6 10 639 https://scottishchapbooks.lib.uoguelph.ca/files/original/2fb4f28232dcd755f3f5348ed755d80b.jpg 0fc146dba292429ba406c949ee58ecbc Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Illustration on title-page of three figures, each facing the viewer; the figures likely represent a woman with two birds on her head and two children to her right and left. https://scottishchapbooks.lib.uoguelph.ca/files/original/a06d4f161ca75b84613d0d82fc1442ac.pdf 0426a9580f72ba817ab854844b1d207e PDF Text Text JUL,. 3 f: I,afs o f Ciicpihee, AI >rH T-heLi^htv D o f i h c ^ o c n , frg^. v . . . . , -^Jiitgapn | Breaking o f the "tones. i i* Y'alkir.H, P / i n t c d r y ' T r . / | �W f c • ' T U Z r:iSS o' * ' /%'>< G L E N S H E E . N a c / ^ v day wlxm the heather was b f o o n r a ^ " a r d t : e fitent hiil h u m m e d m i fore laden d b*e> I met a fair maid. a< 1 hi.roeward wcs r ding, a-herding her (hctp on the hill o' Glenfn:©. The r cfe in her che- r it was gem'd vri^a cl'»mp!e, * a 4 Wvihe were the blinks o 1 iver bonny black e*«, • .Her face fo enchanting, f*j neat ard fo h9ndfome, M y .heart foon belong'd to the Lafs o* Glenlhee. I kifs'd ancica^fs'd her, 8rd-faid, M y dear Lafiie, . if vou would but £0 to Sr Jihnfton wi' me. There's none of the fair lhaii fct a foot on tlie caufe^ way. w With' cleading mbre fi ^c than the Lafs o' Glenfhee A carriage <-f pleafure you (hall hae for to ride 'peak an' folks fhi'l fa v Men. wSan t^.ey fpeak unto thee; ir • Servants you hae fcV.to do your bidin\ o* 111 make you my Laay, the Lafs < GUnfete. «v I It's mock me nae rnair wi' ycu» carriage to ride in, nor think that vour grardtur I value a flee, would t'oinfc rnvfef happy m' a coatie plaiden, tvi an innocent herd on the bills o ' Glen&ce. dekr laHie Gabd^ma's e'ear waters their courfe, atfd run back trae the leff, �f ('3:) . "Her brfcve hardy fpns may fubmlt to foes' fetter;,, but ctafe and beiicve not fuen bafe&cfs ia The Urk may forget to rife in the morning, the fpr'u g may forget to revive on the lea, But never will ' / w h i l e my fenfes govern me, forget to be kind to the Lais o' GknUiee. O let me alane, f >r I'm fure I would .blunder, and let a' the g e n n y a- iaugiiinp. ai me; They're book-taught in manners, baith au] j &c\oung, but we ken but little o ti.at in. GienfLcc. *ti / They would fay, Look ye at him, xvV his Highland fet up for a (ale in a window fo high, Lady^ Roll'd up like a svatch in a hamely ; fpun plaidie> and pointing'towards the Laf* o' Gknftice. D o not dream of fie (lories., but come up behind me, crt P oebus go round, my fwcetbride thou, (halt b f , This night in my arms I'll dcat you f" kindly I She imii'd and contented—I took her wi' mc» N o w years hae gane round (incc webufked together, and ftafous iiae chan>:'d. but xvae changes wi m e ; jflShe'* ave as gav as the firrs fuinmer-weather, tr'heiif • fun 's at his height on the ^ T o meet wi* my Jeanie. away I wnu>d ven'urc, file's (wcet as the eel o that rings on the lea, ^ She's fpotlefs and pur* as the robes in the winter, tthen la,d cm to blc&ch en the hills* GicnQ>j/i �OF THE MOOff, iM on a furamer.ev-cBix*g^ merry rnonui o f M f y * had qrfat my wearing, through the grove i chanced to (trey; There i met with 1 vefy SaHy, b'oom-ng like Jhe rbfe in June; I did nr>t tarry lofcg for to dvlfy, bat kifted her well b y the light o f thfiadoMi Thou fajrtft of'the {6ft creation, while I enjoy thefe happy hoit?^ 4 Be not fhv unto me Sally, for*' have thee in my power* Then I clafpsd her in my arms. juft like e (tower when ir> i t g . b i o o m ; Unto my bofom I did prefsrhorand kiflVd her well b> t e light of: I prefTed her to a bank of rofes, while -flit erred. Yonng man f o r b e a r ; . D o not-hurt me, (he iaici, Johnny, or I'll tear you by the hair. Bbn't you fee my clothes are tpra* my handfome cap and new balloon h The more fee grumbled, the moic I tumbled, ii iTed hci- w d i by. the l i ^ h i v i ^ ' • I then lifted her by tfie h i n d , while {he gave a h t a v r n g f j J �mam Ida not leave nie* (hfi cued. do not leave ine> or n i die* Ovber maids ibf y, will difdazn m i , and fay I have played the wanton fran,^ O j not 1eav*% mc i»crr a-p n:i>;. condolin&rf^y fau fl h> *hq y i l of iha mre H r t b e n f a i d My i -.eiv Sally, be not t-oubWf ii t Since thouVt y»e!dcu.i)-y rearms to ejic, I'll .bis true to t l f e ^ t u faTd, , l T b o ' / J i y father he nek a d tteai&y, and he q^YFs me a GlJy c } •wru N o w we bave got a fecH't pleafutV, for to dandle t f t e m k i by the l i j i i 91*t}x'ttihgn. T h y father he ts rich and wfeak-rfy, and-htt hai no child -but ; A n d t t y father he has gold in plqu?y ? he rrmft leays it r.ll to U < e ; Or if he docs not, Til make * bargain, . j The firfl of us thar doe? Ve&qt* - tnyfl dandle theibitd by the light of the moc-a, Wli^n.fix long month* vfe? ar.d over, Sally's Waift beg,an to f w c f ! ; Por -a long time fhe k e ^ i: 1 olu poor g i d , (he clu^ fi nfcr :el\VBut when l^er father '0 know k,.. he did rape frbm m ^ fr t*ii ncon^ .he rcafui you ma^v ^ • . it, "war rearing tiiec!V;Hb t t o • ^ i r t t f the �, i m ',3pp1n€d rh n fummer-evefitBgj L*in»t her father alf alone ; W'hco he c: led • ) cru>! you're left r mv Sa'l / kTt » B f t if v ' :tr V>» ; -i 18 v a b l o o m , 'v* Ff-pf •< w -i* I'll quickly pay th?c, ,, '-Mi i - my *and by tho light of moon." I V n r n e o w d v I married Sal^y, early b j the uvsrrring dawn; Then : ttitdr him p-4y her p >rtioq, on the table p*y r d o * o . 1 did not fairy for to cotwt it, nor to lo k it over again, But i fwept it ail into iter aprofi, a fine Jucky-penny, by the light of the mson. toe brbak;xg o? the srO:c&s. the vear eijtteeti hundreds I thyilr. and fix'een. In the month of December, the ft oft ftiarp ana keen, When trade it was dull, and the prices were low, In feaich of hard labour away i did d o : The of Tuftcna c$ piy mind cfid c o m p e l r o jtim a ilorc-quarry near the Ladv-weii. For to b eafc. w u i l , and eavry, as I u n d e r f l ^ d : Tiw were fauM. but lhS p.!J it Wjs �v W-e e n t e r e d c u r f 7 ) and t o w o r k did repair^ §Hch m^vn go^ a A i d i n g a-d.ty f o r !>ic i h « r c , Soirrc brt&kirig w i n d i n g . f i n e Carrying A l l o w i n g thar final t fi?>. w e r e V> ith a fct o f t ' w a v e v/< fetter thati r o n e , Hke ' r u e ' f r a c b es w r o u g h t rih ; V : s > u " ^ » y T r o r n H b r r i n g ' til! n i g h t , n a:.f'.v;r'd o u r i anie Then i as t'n y c mr : n the AVA 1 t a c u man ' g o t his w a g e s p vjd dtu'v 1 in s li:s fiit*. -7ri<- third d a v w e *vrcu«'ht, it b« g a ^ the .nc.1r >ear< ich m.*<Je c i g n t c c n h u n d r e d a M f t v t n t v e o - appeal:, F&ch m a n took Ivis'Action. e n d ' & n f w « r ! d hi* r a t p e , But a £ r e a t a f f e ^ t i O N wa^ catfc'd b y the r f i i n ; W e HvI w e r e d i f m 17- d , r t x f d a v to a p r - a r . F o r which o u r b ' ^ v c m a A t r . defvrve< a hni'd chcei:,> p a i d d o w n vur. w a p e s a n d let aHb< m c , In b r i g h t / h i l l i n g p a r e s his fainc i M make k n o w n * I? was on the f e c o r d w e were called ? w a y , T o join ihe eafl quart y without more delay • W e {hoifldrr'd our artrr, awav w e di#l go. W i i h pick axt and hammers wr n v d e a fin JhoYA L ke Wellington's armv .near to W;itrtIoo. W e qH were determm'd to till, Imaili^ and h e w . \V« march'd in great Ij lendouf the fr»v to be^in, T h e rock did fur render, and fo we maii.h'd m. W f then trv^ the cit>, e n f o l d trade, Bttf iliJl 'tis a pity A :nan fjiould bread, That's willing j o labour, sh g'nifcfy appear, W h e n wa^ies are low, antf de3T : Xlur the ftrong ties o f t.ature fhoriKl fir ml v b nd, each fellcw-cresrure 10 U ve fhould nfcJinc, Ai»d fuppoii oBe-another in al honety ways, s Which makes me inbft open no broken / " / / \ L / j $ �/•S ) But **W 0^>uLf vre grumble we'll aW^r'our v&ould nations o'er tfiinble, r f l never refine'; Thu? want', ^voe, and f>l«mv, I ' ^ m k rhem in, And lay 6ut nny {billing as wellas ( can. The wlvc mo ft have fonrpencc as (urf as £ ' "£acl> child'muft have 2pc{ice> malffts up the whole fum J Some hrgher, (ome lower, 1 own (here m'iifl: be, ]>ut >htn all is divided, there lu'nothing for fne. Eat now I'Jl give over, sny penius denies, Since lr.y'mufe (be is f W , and t,\f glaffi is run 'dry, And, like to Diogenes. 1 ved lev fall, W h e n my hot lie is empty, i'ii fmeli the old caft; fong tor toliroih. 1 Mill add no more, fcut may ibe or-.-at Huler of boify <ea and lb ore, . Hclieve iTic dii'ivts'd, and ihe/f Wants all fuiiaiii, ' And lend better times—and io lido do etid. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Woodcut 074a: Title-page illustration in a single ruled border of three figures, each facing the viewer; the figures likely represent a woman with two doves on her head and two children, one to her right and the other to her left. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The lass of Glenshee. To which was added, The Light of the Moon, and the Breaking of the Stones. Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. The Light of the Moon Breaking of the Stones Extent The size or duration of the resource. 8 pages 15 cm Identifier An unambiguous reference to the resource within a given context <a href="https://ocul-gue.primo.exlibrisgroup.com/permalink/01OCUL_GUE/mrqn4e/alma9923348583505154">s0345b38</a> Contributor An entity responsible for making contributions to the resource Archival and Special Collections, University of Guelph Library, Guelph, Ontario, Canada Rights Information about rights held in and over the resource In the public domain; For high quality reproductions, contact Archival & Special Collections, University of Guelph. libaspc@uoguelph.ca, 519-824-4120, Ext. 53413 Format The file format, physical medium, or dimensions of the resource JPEGs and PDF derived from master file, which was scanned from the original book in 24-bit color at 600 dpi in TIFF format using an Epson Expression 10000XL scanner. Publisher An entity responsible for making the resource available Falkirk: T. Johnston Source A related resource from which the described resource is derived Archival & Special Collections, University of Guelph Library, Guelph, Ontario Date A point or period of time associated with an event in the lifecycle of the resource [between 1810 and 1830?] per Houghton Library Type The nature or genre of the resource ballads & songs Subject The topic of the resource Chapbooks - Scotland - Falkirk Courtship and Marriage Description An account of the resource Woodcut #74a: Illustration on title-page of three figures, each facing the viewer; the figures likely represent a woman with two birds on her head and two children to her right and left. # of Woodcuts: 2 Animal: bird(s) Bib Context: title-page Chapbook Date: 1811-1820 Chapbook Genre: ballads & songs Chapbook Publisher - Falkirk: T. Johnston Gender: unknown (children) Gender: woman/women Outdoor Scene https://scottishchapbooks.lib.uoguelph.ca/files/original/24c03fbad616a1db102a820e37378c14.jpg ebc0a58a753b142fbf15df10e095a301 https://scottishchapbooks.lib.uoguelph.ca/files/original/66ca2177b72ad7961b585cd5e44248eb.pdf d4f395a222a4b854af6c093bcdaa04f1 PDF Text Text C O L I N AND A FAVOURITE L U C Y . BALLAD. BY M R . T I C K E L . T o which is added, A N E L E G Y W R I T T E N ON THE P L A I N O F F O N T E N O Y. Of LEINSTER famV for maidens fair, Bright LUCY ivas the grace; *STor e'er did LIFFY'S limpid f i r earn Refleft a fairer face. G L A S G O W : PRINTED FOR AND SOLD Brafh h Reid. BY �C O L I N AND LUCY* A FAVOURITE BALLAD, I. O F Lelnjler fam'd for maidens faiiy Bright LUCY was the grace; Nor e'er did Liffy's. iimpid ftream Reflect a fairer face., II. 'Till lucklefs love and pining care Impaired her rofy hue, Her dainty lip, her damalk chcek s A n d eyes of gloffy blue. III. A h ! have you feen z lily pale When beating rains defcend?" So droop'd this flow-confuming maid^. Her life now near its end. IV. By LUCY warn'd, of flattering fwainsTake heed, ye eafy fair ! Of vengeance due to broken vow?, Y e flatt'ring fwainsj beware! �{ 3 ) V. T h r e e times all in the dead of night A bell was hear'd to ring; And at her window, ftirieking thrice, The raven flap'd his wing. VI. Full well the love-lorn maiden knew The folemn-boding found, And thus in dying words befpoka The virgin® weeping round. VII. I hear a voice you cannot* hear, " That cries I muft not ftay; " I fee a hand you cannot fee, " That beckons me away. M VIII. « Of a falfe Twain, and broken hearty " In early youth I die: " A m I to blame, becaufe the brid* " Is twice as rich as I ? IX. Ci Ah, C O L I N , g i v e n o t h e r t h y VOWS, " Vows due to me alone ! " Nor thou, raih girl, receive his lufs, " Nor think him all thy owol X. " To-morrow in the church, to wed, " Impatient both prepare; " But know, falfe man, and know, i'JDd " Poor L»¥CY will be there,, �( 4 ) XI. " Then bear my corfe, ye comrades dear* " The bridegroom blithe to meet; c< He in hjs wedding-trim fo gay, " I in my winding-fheet!" v X R She fpolte, fhe dy'd/ her corfe was borne The bridegroom blithe to jncet; I le in his wedding-trim fo gay, She in her winding-fheet. XIII. What then were COUIN'S dreadful thoughts? How were thcfe nuptials kept? The bride's-men flock'd round LUCY dead, And all the village wept. XIV. .Compaffion, fhame, remorfe, defpair, A t once his bofom fwelh The damps of death bedew'd his brow, He grcan'd, he fhook, he fell. XV. From\he vain bride, a bride no more* The varying crimfon fled; When, ftretch'd befide her rival's corfe. She faw her lover dead. XVI. He to his LUCY'S new-made grave, Convey'd by trembling fwains; Is the fame mould, beneath one foci, Fcr-ever now remains. �( 5 ) XVII. Oft at this place the conftant hind A n d plighted maid are feen; W i t h garlands gay, and true-love knots They aeck'd the facred green, XVIII. But, fwain forefworn, whoe'er thou art, This hallow'd ground forbear! Remember CoLIN'S dreadful fate, A n d fear to meet him there. E L E G Y , W R I T T E N ON THE P L A I N OF FONTENOY. I. C H I L L blows the blaft, and Twilight's dewy hand: Draws in the^Weft her duiky veil away; A deeper fhadow fteals along the land, A n d N A T U R E m u f e s a t t h e DEATH o f D A Y ! II. Near this bleak Wafte no friendly manfion rears Its walls, where Mirth and focial joys refound, But each dim objed: melts the foul to tears, While Horror treads thr icatter'd bones around. �III. A s thus, alone and comfortlefs I ream, W e t with the drizling fnow'r; I figh fincene, I caft a look towards my native home, A n d think what-valiant BRITONS perifh'D here. IV. Yes, the time was, not very far the date, W h e n carnage here her crimfon toil began; W h e n Nations' Standards wav'd in threat'ning flate^. A n d Man the murd'rer met the murd'rer Man. V. For WAR is MURDER, tho' the voice of Slings Has ftyl'd it Juftice, ftyl'd it Glory too! Yet from worft motives, fierce Ambition fprings, A n d there, fix'd Prejudice is all we view! VI. "But fure, 'tis Heaven's immutable decree, For thoufands ev'ry age in % h t to fall; Some NAT'RAL CAUSE prevails, we cannot fe^, A n d that is FATE, which w e Ambition caiL VII. O let th' afpiring Warrior think with grief, That as produe'd by CKVMIC art refm'd;— So glitt'ring CONQUEST, from the laurel-leaf E x t r a & s a GEN'RAL POISON f o r M a n k i n d . VIII. Here let him wander at the midnight hour, T h e f e morbid rains, theft? gelid gales to meet; A n d mourn like m e , the ravages of P o w ' r ! A n d feel i:kc m e , that V i & ' r y is d e f e a t ! �( 7 ) IX. Nor deem, ye vain! that e'er I mean to fwelf M y feeble Verfe w i t h many a founding Name; Of fuch, the mercenary Bard may tell, A n d call fuch dreary defolation, Fame. X. The genuine M u f e removes the thin difguife, That cheats the World, whene'er fhe deigns to fing A n d full as meritorious to her eyes Seems the Poor Soldier, as the Mighty King! XI. Alike I ftiun in labour'd ftrain to fhow, How BRITAIN more than triumph'd, tho lhe*fled, Where LOUIS flood, where ftalk'd the column f l o w ; I turn f r o m thefe, and DWELL UPON THE DEAD. XII. Yet much my beating breaft refpedU the brave.; Too well I love them, not to mourn their f a t e r W h y fhould they feek for greatnefsin the Grave? Their hearts are noble—and in life they're great* XIII. Nor think 'tis but in W a r the Brave excel,—» T o V A L O U R EV'RY V I R T U E IS ALLIED ! Here faithful Friendfhip 'mid the Battle fell, A n d Love, true Love, in bitter anguifh died. XIV. Alas! the folemn flaughter I retrace, That checks life's current circling thro' my veins^ Bath'd in moift forrow, many a beauteous face; A n d gave a grief, perhaps, that Hill remains* �C 8 ) xv. ^ can no more—an agony too keen Abforbs my fenfes, and my mind fubdues, Hard were that heart which here cotild beat ierengy Or the juft tribute of a pang refufe. XVI. But lo! thro' yonder op'ning cIouds*afar Shoots the bright planet's fanguinary ray jTh&t bears thy name, FICTITIOUS LORD OF WAR! j A n d with, red luftre guides my lonely way. XVII. [Then FONTENOY, farewell! Yet much I fear, (Wherever chance my courfe compels) to find Difcordand' blood—the thrilling founds I hear, " The noife <Jf battles hurtles in the wind." XVIII. From barb'rous Turkey to Britannia's fhore, I Oppofing int r reils into rage increafe; Jleflru&ion rears her fceptre, tumults roar, A h ! where fhall haplefs man repofe in pcace! F I N I & � Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Colin and Lucy. A favourite ballad. By Mr. Tickel. To which is added, an elegy written on the plain of fontenoy. Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. To which is added, an elegy written on the plain of fontenoy. Identifier An unambiguous reference to the resource within a given context <a href="https://ocul-gue.primo.exlibrisgroup.com/permalink/01OCUL_GUE/mrqn4e/alma9923287383505154">s0343b33</a> Description An account of the resource Quote on title page: "Of Leinster fam'd for maidens fair, bright Lucy was the grace; Nor e'er did Liffy's limpid stream reflect a fairer face." Contributor An entity responsible for making contributions to the resource Archival and Special Collections, University of Guelph Library, Guelph, Ontario, Canada Rights Information about rights held in and over the resource In the public domain; For high quality reproductions, contact Archival & Special Collections, University of Guelph. libaspc@uoguelph.ca, 519-824-4120, Ext. 53413 Extent The size or duration of the resource. 8 pages 14 cm Date A point or period of time associated with an event in the lifecycle of the resource 1798 per National Library of Scotland Format The file format, physical medium, or dimensions of the resource JPEGs and PDF derived from master file, which was scanned from the original book in 24-bit color at 600 dpi in TIFF format using an Epson Expression 10000XL scanner. Subject The topic of the resource Chapbooks - Scotland - Glasgow Source A related resource from which the described resource is derived Archival & Special Collections, University of Guelph Library, Guelph, Ontario Publisher An entity responsible for making the resource available Glasgow: Brash & Reid Type The nature or genre of the resource ballads & songs elegy # of Woodcuts: 0 Chapbook Date: 1791-1800 Chapbook Genre: ballads & songs Chapbook Genre: elegy Chapbook Publisher - Glasgow: Brash & Reid https://scottishchapbooks.lib.uoguelph.ca/files/original/10d19c0b2d0af4e92244a71c6b161de1.jpg f846d7f23ea317a62df9c9a29a42c881 https://scottishchapbooks.lib.uoguelph.ca/files/original/82a77e335a475bdb6aa1b9aadb3d7ae9.pdf ee7f78bf50345a3fbf70eb06815d6578 PDF Text Text THE C A O C FAMILIAR K E D P I S T O L : EPISTLE TO MR. JAMES MORTON, Precentor in the Abbey Kirk, Paiflcv, REQUESTING HIS ADVICE ON MATRIMONY; WITH H I S A N S W E R, CONTAINING IlULES F Q R CHUSING A WIFE." The Letter-gae of Holy . Rhymfy Sat up at the board-head^ Jind a hefaid ivas. thought a crime To contradict indeed. For in clark lear he ivas r'hwt prime, uind cot?d haith ivrits and rfad. C H R I S T ' S K I R K ON T H E «-— GLASGOW: PRINTED Brain FOR & AND SOLD R d d . BY GREEN- �E P I S T L E pA I s T O L E J. M . r. I. D E A R Friend, ye'll hardly now remember, You wrote to me in laft December; But my Mufe, cauld as deeing ember, Had tint her fpunk, Or turn'd as lazy, lith and member, As ane dead drunk, II. Your blythe Epiftle then I got, As nice, I wat, as e'er was wrote, Which I have without flaw or blot Lodg'd in my min% And learn'd quite perfe6t a' by rot, Nae mair to tine. III. I'm glad to hear ye hae your HEALTH, As that's " fuperior far to wealth," T o keep it—fhun a' fecret ftealth That Quack; pretend, And put nae faith in a' the filth That Bettors vend. IV. Waes mel for thefe poor lucklefs chiels, Compel?d to fight with drugs and pills, �( 3 ) Young harum-fkarum daft run deels, T o pleafure flavesj For its purfuit o'er moiiy wheels T o timelefs graves. V. A youngfter flands on kittle ground, Strong the temptations him furround, And in fuch plealing fhapes abound, Alas! on trial, How fiiall he to them a7 be found T o give denial I VI. For fometime paft, I've ta'eja a notion, On viewing Time in fleeting motion, And finglelife a taftelefs potion, And far frae good> T o fome fweet lafs to pay devotion In ferious mood. VII. For as temptations are fae rife, T o fhun them a', I'd wifh a wife, Wha'd half with me the ills of life, As weel's its joys, And bring me, to keep down a' ftrife, Sweet girls and boys* VIII. Yet I wad rather bide my fate, Than join in matrimonial flate, With an ill-temper'd, canker'd mater Of captious mood; f o r then, I'm fure, I'd tine the gate Of a' that's good. �f 4 ) IX. O how difgufting 'tis to fee A man and wife who difagree! They fcrateh and fight, and 'till they die Ne'er end their ails, Juft like twar cats hung o'er a tree Tied by the tails. X. But O , how happy is the youth, Whofe mate does all his forrows foothe? His tide of life glides on full fmooth! Her native charms,Sweet-fmiling innocence and truth, Delight his arms. XT. 0 may inch happy fate be mine, As, aft ye've tauld me has been thine, "At Fortune then I'll ne'er repine, Whate'er fhe gie, Nor care how aft fhe wane or ftiine, A brown babee. XII. This fuhje&'s of fuch ferious fort, 1 beg ye'll think me not in fport,. But fold that full and wife report Ye weel can give, And trouth, my friend, I'll thank ye f o r t As lang's 1 live. . . XIII. Waes me, I now my pen maun drcp, T k o ' very laith I am to flop, �( 5 ) But he that's hurried in a ftiop Buying and felling, Dare not to gie dame Fancy fcope, T h o ' e'er fae willing. XIV. Meantime, that Marriage mayna ftan', I beg ye'll write me, free affhan', In hamely verfe, your wifeit plan, And I'll be fteady, F o r , like a COCKEI>PISTOL, man I'm juft as ready. GLASGOW. W . R. A N S W E R FROM J. M . PAISLEY, T O T H E PRECEDING EPISTLE, CONTAINING RULES FOR CHUSING A WIFE, I. W H A N E'ER, my Friend, I cooft my e'e On thy Epiftle fent to me, In ftyle fae pithy, frank and free, Sae couth and clever, I fwore that ye in poetrie Wadftiinefor ever. �( 6 ) II. Your caution's glide my " health to raife " Mind not what Quack or Doctor fays. As I hae feckly a' my days Kend nae difeafe, I pity ony cliiel wha pays Their coflly feesi III. W o w but it gied me joy to hear Your reafoning fae jull and clear On youth's temptations, which I fear O'er few withftand; A wife's the thing a man to chear In love's faft band. IV. Few rules for courting ye can heed, While on your ftiouthers fic a head, Sin' ye are not o'er-run wi' greed O ' gowd and filler, W o o wha ye like, ye maun come fpeed, Gin ye haud till V. But O ! avoid a gilly-gawky, . Or faft indulged raammie's tawpy, Perchance inclin'd to tafte the whauky: And ne'er ca' thine Her wha parades upo* the caufeway, For fake t)' fhine* VI. Wale not a wit—and fhun an afs, But take fome thrifty fonfy lafs>. �( 7 ) W h a lets not precious minutes pafs Herfel' adorning, By glowring twa hours in the glafs On ilka morning, VII. Altho' misfortune's Ihould be rife, Still hath the married man belt life, For 'midli a' fortune's plague and llrife, He ftill hath pleafure, And finds his thrifty virtuous wife A real treafure. VIII. Gin fie a gude lafs fill your arms, Ye'll never tire o* her fweet charms; Your mind fhe'll lirive in all alarms T o mak' it eafy, And keep ye out o ' many harms That fair might teeze IX. I low great's the pleafure of this life Blefl v. ith a chafte and virtuous wife, When pledges of your love fu' rife Tott round tne table, Liipicg their fma' tauk free o' llrife, As weel's they're able X. When to your meals ye do come in, Ye'll a* things in nice order fin', Your childer a' ambitious rin, T o jump your knees, And every thing the Louie within, Confpir.es to pleafe. �( 8 ) XI. And then when ye come hame at e'en, The fire is briik, the hearthftane clean, And every thing a' braw and been, The weans too bedded Syne down ye fit, and crack bedeen, How a's been fteaded. XII. Compare this wi' thefe ftupid chiels, Wha're fighting clofe wi' drugs and pills, And rin to ruin on their heels, 0 fy for fliame! T notice that ye ca' them de'ils, 1 do the fame. XIII. T o Marriage then, mak nae mair Hand, But tak' fome lafiie by the hand, T h o ' neither rich in gowd or land, To" her haud fteady, A s PISTOL COCK'D, and on demand, M y lug file's ready. XIY. N o w , my.gude friend, as an adieu, I'll fay I've gi'en advice to you, Which I am fure ye'll never rue, As lang's ye live: On trial, if 'tis not found true, Me ne'er believe. � Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The cocked pistol: a familiar epistle to mr. James Morton, precentor in the Abbey Kirk, Paisley, requesting his advice on matrimony; with his answer, containing rules for chosing a wife. Identifier An unambiguous reference to the resource within a given context <a href="https://ocul-gue.primo.exlibrisgroup.com/permalink/01OCUL_GUE/mrqn4e/alma9923287173505154">s0343b22</a> Description An account of the resource Quote on front page: "The Letter-gae of Holy Rhyme, Set up at the board-head, And a' he faid was thought a crime To contradict indeed. For in clark lear he was right prime, And con'd baith write and read. Christ's Kirk on the Green." Contributor An entity responsible for making contributions to the resource Archival and Special Collections, University of Guelph Library, Guelph, Ontario, Canada Rights Information about rights held in and over the resource In the public domain; For high quality reproductions, contact Archival & Special Collections, University of Guelph. libaspc@uoguelph.ca, 519-824-4120, Ext. 53413 Extent The size or duration of the resource. 8 pages 14 cm Date A point or period of time associated with an event in the lifecycle of the resource 1795 per National Library of Scotland Format The file format, physical medium, or dimensions of the resource JPEGs and PDF derived from master file, which was scanned from the original book in 24-bit color at 600 dpi in TIFF format using an Epson Expression 10000XL scanner. Publisher An entity responsible for making the resource available Glasgow: Brash & Reid Subject The topic of the resource Chapbooks - Scotland - Glasgow Courtship and Marriage Poetry Source A related resource from which the described resource is derived Archival & Special Collections, University of Guelph Library, Guelph, Ontario # of Woodcuts: 0 Chapbook Date: 1791-1800 Chapbook Genre: poetry Chapbook Genre: romance Chapbook Publisher - Glasgow: Brash & Reid https://scottishchapbooks.lib.uoguelph.ca/files/original/522bc333984362d9dcf947a46a075852.jpg 7c0ed3eabde2e96c572726495cef9feb Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Illustration on title-page of the Resurrection showing Jesus Christ rising from the tomb in a burst of light with 4 soldiers displayed in pairs of two on the ground. https://scottishchapbooks.lib.uoguelph.ca/files/original/a22f5e942a736dfd24cff57d646fd929.pdf 3b7e8db6a65984735648d1376d6cc6b2 PDF Text Text THE LOST A N D soar O F UNDONE P E B D I T I O J I LIFE AND DEATH OF Judas Iscariot PRINTED FOR THE BOOKSELLERS* ��THE LOST S o n o f AND UNDONE P e r d i t i o n . bus owl £ £ s/v IT is to be observed, that the Scripture makes mention of three Judases; the first in Judas Maccabeus, the second Judas the son of Joseph, the reputed father of our Lord ; and third, Judas Iscariot, the son of a tanner, living in repute at Joppa, a sea-port town near Jerusalem. This Judas who betrayed our Lord, was his mother's first child, who dreamed that the child in her womb would prove both a thief and a murderer, and bring her and hi r generation to shame & disgrace : which so terrified her, that she was like to go distracted ; but her husband strove to pacify her, bidding her leave it to G o d the wise disposer of all things who may take it away in its in- �4 fancy or endue it with more grace than ever to be guilty of such dishonourable actions.—This somewhat quieted her, and she was soon after delivered of a lovely male child ; but under his left breast was the following curious marks, viz a cross, a gallows, two daggers, and several pieces of money : this likewise terrified his mother, who concealed it from her husband, determining, as soon as she was able, to go to a magician anci know the signification of these surprising marks. The child being circumcised, and she purified, according to the old Jewish custom* she dressed herself in disguise, put a veil on her face, and taking with her a kinswoman, went to the magician's, and being introduced to him, she i elated her dream, her fears and the marks upon her son, desiring the interpretation of the dream, and the signification of the marks. The magician replied, 1 am no interpreter of dreams, neither do I justly know the signification of marks, & the �5 whofe of your story appears as strange to me, as it can be amazing to you ; but if you can tell me when the child was born, I will calculate its nativity, add see what it portends. He then called for pen, ink, & paper, & sitting down, calculated his nativity; & when he had finished it, he shook his head, and his countenance waxed pale; which being perceived by Judas's mother, she said unto him, do not deceive me, but tell me true, hide nothing from me, whether it be good or evil.—Then, said the magician, to your sorrow I have seen the rules of the planet that reigned predominant at your son's birth, that he would prove a thief and a murdeier, & what is worse, he will, for lucre, betray the Lord of Life ; for which act he will afterwards despair of mercy, lay violent hands on himself, and come to a shameful end.—These words pierc'd the mother's heart, who, wringing her hands, wished she had never been born, rather than to have been the mother of such an �6 unhappy child ; and asked the magician what she could do to prevent the bringing of shame of disgrace on her family? He told her he knew no way of prevention, but by laying violent hands on it, which might be now easily done in its infancy,—in a manner so as not to be discovered.—To this she replied, that she would not for ten thousand worlds commit such an act of violence on her son ; as if her husband had the least suspicion of it, he was so fond of Judas, that he would never be reconciled to her again ; yet for the sake of her family, she would by some means or other prevent it without destroying it; and then told the magician, if she had a small boat made like a shell,with a cover to go down close that no water might get in, and a little vent to let in air at top, and room in it to lie soft and easy, she might without danger send him down the river Jordan, and so commit him wholly to the protection of Providence, which might conduct him to some dis- �7 tan t shore,irito thehands of sometender persons, and thereby pieserve his life; & if he afterwards commits those base actions the shame will fall on his own head, as no one will know from whom he is descended. The magician highly commended her for her invention, and said he would procure such a boat for her ; and she promising him a good reward for his assistance, returned home. After she was gone, the magician sent for one Rot, a very cunning artist, a joiner, to trade, who undertook to make the boat, drawing out with his pencil, the form of it, carried it home with him, wrought upon it in private, & having soon finished it, brought it to the magician's house, who paid him largely for it, & sent a servant to the house of Simon, who told Judas's mother, that the matter which his master & she spoke of was now finished. She understanding him, went next morning to the magician's house, viewed the boit, & liked it well, saying it was very convenient for �8 the end intended, but seeffi'd perplexed how she should do it privately* & keep it from discovery as death was the consequence thereof. Her kinswoman begged her to leave that to her, and all should be safe enough; for we will feign the child sick for a day or two, in the meantime we will make some inquiry in the city for the dead body of some poor male child which we will buy of its parents, and have it privately brought to our house lo be buried ; in the meantime we will dispatch your son to sea, and make him believe the other child to be his, and that he died during his absence ; so having it buried, the matter can never be brought to light. The mother liked the contrivance, & going home with a promise of a great reward, and her friendship for life, she swore her servants to secrecy, & then, said she, we must act in this manner. When your master comes home at night, I shall put on verv dejected looks, and when he asks the cause, I shall tell him �9 that Judas is not well, and that I am apprehensive of his death, which you must all testify & confirm. She accordingly put this scheme into practice at night, when her husband did all he could to comfort her, telling her that they were young, they mi^ht be parents of many children; and going- up stairs to see the child, the-maid then pinched its neck till it was black in the face, and thinking it in convulsions, gave it over to death. As soon as he was gone out in the morning, the mother & kinswoman took the child & went to the magician's house, in order to put the child to sea. They put on him many warm and rich garments, with an upper coat of oil, that no water might penetrate i t ; and the magician, 011 a piece of parchment, wrote the following words : My Name is JUDAS. which his mother sewed round his neek and put him into the boat, and shut �I • v ' 10 down the cover. At parting with the child the mother was almost distracted, wringing her hands and weeping much, but being comforted by the magician & her kinswoman she was at last pacified, & desired to go home, as she could not bear to see her child put into the water, so she and her kinswoman departed home. The magician then took the boat & cari ied it down to his own garden, at the foot of which ran the river Jordan, & putting it in where a strong* stream ran, it was soon carried out of sight. The mother when she got home fainted away, but was revived by being inforiii'd by her maid-servant, that during her absence they had almost brought the matter to a close, having found a neighhour's male child, who had died the day before, and was just of the same age as Judas, for whose body they had given the parents a small sum of money, and paid the expense of burying a coffin full of bones, by way of a blind ; and the �11 only thing to be done was to deceive her husband, and get this child buried under the sanction of Judas's body. The father came home at night, and finding his wife in tears, soon guessed the dismal cause ; and inquiring of the servants, they with dissembled grief told him, that the child died in the morning soon after his departure. The man was much affected with the loss of his child, and thinking to prevent his wife's grief by the sight of the body he had it removed to a kinsman's house, and in a day or two interred it from thence, believing it to be his son. By this time Providence had conducted Judas, alive & well, upon the coast of of Iscariot, a kingdom in Palastine, where Pheophilus the king often used to recreate himself, in beholding the ships pass and repass at sea. It happened that the very day that Judas was cast on the coast, the king and his nobles came on that diversion, & as they were standing on the top of the rock, �looking into the sea, the king espied a little boat floating upon the water, and thinking it to be a chest of some wrecked ship, he ordered a servant to put out a boat and fetch it; which being done, and brought to the king, lie ordered it to be broke open; when to their great surprise, they found a lovely babe* who look,d up, and smiled in the king's face. Then said the king to the child, WELCOME AS MY OWN C H I L D ; and expressed much joy in being providentially sent to preserve the babe's life, and taking it up in his arms, said, if thou wert a child begat by me, I could not esteem or value thee more. Then he espied about its neck the aforementioned parchment, viz : My Name is JUDAS. Well, said the king, as thy name is Judas, I will now double name thee, and then called him Judas Iscariot, because he found him near the coast of that �IS name. He was then brought to court, treated as the king's own child, & at a proper age educated well, and at last became a man of learning and parts, and behaved himself so wisely, that the king made him his principle steward. Judas being arrived at this rank, still coveted greater, and remembering the queen one day said, that if the prince, her son died, Judas should be her beir, he therefore set about contriving to kill him, accordingly professed great love and friendship for him ; and one day being walking- together, Judas took occasion to quarrel with the prince, and maliciously slew him, thinking all would go well with him if he was dead. Behold the servant which the king Long nourish'd in his breast, Grown v arm, strikes forth his baneful sting, And robb'd him of his rest. �14 Though none accused him of the murder, yet his conscience so stung* him, that he soon quitted the kingdom, leaving all his pomp and finery behind him, and changing his name, look upon him the mean employ of a servant, wandering about from place to place, until at length he arrived at Joppa, the place of his nativity; here he soon got a place in a nobleman's family, where he behaved so well as to gain the esteem of his lord and lady, and all that knew him. One day it happened, that as his lady was walking abroad big with child, she longed for some fruit, which she saw in Judas's father's garden, bidding him go & buy her some. He took the money, but resolved to steal the fruit; and going to the garden, broke down the fences, which as he was doing his father came out and seized him for the robbery, & Judas, to keep himself from the hand of justice, murdered his father, and immediately escaped to Theba, a city about seventy-six leagues distance. Ifere he continue J about four years, �15 in which time the noise of the murder being blown over, he retnrned back again, and got a good place in a nobleman's family, where he lived sometime, till his own mother accidentally seeing him fell in love with and married him. About five years after they had been married, one morning in bed Judas'* shirt bosom lay open, when she saw under his left breast the marks he was born with ; upon which she waked him in an agony, and told him the story of his birth, and the part she had acted therein. Judas heard this with wonder and astonishment, and on his part confessed to her the many crimes he had been guilty o f ; after which she desired him to depart from her, and seek mercy of God in another country ; protesting she would never be carnally known to him any more. Judas full of grief & remorse of conscience, left Joppa and wandered about like a pilgrim, till he heard of a mighty prophet called Jesus of Nazareth, �16 in the land of Judea, who wrought many miracles, and wondeiful works; to him he went, and liking his doctrine and seeing his miracles, he begged of our Lord to be admitted one of his followers: making him one of his disciples, and also his treasurer. Notwithstanding all this Judas could not forget his covetousness, for when Mary Magdalen brought a box of costly ointment, to annoint our dear Lord's feet, at the house of Simon the Leper, Judas was offended thereat, because the value thereof was not put into his bag. But our Lord knowing his covetous and wicked heart, sharply rebuked him ; at which he was so enraged, that he in revenge premeditated, and put into execution, the worst action of all his life, and going to the chief priests and elders, he said unto them, what will you give me, and I will betray him they call Jesus into your hands ? And they agreed with him for thirty pieces of silver, �17 The love of money is a rock Which causes care and trouble, And he that hasteth to be rich, He makes his sorrows double. Money's a most alluring bate, Conducive unto evil, For this, base Judas sold his God, Himself unto the devil. When ourLord was instituting his last snpper, he said unto his disciples, I have chosen you twelve, but one of you is a devil. And again, Verily I say unto ye, one of ye this night shall betray me, & he it is unto whomsoever I shall give a sop: then giving a sop unto Judas, he said unto him what thou dost do quickly. With the sop the devil entered into Judas, and he went out from amongst them.—Judas then went to the chief priests, & received the thirty pieces of silver ; so taking with him an armed band, telling them that whomsoever he should kiss, the same was he, hold him �18 fast, came back to where Jesus was, and meeting him in the Garden of Gethsemane, he went up to him saying, Hail, Master, and kissed him. Then they laid hands on the Lord, and bound hitu as a thief and a murderer, and led him away to the high Priest and Eldei who asked him many question3 ; to which our Lord gave them no answer, •but stood like a lamb dumb before his shearers. Nevertheless, the whole assembly, though they found nothing worthy of death in him, one by one passed the following sentences on him : h �19 JERUSALEM'S B L A C K T R I B U I i L ; OR, THE Bloody Sentence of the Jews, AGAINST OUR BLESSED LOUD A N D SAVIOUR, &EStJS CHRIST. C A I P H A S . Ratter one man should die, than all perish. JEHOSOPHAT* Let him be bound, and kept fast in chains. R A P H A B i . Let us put him to death. FAEEAS® Let us banish him, or he will destroy our country. B I A E E H I A S . lie is worthy of death, because he seduceth the people. �20 B A B O T H t Guilty or not, let the seducer die. XiE$$A# Let us banish him for ever. CHIEMIES. If he be innocent he shall die, because he stirreth up the people. PTOLEMEUSt Guilty or not guilty, let us sentence him to death or punishment, TEKASo Either banish him or send him unto Caesar. l i l M E C H t Punish him with deathPOTIPHARESt Let him be banished for seducing the people. The mob also cried put to Pontius Pilate, if you Jet this man go, you are not Caesar's friend ; therefore, crucify him ! crucify him ! �21 THE SENTENCE OF DEATH PASSED ON J£§U§ CHRIST, BY Pontius P i l o t I PONTIUS P I L A T E , Judge in Jeiusalem under the most potent Tiberius, happy and prosperous be his reign, havingheard and known the accusation of JESUS of N A Z A B E T H , whom the Jews brought bound, do pronounce his sentence ; seeing he, by presumptuous expressions, called himself the SON of GOD, and the K I N O o f t h e JEWS, a n d said he would destroy the Temple of Solomon. Let him be condemned' to the cross with the two Thieves. �23 m Thus was the Lord of Life condemn'd, On Calvry's mount to die, As Moses' Serpent so was he There lifted up on high, 'Twas not for sins that weie his own, He there shed forth his blood, But that such sinners vile a? we, Might be brought near to God. Let us obey the gospel call, New while it is to-day, Lest ere tomorrow Death should cry, T o judgment come away. �f3 ftsvofs arfi tmitis')DBK 8'bioJ IUO ogoib bas 3s(i£uq& 9no 8)0f 'gntojro va UuU jvtm owj Jro MISERABLE AND AWFUL END Jhfcri */9(U nsriw bns teoffio oHolgoqe Ibl f jot dril^ail^J^R^^inq has fcdtsal TRAITOR JUDAS. eebuLTo mooi snJ nr gsueoqe snj ntiw od iaftl ; -I'i noigasiQ^ami odu ,9orJq giri t i o^} id^irn NOW JUDAS, the Traitor, having heard all that was done, repented of what he had done, and in the greatest confusion he repaired to the chief Priests and Elders, and said unto them, I have sinned, in that I have betrayed the innocent blood. Hut they replied, what is that to us, see thou to that. And he threw back the thirty pieces of silver, and he went & hanged himself. q .G ?Ir jf ; i o1 /t Tho* Judas' mongst the Apostles was And with them took his part, His awful end proved him to be A traitor in his heart �24 After our Lord's ascension, the eleven apostles assembled together, and chose out two men, that by casting lots one of them should be set aside to the apostolic office, and when they had fasted and prayed, casting* the lot, fell upon Matthias, and he was numbered with the apostles in the room of Judas who by transgression fell, that he might go to his place. Learn hence a lot's a sacred thing, Let's not it vainly use, Since God thereby has oft thought fit T o choose and to refuse. ,msd) o3nu nna^a^MJ hnnatesnH Let's be content with what's our lot, Since God to us it gave, Let's pray that Christ may fee the gift, Greater can't sinners have. FINIS. 01 fTHfl � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Woodcut 075:Title-page illustration in single ruled border of the Resurrection showing Jesus Christ rising from the tomb in a burst of light with 4 soldiers displayed in pairs of two on the ground. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The lost and undone son of perdition, or, the life and death of Judas Iscariot. Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. The life and death of Judas Iscariot. Identifier An unambiguous reference to the resource within a given context <a href="https://ocul-gue.primo.exlibrisgroup.com/permalink/01OCUL_GUE/mrqn4e/alma9923358023505154">s0329b16</a> Contributor An entity responsible for making contributions to the resource Archival and Special Collections, University of Guelph Library, Guelph, Ontario, Canada Rights Information about rights held in and over the resource In the public domain; For high quality reproductions, contact Archival & Special Collections, University of Guelph. libaspc@uoguelph.ca, 519-824-4120, Ext. 53413 Extent The size or duration of the resource. 24 pages 15 cm Date A point or period of time associated with an event in the lifecycle of the resource 1840-1850 per National Library of Scotland Format The file format, physical medium, or dimensions of the resource JPEGs and PDF derived from master file, which was scanned from the original book in 24-bit color at 600 dpi in TIFF format using an Epson Expression 10000XL scanner. Publisher An entity responsible for making the resource available [No Place] : Printed for the Booksellers Source A related resource from which the described resource is derived Archival & Special Collections, University of Guelph Library, Guelph, Ontario Type The nature or genre of the resource biography Subject The topic of the resource Iscariot, Judas Religion and Morals Chapbooks - Scotland? - no place Description An account of the resource Woodcut #75: Illustration on title-page of the Resurrection showing Jesus Christ rising from the tomb in a burst of light with 4 soldiers displayed in pairs of two on the ground. # of Woodcuts: 1 Bib Context: title-page Chapbook Date: 1801-1810 Chapbook Genre: biography Chapbook Genre: religion & morals Chapbook Publisher - [No Place] : Printed for the Booksellers Gender: man/men Nature: cloud(s) Nature: tree(s) Occupation: soldier Outdoor Scene Religious Figures: Jesus Christ Religious Figures: Judas Iscariot https://scottishchapbooks.lib.uoguelph.ca/files/original/da0ca8e0d6faf198b95c68b6ea45925c.jpg 8fe72ed2dc64aab59174f2a225157042 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Woodcut Illustration on title-page of a soldier in Highland dress in an outdoor scene. https://scottishchapbooks.lib.uoguelph.ca/files/original/197bc2d87aa2f52ec2cea69fbc6021c9.pdf 7926c3c42687b488b36d0109d98e8f8d PDF Text Text THE OLD SCOTCH SON© OF TOCN© O r G h o s t * GLASGOW PRINT*® FOR THE BOOKSELLERS. �Y o u n g Grigor"s p \ur Ghost. r. Corne al] ye voting lovers in Scotland d r a w sear l^nto this sad story which now ye shall hear (Concerning two lovers that iiv'd in the n«>rth, A m o n g s t the high mountains that stand beyond Forih This m a i d was the d a u g h t e r o f a gentleman, O f the n a m e o f M Farlane and of the same d * m ; Hut G r i g o r was born in a H i g h l a n d Is-e. A ad by blood relation her cousin we style B a t where riches are w a n t i n g we oftentimes see Few men are esteemed for their p e d i g r e e ; H k father was forced, when he was a child, T o leave this realm • and when he was exit'd, His lands they were forfeit, I let you knotf, Because of rebellion the truth for to show Roth gold and vast riches he with him did give, For his education, a n d ho** he m i g h t live, And solely he fo the care o f his friend, W e * Ifcft by his father to be m a i n t a i n ' d ; H e learrrd him indeed for to read arid to writs, In all rules of A r i t h m e t i c he m a d e him perfect. In L a t i n and Fierich he had taught hina also, That he through the world was fit for to go ; k i n g was recruiting, all hands did e m p ' o y . • " W'hiJe h#r father as a servant us d this y o u n g boy, atu k m is o f d r u d g e r y he m a d e him to serve. j^mti still to ke*.p h i m as a corpse o f reserve : a be&'.ariful y o u n g m a n was n o t in t h e p'-aee 'tamts«ve could c o m p a r e w i t h him in stature and grace �3 T i e charming. Miss K a t t y was oft hi _ the way, $ n e day in iuve s p i s t o n she.to hi in did say, tMJ, M y dear coasm rigor I've s o m e t k i m g to' tell, W h i c h r o w from my bosom this ci-»y I reveal. Y o u k n o w with lovers i m p l a ^ a ' d to the heart But sou are the object that makes me to smart ; I f yon do but iuve me, dear cousin s-sid she, 1 'm happy iV>r ever so therefore be free. Then said he. dear K a t f y lem all in a s u m i suppose your intentions are nu thing. biti fun : Fur bad i a subject to ba ranee wi,1i you. 1'U c a u n t myself happy your suit 1 might, true. 0 ! said she dear t J rigor. I m no way -in A n d i f you deny me. then death s my rt--quest, Y o u know the. substance and wealth t h a i I heve, 'lis enough to up ho d us all both' gallant & br^ve 1 know thai my parents fV-r mure riches are bent B u t a few years by nature wib muk t h e m extinct Till n hich tinie mv <j.ri^or-1 • mak,e ibis vow, • T h a t I never wiii marhy another but you O then he c o n s e n t e d , an«J flew ?o her arms f A n d . said my dear K atty I'm kill d by your charms But i f y o u r parents tli'l* fond uj v e should know, T h e y scon will cause' our sad ovrf throw. O f that *«y dear ( t r i ^ o r eg silent I pray. This n i g h t • vie -will -paH, a n d m i l meet the next &s8y, ^: "Under the broad oak, by the cave in the glefc, W here more of ray .aiind u n t o you- I'll' fcxpiaiey * p IT r II t i e r mother, .next m o r n i n g by a bltqk o f her eye B e t w i x t her &&a btri^or great love oid �4 Vnd she to her husband t h e game soor* reveal* d ^riviag orders to watch them as they re h the field All day then her father went w a ! k ; n g a b o u t , \rtd after her he still kept a look « ut,, Till hard on the evening she went t o the W h e r e G'Tigor was w a k i n g t o hear feer explain 11?e way they would -manage Sc m a k e matters H e r father did follow and beard them a ? so. H e stepped in sofdy stood over the cave H e a r i n g their discourses how diey would behave U length he advarrc d cri'd Grig-or what now. Is this the reward from such an o / p h a n as y o u ? ¥ o h know I've maintained y o u since seven years ©Id \tsd no*' your intentions they-seem very b o ' d . Then G r i g o r ask "d p a r d o n . a n d thus h e did - m y ^rr I ' m at v i m r disposal, then do a-s y o n m a y , The old m a n i n a passion tbetv c h i d i n g did &t&'B-d Till K a t t y t o o k courage -and took speech in hand W h a t m e a n y o u , dear fataer on us for to fro a h W a s t his m an a beggar I ' m °s ure he ' s o u r o w n, He's of'our kindred our flesh, and ovr blood, And y o u very well know his b e h a v i o m rs g o o i ' I t s h i m that I chose for my husband & shall ;; K§'o give all your riches to whom that you will, D o not think I rn a horse or a hog t o fee £old v way t o some numbskull that has ncroght hut T h e f a t h e r in a rage t© the mother gid ga "rid told 'their proceedings with sorrow and was ^ m ^ e e m ' d t h a t rfrgbt as hrs anger had been g o n e ( G*ig<1r khre t p c f e ' i i �5 Brat lie ?etvt a »ies<«ngQr into Inverness. W h i c h brought out a parry youn«• Grigor11? t>rcs-s J n d for to m a k e ready gave no time we hear, ask'd hut ®ne favour a word o f his dear tfhen b e m g denied* the old m./n wiih a frov?n Said, so ! dier§ can have s w e e t h e a r t in every At this t h e y o u n g l a d y cri d bitteriy, M a y the heavens requite y o u for year-cruelty, Y o u n g Cr-rlgor took courage atid marched a w a ^ W h e n the C a p t a i n viewed him t h u s to him di i say •For the lady that loVd you Sir I pity her case, W h o ' s lost such a beauty & sweet b l o o m i n g Mis lady cri d out, what a wretch can he be, il&us'd .press th's y o u n g man for no p e r j u r y , II is long yellow hair to fois m i d d l e hangs a own, O v e r his broad shoulders so fine r o u n d round. N o w G r i g o r >co n s i « e r k i b "his sprit i'ful »c$sfe, d e c e i v e d the bounty and ?wore the peace Mis Captain u n t o him afourk>ugh he gav'e, T o see his dear -Ratty once more he did crave, T w o lines he then sent her by a solid hand. T h a t he u n d e r the oak at m i d n i g h t would stared, -For to wait upon h e r , and hear her complaint /it*d there f o r to meet 'him s'he was well-con*®fit H e r vows Whe renewed with tears n o t a .'lew, Snd a gold-ring on's fingsr as a t o k e n she dew. W h i c h was not to move c o m e death or come life Ti l that happy m o m e n t he made her his * rfe S h e fain would *go with h i m , b i n he a n s w r e i 'no, ffoTjyeitiTipaffg^ts mU <&tme m-mmm �§ M y M a k e r be witness, and this green oak said he T&m 1 ne e? ska.i cnj.&y a w o m a n but lh.:o. And these then he left h«r a weeping fail sore Poor creature t h e never got sight oi him rnort, For in short t i m e , tin. realtor he-went to se?.. A n d left the s g h t o f Britain., with the u a r in his eye, *-nd went to me. i j a their orders being so, T h e r e prov d a gallant soldier & vaiour did show T h a t fo: his behaviour they ne er cou d -him b . u ^ e Pr&m a Corporal at lasUto a Sergeant he c a ^ € . P > R T 111 Being near Fort N i a g a r a in the year fifty-nine ©•n the 30th o f J u l y , as he a V a i s d ; « iric u e, T o fVequ?nt the green-wood at some distant p-ace T o breath out his sorrows h i , mind t~> tofotW rnong ike savage Indians -alas here lie &H B u t how he was m u r d e r e d we cannot wel; te I, Fur en the ntxi morning they f o a n d h i m there de-id T w o Indians l.?y by him wanting t h t i r heads, C « t off with his.-'broad ord . as is uuder.s;ood, ^s there ail around him was nofelvng but blood In ye wounds, in his body, his. hair sea p ' 4 .away, H w . d til.-4 sword' and pistol oi ah m a d e a pr.«»y A n d one o f ins fingers from his hand they had cut, O b which was the gold ring from-'his lover he g o t I n thai very m o m e n t t h o u g h in Scotland we k t a r A dreadful spectre to his love did appear, As she was-a-weeping under the.green oak, Me past by her and not a word spok%% �7 Y e t shaking his left h m d , where die ring fee dtid wear, \ hieh wanted a. finger pnd blood d r o p p e d there. \ Whereat the y o u n g lady was struck with amasre A n d rose to run after, and on h i m did aa^g ; A< she knew it was G r i g o r , h u t h o ^ in that pla@e It made her to wonder and dread the sad ease. W i t h terror and grief h o m $ she did retire. ^ ad spent the whole nighv in s e e p i n g and prayer pnrty next m o r n i n g she rose with the su**, "A ad we at back to the" green o i k ro weep ai-1 alone For always ^he esteem d ilu»t place as we hear A*> on it she got the last sight o f her dear ; A * there she sat weeping and tearing her hair, A^aln the pale spectre to her did appear* Asd with a wi'd aspect it star'd in her T&en said, O dear K a u y d o not me e m b r a c e , F«w I ' m hot' a spirit t h o u g h shining in blood, M y body, lies m u r d e r e d in a foreign wood. I'here two w o u a d s in my body and three HI my side W i t h hatchets & a/rows that f both deep & wide M y sea p an J. fine hair far a p r e m i u m are sold, A-.A also m\ linger. wi;h the ring of pare gold. ^ kich you t brew u p o n it as a mark o f true love L'lve's stronger than death, for it does remove, For m y earnest desire it is for y o n , my d e a r , And ti-1 y o u are with me 1 il still wander here. Fer this world s hut vanity all s but a vain show Tis n o u g h t to the pleasures where we are to go. J �8 Sfee w r n i to embrace him being void of a>l E'Jt h& in a m o m e n t went o u t o f her sight. ftight Tlieo h o m e in great k error to her father d i d r u n C r y i n g '3h , cruel father now what have you d o n e ^ r i ^ a r lov d G r i g o t eame to me in b l o o d ? A a d h s body lies m u r d e r d in an A snericsn w©.®€$ H e shewed me his wounds, and each bleeding sore, therefore my pleasures on earth are no m o r e H e r father look d at her as one being a m a z d , T h e a said, my desr K a t t y , your brains vhey are eraz d B u t itiil she m a i n t a i n d it and cri { d like a e h i M fe er after was s^en for to laugh nor to smile, B r o u g h t to her a:l doctors whose skill wa:-* in vain W%& still ^ave opinion she was sound in the brain, H a r body decayed and her face wan and pale, S h e soar-d to her true love, b e y o n d deaths dark vale FirAt hwr, then her m o t h e r in one night expir d , I h o p s he enjoys the bliss ; he desir d % N o w the old father be cries bereft a f all j o y s , Th© he has plenty of g o ' d no girts ra r boys, Let ail cruel parents to this take gre^.t beed, His p r e t t y y o u n g d a u g h t e r is now with the deed. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Woodcut 076:Title-page illustration of a soldier in Highland dress holding a sword. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The old scotch song of young Grigor's ghost. Identifier An unambiguous reference to the resource within a given context <a href="https://ocul-gue.primo.exlibrisgroup.com/permalink/01OCUL_GUE/mrqn4e/alma9923378813505154">s0236b54</a> Contributor An entity responsible for making contributions to the resource Archival and Special Collections, University of Guelph Library, Guelph, Ontario, Canada Rights Information about rights held in and over the resource In the public domain; For high quality reproductions, contact Archival & Special Collections, University of Guelph. libaspc@uoguelph.ca, 519-824-4120, Ext. 53413 Extent The size or duration of the resource. 8 pages 16 cm Format The file format, physical medium, or dimensions of the resource JPEGs and PDF derived from master file, which was scanned from the original book in 24-bit color at 600 dpi in TIFF format using an Epson Expression 10000XL scanner. Publisher An entity responsible for making the resource available Glasgow: Printed for the Booksellers Source A related resource from which the described resource is derived Archival & Special Collections, University of Guelph Library, Guelph, Ontario Date A point or period of time associated with an event in the lifecycle of the resource [1840-1850?] Type The nature or genre of the resource ballads & songs Subject The topic of the resource Supernatural Chapbooks - Scotland - Glasgow # of Woodcuts: 1 Bib Context: title-page Chapbook Date: no date Chapbook Genre: ballads & songs Chapbook Publisher - Glasgow: Printed for the Booksellers Fashion (Clothing): feather bonnet Fashion (Clothing): Highland attire Fashion (Clothing): kilt Fashion (Clothing): military Fashion (Clothing): sporran Gender: man/men Occupation: soldier Outdoor Scene Weapons: sword(s) https://scottishchapbooks.lib.uoguelph.ca/files/original/4b3a6afa453ef393ac73dffc7839dfce.pdf 4382ff89606afd5e820bcf81f536f7d0 https://scottishchapbooks.lib.uoguelph.ca/files/original/f5358e4fed5ad5130bdf4092e04e5378.jpg 69980bc038e91ef0c5969d1907666351 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Illustration on title page of a large house with a horse drawn carriage at front door and a man standing before a woman seated in the carriage . https://scottishchapbooks.lib.uoguelph.ca/files/original/65b24999e9f181e53a6322980aec4c13.jpg 52ad23c9121154386aabb84534295b78 https://scottishchapbooks.lib.uoguelph.ca/files/original/e9be263b6b8db31d72fb2d9ae16ebfaa.jpg 8096e8eb6f956b6ac4db19e0cafd7f61 https://scottishchapbooks.lib.uoguelph.ca/files/original/e0d4870a3950b66e4a28660bd1245534.jpg 38da6c6240ab498765df8afd172c0f6d https://scottishchapbooks.lib.uoguelph.ca/files/original/2e4a142129473015e53d2abc064aa362.jpg 575c09ad88e372a6712b81be673ef3b4 https://scottishchapbooks.lib.uoguelph.ca/files/original/c181e17d304ac09c9b0735c66e327e76.jpg ed5381c6afb7aec30ceffd2c22cb6eee https://scottishchapbooks.lib.uoguelph.ca/files/original/2883f76f1d0062475c51a903ac79bac5.jpg b4114360853edcc9ba5507f1bc2f17a5 https://scottishchapbooks.lib.uoguelph.ca/files/original/9c2938d36d21f2a5836f8f5b63e44aae.jpg 162e2934f9df5e215392584980e0f42d https://scottishchapbooks.lib.uoguelph.ca/files/original/d659fdc196409a1b9710e29fb26dc5cf.jpg b86a5855bcabfad7793fdc9f34989164 https://scottishchapbooks.lib.uoguelph.ca/files/original/172a043d9683f4824f05ba96881288eb.jpg 3744f247f64fc063458284a0a2ee1035 https://scottishchapbooks.lib.uoguelph.ca/files/original/51eaaca731d2be863f435655ac9de623.jpg 848bf973516c6baf4cf0d3e065b9cf5c https://scottishchapbooks.lib.uoguelph.ca/files/original/7d9c1929835fcdf4c8f2c872f8f05f30.jpg 2c6a34df938224934b333dceaeaabfdd https://scottishchapbooks.lib.uoguelph.ca/files/original/b3bdb4e5ff432ccb9d9b42f1071b4282.jpg ab4b2423c4ee6e9f6c2c3a46b86beb4e https://scottishchapbooks.lib.uoguelph.ca/files/original/de99e63bd14dc3ddb29faeb345ca2717.jpg fdd0910dd160c0bffa311c5e51419603 https://scottishchapbooks.lib.uoguelph.ca/files/original/b6a8734812c182ead54436661701e051.jpg c98e70b5bfc7428ab4ffc00aa196ad2f https://scottishchapbooks.lib.uoguelph.ca/files/original/3853071167ca0d39d41b96ca1974454d.jpg 35493cd3bb4c4a89dedd65da3bac9474 https://scottishchapbooks.lib.uoguelph.ca/files/original/f838cd79e92cb0b62c3fa7604946ff9d.jpg 561a02e3994efc90eaa5de53590d4218 https://scottishchapbooks.lib.uoguelph.ca/files/original/3f86e5f9aa9d5999a8458b1d88df5727.jpg e8baa66c167d70adc1a8377a816758b9 https://scottishchapbooks.lib.uoguelph.ca/files/original/87c56f8a7ae9b41fcdafeb70b41af283.jpg 87c7653b1266f0ee8b4634c3546953f0 https://scottishchapbooks.lib.uoguelph.ca/files/original/d18baad39b24beb30f594539993c85ed.jpg 3a078e1d3df5982fb6c9c091f7fc3a1a https://scottishchapbooks.lib.uoguelph.ca/files/original/3e69c5add8db770c775e19421af05441.jpg 0632e87f3c665f6c434d6066d0930fb9 https://scottishchapbooks.lib.uoguelph.ca/files/original/bd67ffa941a5fa8869fdc619add70a95.jpg 6a3262894d580aaa1615347434397fb9 https://scottishchapbooks.lib.uoguelph.ca/files/original/cfe3832ade80be8e6d5387c595323e44.jpg 27ea5961db300d81856ce3e13e101328 https://scottishchapbooks.lib.uoguelph.ca/files/original/5a98bd019c3d8bd00d8af4665e91e926.jpg 42bcf888516bb64a6065ec19143ead1a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Woodcut 077: Title-page illustration of a large two-story house with a horse drawn carriage in front and a man standing before a woman seated in the carriage . Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Way to Wealth, with maxims for married ladies and gentlemen, &amp;c. Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Maxims for married ladies and gentlemen, &amp;c. Date A point or period of time associated with an event in the lifecycle of the resource 1850 Extent The size or duration of the resource. 24 pages. Identifier An unambiguous reference to the resource within a given context <a href="https://ocul-gue.primo.exlibrisgroup.com/permalink/01OCUL_GUE/mrqn4e/alma9953133963505154">s0098b48</a> Is Part Of A related resource in which the described resource is physically or logically included. Chapbook #31 in a bound collection of 34 chapbooks Description An account of the resource "Price One Penny" at bottom of title page Woodcut # Illustration on title page of a large house with a horse drawn carriage at front door and a man standing before a woman seated in the carriage . Contributor An entity responsible for making contributions to the resource Archival and Special Collections, University of Guelph Library, Guelph, Ontario, Canada Rights Information about rights held in and over the resource In the public domain; For high quality reproductions, contact Archival & Special Collections, University of Guelph. libaspc@uoguelph.ca, 519-824-4120, Ext. 53413 Format The file format, physical medium, or dimensions of the resource JPEGs and PDF derived from master file, which was scanned from the original book in 24-bit color at 600 dpi in TIFF format using an Epson Expression 10000XL scanner. Publisher An entity responsible for making the resource available Glasgow: Printed for the Booksellers Subject The topic of the resource Chapbooks - Scotland - Glasgow Courtship and Marriage Religion and Morals Source A related resource from which the described resource is derived Archival & Special Collections, University of Guelph Library, Guelph, Ontario Creator An entity primarily responsible for making the resource Franklin, Benjamin, 1706-1790 Type The nature or genre of the resource wit & humor # of Woodcuts: 1 Animal: horse(s) Architecture: chimney(s) Architecture: house Architecture: window(s) Bib Context: title-page Chapbook Date: 1841-1850 Chapbook Genre: religion & morals Chapbook Genre: wit & humor Chapbook Publisher - Glasgow: Printed for the Booksellers Gender: man/men Gender: woman/women Outdoor Scene Transportation: carriage https://scottishchapbooks.lib.uoguelph.ca/files/original/440df9e77863c1c3969d1a7a1f1f9bc2.pdf a2b3893cb1b24fe94bcd01ac8038ac28 https://scottishchapbooks.lib.uoguelph.ca/files/original/6eda6f259ea17ee1abec64380cc59b8c.jpg 2c4151b6586d003984c2451e8224b4b9 https://scottishchapbooks.lib.uoguelph.ca/files/original/8945f8333c214d1558ce36b53ddc2567.jpg 05c4c1e8ecbec858684fd73cf6ce0fa4 https://scottishchapbooks.lib.uoguelph.ca/files/original/33ab3467e4f9ad04346f2224b6835ef3.jpg f6fe2ab00248dd0b716327c3f52f3870 https://scottishchapbooks.lib.uoguelph.ca/files/original/0c6e229ea45484dcd4b1ad0072b5c1f9.jpg ec73425d5920dda2a6bb39e564b427bf https://scottishchapbooks.lib.uoguelph.ca/files/original/465f4f1723790463b98a8d0e170e36ef.jpg 1b23c20313fe1505ea2bd30553d39d0a https://scottishchapbooks.lib.uoguelph.ca/files/original/5ff1c0f07ca6350303ec943ab3d79b78.jpg 6e686494e3a330be72ff881433391ea0 https://scottishchapbooks.lib.uoguelph.ca/files/original/a101d782ff0826914f82ba4e73a9307c.jpg 9f1ea012b5030faf6da47519ac9b5013 https://scottishchapbooks.lib.uoguelph.ca/files/original/fe4f0c65cf641cd6348bc71b11cbf9d2.jpg cd137018738dc624825c2384007abec9 https://scottishchapbooks.lib.uoguelph.ca/files/original/91ffe539d480b41c6259bab0cbc1eaf5.jpg 89bfda746057a481ea53dc147cba1101 https://scottishchapbooks.lib.uoguelph.ca/files/original/abd66342f5529953841079cf95ac0b83.jpg 9b6ecd70ec3c99897c83c6ff7b483e71 https://scottishchapbooks.lib.uoguelph.ca/files/original/296e809147198efaf74925136ad8d1a9.jpg bf75dfe19cda28aa19a341a8d098ce01 https://scottishchapbooks.lib.uoguelph.ca/files/original/03052789f7863dee71a2a1d152cb33db.jpg a8a3b7c3de6b5cdab27a0255d3cc9167 https://scottishchapbooks.lib.uoguelph.ca/files/original/10dbe24729cbbda8f0b0334203fa5c29.jpg 44a5f42b8ab04bcf419976164f94c557 https://scottishchapbooks.lib.uoguelph.ca/files/original/f0a2a40ad3aae9fea4a5394db22bba03.jpg b91b39c8f6af2a14af2792261ecec2c7 https://scottishchapbooks.lib.uoguelph.ca/files/original/c28f5924330a25c6b79d83a7e0922299.jpg 022c6d548118ac20970f8aeede942b93 https://scottishchapbooks.lib.uoguelph.ca/files/original/78090f342b598117c1c3991d793ad3a2.jpg 92668d84cf662ca265579af6150de165 https://scottishchapbooks.lib.uoguelph.ca/files/original/4201492119a761afb2beba64c7544bad.jpg 904afb97feb1c7cd26d176cc4e8093f9 https://scottishchapbooks.lib.uoguelph.ca/files/original/d8fd404eb3700ac0d67c26c04a5aa343.jpg aad5eb105a70a54108a4cbdde9764d81 https://scottishchapbooks.lib.uoguelph.ca/files/original/f6dc54b0cf1d9ca7a37d6c99784c72ca.jpg 8c18485ebff19c9fdbc0f99b93478f71 https://scottishchapbooks.lib.uoguelph.ca/files/original/e26fc4a72c8221c0c3d93ccd33540d20.jpg 35498f1319add17f279b5a26fe93a69e https://scottishchapbooks.lib.uoguelph.ca/files/original/9a73fb06e037e54c9d9568d2d95833bb.jpg 88f22db9e48d8eecb404f00da7cf6251 https://scottishchapbooks.lib.uoguelph.ca/files/original/7dc553ee341cdc360c665ee838172518.jpg ec69acf7feb12b20e888afb5a7284b29 https://scottishchapbooks.lib.uoguelph.ca/files/original/eab3f43fb22a9a4d002fd4e4482012f4.jpg 9ddcd75885407d0d1f99d9471dd16d7c https://scottishchapbooks.lib.uoguelph.ca/files/original/58aa3d0d1cbeb59f25f69200df59e574.jpg 8f79245721b6f56a5387dc72ccc43b72 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Life of the Duke of Wellington; containing an account of his early life; his brilliant achievements in the Peninsular Wars; and his crowning victory at Waterloo. Date A point or period of time associated with an event in the lifecycle of the resource 1850 Extent The size or duration of the resource. 24 pages. Identifier An unambiguous reference to the resource within a given context <a href="https://ocul-gue.primo.exlibrisgroup.com/permalink/01OCUL_GUE/mrqn4e/alma9953133963505154">s0098b48</a> Is Part Of A related resource in which the described resource is physically or logically included. Chapbook #30 in a bound collection of 34 chapbooks Description An account of the resource "Price One Penny" at bottom of title page Contributor An entity responsible for making contributions to the resource Archival and Special Collections, University of Guelph Library, Guelph, Ontario, Canada Rights Information about rights held in and over the resource In the public domain; For high quality reproductions, contact Archival & Special Collections, University of Guelph. libaspc@uoguelph.ca, 519-824-4120, Ext. 53413 Format The file format, physical medium, or dimensions of the resource JPEGs and PDF derived from master file, which was scanned from the original book in 24-bit color at 600 dpi in TIFF format using an Epson Expression 10000XL scanner. Publisher An entity responsible for making the resource available Glasgow: Printed for the Booksellers Subject The topic of the resource Chapbooks - Scotland - Glasgow biography War Wellesley, Arthur, 1st duke of Wellington, 1769-1852 Source A related resource from which the described resource is derived Archival & Special Collections, University of Guelph Library, Guelph, Ontario # of Woodcuts: 0 Chapbook Date: 1841-1850 Chapbook Genre: battles/war Chapbook Genre: biography Chapbook Publisher - Glasgow: Printed for the Booksellers https://scottishchapbooks.lib.uoguelph.ca/files/original/fc60793ee5550105c3a219a8ba35976a.pdf 9a9f756aff42e960782581d70277c424 https://scottishchapbooks.lib.uoguelph.ca/files/original/75e5b0529e3ca1d9cddd3cc073119b90.jpg 2fe7d45b348799df5ff5b99e545814e1 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Illustration on title-page of a man and a woman reading at a table in front of a window. https://scottishchapbooks.lib.uoguelph.ca/files/original/041010249939f9bb1e1f875096047dc7.jpg cca6f712fac3a11e45da798b00b4256a https://scottishchapbooks.lib.uoguelph.ca/files/original/63f267b06e244f579b0a4a359b2545dd.jpg c1ed18c50e62bb3e7fbad789127a74c6 https://scottishchapbooks.lib.uoguelph.ca/files/original/92ed17d6d58af58ddd5e82d58efb5d1e.jpg d3ce27fd15a34a7fbbfebf2159d307cd https://scottishchapbooks.lib.uoguelph.ca/files/original/5b52672f42e4c39f415a3dbd5847c900.jpg d8d64b08a1e8bc93a6880bfd99d38ee9 https://scottishchapbooks.lib.uoguelph.ca/files/original/3a7da963ad9ef600357b2fc21bd1d12c.jpg eb846c9a0017c4f5f4bb1d5f5ee1c03d https://scottishchapbooks.lib.uoguelph.ca/files/original/bcebde5d017863cf32a263bcc0dd8346.jpg f7ddabfe3fb2de07802bd0e7d19154ba https://scottishchapbooks.lib.uoguelph.ca/files/original/6e55ea560900a714a01e257eeec6318f.jpg 15e92f4ac2c2c22a64916411adb4c2cc https://scottishchapbooks.lib.uoguelph.ca/files/original/29603323b558034cba2925179748a6c0.jpg 728f8fdc2279bf6fc1e81b7f5fb801ac https://scottishchapbooks.lib.uoguelph.ca/files/original/e879564d1873c35d6790f7df495a405a.jpg 1ebac3a0d7af6a46e11620830bc1f5c3 https://scottishchapbooks.lib.uoguelph.ca/files/original/d8c4e7216a8ca87d326a550f8ca4e428.jpg 8edffc989c9680e294fb33e672f507ea https://scottishchapbooks.lib.uoguelph.ca/files/original/47733a2229c9ce39b59d00e8576109ba.jpg 081c1206e2949aa80bb6fac078905b45 https://scottishchapbooks.lib.uoguelph.ca/files/original/ab40380a143ce8c6781c8cc0eb920383.jpg ba9739483156edec8d5ba8a9ab470791 https://scottishchapbooks.lib.uoguelph.ca/files/original/4a60111b5ee8f81eba64ffbb781a9b4c.jpg a67cb2c1fa5539ecdc991950d3ab6e91 https://scottishchapbooks.lib.uoguelph.ca/files/original/2ca02cfdf5b4e06d095aecaa03b35ffc.jpg 1f9b07a20f51ecd493731583aed2ca27 https://scottishchapbooks.lib.uoguelph.ca/files/original/40a3170e35f07830b7bdf68645ac619d.jpg 78712840302bfa10def6ae84ed741cde https://scottishchapbooks.lib.uoguelph.ca/files/original/a8795d72b76bee2b9062550735137fa3.jpg c49d1876686f11f9b489b98a22500454 https://scottishchapbooks.lib.uoguelph.ca/files/original/ea5728fb15713099239c23f1a31dc0e2.jpg 964ee859d8122328651142f78b68cb7f https://scottishchapbooks.lib.uoguelph.ca/files/original/c130d77551cdbf8afea761333b768313.jpg ef83631a971fa9a9ef199103aad223b4 https://scottishchapbooks.lib.uoguelph.ca/files/original/04fb4d501e289be56b81d2061f58ac79.jpg a29b0467c7a455a918d89981be691a98 https://scottishchapbooks.lib.uoguelph.ca/files/original/84896d35c1bc4a67e3183fa268a58230.jpg ec5deb1141b887def0da6405a5f37e00 https://scottishchapbooks.lib.uoguelph.ca/files/original/ff2493aed2bd17d9cfe01b9555f74b03.jpg 6aa949fceff7a6fcdc8f30f77eada15d https://scottishchapbooks.lib.uoguelph.ca/files/original/299e4b910d5cd57c507ad07bd63503e3.jpg 4759a07be2e15574efc6f85bf8386eee https://scottishchapbooks.lib.uoguelph.ca/files/original/18abbb899b8ce69d9c66ed0885c01104.jpg e388be8e8c62da13303b025d3d88b21b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Woodcut 078: Title-page illustration in a single ruled border of a man and a woman reading at a table in front of a window. with curtains Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Reading for Winter Evenings; A Selection of Amusing and Instructive Stories. New and Improved Series, No. 22 Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. New and Improved Series, No. 22 Date A point or period of time associated with an event in the lifecycle of the resource 1850 Identifier An unambiguous reference to the resource within a given context <a href="https://ocul-gue.primo.exlibrisgroup.com/permalink/01OCUL_GUE/mrqn4e/alma9953133963505154">s0098b48</a> Is Part Of A related resource in which the described resource is physically or logically included. Chapbook #33 and #34 in a bound collection of 34 chapbooks Abstract A summary of the resource. A collection of stories and tales about the adventures of a variety of different characters, including an elderly cat describing her adventures—most frequently her many brushes with death—throughout her life, a successful farmer who had to endure an astonishing number of travails and hardships in his life on his way to prosperity, a young woman who made an imprudent marriage and suffered until a rich uncle returned from sea and lifts her and her family out of poverty, and an Indian prince who is presented with a series of gifts, the most valuable of which turns out to be a book or moral precepts from which he would learn to rule with wisdom and grace. The major theme running through many of these stories appears to be fortitude and perseverance, even in the face of adversity, disaster, and death. Subject The topic of the resource Chapbooks - Scotland - Glasgow Religion and Morals Courtship and Marriage Contributor An entity responsible for making contributions to the resource Archival and Special Collections, University of Guelph Library, Guelph, Ontario, Canada Rights Information about rights held in and over the resource In the public domain; For high quality reproductions, contact Archival & Special Collections, University of Guelph. libaspc@uoguelph.ca, 519-824-4120, Ext. 53413 Extent The size or duration of the resource. 24 pages Description An account of the resource "Price one penny." on title-page Woodcut #78: Illustration on title-page of a man and a woman reading at a table in front of a window. Is Referenced By A related resource that references, cites, or otherwise points to the described resource. <a title="University of Glasgow Union Catalogue of Scottish Chapbooks" href="http://special.lib.gla.ac.uk/chapbooks/search/">University of Glasgow Union Catalogue of Scottish Chapbooks</a> Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant India Scotland Format The file format, physical medium, or dimensions of the resource JPEGs and PDF derived from master file, which was scanned from the original book in 24-bit color at 600 dpi in TIFF format using an Epson Expression 10000XL scanner. Source A related resource from which the described resource is derived Archival & Special Collections, University of Guelph Library, Guelph, Ontario Publisher An entity responsible for making the resource available Glasgow: Printed for the Booksellers Type The nature or genre of the resource moral tales # of Woodcuts: 1 Architecture: window(s) Bib Context: title-page Chapbook Date: 1841-1850 Chapbook Publisher - Glasgow: Printed for the Booksellers Fashion (Clothing): upper class Furniture: chair(s) Furniture: table(s) Gender: man/men Gender: woman/women Object: book(s) https://scottishchapbooks.lib.uoguelph.ca/files/original/d0e562e02914ebca4997d9e23ccb2768.pdf d689f98e7ac01e44f9c5731d18733e03 https://scottishchapbooks.lib.uoguelph.ca/files/original/7e870ed6cc8fcc6a66764080b0174750.jpg 6058d7a91386fbc44d94d11cf8e995bf https://scottishchapbooks.lib.uoguelph.ca/files/original/93913a175d1e1bbf0cfcc95aea094a27.jpg 78771d5177077682f1674ae4380da6f7 https://scottishchapbooks.lib.uoguelph.ca/files/original/6c0ecca9bb68c019613644f4e8e4cb8c.jpg 8dfa0ea155a7d6e433e5ea435afca6f7 https://scottishchapbooks.lib.uoguelph.ca/files/original/e61c6406d2253dd1eba040ac74c23ed8.jpg a9c2b985c21058c37e38277b6b5419ad https://scottishchapbooks.lib.uoguelph.ca/files/original/85f9d767fa5e6f88611a84b18a011cd0.jpg 243ebe22f4d2c3a96c6a5613e320fd80 https://scottishchapbooks.lib.uoguelph.ca/files/original/0107e1222ae6096438e0e691a616ae88.jpg 419ff18452a05aa3f4b1277e2762957e https://scottishchapbooks.lib.uoguelph.ca/files/original/71f1106a70853ef9e4114f168ba0e778.jpg 97944ccbf27f68446927896df62ff7e6 https://scottishchapbooks.lib.uoguelph.ca/files/original/30dc5c7457606da6678e1c72283b3417.jpg e745c57261b243a2cb8e782adf1c86ea https://scottishchapbooks.lib.uoguelph.ca/files/original/9d98d0f99cdc082c78db3ad5308f37f3.jpg 391039d2f71c7637c5ab006a04dd5b1c https://scottishchapbooks.lib.uoguelph.ca/files/original/ad2046e28b263997918c8b709f241a66.jpg 807f611fbafe3cf1dde0a17f3c956887 https://scottishchapbooks.lib.uoguelph.ca/files/original/5a167c7dd95b4023bfa0d7628d0527e0.jpg 31e35bd4c251899e0e53cbd4d1d42bf3 https://scottishchapbooks.lib.uoguelph.ca/files/original/93b2acb54d8a0accf516f39880977c2d.jpg cbbd16399cb2a13e855a38090dfdfcb7 https://scottishchapbooks.lib.uoguelph.ca/files/original/67c46f8cb79c40372a126a882d99a1b6.jpg eee8dccd19e5929cc30282266c2b04d7 https://scottishchapbooks.lib.uoguelph.ca/files/original/2b7534456521b2a8317841a21e6d4044.jpg 0701108b218d41099eff97bb905bb714 https://scottishchapbooks.lib.uoguelph.ca/files/original/cb8c477fbe0664cfd032000ad3fb8fc9.jpg 739eef0f114d362ae8db2f023cbbd86d https://scottishchapbooks.lib.uoguelph.ca/files/original/62323607b89049005f71299b2cf7c5c5.jpg bd56111a7c419e89cf9af6086e944f82 https://scottishchapbooks.lib.uoguelph.ca/files/original/ab954d01bc300d5bd9e385f51a30fd4e.jpg 511330313ebfb9ca218d110f15e6921d https://scottishchapbooks.lib.uoguelph.ca/files/original/43a4dc91c2d39aa9c367a74b6555ee65.jpg 45cc0c09687fe24b0d66378e2dfa7204 https://scottishchapbooks.lib.uoguelph.ca/files/original/272c3368d3a37885210d766a984c878f.jpg 6946cf086209fabf857daf6ff988608b https://scottishchapbooks.lib.uoguelph.ca/files/original/afdff0e63e77d0ef2f67a72449871e4f.jpg 64000e21465b00ab7ab12db87831a492 https://scottishchapbooks.lib.uoguelph.ca/files/original/2168f1b78ebdcaae33f07be6b6ecefd0.jpg e3d65f7673ce1afa2417a346ffa68f47 https://scottishchapbooks.lib.uoguelph.ca/files/original/9baeff4096e64b6372335ddc9a46cfac.jpg 054a48c3da8881b7431051ae154694bd https://scottishchapbooks.lib.uoguelph.ca/files/original/53543aa3e3e17a118f3129968784a60d.jpg b9fc12571d622c4351bd80715136ebfe https://scottishchapbooks.lib.uoguelph.ca/files/original/f2a1535c8b637c4ebc45a86c85f6eb7b.jpg d089273d20f1b9c6875d9380027cdc03 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Theatrical Speaker. A Selection of the Newest and Most Popular Recitations of the Present Day Date A point or period of time associated with an event in the lifecycle of the resource 1840 Extent The size or duration of the resource. 24 pages Identifier An unambiguous reference to the resource within a given context <a href="https://ocul-gue.primo.exlibrisgroup.com/permalink/01OCUL_GUE/mrqn4e/alma9953133963505154">s0098b48</a> Is Part Of A related resource in which the described resource is physically or logically included. Chapbook #32 in a bound collection of 34 chapbooks Abstract A summary of the resource. A collection of ballads, recitations, and verse, including a death-song of a Native American chief, a martyr’s lament who refuses to leave her husband’s side as he is tortured to death, a humorous song about an aging widow and a dyer, a celebration of the American landscape and liberty, a humorous song about a schoolmaster, a gothic tale of an unfaithful woman visited by the ghoulish apparition of her betrayed lover at her wedding, a moral tale encouraging young men not to pay mind to jeerers, a lament describing the fall of Poland, the story of a weaver who loses his pack in the snow, the song of a drunkard before and after drinking, a description of the death of Marmion at Flodden, and a conversation between a father and son detailing the evils of drinking. Contributor An entity responsible for making contributions to the resource Archival and Special Collections, University of Guelph Library, Guelph, Ontario, Canada Rights Information about rights held in and over the resource In the public domain; For high quality reproductions, contact Archival & Special Collections, University of Guelph. libaspc@uoguelph.ca, 519-824-4120, Ext. 53413 Is Referenced By A related resource that references, cites, or otherwise points to the described resource. <a title="University of Glasgow Union Catalogue of Scottish Chapbooks" href="http://special.lib.gla.ac.uk/chapbooks/search/">University of Glasgow Union Catalogue of Scottish Chapbooks</a> <a title="National Library of Scotland" href="http://www.nls.uk/">National Library of Scotland</a> Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Outalissi's Death Song How-d'ye-do and Good-bye Gertrude Von Der Wart Billy Dip Tell's Speech The Country Schoolmaster Alonzo the Brave The Old Man, his Son, and Ass On the Downfall of Poland Parody on Lord Ullin's Daughter The Drunkard and his Bottle Death of Marmion The Father Reformed Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Poland Format The file format, physical medium, or dimensions of the resource JPEGs and PDF derived from master file, which was scanned from the original book in 24-bit color at 600 dpi in TIFF format using an Epson Expression 10000XL scanner. Source A related resource from which the described resource is derived Archival & Special Collections, University of Guelph Library, Guelph, Ontario Publisher An entity responsible for making the resource available Paisley: G. Caldwell and Son architecture: stairs Bib Context: title-page Chapbook Date: 1841-1850 Chapbook Genre: ballads & songs Chapbook Publisher - Paisley: G. 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Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Evan’s Sketch of all Religions&nbsp; a<span>bridged : exhibiting a concise view&nbsp;</span><span class="searchword">of</span><span>&nbsp;the different sects and denominations into which the Christian world is divided.</span> Date A point or period of time associated with an event in the lifecycle of the resource 1851 Extent The size or duration of the resource. 24 pages Identifier An unambiguous reference to the resource within a given context <a href="https://ocul-gue.primo.exlibrisgroup.com/permalink/01OCUL_GUE/mrqn4e/alma9953133963505154">s0098b48</a> Is Part Of A related resource in which the described resource is physically or logically included. Chapbook #29 in a bound collection of 34 chapbooks Abstract A summary of the resource. A brief review of many different religions practiced at this time with a focus on the different sects of Christianity. Paganism, Deism, Atheism, Judaism, and Islam are also covered in addition to the various Christian religions, but the sects of Christianity receive the greatest attention by far. The section on Paganism is particularly interesting as all religions not listed above are lumped into this category and many atrocities, such as human sacrifice, infanticide, spousal sacrifice, and cannibalism, are attributed to this group. Description An account of the resource "Price one penny." on title-page Contributor An entity responsible for making contributions to the resource Archival and Special Collections, University of Guelph Library, Guelph, Ontario, Canada Rights Information about rights held in and over the resource In the public domain; For high quality reproductions, contact Archival & Special Collections, University of Guelph. libaspc@uoguelph.ca, 519-824-4120, Ext. 53413 Subject The topic of the resource Chapbooks - Scotland - Glasgow Religion and Morals Islam Judaism Christianity Is Referenced By A related resource that references, cites, or otherwise points to the described resource. <a title="National Library of Scotland" href="http://www.nls.uk/">National Library of Scotland&nbsp;</a> <a title="University of Glasgow Union Catalogue of Scottish Chapbooks" href="http://special.lib.gla.ac.uk/chapbooks/search/">University of Glasgow Union Catalogue of Scottish Chapbooks&nbsp;</a> Format The file format, physical medium, or dimensions of the resource JPEGs and PDF derived from master file, which was scanned from the original book in 24-bit color at 600 dpi in TIFF format using an Epson Expression 10000XL scanner. Publisher An entity responsible for making the resource available Glasgow: Printed for the Booksellers Source A related resource from which the described resource is derived Archival & Special Collections, University of Guelph Library, Guelph, Ontario # of Woodcuts: 0 Chapbook Date: 1851-1860 Chapbook Genre: religion & morals Chapbook Publisher - Glasgow: Printed for the Booksellers