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Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Life of the Duke of Wellington; containing an account of his early life; his brilliant achievements in the Peninsular Wars; and his crowning victory at Waterloo. Date A point or period of time associated with an event in the lifecycle of the resource 1850 Extent The size or duration of the resource. 24 pages. Identifier An unambiguous reference to the resource within a given context <a href="https://ocul-gue.primo.exlibrisgroup.com/permalink/01OCUL_GUE/mrqn4e/alma9953133963505154">s0098b48</a> Is Part Of A related resource in which the described resource is physically or logically included. Chapbook #30 in a bound collection of 34 chapbooks Description An account of the resource "Price One Penny" at bottom of title page Contributor An entity responsible for making contributions to the resource Archival and Special Collections, University of Guelph Library, Guelph, Ontario, Canada Rights Information about rights held in and over the resource In the public domain; For high quality reproductions, contact Archival & Special Collections, University of Guelph. libaspc@uoguelph.ca, 519-824-4120, Ext. 53413 Format The file format, physical medium, or dimensions of the resource JPEGs and PDF derived from master file, which was scanned from the original book in 24-bit color at 600 dpi in TIFF format using an Epson Expression 10000XL scanner. Publisher An entity responsible for making the resource available Glasgow: Printed for the Booksellers Subject The topic of the resource Chapbooks - Scotland - Glasgow biography War Wellesley, Arthur, 1st duke of Wellington, 1769-1852 Source A related resource from which the described resource is derived Archival & Special Collections, University of Guelph Library, Guelph, Ontario # of Woodcuts: 0 Chapbook Date: 1841-1850 Chapbook Genre: battles/war Chapbook Genre: biography Chapbook Publisher - Glasgow: Printed for the Booksellers https://scottishchapbooks.lib.uoguelph.ca/files/original/da0ca8e0d6faf198b95c68b6ea45925c.jpg 8fe72ed2dc64aab59174f2a225157042 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Woodcut Illustration on title-page of a soldier in Highland dress in an outdoor scene. https://scottishchapbooks.lib.uoguelph.ca/files/original/197bc2d87aa2f52ec2cea69fbc6021c9.pdf 7926c3c42687b488b36d0109d98e8f8d PDF Text Text THE OLD SCOTCH SON© OF TOCN© O r G h o s t * GLASGOW PRINT*® FOR THE BOOKSELLERS. �Y o u n g Grigor"s p \ur Ghost. r. Corne al] ye voting lovers in Scotland d r a w sear l^nto this sad story which now ye shall hear (Concerning two lovers that iiv'd in the n«>rth, A m o n g s t the high mountains that stand beyond Forih This m a i d was the d a u g h t e r o f a gentleman, O f the n a m e o f M Farlane and of the same d * m ; Hut G r i g o r was born in a H i g h l a n d Is-e. A ad by blood relation her cousin we style B a t where riches are w a n t i n g we oftentimes see Few men are esteemed for their p e d i g r e e ; H k father was forced, when he was a child, T o leave this realm • and when he was exit'd, His lands they were forfeit, I let you knotf, Because of rebellion the truth for to show Roth gold and vast riches he with him did give, For his education, a n d ho** he m i g h t live, And solely he fo the care o f his friend, W e * Ifcft by his father to be m a i n t a i n ' d ; H e learrrd him indeed for to read arid to writs, In all rules of A r i t h m e t i c he m a d e him perfect. In L a t i n and Fierich he had taught hina also, That he through the world was fit for to go ; k i n g was recruiting, all hands did e m p ' o y . • " W'hiJe h#r father as a servant us d this y o u n g boy, atu k m is o f d r u d g e r y he m a d e him to serve. j^mti still to ke*.p h i m as a corpse o f reserve : a be&'.ariful y o u n g m a n was n o t in t h e p'-aee 'tamts«ve could c o m p a r e w i t h him in stature and grace �3 T i e charming. Miss K a t t y was oft hi _ the way, $ n e day in iuve s p i s t o n she.to hi in did say, tMJ, M y dear coasm rigor I've s o m e t k i m g to' tell, W h i c h r o w from my bosom this ci-»y I reveal. Y o u k n o w with lovers i m p l a ^ a ' d to the heart But sou are the object that makes me to smart ; I f yon do but iuve me, dear cousin s-sid she, 1 'm happy iV>r ever so therefore be free. Then said he. dear K a t f y lem all in a s u m i suppose your intentions are nu thing. biti fun : Fur bad i a subject to ba ranee wi,1i you. 1'U c a u n t myself happy your suit 1 might, true. 0 ! said she dear t J rigor. I m no way -in A n d i f you deny me. then death s my rt--quest, Y o u know the. substance and wealth t h a i I heve, 'lis enough to up ho d us all both' gallant & br^ve 1 know thai my parents fV-r mure riches are bent B u t a few years by nature wib muk t h e m extinct Till n hich tinie mv <j.ri^or-1 • mak,e ibis vow, • T h a t I never wiii marhy another but you O then he c o n s e n t e d , an«J flew ?o her arms f A n d . said my dear K atty I'm kill d by your charms But i f y o u r parents tli'l* fond uj v e should know, T h e y scon will cause' our sad ovrf throw. O f that *«y dear ( t r i ^ o r eg silent I pray. This n i g h t • vie -will -paH, a n d m i l meet the next &s8y, ^: "Under the broad oak, by the cave in the glefc, W here more of ray .aiind u n t o you- I'll' fcxpiaiey * p IT r II t i e r mother, .next m o r n i n g by a bltqk o f her eye B e t w i x t her &&a btri^or great love oid �4 Vnd she to her husband t h e game soor* reveal* d ^riviag orders to watch them as they re h the field All day then her father went w a ! k ; n g a b o u t , \rtd after her he still kept a look « ut,, Till hard on the evening she went t o the W h e r e G'Tigor was w a k i n g t o hear feer explain 11?e way they would -manage Sc m a k e matters H e r father did follow and beard them a ? so. H e stepped in sofdy stood over the cave H e a r i n g their discourses how diey would behave U length he advarrc d cri'd Grig-or what now. Is this the reward from such an o / p h a n as y o u ? ¥ o h know I've maintained y o u since seven years ©Id \tsd no*' your intentions they-seem very b o ' d . Then G r i g o r ask "d p a r d o n . a n d thus h e did - m y ^rr I ' m at v i m r disposal, then do a-s y o n m a y , The old m a n i n a passion tbetv c h i d i n g did &t&'B-d Till K a t t y t o o k courage -and took speech in hand W h a t m e a n y o u , dear fataer on us for to fro a h W a s t his m an a beggar I ' m °s ure he ' s o u r o w n, He's of'our kindred our flesh, and ovr blood, And y o u very well know his b e h a v i o m rs g o o i ' I t s h i m that I chose for my husband & shall ;; K§'o give all your riches to whom that you will, D o not think I rn a horse or a hog t o fee £old v way t o some numbskull that has ncroght hut T h e f a t h e r in a rage t© the mother gid ga "rid told 'their proceedings with sorrow and was ^ m ^ e e m ' d t h a t rfrgbt as hrs anger had been g o n e ( G*ig<1r khre t p c f e ' i i �5 Brat lie ?etvt a »ies<«ngQr into Inverness. W h i c h brought out a parry youn«• Grigor11? t>rcs-s J n d for to m a k e ready gave no time we hear, ask'd hut ®ne favour a word o f his dear tfhen b e m g denied* the old m./n wiih a frov?n Said, so ! dier§ can have s w e e t h e a r t in every At this t h e y o u n g l a d y cri d bitteriy, M a y the heavens requite y o u for year-cruelty, Y o u n g Cr-rlgor took courage atid marched a w a ^ W h e n the C a p t a i n viewed him t h u s to him di i say •For the lady that loVd you Sir I pity her case, W h o ' s lost such a beauty & sweet b l o o m i n g Mis lady cri d out, what a wretch can he be, il&us'd .press th's y o u n g man for no p e r j u r y , II is long yellow hair to fois m i d d l e hangs a own, O v e r his broad shoulders so fine r o u n d round. N o w G r i g o r >co n s i « e r k i b "his sprit i'ful »c$sfe, d e c e i v e d the bounty and ?wore the peace Mis Captain u n t o him afourk>ugh he gav'e, T o see his dear -Ratty once more he did crave, T w o lines he then sent her by a solid hand. T h a t he u n d e r the oak at m i d n i g h t would stared, -For to wait upon h e r , and hear her complaint /it*d there f o r to meet 'him s'he was well-con*®fit H e r vows Whe renewed with tears n o t a .'lew, Snd a gold-ring on's fingsr as a t o k e n she dew. W h i c h was not to move c o m e death or come life Ti l that happy m o m e n t he made her his * rfe S h e fain would *go with h i m , b i n he a n s w r e i 'no, ffoTjyeitiTipaffg^ts mU <&tme m-mmm �§ M y M a k e r be witness, and this green oak said he T&m 1 ne e? ska.i cnj.&y a w o m a n but lh.:o. And these then he left h«r a weeping fail sore Poor creature t h e never got sight oi him rnort, For in short t i m e , tin. realtor he-went to se?.. A n d left the s g h t o f Britain., with the u a r in his eye, *-nd went to me. i j a their orders being so, T h e r e prov d a gallant soldier & vaiour did show T h a t fo: his behaviour they ne er cou d -him b . u ^ e Pr&m a Corporal at lasUto a Sergeant he c a ^ € . P > R T 111 Being near Fort N i a g a r a in the year fifty-nine ©•n the 30th o f J u l y , as he a V a i s d ; « iric u e, T o fVequ?nt the green-wood at some distant p-ace T o breath out his sorrows h i , mind t~> tofotW rnong ike savage Indians -alas here lie &H B u t how he was m u r d e r e d we cannot wel; te I, Fur en the ntxi morning they f o a n d h i m there de-id T w o Indians l.?y by him wanting t h t i r heads, C « t off with his.-'broad ord . as is uuder.s;ood, ^s there ail around him was nofelvng but blood In ye wounds, in his body, his. hair sea p ' 4 .away, H w . d til.-4 sword' and pistol oi ah m a d e a pr.«»y A n d one o f ins fingers from his hand they had cut, O b which was the gold ring from-'his lover he g o t I n thai very m o m e n t t h o u g h in Scotland we k t a r A dreadful spectre to his love did appear, As she was-a-weeping under the.green oak, Me past by her and not a word spok%% �7 Y e t shaking his left h m d , where die ring fee dtid wear, \ hieh wanted a. finger pnd blood d r o p p e d there. \ Whereat the y o u n g lady was struck with amasre A n d rose to run after, and on h i m did aa^g ; A< she knew it was G r i g o r , h u t h o ^ in that pla@e It made her to wonder and dread the sad ease. W i t h terror and grief h o m $ she did retire. ^ ad spent the whole nighv in s e e p i n g and prayer pnrty next m o r n i n g she rose with the su**, "A ad we at back to the" green o i k ro weep ai-1 alone For always ^he esteem d ilu»t place as we hear A*> on it she got the last sight o f her dear ; A * there she sat weeping and tearing her hair, A^aln the pale spectre to her did appear* Asd with a wi'd aspect it star'd in her T&en said, O dear K a u y d o not me e m b r a c e , F«w I ' m hot' a spirit t h o u g h shining in blood, M y body, lies m u r d e r e d in a foreign wood. I'here two w o u a d s in my body and three HI my side W i t h hatchets & a/rows that f both deep & wide M y sea p an J. fine hair far a p r e m i u m are sold, A-.A also m\ linger. wi;h the ring of pare gold. ^ kich you t brew u p o n it as a mark o f true love L'lve's stronger than death, for it does remove, For m y earnest desire it is for y o n , my d e a r , And ti-1 y o u are with me 1 il still wander here. Fer this world s hut vanity all s but a vain show Tis n o u g h t to the pleasures where we are to go. J �8 Sfee w r n i to embrace him being void of a>l E'Jt h& in a m o m e n t went o u t o f her sight. ftight Tlieo h o m e in great k error to her father d i d r u n C r y i n g '3h , cruel father now what have you d o n e ^ r i ^ a r lov d G r i g o t eame to me in b l o o d ? A a d h s body lies m u r d e r d in an A snericsn w©.®€$ H e shewed me his wounds, and each bleeding sore, therefore my pleasures on earth are no m o r e H e r father look d at her as one being a m a z d , T h e a said, my desr K a t t y , your brains vhey are eraz d B u t itiil she m a i n t a i n d it and cri { d like a e h i M fe er after was s^en for to laugh nor to smile, B r o u g h t to her a:l doctors whose skill wa:-* in vain W%& still ^ave opinion she was sound in the brain, H a r body decayed and her face wan and pale, S h e soar-d to her true love, b e y o n d deaths dark vale FirAt hwr, then her m o t h e r in one night expir d , I h o p s he enjoys the bliss ; he desir d % N o w the old father be cries bereft a f all j o y s , Th© he has plenty of g o ' d no girts ra r boys, Let ail cruel parents to this take gre^.t beed, His p r e t t y y o u n g d a u g h t e r is now with the deed. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Woodcut 076:Title-page illustration of a soldier in Highland dress holding a sword. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The old scotch song of young Grigor's ghost. Identifier An unambiguous reference to the resource within a given context <a href="https://ocul-gue.primo.exlibrisgroup.com/permalink/01OCUL_GUE/mrqn4e/alma9923378813505154">s0236b54</a> Contributor An entity responsible for making contributions to the resource Archival and Special Collections, University of Guelph Library, Guelph, Ontario, Canada Rights Information about rights held in and over the resource In the public domain; For high quality reproductions, contact Archival & Special Collections, University of Guelph. libaspc@uoguelph.ca, 519-824-4120, Ext. 53413 Extent The size or duration of the resource. 8 pages 16 cm Format The file format, physical medium, or dimensions of the resource JPEGs and PDF derived from master file, which was scanned from the original book in 24-bit color at 600 dpi in TIFF format using an Epson Expression 10000XL scanner. Publisher An entity responsible for making the resource available Glasgow: Printed for the Booksellers Source A related resource from which the described resource is derived Archival & Special Collections, University of Guelph Library, Guelph, Ontario Date A point or period of time associated with an event in the lifecycle of the resource [1840-1850?] Type The nature or genre of the resource ballads & songs Subject The topic of the resource Supernatural Chapbooks - Scotland - Glasgow # of Woodcuts: 1 Bib Context: title-page Chapbook Date: no date Chapbook Genre: ballads & songs Chapbook Publisher - Glasgow: Printed for the Booksellers Fashion (Clothing): feather bonnet Fashion (Clothing): Highland attire Fashion (Clothing): kilt Fashion (Clothing): military Fashion (Clothing): sporran Gender: man/men Occupation: soldier Outdoor Scene Weapons: sword(s) https://scottishchapbooks.lib.uoguelph.ca/files/original/522bc333984362d9dcf947a46a075852.jpg 7c0ed3eabde2e96c572726495cef9feb Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Illustration on title-page of the Resurrection showing Jesus Christ rising from the tomb in a burst of light with 4 soldiers displayed in pairs of two on the ground. https://scottishchapbooks.lib.uoguelph.ca/files/original/a22f5e942a736dfd24cff57d646fd929.pdf 3b7e8db6a65984735648d1376d6cc6b2 PDF Text Text THE LOST A N D soar O F UNDONE P E B D I T I O J I LIFE AND DEATH OF Judas Iscariot PRINTED FOR THE BOOKSELLERS* ��THE LOST S o n o f AND UNDONE P e r d i t i o n . bus owl £ £ s/v IT is to be observed, that the Scripture makes mention of three Judases; the first in Judas Maccabeus, the second Judas the son of Joseph, the reputed father of our Lord ; and third, Judas Iscariot, the son of a tanner, living in repute at Joppa, a sea-port town near Jerusalem. This Judas who betrayed our Lord, was his mother's first child, who dreamed that the child in her womb would prove both a thief and a murderer, and bring her and hi r generation to shame & disgrace : which so terrified her, that she was like to go distracted ; but her husband strove to pacify her, bidding her leave it to G o d the wise disposer of all things who may take it away in its in- �4 fancy or endue it with more grace than ever to be guilty of such dishonourable actions.—This somewhat quieted her, and she was soon after delivered of a lovely male child ; but under his left breast was the following curious marks, viz a cross, a gallows, two daggers, and several pieces of money : this likewise terrified his mother, who concealed it from her husband, determining, as soon as she was able, to go to a magician anci know the signification of these surprising marks. The child being circumcised, and she purified, according to the old Jewish custom* she dressed herself in disguise, put a veil on her face, and taking with her a kinswoman, went to the magician's, and being introduced to him, she i elated her dream, her fears and the marks upon her son, desiring the interpretation of the dream, and the signification of the marks. The magician replied, 1 am no interpreter of dreams, neither do I justly know the signification of marks, & the �5 whofe of your story appears as strange to me, as it can be amazing to you ; but if you can tell me when the child was born, I will calculate its nativity, add see what it portends. He then called for pen, ink, & paper, & sitting down, calculated his nativity; & when he had finished it, he shook his head, and his countenance waxed pale; which being perceived by Judas's mother, she said unto him, do not deceive me, but tell me true, hide nothing from me, whether it be good or evil.—Then, said the magician, to your sorrow I have seen the rules of the planet that reigned predominant at your son's birth, that he would prove a thief and a murdeier, & what is worse, he will, for lucre, betray the Lord of Life ; for which act he will afterwards despair of mercy, lay violent hands on himself, and come to a shameful end.—These words pierc'd the mother's heart, who, wringing her hands, wished she had never been born, rather than to have been the mother of such an �6 unhappy child ; and asked the magician what she could do to prevent the bringing of shame of disgrace on her family? He told her he knew no way of prevention, but by laying violent hands on it, which might be now easily done in its infancy,—in a manner so as not to be discovered.—To this she replied, that she would not for ten thousand worlds commit such an act of violence on her son ; as if her husband had the least suspicion of it, he was so fond of Judas, that he would never be reconciled to her again ; yet for the sake of her family, she would by some means or other prevent it without destroying it; and then told the magician, if she had a small boat made like a shell,with a cover to go down close that no water might get in, and a little vent to let in air at top, and room in it to lie soft and easy, she might without danger send him down the river Jordan, and so commit him wholly to the protection of Providence, which might conduct him to some dis- �7 tan t shore,irito thehands of sometender persons, and thereby pieserve his life; & if he afterwards commits those base actions the shame will fall on his own head, as no one will know from whom he is descended. The magician highly commended her for her invention, and said he would procure such a boat for her ; and she promising him a good reward for his assistance, returned home. After she was gone, the magician sent for one Rot, a very cunning artist, a joiner, to trade, who undertook to make the boat, drawing out with his pencil, the form of it, carried it home with him, wrought upon it in private, & having soon finished it, brought it to the magician's house, who paid him largely for it, & sent a servant to the house of Simon, who told Judas's mother, that the matter which his master & she spoke of was now finished. She understanding him, went next morning to the magician's house, viewed the boit, & liked it well, saying it was very convenient for �8 the end intended, but seeffi'd perplexed how she should do it privately* & keep it from discovery as death was the consequence thereof. Her kinswoman begged her to leave that to her, and all should be safe enough; for we will feign the child sick for a day or two, in the meantime we will make some inquiry in the city for the dead body of some poor male child which we will buy of its parents, and have it privately brought to our house lo be buried ; in the meantime we will dispatch your son to sea, and make him believe the other child to be his, and that he died during his absence ; so having it buried, the matter can never be brought to light. The mother liked the contrivance, & going home with a promise of a great reward, and her friendship for life, she swore her servants to secrecy, & then, said she, we must act in this manner. When your master comes home at night, I shall put on verv dejected looks, and when he asks the cause, I shall tell him �9 that Judas is not well, and that I am apprehensive of his death, which you must all testify & confirm. She accordingly put this scheme into practice at night, when her husband did all he could to comfort her, telling her that they were young, they mi^ht be parents of many children; and going- up stairs to see the child, the-maid then pinched its neck till it was black in the face, and thinking it in convulsions, gave it over to death. As soon as he was gone out in the morning, the mother & kinswoman took the child & went to the magician's house, in order to put the child to sea. They put on him many warm and rich garments, with an upper coat of oil, that no water might penetrate i t ; and the magician, 011 a piece of parchment, wrote the following words : My Name is JUDAS. which his mother sewed round his neek and put him into the boat, and shut �I • v ' 10 down the cover. At parting with the child the mother was almost distracted, wringing her hands and weeping much, but being comforted by the magician & her kinswoman she was at last pacified, & desired to go home, as she could not bear to see her child put into the water, so she and her kinswoman departed home. The magician then took the boat & cari ied it down to his own garden, at the foot of which ran the river Jordan, & putting it in where a strong* stream ran, it was soon carried out of sight. The mother when she got home fainted away, but was revived by being inforiii'd by her maid-servant, that during her absence they had almost brought the matter to a close, having found a neighhour's male child, who had died the day before, and was just of the same age as Judas, for whose body they had given the parents a small sum of money, and paid the expense of burying a coffin full of bones, by way of a blind ; and the �11 only thing to be done was to deceive her husband, and get this child buried under the sanction of Judas's body. The father came home at night, and finding his wife in tears, soon guessed the dismal cause ; and inquiring of the servants, they with dissembled grief told him, that the child died in the morning soon after his departure. The man was much affected with the loss of his child, and thinking to prevent his wife's grief by the sight of the body he had it removed to a kinsman's house, and in a day or two interred it from thence, believing it to be his son. By this time Providence had conducted Judas, alive & well, upon the coast of of Iscariot, a kingdom in Palastine, where Pheophilus the king often used to recreate himself, in beholding the ships pass and repass at sea. It happened that the very day that Judas was cast on the coast, the king and his nobles came on that diversion, & as they were standing on the top of the rock, �looking into the sea, the king espied a little boat floating upon the water, and thinking it to be a chest of some wrecked ship, he ordered a servant to put out a boat and fetch it; which being done, and brought to the king, lie ordered it to be broke open; when to their great surprise, they found a lovely babe* who look,d up, and smiled in the king's face. Then said the king to the child, WELCOME AS MY OWN C H I L D ; and expressed much joy in being providentially sent to preserve the babe's life, and taking it up in his arms, said, if thou wert a child begat by me, I could not esteem or value thee more. Then he espied about its neck the aforementioned parchment, viz : My Name is JUDAS. Well, said the king, as thy name is Judas, I will now double name thee, and then called him Judas Iscariot, because he found him near the coast of that �IS name. He was then brought to court, treated as the king's own child, & at a proper age educated well, and at last became a man of learning and parts, and behaved himself so wisely, that the king made him his principle steward. Judas being arrived at this rank, still coveted greater, and remembering the queen one day said, that if the prince, her son died, Judas should be her beir, he therefore set about contriving to kill him, accordingly professed great love and friendship for him ; and one day being walking- together, Judas took occasion to quarrel with the prince, and maliciously slew him, thinking all would go well with him if he was dead. Behold the servant which the king Long nourish'd in his breast, Grown v arm, strikes forth his baneful sting, And robb'd him of his rest. �14 Though none accused him of the murder, yet his conscience so stung* him, that he soon quitted the kingdom, leaving all his pomp and finery behind him, and changing his name, look upon him the mean employ of a servant, wandering about from place to place, until at length he arrived at Joppa, the place of his nativity; here he soon got a place in a nobleman's family, where he behaved so well as to gain the esteem of his lord and lady, and all that knew him. One day it happened, that as his lady was walking abroad big with child, she longed for some fruit, which she saw in Judas's father's garden, bidding him go & buy her some. He took the money, but resolved to steal the fruit; and going to the garden, broke down the fences, which as he was doing his father came out and seized him for the robbery, & Judas, to keep himself from the hand of justice, murdered his father, and immediately escaped to Theba, a city about seventy-six leagues distance. Ifere he continue J about four years, �15 in which time the noise of the murder being blown over, he retnrned back again, and got a good place in a nobleman's family, where he lived sometime, till his own mother accidentally seeing him fell in love with and married him. About five years after they had been married, one morning in bed Judas'* shirt bosom lay open, when she saw under his left breast the marks he was born with ; upon which she waked him in an agony, and told him the story of his birth, and the part she had acted therein. Judas heard this with wonder and astonishment, and on his part confessed to her the many crimes he had been guilty o f ; after which she desired him to depart from her, and seek mercy of God in another country ; protesting she would never be carnally known to him any more. Judas full of grief & remorse of conscience, left Joppa and wandered about like a pilgrim, till he heard of a mighty prophet called Jesus of Nazareth, �16 in the land of Judea, who wrought many miracles, and wondeiful works; to him he went, and liking his doctrine and seeing his miracles, he begged of our Lord to be admitted one of his followers: making him one of his disciples, and also his treasurer. Notwithstanding all this Judas could not forget his covetousness, for when Mary Magdalen brought a box of costly ointment, to annoint our dear Lord's feet, at the house of Simon the Leper, Judas was offended thereat, because the value thereof was not put into his bag. But our Lord knowing his covetous and wicked heart, sharply rebuked him ; at which he was so enraged, that he in revenge premeditated, and put into execution, the worst action of all his life, and going to the chief priests and elders, he said unto them, what will you give me, and I will betray him they call Jesus into your hands ? And they agreed with him for thirty pieces of silver, �17 The love of money is a rock Which causes care and trouble, And he that hasteth to be rich, He makes his sorrows double. Money's a most alluring bate, Conducive unto evil, For this, base Judas sold his God, Himself unto the devil. When ourLord was instituting his last snpper, he said unto his disciples, I have chosen you twelve, but one of you is a devil. And again, Verily I say unto ye, one of ye this night shall betray me, & he it is unto whomsoever I shall give a sop: then giving a sop unto Judas, he said unto him what thou dost do quickly. With the sop the devil entered into Judas, and he went out from amongst them.—Judas then went to the chief priests, & received the thirty pieces of silver ; so taking with him an armed band, telling them that whomsoever he should kiss, the same was he, hold him �18 fast, came back to where Jesus was, and meeting him in the Garden of Gethsemane, he went up to him saying, Hail, Master, and kissed him. Then they laid hands on the Lord, and bound hitu as a thief and a murderer, and led him away to the high Priest and Eldei who asked him many question3 ; to which our Lord gave them no answer, •but stood like a lamb dumb before his shearers. Nevertheless, the whole assembly, though they found nothing worthy of death in him, one by one passed the following sentences on him : h �19 JERUSALEM'S B L A C K T R I B U I i L ; OR, THE Bloody Sentence of the Jews, AGAINST OUR BLESSED LOUD A N D SAVIOUR, &EStJS CHRIST. C A I P H A S . Ratter one man should die, than all perish. JEHOSOPHAT* Let him be bound, and kept fast in chains. R A P H A B i . Let us put him to death. FAEEAS® Let us banish him, or he will destroy our country. B I A E E H I A S . lie is worthy of death, because he seduceth the people. �20 B A B O T H t Guilty or not, let the seducer die. XiE$$A# Let us banish him for ever. CHIEMIES. If he be innocent he shall die, because he stirreth up the people. PTOLEMEUSt Guilty or not guilty, let us sentence him to death or punishment, TEKASo Either banish him or send him unto Caesar. l i l M E C H t Punish him with deathPOTIPHARESt Let him be banished for seducing the people. The mob also cried put to Pontius Pilate, if you Jet this man go, you are not Caesar's friend ; therefore, crucify him ! crucify him ! �21 THE SENTENCE OF DEATH PASSED ON J£§U§ CHRIST, BY Pontius P i l o t I PONTIUS P I L A T E , Judge in Jeiusalem under the most potent Tiberius, happy and prosperous be his reign, havingheard and known the accusation of JESUS of N A Z A B E T H , whom the Jews brought bound, do pronounce his sentence ; seeing he, by presumptuous expressions, called himself the SON of GOD, and the K I N O o f t h e JEWS, a n d said he would destroy the Temple of Solomon. Let him be condemned' to the cross with the two Thieves. �23 m Thus was the Lord of Life condemn'd, On Calvry's mount to die, As Moses' Serpent so was he There lifted up on high, 'Twas not for sins that weie his own, He there shed forth his blood, But that such sinners vile a? we, Might be brought near to God. Let us obey the gospel call, New while it is to-day, Lest ere tomorrow Death should cry, T o judgment come away. �f3 ftsvofs arfi tmitis')DBK 8'bioJ IUO ogoib bas 3s(i£uq& 9no 8)0f 'gntojro va UuU jvtm owj Jro MISERABLE AND AWFUL END Jhfcri */9(U nsriw bns teoffio oHolgoqe Ibl f jot dril^ail^J^R^^inq has fcdtsal TRAITOR JUDAS. eebuLTo mooi snJ nr gsueoqe snj ntiw od iaftl ; -I'i noigasiQ^ami odu ,9orJq giri t i o^} id^irn NOW JUDAS, the Traitor, having heard all that was done, repented of what he had done, and in the greatest confusion he repaired to the chief Priests and Elders, and said unto them, I have sinned, in that I have betrayed the innocent blood. Hut they replied, what is that to us, see thou to that. And he threw back the thirty pieces of silver, and he went & hanged himself. q .G ?Ir jf ; i o1 /t Tho* Judas' mongst the Apostles was And with them took his part, His awful end proved him to be A traitor in his heart �24 After our Lord's ascension, the eleven apostles assembled together, and chose out two men, that by casting lots one of them should be set aside to the apostolic office, and when they had fasted and prayed, casting* the lot, fell upon Matthias, and he was numbered with the apostles in the room of Judas who by transgression fell, that he might go to his place. Learn hence a lot's a sacred thing, Let's not it vainly use, Since God thereby has oft thought fit T o choose and to refuse. ,msd) o3nu nna^a^MJ hnnatesnH Let's be content with what's our lot, Since God to us it gave, Let's pray that Christ may fee the gift, Greater can't sinners have. FINIS. 01 fTHfl � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Woodcut 075:Title-page illustration in single ruled border of the Resurrection showing Jesus Christ rising from the tomb in a burst of light with 4 soldiers displayed in pairs of two on the ground. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The lost and undone son of perdition, or, the life and death of Judas Iscariot. Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. The life and death of Judas Iscariot. Identifier An unambiguous reference to the resource within a given context <a href="https://ocul-gue.primo.exlibrisgroup.com/permalink/01OCUL_GUE/mrqn4e/alma9923358023505154">s0329b16</a> Contributor An entity responsible for making contributions to the resource Archival and Special Collections, University of Guelph Library, Guelph, Ontario, Canada Rights Information about rights held in and over the resource In the public domain; For high quality reproductions, contact Archival & Special Collections, University of Guelph. libaspc@uoguelph.ca, 519-824-4120, Ext. 53413 Extent The size or duration of the resource. 24 pages 15 cm Date A point or period of time associated with an event in the lifecycle of the resource 1840-1850 per National Library of Scotland Format The file format, physical medium, or dimensions of the resource JPEGs and PDF derived from master file, which was scanned from the original book in 24-bit color at 600 dpi in TIFF format using an Epson Expression 10000XL scanner. Publisher An entity responsible for making the resource available [No Place] : Printed for the Booksellers Source A related resource from which the described resource is derived Archival & Special Collections, University of Guelph Library, Guelph, Ontario Type The nature or genre of the resource biography Subject The topic of the resource Iscariot, Judas Religion and Morals Chapbooks - Scotland? - no place Description An account of the resource Woodcut #75: Illustration on title-page of the Resurrection showing Jesus Christ rising from the tomb in a burst of light with 4 soldiers displayed in pairs of two on the ground. # of Woodcuts: 1 Bib Context: title-page Chapbook Date: 1801-1810 Chapbook Genre: biography Chapbook Genre: religion & morals Chapbook Publisher - [No Place] : Printed for the Booksellers Gender: man/men Nature: cloud(s) Nature: tree(s) Occupation: soldier Outdoor Scene Religious Figures: Jesus Christ Religious Figures: Judas Iscariot https://scottishchapbooks.lib.uoguelph.ca/files/original/10d19c0b2d0af4e92244a71c6b161de1.jpg f846d7f23ea317a62df9c9a29a42c881 https://scottishchapbooks.lib.uoguelph.ca/files/original/82a77e335a475bdb6aa1b9aadb3d7ae9.pdf ee7f78bf50345a3fbf70eb06815d6578 PDF Text Text THE C A O C FAMILIAR K E D P I S T O L : EPISTLE TO MR. JAMES MORTON, Precentor in the Abbey Kirk, Paiflcv, REQUESTING HIS ADVICE ON MATRIMONY; WITH H I S A N S W E R, CONTAINING IlULES F Q R CHUSING A WIFE." The Letter-gae of Holy . Rhymfy Sat up at the board-head^ Jind a hefaid ivas. thought a crime To contradict indeed. For in clark lear he ivas r'hwt prime, uind cot?d haith ivrits and rfad. C H R I S T ' S K I R K ON T H E «-— GLASGOW: PRINTED Brain FOR & AND SOLD R d d . BY GREEN- �E P I S T L E pA I s T O L E J. M . r. I. D E A R Friend, ye'll hardly now remember, You wrote to me in laft December; But my Mufe, cauld as deeing ember, Had tint her fpunk, Or turn'd as lazy, lith and member, As ane dead drunk, II. Your blythe Epiftle then I got, As nice, I wat, as e'er was wrote, Which I have without flaw or blot Lodg'd in my min% And learn'd quite perfe6t a' by rot, Nae mair to tine. III. I'm glad to hear ye hae your HEALTH, As that's " fuperior far to wealth," T o keep it—fhun a' fecret ftealth That Quack; pretend, And put nae faith in a' the filth That Bettors vend. IV. Waes mel for thefe poor lucklefs chiels, Compel?d to fight with drugs and pills, �( 3 ) Young harum-fkarum daft run deels, T o pleafure flavesj For its purfuit o'er moiiy wheels T o timelefs graves. V. A youngfter flands on kittle ground, Strong the temptations him furround, And in fuch plealing fhapes abound, Alas! on trial, How fiiall he to them a7 be found T o give denial I VI. For fometime paft, I've ta'eja a notion, On viewing Time in fleeting motion, And finglelife a taftelefs potion, And far frae good> T o fome fweet lafs to pay devotion In ferious mood. VII. For as temptations are fae rife, T o fhun them a', I'd wifh a wife, Wha'd half with me the ills of life, As weel's its joys, And bring me, to keep down a' ftrife, Sweet girls and boys* VIII. Yet I wad rather bide my fate, Than join in matrimonial flate, With an ill-temper'd, canker'd mater Of captious mood; f o r then, I'm fure, I'd tine the gate Of a' that's good. �f 4 ) IX. O how difgufting 'tis to fee A man and wife who difagree! They fcrateh and fight, and 'till they die Ne'er end their ails, Juft like twar cats hung o'er a tree Tied by the tails. X. But O , how happy is the youth, Whofe mate does all his forrows foothe? His tide of life glides on full fmooth! Her native charms,Sweet-fmiling innocence and truth, Delight his arms. XT. 0 may inch happy fate be mine, As, aft ye've tauld me has been thine, "At Fortune then I'll ne'er repine, Whate'er fhe gie, Nor care how aft fhe wane or ftiine, A brown babee. XII. This fuhje&'s of fuch ferious fort, 1 beg ye'll think me not in fport,. But fold that full and wife report Ye weel can give, And trouth, my friend, I'll thank ye f o r t As lang's 1 live. . . XIII. Waes me, I now my pen maun drcp, T k o ' very laith I am to flop, �( 5 ) But he that's hurried in a ftiop Buying and felling, Dare not to gie dame Fancy fcope, T h o ' e'er fae willing. XIV. Meantime, that Marriage mayna ftan', I beg ye'll write me, free affhan', In hamely verfe, your wifeit plan, And I'll be fteady, F o r , like a COCKEI>PISTOL, man I'm juft as ready. GLASGOW. W . R. A N S W E R FROM J. M . PAISLEY, T O T H E PRECEDING EPISTLE, CONTAINING RULES FOR CHUSING A WIFE, I. W H A N E'ER, my Friend, I cooft my e'e On thy Epiftle fent to me, In ftyle fae pithy, frank and free, Sae couth and clever, I fwore that ye in poetrie Wadftiinefor ever. �( 6 ) II. Your caution's glide my " health to raife " Mind not what Quack or Doctor fays. As I hae feckly a' my days Kend nae difeafe, I pity ony cliiel wha pays Their coflly feesi III. W o w but it gied me joy to hear Your reafoning fae jull and clear On youth's temptations, which I fear O'er few withftand; A wife's the thing a man to chear In love's faft band. IV. Few rules for courting ye can heed, While on your ftiouthers fic a head, Sin' ye are not o'er-run wi' greed O ' gowd and filler, W o o wha ye like, ye maun come fpeed, Gin ye haud till V. But O ! avoid a gilly-gawky, . Or faft indulged raammie's tawpy, Perchance inclin'd to tafte the whauky: And ne'er ca' thine Her wha parades upo* the caufeway, For fake t)' fhine* VI. Wale not a wit—and fhun an afs, But take fome thrifty fonfy lafs>. �( 7 ) W h a lets not precious minutes pafs Herfel' adorning, By glowring twa hours in the glafs On ilka morning, VII. Altho' misfortune's Ihould be rife, Still hath the married man belt life, For 'midli a' fortune's plague and llrife, He ftill hath pleafure, And finds his thrifty virtuous wife A real treafure. VIII. Gin fie a gude lafs fill your arms, Ye'll never tire o* her fweet charms; Your mind fhe'll lirive in all alarms T o mak' it eafy, And keep ye out o ' many harms That fair might teeze IX. I low great's the pleafure of this life Blefl v. ith a chafte and virtuous wife, When pledges of your love fu' rife Tott round tne table, Liipicg their fma' tauk free o' llrife, As weel's they're able X. When to your meals ye do come in, Ye'll a* things in nice order fin', Your childer a' ambitious rin, T o jump your knees, And every thing the Louie within, Confpir.es to pleafe. �( 8 ) XI. And then when ye come hame at e'en, The fire is briik, the hearthftane clean, And every thing a' braw and been, The weans too bedded Syne down ye fit, and crack bedeen, How a's been fteaded. XII. Compare this wi' thefe ftupid chiels, Wha're fighting clofe wi' drugs and pills, And rin to ruin on their heels, 0 fy for fliame! T notice that ye ca' them de'ils, 1 do the fame. XIII. T o Marriage then, mak nae mair Hand, But tak' fome lafiie by the hand, T h o ' neither rich in gowd or land, To" her haud fteady, A s PISTOL COCK'D, and on demand, M y lug file's ready. XIY. N o w , my.gude friend, as an adieu, I'll fay I've gi'en advice to you, Which I am fure ye'll never rue, As lang's ye live: On trial, if 'tis not found true, Me ne'er believe. � Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The cocked pistol: a familiar epistle to mr. James Morton, precentor in the Abbey Kirk, Paisley, requesting his advice on matrimony; with his answer, containing rules for chosing a wife. Identifier An unambiguous reference to the resource within a given context <a href="https://ocul-gue.primo.exlibrisgroup.com/permalink/01OCUL_GUE/mrqn4e/alma9923287173505154">s0343b22</a> Description An account of the resource Quote on front page: "The Letter-gae of Holy Rhyme, Set up at the board-head, And a' he faid was thought a crime To contradict indeed. For in clark lear he was right prime, And con'd baith write and read. Christ's Kirk on the Green." Contributor An entity responsible for making contributions to the resource Archival and Special Collections, University of Guelph Library, Guelph, Ontario, Canada Rights Information about rights held in and over the resource In the public domain; For high quality reproductions, contact Archival & Special Collections, University of Guelph. libaspc@uoguelph.ca, 519-824-4120, Ext. 53413 Extent The size or duration of the resource. 8 pages 14 cm Date A point or period of time associated with an event in the lifecycle of the resource 1795 per National Library of Scotland Format The file format, physical medium, or dimensions of the resource JPEGs and PDF derived from master file, which was scanned from the original book in 24-bit color at 600 dpi in TIFF format using an Epson Expression 10000XL scanner. Publisher An entity responsible for making the resource available Glasgow: Brash & Reid Subject The topic of the resource Chapbooks - Scotland - Glasgow Courtship and Marriage Poetry Source A related resource from which the described resource is derived Archival & Special Collections, University of Guelph Library, Guelph, Ontario # of Woodcuts: 0 Chapbook Date: 1791-1800 Chapbook Genre: poetry Chapbook Genre: romance Chapbook Publisher - Glasgow: Brash & Reid https://scottishchapbooks.lib.uoguelph.ca/files/original/24c03fbad616a1db102a820e37378c14.jpg ebc0a58a753b142fbf15df10e095a301 https://scottishchapbooks.lib.uoguelph.ca/files/original/66ca2177b72ad7961b585cd5e44248eb.pdf d4f395a222a4b854af6c093bcdaa04f1 PDF Text Text C O L I N AND A FAVOURITE L U C Y . BALLAD. BY M R . T I C K E L . T o which is added, A N E L E G Y W R I T T E N ON THE P L A I N O F F O N T E N O Y. Of LEINSTER famV for maidens fair, Bright LUCY ivas the grace; *STor e'er did LIFFY'S limpid f i r earn Refleft a fairer face. G L A S G O W : PRINTED FOR AND SOLD Brafh h Reid. BY �C O L I N AND LUCY* A FAVOURITE BALLAD, I. O F Lelnjler fam'd for maidens faiiy Bright LUCY was the grace; Nor e'er did Liffy's. iimpid ftream Reflect a fairer face., II. 'Till lucklefs love and pining care Impaired her rofy hue, Her dainty lip, her damalk chcek s A n d eyes of gloffy blue. III. A h ! have you feen z lily pale When beating rains defcend?" So droop'd this flow-confuming maid^. Her life now near its end. IV. By LUCY warn'd, of flattering fwainsTake heed, ye eafy fair ! Of vengeance due to broken vow?, Y e flatt'ring fwainsj beware! �{ 3 ) V. T h r e e times all in the dead of night A bell was hear'd to ring; And at her window, ftirieking thrice, The raven flap'd his wing. VI. Full well the love-lorn maiden knew The folemn-boding found, And thus in dying words befpoka The virgin® weeping round. VII. I hear a voice you cannot* hear, " That cries I muft not ftay; " I fee a hand you cannot fee, " That beckons me away. M VIII. « Of a falfe Twain, and broken hearty " In early youth I die: " A m I to blame, becaufe the brid* " Is twice as rich as I ? IX. Ci Ah, C O L I N , g i v e n o t h e r t h y VOWS, " Vows due to me alone ! " Nor thou, raih girl, receive his lufs, " Nor think him all thy owol X. " To-morrow in the church, to wed, " Impatient both prepare; " But know, falfe man, and know, i'JDd " Poor L»¥CY will be there,, �( 4 ) XI. " Then bear my corfe, ye comrades dear* " The bridegroom blithe to meet; c< He in hjs wedding-trim fo gay, " I in my winding-fheet!" v X R She fpolte, fhe dy'd/ her corfe was borne The bridegroom blithe to jncet; I le in his wedding-trim fo gay, She in her winding-fheet. XIII. What then were COUIN'S dreadful thoughts? How were thcfe nuptials kept? The bride's-men flock'd round LUCY dead, And all the village wept. XIV. .Compaffion, fhame, remorfe, defpair, A t once his bofom fwelh The damps of death bedew'd his brow, He grcan'd, he fhook, he fell. XV. From\he vain bride, a bride no more* The varying crimfon fled; When, ftretch'd befide her rival's corfe. She faw her lover dead. XVI. He to his LUCY'S new-made grave, Convey'd by trembling fwains; Is the fame mould, beneath one foci, Fcr-ever now remains. �( 5 ) XVII. Oft at this place the conftant hind A n d plighted maid are feen; W i t h garlands gay, and true-love knots They aeck'd the facred green, XVIII. But, fwain forefworn, whoe'er thou art, This hallow'd ground forbear! Remember CoLIN'S dreadful fate, A n d fear to meet him there. E L E G Y , W R I T T E N ON THE P L A I N OF FONTENOY. I. C H I L L blows the blaft, and Twilight's dewy hand: Draws in the^Weft her duiky veil away; A deeper fhadow fteals along the land, A n d N A T U R E m u f e s a t t h e DEATH o f D A Y ! II. Near this bleak Wafte no friendly manfion rears Its walls, where Mirth and focial joys refound, But each dim objed: melts the foul to tears, While Horror treads thr icatter'd bones around. �III. A s thus, alone and comfortlefs I ream, W e t with the drizling fnow'r; I figh fincene, I caft a look towards my native home, A n d think what-valiant BRITONS perifh'D here. IV. Yes, the time was, not very far the date, W h e n carnage here her crimfon toil began; W h e n Nations' Standards wav'd in threat'ning flate^. A n d Man the murd'rer met the murd'rer Man. V. For WAR is MURDER, tho' the voice of Slings Has ftyl'd it Juftice, ftyl'd it Glory too! Yet from worft motives, fierce Ambition fprings, A n d there, fix'd Prejudice is all we view! VI. "But fure, 'tis Heaven's immutable decree, For thoufands ev'ry age in % h t to fall; Some NAT'RAL CAUSE prevails, we cannot fe^, A n d that is FATE, which w e Ambition caiL VII. O let th' afpiring Warrior think with grief, That as produe'd by CKVMIC art refm'd;— So glitt'ring CONQUEST, from the laurel-leaf E x t r a & s a GEN'RAL POISON f o r M a n k i n d . VIII. Here let him wander at the midnight hour, T h e f e morbid rains, theft? gelid gales to meet; A n d mourn like m e , the ravages of P o w ' r ! A n d feel i:kc m e , that V i & ' r y is d e f e a t ! �( 7 ) IX. Nor deem, ye vain! that e'er I mean to fwelf M y feeble Verfe w i t h many a founding Name; Of fuch, the mercenary Bard may tell, A n d call fuch dreary defolation, Fame. X. The genuine M u f e removes the thin difguife, That cheats the World, whene'er fhe deigns to fing A n d full as meritorious to her eyes Seems the Poor Soldier, as the Mighty King! XI. Alike I ftiun in labour'd ftrain to fhow, How BRITAIN more than triumph'd, tho lhe*fled, Where LOUIS flood, where ftalk'd the column f l o w ; I turn f r o m thefe, and DWELL UPON THE DEAD. XII. Yet much my beating breaft refpedU the brave.; Too well I love them, not to mourn their f a t e r W h y fhould they feek for greatnefsin the Grave? Their hearts are noble—and in life they're great* XIII. Nor think 'tis but in W a r the Brave excel,—» T o V A L O U R EV'RY V I R T U E IS ALLIED ! Here faithful Friendfhip 'mid the Battle fell, A n d Love, true Love, in bitter anguifh died. XIV. Alas! the folemn flaughter I retrace, That checks life's current circling thro' my veins^ Bath'd in moift forrow, many a beauteous face; A n d gave a grief, perhaps, that Hill remains* �C 8 ) xv. ^ can no more—an agony too keen Abforbs my fenfes, and my mind fubdues, Hard were that heart which here cotild beat ierengy Or the juft tribute of a pang refufe. XVI. But lo! thro' yonder op'ning cIouds*afar Shoots the bright planet's fanguinary ray jTh&t bears thy name, FICTITIOUS LORD OF WAR! j A n d with, red luftre guides my lonely way. XVII. [Then FONTENOY, farewell! Yet much I fear, (Wherever chance my courfe compels) to find Difcordand' blood—the thrilling founds I hear, " The noife <Jf battles hurtles in the wind." XVIII. From barb'rous Turkey to Britannia's fhore, I Oppofing int r reils into rage increafe; Jleflru&ion rears her fceptre, tumults roar, A h ! where fhall haplefs man repofe in pcace! F I N I & � Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Colin and Lucy. A favourite ballad. By Mr. Tickel. To which is added, an elegy written on the plain of fontenoy. Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. To which is added, an elegy written on the plain of fontenoy. Identifier An unambiguous reference to the resource within a given context <a href="https://ocul-gue.primo.exlibrisgroup.com/permalink/01OCUL_GUE/mrqn4e/alma9923287383505154">s0343b33</a> Description An account of the resource Quote on title page: "Of Leinster fam'd for maidens fair, bright Lucy was the grace; Nor e'er did Liffy's limpid stream reflect a fairer face." Contributor An entity responsible for making contributions to the resource Archival and Special Collections, University of Guelph Library, Guelph, Ontario, Canada Rights Information about rights held in and over the resource In the public domain; For high quality reproductions, contact Archival & Special Collections, University of Guelph. libaspc@uoguelph.ca, 519-824-4120, Ext. 53413 Extent The size or duration of the resource. 8 pages 14 cm Date A point or period of time associated with an event in the lifecycle of the resource 1798 per National Library of Scotland Format The file format, physical medium, or dimensions of the resource JPEGs and PDF derived from master file, which was scanned from the original book in 24-bit color at 600 dpi in TIFF format using an Epson Expression 10000XL scanner. Subject The topic of the resource Chapbooks - Scotland - Glasgow Source A related resource from which the described resource is derived Archival & Special Collections, University of Guelph Library, Guelph, Ontario Publisher An entity responsible for making the resource available Glasgow: Brash & Reid Type The nature or genre of the resource ballads & songs elegy # of Woodcuts: 0 Chapbook Date: 1791-1800 Chapbook Genre: ballads & songs Chapbook Genre: elegy Chapbook Publisher - Glasgow: Brash & Reid https://scottishchapbooks.lib.uoguelph.ca/files/original/2fb4f28232dcd755f3f5348ed755d80b.jpg 0fc146dba292429ba406c949ee58ecbc Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Illustration on title-page of three figures, each facing the viewer; the figures likely represent a woman with two birds on her head and two children to her right and left. https://scottishchapbooks.lib.uoguelph.ca/files/original/a06d4f161ca75b84613d0d82fc1442ac.pdf 0426a9580f72ba817ab854844b1d207e PDF Text Text JUL,. 3 f: I,afs o f Ciicpihee, AI >rH T-heLi^htv D o f i h c ^ o c n , frg^. v . . . . , -^Jiitgapn | Breaking o f the "tones. i i* Y'alkir.H, P / i n t c d r y ' T r . / | �W f c • ' T U Z r:iSS o' * ' /%'>< G L E N S H E E . N a c / ^ v day wlxm the heather was b f o o n r a ^ " a r d t : e fitent hiil h u m m e d m i fore laden d b*e> I met a fair maid. a< 1 hi.roeward wcs r ding, a-herding her (hctp on the hill o' Glenfn:©. The r cfe in her che- r it was gem'd vri^a cl'»mp!e, * a 4 Wvihe were the blinks o 1 iver bonny black e*«, • .Her face fo enchanting, f*j neat ard fo h9ndfome, M y .heart foon belong'd to the Lafs o* Glenlhee. I kifs'd ancica^fs'd her, 8rd-faid, M y dear Lafiie, . if vou would but £0 to Sr Jihnfton wi' me. There's none of the fair lhaii fct a foot on tlie caufe^ way. w With' cleading mbre fi ^c than the Lafs o' Glenfhee A carriage <-f pleafure you (hall hae for to ride 'peak an' folks fhi'l fa v Men. wSan t^.ey fpeak unto thee; ir • Servants you hae fcV.to do your bidin\ o* 111 make you my Laay, the Lafs < GUnfete. «v I It's mock me nae rnair wi' ycu» carriage to ride in, nor think that vour grardtur I value a flee, would t'oinfc rnvfef happy m' a coatie plaiden, tvi an innocent herd on the bills o ' Glen&ce. dekr laHie Gabd^ma's e'ear waters their courfe, atfd run back trae the leff, �f ('3:) . "Her brfcve hardy fpns may fubmlt to foes' fetter;,, but ctafe and beiicve not fuen bafe&cfs ia The Urk may forget to rife in the morning, the fpr'u g may forget to revive on the lea, But never will ' / w h i l e my fenfes govern me, forget to be kind to the Lais o' GknUiee. O let me alane, f >r I'm fure I would .blunder, and let a' the g e n n y a- iaugiiinp. ai me; They're book-taught in manners, baith au] j &c\oung, but we ken but little o ti.at in. GienfLcc. *ti / They would fay, Look ye at him, xvV his Highland fet up for a (ale in a window fo high, Lady^ Roll'd up like a svatch in a hamely ; fpun plaidie> and pointing'towards the Laf* o' Gknftice. D o not dream of fie (lories., but come up behind me, crt P oebus go round, my fwcetbride thou, (halt b f , This night in my arms I'll dcat you f" kindly I She imii'd and contented—I took her wi' mc» N o w years hae gane round (incc webufked together, and ftafous iiae chan>:'d. but xvae changes wi m e ; jflShe'* ave as gav as the firrs fuinmer-weather, tr'heiif • fun 's at his height on the ^ T o meet wi* my Jeanie. away I wnu>d ven'urc, file's (wcet as the eel o that rings on the lea, ^ She's fpotlefs and pur* as the robes in the winter, tthen la,d cm to blc&ch en the hills* GicnQ>j/i �OF THE MOOff, iM on a furamer.ev-cBix*g^ merry rnonui o f M f y * had qrfat my wearing, through the grove i chanced to (trey; There i met with 1 vefy SaHy, b'oom-ng like Jhe rbfe in June; I did nr>t tarry lofcg for to dvlfy, bat kifted her well b y the light o f thfiadoMi Thou fajrtft of'the {6ft creation, while I enjoy thefe happy hoit?^ 4 Be not fhv unto me Sally, for*' have thee in my power* Then I clafpsd her in my arms. juft like e (tower when ir> i t g . b i o o m ; Unto my bofom I did prefsrhorand kiflVd her well b> t e light of: I prefTed her to a bank of rofes, while -flit erred. Yonng man f o r b e a r ; . D o not-hurt me, (he iaici, Johnny, or I'll tear you by the hair. Bbn't you fee my clothes are tpra* my handfome cap and new balloon h The more fee grumbled, the moic I tumbled, ii iTed hci- w d i by. the l i ^ h i v i ^ ' • I then lifted her by tfie h i n d , while {he gave a h t a v r n g f j J �mam Ida not leave nie* (hfi cued. do not leave ine> or n i die* Ovber maids ibf y, will difdazn m i , and fay I have played the wanton fran,^ O j not 1eav*% mc i»crr a-p n:i>;. condolin&rf^y fau fl h> *hq y i l of iha mre H r t b e n f a i d My i -.eiv Sally, be not t-oubWf ii t Since thouVt y»e!dcu.i)-y rearms to ejic, I'll .bis true to t l f e ^ t u faTd, , l T b o ' / J i y father he nek a d tteai&y, and he q^YFs me a GlJy c } •wru N o w we bave got a fecH't pleafutV, for to dandle t f t e m k i by the l i j i i 91*t}x'ttihgn. T h y father he ts rich and wfeak-rfy, and-htt hai no child -but ; A n d t t y father he has gold in plqu?y ? he rrmft leays it r.ll to U < e ; Or if he docs not, Til make * bargain, . j The firfl of us thar doe? Ve&qt* - tnyfl dandle theibitd by the light of the moc-a, Wli^n.fix long month* vfe? ar.d over, Sally's Waift beg,an to f w c f ! ; Por -a long time fhe k e ^ i: 1 olu poor g i d , (he clu^ fi nfcr :el\VBut when l^er father '0 know k,.. he did rape frbm m ^ fr t*ii ncon^ .he rcafui you ma^v ^ • . it, "war rearing tiiec!V;Hb t t o • ^ i r t t f the �, i m ',3pp1n€d rh n fummer-evefitBgj L*in»t her father alf alone ; W'hco he c: led • ) cru>! you're left r mv Sa'l / kTt » B f t if v ' :tr V>» ; -i 18 v a b l o o m , 'v* Ff-pf •< w -i* I'll quickly pay th?c, ,, '-Mi i - my *and by tho light of moon." I V n r n e o w d v I married Sal^y, early b j the uvsrrring dawn; Then : ttitdr him p-4y her p >rtioq, on the table p*y r d o * o . 1 did not fairy for to cotwt it, nor to lo k it over again, But i fwept it ail into iter aprofi, a fine Jucky-penny, by the light of the mson. toe brbak;xg o? the srO:c&s. the vear eijtteeti hundreds I thyilr. and fix'een. In the month of December, the ft oft ftiarp ana keen, When trade it was dull, and the prices were low, In feaich of hard labour away i did d o : The of Tuftcna c$ piy mind cfid c o m p e l r o jtim a ilorc-quarry near the Ladv-weii. For to b eafc. w u i l , and eavry, as I u n d e r f l ^ d : Tiw were fauM. but lhS p.!J it Wjs �v W-e e n t e r e d c u r f 7 ) and t o w o r k did repair^ §Hch m^vn go^ a A i d i n g a-d.ty f o r !>ic i h « r c , Soirrc brt&kirig w i n d i n g . f i n e Carrying A l l o w i n g thar final t fi?>. w e r e V> ith a fct o f t ' w a v e v/< fetter thati r o n e , Hke ' r u e ' f r a c b es w r o u g h t rih ; V : s > u " ^ » y T r o r n H b r r i n g ' til! n i g h t , n a:.f'.v;r'd o u r i anie Then i as t'n y c mr : n the AVA 1 t a c u man ' g o t his w a g e s p vjd dtu'v 1 in s li:s fiit*. -7ri<- third d a v w e *vrcu«'ht, it b« g a ^ the .nc.1r >ear< ich m.*<Je c i g n t c c n h u n d r e d a M f t v t n t v e o - appeal:, F&ch m a n took Ivis'Action. e n d ' & n f w « r ! d hi* r a t p e , But a £ r e a t a f f e ^ t i O N wa^ catfc'd b y the r f i i n ; W e HvI w e r e d i f m 17- d , r t x f d a v to a p r - a r . F o r which o u r b ' ^ v c m a A t r . defvrve< a hni'd chcei:,> p a i d d o w n vur. w a p e s a n d let aHb< m c , In b r i g h t / h i l l i n g p a r e s his fainc i M make k n o w n * I? was on the f e c o r d w e were called ? w a y , T o join ihe eafl quart y without more delay • W e {hoifldrr'd our artrr, awav w e di#l go. W i i h pick axt and hammers wr n v d e a fin JhoYA L ke Wellington's armv .near to W;itrtIoo. W e qH were determm'd to till, Imaili^ and h e w . \V« march'd in great Ij lendouf the fr»v to be^in, T h e rock did fur render, and fo we maii.h'd m. W f then trv^ the cit>, e n f o l d trade, Bttf iliJl 'tis a pity A :nan fjiould bread, That's willing j o labour, sh g'nifcfy appear, W h e n wa^ies are low, antf de3T : Xlur the ftrong ties o f t.ature fhoriKl fir ml v b nd, each fellcw-cresrure 10 U ve fhould nfcJinc, Ai»d fuppoii oBe-another in al honety ways, s Which makes me inbft open no broken / " / / \ L / j $ �/•S ) But **W 0^>uLf vre grumble we'll aW^r'our v&ould nations o'er tfiinble, r f l never refine'; Thu? want', ^voe, and f>l«mv, I ' ^ m k rhem in, And lay 6ut nny {billing as wellas ( can. The wlvc mo ft have fonrpencc as (urf as £ ' "£acl> child'muft have 2pc{ice> malffts up the whole fum J Some hrgher, (ome lower, 1 own (here m'iifl: be, ]>ut >htn all is divided, there lu'nothing for fne. Eat now I'Jl give over, sny penius denies, Since lr.y'mufe (be is f W , and t,\f glaffi is run 'dry, And, like to Diogenes. 1 ved lev fall, W h e n my hot lie is empty, i'ii fmeli the old caft; fong tor toliroih. 1 Mill add no more, fcut may ibe or-.-at Huler of boify <ea and lb ore, . Hclieve iTic dii'ivts'd, and ihe/f Wants all fuiiaiii, ' And lend better times—and io lido do etid. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Woodcut 074a: Title-page illustration in a single ruled border of three figures, each facing the viewer; the figures likely represent a woman with two doves on her head and two children, one to her right and the other to her left. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The lass of Glenshee. To which was added, The Light of the Moon, and the Breaking of the Stones. Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. The Light of the Moon Breaking of the Stones Extent The size or duration of the resource. 8 pages 15 cm Identifier An unambiguous reference to the resource within a given context <a href="https://ocul-gue.primo.exlibrisgroup.com/permalink/01OCUL_GUE/mrqn4e/alma9923348583505154">s0345b38</a> Contributor An entity responsible for making contributions to the resource Archival and Special Collections, University of Guelph Library, Guelph, Ontario, Canada Rights Information about rights held in and over the resource In the public domain; For high quality reproductions, contact Archival & Special Collections, University of Guelph. libaspc@uoguelph.ca, 519-824-4120, Ext. 53413 Format The file format, physical medium, or dimensions of the resource JPEGs and PDF derived from master file, which was scanned from the original book in 24-bit color at 600 dpi in TIFF format using an Epson Expression 10000XL scanner. Publisher An entity responsible for making the resource available Falkirk: T. Johnston Source A related resource from which the described resource is derived Archival & Special Collections, University of Guelph Library, Guelph, Ontario Date A point or period of time associated with an event in the lifecycle of the resource [between 1810 and 1830?] per Houghton Library Type The nature or genre of the resource ballads & songs Subject The topic of the resource Chapbooks - Scotland - Falkirk Courtship and Marriage Description An account of the resource Woodcut #74a: Illustration on title-page of three figures, each facing the viewer; the figures likely represent a woman with two birds on her head and two children to her right and left. # of Woodcuts: 2 Animal: bird(s) Bib Context: title-page Chapbook Date: 1811-1820 Chapbook Genre: ballads & songs Chapbook Publisher - Falkirk: T. Johnston Gender: unknown (children) Gender: woman/women Outdoor Scene https://scottishchapbooks.lib.uoguelph.ca/files/original/2ccb2f7652240339be1b1321f1310e0d.jpg a6c80938db1c5be03cf63483c37a8b4a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Illustration on title-page (enclosed in border with a triangle and dot pattern) of a king sitting dressed in full regalia in an outdoor scene. https://scottishchapbooks.lib.uoguelph.ca/files/original/63c7b88be98fb8543b7969485e872334.pdf b1954dfb44b05df3f800ce5b881ba1de PDF Text Text T H E K I N G S MUSTER, T o which is added, H A E L U C K A B O * T T H E HOUSE, U AND U P IN T H E M O R N I N G AND EARLY, F' J BAULDY BAIRD, GLASQOW: FuNititd and Sold, Wholewit, and Retail, kjr A . Hutchison, Booktdler, 19. SaUwmrhHi) 1823,. �T H E KING'S MUSTEK. TONE—The Auld Wife ayont the lire. tv Little wat ye wha's coming, Little wat he wha's coming, Little war yc wha's coming, Now the King himsel's coining* There'* coaches coming, steam-hoats hii&r&mg, Targets comii.g, turtles scumming, Bow Street, and Lochaber's coming W i ' pipes to make a braw bumming, t •v ' Little ken ye wha's coming. Clans and clowns and a's coating. Gcrrtk and his cook's coming, Glengarry and Jus tail's coming, Dake and Dungwaessell'a coming, And walth o' gaucie bailies coming. Little wat ye wha's coming, Npw the King himsel's comicg. Tartan s coining, muslin's coming, Gregarich's coming, Greenock's corting. Here's the holly badge o' Drummond, Ami there's a Celt, that's but a rum one* �Little ken ye wha's coming, Cat and Capperfae's coming. Breadalbane's breekless kernes are coming, Paisley's weaving barns are coming, Dirks are coming, trcddles coming, Provwt Jarvie's coacli is coming. Little wat ye wha's coming, Now the King himspPs coming. There's plaides enow, and mauds coming, Bonnie border lads coming, H o * you stare, ye jade, woman, T t »ec the braw cockades coming. Little wat ye wha's coming, Young Buccleuch and a's coming. The great Macallummore's coming, The thane and the Strathmore's coming, A body canna snore, woman, A ' their piprochs squeeling, bumming. l/ptle wat ye wha's coming, Warld and wife, aridVs coming. Auld Reekie's turnM a daft woman, There's carxe in every carft, worn in? And, troth, it's a' but weel-becoming, N*w tha King himsel's coming. �Little ken ye wha'i coming, King and kilt, and a's coming. I NAfc L U C K A B O U T T H E HOU«£. And are ye »ure the news are true) And are ye sure he's weel! Is this a time to ta'k o' wark, Mak' hast set by your wheel. Is this a time to ta'k o* wark, When Collin's at the door, Gi'e nic my cloak, I'll to the Quey And see him come ashore. For there's nae luck about the bouse, There's nae luck ava; There's little pleasure in the houst, When our gudeman's awa. Rise up and mak' a clean fireside, Put on the muckle Pat, Gi'e little Kate her cotton gown, And Jock his Sunday's coat; And mak' their shoon as black at site*, Their hose as white as snaw, It's a' to please my ain gudeman, For he's been lang awa. ijfaaJl j Fbr there's nae luck, &c. There's twn fat hens upon the bauk, 'S been fed thi» month and amir, �( ^ 6 M«k' hast and thraw their necks about* That CoHin weel may fare; Amd spread the table neat and clean, Gar ilka thing louk braw, It's a' for love o' my gudeman, For he's been lang aw a. For there's nae luck, 8cc. O me down my biggonets, My Bishop satin gown, Fdr I maun tell the Bailie's wifr, That Collin'* come to town. M y Sunday's shoon they maun gxe on. My hose o' pearl blue, It's a9 to please my ain gudeman. For ee's baith leal and true. For there's nae luck, &c« t i f true's his words, sae smooth's his s p w h , His breath like caller aijy His very foot has music in't When he comes up the stair. Aftd will I see his face again, And will I hear hup speak, Vm downright dizzy wi' the thought* In troth I'm like to greet. , For there's nae luck, &c. ¥ P IN T H E M O R N I N G EARLY. CiUU) btaws the win' frae north to south, Ab4 drift is driving saiily; �6 "fkt »keep are eonring i' the heagh, Osirs! it's winter fairly. N<»w np in the morning's no for me, Up in the morning early; Ti rather gang supperlcss t« my bod, Tbun rise in the morning early. I^wle rain the blast amang the wood*, Tho branches tirlin barely; Awning the chimlcy taps it thuds, And frost is nippen sairly. Naw up in the morning's no for me, Up in the morning early; T o sit a' night I'd rather agree, Than rise in the morning early. Tbe sun peeps o'er yon sou-thlan' hill, Like onie timorous carlie; Just blinks a wee, then sinks again, And that we find severely;1 Kit / up in the m o r n i n g s n o f »r m e , Up in the morning early; Wben snaw blaws into the chimley check, WbaM rise in the morning early. hne linties lilt on hedge or bu«hf Poor things they suffer sairly; Ib can Id r i fe quarters a' the night, A' day they fe6d but sparely. K m tip iw the morning's for me, Up it) the morning early; T �7 What fate can be waur, in winter ttar*, Than rise in the morning early. A coney house, and a cantie wife, Keeps aye a body cheery: And pantry stow'd wi' meal and ro»»t, Pklt answers unco rarely. Bnt up in the morning na, na na, Up in the morning early; • The gowans maun glint on bank m ' kka« Ere I rise in the morning earl?. BAULDY BAiSD. Baddy Baird's come again, Bauldy Baird's cwme again; Tell the news through burgh and (tai, Bauldy Baird's come again! O Bauldy Baird can buy and stM Barrels o' herring, lades o' meal; Cheat till the good man be poor, And putch till the good wife look to»r; Laugh and clatter, curse and ban, Tell a lie wi' onie man. Tell the news to a' ye ken> That Bauldy : Baird's come again. . . .i i } * i* i Bauldy Baird can drink, I trow, Till a' the bodies roun' be iu'; Ilka ane that shares his bicker, _,itjM, ; >rT Kens bow Bauldy pays bis liquor. �0 When ye>re fit', he's on the cateh, Me'H buy yovr blankets, corn, or watoh. Ye sh rpers a9, though London reared, A > c a' but cuiff§ to Bauldy Baird. Bmildy Bnird can brag o' gambllag, Kens ihe airts o' dark dissembling. Bauldy Baird can make a ten, T o cut the Jack at Catch-the-Ten. Farmer bodies! watch your pea**, Hide your butter, eggs, and chcsse; For whether ripe, or in the brair^ It's a' ane to Bauldy baird. 9 i close that slap there, lock thai jate, Else some stooks will tak' the gate; For Bauldy's poney likes your gnmy Jest as weel as 'twere his ain: Spooks o' rorn, and shaves o' peaee; Whiles your hens, and whiles ye«f geese; For, faith, he's no so easy seated, It's a* aue to Bauldy Baird. ©a Bauldy Beird the law was fib, T o draw him on a cart to jttilf Bat Bauldy Baird, the pauky deevil, fliipt the loop, and >efi the beagle; O'er the dike and through the fie'ht Baaldy ran wi' mettle heels. Watch the corn stack, Robin Law, For Bauldy Baird's run awa', O riu, and let the bailie ken, Tfefi ttoaldj Baird's ccrae again. I FINIS. �*tpiios !A[.uvb Sauup si y u p p v y quou objj #uj* aqi SMrjq c n n r ^ A T 4 V 3 ' O N I N H O W 3 H 1 NI an -yrg 45pn[ 3Bti JOJ 01 cri^l qioii uj •jqSnoqi »qi jtv Xzzip lqtfuuMop iwj M *3J«ods l!!H| J |T puy |m a.a or>R| siq 33s j ||i.w p » y MIBIS oip dn S UO OJ DID t j4tti oisnrj ssq }ooj jCjOk t i f j y w j fji»C * *j, r & q j B d j q s i f j S [ P4;Tpooais 3bs •ipaojn siq s4oiu> M 4 ipn[ octi s^jatp JOJ •anjj puB |«r>| qiiuq s433 JO£ 4u«iD9pn3 U B iftu osBrjd o* I tyf *an|q jjBad ,o 3*oq •no arS rinsm uooqs *,/C«pung •UMOl oi 3U1O0 VM||03 ••gtM s^qing oq» ||ai uiiuui J *umoti upas doquig i w •sfatioSStq iiu UAop oui ^IJ 0 *D7g 3SU 94OJ9lp JOJ •bmb Sinq iiD3q s4oq ioj; 4UBUi3pn3 jCuj #o saoj joj tv 4 MHJq ^00| ftuiqj «)J|I JILT) 'upap puB 1B3U 3|q*J aqi pB3ids p « y iojrj |33M UJ O l ^ q i IJ Q •jnoq* S3[dou awqj Aituq* pu« poo qiuoin *jjni;q oqi uodu W* poj u>*q g, jbj •cn^^Vptif 3BU s4(U3qi JQJ guB| uwq s^q JOJ 4uBiu3pn3 uib i u aseajd 01 4b s4ij Cu 4mb(is sr euiq* rb osoq iioqj, ^ t j s In? 5pt?|q stf uooqs 4>iwin puy ijBOD st£Bpuiu; siq 3jD0f puy rUMo8 UOWD j j q 3|nt[ 3,19 oq) uo ^nj •dpisojg UBap B pUB drt t ' /M ] " • m s#uBuiapn9 ano b b •wnoq aqj ui oansBajd 9pii; s^j^qj^ f B B 3|Dn| O U B^jaqJL A B ( dinoq oqi ;noqu 5jon[ obu s ^ a a q w o j •3joqsB oaio3 uiiq oas p u y l o n ^ oqi oj u j 43|bo|d .{ui oiu ajrj 4 joop aqi IB ^anio^ uaq^\\ 4 3|JBM 40 3((B) O) 9UII) B Slip 8j •paqM jnojf iCq >as ispq 4 l|JBAi 40 5f4BJ 01 atnp B siq 1 | |39M s(aq djiis diC 3jb puy jarui SM3U dtp sans di( 3J8 p a y *a«ilOH 3 H X IflOHV puv I'SUIUIOD CT|!5( 35VK pUB U 1 Op^JT 3J •SujlUOO • When yc'rc fu*, he's on the cateh, Me'll buy yovt blankets, corn, or watch. Te sh rpers a\ though London reared, A « a' but cuiffs to Bauldy Baird. Rjiuldy Bnird can brag o* gambling, Kens the airts o' dark dissemblag. Bauldy Baird can make a ten, T o cut the Jack at Catch-the-Tew. Farmer bodies! watch your pea«t, Hide your butter, eggs, and chcss*; For whether ripe, or in the brairdi It's a' ane to Bauldy baird. T H E KING S MUSTER, T o which is added, NAE LUCK A B O U T T H E HOUSE, AND VP IN T H E M O R N I N G EARLY, AND BAULDY BAIRD, O I clo&e that slap there, lock thai yate, Else some stooks will tak' the gate; For Bauldy's poney likes your gnm, J«st as weel as 'twere his ain: ^ooks o' rom, and shaves o* peait; Whiles your hens, and whiles yo»r gt»s«; p^r, faith, he's no so easy scaled, It's a' aue to Bauldy Baird. Bauldy Baird the law was T o draw him on a cart to jnilt Rat Bauldy Baird, the pauky deevil, fjipt the loop, and left the beagU; C^cr the dike and through tht Ba«ldy rau wi' mettle heels. Watch the corn 6tack, Robin Law, For Bauldy Baird's run awa', O rin, and let the bailie ken, ?felt Baaldj Baird's ccrae again !. F I N 1 Ik GLASGOW: PMkktA mid Sold, Wholesale ami Retail, by ft. Hutchison, Booktc^le*, 19. SaUrmrhtt. 1823. �, -^uuuoo S4i08miq Suifl aqi 'jSuiuiODdq-pa* inq ,B 'qioji 'pay » : ui.uiOM 'yaca ajoa3 ui gijbd t43iaqj4 T 'uttuioM yup « p,uim s^i^aa^ pjny •SuimOD s^pus puc PliB^W 'tfuimoD s,BqA% 3iC }bm o y j r j ^ •Sajaiiunq 'Suqoanbs tqooadid Jioq* ( y 'ubuiom \>jous buubs /Cpoq y -#UUW)3 S^JQUiyilU^ Pu8 autnP * 'j9ujiuo9 S(ajOillUlEI||BOBpl JBOlSfrtfJ, r , . ^ puB qonapong Suno^ s^qM oX apjrj •Sujuiod api^I . »r. , /^miuiod si qoaoD i^lA^cf 'SUIUIOD saippoji 42uiinoD OJBS^JIQ ... • ( 'Suitnoo aju sujaq SuiABaM s^ajstKj •SuiuioD ajc sbuja^ ssapjaajq ^autrtjiBptfwa - •gujuioo s^BjaadduQ puB ^uiuiod oi uo^i a p i n *i|jva Suituoui aqi u( p^q^ Aojiujqa aqi mui SMOjq mcus uatfj^ 'iCjivo Sunuoui Dip ui d[\ 'dui joj on s^juiujpui aip ui dn a t ) ( f puy dM iwq) pay j, iujb2« sjjuis uaqi 4p»m b sjjujjq wtf snoiotdu aiuo ajjrj 'HjqtftiB|q>nosuoi jlb(o sdoad uoj *X|jBd Suiaioui aip ui asu uoq €03iSn joipot p j jq^ju 4b 5js 1£\avz ^ciuuotu aq) ui dQ 'am joj ou stf°uiujoui aq; ui dn •iCjaas uaddiu si isojj pity Spnq) sdu) Xojrinip aip ifujray l^pjrq u;|Jii saqoirajq o ^ fgpooM aqi duBuiB )iB|q aqi titsi stpto-g •Suuuoa sapu^oD MBJq aqj oas •ubuiom 4ap«f.a£ 'ojbis no£ a o h '3u£Woo"«pB| jap-ioq aiuuog ^gufiuoD sptiBui pus 'aouo sopiaid •Suttuoo sjdsuiiq 'Suiuiod s^qM t !jC(j«d Saiujoin aqi oi d g •aui Joj c-i s49uiu4o«i dtp da ^{ajuds inq p?aj /aip £ep , y f4q*jfi aqi 4« sjauenb ajjipjow jajgtts iCaq).s3uiq) j o o j 4q«nq jo dxfpaq uo )|i| sauui[ . . Suiujoui aqi u; asii u m ^ iui •] ssajjaddns joqjwj p j i£\jvo ^uiuioui aq> u; ^ 'aiu jcj ou ^Suiuiom oqi uj du aw^ jajUlM 94}t \*2f9 Q cpoq •qSnoq aqj 4i jjuuuo? m dwiji ^ ^ s 9 7 > What fate can be waur, in winter ttare, Than rise in the morning early. ., T H E KING'S MUSTER* T « * e — T h e Auld Wife ayont the Ere. Little wat ye wha's coming, Little wat he wha's coming, A Little wat ye wha's coming, Now the King himsel's coining. There's coaches criming, steam-hoats lamming, Targets'coming, turtles scumming, Bow Sireet, and Lochaber's coining W i ' pipes to mak£ a braw bumming, [\ ' - Littlet' ken ye wha's coming. Clans and clowns and a's coating. Curtis and his cook's coming, Glengarry and his tail's coming, Dakc and Dungwaessell's coming, And walth o' gaucie bailies coming. Little wat ye wha's coming, Npw the King hioiscl's ccmicg. Tartan s coining, muslin's coming, Gregarich's coming, Greenock's coding. Here's the bolly badge o' DrummoncH And there's a Gelt, that's but a rum one, * A cosey house, and a cantie wife, Keeps aye a body chcery: And pantry stow'd wi' meal and msat, ^ It answers unco rarely. Bnt up in the morning na, na na, Up in the morning early; » The gowans maun glint on bank aa' biae Ere I rise in the morning early. BAULDY BAISD. Banldy Baird's come again, Bauldy Baird's e»*ie again; Tell the news through burgh aod gtai, Bauldy Baird's come agaiui O Bauldy Baird can buy and stM Barrels o' herring, lades o' meal; Cheat till the good man be poor, And putch till the good wife look to»r; Laugh and clatter, curse and ban, Tell a lie wi' onie man. Tell the news to a' ye ken, That Bauldy: Baird's come again. Bauldy Baird can drink, I trow, Till a' the bodies roun' be iu'; Ilka ane that shares bis bicker, Kens how Bauldy pays bis liqiier, .' ' < � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Woodcut 073: Title-page illustration in a border with a triangle and dot pattern portraying a king sitting dressed in full regalia in an outdoor scene. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The King's muster, to which is added, Nae luck about the house, and Up in the morning early, and Bauldy baird, Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Nae luck about the house Up in the morning early Bauldy baird Date A point or period of time associated with an event in the lifecycle of the resource 1823 Extent The size or duration of the resource. 10 pages 16 cm Identifier An unambiguous reference to the resource within a given context <a href="https://ocul-gue.primo.exlibrisgroup.com/permalink/01OCUL_GUE/mrqn4e/alma9923347043505154">s0357b20</a> Contributor An entity responsible for making contributions to the resource Archival and Special Collections, University of Guelph Library, Guelph, Ontario, Canada Rights Information about rights held in and over the resource In the public domain; For high quality reproductions, contact Archival & Special Collections, University of Guelph. libaspc@uoguelph.ca, 519-824-4120, Ext. 53413 Format The file format, physical medium, or dimensions of the resource JPEGs and PDF derived from master file, which was scanned from the original book in 24-bit color at 600 dpi in TIFF format using an Epson Expression 10000XL scanner. Publisher An entity responsible for making the resource available Glasgow: R. Hutchinson, Bookseller Source A related resource from which the described resource is derived Archival & Special Collections, University of Guelph Library, Guelph, Ontario Type The nature or genre of the resource ballads & songs Subject The topic of the resource Chapbooks - Scotland - Glasgow Description An account of the resource Woodcut #73: Illustration on title-page (enclosed in border with a triangle and dot pattern) of a king sitting dressed in full regalia in an outdoor scene. # of Woodcuts: 1 Architecture: castle Bib Context: title-page Chapbook Date: 1821-1830 Chapbook Genre: ballads & songs Chapbook Publisher - Glasgow: R. Hutchinson Fashion (Clothing): regalia Gender: man/men Monarch: king Outdoor Scene https://scottishchapbooks.lib.uoguelph.ca/files/original/74126c72dd8e019e8929639a84342b97.jpg b4ca622ade21429384eb6e0c68f354ba Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Illustration on title- page a woman in conversation with a man in front of building. https://scottishchapbooks.lib.uoguelph.ca/files/original/44fbe0b77ea97939b7cfacf7bf3ff73c.pdf 76eb4ef55ec8a0930bcb4db70ec46b9e PDF Text Text KATHARINE 0G1E, T o which is added, JOHN ANDEUSON, MY JO, JEAN ANDERSON,-MY JO, M A 11 I A GLASGOW: JVWistitd and Sold, Wholesale and Retail, by R , Hutchison, Bookseller, 19. Soltoarket. �fi • K A T H A R I N E OGIEL ' As walking forth to view the plaiDy Upon a. morning early, While J^lpy's sweet 6Ceiy; did efceer my braiw, From flowers which grew so rarely; 1 chanced to nwret a pretty mak], V She shined though it Mas fo#ie: 1 jtsk^d her name^ sweet Sir, she said, My oame is K<|fch'rinc Ogic. V I stood Awhile, and did admire, To a j*ymph so stately; brisk iw air tjicre did appear 1,0 a country it aid so neatly:— gijcfr i>atVa! sweetness ihe displayed, Like lilies in a bogie; Ifeifta's self ww ne'er arrayed Like this same Kath'i ine Ogie. [Pfl^*. ... 4 w #Hiou flaw'r of females, beauty's quem> ' j : •. W h o secsAbeP.fcurp tppst prize theo; Though thou art drest i« robes but me&v, Yet these cannot disguise thee: T h y "handsome graceful l#ok, Excels each clownish togie; Tbou'rt match for4, tSlrd^or lord, or duke, My charming JCath'rijpe Ogie. >r ; �O ! wcte I bnt some shepherd strain, To feed my flock beside thee: At bughting-time to leave the plain, In flwlking to abide thlft; I'd think myself a happier man, With Kate, my clufb, and dogie, Than he that hugs his thousands ten, Ha<l I but Kath'rine Ogie. Then I'd despise th' imperial throno, And statesmen's dgng'rous stations, I'd be no king, I ' d wear ik> crown, I'd smile at co*Kjto*ring nations, M^rht I caress, and still possess This lass of whom I'm vogie; For they arc toys, and still look lesd, Compared with Kath'rine Ogie. h fear the gods have not decreed £or me so fine a creature, Whose beauty rare makes her exceed All other works in nature* Clouds of de-pair surround my love, That are both dark and foggie; Pitv my case, ye powers above! Else I die for Kath'rine Ogie. J O H N ANDERSON, MY JO. John Anderson, my jo, John, When we were first acquent, �4 Your locks were like the ravert, Your bonnif brow was brent; But now your head's turned bald, John, Your locks are like the anow, Yet, blessings on your frosty pow, John Anderson, tny jo. John Anderson, my jo, John, When uature first began To try her cannie hand, John, Her master-work was man: And you amang them a' John, Sae trig frae tap to toe, She proved to be nae journey-work, John Anderson, my jo. John A-nderson, my jo, John, Ye were my first conceit, And ye need na think it strange, John, Though I ca' ye trim and neat; Though some folks say ye're ait* J, John, 1 never think you so, But I think ye're aye the same to rive, JoIih Anderson, my jo. J.>hn Anderson, my jo, John, We've seen *ur bairns' bairns, And yet, my dear John Anderson, - I'm hnppy in your arms; And sue are ye in mine John, X'ni suie ye'il ne'er say no, �S Ffcougfi the days are gane that we ha*e J dim Anderson, my jo, Jplta Andersou, my jo, John, What pleasure does it gie, To see sae many sprouts John, spring up 'tween you and me; And ilka lad and lass, John, In our footsteps to go, Makes perfect heaven here on earttr, John Anderson, my jo. John Anderson, my jo, John, Frae year to year we've past, And soon that year maun come, J;ohn, Will bring us to our last; But let na that affright us, Johti, Our hearts were ne'er our foe, While in innocent delight we lived, John Anderson, my jo. John Anderson, my jo, John, We clamb the hill thc^ithcr, And money a can tie dkyi John, V 1 We've had wltli ail6 aiiithef; Now we maun totter df>wn, JohtJ, But hand in hand \4'l\ And we'll sleep the^nHher'ut the fwofj Jtdjp Andersoj^ my jo. j a w p i i i iat3 c r w < w > ' �6 1 J&AN A N D E R S O N , M Y JO. W U t f Nature first b ^ n n , Jean, Ta try her Dannie hand, It*s true she first made manx Jwti, And ga'e him great commanA; But iiaethin^ wad consent him, Jcart, Though king of a* below, Till Heaven in pity sent him, Jefctt, 1ft"hat niaisi he wished—a jo! 'Bhough some may say Tm auld, Je'an, And say the same of thee, ISVer fret to hear it tauld, Jean, You still look young to. me: Ami weel t mind the day, Jean, Yonr breast was white as snotv, And waist sae jimp ane might it spa ft, Jerfft Anderson, my jo! ' Our bonnie bairns' bairns, Jean, With rapture do I see, Come todlin to the fire-side, Or ?it upon my knee; I f there k pleasure hcje, Jean, Or happiness helow, Tbi* surely maup be likest it, Jean Anderson, my jo. Though age has sillafred oWre my pow Siupe we were first acquent, �7 And changed njy flossy raveti loek>, It's left us still content; Aad eild ne'er conies &anp, JeaTL But aft brings mony a wo, Yet wu'vpnae e^usefor sic.jcoinpl^n^ Jean Anderson, my jo. In innocence we've spent our And pleasant looks the past; Nae anxious thoughts alarm u^ Wc'er chqarful t;o the last: Till Death knock at pur door, Jean, Aud wnrn us With to go, Contented we will and love, Jean Anderson, my jo, ltf* now a Ipng time, Jc&nf Since you arid I begun To ftptachel up life's hill, Jean, Our race is nearly run; W e baith hae done our best, Jean, Our sun is wearing low: Sae let ns quietly sink to rest, Jean Anderson, my jo. 'Twas near a thicket's caloi retrcr**, Under a poplar tree, Maria chose her lonely seat, To mourn her sorrows frrq. �8 Wef ioyplj form wa^ tweet to view, As dawn at opening d^y; ' liui, ah ! she mourn'd her love aot tme, Am! wept her cares away. T he iirook flmvM gently at her fef!, ID murmurs smooth aloiiir; " Her pipe, which once she tun'd so ill c . Had now forgot its song. N® more tP chai m, the va)e «he trie*, For gnet%jis fill'd her breast; Fled are the joys us'd to prize, Arid fled with them licr rest. Poor hepless maid ! who can bebo&l Thy anguish so severe,1 (>r hear thy lovq-lorn story told. Without a pilying leor ! Maria, hapless maid, adieu ! Thy Sorrows soon must cease; £0011 heaven will take a maid so tru* To everlasting pcaee. tflNIS. it** Tjfano! nod ^ffeiic. i3ft ciuoia t>i � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Woodcut 072: Title-page illustration in a single ruled rectangular border of a woman in conversation with a man standing in front of building. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Katherine Ogie, to which is added, John Anderson, my jo, Jean Anderson, my jo, Maria. Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. John Anderson, my jo, Jean Anderson, my jo, Maria. Date A point or period of time associated with an event in the lifecycle of the resource 1829 Extent The size or duration of the resource. 8 pages 16 cm Identifier An unambiguous reference to the resource within a given context <a href="https://ocul-gue.primo.exlibrisgroup.com/permalink/01OCUL_GUE/mrqn4e/alma9923346353505154">s0361b07</a> Contributor An entity responsible for making contributions to the resource Archival and Special Collections, University of Guelph Library, Guelph, Ontario, Canada Rights Information about rights held in and over the resource In the public domain; For high quality reproductions, contact Archival & Special Collections, University of Guelph. libaspc@uoguelph.ca, 519-824-4120, Ext. 53413 Format The file format, physical medium, or dimensions of the resource JPEGs and PDF derived from master file, which was scanned from the original book in 24-bit color at 600 dpi in TIFF format using an Epson Expression 10000XL scanner. Publisher An entity responsible for making the resource available Glasgow: R. Hutchinson, Bookseller Source A related resource from which the described resource is derived Archival & Special Collections, University of Guelph Library, Guelph, Ontario Description An account of the resource Woodcut #72: Illustration on title- page a woman in conversation with a man in front of building. Type The nature or genre of the resource ballads & songs Subject The topic of the resource Chapbooks - Scotland - Glasgow Courtship and Marriage # of Woodcuts: 1 Architecture: window(s) Bib Context: title-page Chapbook Date: 1821-1830 Chapbook Publisher - Glasgow: R. Hutchinson Gender: man/men Gender: woman/women Nature: tree(s) Outdoor Scene https://scottishchapbooks.lib.uoguelph.ca/files/original/c80b19e865bb25ed64f26f664c5337d8.jpg aeb3081bc54252d901962b852b36f04a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Illustration on title-page of a tall ship at sea. https://scottishchapbooks.lib.uoguelph.ca/files/original/5d8c78482499df09e8063f1995cd5d33.pdf 75338055f62b625882f2b5db9ddb43c1 PDF Text Text George and Britain Save; o wh c \ d ed. The Plowman's Dittv, Lay thy loof in Mine, Lassie, By Logan Streams. STIRLING: P R I C E D BY W MACNIS« 1S&5. �I G E ^ R G E A N D BR T U N S A V E . W h i h reeds of Uei! deface the world, and Gallia% thfon; in iuin lies. Whil r und be wo id n v o t t is burlNl, and Dhco*d># banefuii boni er fi e f . Loud s all th loyal Briton sii>g T o a r ^ s ! to arms ! your biiCAlers biiag f T o s i 4d . ur C o u n t r y gua d our Kiag, And George and Britain save* Nc^er t>hall th* d*sol#ti: g wOp, Th 1 sh* es iviti ho. ror Europe o'ar, T o u« U hideous iim c s ew\ Of 1 ep in bio m this happy ihore* Firm a* out lock-bouod i J e we'll &tMid, Wi;h *va'chfuJ eye an^i iion batii, T 6 wit:l«i the n r ^ h t ot Biiiain'ft land, A n d G orge anci Britain save- / T h i e wUe t r e a t i n g f r u *y buma* A n i p i o s t w e netim> iiiourn in rflgflf, Hi^rrly e \ c th* Baton turns To Edward*® an4 ra H m a i ' i / / V �5 A« o'er tft ir c o r q u e r i n g U r n h* suh&, T o u e h ' d b y t e ; r fitness p r o u d fi e h i cries> M T h u s o ' e r o u r foes «*ell evfcr ri e , gt A n d G e o r e a n d B i i a t a •ive.'* 0 f t F«RCy viawg t h e m on t h e d e a p , A n d t u r n i n g u t h .ir ia-ron» roll, W h e r e g r e a t EHz t * a hes s l e - p , W i t h t r i u m »h fills e a c S 'ritoraS soul* A s D r a k e an J Raleigh e t c h (he g l a n c e t 11 Advance h e c i t*, r a s i f ioU a i v a n e e I T h e g r v* of ^pai» sh II 4< p a for P r a n c e t And G e o r g e a id B r i t o n $ a v e V "What prompts these restless foes of life T o dare our dreaded arms again ? W h a t , but the hope that party strife H a s broke Britannia s shield in twain ? B u t know thev not, when F r a n c e is near, T b e war of tongues' is silent here, T h a t all my grasp B r i t a n n i a ' s spear, A n d G t o r g e and Britain save, N e ' e r in the pinch of Britain's F a t e , Shall Statesmen's rival Feuds be known, O r Faction strive, with thwarting hate, T » break the British B u l w a r k d«wn ; �4 N o ! round the Alter of our Land, Llnk v d in one soul, the British Bar<!# $iiall firm in sacred Union stand, And George and Britain Save. Though Moral Order sink to the ground. Though all thi' Virt ues trodden lie Though Fury tear the nations round, And Blood «nd Rapine fill each eye J N e ' e r khall rhe Storm here turn his flight; While Britinh hearts at home*unite To gaide our thought, to guard our rigbfc, And George and Britain save. O happy I*le 1 wise ordered State \ Well tempered work of Freedom's N o shock of realms can touch thy Fato If Union binds thy §^a-girt Land : Vniiily the «torm shall round thee ring. While Britain's Sons in concord sing, 4i We'll shield our country guard our i{ And George and Britain save/* THE PLOWMAN S DITTY. B'-c.^We I'm but poor, And slendor my store, �5 Bhat I've nothing to lose is the cry p L e t who will declare it, I vow I can't bea» it, I give all such prater® the lie. Tho* my house is but small, Y e t to have none at all, W#«ld sure be a greater distress, Sir, Shall my garden, so sweet, And my orchard, so neat, Be the prize of a foreign oppressor ? On Saturday's night, Tis still my delight, W i t h my wages to run home the faster, But if Frenchmen rule here, T may look far and near, But I never shall find a Pay-master. 4 I>ve a dear little wife, W h o m I love as my life, T * lose her f should not much like, And it would make me run wild. T o see my sweet child, W i t h it's head on the point of a pike. I've my Church too to save, And will go to my grave �§ lit defence of a Church that's the best} my King, too, God bless hiro, L e t no one oppress him F t r Bene has be ever opprest, British Laws for my guard, M y cottage is barr'd j x Tis safe in the light or the dark, If the 'Squire shou'd oppress, 1 get instant redress, M y Orchard's as safe as his P a r k . M y Cot is my Throne, W h a t 1 hare is m< own, A»4 what is my own 1 will keep, Should Boni come now, ' T i s true 1 may plow, B u t I'm sure that I never shall reap* N o w do but reflect W h a t 1 have to protect \ T h e a doubt if to fight 1 shall choose, King, Church* Babes and Wife, Laws, Liberty, Life, N e w tell me 1 have nothing to lose. Then I'll beat my ploughshare To a sword or a sptar, �And rush on those desperate m e n : L i k e a lion I'll fight> That my spear, now so bright, M a y soon turn to a ploughshare again I L A Y T H Y L O O F IN M I N E L A S S . • L a y thy loof in mine In mine lass, in mine las?, And sweat on thy white hand. Lass, T h a t thou wilt be m ain. A slave to love s unbounded swav» H e aft has wrought me m d k l e wae i u t now he is mv deadly fae Unless thou be mine ain. O l*v thv loof in mine Las«. )n mine Lass in mine Lass, &<?« monk? a Las;? has broke my m t , That for a blink 1 ha o lo < d best j l i t thou art Queen mthitt my breast, Fqv evtr to remain* 0 lay tby loof U\ m m Lans, In mine Laua in m m I<aw« A&d Bweav on thy white Imml, h m , T h a t thou wilt be tny aia* Tfcsce's �8 -Dear L a d gin we'll be lee.l and true, T h e r e ' s nane 1 like sae weel as \ou f there's mv loof I swear and vow f F o r life to be vonr ain. H o w there's m loof in thine Lad» fo thine L * d , Jn thine L a d h hopes you will prove kin* L a d * And tak me for vour ain. BY LOGAN S REAMS. B y L o g a n streams that rins sae deep^ H o w a f t wi' jalre l y e herded >h» ep f H e r d e d sheep and gather'd slaes. W i ' my dear lad on Logan brae*. B u t lacVa-r.ee ! these da are gane, And 1 wi' grief mav benl my lane While mv dear lad mauu fare bis faea, F a r , far frae me and Lo^an braes, N a e mair at Lotrnn k u n will b© Atsveen the preaching* meet wi* me j M e e t wi' me and when i t s m u k , Convev me hame frae Logan Mrk. W e e ! may I sing the days are gane, F r a e kirk or fair I come mv lans j While mv dpar lad maun face his f g ^ F a r f a r lYas me an«! Logan braes* FiNIS. �• - : f. •SiMfJ *»st •SIHDVW M AH a i i ^ I H s l * O N 11H1JLS &S V- J ' u ^ S o r j pu« -no j«f *ftd«j <m{ aaej uimu p«| JttJp <101 I Mtl fHUO'J j «t»MJ| JO ^jipl 9Jtt atji iltiia { A«UJ •5f.lt U»J30'| ASAUO^ VltU tfjt UMjAl pU« aiU ,JAl ? oui ^IM j ^ u i s^uh)dttai(( uaaiuv «i| j|IA* llt<30>f ^ IttUU •fMttiq U^^oq \}\XV 9'U »GJJ JKJ ••3TJJ SU| 9J«| till Bill |)R| Al" °\V\M. XlU j)ljq ABU1 t\A\ | p u y ^UBff 4-IH Bp Jwaqi j 40$ •y^ujf} uK^oq; tso pef JBJp Aui s p .taijiKtf pun dj-H[$ p^p-i^ftj ' d a u j s p a p j j q ^A j tm •da.jp aBs suti jBqi sJiBaajy UBtfcrj a f [ •SRV3LH c £i«rarj tti jooj iCqiXtrj S JSLVOOJ A 3 *UlB JllOA .10} JHU TJBJ pay* pr II!41 l , 0 A s 3 doq lif pv.rj aujq* of auiqj JUJlji ui jooj ui e,ajaqi •ute JUOA aq o\ ajij joj[ • P I <Ar>iQ s u«ra^o[j[ oqj, pa p i 0 l|Al O , **oa pa« *no \ S B ( OA^g i i r e ^ u g put? | jooj Aui f^jaqj «»*£ «B JS | a B S9i4tlX UU 9M\ pus p ^ l oq l|f9M p*'J -IBO^J 8 N o ! round the Altc;r of our L a n d , B h a t I ' v e nothing to lose is the cry \ Link v d in one soul, the British B a r 3 , L e t who will declare it, $iiall firm in sacred Union stand, I vow I can't bea» it, And George and Britain Save. Though Moral O r d e r sink to the ground, Though nil th^ V i r t u e s trodden lie Though F u r y tear the nations round, And Blond Bud Rapine fill each eye 5 f N e e r Jiall rlie Storm here turn his (light; W h i l e Britinh hearts at home* unite T o gaide our thought, to guard our r i g h t , And George and Britain save. O happy Isle ' wise order'd State \ W e l l tempered work of Freedom's h&nd^ I give all such prater* the lie. T h o ' my house is but small, Y e t to have none at all, Wetild sure be a greater distress, Sir, Shall my garden, so sweet, And my orchard, so neat, • e the prize of a foreign oppressor ? On Saturday's night, ' T i s still my delight, W i t h my wages to run home the faster, B u t if Frenchmen rule here, N o shocjl of realms can touch thy F a t e T may look far and near, I f Union binds thy S-a-gii t L a n d : But I never shall find a P a y - m a s t e r . Vainly the «torm shall round thee ring. While Britain's Sons in concord sing, " W e ' l l shield our country guard our And George and Britain save/* P v e a dear little wife, W h o m I love as my life, T * lose her F should not much like, And i t would make me run wild. T o see my sweet child, THE P L O W M A N S DITTY- W i t h it's head on the point of a pike. B'-c m<- I ' m hut poor, I ' v e m y Church too to save, And slendor my store, A n d will go to m y grave �4 JBad8 « 40 p40M« « OX t 0M0p t f s p u g aqi 3f«d4q OJ, 'ajeq Bujj.iwAAtj i qiiH ^ a t j i s uo«pwj[ 1 0 'aMOUJj aq «pnag |«A14 ^uauisajvjg ||BI|g s,ui#4ijg jo ipuid 34; ui oa«q«q8no|d naqx • « o | o) Sniipoa 8A*q | aia *aA«8 fnuiuff;' put? aftio-**} p u y 'jtjads s ^ t u u t n u g dh^aS u jtJiij, •djaij }ua||s sj ^sanfluoj jo 4 m a q j , 4 4«au si a a u w j Uaq/A «jou .*aqj MoUif inff ^ uitJMj uj p|ajqs 8 tJiuuv^ug a^oaq st?n o j u j s Ai4*d adoq aqj jnq ^ uivSns bWin paptjajp 4no a4up o j , ojH jo saoj s^apsaa asaq* $jdu)04d m •asuoqo jpiqa \ oj jt }qnop * a q £ 4 pajo4d 0% 3A«q J j s q ^ j a a g a j jnq op m o ^ nlsa* jjuqe aaAau \ wns of,} > * ( •A\o|d A*va j a m i SJX, *A\ou otuoa iuojj Pl«oq§ 4 daai( \\m \ qmo Ata si 4 umo A»U 8i aA«q j < auo4i{x Ara si ^03 Ajf uoiug pttea^joaf) puy>f •aoucj^ j o j t d 11 tj® i l t d * j o •a 4* a q x # f3«uBA)B * j u t j tSE4 l^O aq aauBApy M cq* qoj>0 fUte 95|WQ s y • p o s fi,tioiur i ^ o S | i g M' w n p i q i i ^ •d*a|s s a q e v s ^ g «|[04 t u o 4 e r b > Ji* m * £r>iujnt p a y ' d e a p atji uo uiaqi smpia Aqsb^ Stq SB 9J«8 815 8/p4«qOJQ jC|f ' s s a j p a j }Q«)sui ( 4 ssa4ddo p^noqs ajinbg 4 aqi jj *3j4Bp aqi jo pq? ui ajBS sj^v c . p4i4i?q si 4 p4Btl3 XlU JOJ SiUVrj qsi>14^ c w t 9 pue a j o a Q p u y , , •a 14 >oa3 fi,a* saoj jiio 4s4o s n q x h *89ijo cq a tj pnojid s^aunj 4»a ^ Xq P/qonoj, ")sa4ddo JiaAa aq seq auiii m j uiiq ssajddo ouo ou ^a^j •oiiq ssajq po^) ^o^ Xoi oa^j - q u4fl ^uiaa^baoD 4i< q i aa4o tiE i )saq aqi s ^ q i ipanq^ « j o aauajaf iff € G E O R G E A N D BR T U N S A V E . Whil* reeds of IIei! deface the world, and Gallia's th?on; in iuin lies. Whil r nod he wo Id n volt is butM, and Di*co r d^ banefuU b°nr tr fi e f . Loud s bll t*i loyai Brit on sing T o arms ! to artos ? your hiiCAlers bitog t T o s v i ld • ur Court'y gua d our Kiog f And George and Britain savec Ht^er shall thV d^solsti: g wbP t Th t sh* es wit'i ho.rur Europe o'tf, T o u« is niveous inn e s ew, O r 1 ep in bio jo this happy dhore* Jirm a* out lock-bound ule we^U *imiB Wiih watchful eye ana iton baiil, T i witda the niftght ot Britain'* b a d , Ami G orge ana Bnt-in save* •J .; 'r • \ "TW e wlio thjeatia^ frtr,*y barnl. And piostrare i ^ e t l m tiiourn in tli^rrly 1ms e \ e lU* Baton turns To E o w A f t ^ s ana to H s a i t f ' a And rush on tho«e desperate men i L i k e a lion I'll fight \ That my spear, now so bright, May soon turn to a ploughshare again | L A Y T H Y L O G F IN M I N E LASS. 0 L a y thy loof in mine In mine lass, in mine lass* And sweat on toy white hand ; Lass, That thou wilt be ov ain. A slave to love s unbounded sway, Me aft has wrought me meikle wae But now he is mv deadly fae Unless thou be mine ain, O Itfv thv loof in mine Las< la mine Lass in mine Lass, See* monle a Lass ha* broko my m t f That for a blin* 3 ha« lo< d btst \ Bat thou art Queen within my b ^ a t f , X?or evfer to 0 lay thy loof in m m Tfcare's In mitm trm in mrm l.m** A*d sweav on thy white Imnd, h m , That thou wilt be my � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Woodcut 071: Title-page illustration in single ruled border of a tall ship at sea. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource George and Britain save; to which was added, The plowman's ditty, Lay thy loof in mine, lassie, By Logan Streams Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. The plowman's ditty, Lay thy loof in mine, lassie Date A point or period of time associated with an event in the lifecycle of the resource 1825 Extent The size or duration of the resource. 10 pages 15 cm Identifier An unambiguous reference to the resource within a given context <a href="https://ocul-gue.primo.exlibrisgroup.com/permalink/01OCUL_GUE/mrqn4e/alma9923321943505154">s0410b38</a> Contributor An entity responsible for making contributions to the resource Archival and Special Collections, University of Guelph Library, Guelph, Ontario, Canada Rights Information about rights held in and over the resource In the public domain; For high quality reproductions, contact Archival & Special Collections, University of Guelph. libaspc@uoguelph.ca, 519-824-4120, Ext. 53413 Format The file format, physical medium, or dimensions of the resource JPEGs and PDF derived from master file, which was scanned from the original book in 24-bit color at 600 dpi in TIFF format using an Epson Expression 10000XL scanner. Publisher An entity responsible for making the resource available Stirling: W. Macnie Source A related resource from which the described resource is derived Archival & Special Collections, University of Guelph Library, Guelph, Ontario Type The nature or genre of the resource ballads & songs Subject The topic of the resource Chapbooks - Scotland - Stirling Description An account of the resource Woodcut #71: Illustration on title-page of a tall ship at sea. # of Woodcuts: 1 Bib Context: title-page Chapbook Date: 1821-1830 Chapbook Genre: ballads & songs Chapbook Publisher - Stirling: W. Macnie Outdoor Scene Transportation: ship/boat(s) https://scottishchapbooks.lib.uoguelph.ca/files/original/b1685e9ba97b673ff35429fb2e042744.jpg 4fde162cab5051d0a7a216d371e5aef6 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Illustration on title-page of a young woman in profile sitting with hands crossed on lap, gazing downwards. https://scottishchapbooks.lib.uoguelph.ca/files/original/f063fbc13f66ac992cbb9911f766af94.pdf e9556fdd350c0082e8b26c1aea66fc6e PDF Text Text GLASGOW PEGGY; TO WHICH IS ADDED THE FAVOURITE BALLAD OF THE DROWNED LOVERS. GLASGOW: PRINTED FOR THE BOOKSELLERS. 74. �GLASGOW PEGGY A B O N N I E laddie brisk and gay, A handsome youth sae brisk and gaddie; And he is on to Glasgow town, To steal awa' his bonnie Peggy. When he came into Glasgow town* Upon her father's green sae steady ; " C o m e forth, come forth, old man," he says, 44 For I am come for bonnie Peggy." Out it spake her father then, " Begone from me, ye Highland laddie ; There's nane in a' the west country Dare steal from me my bonnie Peggy." I've ten young men all at my back, That ance to me were baith true and steady; If ance I call, they'll soon be nigh, And bring to me my bonnie P e g g y . " w Out it spake her mother then, Dear but she spake wond'rous saucy; Says, " Ye may steal my cow or ewe, But I'll keep sight o' my am lassie." �3 " Hold your tongue, old woman," lie says, " Ye think your wit it is fu ready ; For cow nor ewe I ever stole, But I will steal your bonnie Peggy." f Then all liis men they boldly came, That was to him baith true and steady; And through the ha' they quickly went, And forth they carried bonnie Peggy. Her father gae mony shout and cry. Her mother cursed, the Highland laddie But he heard tliem as he heard them not, But-fix'd his eye on bonnie Peggy. He set her on his milk-white steed, And he liimsel' on his grey naigie, Still along the way they rode, And he's awa' wi' bonnie Peggy. ** Says, " I would gi'e baith cow and ewe, And sae would I this tartan plaidie, That I was far into the north, And alang wi' me my bonnie Peggy." As they rode down yon pleasant glen, For trees and brambles were right mony There they met the Earl o' Hume, And his young son, were riding bonnie. Then out it spake the young Earl Hume, Dear but he spake wond'rous gaudie ; " Ijai wae to see sae fair a dame Riding alang wi' a Highland laddie." �4 " Hold your tongue, ye young Earl Hume, 0 dear but you do speak right gaudie ; There's nae a lord in a* the south, Dare e'er compete wi' a Highland laddie/' Then he rade five miles through the north, Through mony hills sae rough and scroggie, Till they came down to a low glen, And he lay down wi' bonnie Peggy. Then he enclosed her in his arms, And row'd her in his tartan plaidie ; " There are blankets ^and sheets in my father's house, How have I lien down wi' a Highland laddie! " Says he, " There are sheep in my father's fauld, And every year their wool is ready ; By the same our debts we pay, Although I be but a Highland laddie. " There are fifty cows in my father's byre, That all are tyed to the stakes, and ready; Five thousand pounds I ha'e ilk year, Although I be but a Highland laddie. " My father has fifty well shod horse, Besides your steed and my grey naigie ; I'm Donald o' the Isle o' Sky, W h y may not you be ca'd a lady ? * See ye not yon fine castle, On yonder hill that stands sae gaudie ; And there we'll win this very night, Where ye'll enjoy your Highland laddie." 4 �THE DROWNED LOVERS stands in his stable door, And clapping at his steed ; And looking o'er his white fingers His nose began to bleed. WILLIE Gi'e-corn to my horse, mother, And meat to my young man ; And I'll awa' to Meggie's bower, I'll win ere she lie down." 44 O bide this night wi* me, Willie, 0 bide this night wi' me ; The best an' cock o' a' the reesfc At your supper shall be." 44 *4 A' your cocks, and a* your reests, 1 value not a prin ; For I'll awa' to Meggie's bower, I'll win ere she lie down." " Stay this night wi' me, Willie, 0 stay this night wi' m e ; The best an' sheep in a' the flock At your supper shall b e . " A ' your sheep, and a' your flocks, 1 value not a prin ; For I'll awa' to Meggie's bower, I'll win ere she lie down." 44 " 0 an' ye gang to Sae sair against The deepest pot in My malison ye's Meggie's bower, my will; Clyde's water. feel. �6 " The gude steed that I ride upon, Cost me thrice thretty pound ; And I'll put trust in his swift feet, T o ha'e me safe to land." \r As he rade ower yon high, high hill, And down yon dowie den, The noise that was in Clyde's water Would fear'd live huner men. " O roaring Clyde, ye roar ower loud, Your streams seem wond'rous Strang, Make me your wreck as I come back, But spare me as I gang." Then he is on to Meggie's bower, And tirled at the pin ; 44 O sleep ye, wake ye, Meggie," he said, 44 Ye'll open, lat me come i n . " " O wha is this at my bower door, That calls me by my name ? " 44 It is your first love, sweet Willie, -This night newly come hame." I ha'e few lovers thereout, thereout, A s few ha'e I therein ; The best an' love that ever I had, Was here ju-st late yestreen." 44 The warstan stable in a' your stables, For my puir steed to stand ; The warstan bower in a' your bowers, For me to lie therein: My boots are fu' o' Clyde's water, I'm shivering at the chin." 44 �7 " My barns are fu' o' corn, Willie, My stables are fu' o' h a y ; My bowers are fu' o' gentlemen, They'll nae remove till day." " O fare-ye-well, my fause Meggie, 0 farewell, and adieu ; * I've gotten my mither's malison, This night coming to you." As he rode ower yon high, high hill, And down yon dowie den ; The rushing that was in Clyde's water, Took Willie's cane frae him. He lean'd him ower his saddle bow, To patch his cane again ; The rushing that was in Clyde's water, Took Willio's hat frae him. He lean'd himto'er his saddle bow, To catch his hat through force.; The rushing; that was in Clyde's water. Took Willie frae his horse. His britlier stood upo' the bank, Says, " Fye, man, will ye drown? Ye'11 turn ve to your high horse head, And learn how to sowni." " How can I turn to my horse head, And learn how to sovvm ? I've gotten my mither's malison, It's here that I maun drown!" The very hour this young m?n sank Into the pot sae deep, �8 Up waken'd his love, Meggie, Out o' her drowsy sleep. " C o m e here, come here,,my mither dear, And read this dreary dream ; I dream'd my love was at our yates, And nane wad let him in." Lye still, I s t i l l now, my Meggie, Lye still and tak' your rest; Sin your true love was at our yates, It's but twa quarters past." 44 Nimbly, nimbly, raise she up, And nimbly pat she on ; And the higher that the lady cried, The louder blew the win'. The first an* step that she stepp'd in, She stepped to the queet: " Ohon, alas ! " said that lady, " This water's wondrous deep." The next an' step that she wade in, She wadit to the knee ; Says she, 44 1 could wade farther in, If I my love could see." The next an' step that she wade in, She wadit to the chin ; The deepest pot in Clyde's water She got sweet Willie in. " You've had a cruel mither, Willie, And I have had anither; But we shall sleep in Clyde's water, Like sister an' like brither." � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Woodcut 070: Title-page illustration of a young woman in profile sitting with her hands crossed on her lap and gazing downwards. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Glasgow Peggy; to which is added the favourite ballad of the drowned lovers. Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. the favourite ballad of the drowned lovers. Extent The size or duration of the resource. 8 pages 16 cm Identifier An unambiguous reference to the resource within a given context <a href="https://ocul-gue.primo.exlibrisgroup.com/permalink/01OCUL_GUE/mrqn4e/alma9923323403505154">s0411b21</a> Description An account of the resource 74 printed at foot of title page Woodcut #70: Illustration on title-page of a young woman in profile sitting with hands crossed on lap, gazing downwards. Contributor An entity responsible for making contributions to the resource Archival and Special Collections, University of Guelph Library, Guelph, Ontario, Canada Rights Information about rights held in and over the resource In the public domain; For high quality reproductions, contact Archival & Special Collections, University of Guelph. libaspc@uoguelph.ca, 519-824-4120, Ext. 53413 Date A point or period of time associated with an event in the lifecycle of the resource 1840-1850 per National Library of Scotland Format The file format, physical medium, or dimensions of the resource JPEGs and PDF derived from master file, which was scanned from the original book in 24-bit color at 600 dpi in TIFF format using an Epson Expression 10000XL scanner. Publisher An entity responsible for making the resource available Glasgow: Printed for the Booksellers Source A related resource from which the described resource is derived Archival & Special Collections, University of Guelph Library, Guelph, Ontario Type The nature or genre of the resource ballads & songs Subject The topic of the resource Chapbooks - Scotland - Glasgow Courtship and Marriage # of Woodcuts: 1 Bib Context: title-page Chapbook Date: 1841-1850 Chapbook Genre: ballads & songs Chapbook Publisher - Glasgow: Printed for the Booksellers Gender: woman/women