47 10 639 https://scottishchapbooks.lib.uoguelph.ca/files/original/77588a21ac91c1b8cec197fd9b6e0395.jpg 530332eba661b27ef7c3438db8dfd49f Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 2897 Width 1838 https://scottishchapbooks.lib.uoguelph.ca/files/original/2322e4a4664401b9acbf430a4da398a3.pdf b1fa7e20cc9441f5a5bd6d66457f0279 PDF Text Text CONTAINING ® t h e Sbekctton o f m o s t GLASGOW: PRINTED FOR THE 1850. BOOKSELLERS. �^©[^TilMlT PAGB A home intlie heart, A life on the ocean wave, All's well, A wet sheet and aflowingsea, Child of Earth, Do you ever think of me, love Glorious Apollo, Good-Bye, Hearts of oak, Isle of beauty, fare-tliee-well, I've kiss'd and I've prattled, I will love thee to the last, Mary, Love not, Maid of Athens, ere we part, March to the battle-field, Meet me by moonlight, My childhood's home, My heart is still with thee, Mynheer Van Dunck, Oh breathe not a word of our love, Pretty star of the night, Shall I wasting in despair, Some love to roam, Still so gently o'er me stealing, The banks of the blue Moselle, The better land, The Death of Nelson, The deep, deep sea, The Dream, The Gipsy King, The kiss, dear maid, The lass of Richmond Hill, The maid of Llangollen, The Monks of old, The Rover's bride, The Rover's flag, The rose will cease to blow, The sailor's grave, Think, love, on me, We have liv'd and lov'd together, Welcome me home, What fairy-like music, When Arthur ruled this land, Woodman, spare that tree, 36 36 44 2* 25 35 33 J® 31 29 30 26 25 39 38 34 34 35 41 32 37 43 32 41 29 40 42 38 39 33 28 31 37 46 30 44 40 45 27 28 37 26 45 43 �25 L O V E Music by BLOCKLEY. N O T . Words by MRS. NORTON. not, love not, ye hapless sons of clay, Hope's gayest wreaths are made of earthly flowers Things that are made to fade and fall away, Ere they have blossom'd for a few short hours. Love not, love not. Love not, love not, the things you love may die, May perish from the gay and gladsome earth; The silent stars, the blue and smiling sky, Beam on its grave, as once upon its birth. Love not, love not. Love not, love not, the thing you love may change, The rosy lip may cease to smile on you, The kindly beaming eye grow cold and strange, The neart still warmly beat, yet not be true. Love not, love not. Love not, love not, oh ! warning vainly said, In present hours, as in years gone by, Love flings a halo round the dear one's head, Faultless, immortal, till they change or die. Love not, love not. LOVE CHILD OF EARTH. Composed by C. E . HORN. of earth, with the golden hair, Thy soul's too pure and thy face too fair, To dwell with the creatures of mortal mould, Whose lips are warm as their hearts are cold. Roam, roam to our fairy home, Child of earth, with the golden hair. Thou shalt dance with our fairy queen, Through summer nights on the moonlit green, To music murmuring sweeter far, Than ever was heard 'neath the morning star. Roam, roam to our fairy home, &c. I'll rob of its sweets the humble bee, I'll crush the wine from the cowslip tree, I'll pull thee berries, I'll heap thy bed Of downy moss, and the poppies red. Roam, roam to our fairy home, &c. Dim sleep shall woo thee, my darling boy, In her mildest mood with dreams of joy, And when the morning ends her reign, Pleasure shall bid thee welcome again. Roam, roam to our fairy home, &c. CHILD �26 I WILL LOVE THEE TO THE LAST, MARY. Words by C. JEFFERYS. Composed by W . H . MONTGOMERY. W H E N the moon is on the waters, I will hasten, love, to thee, For of all earth's fairest daughters, Thou the dearest art to me: Tho' rude winds may ruffle ocean, Still my bark shall tempt the sea, And in strains of pure devotion, I will sing love-songs to thee. When my star of hope was waning, ' There was one, but one heart true, And which shar'd, without complaining, All the ills my bosom knew; It was thine, gentle Mary, Thou werfc ail the world to me, And however fortune vary, I will still be true to thee. Thou wert dear to me in childhood, When the rosebud on its tree, As it blossom'd in the wildwrood, Was an emblem, love, of thee: In thy youth thou wert still dearer; With the dawn of reason came Thoughts that brought thee to me nearer, Tlio' they bore not yet love's name. But thy womanhood unfolding, Won the secret from my heart, And my life was in thy holding, For 'twas death from thee to part! I have lov'd thee, gentle Mary, I have lov'd thee thro' the past, And, however fortune vary, I will love thee to the last. W H A T F A I R Y - L I K E M U S I C . Composed by J . DE PINNA. fairy-like music steals over the sea, Entrancing the senses with charm'd melody! 'Tis the voice of the mermaid that floats o'er the main, As she mingles her song with the gondolier's strain! The winds are all hushed, and the waters at rest, They sleep like the passions in infancy's breast! 'Til storms shall unchain them from out their dark cave, And break the repose of the soul and the wave. WHAT �27 A WET SHEET AND A FLOWING SEA. Words u by A L L A N CUNNINGHAM. Music by JOHN BARNETT. A W T sheet and a flowing sea, E A wind that follows fast, And fills the white and rustling sail, And bends the gallant mast; And bends the gallant mast, my boys, While like the eagle, free, Away the good ship flies, and leaves Old England on the lee. Oh for a soft and gentle wind," I heard a fair one cry: But give to me the starting breeze, And wild waves heaving high. The wild waves heaving high, my boys, With the good ship light and free, The world of waters is our home, And merry men are we. There's tempest in yon horned moon, And lightning in yon cloud, And hark ! the music, mariner, The wind is piping loud. The wind is piping loud, my boys, The lightning flashes free, Whilst the hollow sail our palace is, Our heritage the sea. THINK, LOYE, ON ME. Words by W I L L I A M FALCONER. Music by E D W A R D P L A T T . W H E N the bright sun is sinking beneath the blue sea, And the pale stars are twinkling, oh! think, love, on me; When the bark of thy lover is far, far from thee, When we're parted for ever, then think, love, on me. The dark shades of sorrow may wither his heart, x\nd the sun of to-morrow may see him depart; And on the wide ocean his dwelling may be, But his heart's deep devotion is given to thee. The soft smiles that bound him, while ling'ring with thee, Shall still hover round him, where'er he may be; Tho' his fond heart is breaking, still, still it is thine— Who would think of forsaking a dream so divine! Then farewell for ever, in sorrow we part, To meet again never, beloved of my heart; But oh! when thy lover is on the dark sea, And his bright dreams are over, then think, love, on me. �28 THE KISS, DEAR MAID. Words by BYRON. Music by JANSEN. Key-note A. kiss, dear maid, thy lips hath left, Shall never part from mine, Till happier hours restore the gift Untainted back to thine. The parting glance that fondly gleams, An equal love may see, The tear that from thine eyelid streams, Can weep no change in me. I ask no change to make me blest, In gazing when alone; Nor one memorial for a breast Whose thoughts are all thine own; By day or night, in weal or woe, That heart, no longer free, Must bear the love it cannot show, And silent ache for thee. TIIE W E HAVE LIVED AND Music by HENRI HERZ. L O V E D , Key-note F. WE have lived and loved together, Through many changing years ; We have shared each other's gladness, And wept each other's tears. I have never known a sorrow That was long unsooth'd by thee ; For thy smile can make a summer Where darkness else would be. Like the leaves that fall around us, In autumn's fading hours, Are the traitor smiles that darken, When the cloud of sorrow lowers. And though many such we've known, love, Too prone, alas! to range, We both can speak of one, love, Which time could never change. We have lived and loved together, Through many changing years ; We have shared* each other's gladness. And wept each other's tears. And let us hope the future, As the past hath been, will be ; I will share with thee thy sorrows, And thou thy joys with me. �THE BANKS OF THE BLUE MOSELLE. Words by E. FITZ-BALL. Music by G. H. RODWELL. Key-note F the glow-worm gilds the elphin flower, That clings around the ruin'd shrine, Where first we met, where first we loved, And I confess'd me thine. 'Tis there I'll fly to meet thee still, At the sound of the vesper bell ; In the starry light of a summer night, On the banks of the blue Moselle. If the cares of life should shade thy brow, Yes, yes in our native bowers ; My harp and lute might best accord, To tell of happier hours; 'Tis there I'd soothe thy grief to rest, Each sigh of sorrow quell; In the starry light of a summer night, On the banks of the blue Moselle. =o®c= ISLE OF BEAUTY, FARE-THEE-WELL. WHEN Words by T . H . BAYLY. Music by C. S. WHITMOEE. of ev'ning ! close not o'er us ! Leave our lonely bark awhile! Morn, alas ! will not restore us Yonder dim and distant Isle. Still my fancy can discover Sunny spots where friends may dwell ;— Darker shadows round us h o v e r Isle of beauty ! " Fare-thee-well 1" 'Tis the hour when happy faces Smile around the tapers light ;— Who will fill our vacant places ? Who will sing our songs to-night ? Through the mist that floats above us Faintly sounds the vesper bell, Like a voice, from those who love us, Breathing fondly, " Fare-thee-well I" When the waves are round me breaking, As I pace the deck alone ; And my eye in vain is seeking Some green leaf to rest upon ; What would I not give to wander, Where my old companions dwell ? Absence makes the heart grow fonder— Isle of beauty ! " Fare-thee-welll" SHADES �30 I'VE KISS'D AND I'VE PRATTLED. I'VE kiss'd and I've prattled with fifty fair maids, And changed them as oft, do you see ; But, of ail the gay lasses that sport on the green, The maid of the mill for me. There's fifty young men have told me fine tales, And call'd me the fairest she ; But, of all the young men that dance on the green, Young Harry's the lad for me. Her eyes are as black as the sloe in the hedge, Her cheeks like the blossoms in May ; Her teeth are as white as a new-shorn flock, Her breath like the new-made hay. He's tall and he's straight as the poplar tree, Ilis cheeks are as red as the rose ; He looks like a squire of high degree, When dress'd in his Sunday clothes. -o®cs= THE ROVER'S BRIDE. Words by T. H. BAYLY. Music by A. LEE. Key-note G. " On! if you love me, furl your sails, Draw up your boat on shore, Come tell me tales of midnight gales, But tempt their might no more." " Oh stay," Kate whisper'd, " stay with me " Fear not," the Rover cried, u Yon bark shall be a prize for thee, I'll seize it for my bride." The boat was in pursuit; it flew; The full sails bent the mast; Poor Kate well knew the Rover's crew Would struggle to the last. And ceaselessly for morning light She pray'd upon her knees ; For all the night the sounds of fight Were borne upon the breeze. And morning came—it brought despair, The Rover's boat was gone ; Kate rent her hair—one bark was there, Triumphant—but alone. She sought the shore—she brav'd the storm, A corpse lay by her side ; She strove to warm the Rover's form, Then kiss'd his lips, and died. �31 HEARTS OF OAK. C O M E , cheer up my lads, 'tis to glory we steer, To add something more to this wonderful year ; To honour we call you, not press you like slaves* For who are so free as we sons of the waves I Hearts of oak are our ships, Jolly tars are our men ; We always are ready, Steady, hoys, steady, We'll fight and we'll conquer again and again. We ne'er see our foes but we wish them to stay, They never see us but they wish us away ; If they run, why we follow, and run them ashore, For if they wont fight us, what can we do more ? Hearts of oak, &c. They swear they'll invade us, these terrible foes, They frighten our women, our children, and beaux; But should their flat bottoms in darkness get o'er, Still Britons they'll find to receive them on shore. Hearts of oak, &c. We'll still make 'em run, and we'll still make 'em sweat, In spite of the devil and Brussels Gazette ; Then cheer up, my lads, with one heart let us sing, Our soldiers, our sailors, our statesmen, and king Hearts of oak, &c. =>®G=- THE LASS OF RICHMOND IIILL. ON Richmond Hill there lives a lass More bright than May-day morn, Whose charms all other maids surpass A rose without a thorn. This lass so neat, with smiles so sweet, Has won my right good will; I'd crowns resign to call thee mine, Sweet lass of Richmond Hill. Ye zephyrs gay that fan the air, And wanton through the grove ; O, whisper to my charming fair, I die for her I love. This lass so neat, &c. How happy will the shepherd be Who calls this nymph his own ; Oh, may her choice be fix'd on me, Mine's fix'd on her alone. This lass so neat, &c. �32 SOME LOVE TO ROxlM. Words by CHARLES M A C K A Y . Music by H E N R Y RUSSELL. love to roam o'er the dark sea foam, Where the shrill winds whistle free ; But a chosen band in a mountain land, And a life in the woods for me. When morning beams o'er the mountain streams, O! merrily forth we go, To follow the stag to his slippery crag, And to chace the bounding roe. Ho, ho, ho, ho ! ho, ho, ho, ho! ho, ho, ho, ho ! Some love to roam, &c. SOME The deer we mark in the forest dark, And the prowling wolf we track ; And for right good cheer in the wildwoods here, O! why should a hunter lack ! For with steady aim at the bounding game, And hearts that fear no foe, To the darksome glade in the forest shade, 0 ! merrily forth we go ! Ho, ho, ho, ho ! ho, ho, ho, ho ! ho, ho, ho, ho ! Some love to roam, &c. OH ! BREATHE NOT A WORD OF OUR LOVE. Written by E . V . RIPPINGILLE, ESQ. Music by M . A N D R E SCHULZ. OH ! breathe not a word of our love, Nor believe that it ever has been, 'Twas a beautiful dream from above, And has flown back to heaven again. Yet could I have call'd thee my own, Howe'er undeserving I seem, 1 had lived for thee, loved thee alone, alone, And life would have passed like that dream. I had lived for thee, &c. By thy truth, love, and by thine own smile By thy bosom's soft sigh and thy tear I By all that fond hearts can beguile, And remembrance make painful or dear ! From my heart it shall ne'er be effaced, But remain a memorial bright, Like some spot in a desolate waste, a waste, That an angel has touched in its flight. Like some spot, &c. �83 THE GIPSY KING. Music by S. NELSON. Key-note G. 'Tis I am the Gipsy King, And where is the king like me ? No trouble my dignities bring, No other is half so free. In my kingdom there is but one table, All my subjects partake of my cheer ; We would all have champagne were we ablo J As it is, we have plenty of beer; And 'tis I am the Gipsy King, ha, ha I I am the Gipsy King. A king, and a true one am I : No courtiers nor ministers here; I see ev'rything with my own eye, And hear ev'rything with my own ear. No conspiracies I apprehend, Among brothers and equals I rule ; We all help both to gain and to spend, And get drunk when the treasury's full; And 'tis I am the Gipsy King, &c, I confess that I am but a man, My failings who pleases may know; I am fond of my girl and my can, And jolly companions a row. My subjects are kind to me, They don't grudge me the largest glass, Nor yet that I hold on my knee, At this moment, the prettiest lass ; For 'tis I am the Gipsy King, <fcc. G L O R I O U S APOLLO. Author unknown. Music by WEBBE. Key-note D. Apollo from on high beheld us, Wand'ring to find a temple for his praise, Sent Polyhymnia hither to shield us, While we ourselves such a structure might raise. Thus then combining, hands and hearts joining, Sing we in harmony Apollo's praise. Here every generous sentiment awaking, Music inspiring unity and joy— Each social pleasure giving and partaking, Glee and good humour our hours employ. Thus then combining, hands and hearts joining, Long may continue our unity and joy ! GLORIOUS �34 M E E T M E B Y M O O N L I G H T . me by moonlight alone, And then I will tell you a tale, Must be told you by moonlight alone, In the grove at the end of the vale. You must promise to come, for I said I would show the night-flowers their queen ; Nay, turn not away thy sweet head, 'Tis the loveliest ever was seen. Oh ! meet me bv moonlight alone Daylight may do for the gay, The thoughtless, the heartless, the free ; But there's something about the moon's ray, That is sweeter to you and to me. Oh ! remember, be sure to be there, For though dearly the moonlight I prize, I care not for all in the air, If I want the sweet light of your eyes. So meet me by moonlight alone. =o®o~ MY CHILDHOOD'S HOME. MEET Words by the HON. MES. NORTON. Music by J . BLOCKLEY. tasted each varied pleasure, And drank of the cup of delight; I have danc'd to the gayest measure, In the halls of dazzling light. I have dwelt in a blaze of splendour, And stood in the court of kings, I have snatch'd at each joy that could render More rapid the flight of time's wings. But vainly I sought for joy and peace, In that life of light and shade, And I turn with a sigh to my own dear home, The home where my childhood play'd. When jewels are sparkling around me, And dazzling with their rays, I weep for tlje ties that bound me, In life's first early days. I sigh for one of those sunny hours Ere day was turn'd to night, For one of those nosegays of fresh wild flowers, Instead of these jewels bright. I weep when I gaze on these scentless buds That never bloom or fade, I turn with a sigh to those gay green fields, The home where my childhood play'd, I HAVE �35 MY HEART IS STILL WITH THEE. Written by C. JEFFERYS. The Music by S. NELSON. MY heart is still with thee, my love, My heart is still with thee ; Where'er my footsteps chance to rove, Whate'er my fate may be : In peace, or in the battle strife, The dearest joy to me, Will be the thought, that whilst I've life, My heart is still with thee. My heart is still with thee, My heart is still with thee ; Whate'er my fate, where'er I roam, My heart is still with thee. The streamlet, from its native dell, Glides onward to the sea, And where the mighty waters dwell, The streamlet loves to be ; And thou art like the ocean, love, The streamlet like to me ; Where'er my footsteps chance to rove, My heart is still with thee. My heart is still with thee, My heart is still with thee ; Whate'er my fate, where'er I roam, My heart is still with thee. <=o®o= DO YOU EVER THINK OF ME? Written by C. JEFFERYS. Composed by N. J . SPORLE. Do you ever think of me, love ; do you ever think of me, When I'm far away from thee, love, with my bark upon the sea ? My thoughts are ever turning to thee where'er I roam, And my heart is ever yearning for the quiet scenes of home. Then tell me, do you ever, when my bark is on the sea, Give a thought to him who never can cease to think of thee? When sailing o'er the billow, do you think I can forget The streamlet and the willow beneath whose shade we met ? No ! I fancy thou art near me, and I often breathe a sigh, [reply. When the waves alone can hear me, and the winds alone Then tell me, &c. �86 A LIFE ON THE OCEAN WAVE. Composed by H. RUSSELL. Key-note G. L I F E on the ocean wave! A home on the rolling deep ! Where the scatter'd waters rave, And the winds their revels keep ! Like an eagle cag'd I pine, On this dull unchanging shore— Oh ! give me the flashing brine, The spray and the tempest's roar. Once more on the deck I stand, Of my own swift-gliding craft; Set sail, farewell to the land; The gale follows fair abaft 1 We shoot through the sparkling foam, Like an ocean bird set free; Like the ocean bird, our home We'll find far out on the sea. The land is no longer in view; The clouds have begun to frown; But with a stout vessel and crew, We'll say let the storm come down! And the song of our hearts shall be, While the winds and the waters rave, A life on the heaving sea ! A home on the bounding wave! A A HOME IN THE HEART. Written by Miss ELIZA COOK. Music by M. W . BALFB. OH ! build not a home in the mansions of pride, Where marble shines out on the pillars and walls ; Though the roof be of gold it is brilliantly cold, And joy may not be found in its torch-lighted halls* But seek for a bosom all honest and true, Where love once awaken'd will never depart, Turn, turn to that breast like the dove to its nest, And you'll find there's no home like a home in the heart. " Oh! link but one spirit that's warmly sincere, That will heighten your pleasure and solace your care, Find a soul you may trust as the kind and the just, And be sure the wide world holds no treasure so rare. Then the frowns of misfortune may shadow our lot, The cheek-searing tear-drops of sorrow may start, But a star never dim sheds a halo for him Who can turn for repose to a home in the heart. �37 MAID OF L A N G O L L E N . T H O U G H lowly my lot, and though poor my estate, I see without envy the wealthy and great; Contented and proud a poor shepherd to be, While the maid of Langollen smiles sweetly on me. My way o'er the mountain I cheerfully take. At morn when the song-birds their melody break; And at eve I return with a heart full of glee, For the maid of Langollen smiles sweetly on me. Glenarvon's rich lord passes scornfully by, But wealth ne'er can make him so happy as I ; And prouder than even the proudest I'll be, While the maid of Langollen smiles sweetly on me. T H E PRETTY STAJTOF THE NIGHT. THE daylight has long been sunk under the billow, And Zephyr its absence is mourning in sighs, Then quickly, my dearest, arise from your pillow, And make the night day with the iight of your eyes ; That fairer than you no one ever may prove, [love; The bright mould that formed you they've broken, my And now you alone can your image renew, Then oh ! for creation's sake, rise, dearest, do. Pretty star of my soul! Heaven's stars all outshining, Sweet dream of rny slumbers ! Ah! love, pray you Enchantress ! all hearts in your fetters entwining, [rise! To my ears you are music, and light to my eyes: To my anguish you're balm, to my pleasures you're bliss, To"rny touch you are joy, there's the world in your Day is not day if your presence I miss, [kiss ; Ah ! no, 'tis a night cold and moonless as this. WELC0ME°ME HOME. the Troubadour touched his guitar, AVhen he was hastening home from the war ; Singing from Palestine, " Hither I come, Lady love ! lady love ! welcome me home." She for the Troubadour hopelessly wept, Sadly she thought of him when others slept! Singing, " In search of thee would I might roam, Troubadour! Troubadour! come to thy home." Hark ! 'twas the Troubadour breathing her name, Under the battlement softly he came, Sii ging from Palestine, " Hither I come, Lady love! lady love! welcome me home." GAILY �16 MARCH TO THE BATTLE-FIELD Music ly D„. A . O'MEARA. to the battle-field, The foe is now before us ; Each heart is freedom's shield, And heaven is smiling o'er us. The woes and pains, the galling chains, Which kept our spirits under, In proud disdain we've broke again, And tore each link asunder. March to the battle- field, &c. Who, for his country brave, Would fly from her invader i Who, his base life to save, Would traitor-like degrade her? Our hallow'd cause, our home and laws, 'Gainst tyrant power sustaining, We'll gain a crown of bright renown, Or die our rights mantaining. March to the battle-field, &c. - .... — o ® o THE DEEP, DEEP SEA. MARCH Composed ly C. E. HORNE. Key-note D. OH, come with me, my love, And our fairy home shall be, Where the water-spirits rove, In the deep, deep sea. There are jewels rich and rare, In the caverns of the deep . And to braid thy raven hair, There the pearly treasures sleep. In a tiny man of war, Thou shalt stem the ocean's tide; Or in a crystal car, Sit a queen in all her pride. Oh, come with me, etc. Ah! believe that love may dwell, Where the coral branches twine ; And that ev'ry wreathed shell, Breathes a tone as soft as thine. Hopes as fond as thou would'st prove Truth as bright as e'er was told ; Hearts as warm as those above, Dwell under the waters cold. Under the waters cold. Oh, come with me, &c. �39 MAID OF ATHENS. of Athens ! ere we part, Give, 0 give me back my heart, Or, since that has left my breast, Keep it now, and take the rest. Ah ! hear my vow before I go, Ah ! hear my vow before I go, My dearest life, I love you! By those tresses unconfmed, "Wooed by each iEgean wind ! By those lids whose jetty fringe Kiss thy soft cheek's blooming tinge! By those wild eyes like the roe,—. Ah ! hear my prayer before I go My dearest life, I love you ! Maid of Athens ! I am gone ; Think of me, sweet, when alone; Though I fly to Istambol, Athens holds my heart and soul. Can I cease to love thee ? No ! Hear my vow before I go, My dearest life, I love you! —=o®o—— THE DREAM. MAID Written I by A L F R E D BUNN, E S Q . Composed ly M . W . BALFE. that I dwelt in marble halls, With vassals and serfs at my side ; And of all who assembled within those walls, That I was the hope and the pride. I had riches too great to count—could boast Of a high ancestral name ; But I also dreamt, which pleas'd me most, That you loved me still the same. That you loved me, you loved me still the same ; That you loved me, you loved me still the same. I dreamt that suitors sought my hand, That knights upon bended knee, And with vows no maiden heart could withstand, They pledged their faith to me. And I dreamt that one of that noble host Came forth that hand to claim ; But I also dreamt, which charm'd me most, That you loved me still the same. That you loved me, you loved me still the same ; That you loved me, you loved me still the same. DREAMT �40 THE BETTER LAND. I H E A R thee speak of the better land, Thou call'st its children a happy band ; Mother ! oh, where is that radiant shore ? Shall we not seek it and weep no more ? Is it where the flow'r of the orange blows, And the fire-flies glance through the myrtle boughs ? Not there, not there, my child ! Not there, not there, my child ! Is it where the feathery palm-trees rise, And the date grows ripe under sunny skies ? Or 'midst the green islands of glittering seas, Where fragrant forests perfume the breeze ? And strange bright birds on their starry wings Bear the rich hues of all glorious things ? Not there, not there, my child ! Not there, not there, my child ! Is it far away in some region old, Where the rivers wander o'er sands of gold ? Where the burning rays of the ruby shine, And the diamond lights up the secret mine, And the pearl gleams forth from the coral strand ? Is it there, sweet mother ! that better land ? Not there, not there, my child ! Not there, not there, my child! Eye hath not seen it, my gentle boy Ear hath not heard its deep songs of j o y ; Dreams cannot picture a world so fair; Sorrow and death may not enter there; Time doth not breathe on its fadeless bloom ; For beyond the clouds, and beyond the tomb, It is there, 'tis there, my child ! *Tis there, 'tis there, my cnild ! T H E R O S E W I L L C E A S E T O B L O W . THE rose will cease to blow, The eagle turn a dove ; The stream will cease to flow, Ere I will cease to love. Ere I will cease to love, &c. The sun will cease to shine, The world will cease to move ; The stars their light resign, Ere I will cease to love. Ere I will cease to love, �41 S O GENTLY O'ER ME STEALING, S T I L L SO gently o'er me stealing, Memory will bring back the feeling, Spite of all my grief, revealing That I dearly love thee still. Though some other swain may charm thee, Ah! no other e'er can warm me ; Yet, ne'er fear, I will not harm thee; No, thou false one, No, no, I fondly love thee still. All is lost to me for ever Yes, love's sun is set for ever; All is lost, is lost to me. This sad heart Not one fond hope of bliss can know. Still so gently o'er me stealing, Memory will bring back the feeling, Spite of all my grief, revealing That I dearly love thee still. Though some other swain may charm thee* Ah ! no other e'er can warm me; Yet, ne'er fear, I will not harm thee; No, thou false one, No, no, I fondly love thee still. Dost thou speak of me when dreaming i Then a ray of light is beaming, And thy innocence is gleaming : Oh! I love thee, oh ! I dearly love thee still. Now no other swain can charm thee, Thou, my love, shalt ever warm me, And I swear I will not harm thee : Yes, dear one, yes, I love thee still, I love thee, dear one, still. -o®e=— S T I L L M Y N H E E R V A N D U N C K . Yan Dunck, though he never got drunk, Sipp'd brandy and water gaily, And he quench'd his thirst with two quarts of the firstTo a pint of the latter daily : Singing, " Oh ! that a Dutchman's draught could be As deep as the rolling Zuyder Zee." Water well mingled with spirit good store, No Hollander dreams of scorning, But of water alone he drinks no more, Than a rose supplies its bloom on a summer morning. MYNHEER �42 THE DEATH OF NELSON. Words by ARNOLD. Music by ATTWOOD. Sung by BRAHAM. RECITATIVE. Key-note E flat. O'ER Nelson's tomb, with silent grief oppress'd, Britannia mourn'd her hero, now at rest. But those bright laurels ne'er shall fade with years, Whose leaves are water'd by a nation's tears. AIR. Key-note O. 'Twas in Trafalgar's bay, We saw the Frenchmen lay, Each heart was bounding then ; We scorned the foreign yoke— Our ships were British oak, Hearts of oak our men. Our Nelson mark'd them on the wave, Three cheers our gallant seamen gave, Nor thought of home or beauty ; Along the line this signal ran— ** England expects that every man This day will do his duty !" And now the cannons roar Along the affrighted shore— Our Nelson led the way. His ship the Yict'ry named ; Long be that vict'ry famed ! For vict'ry crown'd the day! But dearly was that conquest bought, Too well the gallant hero fought For England, home, and beauty ; He cried, as 'midst the fire he ran— " England expects that every man This day will do his duty !" At last the fatal wound, Which spread dismay around, The hero's breast received: " Heaven fights on our side, The day's our own," he cried ; " Now long enough I've lived! In honour's cause my life was past— In honour's cause I fall at last, For England, home, and beauty !" Thus ending life as he began, England confess'd that every man That day had done his duty. �21 SHALL X, WASTING IN DESPAIR. S H A L L I, wasting in despair, Die because a woman's fair; Shall my cheeks look pale with care Because another's rosy are ? Be she fairer than the day, Or flow'ry meads in May, If she be not so to me, What care I how fair she be ? Shall a woman's virtues move Me to perish for her love, Or, her well-deservings known, Make me quite forget my own ? Be she meeker, kinder than The turtle-dove or pelican, If she be not so to me, What care I how kind she be ? Great or good, or kind or fair, I will ne'er the more despair, If she love me, this believe— I will die ere she shall grieve. If she slight me when I woo, I will scorn and let her go ; If she be not fit for me, What care I for whom she be ? WOODMAN, SPARE THAT TREE. spare that tree! touch not a single bough; In youth it sheltered me, and I'll protect it now : 'Twas my forefather's hand that plac'd it near his c o t ; There, woodman, let it stand: thy axe shall harm it not! That old familiar tree, whose glory and renown [down! Are spread o'er land and sea ; oh ! would'st thou hew it Woodman, forbear thy stroke, cut not its earth-bound Oh! spare that aged oak, high tow'ring to the skies, [ties; In childhood I have slept beneath its genial shade,[play'd; Or thro' its branches crept, and with its hoar leaves Here too our youthful joys—the parent's kind caress, That from the heart ne'er flies, make me that old oak bless. [friend! My heart-strings round thee cling close as thy bark, old Here shall the wild bird sing, and still thy branches bend; Old tree! the storm thou'lt brave: oh ! woodman, leave the spot, While I've a hand to save, thy axe shall harm it not. WOODMAN, �44 THE ROVER'S FLAG, OH, ever a Rover's life for me, A gallant bark and a rolling sea ; On my own proud deck like a king I'll stand, Where brave hearts bow to their chiefs command. With canvas spread where'er I roam, The deep, deep sea to me's a home, <\nd my heart on that would ever be, With the black flag roving gallantly. The deep, deep sea to me's a home, And my heart on that would ever be, With the black flag roving gallantly. The black flag roving gallantly, The black flag roving gallantly. Thro' thunder, storm, and lightning's flash, Onward my bark will proudly dash ; Swift as the flight of the hawk she'll sail, And bravely ride thro' the wildest gale. We'll shun no foe and strike to none, With bright sword gleaming, or mounted gun ; But we'll meet them still on the broad blue sea, With our black flag roving gallantly. The black flag roving gallantly, Oh, we5ii meet them still on the broad blue sea, With our black flag roving gallantly. The black flag roving gallantly, The black flag roving gallantly. ALL'S WELL. by the waning moon, When skies proclaim night's cheerless noon, On tower, or fort, or tented ground, The sentry walks his lonely round ; And should a footstep haply stray Where caution marks the guarded way— Who goes there ? stranger, quickly tell; A friend—the word. Good night; all's well. Or sailing on the midnight deep, When weary messmates soundly sleep, Th*» careful watch patrols the deck, To guard the ship from foes or wreck ; And while his thoughts oft homewards veer, Some friendly voice salutes his ear— What cheer? brother, quickly tell; Above—below. Good night; all's well. DESERTED �45 THE SAILOR'S GRAVE. is in the lone, lone sea, A spot unmark'd but holy, For there the gallant and the free, In his ocean bed lies lowly. Down, down beneath the deep, That oft in triumph bore him, He sleeps a sound and peaceful sleep. With the salt waves dashing o'er him. He sleeps, he sleeps serene and safe, From tempest and from billow, Where storms that high above him chafe, Scarce rock his peaceful pillow\ The sea and him, in death, They did not dare to sever: It was his home when he had breath, 'Tis now his home for ever. Sleep on, sleep on thou mighty dead, A glorious tomb they've found thee, The broad blue sky above thee spread, The boundless ocean round thee. No vulgar foot treads here, No hand profane shall move thee, But gallant hearts shall proudly steer, And warriors shout above thee. THERE WHEN ARTHUR RULED THIS LAND. W H E N Arthur ruled this land, He was a mighty king, Three sons, he swore, he'd turn out of door, Because they could not sing. The first he was a miller, The second he was a weaver, The third he was a little tailor, Three thievish rogues together. The miller he stole corn, The weaver he stole yarn, The little tailor stole a piece of broad cloth, To keep these three rogues warm. The miller was drown'd in his pond, The weaver was hang'd in his yarn, The devil flew away with the little tailor, And the broad cloth under his arm. �46 THE MONKS OF OLD. M A N Y have told of the monks of old, What a saintly race they were ; But 'tis more true, that a merrier crew Could scarce be found elsewhere ! For they sung and laughed, and the rich wine quaffed And liv'd on the daintiest cheer ! For they laugh'd, ha ! ha ! and they quaff'd, ha ! ha! And liv'd on the daintiest cheer ! And then they would jest at the love confessed By many an artless maid, And what hopes and fears they had breathed in the ears Of those who had sought their aid : And they sung and laughed, and the rich wine quaffed, As they told of each love-sick jade. And they laughed, &c. And the abbot meek, with his form so sleek, Was the heartiest of them all; And would take his place with a laughing face, When the refection-bell would call: When they sung and laughed, and the rich wine quaffed, 'Til they shook the olden wall. And they laughed, &c. Then, say what you will, we'll drink to them still, For a jovial band they were ; And 'tis most true, that a merrier crew Could not be found elsewhere ! For they sung and laughed, and the rich wine quaffed, And they lived on the daintiest cheer. And they laughed, &c. OSO- GOOD-BYE. I C N bid you good morning, good day, or good night, A At expense of perhaps one faint sigh, Since I know a few hours will renew my delight;— But, oh ! when I bid you good-bye— My tongue becomes dull, and my heart becomes chill, And warm tears shut out light from each eye ; My soul feels forebodings of deadliest ill, When I try, love, to bid you good-bye. Then send me not from you, love, do let me stay, For I can't speak the word if I try ; Morn and eve I will wish you good night and good day, But I can't, nor I won't say good-bye ! � Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The English Minstrel: Containing a selection of the most popular Songs of England. Date A point or period of time associated with an event in the lifecycle of the resource 1850 Identifier An unambiguous reference to the resource within a given context <a href="https://ocul-gue.primo.exlibrisgroup.com/permalink/01OCUL_GUE/mrqn4e/alma9923306593505154">s0443b17</a> Extent The size or duration of the resource. 24 pages 15 cm Description An account of the resource No. II Price One Penny Subject The topic of the resource Ballads and songs Chapbooks - Scotland - Glasgow Contributor An entity responsible for making contributions to the resource Archival and Special Collections, University of Guelph Library, Guelph, Ontario, Canada Is Referenced By A related resource that references, cites, or otherwise points to the described resource. <a title="University of Glasgow Union Catalogue of Scottish Chapbooks" href="http://special.lib.gla.ac.uk/chapbooks/search/">University of Glasgow Union Catalogue of Scottish Chapbooks&nbsp;</a> Rights Information about rights held in and over the resource In the public domain; For high quality reproductions, contact Archival & Special Collections, University of Guelph. libaspc@uoguelph.ca, 519-824-4120, Ext. 53413 Format The file format, physical medium, or dimensions of the resource JPEGs and PDF derived from master file, which was scanned from the original book in 24-bit color at 600 dpi in TIFF format using an Epson Expression 10000XL scanner. Publisher An entity responsible for making the resource available Glasgow: Printed for the Booksellers Source A related resource from which the described resource is derived Archival & Special Collections, University of Guelph Library, Guelph, Ontario https://scottishchapbooks.lib.uoguelph.ca/files/original/c8c03781efd39306742d583197a1d8d4.pdf 8f9bc84af7e660147cc3ce1a06143838 PDF Text Text EIGHT Popular Songs. G R E E N H I L L S OF PITY TYROL. AND PROTECT THE SLAVE. T H E M A I D OF J U D A H . LANGSYNE BESIDE THE WOODLAND BURN. THE B I R K S OF ABERFELDY. THE GIRL WE LOVE. M E E T ME, MISS M O L L Y NAPOLEON'S PRINTED MALONE. DREAM. GLASGOW: FOR THE BOOKSELLERS. 36. �SONGS. NAPOLEON'S DREAM. One night sad and languid I went to my bed, And scarce had reclin'd on my pillow, When a vision surprising came into my head, Methought I was crossing the billow ; Methought as my vessel dash'd over the deep, I beheld that rude rock that grows craggy and steep, A h ! that rock where the willow is now seen to weep O'er the grave of the once-famed Napoleon. I dreamt, as my vessel she near'd to the land, I beheld clad in green his bold figure, The trumpet of fame he clasp'd firm in his hand, On his brow there sat valour and rigour; A h ! stranger, he cried, hast thou ventur'd to me From the land of thy fathers, who boast they are free? If so, a true story I'll tell unto thee, Concerning the once-famed Napoleon. Remember that year so immortal, he cried, When I cross'd the rude Alps — fam'd in story, With the legions of France—for her sons were my pride, And I led them to honour and glory! On the plains of Marengo I tyranny hurl'd, And whenever my banner the Eagle unfurl'd, 'Twas the standard of freedom all over the world, The signal of Fame—cried Napoleon. �3 As a soldier I've borne both the heat and the cold, I have march'd to the trumpet and cymbal, But by dark deeds of treachery I have been sold, Though monarchs before me did tremble. Now rulers and princes their station demean, And like scorpions they spit forth their venom and spleen, But Liberty soon o'er the world shall be seen, As I woke from my dream, cried Napoleon. M E E T ME, MISS M O L L Y MALONE. Meet me, Miss Molly Malone, A t the grove at the end of the vale ; But be sure that you don't come alone, Bring a pot of your master's strong ale ; With a nice bit of beef, and some bread. Some pickles or cucumbers green, Or a nice little dainty pig's head, 'Tis the loveliest tit bit e'er seen. Then meet me, Miss Molly Malone. Pastry may do for the gay, Old maids may find comfort in tea, But there's something about ham and beef, That agrees a deal better with me. Remember my cupboard is bare, Then come, if my dear life you prize ; I'd have liv'd the last fortnight on air, But you sent me two nice mutton pies. Then meet me, Miss Molly Malone. �4 PITY AND PROTECT THE SLAVE. Sons of freedom, hear my story, Mercy well becomes the brave ; Humanity is Briton's glory, Pity and protect the slave. Free-born daughters, who, possessing Eyes to conquer, hearts to save, To receive a father's blessing, Pity and protect the slave. G R E E N H I L L S OF TYROL, Green hills of Tyrol, again I see The home of childhood so dear to me, Again I press the verdant shade, Where oft my footsteps have wildly stray'd; Once more I am near him, M y own one, my fond one ; Again I shall hear him Love's accents repeat; While to his sighs my heart replies, And every glance issoftandsweet. Green hills ofTyrol,&c. From yonder woodlands, sounding clear, With eye of hawk, and falchion keen, His merry bugle I hear ; He comes, he comes — m y Tyrolien. �Once more I behold him, My dear one, my fond one, To my bosom I'll fold him, My Own Tyrolien. Haste, haste my love, why linger now ? The sun is shedding his partial glow ; The chamois seeks his peaceful glade, And homeward wanders the mountain maid Oh come then and cheer me, My own one, my fond one, Again thou shalt hear me Sing Love's tender strain. While every note my lips repeat, As soft and sweet thou'lt breathe again. Then haste, my love, &c. Hark, hark, I hear his well-known cry, While answering echo makes reply ; Now, now, he waves, his scarf of green, He comes, he comes—my Tyrolien. Once more I behold him, My dear one—my fond one— To my bosom I'll fold him, My own Tyrolien. T H E B I R K S OF ABERFELDY. Bonny lassie, will ye go, Will ye go, will ye go, Bonny lassie, will ye go To the birks of Aberfeldy. �6 Now summer blinks on flowery braes, And o'er the crystal streamlet plays, Come let us spend the lightsome days, In the birks of Aberfeldy. While o'er their heads the hazels hing, The little birdies blythely sing, Or lightly flit on wanton wing, In the birks of Aberfeldy. The braes ascend like lofty wa's, The foaming stream deep roaring fa's, O'erhung wi' fragrant spreading shaws, The birks of Aberfeldy. The hoary cliffs are crown'd wi' flowers, White are the linns the burnie pours, And rising, weets wi' misty showers The birks of Aberfeldy. Let fortune's gifts at random flee, They ne'er shall draw a wish frae me, Supremely blest wi' love and thee. In the birks of Aberfeldy. T H E M A I D OF J U D A H . Mo more shall the children of Judah sing The lay of a happier time ; Nor strike the harp with the golden string, 'Neath the sun of an eastern clime. �7 This—this was the lay of the Jewish maid, Though not in her father's bowers, Sweetly she sung—while in sadness she stray'd Near the ruins of Babylon's towers. No more, &c. Where are the sons of mine ancient race? That were born but the javelin to bear ; Land of my kindred, whose ruins I trace, That once was so lovely and fair. The green grass grows on the fertile spot, Where once grew the sweetest of flowers ; Land of my kindred shall never be forgot, While a ruin remains of thy towers. No more, &c. L A N G S Y N E BESIDE THE WOODLAND BURN. Langsyne beside the woodland burn, Amang the broom sae yellow, I lean'd me 'neath the milk-white thorn, On nature's mossy pillow ; Around my seat the flow'rs were strew'd, That frae the wild-wood I had pu'd, To weave mysel' a summer snood, To pleasure my dear fellow. I twin'd the woodbine round the rose, Its richer hues to mellow ; Green sprigs of fragrant birk I chose, To busk the sedge sae yellow. �8 The craw-flow'r blue, and meadow-pink, I wove in primrose braided link, But little, little did I think I should have wove the willow. My bonnie lad was forc'd afar, Toss'd on the raging billow, Perhaps he's fa'n in bloody war, Or wreck'd on rockyshallow; Yet, aye I hope for his return, A s round our wonted haunts I mourn, And often by the woodland burn I pu' the weeping willow. T H E GIRL W E L O V E . To the traveller benighted and lone on the wild, O sweet is the prospect of shelter and rest; And dear to the mother's fond heart is her child, When she feels his young breath glowing warm on her breast. To the prisoner relieved from dungeon deep, 'Tis sweet o'er the heather-clad hills torove; But the spirit with livelier bound doth leap, To meet in the gloamin' the girl we love. To wander at e'en through the meadows so green, With raptur'd emotion my bosom has beat; But what gave enchantment and life to the scene ? What made it so lovely, fair, and sweet ? 'Twas that Jessie was there, with her mild witching smile, And the life-giving glance of her dark hazel eye ; 'Twas this tun'd to music the murm'ring rill, And brighten'd each star that gem'd the sky. � https://scottishchapbooks.lib.uoguelph.ca/files/original/f7a03cd278adc61526f7ceb1d9ee6443.jpg fd0c932e218fbdab15b9fc25c760175a Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 3130 Width 2003 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 81: Illustration on title page of a tall ship at sea Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Woodcut 081: Title-page illustration of a tall ship at sea. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Eight Popular Songs. Green Hills of Tyrol. Pity and Protect the Slave. The Maid of Judah. Langsyne Beside the Woodland Burn. The Birks of Aberfeldy. The Girl We Love. Meet Me, Miss Molly Malone. Napoleon's Dream. Identifier An unambiguous reference to the resource within a given context <a href="https://ocul-gue.primo.exlibrisgroup.com/permalink/01OCUL_GUE/mrqn4e/alma9923304523505154">s0451b26</a> Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Green Hills of Tyrol. Pity and Protect the Slave. The Maid of Judah. Langsyne Beside the Woodland Burn. The Birks of Aberfeldy. The Girl We Love. Meet Me, Miss Molly Malone. Napoleon's Dream. Date A point or period of time associated with an event in the lifecycle of the resource [1840-1850] per National Library of Scotland Extent The size or duration of the resource. 8 pages 16 cm Description An account of the resource 36 printed at the bottom of the title-page. Woodcut #81: Illustration on title page of a tall ship at sea Subject The topic of the resource Slavery Chapbooks - Scotland - Glasgow Courtship and Marriage Contributor An entity responsible for making contributions to the resource Archival and Special Collections, University of Guelph Library, Guelph, Ontario, Canada Is Referenced By A related resource that references, cites, or otherwise points to the described resource. <a title="National Library of Scotland" href="http://www.nls.uk/">National Library of Scotland&nbsp;</a> Rights Information about rights held in and over the resource In the public domain; For high quality reproductions, contact Archival & Special Collections, University of Guelph. libaspc@uoguelph.ca, 519-824-4120, Ext. 53413 Format The file format, physical medium, or dimensions of the resource JPEGs and PDF derived from master file, which was scanned from the original book in 24-bit color at 600 dpi in TIFF format using an Epson Expression 10000XL scanner. Publisher An entity responsible for making the resource available Glasgow: Printed for the Booksellers Type The nature or genre of the resource ballads & songs Source A related resource from which the described resource is derived Archival & Special Collections, University of Guelph Library, Guelph, Ontario # of Woodcuts: 1 Bib Context: title-page Chapbook Genre: ballads & songs Chapbook Publisher - Glasgow: Printed for the Booksellers Outdoor Scene Transportation: ship/boat(s) https://scottishchapbooks.lib.uoguelph.ca/files/original/2984824ad3ccfdb04f6eb672b001daf6.pdf cdba833edafd3a25821c7af7547c99d0 PDF Text Text ELEGY , • ON % ' Jamie Gemmill, TAILOR. PRINTED THIS YEA * ��ELEGY ,1 • ON JAMIE GEMMILL, Knichts of the thumle far an* near, Unto my tale pray lend an' ear, It 5rae your e'e will draw the tear Wi* muckle speed, As soon the waefu* tale ye hear That Jamie s s dead. G reader, cam he e'er to thee, An* winkin' at you wi* his e'e* Saying will til gie me a bawbee T o get a glass; For whilk ye wad in a moment see Him on his arse. �4 O r hae ye $601111101 on the street, Wi ? twa auld baiichles on his feet, Gaun todlin thro' t£e rain an9 weet Like wan'ring jew, T o see gin he wad chance to meet A Men* sae true. As bid him come and get a gill, O r yet a drink o' nappy yiil; For Jamie weel coijd drink his fill O ' them I t r e w ; And laith was he to rise, until He did get foil. O r hae y e seen him sittm9 cfackin, In Tammy's Taproom ower a chappin, For to keep aV the company lauchin l i e was ira laith, By tellin them he breeks wad mak them Without the claith. �5 Or hae ye taen him to yer hame, To mak claes for yersel or wean ? An' bottle by his side has lain O' reemin nappy, That Jamie ilka ndo and then Micht tak a drappy. For Jamie weel coud use the thumle. An 9 was wi' needle aye fu* nimle, An' ne'er about the price wad grumle O9 o n y j o b , But aft wad drink until he'd turn le Clean aff the broad. But noo alas ! puir Jamie's gane, Like mony mae to his lang h a m e ; An' in the cauld kirk yard is laifi Past a* remead, Nae mair for to return again Sin* he is dead. �Nae mair about the corse ye'll see him Nae mair a bawbee will ye gie him, Nae mair his hat he'll gar flee frae him Upon t]he street, An* cry noo Jamie Gemmill gie them The Tailors leap. But noo I maun lay doun my pen, An' to my verses mak an' en', Whare'er he's gaen weel may he fen', An* let ilk chiel Unto his prayer say Amen. Sae fare ye weel. EPITAPH. Here in this Kirk yard There lieth interr'd The Body of wee Jamie G/...J, W h o on earth was aye frisky �7 W i ' drinkm' o9 whisky ; A n ' wi' needle an' thread W a s fu' nimle. But ae day alas ! When takin' a glass. Death cam and awa Wi' him jumpet; An* nop here he lies, . Till the dead shall arise, At the soim* o9 the Archangel's trumpet. FINIS. �PER CONTRA, Dry your tears and cease your grievin, Jamie Gemmill yet is leevin; If a glass yeM like to.pie him, At the Cotfse ye'll ablins see him. � https://scottishchapbooks.lib.uoguelph.ca/files/original/4bf3d960af0decaa4a4612113cd3dc39.jpg 396ea7ea7e964a86fe1b4d02a5cdabc2 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 2661 Width 1654 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Elegy on Jamie Gemmill, Tailor. Date A point or period of time associated with an event in the lifecycle of the resource [ca. 1820] per University of Glasgow Union Catalogue of Scottish Chapbooks Identifier An unambiguous reference to the resource within a given context <a href="https://ocul-gue.primo.exlibrisgroup.com/permalink/01OCUL_GUE/mrqn4e/alma9923304763505154">s0451b36</a> Extent The size or duration of the resource. 8 pages 15 cm Subject The topic of the resource Chapbooks - Scotland - Glasgow elegy Contributor An entity responsible for making contributions to the resource Archival and Special Collections, University of Guelph Library, Guelph, Ontario, Canada Is Referenced By A related resource that references, cites, or otherwise points to the described resource. <a title="University of Glasgow Union Catalogue of Scottish Chapbooks" href="http://special.lib.gla.ac.uk/chapbooks/search/">University of Glasgow Union Catalogue of Scottish Chapbooks&nbsp;</a> <a title="National Library of Scotland" href="http://www.nls.uk/">National Library of Scotland</a> Rights Information about rights held in and over the resource In the public domain; For high quality reproductions, contact Archival & Special Collections, University of Guelph. libaspc@uoguelph.ca, 519-824-4120, Ext. 53413 Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Per contra Format The file format, physical medium, or dimensions of the resource JPEGs and PDF derived from master file, which was scanned from the original book in 24-bit color at 600 dpi in TIFF format using an Epson Expression 10000XL scanner. Publisher An entity responsible for making the resource available Glasgow and London: Cameron & Ferguson https://scottishchapbooks.lib.uoguelph.ca/files/original/b03f4934be32cd08321c59abc9aeef10.jpg 72927bd763c21a8130f6faf169b8beea Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 3138 Width 1717 https://scottishchapbooks.lib.uoguelph.ca/files/original/ad2c24e9bfb98c2b3b5bd8018837dbf2.pdf 26380cd1bb36e4a115ea8f22736012be PDF Text Text �I- f hujr'' rt--- • ". " v-- ' tV'r ? • I Vtf) § cy f -- } «•>Ofwfe -HOff.t •> afrww r^-mcO " J ' ' • a;-) An,1; : | yn/^i vmi § -J w > .1 •'"-mv; • : • < : 1 Q Cip rtr O-D r: A J 0 Oil d LIT I O \ IMTK' m if' W %-m �THE DREAM INTERPRETER. A'bed. To dream of being in bed betokens good health, but, beware ! for some one wishes to injure you. Abuse. To dream of being abused or insulted, is a sign that you will have a dispute with some person. Abroad. If you dream that you are in a foreign country, some one who is making money abroad is likely to bequeath a fortune to you. Acquaintance. To dream you quarrel or fight with an acquaintance, is an unlucky omen; it forebodes a division among your own family, much to the injury and prejudice of the dreamer; if you are in love, your mistress will prove unfaithful, and marry some other man that she has told you she most hates ; if you are in business, some heavy loss will befall you; you will disagree with some of your best friends on the most trivial matters, which will end in an open rupture; if you are a farmer, expect a bad crop, the murrain amongst your cattle, that your pigs and poultry will fail and not fetch good prices ; if you have a law-suit, depend that your attorney will neglect you, that your witnesses will be tardy and backward, and that finally you will lose your cause. Do not for some time undertake a journey by land, or a voyage by sea r, enter for the present into no new undertaking, for you will be unsuccessful; quit, if you can, your present place of residence; and, above all, avoid lending money, for you will surely lose it together with the friendship of those to whom you lend it. If you dream that you are with an acquaintance at some placc of public amusement, you may expect soon to be called from home on business of importance. Adultery. To dream of the committing of this sin forebodes great troubles and misfortunes. If you are in love, you w^l certainly fail in marrying the object of your wishes ; if y a have a law-suit, it will certainly go against you, by the trea ery of those who pretend to be your friends ; if you are xu �business, some heavy loss will happen to you. Such a dream announces that you are in great danger of losing your liberty, and if you are about to undertake a voyage to sea, omit it for the present, for you will never reach the destined port. To dream you are tempted to commit this crime, and that you resist it, it is a happy omen,—every thing will flourish with you,—be sure it is a good time to begin trade after such a dream ; if you have a law-suit, all will go on in your favour, with credit to yourself, and confusion to your opponents; if you are about to undertake a long journey, it will be pleasant and successful to your object; if you are going to sea, you will have an agreeable voyage, beautiful weather, and a quick arrival at the port of destination ; if you are in love, do not desist in pressing the object of your wishes, for they will be gratified. Almonds. To dream of these indicates difficulties, loss of liberty, and deceit in love. Altar. To dream that you are at the altar betokens joy and gladness; if at the hymeneal altar, your marriage will be deferred. Anchor. To dream of an anchor, signifies great assurance, and certain hope; if you are in love, it warns you to be assiduous and attentive to obtain the object of your wishes ; but oeware of some friend who pretends more than ordinary attachment; he will deceive you, and try, vainly, to injure you in the most tender part. Angels. To dream of angels is a sign that some one is near you—the remaining part of your dream will prove true, be therefore mindful of it; if you are in love, nothing can be mere favourable, and your undertakings will prosper. Anger. To dream that you are angry with any one denotes that you have many enemies, and that some evil design is formed against your happiness ; if you are in love, some rival is slandering you to your sweetheart; if with your spouse, disgrace threatens you. If you dream of another person in n passion with you, it is more favourable, but betokens some unpleasant misfortune about to happen to you; if you are angry with your sweetheart, he will fall sick, and you will experience loss. Ants. To dream of ants signifies a covetous mind; to see ants busy, foretells that your industry will be crowned with success; if they appear to be devoured by other animals, some secret enemy is trying to ruin you; if you are sick when y ou dream of ants, your recovery will be slow but certain. Anxiety. To dream that you are anxious to accomplish any project denotes that you would soon tire of it; to think your �5 mind is anxious or uneasy is a sign some one wishes to do you a favour. Apparel. See Dress. Apples. To dream of ripe and sweet apples is a sure sign of prosperity; if they are sour, it signifies that sorrow and unliappiness are likely to befall you. Arms. To dream that your arms are weak, shows that your health or fortune will decline; if they appear to be strong, you will meet with unexpected prosperity; if your arms are broken, you will lose some dear friend ; if your right arm is broken, you will lose some near male relation ; if the left, a female. Ass. To dream that you are riding on an ass signifies that you will be guilty of some foolish action; if you see him feeding, your servants will be faithful; if you are driving him, you will be freed from trouble ; if he runs after you, some wag will occasion a laugh against you ; if he appears loaded, your fortune will advance. Back. If you dream that your back is broken, you will meet with some loss; if it grows stronger, you will receive an unexpected addition to your fortune; to dream of the back bone indicates long life and happiness in your children. t Bathing. To dream that you are bathing alone in the sea, signifies that you will never be married; but. if you are in company with others you will soon be married and live happily ; if, however, you are in fresh water, your lover wnl deceive you. Battle. If you dream you see a battle, beware of secret enemies, who will endeavour to hurt you; if you are in love, your sweetheart is false. Beef. To dream of beef denotes the death of a friend or relation,—in love, it denotes disappointment. Bees. To dream you see bees at work signifies that your industry will be successful; if they are flying about, bad reports will be spread of you ; if they sting you, you will suffer loss either of your goods or reputation. Birds. To dream you hear birds singing is a sign of happiness ; if you are married, something will happen much to the advantage of your family ; it is a sign of great success in business ; to see them fly denotes you will soon go a long journey, which will be pleasant and prosperous ; to dream you catch them, signifies some unexpected good fortune; if they are beautiful, the success will be the greater; to dream you find an empty nest denotes losses and great uneasiness. Boat. To dream you are in a boat on clear water is very gooc], and indicates ^'oy and prosperity. �4 6 Bread, To dream you see a quantity of bread denotes great Success in life; to dream of eating bread, denotes many friends who will do you kindness. Bridge. To dream you are going over a bridge and meet with no interruption, you will go through life in a prosperous manner; if an/thing impedes you, you will meet with many obstacles in the world. Brushing. If you dream that you are brushing dusty clothes, it is a sign that a serious illness will overtake you; but if you see another brushing them, it betokens prosperity in life. Buried Alive. If you dream you are buried alive, it shows you are in danger of being unhappy and unfortunate during your life. Candle. To dream that you see a candle burning denotes that your lover is jealous ; but if it is not burning, your sweetheart adores you. Cards. To dream you are playing at cards denotes that you will soon be in love, if you are not so already; if you hold a great many court cards, you will soon be married and happy. Cats. To dream of cats denotes much disappointment to a lover—your sweetheart is unfaithful; if you have servants, they will rob you ; a cat means a lurking enemy. Cherries. To dream of cherries betokens disappointments in life, vexations in marriage, falsehood in love, and deceitful pleasure; but if you climb the tree, a sure, speedy, and unexpected advancement in life is certain to happen to you. Children. To dream you have children is a sign that you will be happy in your family; if one or more of them die, you will meet with some misfortune. Coach. To dream of riding in a coach denotes that you will love idleness, and are given to pride ; to dream of coming out of a coach signifies that disgrace threatens you, and great caution is necessary. Coals. To dream of clear burning coals denotes prosperity, especially in love; coals in their natural state indicate trouble and discontent; extinguished coals announce the loss of fortune, or the death of some near friend. Comets. To dream you see a comet is ominous of war, plague, famine, and death ; to the lover it forebodes an entire frustration of his hopes ; to the farmer, failure of crops ; and to the seaman," storms and shipwreck. Corn. To dream you are gathering ripe corn denotes success in your enterprise ; but if it is blighted or mildewed, you will be a great loser. Corns. To dream that you have corns on your little toes, and that you experience great pain in walking, denotes that �jpett will have to travel much before you are permanently employed, but if they don't hurt you, your lover intends to accompany you on a pleasure excursion ; if you are married, the first is a sign that you will have twin-brothers; if the second, a law-suit about a little piece of house-property. Currants. To dream of black currants denotes great happiness in the married state ; if you dream you are pulling them, it is certain you will have a large family, who will all do well; but if the currants are red, beware of false friends, those whom you little expect, for they will do you harm if they possibly can. Dancing. To-dream you are dancing at a ball foretells you will soon receive some news from a long absent friend ; to the sailor, a successful voyage; to married persons, increase of children; to those in trade, much business; and to young people, a happy marriage. Darkness, To dream you are in the dark is a token of affliction, and loss in trade ; to get out of darkness into light, is a sign of rising to eminence, or of escaping out of difficulties. Death. To dream you are dead denotes a speedy marriage, and success in all your undertakings; to the married, it promises young children, who will be dutiful and give great comfort ; to dream you see another person dead, denotes ill usage from friends ; if you are in love, your sweetheart will prove false; if you are in trade, sharpers will take you in; if a farmer, you will tose money by horses, and be waylaid as you return from market. Debt. To dream you are in debt and pursued by officers, denotes that you will fall into some unexpected difficulties, or great danger. Devil. To dream you see the devil without fear, foretells you will get the better of your adversary; if you are frightened, you will be under some danger. Dogs. To dream of these domestic and faithful animals, has very different significations, according to the manner in which you see them ; if they fawn and fondle upon you, then it is a lucky omen ; if you have had a quarrel with a friend or sweetheart, it will be reconciled to your advantage ; if you are in love, your sweetheart will marry you, and render you very happy; it denotes health, riches, and honour; if they are barking and snarling at you, then depend that enemies are secretly endeavouring to destroy your reputation and happiness ; if you are in love, be careful of your present sweetheart; if you marry him or her, you will be unhappy and poor; it you dream they bite you, then it is a certain prognostic that �8 OL will experience some loss; if you are in love, your sweetI eart will deceive you, and make you very unhappy. Dress. To dream you are dressed in white is a token of success in the first object you undertake; if in love, that your sweetheart is of a good temper and amiable disposition. To dream you are dressed in green denotes that you are about to undertake a journey to your advantage, and that your sweetheart prefers you to all other lovers. To dream you are dressed in black is an unlucky omen; quarrels, sickness, death, and law-suits will perplex and harass you. To dream you are dressed in blue denotes happiness, banquets, and merry making. If you dream you are dressed in scarlet, you are thereby warned of some very heavy calamity, and a severe fit of illness. To dream you are dressed in yellow is rather lucky than otherwise, your sweetheart by it appears to be very jealous of you, and great pains will be requisite to prevent your separating. To dream you are dressed in crimson denotes that you will live to a good old age, and will be neither fortunate nor unfortunate through life. To dream you are dressed in a variety of colours denotes a variety of fortunes are about to attend you—old friends will desert you, new ones will supply their place; if you are in love, a quarrel will take place between you and your sweetheart, which will, after much uneasiness to both parties, be adjusted by friends. To dream you are fashionably dressed and in good company, is very good; you will rise considerably above your present condition ; your sweetheart will prefer you above others, and be very good tempered; whatever you undertake will have a prosperous issue, and some unexpected news of an agreeable nature will reach you—expect to see a long absent friend return in good circumstances; but avoid having a dispute with any one, for it will go against you, and do harm, particularly if it be with your sweetheart. To dream you are dressed shabbily, that your clothes are ragged and torn, is a bad omen. Disowning. To dream you are drowning, or that you see another drowned or drowning, denotes that you will escape many difficulties, settle near your native place, many, have children, and become happy and rich ; to the lover it denotes that your sweetheart is good tempered and inclined to marry you. If you are a sailor it foretells a pleasant voyage. Drunk. If you dream of being intoxicated, it is sure that some one is slandering you, but a sincere friend, by his interference, destroys their inveterate malice. ^Eagle. To dream of seeing an eagle soaring high is a good omen to those who have great undertakings on hand ; but to dream that, an eagle alights upon us, signifies migchance. and ttu*. v �0 Sating. To dream you are eating denotes profit and success in your present enterprise; a loathing of victuals is a sign of disunion in your family. Errand. To dream that you are running an errand, and that one of your shoes comes off, is a sign that you will lose u sincere friend; if you succeed in accomplishing your message without any accident, then there is the greatest prosperity in store for you, so lose no opportunity of lawfully bettering your condition in life. Evil Spirits. If you see evil spirits in your dream, it is a sign of sickness ; if you seem to exorcise them, and they vanish, you Will get over your difficulties. Eyes. If you dream you lose your eyes, some dear friend of yours will die ; if you dream you get new eyes, or more than you should have of them, shows an increase of your family. Face. To dream that your face is swelled, indicates an augmentation of wealth and honour; but if it grows pale and emaciated, you will be severely disappointed j a black face is a sign of death. Fall. To dream you fall from a tree, or any high place, denotes loss of place and goods ; if in love, it indicates that you will never marry the object of your affections. To the tradesman it denotes decline of business; and to the sailor storms and shipwreck. Feasting. To dream you are at a feast denotes that you will meet with many disappointments, particularly in the thing which you are most anxious about; in love, it forebodes much uneasiness between sweethearts ; and to them who are married, it foretells undutiful children, with many heavy losses, Fever. To dream you are in a fever betokens long good health ; if you have a leg amputated, you are about to get a partner with money; if you are married, it is the loss of one you fondly love. Fields. To dream you are in green fields is a very favourable sign; in love, it denotes success and happiness; to the tradesman, success and riches; and to the farmer, plenty j it you are soliciting a favour, it portends you will obtain it. Figs are the forerunners of prosperity and happiness, success in love, increase of trade, and a legacy from a rich friend. Fighting. To dream you are fighting denotes much opposition to your wishes, with loss of character ; to the lovey, that you will lose the object of your affections through a foolish quarrel. A^ ter S l i c ^ a dream I would advise the dreamer to quit his present situation, because such a dreagi indicates thafi �10 he will not prosper in it; to the sailor it denotes storms and shipwreck, with disappointment in love. Finger. If yoa cut your finger and the blood runs, you will get money where you least expect it; if you do not see any blood, you will have a quarrel or law-suit for money which you paid before. Fire. To dream of fire denotes health and happiness; to lovers, marriage with the object of their affections, and many children ; also that you will be angry with some one for a trifle. To dream of burning lights portends dreadful accidents to the dreamer. If a sick person sees a fire extinguished, it is a presage of death. If a person on board a ship dreams he sees a light a great way off, it betokens a fair wind and a safe arrival. To dream of seeing lighted torches and branches of fire descending from heaven, signifies quarrelling, disappointment, and adversities. To dream you see a fire sparkling denotes hasty news and anger ; to dream of seeing houses on fire denotes some unpleasant news will soon arrive ; to dream you are in the midst of a fire, and feel pain from it, presages envy and displeasure. To dream that you hold a lighted torch in your hand shows you will gain honour and respect from all persons. To dream that you kindle a fire without much trouble, and it burns directly, shows that your children will be fortunate ; but if you kindle a fire with much trouble, and it is extinguished presently, shows dishonour, especially to women. To dream you see a ship on fire at sea, denotes great losses in business. Fishing. To dream you are fishing is a sign of sorrow and trouble ; if you catch any fish, you will be successful in love and business; if they slip out of your hand after you have caught them, it is asign some pretended friend will deceive you. Flowers. To dream you are gathering flowers is a very favourable omen, and is a sign you will thrive in every thing you undertake ; that you will be successful in love, marry happily, and have beautiful children. Flying. To dream you are flying foretells elevation of fortune, dignity in the state, and happiness. If in love, your sweetheart will be true to you, and if you marry you will have many children. Fortune. To dream you make a sudden fortune is a bad omen; to the tradesman, it forebodes losses in trade, quarrelling with his creditors, and loss of liberty; to the lover disappointment. Friend To dream you see a friend dead betokens hasty news, of a joyous nature; if you are in love, it foretells a speedy marriage with the object of your affections.. �11 Fruit. To dream of fruit has a different interpretation, according to what the fruit is that you dream of. The various kinds of fruit are given under their respective names. Funeral. To dream you are busily employed in burying a person denotes a very speedy marriage, and that, ere long, you will hear of the death or imprisonment of some near relation or esteemed friend. Gallows. To dream of the gallows is a most fortunate omen; it shows that the dreamer will become rich, and arrive at great honours; to the lover it shows the consummation of his most sanguine wishes; for a woman with child to dream of the gallows, signifies that she is pregnant of a son, have a good time, and that the fruit of her womb will become very rich. Garden. To dream you are walking in a garden denotes your advancement to fortune; if you are gathering the produce of it, you will be happy in marriage, and have a large family; it betokens great success to the lover, and increase of business to the tradesman. Geese. To dream of geese is a sign of good; you may expect to see an absent friend soon; to the dreamer, they denote success and riches. Gifts. To dream you have any thing given to you is a sign that some good is about to happen to you, or that you will be speedily married. Glass. To dream of glass denotes bad success in various undertakings; if you break it, it warns you of some unforeseen misfortune, the death of your wife, or husband, or children. Gold. If you dream of gold, it is a very good omen; it denotes success in your present undertakings after encountering numerous difficulties. Gooseberries. To dream of gooseberries denotes that you will have a numerous family, chiefly sons, and great success in your present undertakings. Grapes, To dream of white grapes betokens felicity in marriage, and success in trade; but if they are purple, it denotes great misery in the matrimonial state; to the tradesman, great distress and loss of business. Grave. To dream of a grave foretells sickness and disap pointment. If you are in love, depend you will never marry your present sweetheart; if you go into the grave, it shows you will experience a loss of property, and that false friends will defame you; if you come out of the grave it denotes success in your undertakings, that you will rise in the world and become very rich; and if you are in love, that you will �gpeedily marry your sweetheart; if you take another otit of the grave, you will be the means of saving the life of a person, who will be a great friend to you, and receive some unexpected legacy. Guns. To dream you see or hear guns firing foretells much misery; if you fire them, you will have a quarrel; if they are discharged at you, you will be exposed to many dangers. Hail. To dream of hail denotes sorrow and much grief. Hair. To dream that you are brushing or combing your hair portends success in love, trade, or some other pursuit; it also signifies riches ; to dream that your hair has grown so long that it hangs loose over your shoulders, denotes that one superior to yourself adores you; but if the hair is red, it denotes that you have enemies. Hanging. Dreaming you see people hanged, or that you are to be executed yourself, is a sign you will rise above your present condition by marriage. Harrows. To dream you see white horses in the harrows is a sure sign of good news; if they are black, deep distress will befall you, as your lover will forsake you for another. Hatred. Dreaming of being hated by friends or foes is a bad omen. Hay. To dream that you are making hay, and the sun shining, denotes great prosperity to you as a lover; if married, riches and honour await you ; but if the sun is under a cloud, and the rest of the workers are taking their ease, it is a sure sign that you will get a husband—but you will have to work for him. , Hills. To dream of climbing up hills shows you will overcorn® many troubles, and at last be very rich; likewise that you will have rivals in love. Horses. To dream of horses is very lucky; if you dream that you see white horses they denote speedy news; if they are black, you may expect to hear of the death of an acquaintance. House. To dream of building a house denotes success in trade ; if in love, that your sweetheart is good tempered and faithful, and will make you very happy. To dream your house is burnt down denotes much trouble and many difficulties, with the loss of goods and reputation. To dream you «see your house on fire foretells hasty news, and that you will lose a near relation Hunting. To dream you are hunting a fox, and that he is killed, shows much trouble through the pretensions of false friends, but that you will discover them, and overcome all their machinations; if you are hunting a hare, you will be �i3 disappointed in your favourite object, be what it may; hunting a stag, if he is caught alive, denotes good to the dreamer, and that he will be successful in all his present undertakings. Ice. To dream you are sliding or skating upon ice shows you will be engaged in some imaginary pursuit that will elude you ; if the ice breaks, you may be certain of sickness. Infants. Dreaming of infants denotes ill health and trouble ; if they are playing, you may then expect to receive great satisfaction from a distant land. Iron. To dream you are hurt with iron shows you will receive some injury. Key. To dream of losing your key betokens displeasure; to find one, an addition to your family; to give one, is marriage; to receive one, the birth of a child. King or Queen. To dream about the king or queen, or any of the royal family, betokens disappointment, excepting the months in which there is not an R, when it is a sign of great honour and prosperity. Kissing. To dream you kiss a pretty maid indicates good ; if she consents without any resistance she will be true to her lover; to dream you kiss a married woman, and she consents, is a sign of sorrow and poverty; and that you will be unsuccessful in your present undertakings ; it usually means deceit. Knife. To dream you give a knife to your intended shows you will lose him or her. Ladder. To dream you climb a ladder denotes that you will arrive at great honours ; it also betokens a happy marriage, and many children. Laurel. A wife to dream she smells a laurel tree shows she will have children; if a maid, she will be soon married to him whom she loves. Letter. To dream of receiving a letter betokens a present; if you send one, you will relieve a person in bad circumstances. Lice. To dream of lice is a sure sign of sickness to those in single life ; but riches to those in the married state. Light. To dream you see a great light denotes that you will attain to great honours and become very rich,—in love, it shows a sweetheart of an amiable disposition, that you will marry well, have children, and be very happy; if the light disappears all of a sudden, it betokens a great change in your present situation, much for the worse. Linen. To dream you are dressed in clean linen denotes fchat you will shortly receive some glad tidings,—that your sweetheart is faithful, and will marry you, and that you will �14 be successful in all your present undertakings. If it is dirtyit denotes poverty, a prison, and disappointment in love, with the loss of something valuable. Mad. To dream of being mad is verj- good; it promises long life, riches, happy marriage, and good children. Magpie. To dream that you see a magpie on a tree without leaves is a sure sign of sorrow; two is the sign of great mirth ; three, the sign of a splendid wedding; and four, the sign of death. Marriage. To dream you are married signifies the death of yourself or some near relation; to dream you assist at a wedding denotes pleasant news and great success; to dream of lying with your husband or wife threatens danger or sudden misfortunes. Meat. To dream of raw meat denotes trouble of a very severe description; if it is boiled, it betokens plenty of work to the tradesman, and great plenty to the family of the labourer ; to the lover it denotes a happy union. Men. Married persons dreaming that they see men at work in their fields, and the sun shining, denotes that they will live at their ease, and have numerous servants ; if the field is not yours it denotes that you will have to endure great trials. Mice. To dream of mice denotes success in love and a happy union. Milk. If you dream of milk it promises great news ; if you see it flowing from a woman's breast, foretells happiness in your family and success in trade. Money. To dream of getting money denotes great success in all your lawful undertakings. Moon. To dream you see the moon darkened denotes sickness and death ; if you see it in the shape of a full white face, it indicates to the virgin a speedy marriage ; to the wife, that she will have a beautiful daughter; if the husband dreams it, the child will be a son; to handsome and pretty women it is a good sign to see a full moon, but not so to ugly ones. Mother. To dream you see your mother, is a certain prognostic of some agreeable adventure being about to happen to you, and that you will hear from a friend at a distance. To dream you see ypur mother dead forebodes trouble and adversity, and that you will become very poor. Mulberries. To dream of mulberries betokens constancy and affection in the married state ; to travellers and sailors, prosperous journeys and voyages; to the lover, it denotes a speedy union with his sweetheart. Music. To dream you hear delicious music denotes joyful news from a long absent friend ; but if the notes are discordant, trouble, vexation, and disappointment are sure to follow �is Myrtle. To dream of tlie myrtle denotes a wanton woman; beware, then, with whom you keep company. Nails. To dream your nails are growing long is very good, and denotes riches, prosperity, and happiness, great success in love, a good industrious husband or wife, with dutiful children; it also foretells that you will suddenly receive a sum of money that will be of great use to you. Nakedness. To dream of nakedness denotes scandal; if you see a naked female, it is lucky—it denotes that honours await you at no very distant period. News. To dream you receive news from a distant friend, who is on his death-bed, is good ; a person is at hand to befriend you. If you are married it betokens an addition to your family. Nightingales. To dream of the nightingale is the forerunner of fire, or thieves by night. If unmarried, a sweet, good-tempered lover. For a married woman to dream she hears this sweet warbler sing, shows that she will have children who will have the gift of singing, but will be in the habit of staying up late at night. Night. To dream you are travelling by night foretells great vexation. Nosegays. To dream of gathering and making nosegays is Unlucky, showing that our best hopes shall wither as flowers do in a nosegay. Nuts. Dreaming of gathering nuts denotes that you will spend your time in pursuit of a trifling object, when you might employ it to better advantage. Oak. To dream that you see the stately oak is a sign of long life, riches, and great felicity. Oats. If you dream of sowing oats it foretells that you will have a partner who will squander all you possess ; but if you assist in the sowing, then you will be consulted in all things before the money is spent, so beware of extravagance; ruin is before you if you do not act prudently. Old Women. For a man to dream he is courting an old woman, and that she returns his love, is a very fortunate omen ; it prefigures success in worldly concerns,—that he will marry a beautiful young woman, have lovely children, and be very happy. Onions. To dream of this useful vegetable denotes a mixture of good and bad luck; if you are eating them, you will receive some money, recover some lost or stolen things, or discover some hidden treasure; your sweetheart will be faithful, but of a cross temper; it also denotes attack from thieves, and a failure of crops ; it shows that you will be engaged in some �16 disagreeable quarrel, perhaps with youf own family; tf you are throwing onions away, it is the forerunner of mischief and quarrels ; if you are in love, you will fall out with your sweetheart ; if you are in trade, you will quarrel with your customers and servants; if you are gathering onions it betokens the recovery of some sick person of your family ; the receipt of some unexpected news of a joyful kind, and a speedy removal from your present situation. Oranges. To dream you are eating oranges implies that your feelings will be wounded, and may expect great grief from a quarter you little expect. Oven. To dream you see an oven foretells that you are about to be separated from your family by changing your present residence ; it shows you an attack by thieves in some by e place, and also that your sweetheart is of a roving disposition, little likely to make you happy. Oxen. If you dream that you see white oxen it shows virtuous inclinations; to see fat or lean oxen signifies present gain or misfortunes. Oysters. To dream of eating oysters foretells prosperity, and that you will be married to a lady who is really a virgin, and who will love you ; but if you should let them fall, you will lose the affections of the lady, for she is betrothed to another, and will speedily be married. Palm. To dream you are gathering of palm denotes plenty, riches, and success in undertakings, and is a very good omen indeed; to a married woman, it is a certain token of her bearing children; to a maid it foretells a sudden marriage with the youth she loves, that she will have many children by him, and that she will live very happy in the married state. Paper. To dream of paper is a good omen ; if it is quite clean, you will be very successful in your undertakings, marry the person you love, have good and dutiful children, and be very happy; if it is dirty and scribbled upon, then it shows temporary want, and some unpleasant altercation ; if it is plainly written, you will receive hasty news of a good nature, make an advantageous bargain, and obtain some money by a legacy; if it appears rumpled and carelessly folded up, it shows that some difficulties will occur which will give you much pain; if it is neatly folded, you will obtain your favourite dish, be what it may. Path. To dream you are walking in an easy path shows that you will be successful in love; or, if you are married, you will obtain what you now wish for. Peaches. When you dream of peaches, if you are in difficulties some one will befriend you ; if you are sick, you will �17 soon get better; if misfortune has been a visitor, fortune will dispel it, and you will have much wealth ; to the lover it denotes great joy in the married life, and a numerous family. Peacock. To dream of this beautiful bird denotes great success in trade ;-.to a man, a beautiful wife, much riches, and a good place; to a maid, a good and rich husband ; to a widow, that she will be courted by one who will not be sincere. Pears. To dream of pears betokens elevafcon in life, great honours and riches, love that knows no termination, and success in every pursuit you may embark in. Pictures. To dream you are looking at beautiful pictures foreshows that you will be allured by false appearances into some unprofitable concern, that you will waste your time on some idle project, and that you will always be in pursuit of happiness without attaining it; in love it denotes great pleasure in the enjoyment of the beloved object, it promises a handsome wife, a good husband, and beautiful children. Pigeons. To dream you see a pigeon flying, and that a feather drops, signifies you will soon receive a letter from your sweetheart; to drop from any other bird, is a letter of business. To dream of pigeons flying is hasty news of a happy nature, and of constancy in lovers. Pit. To dream of falling into a deep pit shows that some very heavy misfortune is about to attend you, that your sweetheart is falseLand prefers another; to a sailor it forebodes some sad disaster at the next port you touch at. To dream you are in a pit, and that you climb out of it without much trouble, foreshows that you will have many enemies, and experience much trouble, but that you will overcome them, and surmount your difficulties, marry well, and become rich ; to a sailor it denotes that he will experience shipwreck, and be cast on a foreign shore, where he will be hospitably received, fall in love, marry a rich and handsome wife, quit the sea, and live at ease on the shore. Play. To dream you are at play betokens great happiness in the married state, and increase of business. Plough. To dream you are following the plough, and that white horses are in the yoke, it foretells speedy news; if the horses are black, deep distress, and often death. Plums. There cannot be a worse dream than that of plums —they are the forerunner of ill-luck to the husbandman, the soldier, the sailor, the tradesman, the statesman, the sportsman, and the lovers who were under promise of marriage. Purse. Dreaming that you find a purse betokens great and unexpected prosperity, a speedy and happy marriage; if yon Ipse your purse, you will assist & a friend's funeral �IS Quarrel. If you dream you are quarrelling, it shows great happiness and contentment. Racing. To dream you are running a race is a token of good, presages much success in life, and that you will speedily hear some very joyful news ; in love, it denotes that you will conquer all your rivals, and be very happy in the union with the object of your affections. To dream you are riding a race shows disappointment and anger, bad success in trade and in love ; to a married woman it denotes the loss of her husband's affections, and that her children will be in trouble. Railway Train. To dream that you are in a railway fourth class carriage, between two men, is a positive sign that good fortune awaits you ; if in the third class, and a lady sits on your left hand, beware of an enemy; if in the second class, with your back to the engine, there is something good awaiting you; but if your face is to the engine, you may expect great grief in consequence of your sweetheart making love to another. If you are in the first class, and the passengers speak to you, you will be exalted to rank, and heir an estate; but if they don't speak, trouble awaits you. Rain. If you behold rain in your dream it promises success in a love affair; in all other respects it betokens trouble and vexation. Rainbow. To dream you see a rainbow foretells sudden and agreeable news, and probably a long journey. Raspberries. To dream of raspberries denotes great happiness and success; to the husbandman, an abundant crop ; to the tradesman, great wealth; to the soldier, a complete victory ; to the sailor, a prosperous voyage; to the lover, a quick and happy marriage; and to the forsaken, an unexpected return of the runaway. Rats. If you are attacked by rats and get the better of them, it shows that some person will vainly try to do you harm ; but. if the rats tear or force you to run away, expect some great misfortune to befall you. Ravens or Crows. To dream you see a crow or raven betokens great mischief; it shows falsehood in love. Ribbon. To dream you wear ribbons shows an entanglement in love to the single, and extravagant children to the married. Riding. To dream you are riding, if it be with a horse, is very unfortunate; expect to be crossed in love; if you are in trade, business will decay, and you will be very near bankruptcy; if you are a sailor it denotes perfidy in your sweetheart, and loose conduct with one of your shipmates; but if it be with him> then expect the reverse of these things will �19 happen, and that you will obtain a sum of money by some speculation of which you have but an indifferent opinion. Rings. To dream you have a ring on your finger denotes marriage with the person you love; but if the ring drops off, it betokens death to a near friend. River. Dreaming that you see river-water clear indicates happiness and success in life, constancy in love, the winning of a law-suit, and a speedy and pleasant voyage. Rocks. A good dream for those going into business, as it shows stability therein. Rods. To dream you are whipt with rods denotes that you will meet with a perfidious friend, who will go very near to ruin you; it also betokens you being shortly at a merry-making, where you must be careful of quarreling; if you do, it will turn out to your disadvantage ; in love it denotes your sweetheart to be of a fickle disposition, and little calculated to make you happy. Roses. To dream of these flowers in season is a sure token of happiness and success; but if these be out of season, it indicates distress, sickness, and disappointment; in love, they denote that your sweetheart is true, and that you will be married, and have many children. Sailing. To dream you are sailing in a ship, and the water smooth, shows you will succeed in all your undertakings ; if you sail in a small boat, and gain the desired haven, you will gain great riches. Sea. To dream you are walking on the sea is good to him who would take a wife, for he shall enjoy her. Sheep. To dream of sheep denotes success in life, faithfulness in love, and comfort in the evening of life; to the tradesman, it foretells increase of business ; to the sailor, that his next voyage will be pleasant and lucrative, and his sweetheart kind and true. To dream you see them dispersing shows that pretended friends are endeavouring to do you injury. Shoes. To dream you have a pair of shoes denotes success in life; in love-matters, they signify marriage, which will turn out an equal advantage to both parties. Silk. To dream you are clothed in silk signifies honour. To dream that you trade with a stranger in silk denotes profit and joy. Silver. To dream of silver shows that you have false friends, who will attempt your ruin; in love, it denotes that your sweetheart is false, and that he is engaged to another. Singing. To dream that you are singing betokens some melancholy news; if you are unwell, it shows a speedy recovery ; if in prison, you will soon be set free, �20 Shy. If you dream the sky is clear you will be successful in your enterprises; if soliciting any place of preferment, you will obtain it; if in love, you will marry the object of your affections ; have you a law-suit ? you will gain it; are you in trade ? it will flourish and be profitable; are you a farmer ? good crops, &c., will attend you : are you married ? you will have many children, and they will be dutiful and do well; are you about to undertake a journey ? it will answer your utmost expectations ; are you going to sea ? you will have a pleasant and prosperous voyage ; are you in debt ? you will speedily be able to pay it. To dream that the sky is full of thick, dark clouds, is an unfavourable token,—you will fall sick, and perhaps die—disappointments will attend your business. Snow. To dream you see the ground covered with snow is a very good dream ; to a young man, it shows he will marry a virgin, and have a large family. Soldiers. To dream of soldiers shows trouble, persecutions, and law-suits; if they pursue you, it shows that you will be disliked by your rich neighbours. Spit. To dream you are in a kitchen turning a spit is the forerunner of troubles and misfortunes; expect to be robbed, to lose your trade, to become very poor, and that your friends will desert you ; if you are in love, it shows the object of your affections to be of a bad temper, lazy, and doomed to misfortunes and poverty. Sprats. To dream of sprats denotes that you will have a large family of children. If you dream of cooking them, your children will give you a great deal of trouble. Squirrel. To dream of a squirrel shows that enemies are endeavouring to slander your reputation; to the lover, ifc shows your sweetheat is of a bad temper, and much given to drinking; if you have a law-suit, it will surely be decided against you; if in trade, sharpers will endeavour to defraud you; and you will quarrel with your principal creditor. Starching. To dream you are starching of linen shows you will be married to an industrious person, and that you will be successful in life, and save money; it also shows that you are about to receive a letter containing some pleasant news. Stars. To dream you behold the stars shining very bright is success to the lover, and glad news from a far country ; if they fall, it denotes health and happiness. Steam-Boat. To dream you are aboard of a steamer, and the sea is boisterous, denotes that your lover and you will quarrel, but if the sea is calm, it is a sign of a speedy marriage to the single; to the married, it denotes great success in some favourite speculation. �21 Strawberries denote riches by trade, happiness by marriage, male children, and generally a successful issue in all your undertakings. Sun. To dream you see the sun shining denotes accumulation of wealth, and filling posts of honour in the State. Swans denote happiness in marriage, and many children, who will by industry become rich. Sweetheart. To dream of your s weetheart leaving you and going with another, is a veiy good dream it shows that he will prove a faithful friend and a loving husband; if you see a female taking hold of his arm, beware of a rival. Swimming. To dream that you are swimming with your head above the water shows that you will succeed in your undertakings, whatever they may be; to dream that you~ head is under water shows great trouble, disappointment in love, and that you will hear some unpleasant news from an individual you thought was dead. Swine. To dream you see swine feeding is a very bad dream; it is a sure token of bodily distress to tha Reamer; but if one drives them away, it betokens a speedy recovery from sickness. Tavern. To dream you are feasting with friends in a tavern signifies great joy and comfort to you and yours. Tea. To dream of drinking tea is a certain sign that some individuals are speaking ill of you, to prevent your union with your lover; if it is sweet, and neither milk nor cream in it, their malice is inveterate; but if there is cream or milk, and no sugar in it, as soon as you are joined in wedlock, a person will befriend you with money whom you little thought of; but beware of him! Teeth. To dream of losing your teeth ,shows the loss of some friend by death, and that great trouble is about to accompany you. Tempest. To dream you are overtaken by a storm denotes that you will, after numberless hardships, arrive at happiness, and that you will become rich, and marry a good-natured lady. If in love, you will have many rivals, but will triumph over them. If you have friends abroad you will have good news from them. Thirst. If any one dreams his thirst is quenched with clear water he will live very jovially, and become very wealthy; if the water be troubled, lukewarm, stinking, and dirty, he will end his days in sickness and affliction. Thunder and Lightning. To dream of thunder or lightning denotes gain in your business ; but if it hurts you, it is a sign of some calamity. �22 Toads. To dream you destroy a toad denotes that you will discover a thief in whom you placed great trust. Trees. To dream of trees in blossom denotes a happy marriage with the object of your affections, and many children, who will all do well; to the tradesman it denotes success in business, and to the sailor pleasant and lucrative voyages. To dream you are climbing trees denotes that you will make a fortune, and rise to honours in the State. To dream you are cutting down trees foretells heavy losses, and the death of a near relation or friend. Trumpet. To dream that you hear the sound of a trumpet denotes troubles and misfortunes; to the lover, inconstancy in the object of his affections. Urns. To dream of urns in a churchyard is the sign of the death of a sailor or soldier belonging to your family. Vessel. To dream you are in a sailing vessel, with the captain at the helm, denotes that you will have a careful partner; if you are married, you will rise to honour and respectability. Walking. To dream of walking in a dirty place foretells sickness and vexation to the lover; it also denotes your sweetheart to be of a bad temper, and inconstant. Walls. If you dream of walking on weak and narrow walls, you are sure to undertake some bold and dangerous enterprise; if you come down without hurt, you will succeed ; if the walls fall after you, you will be disappointed. Water. To dream of drinking water shows trouble and adversity ; to the lover it denotes that your sweetheart is false, prefers another, and will never marry you. Wedding. To dream of a wedding is very unfavourable to lovers ; it denotes sickness or death of some friend or relation. Wheat. To dream of a field of wheat denotes great prosperity and riches; in love, it augurs a completion of your wishes, and foretells much happiness, with fine children, when you marry; if you have a law-suit, you will gain it, and you will be successful in all your undertakings. Women. If you dream of meeting women on a road, each carrying a bundle, there is some mischief about to happen to you; if they are empty-handed, and joking away to each other, it is a sign that you will be asked to a company of friends, but beware that you are not entangled with some of the fair sex. If you see a woman on her knees, beware, for a vixen would fain have you. Wood If you dream of cutting wood, you will be happy in your family circle, and attain much honour and riches. To dream you are carrying wood on your back shows you will rise to affluence by industry and perseverance. �23 Wool. To dream you are buying or selling wool foretells gain in business by means of industry and perseverance; to the lover, it is a sign your sweetheart is of an amiable disposition, very constant, and deeply in love with you. Writing. When dreaming of writing a letter to your sweetheart, if you put it in the post, you will have a pleasing return ; but to trust it into other hands, shows that your secrets will be exposed. Yellow. To dream of yellow colour denotes great trouble to the married woman from a female friend, and the loss of her husband*s affections ; to the lover it signifies he will marry a virgin. Yellow-hammer. To dream of a yellow-hammer denotes, to the young and single, that they will certainly be united in wedlock to the object of their choice before the expiration of the next summer. Yew-tree. To dream of a yew-tree foretells the funeral of a very aged person, by whose death the dreamer will become rich, or receive a protecting hand from the relations of the deceased. Yoke. To dream you are bearing a yoke denotes danger; if it be a female, she will be willing to obey her husband, and will govern her family with prudence and care, Young. To dream that you are young foretells peace, delight, and great happiness. Zealander. To dream you see an Indian in his native dress, shows, to a man, he will travel, and to a woman, she will wed a foreigner. To dream you see an Indian female, predicts, to a man, that he will wed a rich widow, and to a woman, that she will have a son who will raise himself to great power and honour in the Indies, and bring wealth and honour to his kindred. THE PHILOSOPHY OF DREAMS. Dr. Cantor delivered a lecture a short time since, in the course of which he mentioned some curious circumstances respecting dreams. He said that the succession of ideas which had passed through our minds when awake, were remembered and recalled during sleep, and that was what was called dreaming. Dreams generally took place when the circulation of the blood was impeded. Our memory was much more distinct and strong when we dreamed than when we were awake. �H It was because, when we were asleep, the association of the ideas went on without being disturbed or counteracted, and there was no controlling power over it,; He would say a few words about the most extraordinary of ; all classes of dreams, namely, prophetic dreams, in which the future is revealed to the dreamer. They were all acquainted with the facts connected with the death of Mr. Percival, the Prime Minister. When that statesman was still alive, a gentleman in the country, of the name of Williams, dreamed that he was standing in the lobby of the House of Commons, and saw Mr. Perceval enter, and instantly a man levelled a pistol at him. Mr. Williams told his wife, who thought little of it, and his friends called him a fanatic. A week after, however, the news arrived that Mr Perceval had been murdered in the very same way the gentleman had drearced. A very remarkable instance had occurred to the late Sir John Stuart. When young, and ill of the typhus fever, he dreamed of a dark-haired and darkeyed young lady, with whom he fell in love. Years afterwards lie went to the Continent, and there met with the identical party, and it was to her care that he owed the complete restoration of his health; and he married her. There was a great number of such dreams recorded. The ancients paid great attention to dreams. A decree was published under Augustus, as commanding every one who had dreamed a dream, to report the same to the government. It was certain that the mind possessed sometimes in dreams an a priori knowledge which was highly remarkable. It was sometimes the same just the moment before death. There was indeed Scriptural authority in favour of dreams. But the fulfilment of dreams was by no means astonishing, generally speaking* � Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Dream Interpreter, by which future events are foretold from visions during sleep. Date A point or period of time associated with an event in the lifecycle of the resource 1857 Identifier An unambiguous reference to the resource within a given context <a href="https://ocul-gue.primo.exlibrisgroup.com/permalink/01OCUL_GUE/mrqn4e/alma9923301923505154">s0459b03</a> Extent The size or duration of the resource. 24 pages 16 cm Description An account of the resource Woodcut image of a person sleeping with a woman looking over on the title-page. Quoted on the title-page: "Coming events cast their shadows before." Price One Penny. 6 printed at the bottom of the title-page. Contributor An entity responsible for making contributions to the resource Archival and Special Collections, University of Guelph Library, Guelph, Ontario, Canada Rights Information about rights held in and over the resource In the public domain; For high quality reproductions, contact Archival & Special Collections, University of Guelph. libaspc@uoguelph.ca, 519-824-4120, Ext. 53413 Format The file format, physical medium, or dimensions of the resource JPEGs and PDF derived from master file, which was scanned from the original book in 24-bit color at 600 dpi in TIFF format using an Epson Expression 10000XL scanner. Publisher An entity responsible for making the resource available Glasgow: Printed for the Booksellers https://scottishchapbooks.lib.uoguelph.ca/files/original/b83e4494bd6bcbdf26e55930215539bd.jpg c1bc3150cb1e6026092ce5890eee0e53 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 2954 Width 1719 https://scottishchapbooks.lib.uoguelph.ca/files/original/cbc5b36fc3b1824d9ecad235082a785e.pdf fb062f5defb32d8b2a30accec8e53131 PDF Text Text The buke. Gordon's Daughters To which is added, The Challenge. STIRLING:. ^rinted and Sold, Whoksjale mid Retail\ fey W . Book^lWr* �Wlire as^s1^^. wQw WTOw*-* r w f v W T H E .DUKE O F G O R D O N ' S D A U G H T E R S . The Duke of Gordon hail three daughters, Elizabeth, Margaret, and Jeaa, They would not stay in bonny Castle-Gordon, But they west to bonny Aberdeen. They had not bees in bonny Aberdeen, * A twelvemonth and a day, Till Jean fell in love with Captain Ogiivre, And from him she would stay. Word came to the Duke of Gordon, In the chamber where be laj 4 How lady Jean fell in love with a Captain, And from lum she would not stay. Go saddle to me the black horse, he cry'd, My servant shall ride ou the grey y A&d I wUl go to bonny Aberdeen, Forthwith to bring her away. They were not a mile from Aberdeen, A mile but only arm, �Till he met with his two daughters, Est away Was lady Jean. O where is your sister, maidens ? Where is your sister now, O where is your sister, maidens ? That she is not along with you. 0 pardon us, honoured father! O pardon us they did say j Lady Jean is with Captain Ogilvie, And from him she will n«t stay* When he came to bonny Aberdeen, And down upon the green, There he did see Captain Ogilvie, Training his gallant men. O woe be to thee Captain ©giivic, And an ill death thou shalt die ! For taking to thee my daughter, High banged thou shalt be. The Duke of Gordon wrote a letter, And sent it to the king, Desiring him to hang Captain Ogilvie, For marrying his daughter Jean. Said the King, I'M not hang Captain Ogilvie, For all the offence that I See y �4- But I'll cause him pat off the se&rlet,And pat on the single lirery. Mow word came to Captain Ogilvie, In the chamber where lie lay, To strip off the gold-lace and scarlet, And put on the single livery. I f this be for bonny Jeanie Gordon, This If this be for my true love Jeanie, All this and more I'll dree. pennance I'll take wi* Lady Jean had not been married, A year but only three, Till srhe had a babe in every arm, And anether upon her knee* O but I'm weary wanderings O but my fortune is had y Sets not the Duke of Gordon's daughter? To follow a soldier lad, Q hold thy tongue, bonny Jeanie Gordon^ O hold thy tongue, my lamb \ For once I was a noble Captaia, How for thy sake a single man. O high were the bills and mountains? Cold w#s the frost and mow, m7 �5 . Lady Jean's shoes they were all t©rn? No further could s^e g®. 0 if I were in the glens of Foudlen, Where hunting I have been, 1 could go to bonny castle Gordon, Without either stockings or sheen. © hold your tongue bonny Jeanie GortktJ^ O hold your tongue my dow, I have bat one half crown in the world, And I'll buy hose and sho'on to you. When she came to bonny Castle Gordon, And coming over the green. The Porter eall'd out,very loudly,, O yonder comes our Lady Jean. O you are welcome, bonny Jeanie Gordon, Her father he did say Thou art welcome, dear Jeanie Gordo% But away with your Ogiivie. Now over the seas went the Captain, As a soldier under eommaftd j But a messenger soon follow'd after, Which caused a countermand. Come home now, b?ave Captain Ogilvie, T o ewjoy your brother's land, �O come home, gallant Captain Ogilvie, Your the heir of Northumberland. What does this mean, gays the Captain, Where's my brother's children three ? O they are all dead and buried, . The lands they are^rcady for thee. Then hoist Bp yoa* sails, brave Captain, And let us be jovial and free, 111 go home and have my estate, And then my dear Jeaoie I'll see. He soon came to bdnny Castle Gcrdeo, And then at the gate stood he : The Porter ery'd with a loud voice, O here comes Captain Ogilvie. O you're welcome now Captain Ogilvie^ Your fortune's advanced I hear, No stranger can conie within my gates, That I do love so dear. Sir, the last time I was'at your gate, You would not let me in, Now I'm come for my wife and children, N o friendship else I claim. Then Jean came tripping d«wn the stair, With the salt tear in her eye, �7 One babe site had at every foot, And one in her a inns did ly. The Captain took her straight ia his arras^ O a happy man was he, Saying Welcome bonny Jeanie Gordon, Countess of Northumberland to be. The Captain came off with his Lady, Arid his lovely babies three, Saying, Fin as good blood by descent, Though flie great Bake of Gordon yea be. THE CHALLENGE. You Gallic Gasconaders, Your beats of ,war prepare, , And prove yourselves invaders, " Of Britain—if you dare. All eager, arm'd, acd steady, Oil shore, and on Jibe, seas, Her gallant sons ars ready, To meet you when you please. September's reign is ended, He| harvest safely home, Then why, if you intend it, Do you d«Uy to eosie. . ,, * % i �n The nights are long and dark enough Your passage to secure• j Bat lest the weather should be rough, Your fleets of boats insure. Britannia, though a small land, Possesses wnndrons wealth j Old Italy and Holand, Aad all you gain'd by stealth $ And ail you got by downright force, With it cannot compare, There you may fill each em^ty purse, And feast on princely fare. But mark, in this same spot of earth, A native plant is found, Which from the day that gave it birth, Has bloom'd all seasons round ) 'Tis deadly poison to the touch, O f tyrants and of slaves, And sure as fate ye French and Dutch, Will send you to your graves* Then come you Oascsnaders, With all your boats of war, And prove yourselves invaders, . Of Britain—if you dare : All eager aroad, and steafdy, On shore and on the seas, Her gallant sons are ready, To meet you when you please* ram � Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Duke of Gordon's Daughters; To which is added, The Challenge. Identifier An unambiguous reference to the resource within a given context <a href="https://ocul-gue.primo.exlibrisgroup.com/permalink/01OCUL_GUE/mrqn4e/alma9923302193505154">s0459b38</a> Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. The Challenge. Date A point or period of time associated with an event in the lifecycle of the resource [1820-1830] per University of Glasgow Union Catalogue of Scottish Chapbooks Extent The size or duration of the resource. 8 pages 15 cm Is Referenced By A related resource that references, cites, or otherwise points to the described resource. <a title="University of Glasgow Union Catalogue of Scottish Chapbooks" href="http://special.lib.gla.ac.uk/chapbooks/search/">University of Glasgow Union Catalogue of Scottish Chapbooks&nbsp;</a> <a title="National Library of Scotland" href="http://www.nls.uk/">National Library of Scotland&nbsp;</a> Contributor An entity responsible for making contributions to the resource Archival and Special Collections, University of Guelph Library, Guelph, Ontario, Canada Rights Information about rights held in and over the resource In the public domain; For high quality reproductions, contact Archival & Special Collections, University of Guelph. libaspc@uoguelph.ca, 519-824-4120, Ext. 53413 Format The file format, physical medium, or dimensions of the resource JPEGs and PDF derived from master file, which was scanned from the original book in 24-bit color at 600 dpi in TIFF format using an Epson Expression 10000XL scanner. Publisher An entity responsible for making the resource available Stirling: W. Macnie Type The nature or genre of the resource ballads & songs Subject The topic of the resource Chapbooks - Scotland - Stirling Courtship and Marriage Source A related resource from which the described resource is derived Archival & Special Collections, University of Guelph Library, Guelph, Ontario https://scottishchapbooks.lib.uoguelph.ca/files/original/e872f3246abd804e3fc9b5381f9815b9.pdf 37b379ecfef4a01cbd6064ffbd793c84 PDF Text Text O R T H E Loyal Lover's Down fat TO WHICH T H E ADBHpj ROY A L O E O R G E> T H E -ML L K I N G - P A I L . S H O R T MY R E P O S E . S T U B B O R N H E A R T, �T H E CRUEL FATHER. Lady's daughter in the weft, about the age of twenty, Acd Ihe had fweet hearts of the beft, both Lords and 'Squires in plenty a But fhe a ^ r ' d her father's cterk* above airmen of honour, But fhe ador'd her father's clerjf, 00 honour dkl;> require* Her father oft-time^ to her Uid, when he aloae (Humect her, Do you mean to difg? ace our Mood, ypu feed sud foolith creature ? To go and marry \vith a flaye, that; has neither birth nor breeding, Sure I no portion will you gi?e> if this be your proceeding. Q then honoured father, fiie revty'd, 1 pray yea ufe ycur p^fUrc* f For 1 adore my d e l e f t joy; above all worldly treaiare. With him I mean to live au^oie, to him I hav^ contented Piiii heaven will pur \Y*ct$ fapplf, T/ith iir^t .w*f4 be cepteutecK �t* * > Her. lather in a , and rhreat'ned to dcdioy her s If that her foify ihc'd purfue, no cicrk fhoiild e'er enjoy her# O then, - (he faid; He muft and wiOg although-you be offended» When from a i j foiemu few I fallt pray let my life be cadetL Upon the table iu the toordf a fowling piece did lf > fler father in a paffioa ftew r and ftr sight at her let .fly* it lighted on her youthful bread* ; and.fli-efell down before him, Thcfe were the lafl words that fee {poke for ever Vil adore hum When he had teen what he hnd d<mes whpr? have I fhiiimy daughter? His rapier then he drew oat forth* utid.flew himfeif fooa after. Iler r a t h e r came into the room§ and both Ore flood a viewing, Widi grief her tender heart did break, ambiticii was their tu:n. Her ioy^er came amongfi the reft, with han^s in (orrow fringing* ftinxi her fair youthful bjcall, - the DioQil then faw ing. ' �How could tier father be h ftyere! why, fo fcvere and craeL ? Could he not laid the fault pn me, and fpir'd my deareit jewel! The beauty of all wfterji, parts* who daily di.! adore me ; Nay, I itkay fay the bed of hearts. hcs bleeding now before me. O how can I prefome to \hc f all in this world behind kee!* No, no? one fatal (trolie I'll give, perhaps then, I may fed her Down hi the fibnt fhadea bdow, where Weeding lovers wander s ' Infill pouring out fad grief Had woe, they daily did ly uaden : A fwprd he from his fide drew out, and ilnv.hinifdf foon after* _ ; like* tw.Mo"p] lovers fair, t«sey died bath together, They both were buried in one grave, jolt like two lovers loyal; ' Jrlay God prcferre att yon that lovfe, and fend y011 bo Jfuch trials T H E R O Y A Is GE O R G E . The fad and difmal rtory, V , / which proceeds from dpi*head coaft The Roy a! George and ail Uer'gfcry* �( 5 ) * TliiVicell hundred fouls there psruli'd i - melancholy for to hear!' Many iatherlefe.aad widow's, mourn for the-r r&Jaiic&S' dear- • It was the tv/catj-auith of A^giift, that did prove, the fatal day . That good Ihip was there repairing} before they did fee out for iea»" But a (qua! of wipd ariilag, great's our cauie for to lament* In throe nuawes, moli larpniingi - fliip and crew to bottom weo-u Such a difmai (cem of horror, never mortal eyas did fcc r This brave ihip which was a rerrosv to the dariog euemy* She was the pride of .all the navy, for her fuccch and courage br&wy Pity 'tis for the brave bailors* who have got a wat'ry grave i Keicpeafeh that brave commander, the youogeft admiral wc have. But ah l both he and his,brave failars, alfhaVe ptrifti'd ui the waves! in battles he was ftil! vi&oriosis, he did govern his fleer with fkill j tiis actions were ciWii'3 with foecefs* lm death with, grief our lie^ns do-fill �This mo ft melancholy /ubjeci, from each eye mull draw a tear! Such ad? final u en£ of hon or, . near to Spkiiex! did appear The beach ami hopSts at the point, were all filled wish, the dead * In each look nothing but dejection, each human heart for them did bleed Children creeping for their parents ; widows for their h-nfbands dear ; The difmal cries of thofe were finking, did pierce th-e heart of all did hear. But none could give the leafl afliftance, to this brave and goodly (hip, Now in the Wav.s without refinance, (he lies fourteen fathom deep. What a lofs is it to Britain, id fo critical a time, f o r io 1ole fact) brave marauders, and gal km fadois in their prime: Whofe flout asid urdaunted courage, French and Spaniards both have felt Onr enemies were made to tremble at iht name cf Kempeafelt May- Heaven fupport our Briiilh Heroe aad from danger keep them free* J ad fend m ot-t into his ftatian, as .he, - �Heaven preferve cur Royal 5ovV<*igo, long m*y he tft&.*csptrp iwaiy,' ? B?s fleets and arrSie's be vi&orioos, over e^ery enemy. [ T H E MILKING : . x P A I L. 5 R the biufiimg D Eher half thelky had fpreaft,' ^• purple veil When izll) crofsM th£ dewy lawn, with ) • . Oil her hea l m Her brow >s month of fWet, her cheeks were rofy ted / •Her drcU was white ar.d lovely neat, xas upik-;>ai) orr her he id. While ntmphs who breath the city air* > their moi mag§ \tafte in bed j \ p m z sa!!v fing* as &v4ark clear, with milk-pall on her head. Her floe-black eyes their luftre take, train virttfs only bre3 i Her hofoni ne'er felt coafcious ache, fince im!k-pai! graced her head. For courtly dames * ne*er fliali fret* but ah I would Sally 'we'd, •Fd blcfo the (pot we*R2cr with miik»pJl on; her h$adJ - - �( 8 ) S H O R T R E P G S E, ELow on foft winds, defcend loft rais* • <' to foothe my tender woes \ . ' Ycur fofemn mafic lulls my pain, • and gives me llwtt repofe. The fr/n that makes all jptuare .gay, diftyrbs my wearied *;yes, And in dark Andes t Watte the day, where echo Helping lies. The & pity mr, O gentle lo?e ! and come to my relief, 'Let innocence and virtue prove, a fsicrificc to grief. MY S r U Q B O R N H E A R t r r EN years5 lilce T roy, ray ftfl&hgrn heart, .4 wkhftoocl the u flank of fond ddire : Bui now, aht:;! I feel the fmarf, poor L like 'Troy, lam fet on fire. With care we may a pile fee ere* , and from all; common fpark? deft ad ; But, Oh ! who can a houfe feore. when the celefttel flames defcemh 11.lis was I fafe? til! from your eyes definitive fire are brightly .given ; Ah I who can rtuin the warm lurpnie, when Printed by lightning comesSaltcisrket, x8o;lo! t.fte J.%. M. Bob*nfe*, from heaven* ��� https://scottishchapbooks.lib.uoguelph.ca/files/original/d1719417220b3f342267238a055c7694.jpg e263156cc07ab7d872053577950ce794 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 3248 Width 2009 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Cruel Father. Or, The Loyal Lover's Downfal. To which are added, The Royal George. The Milking-Pail. Short Repose. My Stubborn Heart. Date A point or period of time associated with an event in the lifecycle of the resource 1802 Identifier An unambiguous reference to the resource within a given context <a href="https://ocul-gue.primo.exlibrisgroup.com/permalink/01OCUL_GUE/mrqn4e/alma9923293953505154">s0479b75</a> Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. The Loyal Lover's Downfal. The Royal George. The Milking-Pail. Short Repose. My Stubborn Heart. Extent The size or duration of the resource. 8 pages 15 cm Description An account of the resource Woodcut image of a man, woman, and child selling chapbooks, on the title-page. Subject The topic of the resource Chapbooks-Scotland-Glasgow Royal George (ship) Contributor An entity responsible for making contributions to the resource Archival and Special Collections, University of Guelph Library, Guelph, Ontario, Canada Is Referenced By A related resource that references, cites, or otherwise points to the described resource. <a title="University of Glasgow Union Catalogue of Scottish Chapbooks" href="http://special.lib.gla.ac.uk/chapbooks/search/">University of Glasgow Union Catalogue of Scottish Chapbooks&nbsp;</a> <a title="National Library of Scotland" href="http://www.nls.uk/">National Library of Scotland&nbsp;</a> Rights Information about rights held in and over the resource In the public domain; For high quality reproductions, contact Archival & Special Collections, University of Guelph. libaspc@uoguelph.ca, 519-824-4120, Ext. 53413 Format The file format, physical medium, or dimensions of the resource JPEGs and PDF derived from master file, which was scanned from the original book in 24-bit color at 600 dpi in TIFF format using an Epson Expression 10000XL scanner. Publisher An entity responsible for making the resource available Glasgow: Printed by J. & M. Robertson https://scottishchapbooks.lib.uoguelph.ca/files/original/2b02a47083f1bda832dbc08fcab998ac.jpg f2b71d2e64ca2ce91dbc360e7070df50 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 3238 Width 1902 https://scottishchapbooks.lib.uoguelph.ca/files/original/b720ceddfe2fcf50eef7b59373f0bd38.pdf 6f50e0e1ee420fa01c7c70c154a70e0e PDF Text Text AFTY MILLER MI'S TAKEN BATCHELQR TO WHICH ARE A3 DEI?. F A R E W E L T O THUNDERING ROARING B E A.O T I F U L S P R L A S G O W, G, GU.N5. N ,A N A FA y o u RIT E H U N T I N G G I N G Y. S O N G. 1 - 1. & M , R O B E R T S O N , Sdtmarkei, '-lH®?. - �•T H E C R A F T ON, M I S T A K E N Y M I L FT H & B A T C H L E FU . EL OR. ¥ CIT7 gallant! pf'Britain, I pray now draw near, Trie tricks of a mijlec you quickly fhall bezr> h ^ffitlemar; had a fine water mill, .And m it this poor honqft milter d|d dwell, But fortune did frown as it. doth appear, f ie could pay ho tent -for the fprase of'two rear.' Fal lal de r a ) , k . d e , etc. T h e Landlord re£o!v\l he would make no t r i f e t T h o ' greatly itrfUni d with the poor Miller's wife, ITnrj e$ M j i k r , he cry\i, I beg vou'llnot moan. For i t you catj't pay me, piuv let it a 1 one, Come, come to the tavern* it h niy dedgn, T o givf yo?i tire thare of a bottle c£ wine. Fal lal de ral, etc. Bring mellow wine, as we af- may fup^ofe i Landlord cries Ms-Ikf, my mm4 I'll fe > ? T]f true, I'm in lore '^-irh your And if you'll confen!y I ft} all ly by her SSJ^ I ft&sui furrtnder with r he£rt •Ths rent drat you cwemjs a/*d give the , • FaMa! dc r a i / e r c v . ^ "* • c Kind Sir, fays the- Miller, I grant, your defire, T V wife Vat your will ?y you pieafe to iy by her -I freely cunfent, you JhaH &a?e your will, Init now lei's hate writings concur rsi&g the mSI 5 W i t h aM nay. heart the Landlord diq fay, We'll have them dr£wWl#fs without fe'^re delay* Fal lal de raV- �I 3 i / • duotn the Miller, Jfc will be a jeer, • If that we in public do B r i t app«ur ; T o Uvc. both our credits, aaad bring k to I have tn the meadow ^ d.*stit j ilie ai'a, That will appear better the torn Ufa: ta ft!!t For- the lend of the a.fe you mail give rnv t h e tpir. Fal h i de ral, etc. Well faid,(ajstWLafidtor4»^3t will tf^heftrife, But y ou know that my meaning's to I y with your wif*. Indeed, fays the^Miiler, yoifivaliti 3 ve your delight* Bur who ChaU we get this bond for to write ; As fortune would have it tke Parfon came by, T h e Landlord he faw him, and, to him did cry* Fal lal do ral, etc. Kind Sir, hecers a bond I beg you will fill, T h a t 1 fiive to t h i s Miller a good water ni|U t And quit him the rent (o* two years And all for the lending t o \ q e bift the afe. That h a foad the Parfoti "did fay, T h e bond i will fill without mere <feUy« Fal lal de ral* etc. W h e n the Miller the bond irt his pocket had go: Took leave of his l a n d l o r d , & homeward trot. H e whirled and fung, hugh'd in his lie eve. T o think how , I s l l a n d b r d he m i i n t ' t o deceive* T h e bond is fecure* the bargain is faft, w In Head of my wife he (hall my ihe Fal lal de ral, etc, T h e Gentleman he was as briflc as an ee!5 And foon the iffeatt morning feme1 courage did fee!i H e callM to his man, and he gave him a glafs, Bay lug, Go to the Miiier arid fetch h h fht afs, ! ' l \ W mind that you get your ilory qmte pvcs Hell-know what you tp$aOj but—^vum k Fai-'.lALde raf, etc, �Jtt—iMBiwiiiMiiiiMii m •»•••• i [ 4 m iniMii»fi !•• m\ m J T h e fervant he-down to the Miller dic>haffe, A n d told him b i ^ M a t t e r trnili have his Ihe aft. T h e Miller he fmil'd, but noihin&he faid, But taking a halter, goes Sown to the m e a d ; f h z b leading tVs, afs u p j aftd :wht« he- b / d o n e > / T h e fervant -fa-id Miller, fJrc- this k high• rcn. . •. N Fal l a i d e fal A etc, . My IvliikrV, Commands TO quickly obey, T h e n taking the a(s|ve led hci: p , : ^ ' As the Mailer'b-adui^r'd, he fw^^p cl out the hall, • And fobn it became'a-Qie a'Va iiaii ! But the wine and the foWls he, kepi for hh pains., For the&fs it was dumb, .and couid not connphnn. Fa] iai de raJ, etc, W h e n her came"to his Maftr-r, be wbifpering-fud, Sir, I've-brought home that rn^rdefomc j'*de, T h a t ' s well* iaid>the Muter^ my cdunfel now keep, I far-cy by this time ilie want3 for to fleep, Go tell thehoiiftk&iper to put her to bed, ~ W i t h ci/an hoi land (heels, and the beft coverlid, v Fvil lal de ral, e t a ' . Ti:e h'oufekeeper <? fervants they h u g h M amain, 3 T o hear that the a is in bed ipuft be late. > ' T h e n madam v.vs.djefv^, m her pimiers fo, ne? t, «Aftd ; 'they;-pusher to bed* Eiid* covered h&r fcetfT h e y bid her ly dill} fo they all went to r i f t . But upw comes. the end and cream'of., the jeft; Fal lal.de raL etc. K\ v U j i . ' T : c Maftq* c i i t c home quite p ! ea^d to the life. And. thought• t&>err/yf*ce the Mil!:-;^ fair wife aiking'his'u^i'i if his dear, w w atleep, . 'Ami.into .the r£bik ^ f a f t i y dtd-sreepl .. J a c k lau&ht till he pilU and cn.^t up for to fee* V]t»v his and Jenny d u N e - i / t o **grec. £>•&{ tic/' N �->.. • ' i s ! \ > ' - He, fat down on; the bed, a ad the afe gave \ •groan % f i e f|id,raVLj dear I beg yoiu'iU)£»t nvaxi j" I long have Vdiftired^'ju/ b e ^ u . t i m ! \ . And r e w I l u r e hoa£ht-ydu, ' will you embrace, 8 / then into be a he tu nhWd Smziti,' . , But to his furpdfc he was iic.k'd oitf afvip. Fal ial ,de rai, <tc» ; 4 •x • f , , , W h a t frhe de vii is this my c h a x h h i d he. Said Jacfe> ptIs tHt afs that cfte'MiHe/ I'v/irmt. That jo^tfe o f a IVliiler has t r c k ' d me a: lift, in Read of hi? ^ e has fent, his ibe'afs. T h e n hc'faid to his k r v m t s , my ^oimfel pr^.y keep, And turn this dam n'd ^fs ktta. the ftftzti • FaUal He- ralf etc. • .• . T h e afs flic was.found the tirxt day at a fair, W h i ch m ad e a]! the con m r y ga (Ter s to ft $ re» T h e 'pinners and fbvoci they tuok from her hide, And h d d it convenient the-afc fhouid be ery'd* X-he Miilef he came, arid the afs he did own, And thro' cHry village the fiery was known. Fal h i de ral 3 etc, F A R E W E L TO S F R I N G . TJ* A H E W E L to fpfing* virgins and ww*,, JL Blithe bfcom when f;f?ron grows chifk. O u r haf>/cflis'c^me, come lads W yearceapfag> T o u r fickies aYe keen, come lads to your r e a p i n g Corns iailt* to glean, piotfghj aud^fo'v* T h e f u u peepe fo broad, and rhe tve-ylighi^isfl^n* T h e dawn :crf the morning throws o i f ^ e grey gown. Come lads lo youf labour, welcome the day* < YQWX hearty r e a l ' s meat shall .yjaw; l a b o u r . » y . �r. *;> Hocgr crbfs his fnculder from the b?jh hcir$ a fl; W|ni(l Nell crofFes the (tile, on her head afuUp^il, Our Cattle well fodder'd, to the cottage hafte, No other piins take, on brown bread make a fen ft. Neither courtly nor colliy nor hook-learnt we ftiow* Plain drdiing." plain dealing is all that we kvow, No cares run acrofs us, but thofe loves we find,. Thofe cared If your fweetheart ptoves but .kitfd. ttMieafli T H U N D E R IN G R O A R I N G GUNS. « G ^ t i e m c n all come liftem to ray merry f o n g v ! i s o f t h enob 1 e H o r n fi d o s 3: U) i d Fe u d r o y a n 15 T h e braved engagement that ever was fee a , "Was by a Brititii fliip in the bay of Carthagcne. C-Ho'r.' Where was thundering and roaring, RaUFing and roaring, Where was thundering and rearing gut]£, Thundering and roaring-guns, So clear was the morning and glorious the day,,} As we were & cruifmg in Carthagene bay> Five fail cf the French \ve ch*iWU for iosaeet, Came bearing down diredly upon the Biitifti With their thundering and roaring, etc. T h e n our admiral gave the % n a l for t& chac?f "When courage appeai'd in each Briton's lace ; T h e Monmouth got up with the b t i v - Foudrdyabt/ And fo fell to firing with their Key ding-o-dpng With thiir thuiidwnng and roaring, etc. At fix ik the evening we faw them e n g a g e T h e Pou drey ant and Monmouth were fp enragVifl They itrovt-ior vldory, but all was ;n vain, p e t iiritons Will always'he lotds of the main, Whfc t b e i r ' t f a i n d i i i t g ^ ^ r c i r f e ^ , �; [ j ] ftrar^hr 0 Cymmons difj>atcV4 by pa-Is deafh, When brave caltn^l Gwd'nzr f&rrender'd his breath, F[&tit on my brave heroes, 'tis 'all I require, Then H^e a Bntirh ^ilor fp bravely did expire ^ By his thundering and roaring* etc. Then Ufce a Ktile dgvil the Monmouth did fight, AgainS the great Odliah in the dead of night, W i t h broadnd« for broadfi d e t a c h other alike. And after Jihirtecn glaiTes compelPd them to ftrike* By our t*anderitig and roaring, etc. B £ A U T I F U L N A N C Y. * " ^ p Was down in a vllley, by the ficjeof a grore, I By a clear chry fta! fountain I faw my true love% T h e bitds were * fingiri**, $he lambs were at play, O n a bank of fweet violets ITK car itlly lay. When kr ft I beheld h*:r my heart wa^ furprizM* By the bloom of her cheeks, and her fp^rkling ^yes j >cungtJt<pid ^afi era?!, he dir^flcd his dart, For the fake of my Nancy the wounded my heart. Now here in this torment f flill do remain, L i t e a thi-^f t hat's fent ene'd,I'm bound i n love's chain, N o peace night or d^y can my heart ever find, Thvr thoughrs of my Nancy fo trouble my mind. Bring me pen, ink, $nd paper* ail tor to write, T© my beautiful Nancy, my joy and delight, SWscharming, beautiful^ fhe';? pretty & fair, There's jigne in the country c«m with her compare. Small bir^s the brandies stc hie (With a mate, T h e dove is a mourning for my bagkfs fate, T h s 4 a r k with h&rfirfe •rimes" atbg ihe air, ' 8;i«gs m*? no ghd tidings from t^y dea:<:£ jjear. �C O • 'Farewcl <3tared Nancy, ttnec we mini psrted be, 111 to.tbv mountsms whtre ncme fhal! me fee, T h e rocks Chafl bide tne, lie bring m e t a my gra^e. So fere we I Naucy, fince 1 cannot you have* A FAVOURITE H U N T I N G S O N G . H A rk ! the Imntfman's be$un to ffmn-d the fhrill coiif>e quickly unkennel the hounds, (horn, ' T f t & beautiful f l i t t e r i n g golden ey'd morn, 'we'llcbace the fox over the grounds See yonder Hts Reynard fo crafty and fly, come fiddle your couriers apape, 1 he hounds have s fcent, and are ;n\ In full cry, they ioirg to be giving him ehace. r T h e \v>rfcirtn are mounted; & fteeds feel the fpur* and fwiftly they fepur i? along, Rjpi;T after the fox runs each muiicsl cur f follow, follow, my boys, is the fonV. Over mountain? and valises they fkina it away, now fleyriard*s aimed ou! of fight, But Tooner than'Iofe him we'll fpen'd all the day in hunting, for that's their delight. By eager piirfuirg they have him at he's fo tii'd, poor rogue, down he lies Now darts up afrefh, young Siiap hm him fafl:, ^ he trembles, kicks, ftruggtes, m d 'dies. G L A S G a w, Printed by }, & M. Robertfon., Sahitiarket, idotn ft � Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Crafty Miller; or, The Mistaken Batchelor, To which are added, Farewel to Spring. Thundering Roaring Guns. Beautiful Nancy. A Favourite Hunting Song. Date A point or period of time associated with an event in the lifecycle of the resource 1802 Identifier An unambiguous reference to the resource within a given context <a href="https://ocul-gue.primo.exlibrisgroup.com/permalink/01OCUL_GUE/mrqn4e/alma9923293393505154">s0482b17</a> Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. The Mistaken Batchelor, Farewel to Spring. Thundering Roaring Guns. Beautiful Nancy. A Favourite Hunting Song. Extent The size or duration of the resource. 8 pages 15 cm Description An account of the resource Woodcut image of a man, woman, and child selling chapbooks, on the title-page. Contributor An entity responsible for making contributions to the resource Archival and Special Collections, University of Guelph Library, Guelph, Ontario, Canada Is Referenced By A related resource that references, cites, or otherwise points to the described resource. <a title="University of Glasgow Union Catalogue of Scottish Chapbooks" href="http://special.lib.gla.ac.uk/chapbooks/search/">University of Glasgow Union Catalogue of Scottish Chapbooks&nbsp;</a> <a title="National Library of Scotland" href="http://www.nls.uk/">National Library of Scotland&nbsp;</a> Rights Information about rights held in and over the resource In the public domain; For high quality reproductions, contact Archival & Special Collections, University of Guelph. libaspc@uoguelph.ca, 519-824-4120, Ext. 53413 Format The file format, physical medium, or dimensions of the resource JPEGs and PDF derived from master file, which was scanned from the original book in 24-bit color at 600 dpi in TIFF format using an Epson Expression 10000XL scanner. https://scottishchapbooks.lib.uoguelph.ca/files/original/6da60147b51e2fbdb125df57c1ea85c3.jpg 56adbeaa40ee1767ee1a0535d43ec687 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 3308 Width 1950 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Woodcut on title-page portraying Group of 3 men wearing feathered caps and wearing plaid (1 playing bagpipes, 1 playing drums, 1 holding a sword) standing next to a gentleman wearing a hat and holding a walking stick https://scottishchapbooks.lib.uoguelph.ca/files/original/1d4c045c31b23bd295733198ac9159b7.pdf 88df24f3ce8dcfe89f8e8f2fc47df574 PDF Text Text r ranee T o % b c are added, v |h The PARSON'S FAT WEDDEIi T h e ' C A R E S OF A M A R R I E D T H E V I R G I N ' S LIFft Vv A L K. G L A S G- O W, E D B Y J. & M. R O B E R T S O 3, - L T M A U K E T , SSC*. �C ft ) K I N G H E N R Y V , bis Conqtieft o f F R A N C E , if | in Revenge for the Affront offered by the I F R E N C H K I N G : in f e n d i n g h i m ( i n f t e a d < of ten t O W S of G O L D , the Tribute) three T E N N I S B A L L S , 5 A • S our King lay mujing on his bed* he•-bethought Ivimfeif upon, a xmz f O f a tribute that was due from France, * fcad not; hern paid for lb long a time. Fa! lal, &c* 1 ', G.fae culled for his lovely Page, . • his lovely Page then, called he j » -Sayings Y w r a u f t go to the King in France, to the King m Fance, blr, ride (pcedty. T ^ m went sway this lovely Page, ibis lovely ' the a .away (lev he ? Whea bc ca^e to the King in Fraotfe, he "fell low down.upba his knee* I\\f IvMcr pMti yvu, v;orthj Sir, TEN TON -OF' gold thit IS dm'to he, ''That yoti would Tend turn ho^e, or in ^refcch land you . koxx thJl him fee* » Your Matter's yo; ng zm of tender years, ~ rot fit to come 'ump my degree : 1 will fend him three TENNIS-BALLS> 1 hat .with them ht may learn to play. \ �M4 . < 3 ) ; , 0 ' t h f B fmrned thi\ lovely Pager, th\6 lovely P'ige then retortt$j he. ' And'when he c&mi 10 our'gracious. King, he fell low down or, his beaded * W h a t news? what ntml my trait y Page, what is the news you've b r i g h t t4 naef I've brough i (uch news f ro m t he Kiagia France. < that he aud you -willfce'er agree* H e fays, You're o f young t o i l e r ye^rS* not fit to come' to h k ^ e g r e e i, And he WILL fend j L u t h i e e T E N N I S ^ A L L G ^ / that with them you may leani toplayc Aecftfit me Cheshire and Lsacalhire,-and Derby Wills that are fo f r e e : N o marry M man, nor widow's foe : for no widow's- curfc. fcall go with me» They recraitcd Ch^hire and L^ncalhirc, aad Derby Hills that are fo free : N o marry'd mm, nor widow's f o i l : yet there was a jovial hold company* O then he/march'd into the French land, with aad trumpets fo merrily, And then befpoke the King ra France, lo, f c aiter comes proud X i n g Heary* T h e urH: i l m that the-Frenchmen gave, they kiif'd our ^BAglifttnen fo free \ kilPd m i d e f e n d of the French, the reft o f ihcro tbey \. �( 4- ) ^ Livl^Ylitn we marched to ^ans gates, W|th drums and trmupcts fo i i m i l y , O in-err hcfpoke the Kiog in France, TS^tve mercy Lmxl^n my mea and me, O 1 will fend k m hh tribute koine* • ten tun of gold th^t .was due to he, A n d the'bed Slower that is in all France,, to the Rofe in England 1 will give f i f e , T H E P E O N ' S F a t WE'DBER.. S ) ,f A R; T i N M A S i - 'W come on, • j [ V I ard Chriftrnas Is drawing near : Asv. buve nothing in fhc houfe. ' % to ji^ke.good•:C iitiifhnas cheer., FaL&Cr The little ^ee boy h t V f t ^ d i o g . h y , - • fearing what his father did fay, lather, y e ' l i kill, the Minster's Wedder, _ and • have nnutoa withdtit delay* The PiieS ire has'a. good fat Wedder, Sis €*er fed corn or gr^fs: 1'TC gpfc'fome crumbs of bread in kif pockety PiVwyk 'the Weddfer into ihs h W e * . • W e will pi2t on- the jnelklo ktttl^" \ • and ftuks .helow't. to brake it befi; Arid we will H i the Minuter'a Wedicr,- ' and wVH feve "muno:n';\vithcat afo4toiI* •The.little wee boy 'sjccs.ta the v*ecd*\ add ay fae msrrnV-as- lie fang f ' \ M y i t & z - : t m liH'd the M i s t e r * * W e l d e r , 'N nve^tl thh to; any man. �The Minifier being ia ihe woo.i, leading hts hark agaioft an oak.: If you'llfingthr. longmthe elmreh reborrow I'll* give yea a crown bat and a new coat The morrow It being Ohri&mas iky, the Miniftix hp imlft be die re T h e people all fbckM to the chore V jiift A rfi%*d been gotog to a 1W. S The Manlier** goae to the chursh* the congregation fcr to virw ; Therc'll he a"hoy V ^ will iing foug lhat Will lie true- , The'little V/ee boy camera the' church, ^ and ay fae merrily as he I -catch'd the Prieit ift bed vfith my mother, I woiii-i not tell dm to any man. You are a liar, fays the a$ iurc's in the pulpit 1 i*ever was in bed with nor yet fo sigh as VJ Prieft I do fiancf | your mother, touch her ha\uL Then you are a liar, fays the boy, \ as fare's la the pulpit you do kneel j \ I catclicd you • in. bed with -my mother, \ ' your breeches hanging dowa to your The Miiiifter being quite a limned, . \ \V the people. a loud huzza $ . Running all mad-out. or the ciinvch, • • crying inch a Prieft wc never faw. �( 6 v * •/• But you W:\rxld ha?e hr^hl if yon knf but feeff, how the litre wee boy kept up the joke? Ruiieiag out after the mkifter* crying^ give me my crown Sir ami my new coat, The Paribn has- run quit<? opt. of, the pari(h5 left hshmd him;his c h u r c h . h p wealth; T h e bey & hh mother fed-well on the Wv*dd6i% ar every meal :h$y 'dm.uk hh health THE C M E S OF A* MLAHKiEU .Lll 7 £, ' Tk M Y gown w ^ of tae. London Mack, j L i ' t . and many a yard about; M y petticoat was a fc&xiet red, and lae'd about my f o o t : Chor. Chen mm i i maid, a maid, arid joy\fkmc to me then* Both meal and drink and rich clothing-, Fin fore i wanted mm* My ftockbgf, they were tightly wrought, made of the fiacft fiik, My (hoes v/ere of the Spanifli leather, my hur kles were of the gilt, jThen, My foork was of the white bleachM linen, as w&ite' as the driven fnaw, T h e b4k that was about my middle* was {ilk and filver a\ The Wads hang black about my neck, ar!d:many a ring therein, l i e cap ot fawn was. on my head, was.*'well worth tea f i l i n g * �T!lere cime a young man to n?y bed-fide, • tidk\l mt i f C would'wdt* " He was* fa fall of roarkfis, f agreed to 'What-be faid Cher Pbfcn i a wife, a aB'd'-loVKIW came t*> shofc* Both care and ii'rile ana n Wearied life, I W'ftite"" - t "' M y gown- it was of' the 'Mack, and Bever a y a r d about; M y peuicoat of the courfeft grky. ' . ail rags ii&trv the Then, &c t My (lockings '^ere the prim-rofe caiTd, , aH clooted roiim! about,;. My t>f Alt Sjpkjoifti I w theft, tiae/b3't6mt> of ihem-wi-re out, fheb', My frnock was of the unbkach'd hard, and many a hole therein ; - The belt that wes about ray middle, was a. goo3 toat&rea firing. Then, &e# The beads bang black about my neck, said ntver a ring therein : ' ' ' The cap cf Bwtt; was on my head, was fearce worth one' farthing. C f i O R U 3: \a;ifc, f y And -hen v/a* I a. w m f . fontnv camc io'san'then, . - Both care at?d ftriFc, ..an^d a, w a r y life*' Tm fare I . , �( T H E 8 ) V I R G I N ' S W A L K* % T O U N G Ccelia in her tender years, 1 .the rofe bur on its ftaliy Fili'd with the VirginVmodeft fears, [lepp'd /forth one cv'n to walk. She oft had heard of Love's blind Bcy ? sad Xvifh'd to find him cat, Fxpe&iiig lor to find the joy, of which fhe'd been in doubt, A plrafant fhady grove fhe fpy*d, wher trembling afpbns fivook. Clofe to it's flow'ry verge did glide, a murm'riog limpid brook. A mentor fishing there fhe founds fhe heard l|fm talk of love, . His crook lay by him on the ground, ^ while thus he prayM to jove. « Grant, mighty Pow*c l that f mjy find, fome eafe within this'bread: ; Grant ilM my Cselia bay be, ldr>d3 and make Amyator b k f u • Cram her to know the force of love, snd to her fwain's ddire, Grant but of me the may approve* a«d ^iore Flf ne'er require, ^ Giafgow, rrintecl by J; 5 M. llobeitfro, S ait market, iSosc � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Woodcut 009: Title-page illustration in double-ruled rectangular borderof a group of 3 soldiers wearing feathered caps and kilts: two are playing a bagpipe, one is playing a drum, and one is holding a sword. They are standing in a row next to a well dressed man. who is wearing a hat and long coat. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Conquest of France by King Henry Vth. To which are added, The Parson's Fat Wedder. The Cares of a Married Life. The Virgin's Walk. Date A point or period of time associated with an event in the lifecycle of the resource 1802 Identifier An unambiguous reference to the resource within a given context <a href="https://ocul-gue.primo.exlibrisgroup.com/permalink/01OCUL_GUE/mrqn4e/alma9923290913505154">s0488b26</a> Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. The Parson's Fat Wedder. The Cares of a Married Life. The Virgin's Walk. Extent The size or duration of the resource. 8 pages 15 cm Description An account of the resource Woodcut #<span>09: Illustration on title-page of a group of 3 soldiers wearing feathered caps and kilts (1 playing bagpipes, 1 playing drums, 1 holding a sword) standing next to a gentleman wearing a hat and holding a walking stick.</span> Contributor An entity responsible for making contributions to the resource Archival and Special Collections, University of Guelph Library, Guelph, Ontario, Canada Is Referenced By A related resource that references, cites, or otherwise points to the described resource. <a title="University of Glasgow Union Catalogue of Scottish Chapbooks" href="http://special.lib.gla.ac.uk/chapbooks/search/">University of Glasgow Union Catalogue of Scottish Chapbooks&nbsp;</a> <a title="National Library of Scotland" href="http://www.nls.uk/">National Library of Scotland&nbsp;</a> Rights Information about rights held in and over the resource In the public domain; For high quality reproductions, contact Archival & Special Collections, University of Guelph. libaspc@uoguelph.ca, 519-824-4120, Ext. 53413 Format The file format, physical medium, or dimensions of the resource JPEGs and PDF derived from master file, which was scanned from the original book in 24-bit color at 600 dpi in TIFF format using an Epson Expression 10000XL scanner. Publisher An entity responsible for making the resource available Glasgow: J. & M. Robertson Type The nature or genre of the resource ballads & songs Subject The topic of the resource War Courtship and Marriage Henry V, King of England, 1386-1422 Source A related resource from which the described resource is derived Archival & Special Collections, University of Guelph Library, Guelph, Ontario # of Woodcuts: 1 Bib Context: title-page Chapbook Date: 1801-1810 Chapbook Genre: ballads & songs Chapbook Publisher - Glasgow: J. & M. Robertson Fashion (Clothing): bonnet (military) Fashion (Clothing): coat Fashion (Clothing): feather bonnet Fashion (Clothing): Highland attire Fashion (Clothing): jacket Fashion (Clothing): kilt Fashion (Clothing): knee breeches Fashion (Clothing): military Fashion (Clothing): sporran Fashion (Clothing): upper class Gender: man/men Musical Instruments: bagpipe(s) Musical Instruments: drum(s) Occupation: soldier Outdoor Scene Weapons: sword(s) https://scottishchapbooks.lib.uoguelph.ca/files/original/aae41d8775d6e9820d602f8e278b0108.pdf e21a6f5716a7edb8a9a2dc8e5d3ffc90 PDF Text Text 4 €omie Songs* Rab Rory son's bonnet, The auld Highlandman. M j eye and Betty Martin. The Carle he cam o'er the craft. KILMARNOCK: POINTED FOR THE BOOKSELLERS, �COMIC SONGS. RAB RORYSON'S BONNET. TUNE— H The auld wife o> the glen" YB*LL A' ha'e heard tell o' Rab Roryson's bonnet, Ye'll a' ha'e heard tell o' Rab Roryson's bonnet, 'Twas no for itsd', 'twas the head that was in it, Gar'd a' bodies talk o' Rab Roryson's bonnet. This bonnet, that theekit his wonderful* head, Was his shelter in winter, in summer his shade, And, at kirk or at .market, or bridals, I ween, A braw gaueier bonnet there never was seen. Wi* a round rosy tap, like a meikle blackboyd, It was slouch'd just a kenning on either hand side, Some maintam'd it was black, some maintam'd it was blue, It had something o* baith as a body may trew. But, in sooth, I assure you, for ought that I saw, Still his bonnet had naething uncommon ava, Tho the haill parish talk'd o' Rab Roryson's bonnet, T w a s a? for the marvellous head that was in it. 1 �s That head—let it rest—it is now in the mools, T h o ' in life a' the warld beside it were fools, Yet o' what kind o' wisdom his head was possess Nane e'er kent bat himself sae there's nans that will miss't. THE AULD HIGHLANUMAN. TUNE—Killiekrankie HERSEL pe aughty eirs an twa T e twenty-tird o ' May, man : She twal amang te Heelen hills Apoon te reefer Spey, man, Tat eir tey faught te Shirramoor, She first peheld te licbt, man; T e y shot my fater in tat stour,— A plaugit, vex an spite, man. Tve feucht in Scotlan' here at ha me, In France an' Shermame, man ; A n ' cot tree tespurt pluddy oons Peyon te 'Lantic sea, man. Put wae licht on te nasty gun, Tat ever she be born, man j File koot cleymqre te gristle guard Her leaves pe never torn, man. Ae tay I shot, an* shot, an' shot Fan e'er it cam my turn* man. Put a te fors tat I cood-gie. My powier wadna burn man : �4 A filthy loun kam wY his gun, Resolvt to too me harm, man ; An* wi' te dirk upon her nose Ke me a pluddv arm, man. I flang my gun wi' a* my might. An' fellt his ndper teet, man; Tan trew my sworr, an' at a straik Hewt aff tee half o's heed, man, Pe vain to tell o' a' my tricks; My oons pe nae tisgrace, man ; Ter no pe yin pehint my back, Ter a' before my facef man. Frae Roman, Saxon, Pick, an' Dane* We hae cot muckle skaith, man; Yet still te Scot has kept his ain, In spite oy a* their teeth, man. Ten rouse my lads, and fear nae fae; For if ye're keen an' true, mans Although te French be sax time maef She'll never konker you, man. I'm auld an* stiff, an* owr my staff, Can gang but unco slaw, man; But sood te Frenchmen be sae taft As venter here awa, man, My swort, tat now is auld and plant, I'll sharp upon a st*ne, man, An* hirple toon unto te kost, An* faug'it for Shorge m* fame* man. �5 M Y E Y E AND BETTY Air—Jaclcey MARTIN. Tar" SOME Folks, when they are called to sing, They say they can do no such thing, And make a mighty fuss just at starting, oh I And some at setting off, Oh ! they say they have got a cough, Bat that is all my eye and Betty Martin^ oh ? The statesman, at election, All palaver and affection, Brags that ir your cause he's true and hearty, oh ! If wise, you'll nev^r mind him, For promises, you'll find them, T o be only all my eye and Betty Martin, oh ! The soldier, from the wars, All covered o'er with scars, Brags what battles and what honours he's had part in, oh ! But should he after all, In battle chance to fall, His honour s all my eye and Betty Martin* oh ! The doctor, when you're ill, Prescribes a powder or a pill % First fetfls your pu'se then shakes his kead at starting, o h ! Get better or get worse, Why the doctor fills his purse; But the cure is all my eye and Betty Mar tin, oh! �6 Next comes the man of law, In his conscience not a flaw, His opinions ever ready to his starting, o h ! In gaining of an action, There's much joy and satisfaction, But the costs are ali my eye and Betty Martin, oh ! Then there's the man of love, Swears by the powers above, For you with life he's ready to be parting, oh ! When married, isn't it strange, Lord bless us, what a change, Loire then is ail my eye and Betty Martin, oh ! Well, after all this pother, About one thing and t'other, Lets hope the times will mend with which we're smarting, oh ! If not, I tell you what, W e all must go to pot, For to live is all my eye and Betty Martin, oh ! i HE C A R L E HE C A M O ' E R C R A F r. THE Original-Time. THE doitit auld carle cam o'er the craft, W ? his auld beard ntwlki shaven ; �7 H e glowrt at me as he had been daft— The carle trow'd that I would hae him! Hout awa I winna hae him ! Na, na, i winna hae him ; The carle's fey to think that I Wi* a' his gowd and gear wad hae him* He whaisled and hostit as he cam in, W i ' his auld beard newiin shaven; Syne wytitthe reek and the frosty win', An* glowrt at me as I would hae him. Hout awa, &c. Wi* welcome my minnie bade him come ben, Wi* his auld beard newiin shaven ; He hunkirt him down like a clockin hen, And fleyret at me as 1 would hae him. Hout awa, &c» He steer'd the ingle, an* dightit his beik, WT his auld beard newiin shaven; Says, Lassie, wad ye a gudeman like, That lo'es you leal, gin ye wad hae him," Hout awa, &c. Wi' horses an* sheep, an' owsen and kye, An' cottar folk mail an kain to pay him; And fouth and rowth, and a heart, forby, As canty's a crick, gin ye wad hae him." Hout awa, &c. u WV a gude stane house, an* a pantry bein, An9 chiel nor chare to want them frae him; �8 An9 himsel' baith feirie and crouse at e ? ea, T o cuddle wi' you, gin ye wad hae him/' Hout awa, &c. « Gae was ye dozent poor body, gae wa, W i ' your auid beard newlin shaven ?" Blear'd, fusionless, fitiess, and fey faith a', H o w can the daft carle hid me hae him ? Hout awa, &c. Forsooth, threescore winna do for me, W i ' his auld beard newlin shaven; Auld gerrons they downa to labor lee, And a chiei maun be stark or I hae him, Hout awa, &e. FINIS. � https://scottishchapbooks.lib.uoguelph.ca/files/original/ba0d113069fd0163c8827a6d69546b6b.jpg b2f4fd453911827e167586a0d0ea61b7 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 3162 Width 1882 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 4 Comic Songs. Rob Roryson's bonnet. The Auld Highlandman. My eye and Betty Martin. The Carle he cam o'er the craft. Identifier An unambiguous reference to the resource within a given context <a href="https://ocul-gue.primo.exlibrisgroup.com/permalink/01OCUL_GUE/mrqn4e/alma9953133903505154">s0499b33</a> Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Rob Roryson's bonnet. The Auld Highlandman. My eye and Betty Martin. The Carle he cam o'er the craft. Extent The size or duration of the resource. 8 pages Is Part Of A related resource in which the described resource is physically or logically included. Chapbook #8 in a bound collection of 40 chapbooks Subject The topic of the resource Ballads and songs Chapbooks--Scotland--Kilmarnock Contributor An entity responsible for making contributions to the resource Archival and Special Collections, University of Guelph Library, Guelph, Ontario, Canada Rights Information about rights held in and over the resource In the public domain; For high quality reproductions, contact Archival & Special Collections, University of Guelph. libaspc@uoguelph.ca, 519-824-4120, Ext. 53413 Format The file format, physical medium, or dimensions of the resource JPEGs and PDF derived from master file, which was scanned from the original book in 24-bit color at 600 dpi in TIFF format using an Epson Expression 10000XL scanner. Publisher An entity responsible for making the resource available Kilmarnock: Printed for the Booksellers Source A related resource from which the described resource is derived Archival & Special Collections, University of Guelph Library, Guelph, Ontario https://scottishchapbooks.lib.uoguelph.ca/files/original/a86692cde4e951fb6d9108650af311f1.pdf d8ef4d0a512b9208a8ade2a3040f7891 PDF Text Text 5 Scots Songs. The Star of the East. wee thing, the world. • KILMARNOCKPKItrrrt FOR THE BOOKSELLERS * �SCOTS SONGS. T H E STAR OF THE EAST, OF late you have heard of two lovers That lived near yon castle so high ; T o the green woods they of times resorted* While the o w l from the forest did ery. When he gazed on the blooming young creature. Her beauteous enchanting eyes, Evinced her heart it was captured By one that soon did her despise. They ranged the woods with great pleasure, Their weary limbs oft did repose ; A large spreading oak was their covert, ' T w a s there they their minds did disclose. He told her her worth was so precious, T h a t he never could her deceive: Enraptured with love she exclaimed, If you do, my death on you I'll leave. The rays of her pleasure shone brighter Than the beams of the sun from on high, But a dark dismal cloud soon appeared, Proclaiming her ruin was nigh. A breeze from that ocean of falsehood, Did poison her pleasure with woe, Till the heart of this young blooming creature With wrrow was made for to flow. �3 Unmoved with the groans that she uttered. He wantonly to her did say* For marriage I am not disposed, Then homeward he set on his way, She cried, remember ypur promise* For you know that to you J'm with child; Aspiring for one that was greater,. The star of the East he beguiledDistracted she ran through the woodl^Jf, Her bosom still heaving with fain; No answer was made to her sighipg* But the rocks that re-echoed again. Soon death's icy drops hang suspended On the brow of this beauty betrayed ; To those boisterous wave's she's fyow bended, In death's robes she now is arrayed. When I visit the tomb of this lassie, Some spirit it whispers to me, A victim to love lies here buried. Where youth bloomed ir* every eyfc. N o more by yon castle she wanders, To love she is no more a slave, Bereaved of all earthly comforts, She mouldering now lies in *he grave. THE B O N N Y WEE THING. BONNY wee thing, canny wee thing, Lovely wee thing wert thou mine * �4 I wad wear thee in my bosom. Lest my jewel should tine* Wishfully I look and languish In that bonny face of thine 5 And my heart it stounds wi' anguish, Lest thy wee thing be na mine. Wit and grace, and love and beauty, In ae constellation shine; To adore thee is my duty Goddess o' this soul o' mine ! T H E W A E S O' T H E WORLD. THE waes o' the world I am going to review, And a few observations you'll find them all true, The auldruling custom of our grandmother's days, Are always composed a thousand old ways, And if you'll give ear to my humorous themes, You'll see how the world has turned in these fangled times. There is bite upon bite take the world as it goes, The one half lives, and the other half ne'er knows For to scart up a living as they can contrive, And others are failing while others do thrive, Some with all their endeavours both by night and day, And those that take no care shall thrive better than they. �5 And if by misfortune the world it should frown, Who so ready as your neighbour to run you down ? They'll speak mighty civil, speak fair to your face, They'll go clattering about and tell every one your case; They will backbite and slander, and reputation thrall, And privately rejoice to see your downfall. And if you'll believe me, believe me, lads, i'ts true, And if you've got no money, they've no friendship for you; Fine words sound well, sir, as times now go, You're a gentleman indeed, sir, if you've got fine clothes, To swagger and palaver, and make the people think That you are a man of property, and got plenty of clink ; And if you're poor in apparel or rife, You're disdained like a beggar, and looked down on like a thief. THE TIN-WARE LASS. One evening not long ago* Being in the spring time of the year: With rosy cheeks and crimson cloak, This maid stepped forth all with her ware. I thought that she no mortal was, As near to me she did advance; �6 Then 1 found she was no deity, But a handsome charming tin-ware lass. Then my fancy I did feed, AH on the fairest of her sex, With her long links of yellow hair, That fell in ringlets on her neck. But now she's gone, I'm almost mad, The young men flock to see her pass. To see who's fortune it might be, For to enjoy the tin-ware lass. Was I a lord, peer, or champion, Or crowned with high and noble deeds, I would lay by such dignities, And dress myself with rustic weeds. The rural life would be my choice, In hopes that it might come to pass, That I might meet upon the green My handsome charming tin-ware lass. There's Paris Priam's darling son, Of his beloved Hecuba ; Juno, Venus, or Minerva, Fairer sure he never saw, Had he but seen this fair image, When in her simple rural dress, He would have called her a goddess, She is my handsome tin-ware lass. Had prince Leander seen this maid, He never would for his Hero's charms �Ventured to swim the raging main, i )r died in Neptune's watery arms, For she is the queen of all that scene, There's none on earth can her surpass, Above all the maids from Cork to Aberdeen, I mean my charming tin-ware lass, i$ut now she is gone, I am left alone* My blessing still attend this fair; May guardian angels still conduct her, And of my dulling take good cate. And if she returns I will cease to mourn, And drown all sorrows in a glass \ With cheerful voice I will rejoice, And welcome home my tin-ware lass, i pray forbear you gentle nine, And cease to aid my simple muse; And to my great astonishment* Return to bring the willing news ;, For Hymen has the knot now tied, And she for the'marriage bed did dress-; John Williamson of birth and fame* H® now enjoys the tin..ware lass. HIGHLAND MARY. Ye banks and braes., and streams *ra»n4 The castle o9 Montgomery, Green be your woods, and fair your flowers* Your waters never drumiie,. �s There simmer first unfaulds her robes, And there they langest tarry : For there I took the Jast fareweel O' my sweet Highland Mary, How sweetly bloomed the gay green birk, How rich the hawthorn's blossom, As underneath their fragrant shades I clasped her to my bosom ! The golden hours, on angel-wings, Flew o'er me and my dearie, For dear to me as light and life, Was my sweet Highland Mary. W i ' monie a vow and locked embrace. Our parting was fu* tender ; And pledging aft to meet again, W e tore ourselves asunder: But Oh 1 fell death's untimely frosty That nipt my flower sae early ! Now green's the sod, and cauld's the day That wraps my Highland Mary. O pale, pale now, those rosy lips I aft hae kissed sae fondly ! And closed for aye, the sparkling glance3 That dwelt on me sae kindly; And mould'rmg now in silent dust. That heart that lo'ed me dearly ! But still within my bosom's core3 Shall Mve my Highland Mary. FINIS, � https://scottishchapbooks.lib.uoguelph.ca/files/original/4f2899e21b1c6bd763b2c6171a4cf0b6.jpg bb5ca29075d8486b8ee498d79dd45036 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 3204 Width 1834 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 5 Scots Songs. The Star of the East. The bonny we thing. The waes o' the world. The tin-ware lass. Highland Mary. Identifier An unambiguous reference to the resource within a given context <a href="https://ocul-gue.primo.exlibrisgroup.com/permalink/01OCUL_GUE/mrqn4e/alma9953133903505154">s0499b33</a> Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. The Star of the East. The bonny we thing. The waes o' the world. The tin-ware lass. Highland Mary. Extent The size or duration of the resource. 8 pages Is Part Of A related resource in which the described resource is physically or logically included. Chapbook #10 in a bound collection of 40 chapbooks Subject The topic of the resource Ballads and songs Highlands Chapbooks--Scotland--Kilmarnock Contributor An entity responsible for making contributions to the resource Archival and Special Collections, University of Guelph Library, Guelph, Ontario, Canada Rights Information about rights held in and over the resource In the public domain; For high quality reproductions, contact Archival & Special Collections, University of Guelph. libaspc@uoguelph.ca, 519-824-4120, Ext. 53413 Format The file format, physical medium, or dimensions of the resource JPEGs and PDF derived from master file, which was scanned from the original book in 24-bit color at 600 dpi in TIFF format using an Epson Expression 10000XL scanner. Publisher An entity responsible for making the resource available Kilmarnock: Printed for the Booksellers Source A related resource from which the described resource is derived Archival & Special Collections, University of Guelph Library, Guelph, Ontario