53
10
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https://scottishchapbooks.lib.uoguelph.ca/files/original/74567338f1b201be0045831e1b54a3ae.pdf
4b1cd57bd689b8618a1ba5d04b8d679a
PDF Text
Text
A COLLECTION OF
SONGS
Nq.
1
Containing
CAPTAIN
MULLIGAN,
THE BOLD DRAGOON*
WILL WATCH.
|
SAY, M Y H E A R T , W H Y W I L D L Y BEATJNCk
HOME, SWEET H O M E !
�Captain Mulligan.
Love's a plague by night-and by day,
W h e n that post you run your skull again,
Love it was or Kitty (TShea,
That bothered the heart of the brave Oplain?
Mulligan.
Brisk and merrily, light and gay,
Stout and steadily, smart and readily,
Soft and funnily, blythe and bonnily,
Quite an Adonis was Captain Mulligan ;
H e was willing, she was killing,
Soft she cried to brave O'MuLbgan :
(>, you kweL! ?
Cruel, jewel, willing, killing, Captain Mulligam
Shoulders rising over his ears,
Face just like the moon in full again,
Legs in shape like a tailor's shears.
Y o u ne'er saw the fellow of Captain Mulligan.
Limping, twaddling,' Miss O Shea ;
Glances pitching Kim; quite bewitching him,
Ogling"bonnity, squinting fortuity;
She. was a Venus to Captain Mulligan,
" O, sweet Kitty, youYe so prettyT'
Soft he cried the brave O ' Mulligan :
" O, sweet Kitty !
Pretty, witty, Kitty, pity Captain" MuUrgan.^
Married, how they alter'd their tune
Love once fierce, faith ! soon grew cold again,
W h e n they pass'd the sweet honey-moon
She blacken'd the eye of brave Captain Mulligan.
�s
W h i s k y tippling, night and day.
Scolding, fighting him, Lorns affrighting hhi%
" Och ! be aisy now, troth, you're crazy now,
T h e devil go with you, then, Mrs Mulligan,"
Faith, I knew it, I should rue, i t
Sad he cried, poor Captain Mulligan,
S4 Y o u ' r e my gruel !
Cruel, jewel, killings milling, Mistress Mulligan. n
The Bold
f
Dragoon.
There w&s an aiicjent fair, oh she loved a mate
youn^ hlan,
A n d she could not throw sly looks at him, by only
thro' her fan,,
W i t h her wink's arid blinks, tins waddling minx,
Her quizzing glass, her leer and sidle,
Oh, she lov'd a'bold Dragoon, with his long sword,
saddle, bridle.
W h a c k ! row de dow dpw.
She had a rolling eye, its fellow it had none,
W o u l d you know the reason why, it was, because
she had but one ;
W i t h her winks and blinks, this waddling minx,
She could not keep her. one eye idle !
0 , she leer'd at this Dragoon, with his long
sword, &c.
S
Now -he was tall and slim, she scjuab and short
was grown,
He lookM just like a mile in length, &nd she
.a.milestone,!
�W i t h he? winks and blinks, this waddling rmn£,
H e r quizzing glass* her leer and sidle,
1), she sighed to this Dragoon, Bless your long
sword,
Soon he led Unto the church the beauteous M r s
Flinn,
W h o a walnut could hate crafck'd 'tween her
lovely nose and chin ;
Oh ! then such winks in marriage links*
T h e four foot bride from church did sidle,
A s the wife of this Drago«n> with his long
sword, &c.
A twelvemonth scarce had pass'd when he laid her
under ground,
Soon he threw the onion from his eyes and touched
ten thousand pound !
For her winks and blinks her money chinks,
H e does not let her cash lie idle I
S o long life to this Dragoon, with his long
sword, &c.
Will Watch
*Twas one morn when the wind from the northward blew keenly,
W h i l e sullenly roar'd the big waves of the main,
A fam'd smuggler, W i l l Watch, kiss'd his Sue,
then serenely
T o o k heliUj and to sea boldly steered out again.
�W i l l had promised his Sue that this trip, if Well
ended*
Sh oukl coil up his hopes, and he'd anchor ashore ;
W h e n his pockets were lin'd, vvliv his life should
be mended;
The laws he had broken, he'd never break more.
His sea-boat was trim, made her port, took her
lading ;
Then Will stood for home, reached the offing,
and cried>
This night, it I've luck, furls the sails of my trading;
In dock 1 could lay, serve a friend too beside.
W i l l lay to till the night came on, darksome and
dreary ;
T o crowd ev'ry sail then he pip'd up each
hand;
But a signal soon spier', ('twas a prospect uncheery,)
A signal that warn'd him to steer from the
land*
T h e Philistines are out, cried W i l l , well, take no
heed on't,
Attack'd, who's the man that will flinch from
his gun ?
Should my head be blown off, I shall ne'er feel
the need on't,
W e l l fight while we can—when we can't, boys,
we'll rim.
�Oh!
oh ! cries W i l l W a t c h , the Philistines
bear down :
Bear a hand, my tight lads; ere we think about
sheering,
One broadside pour in, should we swim, boys,
or drown*
But should I be popp'd off, you, my mates, left
behind me,
Regard ray last words, see 'em kindly obey'd ;
L e t no stone mark the s p o t ; and my friends, do
you mind me,
Near the beach is the grave where W i l l W a t c h
would be laid.
P o o r Will's yarn was spun out, for a bullet next
v
minute
Laid him low on the deck, and he never spoke I
more.
His bold crew fought the brig while a shot remained in it ;
Then sheer'd and Will's hulk to his Susan they
bore..
. i'\\
In the dead of the night his last wish was crnnplied with ;
T o few known his grave, and to few known his
end :
H e wa^ borne to the earth by the crew that he
died with ;
__ 1
�7
He'd the tears of his Susan, the prayers ©f easfe
friend.
Near his grave dash the billows, the wine's loudly
bellow;
Y o n ash, struck with lightning, points out the
cold bed
W h e r e W i l l W a t c h , the bold smuggler, that
fam'd lawless fellow,
Once fear'd, now forgot, sleeps in peace witi*
the dead !
Say, my heart, mhy wildly healing.
Say,, my heart, why wildly beating ;
Dost thou such emotion prove :
Canst thou, when thy lover meeting,
Fear his truth or doubt his love?
N o •!''.-fondly no, my bosom sighs,
N o ! gently no, my heart replies.
Then fond heart be silent,eyer—
Be thy wild errtotion o Y r ;
F o r with douhl and fearing never
Shall thou throb—no, no, no, never itoortv
Light of life and life's best blessing,
Is the love that meets return :
Shall I that rich boon possessing,
E'er the matchless blessing spurn ?
N o ! fondly no, my bosom sighs,
N o ! gently no, ray heart replies.
Then be j o y my inmate ever,
Since each anxious dread is o ' e r ;
For with fear and doubling neve'/
&hail it throb—no, no, oo 3 nei'er fnore*
�Hornet sweet Home.
'Mid pleasures and palaces, though we may roam,
Be it ever so humble", there's no place like home ;
charrrr from the skies seerx-s to hallow us ihere,
seek thro' the world, is ne'er met with
elsewhere.
H o m e , home ! sweet, sweet home !
There's no place like h®me ! there's no place
like borne.
A n exile from home, splendour dazzles in vain !
Oh ! give me my lowly thatcb'd cottage again,
T h e birds singing gaily, that came at my call,
Give me them, with the peace of mind, dearer
than all.
•
H o m e , h o m e ! sweet, sweet home !
There's no place like home! there's no place
like home !
Had I a Cave*
Had I a cave on some wild distant shore,
W h e r e the winds howl to the wave's dashing roar,
T h e r e would I wt?ep my woea,
There seek my lost repose,
Till grief my eyes should close,
Ne'er to wake more
Falsest of womankind, canst thou declare
A l l thy fond plighted vows—fleeting as air !
T o thy new lover hie,
Laugh o'er thy perjury,
Then in thy bosom try
What peace is t h e m
�
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Title
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Illustration on title-page in double-line rectangular border of a woman about to punch a man who is holding a pair of scissors in an indoor scene.
Dublin Core
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Title
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Woodcut 089: Title-page illustration in a double-line rectangular border of a woman about to punch a man, who is holding a pair of scissors. Indoor scene.
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Title
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A Collection of Songs, &c. No. XIX Containing Captain Mulligan. The Bold Dragoon. Will Watch. Say, My Heart, Why Wildly Beating. Home, Sweet Home! Had I a Cave.
Identifier
An unambiguous reference to the resource within a given context
<a href="https://ocul-gue.primo.exlibrisgroup.com/permalink/01OCUL_GUE/mrqn4e/alma9953133903505154">s0499b33</a>
Alternative Title
An alternative name for the resource. The distinction between titles and alternative titles is application-specific.
Captain Mulligan.
The Bold Dragoon.
Will Watch.
Say, My Heart, Why Wildly Beating.
Home, Sweet Home!
Had I a Cave.
Date
A point or period of time associated with an event in the lifecycle of the resource
[1815-1825?] per University of Glasgow Union Catalogue of Scottish Chapbooks
Extent
The size or duration of the resource.
8 pages
Is Part Of
A related resource in which the described resource is physically or logically included.
Chapbook #37 in a bound collection of 40 chapbooks
Subject
The topic of the resource
Ballads and songs
Chapbooks - Scotland - Edinburgh
Courtship and Marriage
Is Referenced By
A related resource that references, cites, or otherwise points to the described resource.
<a title="University of Glasgow Union Catalogue of Scottish Chapbooks" href="http://special.lib.gla.ac.uk/chapbooks/search/">University of Glasgow Union Catalogue of Scottish Chapbooks</a>
<a title="National Library of Scotland" href="http://www.nls.uk/">National Library of Scotland</a>
Contributor
An entity responsible for making contributions to the resource
Archival and Special Collections, University of Guelph Library, Guelph, Ontario, Canada
Rights
Information about rights held in and over the resource
In the public domain; For high quality reproductions, contact Archival & Special Collections, University of Guelph. libaspc@uoguelph.ca, 519-824-4120, Ext. 53413
Description
An account of the resource
No. XIX printed near the top of the title-page.
Woodcut # 89: Illustration on title-page in double-line rectangular border of a woman about to punch a man, who is holding a pair of scissors in an indoor scene.
Language
A language of the resource
English
Format
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JPEGs and PDF derived from master file, which was scanned from the original book in 24-bit color at 600 dpi in TIFF format using an Epson Expression 10000XL scanner.
Publisher
An entity responsible for making the resource available
Edinburgh: Printed for the Bookseller
Source
A related resource from which the described resource is derived
Archival & Special Collections, University of Guelph Library, Guelph, Ontario
# of Woodcuts: 0
Activity: dueling/fighting
Bib Context: title-page
Chapbook Date: 1811-1820
Chapbook Date: 1821-1830
Chapbook Genre: ballads & songs
Chapbook Publisher - Edinburgh: Printed for the Booksellers
Fashion (Clothing): working class
Gender: man/men
Gender: woman/women
Indoor Scene
Tools: scissor(s)
Tools: weight(s)
-
https://scottishchapbooks.lib.uoguelph.ca/files/original/0b43839753f48ecf4d3c91fe7533799d.pdf
6bc12b5fcfad9c3c399e8f57883ce9b8
PDF Text
Text
9
h o v e
S o n g s .
Donald of Dundee.
Rest, Warrior, rest.
Ah ! see the pale lily.
Flora's Lament.
The winter it is past.
Away with this pouting.
The rosebud of summer.
The m a i d of Castile.
The parting kiss.
KILMARNOCK;
PRINTED FOR THE BOOKSELLERS.
�L O V E SONGS.
D O N A L D OF D U N D E E .
Y O U N G Donald is the blythest lad
That e'er made love to m e ;
Whene'er he's by, my heart is glad,
He seems so gay and free;
Then on his pipe he plays so sweet.
And in his plaid he looks so neat,
It cheers my heart at eve to meet
Young Donald of Dundee.
Whene'er I gang to yonder grove,
Young Sandy follows me,
And fain he wants to be my love,
But, ah ! it canna be.
Though mither frets baith ear* and late
For me to wed this youth I hate,
There's nane need hope to gain young Kat« f
But Donald of Dundee,
When last we ranged the banks of Tay*
The ring he show'd to me,
And hade me name the bridal-day,
Then happy would he be.
I ken the youth will aye prove kind,
Nae malr my mither will I mind,
Mess John to me shall quickly bind
Young Donald of Dundee.
�s
REST, W A R R I O R ,
REST.
H E comes from the wars, from the red field of
fight,
He comes through the storm and the darkness of
night;
For rest and for refuge now fain to implore,
The warrior bends low at the cottager's door*
Pale, pale is his cheek; there's a gash on his brow;
His locks o'er his shoulders distractedly flow;
A n d the fire of his heart shoots by fits from his eye,
Like a languishing lamp that just flames to die.
Rest, warrior, rest!—Rest, warrior, rest!
Sunk in silence and sleep on the cottager's bed,
Oblivion shail visit the war*weary head.
Perchance he may dream, but the vision shall tell
Of bis lady Love's bower, and her latest farewell.
Illusion and love chac* the battle's alarms:
He shall dream that his mistiess lies lock'd in his
arms;
He shall feel on his lips the sweet warmth of her
kiss.
Ah, warrior, wake not! Such slumber is bliss,
Rest, w^riior, re*t!—Rest, warrior, rest!
A H ! SEE T H E P A L E L I L Y .
A H ! see the pale lily some rude hand has cast
From the fetem where it rear'd its fair head;
It wkhers and shrinks in the bleak northern blast,
And dies on its icy-cold bed.
Just like this frail lily* the pride of the vale.
Fair Ellen charm'd every eyef
�4
Till her beauty was blighted by perfidy's gale,
While she listened to love's fatal sigh.
AH silent and sad, on the marge of the stream,
She passes each day's lonely hours.
Till night sees the moon from her orb shed its beam,
T o silver Lord Donald's proud towers
O peace, hapless maiden ! for soon shall the tomb
Hash all thy wild sorrows to rest;
But never shall sunbeam shed light on the gloom,
That darkens thy lover's false breast.
FLORA'S
LAMENT.
F A R over yon hills of the heather so green,
And down by the corry that sings to the sea,
The bonny young Flora sat sighing her lane,
The dew on her plaid, and the tear in her e'e.
She look'd at a boat with ti e breezes that swung
Away on the wave, like a bird of the main ;
And aye as it lessened* she sigh'd arid she sung,
" Fare w eel to the lad I shall ne'er see again !
Fareweel to my hero, the gallant and young !
Fare wee 1 to the lad I shall ne'er see again !
« The moorcock that craws on the brow of BenGonial,
He kens o* his bed in a sweet mossy hame ;
The eagle that soars o'er the cliffs o' Clan-Rofokld, _
Unawed and unhunted, his eiry can claim ;
The solan can sleep on his shelve of the shor?;
The cormorant roost on his rock of the sea :
Bat* oh! there is ane whase hard fate I deplore ;
Nor house, ha', nor hame, iii his country has he.
�5
The conflict is past, and our name is no more:
There's nought left but sorrow for Scotland and
me.
" The target is torn from the arms of the just,
The helmet is cleft on the brOw of the brave,
The claymore for ever in darkness must rust.
But red is the sword of the stranger and slave;
The hoof of the horse, and the foot of the proud,
Have trode o'er the plumes on the bonnet of blue.
Why slept the red bolt in the breast of the cloud,
When tyranny reveil'd in blood of the true ?
Fareweel, my young hero, the gallant and good !
The crown of thy fathers is torn from thy brow."
T H E W I N T E R I T IS P \ST.
T H E f-#iater it is past,
And the summer's come at last,
And the small birds sin^ on every tree:
The hearts of those are glad,
But mine is very sad,
For my true love is parted from me.
The rose upon the brier,
By the waiers running clear,
May give joy to the linnet and the bee;
Their little loves are blest,
And their little hearts at rest,
But my true love is parted from me.
My love is like the .sun,
That in the sky does run,.
For ever so constant and true;
�6
But hers is like the moon,
That wande*s up and down,
And every month it is new.
All you that are in love,
And cannot it remove,
I pity the pains you endure.
For experience makes me know
That your hearts are full of woe,
A woe that no mortal can cure.
A W A Y W I T H THIS
POUTING.
A W A Y with this pouting and sadness!
Sweet gill, will you never give o'er?
I love you, by Heaven, to madness,
And what can I swear to you more?
Believe not the old woman's fable,
Thai oaths are as short as a kiss ;
I'll love you as long as I'm able,
And swear for no longer than this.
Then away, &c.
If swearing, however, will do it,
I'll swear without further delay.
If you'll be the book, I'll go through it,
And not miss a chirm by the way*
I'll swear by those glances so tender,
Those tresses that curl Iske the vine,
Those eyes that are floating in splendour,
And the passion that's pleading in mine*
Then away,
�7
I'll swear by my honest intention,
By the dart that has wounded us both ;
I'll swear by those lips—but their mention
Is as good by itself as an oath
Those lips, whose sweet kiss would occasion
A flame in a bosom of stone,
Promise more for my passion's duration
Than all I can swear with my own.
Then away, 5cc.
T H E R O S E B U D OF S U M M E R .
When the rosebud of summer, its beauties bestow*
in g,
On winter's rude banks all its sweetness shall
pour,
And the sunshine of day in night's darkness be
glowing,
O then, dearest Ellen, I'll love you no more.
When of hope the last spark which thy smile used
to cherish
In my bosom shall die, and its splendour be o'er,,
And the pulse of this heart which adores you shall
perish,
O then, dearest Ellen, I'll love you n© more*
T H E M A I D OF C A S T I L E .
O H , remember the time, in La Mancha's shades,
When our moments so blissfully flew,
When you call'd me the flower of Castilian maids,
And I blush'd to be called so by you ;
When you taught me to warble the gay SegendiUe?
And to dance %o the light Castanet,
�Oh, never, dear youth, let you roam where .you will.
The delight of those moments forget. »
They tell me you lovers from Erin's green isle
Every hqur a new passion can feel,
And that oft in the light of some lovelier srxule
You'll forget the poor maid of Castile,
But they know not how brave in the battle you are,
Or they never could think you would rove ;
For 'tis always the spirit most gallant in war
That's the fondest and truest in love.
THE PARTING
KISS,
J O C K E Y ' S ta'en the parting kiss,
O'er the mountains he is gane,
And with him is a' my bliss,
Nought but griefs with me remain*
Spare my love, ye winds that blaw,
Flashy sleets, and beating rain !
Spare my love* thou feathery snaw,
Drifting o'er the fr ozen plain 1
When the shades of evening creep
O'er the day's fair gladsome e'e,
Sound and safely may he sleep.
Sweetly blithe his waukenmg be !
He will think on her he loves,
Fondly he'll repeat her name;
For where'er he distant roves,
Jockey's heart is still at harae.
FINIS.
�
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Title
A name given to the resource
Illustration of a man and a woman in an outside scene; the
man is facing the woman and the woman is facing the viewer.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
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Woodcut 088:Title-page illustration of a man and a woman. The man is facing the woman and the woman is facing the viewer. Outdoor scene.
Document
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Dublin Core
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Title
A name given to the resource
9 Love Songs. Donald of Dundee. Rest, Warrior, rest. Ah! see the pale Lily. The Winter it is past. Away with this pouting. The rosebud of summer. The maid of Castile. The parting kiss.
Identifier
An unambiguous reference to the resource within a given context
<a href="https://ocul-gue.primo.exlibrisgroup.com/permalink/01OCUL_GUE/mrqn4e/alma9953133903505154">s0499b33</a>
Alternative Title
An alternative name for the resource. The distinction between titles and alternative titles is application-specific.
Donald of Dundee.
Rest, Warrior, rest.
Ah! see the pale Lily.
The Winter it is past.
Away with this pouting.
The rosebud of summer.
The maid of Castile.
The parting kiss.
Extent
The size or duration of the resource.
8 pages
Is Part Of
A related resource in which the described resource is physically or logically included.
Chapbook #38 in a bound collection of 40 chapbooks
Subject
The topic of the resource
Courtship and Marriage
Chapbooks--Scotland--Kilmarnock
Is Referenced By
A related resource that references, cites, or otherwise points to the described resource.
<a title="University of Glasgow Union Catalogue of Scottish Chapbooks" href="http://special.lib.gla.ac.uk/chapbooks/search/">University of Glasgow Union Catalogue of Scottish Chapbooks </a>
Contributor
An entity responsible for making contributions to the resource
Archival and Special Collections, University of Guelph Library, Guelph, Ontario, Canada
Rights
Information about rights held in and over the resource
In the public domain; For high quality reproductions, contact Archival & Special Collections, University of Guelph. libaspc@uoguelph.ca, 519-824-4120, Ext. 53413
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Dundee, Scotland
Language
A language of the resource
English
Format
The file format, physical medium, or dimensions of the resource
JPEGs and PDF derived from master file, which was scanned from the original book in 24-bit color at 600 dpi in TIFF format using an Epson Expression 10000XL scanner.
Date
A point or period of time associated with an event in the lifecycle of the resource
no date
Publisher
An entity responsible for making the resource available
Kilmarnock: Printed for the Booksellers
Source
A related resource from which the described resource is derived
Archival & Special Collections, University of Guelph Library, Guelph, Ontario
Description
An account of the resource
Woodcut#88: Illustration of a man and a woman in an outside scene; the man is facing the woman and the woman is facing the viewer.
Type
The nature or genre of the resource
ballads & songs
# of Woodcuts: 1
Architecture: fence
Bib Context: title-page
Chapbook Date: no date
Chapbook Genre: ballads & songs
Chapbook Publisher - Kilmarnock: Printed for the Booksellers
Gender: man/men
Gender: woman/women
Nature: tree(s)
Outdoor Scene
-
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dfa4a2cfa313750cc59da6a3314bb449
PDF Text
Text
A COLLECTION OF
o
S j
& € a
CONTAINING
WHA'S AT THE WINDOW, W H A ?
YE MARINER'S OF ENGLAND,
WASHING DAY.
THE FLOWER O' DUMBLANE.
THE WOODPECKER.
GREEN GROW THE RASHES, O.
EDINBURGH:
PRINTED FOR T H E BOOKSELLERS.
�the mndcw% ztlta f
© wha's at the window, wha ? wha ?
O wha's at the window, wha ? wha ?
W h a but blytha Jamie Gieja,.
He's come sax miles anc( sen,
T o tak bonnie Jeanie awa, awa,
T o tak bonnie Jeanie awa.
l i e has plighted his troth, an' a\ m
Leal love to g f e , an* a', an' a',
A n d sae lias "she dun?,
By a' that's aboon
F o r he loes her, she ipest..'hi«n, 'boon a', 'boon M\
H e loes her, she loes hun,
ar.
Bridal maidens are braw, hrawy
Q bridal maidens are braw, braw.
But the bride's mod est
A n d warni cheek, are to me
'Boon pearlens and brooches, an' a\ an' a\
""Boon pearl ens and brooch es*
There's mirth on the green, in the ha\ the ka
There's mirth on the green, in the h$Y the ka
Thereof laughing, there's quaffing,
There's Jesting, there1?* dafflng.
But the brides father's h-]ytb#«t
a\ o f a\
But tbe br&t's ftithwN blithest of a*,
It's no that »hf*»
Itfa no that
*TmmX
mn* av&»
�3
T h a t my heart is sae we art
W h e n a' the laves cheeriv,
But it's just that shVII aye be awa, awa»
But i f s ju^t.-that she'll aye be awa.
Ft* Mariner $ of England.
*
Y e mariners o f E n g l a n d ,
That guard our native seas,*
W h o s e flag has braved a thousand yeats,
The battle and the breeze,
Y o u r glorious standard iaOiich again,,
T o match another foe,
A n d sweep through the deep,
W h i l e the stormy tempests bio*-,
W h i l e the battle rages loud and long,
A n d the stormv tempests blow.
T h e spirit of your fathers,
Shall start f r o m every wave,
F o r the deck it was their field o f fame^
A n d ocean was ifheir grave.
W h e r e Blake and mighty Nelson fell,
Y o u r manly hearts shall gin w
A s y e sweep through the deep,
W h i l e the stormy tempests blow,
W h i l e the battle rages loud and lung.
A n d the stormy tempests blow.
Britannia needs no bulwark,
N o towers alou^ the steep,
H e r march is o'er the mountain waves*
II tr home is on the deep.
�4
W i t h thunders from her native oak
She quells the floods below—
A s they roar, on the shore,
W h e n the stormy tempests blow,
W h e n the battle raises loud and Ionq\
And the stormy tempests blow.
T h e meteor flag of England
* Shall yet terrific burn,
Till danger's troubled night depart
And the star of peace return.
T h e n , then, ye ocean-warriors,
Our song and feast shall flow
T o the fame of your name,
When the storm has ceased to blow,
W h e n the fiery fight is heard no more)
A n d the starm has ceased to blow.
Washing Day.
T h e sky with clouds was overcast,
T h e rain began to fall,
M y wife she beat the children,
A n d raised a pretty squall:
She bade me, with a scolding look,
I V get out of the way ;
T h e de'il a bit of comfort is there
On a washing day.
For it is thump, thump, scoid, scold,
T h u m p thump away ;
T h e de'il a bit of comfort is there
0*3 a ?rashiag day.
�5
M y Kale she is a bonny wife,
There's none more free from evil,
Except upon a washing day,
And then she is a d e v i l ;
T h e very kittens on the hearth
They dare not even play ;
A w a y they j u m p with many a thump,
Upoai a washing day.
For it is thump, thump, he.
A friend of mine ©nee asked me,
" H o w long's poor Kate been dead
Lamenting the good creature,
A n d sorry I was wed
T o such a scolding vixen,
Whilst he had been at sea :
T h e truth it was, he chanced to come
Upon a washing day.
F o r it is thump, thump, &c.
I asked him to stay and dine,—
" Come, come, 1 ' said I , " o d d s buds!
I'll no denial take—you shall,
Though Kate is in the suds."
But what he had to dine upas
In faith I shall not say ;
But I II wager hell no come again
Upon a washing day.
F o r it is thump, thump, &«.
O n that sad morning, when I rise,
I make & fervent prayer
�6
Unt6 the gods, that it may b*
Throughout the day quite fair;
That not a gown or handkerchief
May in the ditch be laid ;
F®r should it happen so, egad,
1 should -catch a broken head.
F o r it is thump, thump, he.
The Flower o Diimblane.
T h e Sun lias gane down o'er the lofty Ben-Lo*
mo rid,
A n d left the red clouds to preside o'er the
scene;
While lanely I stray in the cairn simmer g l o a m i n g
T o mnse on sweet Jessie, the ilower o' JDunibiane.
X) sweet fe' the brier wP its saft fatilding blossom,
And sweet is the birk wi' its mantle o ' green ;
Yet sweeter and fairer, and d e a r t h this bosom,
Is lovely young Jessie, the flower o' Dumblane;
"She s modest a^ ony, and lily the as she's-bonny,
For g o d d e s s simplicity mark* her its aih ;
A n d far be the villain divested o! feeling,
Wha'd blight, in its blossom, the (lower o'
Dumbiane.
: Sing Ofi, tlVoa sweet mavis, thy htnin to the e'eninf*
Thou'rt dear to the echoes of ,Calderwood glen ?
§ a e deir to this bosom, sae artless and winding,
i s charming young Jessie, the Howrr o' lAmi*
Wane,
�f
f l a w lost were my days till I met. will] my J e s s i ^
T h e sports of the city seeinM foolish and vain ;
I ne'er saw a nymph I would ca' my dear lassie,
"Till charm'd wi' svveet Jessie, the flowrr
Durnblane.
T h o ' mine were the statipn qf loftiest grandeur,
Amidst its profusion I'd languish iji paip ;
^n'd reckon as naething the height o r its splendour,
I f wanting sweet Jessie, the flawed a D u n b l a n e ,
The Woodpecker.
I knew by the smoke that so gracefully cnrJM
A b o v e the gre*^ eUn?*, thai a cottage was, near ^
A n d ' I said, if there's peace to be found in the
world,
A heart that is? humble mi^ht hope for it here.
Fvt'ry leaf was at rest; and I heard not.'a'sow:nih
But the woodpecker tapping the hollow beaefy
tree.
[And here, in this lone little wood,
^ With a maid who was lovely to
I Who would Mush wher; 1 praisYi
I folamxl ;
$ H o w blest could I live, and how
Every leaf, &c.
J e^qlamfd,
son! and to e y e ;
her, and weep if
calm could I dle,
J By the side of yon .sumach, whose red berry dips
\ In the gush of the fountain 1 ow sweet to f e d ine,
Und to know that I sigh'd upc n innocent lips,
j W h i c h ne'er had been sighed on by any
mine,
Every
fcaf,
.
�Great Grow the Rashes.
Green grow the rashes, G !
Green grow the rashes, O !
T h e sweetest hours that e'er I spend,
A r e spent amang the lasses, O .
There's nought but eare on evVy han%
i n et'ry hour that passes, O :
W h a t signifies the life o' man,
A n ' 'twere na for the lasses, O.
Green growy&c.
T h e warly race may riches chace,
And riches still may fly them, O ;
A n ' the at last they catch them fast,
Their hearts can ne'er enjoy them, CL
Green grow, &c.
But gie me a canny hour at e'en,
M y arms about my dearie, O ;
A n ' warly cares, an' warly men,
M a y a' gae tapsalteerie, O .
Green grow, &c.
F o r you sae douse, ye sneer at this,
Ye're nought but senseless asses, 0 :
T h e wisest man the warF e'er saw,
H e dearly lov'd the lasses, O.
Green grow, &c.
Auld Nature swears, the lovely dears
H e r noblest work she classes, O :
H e r 'prentice han' she try'd on man,
A n d then she made the lasses, O.
Green grow, &t\
�
https://scottishchapbooks.lib.uoguelph.ca/files/original/0935597cff86bb6d4fd95dd08669a30e.jpg
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Channels
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Height
3081
Width
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Dublin Core
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Title
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Illustration on title-page of a young woman looking out of window at a young man;. There is a bench underneath the window and a tree beside the house in between the two figures.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Woodcut 087: Title-page illustration in a double ruled border of a young woman looking out of a window at a young man. There is a bench underneath the window and a tree beside the house.
Document
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Dublin Core
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Title
A name given to the resource
A Collection of Songs, &c. Containing: Wha's at the window, Wha? Ye Mariner's of England. Washing Day, The Flower O' Dumblane. The Woodpecker. Green Grow the Rashes, O.
Identifier
An unambiguous reference to the resource within a given context
<a href="https://ocul-gue.primo.exlibrisgroup.com/permalink/01OCUL_GUE/mrqn4e/alma9953133903505154">s0499b33</a>
Description
An account of the resource
no. XX near top of title-page.
Woodcut #87: Illustration on title-page of a young woman looking out of window at a young man;. There is a bench underneath the window and a tree beside the house in between the two figures.
Alternative Title
An alternative name for the resource. The distinction between titles and alternative titles is application-specific.
Wha's at the window, Wha?
Ye Mariner's of England.
The Flower O' Dumblane.
The Woodpecker.
Green Grow the Rashes, O.
Date
A point or period of time associated with an event in the lifecycle of the resource
[1815-1825?] per University of Glasgow Union Catalogue of Scottish Chapbooks
Extent
The size or duration of the resource.
8 pages
Is Part Of
A related resource in which the described resource is physically or logically included.
Chapbook #39 in a bound collection of 40 chapbooks
Subject
The topic of the resource
Chapbooks - Scotland - Edinburgh
Courtship and Marriage
Is Referenced By
A related resource that references, cites, or otherwise points to the described resource.
University of Glasgow Union Catalogue of Scottish Chapbooks <a title="University of Glasgow Union Catalogue of Scottish Chapbooks" href="http://special.lib.gla.ac.uk/chapbooks/search/" target="_blank" rel="noopener">http://special.lib.gla.ac.uk/chapbooks/search/</a>
<a title="National Library of Scotland" href="http://www.nls.uk/">National Library of Scotland </a>
Contributor
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Archival and Special Collections, University of Guelph Library, Guelph, Ontario, Canada
Rights
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In the public domain; For high quality reproductions, contact Archival & Special Collections, University of Guelph. libaspc@uoguelph.ca, 519-824-4120, Ext. 53413
Language
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English
Format
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JPEGs and PDF derived from master file, which was scanned from the original book in 24-bit color at 600 dpi in TIFF format using an Epson Expression 10000XL scanner.
Source
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Archival & Special Collections, University of Guelph Library, Guelph, Ontario
Publisher
An entity responsible for making the resource available
Edinburgh: Printed for the Bookseller
Type
The nature or genre of the resource
ballads & songs
# of Woodcuts: 1
Architecture: house
Architecture: window(s)
Bib Context: title-page
Chapbook Date: 1811-1820
Chapbook Date: 1821-1830
Chapbook Genre: ballads & songs
Chapbook Publisher - Edinburgh: Printed for the Booksellers
Fashion (Clothing): working class
Furniture: bench(s)
Gender: man/men
Gender: woman/women
Nature: tree(s)
Object: walking stick/ staff
-
https://scottishchapbooks.lib.uoguelph.ca/files/original/51dd3c16aadd3021f5aca3c15732e1fc.pdf
458000df737df9496643ee21b5849dc0
PDF Text
Text
9 Lore
Songs.
— -a osSg--e>ESBsg«"
The lea-rig.
Auld Rob Morris.
My Highland home.
I'll love thee ever dearly.
Smile again my bonny lassie.
My heart is sair for somebody.
See the ship.
How long and dreary Ss the night.
My wife's a winsome wee thing.
KILMARNOCK:
PRINTED FOR THE BOOKSELLERS
�LOVE SONGS
THE
LEA-RIG.
W H E N o'er the hill the eastern star
Tells bughtin-dme is near, my jo,
And owsen frae the furrow'd field
Return sae dowf and weary, O ;
'Down by the burn, where scented birks
Wi' dew are hanging clear, my jo,
I'll meet thee on the lea rig,
My ain kind dearie, O.
In miikest glen, at midnight hour,
I'd rove, a r d ne'er be eerie, O,
If through that glen I gaed to thee,
My ain kind dearie, O*
Although the night were ne'er sae wild,
And I were ne'er sae weary, O,
I ' d meet thee on the lea.rig,
My ain kind dearie, O.
T h e hunter lo'es the morning sun,
T o rouse the mountain deer, my j o ;
At noon the fisher seeks the glen,
Along the burn to steer, my jo,
Gi'e me the hour o' gloamin grey,
It makes my heart sae cheery, Q»
* o meet thee on the lea-rig,
ain kind deeiie, 0 .
�3
AULD
ROB MORRIS.
T H E R E ' S auld Rob Morris that wons in yon glen V
He's the king o' good fellows and wale o' auld m e n ,
H e has gowd in his coffers, he has owsen and kine.
A n d ae bonny lassie, his darling and mine.
She's fresh as the morning, the fairest in May ;
She's sweet as the evening amang the new h a y ;
A s blithe and as artless as the lambs on the lea,
And dear to my heart as the light to my ee.
Bat, o h ! she's an heiress, auld Robie's a laird,
And my daddy has nought but a cot-house and yard
A wooer like me maunna hope to succeed,
The wounds I must hide that will soon be my dead*
The day comes to me, but delight brings me nane;
T h e night comes to *ne? but my rest it is g a n e :
I wander my lane like a night*troubled ghaist,
And I sigh as my heart it wad burst in rny breast.
0 had she but been of a lower degree,
1 then might ha'e hop'd she wad smil'd upon me !
O, how past describing had then been my bliss,
As now my distraction no words can express!
MY H I G H L A N D HOME.
MY Highland home, where rempests blow,
And cold thy wintry looks,
T h y mountain crown'd with driven snow,
And ice-bound are thy brooks s
�4
But colder far the Briton's heart,
However far he roam,
T o whom these words no joy impart,
" My native Highland home. ,>
Then gang wi' me to Scotland d e a r ;
We ne'er again will roam ;
And with thy smiles so bonny, cheer
My native Highland home.
When summer comes, the heather-bell
Shall tempt thy feet to rove;
T h e cushat-dove, within the dell,
Invite to peace and love :
For blythesome is the breath of May,
And sweet the bonny broom,
And pure the dimpling rills that play
Around my Highland home.
Then gang wi' me, &c.
I'LL LOVE T H E E EVER DEARLY.
L E T others breathe the melting sigh,
And swear they love to madness;
T o them I leave the tearful eye,
And all love's sober sadness.
No tender vows and prayers are mine ;
But this I swear sincerely,
While truth and honest love are thine,
I'll love thee ever dearly.
Then, lady, though I scorn the wile«
Which love too oft discovers,
Ne'er spurn the heart that woos in smiles,
For smiles were made tor lovers.
�5
A n d though no tender vows are mine.
Yet this 1 swear sincerely,
While truth and honest love are thine,
I'll love thee ever dearly.
SMILE AGAIN.
S M I L E again, my bonny lassie,
Lassie, smile again;
Pr'ythee do not frown, sweet lassie,
For U gives me pain.
If to love thee too sincerely
Be a fault in me,
Thus to use me so severely
Is not kind in thee.
Oh ! smile again, my bonny lassie,
Lassie, smile again.
Oh 1 smile again, my bonny lassie,
Pr'ythee smile again.
Fare thee well, my bonny lassie,
Lassie, fare thee well!
Time will show thee, bonny lassie.
More than tongue can tell.
Though we're doom'd by fate to sever,
( A n d 'tis hard to part,)
Still, believe me, thou shalt ever
Own my faithful heart,
Then smile again, my bonny lassie,
Lassie, smile again,
Oh ! smile again, my bonny lassie,
Pr'ythee smile again,
�SOMEBODY.
MY heart is sair, I dare na tell,
My heart is sair for somebody;
I could wake a winter night
For the sake o* somebody.
Oh hon, for somebody !
Oh hey, for somebody !
I could range the world round,
For the sake o* somebody.
Ye powers that smile on virtuous love,
O, sweetly smile on somebody !
Frae ilka danger keep him free,
A n d send me safe my somebody.
Oh hon, for somebody !
Oh hey, for somebody !
I wad do—what wad I not—
For the sake o* somebody ?
SEE T H E
SHIP.
S E E the ship in the bay is riding,
Dearest Ellen, I go from thee ;
Boldly go, in thy love confiding,
O'er the deep and the trackless sea.
When thy loved form no more is near me,
When thy sweet smile no longer I see,
This soothing thought shall at midnight cheer m e ,
My love is breathing a prayer for me.
Nor can Heaven, a deaf ear lending
T o its loveliest work below,
�7
T h e boon she begs, on her knees low bending,
Refuse in goodness to bestow.
So then, my Ellen, all doubts defying,
Henry shall dauntless cross the wide sea,
His heart on this firm anchor relying,
My love is breathing a prayer for me.
When the thunder of war is roaring,
And the bullets around me fly;
When the rage or the tempests pouring,
Blends the billowy sea and sky;
Then shall my heart, to fear a stranger,
Cherish its fondest hopes for thee,
This der4r reflection disarming danger,
My love is breathing a prayer for me.
And when the din of war is over,
And sweet peace sets the sailor free,
With what joy shall your faithful lover
Fly on love's sweetest wings to thee!
Then with delight each other caressing,
Day after day we shall happier be,
And as my Ellen tells o'er each blessing,
She still will whisper a prayer for me.
H O W L O N G A N D D R E A R Y IS T H E
NIGHT.
H O W long and dreary is the night,
When I am frae my dearie!
I restless lie frae e'en to morn,
Though I were ne'er sae weary.
For, oh ! her lanely nights are Jang,
And, oh ! her dreams are eerie,
�8
A n d , oh 1 her widow'd heart is sair
That's absent frae her dearie.
When I think on the lightsome days
I spent wi' thee, my dearie,
And now what seas between us roar,
H o w can I be but eerie ?
For, oh, See,
H o w slow ye move, ye heavy hours !
The joyless day, how dreary!
I t was nae say ge glinted by,
When I was wi* my dearie*
For, oh, See.
MY W I F E ' S A W I N S O M E W E E
S H E is a winsome wee thing,
She is a handsome wee things
She is a bonny wee thing,
This sweet wee wife o' mine
I never saw a fairer,
I never lo'ed a dearer ;
A n d neist my heart I'll wear her,
For fear my jewel tine,
O leeze me on my wee thing,
My bonny blithesome wee thing I
Sae lang's I ha'e my wee thing,
I'll think my lot divine.
Though warld's care we share o't,
And may see meikle mair o't,
W ? her I'll blithely bear it,
A n d ne'er a word repine*
FINIS.
THING.
�
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Dublin Core
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Title
A name given to the resource
Illustration on title-page of a dog barking at a figure (gender unknown), who is carrying a basket in an outdoor scene.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Woodcut 086: Title-page illustration in a double ruled border of a dog barking at a figure (gender unknown), carrying a basket. Outdoor scene.
Document
A resource containing textual data. Note that facsimiles or images of texts are still of the genre text.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
9 Love Songs: The lea-rig Auld Rob Morris My Highland home I'll love thee ever dearly My heart is sair for somebody See the ship How long and dreary is the night My wife's a winsome wee thing
Identifier
An unambiguous reference to the resource within a given context
<a href="https://ocul-gue.primo.exlibrisgroup.com/permalink/01OCUL_GUE/mrqn4e/alma9923449323505154">s0499b33</a>
Subject
The topic of the resource
Courtship and Marriage
Highlands
Chapbooks--Scotland--Kilmarnock
Alternative Title
An alternative name for the resource. The distinction between titles and alternative titles is application-specific.
The lea-rig
Auld Rob Morris
My Highland home
I'll love thee ever dearly
My heart is sair for somebody
See the ship
How long and dreary is the night
My wife's a winsome wee thing
Contributor
An entity responsible for making contributions to the resource
Archival and Special Collections, University of Guelph Library, Guelph, Ontario, Canada
Rights
Information about rights held in and over the resource
In the public domain; For high quality reproductions, contact Archival & Special Collections, University of Guelph. libaspc@uoguelph.ca, 519-824-4120, Ext. 53413
Extent
The size or duration of the resource.
8 pages
15 cm
Is Part Of
A related resource in which the described resource is physically or logically included.
Chapbook #40 in a bound collection of 40 chapbooks
Language
A language of the resource
English
Format
The file format, physical medium, or dimensions of the resource
JPEGs and PDF derived from master file, which was scanned from the original book in 24-bit color at 600 dpi in TIFF format using an Epson Expression 10000XL scanner.
Publisher
An entity responsible for making the resource available
Kilmarnock: Printed for the Booksellers
Source
A related resource from which the described resource is derived
Archival & Special Collections, University of Guelph Library, Guelph, Ontario
Description
An account of the resource
Woodcut #86: Illustration on title-page of a dog barking at a figure (gender unknown), who is carrying a basket in an outdoor scene.
Type
The nature or genre of the resource
ballads & songs
# of Woodcuts: 1
Animals: dog(s)
Architecture: door(s)
Architecture: fence
Architecture: house
Bib Context: title-page
Chapbook Date: no date
Chapbook Genre: ballads
Chapbook Publisher - Kilmarnock: Printed for the Booksellers
Gender: unknown (adults)
Nature: cloud(s)
Nature: trees
Object: basket(s)
Outdoor Scene
-
https://scottishchapbooks.lib.uoguelph.ca/files/original/80de31392053d27fa3d811feec551651.pdf
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Document
A resource containing textual data. Note that facsimiles or images of texts are still of the genre text.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
A Pennyworth of Politics, Being Rule Britannia. Ode to the English Judges. Panegyric on the Lord Mayor and New Toasts
Date
A point or period of time associated with an event in the lifecycle of the resource
1797
Identifier
An unambiguous reference to the resource within a given context
<a href="https://ocul-gue.primo.exlibrisgroup.com/permalink/01OCUL_GUE/mrqn4e/alma9953133953505154">s0141b34</a>
Extent
The size or duration of the resource.
8 pages
Is Part Of
A related resource in which the described resource is physically or logically included.
Chapbook #5 in a bound collection of 54 chapbooks
Is Referenced By
A related resource that references, cites, or otherwise points to the described resource.
ESTC#: <span>T224634</span>
<a title="National Library of Scotland" href="http://www.nls.uk/">National Library of Scotland </a>
Contributor
An entity responsible for making contributions to the resource
Archival and Special Collections, University of Guelph Library, Guelph, Ontario, Canada
Rights
Information about rights held in and over the resource
In the public domain; For high quality reproductions, contact Archival & Special Collections, University of Guelph. libaspc@uoguelph.ca, 519-824-4120, Ext. 53413
Format
The file format, physical medium, or dimensions of the resource
JPEGs and PDF derived from master file, which was scanned from the original book in 24-bit color at 600 dpi in TIFF format using an Epson Expression 10000XL scanner.
Publisher
An entity responsible for making the resource available
Edinburgh: C. I.
Type
The nature or genre of the resource
ballads & songs
Subject
The topic of the resource
Chapbooks - Scotland - Edinburgh
Source
A related resource from which the described resource is derived
Archival & Special Collections, University of Guelph Library, Guelph, Ontario
# of Woodcuts: 0
Chapbook Date: 1791-1800
Chapbook Genre: ballads & songs
Chapbook Publisher - Edinburgh: C. I.
-
https://scottishchapbooks.lib.uoguelph.ca/files/original/42b81489e6cd36670c9a1cc19a30435b.pdf
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Document
A resource containing textual data. Note that facsimiles or images of texts are still of the genre text.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Verses To the Memory of Robert Burns; With an account of his interment at Dumfries on Monday the 25th of July, 1796. Also, His Epitaph, Written by Himself.
Identifier
An unambiguous reference to the resource within a given context
<a href="https://ocul-gue.primo.exlibrisgroup.com/permalink/01OCUL_GUE/mrqn4e/alma9953133953505154">s0141b34</a>
Date
A point or period of time associated with an event in the lifecycle of the resource
[1797?] per National Library of Scotland
Extent
The size or duration of the resource.
8 pages
Is Part Of
A related resource in which the described resource is physically or logically included.
Chapbook #7 in a bound collection of 54 chapbooks
Description
An account of the resource
Verse quoted on the title-page: ""Sweetly deck'd with pearly dew "The morning rose may blow; "But cold successive moontide blasts "May lay its beauties low." Burns. Nae mair of his enchanting strains, Shall found through Caledonia's plains. Anon."
Subject
The topic of the resource
Burns, Robert, 1759-1796
Chapbooks - Scotland - Glasgow
Is Referenced By
A related resource that references, cites, or otherwise points to the described resource.
ESTC#: T221471
<a title="National Library of Scotland" href="http://www.nls.uk/">National Library of Scotland </a>
Contributor
An entity responsible for making contributions to the resource
Archival and Special Collections, University of Guelph Library, Guelph, Ontario, Canada
Format
The file format, physical medium, or dimensions of the resource
JPEGs and PDF derived from master file, which was scanned from the original book in 24-bit color at 600 dpi in TIFF format using an Epson Expression 10000XL scanner.
Rights
Information about rights held in and over the resource
In the public domain; For higher quality reproductions, contact Archival & Special Collections, University of Guelph. libaspc@uoguelph.ca 519-824-4120, Ext. 53413
Publisher
An entity responsible for making the resource available
Glasgow: Brash & Reid
Type
The nature or genre of the resource
elegy
# of Woodcuts: 0
Chapbook Date: 1791-1800
Chapbook Genre: elegy
Chapbook Publisher - Glasgow: Brash & Reid
-
https://scottishchapbooks.lib.uoguelph.ca/files/original/d03cabac746dfae1ed6176376cddd2c0.pdf
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92e4b249880bcab72b884aad12d1387f
Document
A resource containing textual data. Note that facsimiles or images of texts are still of the genre text.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Elegiac Stanzas, Applicable to the Untimely Death of the Celebrated Poet, Robert Burns. To which are added, Verses on Time, and on The Shortness of Life.
Identifier
An unambiguous reference to the resource within a given context
<a href="https://ocul-gue.primo.exlibrisgroup.com/permalink/01OCUL_GUE/mrqn4e/alma9953133953505154">s0141b34</a>
Alternative Title
An alternative name for the resource. The distinction between titles and alternative titles is application-specific.
Verses on Time
The Shortness of Life
Date
A point or period of time associated with an event in the lifecycle of the resource
[1796?] per English Short Title Catalogue
Extent
The size or duration of the resource.
8 pages
Is Part Of
A related resource in which the described resource is physically or logically included.
Chapbook #8 in a bound collection of 54 chapbooks
Description
An account of the resource
Verse quoted on title-page: "Have we not seen him sporting on these plains? Have we not heard him strike the Mase's lyre? Have we not felt the magic of his strains, Which often glow'd with fancy's warmest fire?"
Subject
The topic of the resource
Burns, Robert, 1759-1796
Chapbooks - Scotland - Glasgow
Is Referenced By
A related resource that references, cites, or otherwise points to the described resource.
ESTC#: <span>T131011</span>
<a title="National Library of Scotland" href="http://www.nls.uk/">National Library of Scotland</a>
Contributor
An entity responsible for making contributions to the resource
Archival and Special Collections, University of Guelph Library, Guelph, Ontario, Canada
Rights
Information about rights held in and over the resource
In the public domain; For high quality reproductions, contact Archival & Special Collections, University of Guelph. libaspc@uoguelph.ca, 519-824-4120, Ext. 53413
Format
The file format, physical medium, or dimensions of the resource
JPEGs and PDF derived from master file, which was scanned from the original book in 24-bit color at 600 dpi in TIFF format using an Epson Expression 10000XL scanner.
Publisher
An entity responsible for making the resource available
Glasgow: Brash & Reid
Type
The nature or genre of the resource
elegy
Source
A related resource from which the described resource is derived
Archival & Special Collections, University of Guelph Library, Guelph, Ontario
# of Woodcuts: 0
Chapbook Date: 1791-1800
Chapbook Genre: elegy
Chapbook Publisher - Glasgow: Brash & Reid
-
https://scottishchapbooks.lib.uoguelph.ca/files/original/44d063a9b529348ef987a921ea982575.pdf
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https://scottishchapbooks.lib.uoguelph.ca/files/original/699ec533eaa0f6cbda89c752aff6453e.jpg
15effd81f578aa5101bd90a15a14702d
Document
A resource containing textual data. Note that facsimiles or images of texts are still of the genre text.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Colin. A Pastoral Elegy to the memory of Robert Burns.
Identifier
An unambiguous reference to the resource within a given context
<a href="https://ocul-gue.primo.exlibrisgroup.com/permalink/01OCUL_GUE/mrqn4e/alma9953133953505154">s0141b34</a>
Is Part Of
A related resource in which the described resource is physically or logically included.
Chapbook #9 in a bound collection of 54 chapbooks
Description
An account of the resource
"Blest be that day when his bland natal star Benignly beam'd on Carrick's fruitful shore; Blest be that day, when thron'd in Fancy's Car, His pregnant genius first display'd its store." is quoted on the title-page.
Subject
The topic of the resource
Burns, Robert, 1759-1796
Chapbooks - Scotland - Glasgow
Contributor
An entity responsible for making contributions to the resource
Archival and Special Collections, University of Guelph Library, Guelph, Ontario, Canada
Rights
Information about rights held in and over the resource
In the public domain; For high quality reproductions, contact Archival & Special Collections, University of Guelph. libaspc@uoguelph.ca, 519-824-4120, Ext. 53413
Date
A point or period of time associated with an event in the lifecycle of the resource
[1797?] per English Short Title Catalogue
Extent
The size or duration of the resource.
8 pages
Is Referenced By
A related resource that references, cites, or otherwise points to the described resource.
ESTC#: N27189
Format
The file format, physical medium, or dimensions of the resource
JPEGs and PDF derived from master file, which was scanned from the original book in 24-bit color at 600 dpi in TIFF format using an Epson Expression 10000XL scanner.
Publisher
An entity responsible for making the resource available
Glasgow: Brash & Reid
Type
The nature or genre of the resource
elegy
Source
A related resource from which the described resource is derived
Archival & Special Collections, University of Guelph Library, Guelph, Ontario
# of Woodcuts: 0
Chapbook Date: 1791-1800
Chapbook Genre: elegy
Chapbook Publisher - Glasgow: Brash & Reid
-
https://scottishchapbooks.lib.uoguelph.ca/files/original/92051b0dfce30a66df24074edde7133b.pdf
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78e8e2d80cf6b59939acecbdce06ea9c
Document
A resource containing textual data. Note that facsimiles or images of texts are still of the genre text.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
I. Alexander's Feast II. Ode on St. Cecilia's Day. III. The Bard. By Gray.
Identifier
An unambiguous reference to the resource within a given context
<a href="https://ocul-gue.primo.exlibrisgroup.com/permalink/01OCUL_GUE/mrqn4e/alma9953133953505154">s0141b34</a>
Alternative Title
An alternative name for the resource. The distinction between titles and alternative titles is application-specific.
Ode on St. Cecilia's day
The Bard
Alexander's Feast
Date
A point or period of time associated with an event in the lifecycle of the resource
[1796?] per National Library of Scotland
Extent
The size or duration of the resource.
16 pages
Is Part Of
A related resource in which the described resource is physically or logically included.
Chapbook #10 in a bound collection of 54 chapbooks
Description
An account of the resource
Woodcut image of musical instruments on the title-page.
Is Referenced By
A related resource that references, cites, or otherwise points to the described resource.
<a title="National Library of Scotland" href="http://www.nls.uk/">National Library of Scotland</a>
ESTC#: T161438
Contributor
An entity responsible for making contributions to the resource
Archival and Special Collections, University of Guelph Library, Guelph, Ontario, Canada
Rights
Information about rights held in and over the resource
In the public domain; For high quality reproductions, contact Archival & Special Collections, University of Guelph. libaspc@uoguelph.ca, 519-824-4120, Ext. 53413
Format
The file format, physical medium, or dimensions of the resource
JPEGs and PDF derived from master file, which was scanned from the original book in 24-bit color at 600 dpi in TIFF format using an Epson Expression 10000XL scanner.
Publisher
An entity responsible for making the resource available
Glasgow: Cameron & Murdoch
Type
The nature or genre of the resource
ballads & songs
# of Woodcuts: 1
Bib Context: title-page
Chapbook Date: 1791-1800
Chapbook Genre: ballads & songs
Chapbook Publisher - Glasgow: Cameron & Murdoch
Musical Instrument: harp(s)
Musical Instrument: horn(s)
-
https://scottishchapbooks.lib.uoguelph.ca/files/original/d6e43308520e2c54e36e733291e0be77.pdf
9369b947d23e87714fb96ab473e9245d
https://scottishchapbooks.lib.uoguelph.ca/files/original/f3dbe3eee0b1de3ef9597a29fdeac23e.jpg
6d6d7dc279655cc7cba48a4805ed3c9f
Document
A resource containing textual data. Note that facsimiles or images of texts are still of the genre text.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Poem On the Fashionable Rite of Consecrating Military Colours, Particularly those of the Brave Volunteer Bands. By a Volunteer.
Identifier
An unambiguous reference to the resource within a given context
<a href="https://ocul-gue.primo.exlibrisgroup.com/permalink/01OCUL_GUE/mrqn4e/alma9953133953505154">s0141b34</a>
Is Part Of
A related resource in which the described resource is physically or logically included.
Chapbook #11 in a bound collection of 54 chapbooks
Subject
The topic of the resource
Poetry
Date
A point or period of time associated with an event in the lifecycle of the resource
[1797?] per National Library of Scotland
Extent
The size or duration of the resource.
8 pages
Is Referenced By
A related resource that references, cites, or otherwise points to the described resource.
<a title="National Library of Scotland" href="http://www.nls.uk/">National Library of Scotland </a>
ESTC#: T137920
Contributor
An entity responsible for making contributions to the resource
Archival and Special Collections, University of Guelph Library, Guelph, Ontario, Canada
Rights
Information about rights held in and over the resource
In the public domain; For high quality reproductions, contact Archival & Special Collections, University of Guelph. libaspc@uoguelph.ca, 519-824-4120, Ext. 53413
Format
The file format, physical medium, or dimensions of the resource
JPEGs and PDF derived from master file, which was scanned from the original book in 24-bit color at 600 dpi in TIFF format using an Epson Expression 10000XL scanner.
# of Woodcuts: 0
Chapbook Date: 1791-1800
Chapbook Genre: poetry