook Publisher - Glasgow: Printed for the Booksellers Outdoor Scene Transportation: ship/boat(s) https://scottishchapbooks.lib.uoguelph.ca/files/original/1a660b6094fbad75bbc9de04a3740638.pdf 917331f01e9f3b2c04a40c496bc25894 https://scottishchapbooks.lib.uoguelph.ca/files/original/98ecdadd3959b3161128f293ecdcb89a.jpg 8d76e63d16cc72bdc5de55a0af5b43c0 https://scottishchapbooks.lib.uoguelph.ca/files/original/8c086d79d8d9ec9ca3886c2f1f3648b0.jpg 3323088a7568248ceafcd62de449783b https://scottishchapbooks.lib.uoguelph.ca/files/original/3ff6b039f73adfd95220d57aa7f2d150.jpg a39b6896f5e52c8bf7475f7ea71e73a9 https://scottishchapbooks.lib.uoguelph.ca/files/original/27da297ec93539a6104ddf4f2c14303f.jpg 6a5aaef707e4e0d8a92d8153fb8d7d76 https://scottishchapbooks.lib.uoguelph.ca/files/original/16774964aa258452c5b8e6bf245bc0fe.jpg 6a162495d4644570d678aa359d94116d https://scottishchapbooks.lib.uoguelph.ca/files/original/5863807b80778a90a324f508d7d6969d.jpg f8b94a623c07e22de8e8fa454695b947 https://scottishchapbooks.lib.uoguelph.ca/files/original/70b320a31c824803c0794a54f8f7cf11.jpg 17d321f0afc724f32aad57d1a544b7ed https://scottishchapbooks.lib.uoguelph.ca/files/original/9f5a6058f057d019f88f518ff595b824.jpg dbe0485ae67b850f6c6f5f2cf33b24cb Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Woodcut 064: Title-page illustration in double ruled circular border within a double ruled rectangular border of a man chopping down a tree. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The woodman; to which are added, The galley slave, I'm weel sair'd wi' spunk, Jock of Hazeldean, William's farewell, Jenny the maid of the moor, Oh! Lady fair Subject The topic of the resource Courtship and Marriage Religion and Morals Chapbooks - Scotland - Stirling Slavery Date A point or period of time associated with an event in the lifecycle of the resource 1820-1830 per&nbsp;<span>University of Glasgow Union Catalogue of Scottish Chapbooks&nbsp;</span> Language A language of the resource English Identifier An unambiguous reference to the resource within a given context <a href="https://ocul-gue.primo.exlibrisgroup.com/permalink/01OCUL_GUE/mrqn4e/alma9923446203505154">s0060b31</a> Abstract A summary of the resource. A collection of tales and ballads on a wide variety of themes, including the blessings of a rustic woodsman; the sad parting and sometimes reunion of lovers; the lament of a press-ganged sailor as a galley slave; to the propositioning of a woman by a pilgrim both on their way to visit the shrine of St. Agnes, the patron saint of virgins and chastity. Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. The galley slave I'm weel sair'd wi' spunk Jock of Hazeldean William's farewell, Jenny the maid of the moor, Oh! Lady fair Jenny the maid of the moor Oh! Lady fair Extent The size or duration of the resource. 8 pages 15 cm Is Referenced By A related resource that references, cites, or otherwise points to the described resource. University of Glasgow Union Catalogue of Scottish Chapbooks http://special.lib.gla.ac.uk/chapbooks/search/ Contributor An entity responsible for making contributions to the resource Archival and Special Collections, University of Guelph Library, Guelph, Ontario, Canada Format The file format, physical medium, or dimensions of the resource JPEGs and PDF derived from master file, which was scanned from the original book in 24-bit color at 600 dpi in TIFF format using an Epson Expression 10000XL scanner. Rights Information about rights held in and over the resource In the public domain: For high quality reproductions, contact Archival & Special Collections, University of Guelph. libaspc@uoguelph.ca 519-824-4120, Ext. 53413 Publisher An entity responsible for making the resource available Stirling: W. Macnie, Booksellers Source A related resource from which the described resource is derived Archival & Special Collections, University of Guelph Library, Guelph, Ontario Type The nature or genre of the resource ballads & songs # of Woodcuts: 1 Bib Context: title-page Chapbook Date: 1821-1830 Chapbook Genre: ballads & songs Chapbook Publisher - Stirling: W. Macnie Gender: man/men Nature: tree(s) Outdoor Scene Tools: ax(es) https://scottishchapbooks.lib.uoguelph.ca/files/original/0e9023a790be77eb5bb0d8d7b39aab6d.pdf 2313104ea196966f1781b021280c3608 https://scottishchapbooks.lib.uoguelph.ca/files/original/86c2d9dc19bdc879241f1bdc79585c84.jpg 36979d8493502df4b5db49a75e510e4f https://scottishchapbooks.lib.uoguelph.ca/files/original/f14a56a3fe18b70575769301eadf9fa0.jpg 88c19eb7918249c3e122bfad5173ec9e https://scottishchapbooks.lib.uoguelph.ca/files/original/71393b0c1153ae2c285a48ebc204d10d.jpg 954458bc77f3523dceea5f3d09795c58 https://scottishchapbooks.lib.uoguelph.ca/files/original/418a4ef74455175b28f8c242288fcd76.jpg f191b731824baaa54740aa3384bbe18f https://scottishchapbooks.lib.uoguelph.ca/files/original/bbe6566bb790bb41b33706b9a7539434.jpg 5a4992b8c9cd7be29d334cf082305618 https://scottishchapbooks.lib.uoguelph.ca/files/original/97a84a778e5d8a567b7eb668c0ecea13.jpg e37a5806f1bed6e1484cf825cfd38af6 https://scottishchapbooks.lib.uoguelph.ca/files/original/b38edcb0f58c7d6cb8cb29d8d3b55838.jpg 48f0c62e0287c2d95bf36073599ba49a https://scottishchapbooks.lib.uoguelph.ca/files/original/cd7bf66686b8cb700bd4fd574f32abec.jpg a644ca9110c9eddcd37caed600ec7fde Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Woodpecker; to which are added, Maggy Lauther. Flowers of the Forest. The Lover's Chain. Identifier An unambiguous reference to the resource within a given context <a href="https://ocul-gue.primo.exlibrisgroup.com/permalink/01OCUL_GUE/mrqn4e/alma9953133973505154">s0042b27</a> Is Part Of A related resource in which the described resource is physically or logically included. A bound collection of 37 bound chapbooks; Chapbook #19 Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Maggy Lauther. Flowers of the Forest. The Lover's Chain. Subject The topic of the resource Ballads and songs Chapbooks - Scotland - Stirling Extent The size or duration of the resource. 8 pages Date A point or period of time associated with an event in the lifecycle of the resource 1820-1830? per National Library of Scotland Is Referenced By A related resource that references, cites, or otherwise points to the described resource. National Library of Scotland<a> http://www.nls.uk/</a> Contributor An entity responsible for making contributions to the resource Archival and Special Collections, University of Guelph Library. Guelph, Ontario, Canada Format The file format, physical medium, or dimensions of the resource JPEGs and PDF derived from master file, which was scanned from the original book in 24-bit color at 600 dpi in TIFF format using an Epson Expression 10000XL scanner. Rights Information about rights held in and over the resource In the public domain; For higher quality reproductions, contact Archival & Special Collections, University of Guelph. libaspc@uoguelph.ca 519-824-4120, Ext. 53413 Publisher An entity responsible for making the resource available Stirling: Printed by W. Macnie Source A related resource from which the described resource is derived Archival & Special Collections, University of Guelph Library, Guelph, Ontario https://scottishchapbooks.lib.uoguelph.ca/files/original/b3b6eceed900b0ffd43728ddaf615250.pdf 9f64c1ed97c4ba2e16d009fbbedf9d40 https://scottishchapbooks.lib.uoguelph.ca/files/original/2d0b00d442b408fe7ab8d01601570b0a.jpg 6ef7decb1e63fb78605764ef8d3e80b9 https://scottishchapbooks.lib.uoguelph.ca/files/original/c02bdce8934ade4b5fa33f816e6e3fe8.jpg 3ce04d7d3a47e8568d31c67a121caba4 https://scottishchapbooks.lib.uoguelph.ca/files/original/41d558e93c69be160813424af1d48f2c.jpg 238045dc57cec8d55cbe8afce80c4c4b https://scottishchapbooks.lib.uoguelph.ca/files/original/04b8147c681cb6ae41ae14e05f9dfdca.jpg 581ac29c369b1cfec920a1a597afd7f6 https://scottishchapbooks.lib.uoguelph.ca/files/original/ac9a1a7a478d6b828f3ec6b14c3be293.jpg 3708c4b0709060a526f6ee66fbd3bc5d https://scottishchapbooks.lib.uoguelph.ca/files/original/ce9b76fdf6386f5e377ee4b0c836dc5f.jpg 327861a6914aceae0b84203e5d038c31 https://scottishchapbooks.lib.uoguelph.ca/files/original/37bf9de79c6041e552e39058efdd3d8f.jpg 6d08c6a5146d22a2735da22a3807c238 https://scottishchapbooks.lib.uoguelph.ca/files/original/26cca17696f0cc2f27aba6795822c91c.jpg fcd061564ac4c4c5db10538e37310dff Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Woodcut 063: Title-page illustration of a swan in a pool of water. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The year that’s awa’. Waes me for Prince Charlie. A man without a wife. Blythe, blythe, an’ merry are we. The Irish farmer. Kelvin Grove. The dashing white sergeant Subject The topic of the resource Ballads and songs Charles Edward, Prince, grandson of James II, King of England, 1720-1788 Courtship and Marriage Jacobites Highlands War Wit and Humor Chapbooks - Scotland - Glasgow Date A point or period of time associated with an event in the lifecycle of the resource 1829 Identifier An unambiguous reference to the resource within a given context <a href="https://ocul-gue.primo.exlibrisgroup.com/permalink/01OCUL_GUE/mrqn4e/alma9923448013505154">s0071b20</a> <a href="https://ocul-gue.primo.exlibrisgroup.com/permalink/01OCUL_GUE/mrqn4e/alma9953133973505154">s0042b27</a> Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Scotland Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Waes me for Prince Charlie. A man without a wife. Blythe, blythe, an’ merry are we. The Irish farmer. Kelvin Grove. The dashing white sergeant. Extent The size or duration of the resource. 8 pages 16 cm Abstract A summary of the resource. A collection of Scottish ballads on a variety of themes and topics, including: a toast in memory of years past; a Jacobian lament for Bonnie Prince Charlie; a humorous misogynistic portrayal of wives as both the best part of marriage and the worst; a drinking song; a song about the marriage of an Irish farmer and his wife and the lives they have made for themselves; a love song to a bonnie lassie from a soldier who is departing; and a song about a girl who wishes she could be a “dashing white sergeant” in an “army of amazons” if there was such a thing. Is Referenced By A related resource that references, cites, or otherwise points to the described resource. University of Glasgow Union Catalogue of Scottish Chapbooks <a title="University of Glasgow Union Catalogue of Scottish Chapbooks" href="http://special.lib.gla.ac.uk/chapbooks/search/" target="_blank" rel="noopener">http://special.lib.gla.ac.uk/chapbooks/search/</a> Is Part Of A related resource in which the described resource is physically or logically included. Chapbook #17 in a bound collection of 37 chapbooks (s0042b27) Contributor An entity responsible for making contributions to the resource Archival and Special Collections, University of Guelph Library, Guelph, Ontario, Canada Format The file format, physical medium, or dimensions of the resource JPEGs and PDF derived from master file, which was scanned from the original book in 24-bit color at 600 dpi in TIFF format using an Epson Expression 10000XL scanner. Rights Information about rights held in and over the resource In the public domain; For high quality reproductions, contact Archival & Special Collections, University of Guelph. libaspc@uoguelph.ca 519-824-4120, Ext. 53413 Publisher An entity responsible for making the resource available Glasgow: Printed for the Booksellers Source A related resource from which the described resource is derived Archival & Special Collections, University of Guelph Library, Guelph, Ontario # of Woodcuts: 1 Animal: swan(s) Bib Context: title-page Chapbook Date: 1821-1830 Chapbook Publisher - Glasgow: Printed for the Booksellers Nature: river/lake Outdoor Scene https://scottishchapbooks.lib.uoguelph.ca/files/original/3a30191312394f826eead3b9a368fb7e.pdf d949bd777d7deb516750763cf5d5e63a Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Yule feast, with songs of the lass of Aberdeen, and The Forlorn shepherd Subject The topic of the resource Courtship and Marriage Chapbooks - Scotland - Aberdeen Religion and Morals Alcohol Food Date A point or period of time associated with an event in the lifecycle of the resource 1862 Language A language of the resource Scots Identifier An unambiguous reference to the resource within a given context <a href="https://ocul-gue.primo.exlibrisgroup.com/permalink/01OCUL_GUE/mrqn4e/alma9953134483505154">s0255b37</a> Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Aberdeen, Scotland Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. The Forlorn shepherd Extent The size or duration of the resource. 12 pages Abstract A summary of the resource. This is an interesting chapbook in that it contains songs within a larger ballad narrative describing the events, food, and music played at a Christmas celebration. The chapbook begins with a short little rhyme on the theme of Christmas, introducing the songs enclosed and encouraging the reader to enjoy them in the holiday spirit. “The Yule Feast” is written in Scots and describes a man’s visit to his Aunt and Uncle’s house for a Yuletide celebration. The song includes very detailed descriptions of the different kinds of food eaten at the feast, including beef, mutton, oat cakes, and much more, and different kinds of drink including ale, whiskey, and gin. The feast is followed by music, dancing, and games, and seems to be a very happy celebration. When the guests are tired of dancing, the aunt entreats Mains to give the fiddler a break and sing a song for them. Mains sings the song, which is included in full-text as the “Lass of Aberdeen” which is noted that it should be sung to the tune of Auld Lang Syne. Following the song, the aunt congratulates him for a well-sung song, and the uncle hands around a round of snuff and makes a toast to the nation. This is followed by a final song, “The Forlorn Shepherd”, which is noted to be sung to the tune of “Broom of Cowden Knows,” and describes a young shepherd who falls in love and spends his days making plans of marriage, only to have her die before they can be wed. After the second song is finished, the guests of the feast pack up their things and drunkenly make their ways home. This chapbook is part of a collection of chapbooks produced in Aberdeen which have been bound together in this volume. Is Referenced By A related resource that references, cites, or otherwise points to the described resource. National Library of Scotland&nbsp;<a href="http://www.nls.uk/">http://www.nls.uk/</a> <div>&nbsp;</div> Is Part Of A related resource in which the described resource is physically or logically included. Chapbook #8 in a bound collection of 17 chapbooks Contributor An entity responsible for making contributions to the resource Archival and Special Collections, University of Guelph Library, Guelph, Ontario, Canada Format The file format, physical medium, or dimensions of the resource JPEGs and PDF derived from master file, which was scanned from the original book in 24-bit color at 600 dpi in TIFF format using an Epson Expression 10000XL scanner. Rights Information about rights held in and over the resource In the public domain; For high quality reproductions, contact Archival & Special Collections, University of Guelph libaspc@uoguelph.ca 519-824-4120 Ext 53413 Publisher An entity responsible for making the resource available Aberdeen: Andrew Wilson Source A related resource from which the described resource is derived Archival & Special Collections, University of Guelph Library, Guelph, Ontario Type The nature or genre of the resource ballads & songs # of Woodcuts: 0 Chapbook Date: 1861-1870 Chapbook Genre: ballads & songs Chapbook Publisher - Aberdeen: Andrew Wilson https://scottishchapbooks.lib.uoguelph.ca/files/original/83ff1b285ad9eef9b3cb108cee9e24ef.jpg 483b27d83f10bbf730074986962bf415 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 2784 Width 1772 https://scottishchapbooks.lib.uoguelph.ca/files/original/1a4c3c4aee9cda41755b41929e6ebbfa.pdf 50c93b3a875dddbf97ffd4d9d343bd36 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Three Excellent Popular New Songs. Viz. The Lowlands of Holland. The Bobbler's Marriage. Saucy Tibby. Identifier An unambiguous reference to the resource within a given context <a href="https://ocul-gue.primo.exlibrisgroup.com/permalink/01OCUL_GUE/mrqn4e/alma9953134473505154">s0100b01</a> Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. The Lowlands of Holland. The Cobbler's Marriage. <p>Tibby wi her fifty mark</p> Date A point or period of time associated with an event in the lifecycle of the resource 1825-1826 per National Library of Scotland Extent The size or duration of the resource. 8 pages Is Part Of A related resource in which the described resource is physically or logically included. Chapbook #70 in a bound collection of 77 chapbooks Description An account of the resource Woodcut image of a couple dancing on the title-page. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Holland Is Referenced By A related resource that references, cites, or otherwise points to the described resource. National Library of Scotland <a title="National Library of Scotland" href="http://www.nls.uk/" target="_blank" rel="noopener">http://www.nls.uk/</a> Contributor An entity responsible for making contributions to the resource Archival and Special Collections, University of Guelph Library, Guelph, Ontario, Canada Format The file format, physical medium, or dimensions of the resource JPEGs and PDF derived from master file, which was scanned from the original book in 24-bit color at 600 dpi in TIFF format using an Epson Expression 10000XL scanner. Rights Information about rights held in and over the resource In the public domain; For higher quality reproductions, contact Archival & Special Collections, University of Guelph. libaspc@uoguelph.ca 519-824-4120, Ext. 53413 Publisher An entity responsible for making the resource available Falkirk: R. Taylor, Printers https://scottishchapbooks.lib.uoguelph.ca/files/original/50e1914db4086314050ef791f67a80d1.pdf 23da119633cc159704c65a9117cd444d PDF Text Text THREE Excellent Songs. BONNY B A R B A R A ALLAN. SIR PATRICK SPENCE. LORD JOHN'S MURDER. GLASGOW: PRINTED FOR THE BOOKSELLERS. 22. �S O N G S . BONNY B A R B A R A ALLAN. I was in and about the Martinmas time, When the green leaves were a falling, That Sir John Graeme in the west countrie Fell in love with Barbara Allan. He sent his man down thro the town, To the place where she was dwelling: O haste and cum to my master dear, Gin ye be Barbara Allan. O hooly, hooly rose she up, To the place where he was lying, And when she drew the curtin by, Young man, I think youre dying. O its I'm sick, and very very sick, And 'tis a' for Barbara Allan. O the better for me ye's never be, Tho your heart's blood were a spilling. O dinna ye mind, young man, said she, When ye was in the tavern a drinking, That ye made the healths gae round and round, And slighted Barbara Allan. �m He turn'd his face into the wa', And death was with him dealing, Adieu, adieu, my dear friends a' And be kind to Barbara* Allan. And slowly, slowly raise she up, ; And slowly, slowly left him"; And sighing, said she cou'd not stay, Since death of life had reft him. She had nae gane a mile but; twa, When she heard the deid-bell ringuag, And ey'ry jow that the deid-bell geid. It cry'd, woe to Barbara Allan! 0 mother, mother, mak my bed, 0 mak it saft and narrow ; Since my luve died for me to-day I'll die for him to morrow. 1 SIR PATRICK SPEN'CE. " The king sits in Dunfermlin town, Sae merrily drinkm' the wine r "Whar will I get<a mariner. Will sail this ship o/ mine ?" Then up bespak a bonnie boy, Sat just at the king's kf*@e; " Sir Patrick Spenee is the- best seamaa That e'er set foot on sea." �4 The king has written a braid letter, Seal'd it wi' his ain hand ; He has sent word to Sir Patrick, To come at his command. " O wha is this, or wha is that, Has tald the king o' me? For I was never a good seaman, Nor ever intend to be." " Be't wind, be't weet, be't snaw, be't sleet, Our ships maun sail the morn." " Ever alack ! my master dear, For I fear a deadly storm." They mounted sail on Munenday morn Wi' a' the haste they may ; And they hae landed in Norraway, Upon the Wednesday. They hadna been a month, a month In Norraway but three, Till lads o' Norraway began to say, " Ye spend a' our white monie. " Ye spend a' our good king's gowd, But and our queen's fee.'' "Ye lie, ye lie, ye liars loud, Sae weel's I hear you lie ; " For I brought as much white monie As will gain my men and me : I brought half a fou o' good red gowd But ower the sea wi' me." �5 " Be't wind or weet, be't snaw or sleet, Our ships maun sail the morn." "Oever lack! my master clear, I fear a deadly storm." " I saw the new moon late yestreen, Wi' the auld moon in her arm ; And if we gang to sea, master, I fear we'll suffer harm," They hadna sail'd a league on sea, A league but barely ane, Till anchors brak, and tapraasts lap There cam a deadly storm. " Whar will I get a bonnie boy Will tak thir sails in hand ; That will gang up to the tapmast, See an he ken dry land?" Laith, laith were our good Scots lords To weet their leather shoon ; But ere the morn, at fair day-light. Their hats were wat aboon. Mony was the feather-bed That flotter'd on the faem ; And mony was the good Scots lord Gaed awa that ne'er cam hame ; And mony was the fatherless bairn That lay at hame greetin. Tis forty miles to Aberdeen, And fifty fathoms deep ; �6 And there lyes a' our good Scots lords, Wi' Sir Patrick at their feet. The ladies wrung their hands sae white, The maidens tore their hair,— A' for the sake o' their true loves For them they'll see nae mair. Lang lang may our ladies stand Wi' their fans in their hand, Ere they see Sir Patrick and his men Come sailing to dry land. LORD JOHN'S MURDER, Lord John stands in his stable door, Says he, I will gae ride ; His lady, in her bigly bower, Desired him to bide. " How can I bide, how can I bide? How shall I bide wi' thee ?.. When I hae kill'd your ae brother You hae nae mair but he. " If ye hae kill'd my ae brother, Alas! and wae is me ; If ye be weel yoursel, my love, The less matter will it be ! " Ye'll go you to yon bigly bower, And take a silent sleep, And I'll watch in my highest tower, Your fair body to keep. �7 She has shut her bigly bower, All wi' a silver pin ; And gone her to the highest tower, To watch that nane come in. But as she looked round about, To see what she could see, There she saw nine armed knights Come riding o'er the lea. " God mak you safe and free, lady, God mak you safe and free! Did you see a bluidy knight Come riding o'er the lea ?" " O what like was his hawk, his hawk? And what like was his hound? If his steed has ridden well, He's pass'd fair Scotland's strand, "Gome in, come in, gude gentlemen, And tak white bread and wine ; And aye the better ye'll pursue, The lighter that ye dine." " We thank you for your bread, lady, We thank you for the wine ; And I would gie my lands sae broad, Your fair body were mine." She has gane to her bigly bower, Her ain gude lord to meet; A trusty brand he quickly drew, Gae her a wound sae deep. �8 " What harm, my lord, provokes thine ire, To wreak itself on me, When thus I strove to save thy life, Yet served for sic a fee?" " Ohon, alas! my lady gay, To come so hastilie ; I thought it was my deadly foe, Ye had trysted into me." "Olive, O live, my gay lady, The space o' ae half hour, And nae a leech in a' the land But I'se bring to your bower." " How can I live, how shall I live ? How can I live for thee ? Ye see my bluid rins on the ground, My heart's bluid by your knee." " O tak to flight, and flee, my love, O tak to flight, and flee! I wouldna wish your fair body For to get harm for me." " Ae foot I winna flee, lady, Ae foot I winna flee; I've dune the crime worthy o' death, It's right that I should die. "Odeal ye well at my love's lyke, The beer but an' the wine ; For, ere the morn, at this same time, Ye'll deal the same at mine.'' � https://scottishchapbooks.lib.uoguelph.ca/files/original/31e70d5247f0c9c32d88ca0dbacc932a.jpg 23cebd81df7edc6de56857746b88a7f8 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 3190 Width 1772 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Illustration on title-page of a young woman wearing a hat, dress, and shawl standing before a gate. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Woodcut 062: Title-page illustration of a young woman wearing a hat, dress, and shawl standing before a gate. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Three Excellent Songs. Bonny Barbara Allan. Sir Patrick Spence. Lord John's Murder. Identifier An unambiguous reference to the resource within a given context <a href="https://ocul-gue.primo.exlibrisgroup.com/permalink/01OCUL_GUE/mrqn4e/alma9923429073505154">s0106b36</a> Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Bonny Barbara Allan Sir Patrick Spence Lord John's Murder Abstract A summary of the resource. A collection of ballads and songs, all featuring certain lords in Scotland. In the first, Sir John Graeme falls sick with love for Barbara Allan, but when she visits him, she rejects him due to a slight he had given her once. Consequently, the young man dies and she goes home declaring that she would die herself on the next day since her lover had died for her. In the second, the king nominates Sir Patrick Spence to sail his vessels, even though the man declares that he has no knowledge of the sea. After spending three months in Norway, Sir Patrick and his men are kicked out, whereupon they sink in a storm on their way back to Scotland. In the last, a lord kills his wife’s brother and tries to flee. Regardless, the wife convinces him to stay and vows to protect him. When the dead man’s kin come hunting the killer, she welcomes them and entertains them while her lover hides, but when she visits him later that evening, he mistakes her for his enemies and stabs her, whereupon he declares he will gladly die himself the next day. Date A point or period of time associated with an event in the lifecycle of the resource 1840-1850 per University of Glasgow Union Catalogue of Scottish Chapbooks Description An account of the resource 22 printed at bottom of title-page Woodcut #62: Illustration on title-page of a young woman wearing a hat, dress, and shawl standing before a gate. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Norway Scotland Subject The topic of the resource Courtship and Marriage Crime Chapbooks - Scotland - Glasgow Is Referenced By A related resource that references, cites, or otherwise points to the described resource. University of Glasgow Union Catalogue of Scottish Chapbooks <a title="University of Glasgow Union Catalogue of Scottish Chapbooks" href="http://special.lib.gla.ac.uk/chapbooks/search/" target="_blank" rel="noopener">http://special.lib.gla.ac.uk/chapbooks/search/</a> Extent The size or duration of the resource. 8 pages 16 cm Contributor An entity responsible for making contributions to the resource Archival and Special Collections, University of Guelph Library, Guelph, Ontario, Canada Rights Information about rights held in and over the resource In the public domain; For high quality reproductions, contact Archival & Special Collections, University of Guelph. libaspc@uoguelph.ca, 519-824-4120, Ext. 53413 Language A language of the resource English Format The file format, physical medium, or dimensions of the resource JPEGs and PDF derived from master file, which was scanned from the original book in 24-bit color at 600 dpi in TIFF format using an Epson Expression 10000XL scanner. Publisher An entity responsible for making the resource available Glasgow: Printed for the Booksellers Source A related resource from which the described resource is derived Archival & Special Collections, University of Guelph Library, Guelph, Ontario Type The nature or genre of the resource ballads & songs # of Woodcuts: 1 Architecture: gate Bib Context: title-page Chapbook Date: 1841-1850 Chapbook Genre: ballads & songs Chapbook Publisher - Glasgow: Printed for the Booksellers Fashion (Clothing): working class Gender: woman/women Outdoor Scene https://scottishchapbooks.lib.uoguelph.ca/files/original/a57ad5e82e861580f69525c00d41435d.jpg 42de7794fa3c1a511fa8aa5bb32bc362 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 3072 Width 1836 https://scottishchapbooks.lib.uoguelph.ca/files/original/004aefe18d988e49f2d1d38a4d085ae6.pdf 6303083600cda1d45d64570f02a55b15 PDF Text Text Three Excellent THE TEARS OF SCOTLAND. \N E X C E L L E N T N E W S O N G T H E R E B E L L ION. ON GEORDIE WHELPS T E S T A M E N T �T H E T E A R S OF S C O T L A N D . M O U R N , helpless Caledonia, mourn Thy banish'd peace, thy laurels torn! T h y sohs, for valour long renown'd, Lie slaughtered on their native ground. T h y hospitable roofs no more Invite the strange? 4© the d o o r : - In smoky ruins sunk they He, The monuments of cruelty. The wretched o wner sees afar His all become the prey of war, Bethinks him of his Babes and wife, Then smites his breast and curses life. Thy swains are famish'd on the rocks, "Where once they fed their wanton flocks; 'thy ravish'd virgins shriek in vain! T b y infants perish on the plain. What boots it then in every clime, Through the wide-spreading waste of time. T h y martial glory, crown'd with praise, Still shone with undiminished blaze ? T b y towering spirit now is broke, T h y neck is bended to the yoke : "What foreign arms could never quell, Byfcivil rage and random- fell. The pipe and merry lay ]No m o r e shall cheer the happy day } N o social scenes of gay delight Beguile the dreary winter night : N o strains, but those of sorro^, flow> And nought is heard but sounds of wo> W^hile the pale phantoms of the slaia Glide nightly o'er the silen t pi aim Of* banefull cause! oh, fatal mora, &C€«irse<I to ages yet unborn I �The sons against their fathers stood, The parent shed his children's blood : • Yet, when the rage of battle ceas'd, The victors soul was not appeas'd The naked and forlorn must feel Devouring tfames and murdering steeL The pious mother, doom\l to death, Forsaken, wanders o'er the heath,' The bleak wind whistles o'er her head. Her helpless orphans cry for bread. Bereft of shelter, food, and friend, She views the shades of night descend, And, stretcli'd beneath th' inclement skies Weeps o'er her tender babes, and dies. Whilst the warm blood bedews my veins* And unimpaired remembrance reigns. Resentment of my country's fate Within my filial breast shall beat And, spite ot her insulting foe, M y sympathising verse shall flow. Mourn, hapless Caledoina, mourn Thy banish a peace, thy laurels torn ! GEORDIE WHELPS' TESTAMENT. W r A E worth the day that I came liere, T o lay my fangs on Jamie's gear 1 FOT 1 had better staid at hame, Than now to bide sae muckle blame* But my base, poltron, sordid mind, T o greed o' gear was still inclin'd Which gars me fell Count Koingsmark> For his braw claise and hollaiuf sark. �4 Wfien that was done, byslight and migflfc I hitch'd young* Jamie trae llis riglit, And without oriy fear or dread. I tool; his house out-owre his head, Paek'd up his plenishing sae braw, And to a svyihe-sty turn'd his ha'. I connachM a* rcouldna tak^ And left htsa Baething worth a placid But a' this cbuldna mecontent: 1 hang'd his tenants seiz'd then rent;: And to ray shame & wijl be spoke, I harried a' his cotter-folk. But what am I the richer grown ? A curse comes aye wi things that,s stowa I'm like to tine it a' helyve, For wrangous gear can ne^er thrive. But care and wonder gars me greet, For ilka day wi* skaith I meet* And I maurn name to my am craft: The thoughts o' this hae put me daft* But yet, ere sorrow break my heart, And Satan come to claim his part, T o punish me for dreary sin,, Fllleare some heirship to my kin* Ane aukl Mack coat/baith lang and wide> Wi'sneeshen barken'd like ahide, A skepfek hat^ fed piaideii hos^ " A jerkeu,, elartit a" wi brose, A pair o' sheen that wants a heel, 1 A periwig wad i e g the deil, A pair o' breeks that wants the doupj, Twa cutties, and a timmer stoup<, A mute!1 kin cog, twa rotten caps, Set o' the �Some cabbage growing i' the yard, Ane T%~ aile pock, ane ca&dle-sherdv A neap o' brata upo'the brae, Some tree-Clouts and fo»I. wisps o * st r&gi A rusty sword that lies there ben, Twa chikens and a cleckki hen. A'rickle o* peats out- ower tfc© kmm> A gimmer, and a doddit yowe, A stirky, and a hum ml e cow, Tvva grices, and my 'Fear black sow, A rag to dight her filthy snout, A brecbam, end o carding-clout. A bassie, and a bannoek -st ick : There's gear enough to make ye sick* Besides a mare thats Mind and lame> That usrd to bear a cuckold harae, A thravv crook, and a broken gaud ; There's gear enough to put ye mad, A lang-kail-knife, an auld sheer-blade* A dibble, and a Hauchter- spade. Tak part hereof, baith great and sma'; Mine heirs, it weel becomes you a'. U But yet, before t h a l ^ b e done, 1 here s something for my graceless so% 1 hat awkward ass, wi' filthy scouk ; M y malison light on his bouk! And farther, for his part o' gear, I leave the horns his dad did wear; l3ut I'd better leave the same T o Whigs, to blaw my lastnig shame. T o the same Whigs I leave my eurse, M y guilty conscience, and toom purse r I hope my torments they will fee},. When they gang skelpiq to the deil �For to the .times their creed they shape They grin, they gionr, they scouk, ami gape* As they wad gaunch to eat the starfts. The muckle deil ding out theirharnS ; Wi'my twa turks 1 ivinfia sinder, For that wad my last turney hinder; For baitb can speer the nearest gate* And leed me in4 though it he late, Where Oliver and Willie Buck Sit o'er the logs in smeeky muck* ^ WT hips sae het, and heifts sae bare,' They'll e'en be blythewhen Geonhe's (Eere, To Fisslerump and Kilfuansacfc, Wha aft, haegart my curpin crack, To ilka Dutch and German jade>, I leave iny sceptre to their tfade* But o, my bonny darling sow How sair my hearts to part wi' yoat, When i think on the happy days That we hae had 'mang fat and fleas. M y darling, daunted, greesy dame, I leave the fouth o' sin and shame, And ane deils brawler, when I'm gone. T o fry thy sonsy hurdies on. But to mv lean and shrinkil witch I leave damnation and the itch. T o a' my friends where'er they be. The curse of heav'n eternally. A N E X C E L L E N T N E W SONG O N T H E REBELLION. M A C K I N T O S H was a soldier brarr And did most gallantly behare, �7 When into Northumberland tie came, With gallant men of his own name, Then Dcnventwater he did say, Thatfive hundred guineas he would lay, To beat the militia man to man; But they proVd cowards, and of they ran. Then the Earl of Mar did vow arid swear, That English ground if he t'ame near, Ere the right should starve, and the wrong should stand, He'd blow them all to some foreign land. Lord Dervventwater he rode away, Well mounted on his dapple gray V But soon he wish'd him home with speed> Fearing they were all betrayVl indeed. Astounds !' cried Foster,^ never fear, For Brunswick's army is not near ; And if they tlare come, onr valour we'll show, And give them a total overthrow.1 But Dervventwater soon he found That they were all enclos'd around. Alack !" lie cried," for this cowardly strife, Hojy many brave men shall lose their life F' Old Mackintosh "he shook his head, When he saw his Highland lads lie dead; And he wept—not for the loss of those* But for the success of their proud foes. Then Mackintosh unto Wills he came, Saying," IVe been a soldier in my time, And ere a Scot of mine shall yield, We'll all lie dead upon the field." Then go your ways," he ma<le reply ; Either surrender," or you shali die, G o back to yonrown men in the town: What can you do when left alone?" �8 Mackintosh ^ a gallant soldier, With his musket over his shoulder, Every true man points his rapier; But, d—n you, Foster, you are a tratior ! " L o r d Derwentwater to Foster said. Thou hastrumM the cause, and nil betray *d ; For thou didst vow to stand our friend, But bast prov'd traitor in the end. T h o u brought us from our own country<; W e left our homes and came with the ; But thou art a rogue and a traitor both, A n d hast broke thy honour and thy oath.'* L o r d Derwentwater to Litchfield did ride, With armed men on every side; But still he swore by the point of his sword, T o drink a health to his rightfull lord. Lord Derwentwater he was condemned, A n d led unto his latter end ; A n d though his lady did plead full sore, They took his life, they could get no more. Brave Derwentwater he is dead; From his fair body they took the head ; But Mackintosh and his friends are fled| A n d they'll set the hat on another head. And whether they are gone beyond the sea, O r if they abide in this country, Though our king would give ten thousand pound. Old Mackintosh will scorn to be found• � Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Three Excellent Songs. The Tears of Scotland. An Excellent New Song on the Rebellion. Geordie Whelps Testament. Identifier An unambiguous reference to the resource within a given context <a href="https://ocul-gue.primo.exlibrisgroup.com/permalink/01OCUL_GUE/mrqn4e/alma9953134473505154">s0100b01</a> Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. The Tears of Scotland. An Excellent New Song on the Rebellion. Geordie Whelps Testament. Date A point or period of time associated with an event in the lifecycle of the resource 1820-1837 per the National Library of Scotland Extent The size or duration of the resource. 8 pages Is Part Of A related resource in which the described resource is physically or logically included. Chapbook #3 in a bound collection of 77 chapbooks Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Caledonia, Scotland Subject The topic of the resource Jacobites Ballads and songs War Chapbooks -- Scotland -- Newton Stewart Is Referenced By A related resource that references, cites, or otherwise points to the described resource. National Library of Scotland <a title="National Library of Scotland" href="http://www.nls.uk/" target="_blank" rel="noopener">http://www.nls.uk/</a> Contributor An entity responsible for making contributions to the resource Archival and Special Collections, University of Guelph Library, Guelph, Ontario, Canada Format The file format, physical medium, or dimensions of the resource JPEGs and PDF derived from master file, which was scanned from the original book in 24-bit color at 600 dpi in TIFF format using an Epson Expression 10000XL scanner. Rights Information about rights held in and over the resource In the public domain ; For higher quality reproductions, contact Archival & Special Collections, University of Guelph. libaspc@uoguelph.ca 519-824-4120, Ext. 53413 Source A related resource from which the described resource is derived Archival & Special Collections, University of Guelph Library, Guelph, Ontario https://scottishchapbooks.lib.uoguelph.ca/files/original/e4b32882bd4d56b52024c4494b1946ef.pdf 76811fa7e5f4d0cda0b9780d3ba75a4d https://scottishchapbooks.lib.uoguelph.ca/files/original/cfee1d83dc3ba3555ab6db54f417553e.jpg 3c127ac3fac4b8fc1672f6a859193f54 https://scottishchapbooks.lib.uoguelph.ca/files/original/c8078612931f56aadb47599f3dd108b5.jpg 4c3d606d224d4822a4e61dc8ccf5bfb8 https://scottishchapbooks.lib.uoguelph.ca/files/original/a2fec06fbab08f632b18377521b16128.jpg 155cae330b8947302c673291da594c03 https://scottishchapbooks.lib.uoguelph.ca/files/original/557708302de5f3851d72d0661d96fe91.jpg 88edd24383ad0ed2a65043ea810097a5 https://scottishchapbooks.lib.uoguelph.ca/files/original/9c05726d7501adc180df991d1374a85b.jpg 25911e66c3ca769549945732ca985f81 https://scottishchapbooks.lib.uoguelph.ca/files/original/7ced057ce66dbf91fb63c4871d0609d8.jpg f70a998a2cc4c3abaca64174ec52fdf9 https://scottishchapbooks.lib.uoguelph.ca/files/original/5269fdf4e31e53011ee0c9298598b0f9.jpg 7bc4fa28bed73e0e511d35b8dd4f734f https://scottishchapbooks.lib.uoguelph.ca/files/original/34de7ecf62daed8b1a06d1972649cc40.jpg 13587fcc56687ac627eb6a898452ab23 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Three Famous New Songs called Effects of Whisky. The Valley Below. Larry O'Gaff. Identifier An unambiguous reference to the resource within a given context <a href="https://ocul-gue.primo.exlibrisgroup.com/permalink/01OCUL_GUE/mrqn4e/alma9953133973505154">s0042b27</a> Is Part Of A related resource in which the described resource is physically or logically included. A bound collection of 37 chapbooks; Chapbook #3; Chapbook #15 Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. The Valley Below. Larry O'Gaff. Subject The topic of the resource Chapbooks--Scotland--Paisley Songs Ballads Alcohol Whiskey Date A point or period of time associated with an event in the lifecycle of the resource 1825? per National Library of Scotland Extent The size or duration of the resource. 8 pages Description An account of the resource Woodcut image of a large house on title-page Is Referenced By A related resource that references, cites, or otherwise points to the described resource. National Library of Scotland <a>http://www.nls.uk/</a> Contributor An entity responsible for making contributions to the resource Archival and Special Collections, University of Guelph Library, Guelph, Ontario, Canada Format The file format, physical medium, or dimensions of the resource JPEGs and PDF derived from master file, which was scanned from the original book in 24-bit color at 600 dpi in TIFF format using an Epson Expression 10000XL scanner. Rights Information about rights held in and over the resource In the public domain; For higher quality reproductions, contact Archival & Special Collections, University of Guelph. libaspc@uoguelph.ca 519-824-4120, Ext 53413 Publisher An entity responsible for making the resource available Paisley: Printed by and for G. Caldwell, Jun. Bookseller