42 10 639 https://scottishchapbooks.lib.uoguelph.ca/files/original/b48d95d9ed08339cfbed562659d2b451.jpg 47e4cc8fa6c3560265d4240c08327391 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 3476 Width 1938 https://scottishchapbooks.lib.uoguelph.ca/files/original/56e2e0ff028ac62511ccc06c231bc964.pdf 86512e079b1bed4f6418f980b45ac948 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Surprising Life and Adventures of the Gentleman-Robber, Redmond O'Hanlon, generally called the Captain General of the Irish robbers, protector of the rights and properties of his benefactors, and redresser of the wrongs of the poor and distressed. Identifier An unambiguous reference to the resource within a given context <a href="https://ocul-gue.primo.exlibrisgroup.com/permalink/01OCUL_GUE/mrqn4e/alma9953134493505154">s0231b06</a> <a href="https://ocul-gue.primo.exlibrisgroup.com/permalink/01OCUL_GUE/mrqn4e/alma9923425223505154">s0118b08</a> Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. The history of Redmond O'Hanlon Date A point or period of time associated with an event in the lifecycle of the resource [1840-1850?] per National Library of Scotland Extent The size or duration of the resource. 24 pages 16 cm Is Part Of A related resource in which the described resource is physically or logically included. Chapbook #9 in a bound collection of 20 chapbooks (s0231b06) Description An account of the resource Woodcut image of Saint George on horseback slaying the dragon on the title-page. 93 is printed at the bottom of the title-page. Quote by William Wordsworth - "His daring mood preserved him still; This was the Robber's simple plan, That they should take who have the will, And they alone should keep who can. Wordsworth." is printed on the title-page. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Armagh, Northern Ireland Glasgow, Scotland Subject The topic of the resource Crime Is Referenced By A related resource that references, cites, or otherwise points to the described resource. <a title="National Library of Scotland" href="http://www.nls.uk/">National Library of Scotland&nbsp;</a> Contributor An entity responsible for making contributions to the resource Archival and Special Collections, University of Guelph Library, Guelph, Ontario, Canada Rights Information about rights held in and over the resource In the public domain; For high quality reproductions, contact Archival & Special Collections, University of Guelph. libaspc@uoguelph.ca, 519-824-4120, Ext. 53413 Abstract A summary of the resource. A biography describing the life, crimes, and many adventures of the Irish rogue, Robert O’Hanlon, who was well known in the 17/18th centuries for his exploits and criminal depredations of the countryside. In a Robin Hood-esque manner, he is credited with robbing the rich while aiding the poor, as well as protecting the Irish while harassing the English. Among other things, he is also credited with the organization of a countrywide thieving cartel and extortion operation. Format The file format, physical medium, or dimensions of the resource JPEGs and PDF derived from master file, which was scanned from the original book in 24-bit color at 600 dpi in TIFF format using an Epson Expression 10000XL scanner. Publisher An entity responsible for making the resource available Glasgow: Printed for the Booksellers https://scottishchapbooks.lib.uoguelph.ca/files/original/e950dd15eccdecbf505e4eb6e980c820.pdf c230c361af084e43c002b7b6692126f9 https://scottishchapbooks.lib.uoguelph.ca/files/original/aca72498f0faabf2c741959e32768cd8.jpg 145a52413c5be41f987b556cd0b0325e Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource illustration on title-page of a young woman wearing a hat, dress, and shawl standing before a gate. https://scottishchapbooks.lib.uoguelph.ca/files/original/96a935db69b8b8546ef02a7b3f38cfd8.jpg 4755ec8b229c6147a7de7b8f024c171f https://scottishchapbooks.lib.uoguelph.ca/files/original/62f649d48962da6df5213bc08104ab24.jpg bc88e3f61d00d24c49766b5b1f983727 https://scottishchapbooks.lib.uoguelph.ca/files/original/6291ac77cdf7acc8973ca48ec8d14dcf.jpg c3d07f07e659f8e90ddcb4b62b7510b4 https://scottishchapbooks.lib.uoguelph.ca/files/original/47f90d768592361e1bfb00b70f0a5f2e.jpg 674ad66f287dba1b25822ae933124400 https://scottishchapbooks.lib.uoguelph.ca/files/original/3917b5abfd5011734a80f19731b3eb5c.jpg cb8e50d3d88323263ecb0082e0b8021a https://scottishchapbooks.lib.uoguelph.ca/files/original/d2d1dc224ba31920538f637a9e70b75d.jpg 230e08eec34175d516ac1f64f766011a https://scottishchapbooks.lib.uoguelph.ca/files/original/061b9a23f78faa87938ef7ecb03293c2.jpg 353d384763cd5e36a7d25d4878107857 https://scottishchapbooks.lib.uoguelph.ca/files/original/b73ce12d4f96a316b6749506bbef9507.jpg 0041056d74c92d93ebf484ccc68d43e9 https://scottishchapbooks.lib.uoguelph.ca/files/original/a24742ac162b0bc0ba7069f0c5afefb0.jpg 1b7e0c9b1b34f5cf9fe355f596b60b6c https://scottishchapbooks.lib.uoguelph.ca/files/original/db57406192fc1af40baa90242d0aae61.jpg 529697ea3ea3c45707f63e7496c754b5 https://scottishchapbooks.lib.uoguelph.ca/files/original/0d1cd796f19bbc88acd289d090675677.jpg b846c1025757c334496c94b17b671f51 https://scottishchapbooks.lib.uoguelph.ca/files/original/f2d3632db1801bb1caea5084e4b441fb.jpg bcd6cbc6415893ebf855ce72471479de https://scottishchapbooks.lib.uoguelph.ca/files/original/71d3c8b3d700299b08f7a0b8dc9fa41a.jpg 595796a610a2983dd3c70a03cc8cb546 https://scottishchapbooks.lib.uoguelph.ca/files/original/484f86f2daae464a8a2d95d91d393590.jpg 1d1b13a181d023f193b71fe608daf164 https://scottishchapbooks.lib.uoguelph.ca/files/original/aae91801ba208a5c4104802861272c0f.jpg ec18e8ef3d152b7238d5b8e9ad211b46 https://scottishchapbooks.lib.uoguelph.ca/files/original/30b29090994a21ff0504948baa78894c.jpg d522ab799d17b7c356ae4ea3181d992c https://scottishchapbooks.lib.uoguelph.ca/files/original/2e2fcc59b0742e33343368746bc74543.jpg 20c56e21e46178ac0dafd50360356786 https://scottishchapbooks.lib.uoguelph.ca/files/original/7c22ce10eebb365529539320eac2bfcd.jpg 845740f0c23d109ab0461d6e7cebfa7c https://scottishchapbooks.lib.uoguelph.ca/files/original/619bfc4a5018b2a045d62d49d3a40aef.jpg 4d03ca545e8318440087ad27db90211d https://scottishchapbooks.lib.uoguelph.ca/files/original/87c8df79ef73496825c7f6019c84a06e.jpg 3496b2781c5ecf6908b3239ed8c6055f https://scottishchapbooks.lib.uoguelph.ca/files/original/24f377997a6a9f1d276fb744d7103c16.jpg a918ac7f7130c1d92d767659c53c1513 https://scottishchapbooks.lib.uoguelph.ca/files/original/f69df65097561daa5e9823b21dddcedd.jpg 150b2748ff49dac022f1e67cb09bf073 https://scottishchapbooks.lib.uoguelph.ca/files/original/fc9f7be26f27678cf8eb986847039196.jpg 80aadd0cf482ad36d3d04906caad4c85 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Woodcut 062: Title-page illustration of a young woman wearing a hat, dress, and shawl standing before a gate. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Tragical History of Jane Arnold, Commonly called Crazy Jane; and Mr. Henry Percival; Giving an account of their birth, parentage, courtship, and melancholy end. Identifier An unambiguous reference to the resource within a given context <a href="https://ocul-gue.primo.exlibrisgroup.com/permalink/01OCUL_GUE/mrqn4e/alma9953133973505154">s0042b27</a> <a href="https://ocul-gue.primo.exlibrisgroup.com/permalink/01OCUL_GUE/mrqn4e/alma9953134493505154">s0231b06</a> <a href="https://ocul-gue.primo.exlibrisgroup.com/permalink/01OCUL_GUE/mrqn4e/alma9953133963505154">s0098b48</a> Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. History of Crazy Jane. Jonathan's hunting excursion. Holding one's own. An American jury. Sweets of liberty. An Irish coachman gaining his first place. No wish to intrude. Scene in a school-room. Date A point or period of time associated with an event in the lifecycle of the resource 1840-1850 per National Library of Scotland Extent The size or duration of the resource. 24 pages Is Part Of A related resource in which the described resource is physically or logically included. Chapbook #5 in a bound collection of 20 chapbooks (s0231b06) Chapbook #15 in a bound collection of 34 chapbooks (s0098b48) Chapbook #31 in bound collection of 37 chapbooks (s0042b27) Description An account of the resource 71 printed at the bottom of the title-page. Woodcut #62: Illustration on title-page of a young woman wearing a hat, dress, and shawl standing before a gate. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Wiltshire, England Subject The topic of the resource Courtship and Marriage Crime Chapbooks - Scotland - Glasgow Supernatural Is Referenced By A related resource that references, cites, or otherwise points to the described resource. <a title="National Library of Scotland" href="http://www.nls.uk/">National Library of Scotland&nbsp;</a> Contributor An entity responsible for making contributions to the resource Archival and Special Collections, University of Guelph Library, Guelph, Ontario, Canada Rights Information about rights held in and over the resource In the public domain; For high quality reproductions, contact Archival & Special Collections, University of Guelph. libaspc@uoguelph.ca, 519-824-4120, Ext. 53413 Abstract A summary of the resource. This chapbook provides a moral tale that advises young women to be wary of the promises of young men by describing the potential dangers of giving up one’s virtue before marriage. The story describes the courtship of the beautiful and virtuous Jane Arnold by the deceptive Henry Percival, who seduces her with promises of love and marriage. She eventually succumbs to his deceptions and gives up her virtue, only to be strung along with more promises until he finally abandons her altogether to make his fortune in the West Indies. These tragic events cause her to miscarriage and lose her sanity. When Henry’s deceptions become known to both families, Henry is disowned and disinherited, while Jane continues to be doomed to madness until she eventually dies, presumably of a broken heart. Years later, Henry returns, haunted by regrets of what he had done to Jane, as well as by the ghost of Jane herself, until he eventually commits suicide. The tale concludes with a brief reminder to all young lovers of the tragic end awaiting all such couples who fail to wait for marriage. The tale itself is followed by seven short, humorous anecdotes. Format The file format, physical medium, or dimensions of the resource JPEGs and PDF derived from master file, which was scanned from the original book in 24-bit color at 600 dpi in TIFF format using an Epson Expression 10000XL scanner. Publisher An entity responsible for making the resource available Glasgow: Printed for the Booksellers Source A related resource from which the described resource is derived Archival & Special Collections, University of Guelph Library, Guelph, Ontario Type The nature or genre of the resource moral tales # of Woodcuts: 1 Architecture: gate Bib Context: title-page Chapbook Date: 1841-1850 Chapbook Genre: religion & morals Chapbook Publisher - Glasgow: Printed for the Booksellers Gender: woman/women Outdoor Scene https://scottishchapbooks.lib.uoguelph.ca/files/original/b3311eb8e260d7275c6e84fa7468c887.jpg ab104a28c3f483cd449580ab2da26c1d Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 3366 Width 1890 https://scottishchapbooks.lib.uoguelph.ca/files/original/0ef97563a8d8eccc23aae6bec219a3c8.pdf 58a81bed157e11774ed0c7f582b527ba PDF Text Text V O Y A G E IN TOE COAL TRADE; WITH AN ADDRESS TO SEAMEN, ESPECIALLY THE RISING YOUTH. I t f l — n o — ^Kn-CASTr,K.OX.TYNH, b o w m a n ' , P U B L I S H E R ; NUXS- LAX* suicl Hawkers Supplied on the lowest t«m ��VOYAGE IN TIIE COAL TRACE, # Otir ship's now loaded, the deck's all clear* But still lays moored in the tier. The captain he then comes on board, With all the dignity of a lord— u Well, John, you are all load I see, But she looks very bold to me. 111 think the measure still grows worse, The eoal trade won't bs worth a curse— Did she take all the two-and-twenty " Yes, sir, and tkere was plenty V " John, have y^u got on board the ale and bo§£ f I'll change our Vewer, if I live, next year j His beer he mSkes so very small; His ale, I'm sure, won't keep at all. " I expect you will all ready be, For at high water she must go to sea, If wind or steam can take her out, And go she mast there's not a doubt." 94 Oh, the— -ahoy P the pilot cries, As under the ship's bow he lies; 111© captain then looks o'er the bows, When the following dialogue ensues: m All sails now set the breeze to catch, Wo clear the decks, and set the watch ) One half on deck the watch to keep, betow, in k&i&mosks gfetQ* �w Well, sir, all ready fur sea ? Tullj can't get, so Las sent m e ; If you think of going, let's begin, It's time you Lad your stern rope in.** s< She won't sail out, tho wind's too shy, But we must have her out and try ; The wind looks as if it would be All from the north-east at Sea." u So conic, my lads, and let's be at hor, We'll have a steam boat, whero's the matter?, u Sea! certainly, pilot, there's no doubt, We won't lay here if we can get out." Our ship's now hove out of the tier, At single anchor lays all elea^; The steam-boat then she heaves a-head, And by a warp the ship doth lead. Our anchor then hove to the bow, With cat and fish the same to stow, Come, lay aloft, my lads, hurra, Your yard-aim gasket, too, let go. 4t Hold fast your bunts, let. go your gear, For sheeting home set all things ekar," With rapid pace the vessel goes, Nor cares which way the wind it blows. fhe wmd at north, a pleasant iSelovv the Middens we UU & sail. JS �" Stf la-boat, altey f let go Ike warp, Com% Imul it ias my lads* look J ' The ship is sow m i d j out at mz* The pilot, ihea discharged musl fee* 11 Now, sir, III thank you for my note t Braco the yards by, haul up ih© boat-** You know, sir, what you mostly pay, You'll make it square anney, I dare s a j * The pilot now has got his not©, With haste ho steps into the boat # 4i I wish you a good passage, sir, good bye! j u Thank you, pilot," they reply. I k e captain tnan takes the command, And oa the quarter-deck does stand, « €t Square away your yards, my lads, righl SqtS&F4# And all your steering-sail gear prepare; Look sharp, iny lads, come, bear a hau% Bet every steering-sail that will staucL^ ? i j The boy.« sloft the haulyards ree739 The mate on deck the same receive | The JBen the steering-sail booms rig cs% Witk; all the haste they can, no doubk o Pie i oils along, the wind keeps fair; The night's not dark, there's iittle cara; The morning comes, 'tis eight o'clock, liiuy call iku watch—on deck they knocks ! ^ �Eacli man who tea and sugnr got., He m&kes the first board to livol his pot J Which, if not boiled, the boys they knowaf That tliej to leeward soon would go I The eapfam wakes—"You hoy/' he cries* 14 I'm coming, sir," tho hoy replies. 51 Come, hoy, look sharp, the cofTee rnakfy And tell the cook to fry me a steak. u Set the cold heef out for the mate; Jlnd put me some butter on a plate/ 1 d i e b o j moves' as quick as he is able, £ nd sets all things upon the table. I He views the beef with anxious eyes, That some is gone he soon espies. J u You boy," says he, " it's my belief, That you have eat some of this beef." " Aw've never touched it, sir, not I, Aw've sure aw would not tell a lie; The piece you cut me for my tea Was plenty, quite enough for me." «' Then, d—n yon, tell me who I t s been* That it is gone is plainly seen,, It's not been rats, I'm-sure of that, hud Tm as sure it's not the cat. m So speak at once, the truth's let's fcaTtf* y^n mskto save." 1 ^ m h h H H it*,™*, w t - mm �In the mieWle watch, last night, - It was not dark, it was moonlight— 111 saw the mate como clown below, And r ut about throe pound or so ; ATd fnen on deck he eat the same— I knew that I should get the blame.' 5 9 1 Curse his guts, the gormandizer! But no, I never shall be wiser; If my beef I wish to eave it, I under lock and key must have i t . " The mate on deck does little hnow, H o w bets are going on below ; Unconscious wrhen the message sent, And to breakfast table went Fees all's not right—some sad disaster^ Has enraged his lord and master; IIis sullen looks his heavy frown, When at the table he sat down. IXo dare not ask: what is the reason, The very thought would be high t r e a s o n But scarce had ta'en his cup in hand, Ere he received this reprimand:— "It's a most surprising thing to mo, I hat people who have got their te3, Cannot with that be satisfied, But stuff and eat all ni^hfc beside, �41 li'fi what, I assure yon, I don't I never did, and will not now ; It you want supper after to a, You're not a man that will suit m o / ' Poor John he sat in great surprise, Kor scarcely dared to lift his oyes, Till roused from his sudden skx or, Ho found ho was allowed no supxr. A man that won't stand out lor food, That man, I'm sure, he is not good. 441 own," says John, 441 did last night Eat my supper by moonlight— " I ' v e been at sea now twenty years, And never in that time did hear Such work about a piece of beef— Xou could say no more were i a lid of* lf It is a rule which I have seen Ju every ship that I have I sen, 'If the master did not fed inclined, Or to eat supper had no mind, u IIa would tell his mate not him to mind But get his supper .when inclined ; But you, you take your bread and chec-so* Soar porter, grog, and what y a n please. 41 You go to bed, all night von sleep, Wiiiifei i wn iUtt mu&i ^es; �0 I will ask yon, if yon please, if to sleep all night needs bread and cheesy 4Mnsfc I not, think yon, hungry be, That walks the deck all night at sea ? Staro not, nor in a passion be, Nor cast your angry looks on me— 99 I'll tell yon plainly, once for all, You need not shout, nor need not bawl; Put your beef by, and mind yon lock itf And keep the key safe in your pocket. u For if you don't I vow and swear, I'll have my meat while I am hear." " T h a t won't be long, this voyage, no moi% Then you may hand yourself on shore." " D o n ' t be alarmed, I'll go nomoro t Much sooner would I go on shore," John takes his hat, on deck he goes, And thus you see the scene they closo* This is a specimen, you hear, Of what a mate has got to bear; But mind, I do not mean to say, That all mates are served in this way# The? wind keeps fair, we jog along, Some half asleep, some hum a song; The word from aft a good look out to keep, Thev reply, " Aye! aye 1" though half asleep �10 'Nollripg particular did to us Jbefa 1J, On the fifth day we got to Black wall; We saved our market, too, that day, As from the Nore our papers went away. f?ex! day into the Pool we went, We moor'd our ship, and our sails unbent, Wa dried our warps and cables too. Before we coiled them below. Next day we received on hoard a vat, We are meter'd you may known by that; We lift out boat, set her athwart, And get all ready for a start. The cook his baskets overhauling, Some wants straps and some want* marling; On board comes the basket man and crew, The meter's man hauls at the bo v. u Master, mate, come get your ladder ready* Pray, sir, hang it well and steady, That no serious disaster May happen to my master! The ladder fast, up comes the racier, Followed close by his man Peter ; The master pass'd the morning compliment* When they down in the cabin went. m f , LeCme & see, sir, you've got Russell's in, Have we got craft here to begin �1 Yes, sir, the lighterman jm now Sas brdnght a cralt unto the bow." 1 Pray, sir, what may be your cockett ? But stop, I've got the turn bill in my pocket* " This time, sir, we have taken in more, By far, then ever we did before*" " Well, sir, there is not a doubt, If the coals are in they will come out; But those cursed imperial vats, I say, Are fifty pounds per year out of our way. Believe me, sir, as I do live, We cannot satisfaction give; And then, you know, if we don't pleas^ We are deprived of our fees/' Well, sir, pray, do what you can, You'll find mo, X believe, a liberal man; About your dinner, sir, pray name, Whatever you choose, it's just the samel To go on shore is my intention, 111 send it off, if you but mention/' " Oh ! anything—it matters not, I'll be content with what you've got. But if yon really d j intend Something from the shore to send, Bay a chine of pork, or lamb and paes, A bsef-steak, or what you please. �Or boiled toagiw uni leg of motors, Or anything, sir, I'm no glutton!" Self-interest, that ruling passion, That's lately got so much in fashion* Look at its weight it turns the scald. When every argument will fail; How frail is man, just now you see. How iilxu^i that man can be. But if the reason you must kno$r, And what it is that makes him so, He treats the meter with his dinner. To make liim still a greater sinner. He thinks lie tbe meter well must treat. And he the merchant then will oheai; If you but look, you sure must see, It cannot his disposition be. His kindness now is nought bat gammon, He heaves a sprat to *;atuh a saimuii; Well, by this time, I think you're tired, But I just write as you desired. You told me to give a true description, I've done it here without deception : TIIQ captain's now returned on board, His market basket is well stored. fi He's got some lamb likewise some peas, h o UoaU it will the meter pleasa; �T^* n^afe the same may chance to last®* Ere ha will Jet it go to waste. Onr conk's rtuife busy, there's no doubt. The galley's now turned inside out; lie wiH do his best, it's mv belief* To roast the lamb and boil the beef: Likewise the peas and brocoli, Before they to the table go; A <!ood large pudding, too, is mad®, A constant thing in the coal tradeI'll describe to yon, as I am able, The Fcpr>e> that's at the dinner table f The robin's smalL in the first place, A stout oak table does it grace. A looking-glass stands in the centre, Which faces yon as you enter ; And this being the first working day, The dirty table-cloth is put away, And a clean cloth is then brought ont, Clean from the captain's house no doubt} AW things are now set in their place, The rdbin boy has washed bis face. The meter's summoned down, and then He's followed by three lightermen, & Who, because they get the coals soon Must live well, there is no doubt �14 .lie captain an! meter claim the chairs* "wo lightermen the locker shares ; iVhera will the third sit ? you will ask* Why, on the erapty porter cask. And I'm afraid that the poor mata Will find no seat nor yet a plate ; But John with patience is so blest, He'!! take his dinner on his chesfc. The captain looks and sees all right* Is quite obliging and polite ; He hopes they'll no inviting take, But, as at home, a dinner make. He carves—he eats—and think by turns* For a quick despatch his bosom burns; He sees as clear as the sun's rays, Bhe will he till out in fouf days. The lightermen they promise fair, They know the money will be there, With grog and dinner when they choosa, A chance that they will seldom loose. Each man's now satisfied, they say, And the dinner things are put away, To make room for the rum and gin, To have a glass ere they begin. I'hey take their grog—they talk and laugh iome use a glass, and some a cap ; �Tho turn bill is soon on the table laid, And by each mm it is surveyed. Th ^captain and lightermen now agree, For he's told them what it is to be; To work! to work! the word they pass; The meter now must leave his glass. The lightermen now leave the barge, And go on shore, to tho mate's charge; The seamen they must swing and trim, For it won't be done by him. Thus you see each following day, Just goes on in the same way, Until the stocks begin to fail, . And they have drunk out all tli8 I'll tell you now our cargo's out, And glad I am, you need not doubt; Would you believe,, she's made no mow Than she has mostly done before. The meter now may go away, A single copper he won't pay, He need not wait, it is no use, He will get nothing but abuse. Our ballast is now alongside, We shall be ready by morning tide, To have it in they've just begun, i J at says, there is good seventy too. �Bn* TVat's werd rnnsf:' not he t^ken, For in that they're oft mistaken ; They're begging hard for a drop of gitft Almost before they do begin. The half-hour crlass is set in motion, To spoil the hold, a rent creed notion ; It's what is termed very fair, That each man trims his equal share. And some of us will have, yen know, To get our stocks before we g o ; Onr ballast, now. it is all in, Another scene I must begin. We've hove onr ship out of the fTerf And by good luck onr anchor's clear, Which very seldom is the case, There's such confusion in this place* Here comes out waterman and boy, The constant man he docs employ, His name is Sam, a clever fellow, But Bam sometimes gets a little mellow* But that, yon know, is nothing new, For clever fellows often do : It's now high water, the wind's at weal, We set our sails to do onr best. f* $ The wind Is fair, and yon must know, Bam did ashore to Greenv^h co • �m A steady breeze, tho river clear, * We went along—had nought to fear* Ai night we brought up in Sea-lieach, Furled sails and set the anchor watch J Nest morn, before the break of day, The mate knock'd out ia away. The wind north-west, and a strong breci;% By a reef we did our topsails ease; The. wind continuing still tho same, & night to Yarmouth lioads wo came* % And when abreast of Caister Bails, Wc biought her up and furled sails: We've Leon here now a week to-day, The wind's come fair, we're under weigh* We have had a most unhappy time, Which 1 can scarce describe by rhyme ; The beei'I tho beef!—0 sad disaster I Is the constant topic of our master. The cook in troubled water swims, He's watched as he the kettle skims; The mate, poor man, the Lord preserve his} JTor, if ho dun t, I think he'll starve him, We fore-mast Johns have sore to fight* And stiii,lor bieakast not a bite; In t*,e iialt-tiecK, when altogether, Vie u^to****** M wiuu auu w«teiher# �orne overman! tlielr cheat to see, low stan J. their stock of sugar and tea J )ur stocks of 'bacco, too, we fear, rYIil soon bo out, if wo lay Leie. Sach man a sovereign bad in London, die place that sailors are so fond o n ; And some that lead a regular life, das got good stocks to please his wife. Und some (here are that have got none, &nd still the soverigns are gone; We have passed the Float and seen the SptOT Flambro' Head will come in turn. Our captain now seems better pleased, The wind's at souih, the pinch is eased J He does expect, if all goes right, She will be down to-morrow night. Well, I'm thankful now, we're here at last* At Fairlass' Crane wo make her fast, And will be there, I make no doubt, Until the ballast is all out When that will bo I need not mind, For another ship I'll try to find ; * * To-morrow the wages will be paid, &nd I'll bid adieu to the GOAL T I I A D E ! �A?? ABD8ESS s i SEAMEN, ESPECIALLY M TO T H E RISING YOUTH. THOSK who hare used the sea, and have attainei the age of GO or 70 rears, most have observed Tory great declension in nil orders of seaman, bot) s with respect to morals and discipline. When the writer of this address first wenfe t sea, masters had a great, interest in the ships the commanded (being mostly owners or part owners} and generally had such a high sense of honoul that no hardships or dangers appeared to them 8 formidable as an imputation on their conduct a eoamen. Had they lost a ship, and it was su| posed to be owing either to ignorance or carelesi fces3, it was long before they were entrusted wit the chargo of another, or could prevail on any 1 venture friendly parts w i f ^ h e m ; so that the lot > a ship in those days freiniently involved the loi £ »f character, as well as the loss ol property. 'ILIII*' " W M �Few shipowners mads inmnmee on policy, a a j xxeh as did seldom insured half ike amount of tbest nierest. Blasters at- that lime cbeserved a digni- led conduct, for though they slept less, and walk* sd ike deck more ihim any of the crew, when tho ship was at ssa, they seldom entered into any unnecessary conversation with the sailors; their males were their confidants, and to them they committed the entire management of the ship while in port, or in a roadstead at anchor. If they saw any occasion to reprove their mates, the? did not do it in the presence of the men and boys; for they knew, had they done so, it would kave lessened their authority. It was then tho eustom for mates to remain in the ship till they obtained the command of them, or of others; foremast men seldom continued less than one year, and there were many instances of their continuing seven or feu years. As to the boys they were then more obedient to ' the men than they are now to the masters. They did not dare go on shore without the leave of the mate, and that could seldom be obtained more than once a week, half of them in the forenoon, and the dther hall in the afternoon, it is needless to saj thai they were obliged to bo on baud at tho tiuii ippointed. The oldest apprentice had a sort of defega'ct cuthority over his fellow-apprentices, and e^.c-j. om m ; �fcail <?cme part of the ship's stores en ter hi3 pi?* licubr caic, which he was bound to have in t e a l cess. whenever called for; .instead o.* lion* j t abusive language, the males contrived to subst.ic a shame and degradation, by assigning mean ome.g to such as were last in turning oat, or otherw so back wards o r tmhaudy, such as sweeping the dee , s9 cleaning the boots, Sea.; to avoid which the writer has fresh in his recollection the many hard racc? ho Las run (upon the mate knocking ail hands out) ta be among the first at the windlass palls. To haul out the weather earing, when the top* gails were to reef, to ship the first handspike ami to cat the anchor, were objects contended ior bjp ineu and boys, as points of honour. To such discipline and subordination must be attributed the smailccss of the number of ships then lo»t, compared with what now happens making every allowance ior the inciease ol shipping. It is lamentable to tuink how ships aie iiOv? thrown away. "VVitli sea wind aud hazy weather, We £ee them keeping liear the land, aud grappling lor harbouis, by winch many with their ciews are lost; when at buth t>mes, by keeping the seaaiew Cays longer, they mi-lit have perveated such disaster ; but uiiai is mure a^to:ashing—a master who loses his snip tiii'Oagh ignorance or earelfssness,. finds Lttle uiiliortity J J obtaining another, without U teeeivuig JI Y »TI0TII«. no a the MUOUC, or any tyliii&nii cuumAMi^a va ins oyait. �T o bring seamen back to tKat state of vigilance and oarc ; conspicuous ii^iheir forefathers, is the design of this address; and the writer enjoys no small degree of satisfaction in the con sideratioiij that his plans (sonic years since executed,) for lights in Hasbro Gatt, and at the Goodwin and Sunk Sands, have been the means, under Providence^ of preventing the loss of many of their lives. As the future prosperity or calamity of this country will very much depend on the virtues or vices of the rising generation, the writer hopes he need not apologize for earnestly exhorting them to stem the strong current of luxury and dissipation of the present day. A growing contempt of religion and good morals seem to pervade the far greater part of mankind; and unless a veiy considerable reformation takes place, inevitable ruin will be the consequence. * Without religion there can be no solid virtue or good morals—no true honour. * «Ui the apparent good actions of bad men spring from mean seliist motives; that ferocity called courage / too often kept up by artificial means �is m sncli men, inr.e that o! animals, devoid of reason; hence, their commands are boisterous, fickle, and CODfused; in tliat state of mind there is great danger of their issuing orders the reverse of what they should do. * GootL men encounter difficulties and dangers with rational courage; and such as are commanders, give their orders in a calm, cheerful, dispassionate manner, and their example animates and encourages all that sail with them. The religion recommended to all (and of which all in every situation are capable) consists of sentiments of piety and in reflection on the power and providence and goodness of God, and in actions corresponding therewith, bettei expressed by the apostle Paul, in his epistle to Titus ; — T h e grace of Goc that bringeth salvation hath appeared to all men, teaching us, that denying ungodliness and worldly lusts, weshoulc live soberly, righteously, and piously it tMs present world; looking for tha blessed hope, and the glorious appear ing of the great God and our Saviou Jesuy^hrist, who gave himself fort as that he might redeem us from iniquity and purify unto himself a peculiar peo pie, zealous of good works." �2L ^ tl The above quotation contains an epitome, or abridgement of the Christian religion. Such sentiments and such conduct would give young men (who have nothing to depend on but their own merit) the fairest chance of preferment; and if it has been their lass to have had parents who either could not or would not give them a suitable education, they will have many opportunities of improvement while at sea and in port. The famous circumnavigator, Cap tain, Cooky served his apprenticeship in the coal and coasting trade, and acquired almost ail his knowledge of books ai'te£ he went to sea. Me was a striking instance of the power ot emulation, united with sobriety and an ardent'appiieuiiuiu His example is worthy the •miiluUv/j.i u£ every seaman. $ December, 1797. � Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Voyage in the Coal Trade; With An Address To Seamen, Especially the rising youth. Identifier An unambiguous reference to the resource within a given context <a href="https://ocul-gue.primo.exlibrisgroup.com/permalink/01OCUL_GUE/mrqn4e/alma9953134493505154">s0231b06</a> Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. An Address To Seamen, especially the rising youth. Date A point or period of time associated with an event in the lifecycle of the resource <p>[1870-1885?] per National Library of Scotland</p> Extent The size or duration of the resource. 24 pages Description An account of the resource 'Shopkeepers and Hawkers supplied on the lowest terms.' printed at the bottom of the title-page. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Liverpool, England Greenwich, England Yarmouth, England London, England Caister-On-Sea, Norfolk, England Flamborough Head, Yorkshire, England Subject The topic of the resource Ballads and songs Contributor An entity responsible for making contributions to the resource Archival and Special Collections, University of Guelph Library, Guelph, Ontario, Canada Rights Information about rights held in and over the resource In the public domain; For high quality reproductions, contact Archival & Special Collections, University of Guelph. libaspc@uoguelph.ca, 519-824-4120, Ext. 53413 Is Referenced By A related resource that references, cites, or otherwise points to the described resource. <a title="National Library of Scotland" href="http://www.nls.uk/">National Library of Scotland&nbsp;</a> Is Part Of A related resource in which the described resource is physically or logically included. <p>Chapbook #10 in a bound collection of 20 chapbooks</p> Format The file format, physical medium, or dimensions of the resource JPEGs and PDF derived from master file, which was scanned from the original book in 24-bit color at 600 dpi in TIFF format using an Epson Expression 10000XL scanner. Publisher An entity responsible for making the resource available Newcastle-on-Tyne: Bowman, Publisher Source A related resource from which the described resource is derived Archival & Special Collections, University of Guelph Library, Guelph, Ontario https://scottishchapbooks.lib.uoguelph.ca/files/original/6062d575bffc9c3478eb16067aa159f8.jpg 6ab7c5c39dd1872999055d31d2aa58f7 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 2961 Width 1820 https://scottishchapbooks.lib.uoguelph.ca/files/original/c0e82af6d42d9b75caf8ada3cea17007.pdf b1e4833a02ab6c71ec0f8a005fd0fb36 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Old Scottish Ballad of Andrew Lammie; or Mill of Tifty's Annie. Identifier An unambiguous reference to the resource within a given context <a href="https://ocul-gue.primo.exlibrisgroup.com/permalink/01OCUL_GUE/mrqn4e/alma9923378843505154">s0236b53</a> Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Mill of Tifty's Annie Date A point or period of time associated with an event in the lifecycle of the resource [1850-1860?] per National Library of Scotland Extent The size or duration of the resource. 8 pages 16 cm Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant <p>Tifty, Aberdeenshire, Scotland</p> Edinburgh, Scotland Subject The topic of the resource Ballads and songs Crime Courtship and Marriage Chapbooks - Scotland - Glasgow Is Referenced By A related resource that references, cites, or otherwise points to the described resource. <a title="National Library of Scotland" href="http://www.nls.uk/">National Library of Scotland&nbsp;</a> Contributor An entity responsible for making contributions to the resource Archival and Special Collections, University of Guelph Library, Guelph, Ontario, Canada Rights Information about rights held in and over the resource In the public domain; For high quality reproductions, contact Archival & Special Collections, University of Guelph. libaspc@uoguelph.ca, 519-824-4120, Ext. 53413 Abstract A summary of the resource. A tragic tale of the love between a miller’s daughter and a trumpeter for the local lord. When her father finds out of the love between them, he forbids them to marry, although the lord gives his approval. While the trumpeter is away, the miller’s daughter dies of a beating from her father and brother and from a broken heart, much to the dismay of all the parties involved. Format The file format, physical medium, or dimensions of the resource JPEGs and PDF derived from master file, which was scanned from the original book in 24-bit color at 600 dpi in TIFF format using an Epson Expression 10000XL scanner. Publisher An entity responsible for making the resource available Glasgow: Printed for the Booksellers Source A related resource from which the described resource is derived Archival & Special Collections, University of Guelph Library, Guelph, Ontario https://scottishchapbooks.lib.uoguelph.ca/files/original/7d5ebf5afe1573350672589a8ba0bd18.jpg e8cc8527bf501dcb219aa4a056145955 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 2717 Width 1876 https://scottishchapbooks.lib.uoguelph.ca/files/original/2959bf757d957cd14c78da6f6c0c14bd.pdf 6f53fd2c9e77ec6e7aa97c74fd176593 PDF Text Text ��THE STERNE is rissin of our redemptioun In Baithlehem with bemis blyth and bricht: The Sone of God in erd He schewis him boun A m a n g His Angellis with a glorius licht, A s Hevinnis Lord of maieste and micht. C u m , mortall kingis, and fall on kneis doun Befoir the K i n g of lestand lyfe and licht : The Sterne is rissin of our redemptioun. i �A l l empriouris, kingis, princeis, prelaittis, Heir nakit born and nourist up with noy, Leif all your wofull truble and debaittis: C u m luik on the eternall K i n g of Joy. L y all on grufe befoir that heich grand Roy, That only K i n g of every regioun, O f Pers, of Ind, of Egipt, Grece, and Troy : The Sterne is rissin of our redemptioun. Inclyne befoir the Cristen Conquerour O f every kith and kinrik undir sky, The hie Makar, the michtie Salvatour, The meik Redemar, most to magnify : W i t h reverend feir doun on your facis ly A n d on this day in His laudatioun Ave Redemptor Jesu all ye cry : The Sterne is rissin of our redemptioun. W e may nocht in this vale of bale abyd, Our/derkit with the sable clud nocturn : The Sterne of Gloir is risin us to gyd Abone the spheir of Mars or of Saturn, A b o n e Phebus the radius lamp diurn, To the superne eternall regioun Quhair noxiall skyis may mak no sojourn : The Sterne is rissin of our redemptioun. 2 �A l l follow we the sterne of most brichtnes W i t h the three blisfull orientall kingis— The Sterne of Day, the Voyder of Derknes— Abone all sterris, planeitis, spheiris, and singis*. Beseiking H i m fra Quhome all mercy springis U s to ressave with mirth of angell soun Into the Hevin quhair the Imperiall ringis : The Sterne is rissin of our redemptioun. Sterne, star. Boun, ready for action. Lestand, lasting. Noy, trouble. On grufe, on one's face. Roy, king. Kinrik, kingdom. Dium, daily. Singis, signs (of the zodiac). Kingis, reigns. 3 �N o w glaideth, everie lifis creature With bliss and confortabil glaidness: The Hevinnis King is cled in our nature U s fra the deth with ransoun to redress. The Lamp of Joy, that chasis all dirkness, Ascendis to be verie warldis Licht, Fro every baill our boundis for to bless, Borne of the glorius Virgin Mary bricht. Abone the radius hevin etheriall, The court of sterris, the course of sone and mone, The potent Prince of Joy, imperiall The hie surmounting empriour abone, Is cumin fra His michtie Faderis trone In erd with ane inestimabill licht, A n d is of angellis with a sweit intone Borne of the glorius Virgin Mary bricht. 4 �Quha/evir in erd hard so blyth a story Or tiding of sa greit felicitie, A s how the Garthe of all grace and glory For luve and mercy has tane humanitie, Makar of angellis, man, erd, hevin, and se ; A n d to ourcum our fo and put to flicht Is cumin a Baib full of benignitie Borne of the glorius V i r g i n Mary bricht. The soverane Senzour of all celsitude That sittis abone the ordour cherubin, Quhilk all creat and all thing dois include, That nevir sail end na nevir did begin, But Quhome is nocht, for Quhome na tyme dois rin, W i t h Quhome all gud, with Quhome is everie wicht, Is with His woundis cum to wesche our sin, Borne of the glorius V i r g i n Mary bricht. Glaidethj rejoice. Baill, evil, trouble. Senzour, lord. Celsitude, highness. Garthe, garden. �JERUSALEM, rejois for joy : Jesus the Sterne of most bewte In the is rissin as rytous roy, Fro dirkness to illumine the. W i t h glorius sound of angell gle Thy Prince is borne in Baithlehem Quhilk sail the mak of thraldome fre, llluminare Jerusalem. �W i t h angellis licht in legionis T h o w art illuminit all a b o u t : Thre kingis of strenge regionis T o the ar cumin with lusty rout, A l l drest with dyamantis but dout, Reverst with gold in every hem, Sounding attonis with a schout Illuminare Jerusalem. The rageand tirrant that in the rang, Herod, is exilit, and his ofspring The land of J u d a that chosit wrang, A n d rissin is now thi richteous King : So He so michtie is and ding, Quhen men His glorius Name dois nem Hevin, erd and hell makis inclining Illuminare Jerusalem. His cuming knew all element: The air be sterne did H i m persaife, The watir, quhen dry He on it went, The erd, that trimlit all and raife, The sone, quhen he no lichtis gaif, The croce, quhen it wes done contemn, The stanis, quhen thay in pecis claif Illuminare Jerusalem. 7 �The deid H i m knew that rais upricht, Quhilk lang tyme had the erd lain undir. Crukit and blind declarit His micht That helit of thame so mony hundir. Nature H i m knew, and had greit wundir Quhen He of Virgyn wes borne but wem ; Hell, quen thair yettis wer brokin asundir Illuminare Jerusalem. But, without. blemish. Rang, reigned. 8 Ding, worthy. Wem, ��These hymns, chosen and edited by Agnes Mure Mackenzie, were copied out by George Bannatyne in i$68, and probably written round about 1500. They are set in ii'pt. Poliphilus and Blado Italic Printed by R . & R . CLARK, LTD., EDINBURGH Published by THE S A L T I R E SOCIETY Gladstone's Land Lawnmarket Edinburgh m # # # # # # # I N N S # # # # # # # � Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Old Scottish Christmas Hymns Description An account of the resource Garland of cherubs printed in red on the title-page. Other woodcut images on page 1, 3, 4, 5, 6, 8 Quoted on title-page: "Quhen of the hevin the michtie Campioun His godheid knit to our humanite" Price 1/- Quoted from page 8: "These hymns, chosen and edited by Agnes Mure Mackenzie, were copied out by George Bannatyne in 1568, and probably written round about 1500. They are set in 11/pt. Poliphilus and Blado Italic" Date A point or period of time associated with an event in the lifecycle of the resource 1947 Identifier An unambiguous reference to the resource within a given context <a href="https://ocul-gue.primo.exlibrisgroup.com/permalink/01OCUL_GUE/mrqn4e/alma9923378853505154">s0236b55</a> Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Saltire Chapbook No. 8 Extent The size or duration of the resource. 8 pages 14 cm Contributor An entity responsible for making contributions to the resource Archival and Special Collections, University of Guelph Library, Guelph, Ontario, Canada Is Referenced By A related resource that references, cites, or otherwise points to the described resource. <a title="National Library of Scotland" href="http://www.nls.uk/">National Library of Scotland&nbsp;</a> Rights Information about rights held in and over the resource In the public domain; For high quality reproductions, contact Archival & Special Collections, University of Guelph. libaspc@uoguelph.ca, 519-824-4120, Ext. 53413 Format The file format, physical medium, or dimensions of the resource JPEGs and PDF derived from master file, which was scanned from the original book in 24-bit color at 600 dpi in TIFF format using an Epson Expression 10000XL scanner. https://scottishchapbooks.lib.uoguelph.ca/files/original/9f2a8e43aae10fc2ca45cef2f29476eb.pdf cd9ab683d92e610384d4195735ae5407 PDF Text Text N O R T H E R N O R, D I T T Y T II E Citizen outwitted by a C o u n t r y Damfcl To which is added, A T E N Y E A R ' S S I E G E, T h e N E W W A Y of t h e B L I N D BOY, T h e O L D W A Y of the B L I N D BOY, J A S G O W, JY J & M. R O B E R T S O N , jmarket, iBoo, �( ^ ^r w ^jr i n ? 2 ) ^ V"^ ^r ^ ^ f i r i T H E N O R T H E It If D I T T Y . O I, I ) and raw the n o r t h did Blaw, bleak i a the m o r n i n g early ; Ail the tree* were h i d reith fnaw, 'covered with winter early A s I was riding o ' e r t h e S l o u g h , I met a F a r m e r ' s D a u g h t e r , W i t h rofy cheeks a n d bonny b r o w 3 good faith my chops did w a t e r . D o w n I wav*d my bonnet low, meaning to fnew my b r e e d i n g , S h e returned a g r a c e f u l bow, her vifage far exceeding, 1 sfk'd her w h e r e "(he wa$ going fo fcon, and/ longM to b o l d a parley : • She told me-to the n e x t i m r k e t t c w n 9 on tourpofe to tell her b a r k y . f n this p u i f e , fwef tTrnih vfkid twenty pounds iy fairly, , S e e k no f a r t h e r doe to bxif\ for lie. take nil t h y barleyi A n d twenty pounds m o r e fliill purchafe-de thy per Ion 1 love ib dearly j ('light If the-ii wilt lie with m e all n i g h t , and g a n g h a n x in the m o r n i n g early* - �( 3 ) v If forty pounds would buy the globe, this thing I -would not do, Sir ; O r were my friends as poor as J o b , P d never raife t h e m fo, Sir. For would you prove one night my f r i e n d , we'fe get a y o u n g kid t o g e t h e r , A n d y o u ' d b e gone e ' e r nine m o n t h s end,* t h e n w h e r e ihould I find the father ? P r a y what would my father fay, if I Ihould be fo flily, T o throw my maidenhead away, and lofe my true love Billy. 0 this and B u t if nrft would bring m e to d i f g r a c e / therefore I fay you nay, Sir, that you will me e m b r a c e , marry and then y o u may, Sir. 1 told her I h a d married been fourteen years a n d longer, Elfe I'd chuie you for my Q u e e n , aad fallen the k n o t ftronger. She bid m e then no f u r t h e r r o a m , but m a n a g e m y wedlock fairly. A n d k e e p the purfe f o r fpoufe a t - h o m e , for lome other would b u y h e r b a r l e y . T h e n as fwift as any roe, ihe rode away and left me ; A n d atter her I could not go* of joy flie quite bereft me* �T h e r e I myfelf did diiappomf, f o r die did leave me fairly. M y words knocked all things o a t of j o i n t , I lofl both the maid and barley, P A R T IL I D I N G down a n a r r o w lane, f e m e two or three hours a f t e r , ' l u c r e I c h a n e ' d to meet again the f a r m e r ' s b o n n y d a u g h t e r : R A l t h o u g h it was b o t h raw and cold, I ftakf to hold a parley, A n d fhevv'd once m e r e my purfe of gold, when fhe had fold her barley. L o v e , faid f, pray do net f r o w n , b u t let us change e m b r a c e s , I will b u y thee a (11 ken g o w n , with ribbons,, gloves and l a c e s ; A ring and b o d k i n , muff and f a n , a o Lady fhall have n e a t e r ; F o r as I a m an h o n e d m a n , I n e ' e r faw a fweeter c r e a t u r e . tThen I took her by the h a n d , and faid, My deareft j e w e l W h y {houWeft thou difputing {land, I pray thee be not c r u e l S h e found my m i n d was fully b e n t , l o pleasure my fond defire ; T h e r e f o r e fhe feemed to confent, b u t I wiih I'd n e ' e r c o m e n i g h h e r . �( 5 ) B u t , faid ike, W h a t fhall I d o , if I c o m m i t this evil ? A n d yield rnyfelf in Ioyc to y o u , I hope you will be civil. Y o u talk of ribbons, gloyes, and rings, and likewife gold a n d t r e a f u r e ; O let me firft enjoy thofc things,' theft you (hall have y o u r pleafure. Surely thy will flia.il he obeyM, faid f, my own dear honey ; A n d then into her lap he laid full forty pounds of m o t l e y : W e ' l l to the m a r k e t town this day, and Straightway end this quarrel, A n d deck thee like a Lady gay, in flourishing apparel. AH niy gold and filver t h e r e to her I did deliver, On the road we did repair, and coming to a river, W h o f e waters were both deep and wide, f u c h rivers ( n e ' e r faw many$ S h e leapt her mare on the other fide, and left m e not one p e n n y . iThen rny heart was funk, full low, with grief and care f u r r o u n d e d : A f t e r her I could not g o , for fear of being d r o w n e d . �( 6 .) She turned about, and fa id, b e h o l d , » I ' m not at y o u r devotion ; B u t , Hir I t h a n k yoii for y c u r gald 5 "will help to enlarge my portion. I began to Uarnp. a n d ftsre, to fee what the had a c t e d ; W i t h my hands I tore my hair, like one that was d i f l r a c k d . Give me my money then I cry\?, good taith I did but lend it*, B u t (he full faft away did ride, ' and vowM f h e d i d not intend it* A r E N YEAR'S SIEGE, T E N years like T r o y , my f l u b b o r n hear% , withftood th* afTauk of fond defire j B u t now, alas ! 1 feel a f m a r t , poor I, like T r o y , am all on fire* W i t h care we may a pile fee o r e , and- f r o m all c o m m o n [parks defend : B u t O h ! w h o can a houfe fecure, when the coeleftial flames defcend* T h u s was I fafe. till f r o m your eyes, deftru&ive fires are brightly g i v e n ; A h S who can f h u n the w a r m itirprife, whcn loj tfaelight'riifrg conies f r o m heaven® �( 7 > - T h e N e w W A Y of the B U N D B O Y . f ' M n o w deprived of -the light, which I did once enjoy. O n c e had the hleitings of the fight, b a t n o w , b u t n o w a poor blind b o y . M y tender babes that's y o u n g in years, doth make my heart to bleed. It makes my darkened eyes died tears, to hear t h e m call for bread* My loving wile with w h o m I liv'd, thefe thirty years and more, Becaufe for her I can't provide, it vexes me full fore* T h e tender infant on her b r e a d , not to nine m o n t h s a m v ' d . T h o u g h often fcanty in her feaft, ~ yet likely is to thrive* A little boy and girl alfo, • j when they began to walk, W i t h joy doth m a k e my heart o^erdop, to hear their p r a t t l i n g talk. O n c e on a day I never t h o u g h t , this poor mean way t o t a k e , Since to extremity I ' m b r o u g h t , _ | m u d afk for heaven's fake* G o o d Christians buy m y little b o o k j fhow but this frnail r e g a r d On my d i f t r d f e d cafe, but l o o k , \ a n d H e a v ' n will you reward. , I �( 8 ) T h e O L D W A Y of the B L I N D B O Y* Say what is that thing callM light, that I can n e ' e r enjoy ? W h a t i$ the blefimgs of the fight ? 0 tell, O tell your poor blind b o y . Y o u talk of w o n d r o u s things you fee, you fay the fun fhines bright, I feel it w a r m , but h o w can I difcern the day f r o m n i g h t ! M y day and n i g h t , myfelf I m a k e , w h e n e ' e r I walk or play, A n d could I always k e e p a w a k e , it would be always day. W i t h heavy fighs I often h e a r , you m o u r n my helplefs woe, B u t fure with patience I m u d bear, a Ipfs I ne ? er can k n p w . A l t h o u g h alas ! I've loft my fight, 1 have a gift in flore, For here and t h e r e 1 get a mite, and I defire n o more. I m u f t not beg, I will not Ileal, old a r e and darknefs is my Sorrow j B u t i will truft to Providence* and (if good Chrifiians b o r r o w , T h e n Idt not what I cannot h a v e , my piace of rnind deflroy, W h i l f t tjius I fing, I am a king, althcmg'h a poor blind boy." O Clafgow^ Printed by J. & M. Robert/on,. Saltan ark'et. 1800. � https://scottishchapbooks.lib.uoguelph.ca/files/original/8a8c6d43126992f6040a3238cf699361.jpg 2d1a07fe8bd934941264d2c9ec5f4610 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 3190 Width 1953 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Northern Ditty; or, The Citizen outwitted by a Country Damsel. To which is added, A Ten Year's Siege. The New Way of the Blind Boy. The Old Way of the Blind Boy. Date A point or period of time associated with an event in the lifecycle of the resource 1800 Identifier An unambiguous reference to the resource within a given context <a href="https://ocul-gue.primo.exlibrisgroup.com/permalink/01OCUL_GUE/mrqn4e/alma9923375023505154">s0241b21</a> Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. The Citizen outwitted by a Country Damsel. A Ten Year's Siege. The New Way of the Blind Boy. The Old Way of the Blind Boy. Extent The size or duration of the resource. 8 pages 15 cm Description An account of the resource Woodcut image of uple in fashionable dress holding hands on t.p. Subject The topic of the resource Chapbooks-Scotland-Glasgow Contributor An entity responsible for making contributions to the resource Archival and Special Collections, University of Guelph Library, Guelph, Ontario, Canada Is Referenced By A related resource that references, cites, or otherwise points to the described resource. <a title="University of Glasgow Union Catalogue of Scottish Chapbooks" href="http://special.lib.gla.ac.uk/chapbooks/search/">University of Glasgow Union Catalogue of Scottish Chapbook</a>s Rights Information about rights held in and over the resource In the public domain; For high quality reproductions, contact Archival & Special Collections, University of Guelph. libaspc@uoguelph.ca, 519-824-4120, Ext. 53413 Format The file format, physical medium, or dimensions of the resource JPEGs and PDF derived from master file, which was scanned from the original book in 24-bit color at 600 dpi in TIFF format using an Epson Expression 10000XL scanner. Publisher An entity responsible for making the resource available Glasgow: Printed by J. & M. Robertson https://scottishchapbooks.lib.uoguelph.ca/files/original/7e2ccf78486e6ca81ef659d9823352c3.jpg 096a0a2f63997eec3d86df7c9da0905a Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 3190 Width 1940 https://scottishchapbooks.lib.uoguelph.ca/files/original/77cb9a503421d0f044dbaa2099bdfd3c.pdf 63cbcef5b338ba8d2bc857467ddcc6e0 PDF Text Text T II E neg'leg fed OR t a r THE BRITISH SEAMEN. To wMch are addfic!, THE U P S AND D O W N S OF LIFE. A F O X - H U N T I N G SO N G. T o A t h e G X i? E N W O O D D V I C E TO THE GANG wi M r , F 'V 1 R S E X, Printed by J. & M. R f) B t RTSON, Saltmarket, 1801, �C a ipHr ~ ) v-f ~ rssw f-j- T H £ KEGLECTE'D TAR. T S I N G the 3ritifh S-ramau's praife, | a theme renowned wMory ; It well defer vcs more potifhM lays.; G his your boaft and glory. ' . When maci-brainMwar fpreads death around, by them you are -pr.ptf t i e d ; Bat when in peace the nation's found, thefe bulwarks are negle&ed* C H O R U S. Then, OJ protect the hardy tar, •> * ' be imndfuj of his merit. And when again you're plung'd in war," "he'll fhow his daring fpiriu W h e n thickeft darknefs covers all far iii the trackiefs ocean, W h e n HghtVing darts, when thunders roll, and all is wild commotion : When o*er the hark the white-top'd waves, with boifTrous fweeps arc rolling, Yet CQoly ftitl, the whole he bravrs, untam'd amid it the howlingThen. etc. When deep fmmers'd in fulphurous fmoke, he feels a glowing pleafure : He loads his gun- he cracks his joke, elated, beyond meafure, �Tho9 fore and aft the bicod-ftainM deck* {ho tiki lifeleft trunks appear ; Or IhouI.l the veffd Boat a wreck, _the failor knows no fear. Then O ! etc, W h e n long becalmed on fouthern brine, when fcorching beams affail hi r a ; W h e n all the canvas hangs lupine, arid food and water fail him. Then oft he dreams of Britain's fnore, where plenty itili is reigning ; They call the watch—-his rapture's o'er, - he fighs—but fcorns complaining, £tc. Or burning on that noxious coati, 'where dea*h fo oft bcfvienda> him ; Or pinch'd by hoary Greenland's froft, true courage M i attends h h n : No clime can this eradicate: he glories in annoyance; H e fearlefs braves' the ftor.tn of fate, and bids grim death defiance- Then, etc* W h y (houId the man ^ h o knows no fear, in peace be then neglected ? • Behold hi si move along the pier, pale, meagre, and' dejected. Behold him begging for employ! behold him difregarded ! Then view the anguiih in his eye, and fay* Are tars- rewarded 1 Then, etc* T o them your de&reft rights you o w e : * in peace* then, would' ye ftarve them I �( 4 ) What fay ye, Britain's Tons ? O h ! n o ! protect them, and prefervc them : Shield them from poverty and pain, r m policy to do itf Or ivhen grim war fhall come again, Britons! you may rue it! Chor, Then oh 1 procect the hardy Tar, be mindhjl of his merit, And whea again you're plung'd in war, he1')! ihaw his daring fpiric, T I * E U F 3 AND D O VV N S OF L I ¥ E . F ops and''downs we daily fee, ; examp!er moft furprifmg ; The high and low of each degree, now failing, are now riling ; Some up, Pome down, feme in feme out, feme neither one nor t'other; Kkaves, fools, jews Gentles, join the rout, and joitie one another, Chor. With my key ho, Gee up, gee ho, higgledy, piggiedy, Truth, honour* honefty, trim, tram, for honcfty's fcarce, Honour's grown a mere farce, And truth, faaw, an abfolute whim wham> By ups and downs, feme folks they fay, among grandees have got. Sir, W h o were thcmlelves but yefterday, the .Lord knows who or what, Sit I " �V ( .5 >.. Sans fenfe or pence in merit's chair,, they doze and dream fupine, ()! But how the devil they come there, that neither you nor I know. With* etc. Your country-maids comes up to town, a fun pie auk ward body ; In half a year again goes down.* no peacock half fo gaudy* < Lord, Ma'am/ exclaim'd the lawyer's wife, with fcandai ever ready, c You fee the ups and downs of life, 4 have made oar Meg a lady/ With, etc. Virtue and Vanity lately are grown* mere backers in a welL Sir; The laft gets tip, the firft gets down, as all the world can fell, mr: So in my downs poor virtue meets, her ups fo very tew, Sir, 9 Tis faici ihe's naked met i f the ftreets, but that is nothing new, Sir. With, etc. Oh what an age of ups & downs! (knocks, 4 hey (evenV the main/ my Lord thrice And lands and liberties, manors and towns, are rattling in the dice-box, Up fly the fools, on rum bent, while they are full in feather; Get pluck'd,- then rumbling down are fent, whoop! pel!, mell, altogether ! Chon With my hey ho, Gee up, gee ho, biggfcdy, piggledy, Truth, etc. �( 6 „) ^ K ^J ^ K r^ ^ N K SI K M N % f A F O X - H U N t I'M G S O N G * E C E M 8 E R is the feafon, when Btitifh brains are addled; T h e morning wet and dirty, fo get the cattle faddled And a hunting, etc. What e^erciie fo elegant > 1 as •whip and fhih and fpur ? What niufic fo dciighiiul, as the barking of a cur r Andahuntmg, etc* Whoever minds in Hough or ditch, Ids hoxfe and c^rcafe iirckin-e ' We're champions all, who fiyht the caufe of turkey, goofe, or chicken, And a, etc* But if perchance a Fox-chace, fhcyld cod a,man his breath ; We're all Militia Captains, fo -who*s afraid of death ! And a, etc* And if a prig won't cave bis bed for (port fo blythe and bonny * We'll fwcar he hates fatigue and dirt, - and call him Macaroni And a, etc. We'll wonder at his. want of fade, fince nothing fo bewitches, • As living all the winter long, in boots and leather brteches* And a,, etc* And if we break old lie.)nerd's neck, ; in paftime, han't we merit ? But if we chance to break onr own, why> damme! an*t it Spirit? Ar^d a, etc* D �( 7 ) X * XX * HM • XX * XX * X X * x x * x To T H E G R E E N WOOD G A N G WI* M S . T O fpetr my love, wi* glances fair, the woodland laddie came, He vow'd he would be ay fincefe, and thus he fpoke his flame ; T h e moon is blythe, my bonny fair, a* blythe as blythc can be : T o the greenwood gang, my lafiie dear, to the greenwood gang wi* mc% Chor. Gang wi* me. gang wi* me, T o the greenwood gang, my laffie dear, T o the greenwood gang Wi* me. The dad wif love was fae oppre&'d, - I wadna fay him nay : My lips he kifs'd, my hand he prefs*d, "while tripping o'er the brae: Dear lad, I cry'd, thau'rt trig and fair, and blythe as blythe can be.; T o the greenwood gang, my laddie dear, to the greenv/ood gang wi* me. The bridal day it cams to pals, fic mirth was neve- feen; Now I am caii'd the woodland lafs, the woodland laddie's queen: I blefg the morning frefh and fair, I told my mind fae free ; To the gretn'adod jrafig, my laddie dear, to the greenwood gang v;Y n\e* �& -. & - # - * -* - SfiC- * - M A D V I C E TO THE F A I R S E X , E fair poffcfs'd of every charm, to captivate the will; Whofe fmiles can rage itfelf difarm, whole frowns itfelf can kill; Say, Will you deign the verfe to hear,where flattery bears no part., An honeit verfe that flows fhicere, and candour from the heart And candouY from jhe v heart. Great is thy pow$r, but greater yet, mankind it might engage, If as ye ali can make a net ye >11 caa make a cage : Each nymph a thoufand hearts rh^gh-t win, for who to beauty blind ; But to what end a pris'ner make, uniefs ye've ftreng.th to bind. Unlefs3 etc, Attend this counfel often told, tho f often told in vain Learn the bed art the heart to hold, and lock the iriver's pain. • .. Gamflers to little purpcife win, who lofe again as la ft : *Tw beauty makes the charm's enfnare, and fweetnefs makes it lafh And. etc* Y Glafgow, PritHed by J. & M. Robcrifon, Saltinarka,' i 8 o n � Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Neglected Tar; or The British Seamen. To which are added, The Ups and Downs of Life. A Fox-Hunting Song. To the Greenwood Gang wi' me. Advice to the Fair Sex. Date A point or period of time associated with an event in the lifecycle of the resource 1801 Identifier An unambiguous reference to the resource within a given context <a href="https://ocul-gue.primo.exlibrisgroup.com/permalink/01OCUL_GUE/mrqn4e/alma9923372303505154">s0245b37</a> Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. The British Seamen. The Ups and Downs of Life. A Fox-Hunting Song. To the Greenwood Gang wi' me. Advice to the Fair Sex. Extent The size or duration of the resource. 8 pages 15 cm Description An account of the resource Woodcut image of men (2) in military dress with ship in the background on t.p. Contributor An entity responsible for making contributions to the resource Archival and Special Collections, University of Guelph Library, Guelph, Ontario, Canada Is Referenced By A related resource that references, cites, or otherwise points to the described resource. <a title="University of Glasgow Union Catalogue of Scottish Chapbooks" href="http://special.lib.gla.ac.uk/chapbooks/search/">University of Glasgow Union Catalogue of Scottish Chapbooks&nbsp;</a> Rights Information about rights held in and over the resource In the public domain; For high quality reproductions, contact Archival & Special Collections, University of Guelph. libaspc@uoguelph.ca, 519-824-4120, Ext. 53413 Format The file format, physical medium, or dimensions of the resource JPEGs and PDF derived from master file, which was scanned from the original book in 24-bit color at 600 dpi in TIFF format using an Epson Expression 10000XL scanner. https://scottishchapbooks.lib.uoguelph.ca/files/original/c490cbbf2fb4330ba3fa05fbb6257551.jpg b89af86b506f33b7fa264b6a93b9b51d Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 3369 Width 2009 https://scottishchapbooks.lib.uoguelph.ca/files/original/2950456e54bf422980be88c720e10187.pdf ef5284e7b0832536f55fdee684d4ef01 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Napoleon's Book of Fate; To which are added A Few Passages from the Dull Man's Companion. Identifier An unambiguous reference to the resource within a given context <a href="https://ocul-gue.primo.exlibrisgroup.com/permalink/01OCUL_GUE/mrqn4e/alma9923370683505154">s0246b04</a> Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Dull Man's Companion. Extent The size or duration of the resource. 24 pages 17 cm Description An account of the resource Woodcut image of Napoleon on the title-page. Contributor An entity responsible for making contributions to the resource Archival and Special Collections, University of Guelph Library, Guelph, Ontario, Canada Rights Information about rights held in and over the resource In the public domain; For high quality reproductions, contact Archival & Special Collections, University of Guelph. libaspc@uoguelph.ca, 519-824-4120, Ext. 53413 Format The file format, physical medium, or dimensions of the resource JPEGs and PDF derived from master file, which was scanned from the original book in 24-bit color at 600 dpi in TIFF format using an Epson Expression 10000XL scanner. Publisher An entity responsible for making the resource available Glasgow: Printed for the Booksellers https://scottishchapbooks.lib.uoguelph.ca/files/original/dd07291632908ee914b9a7fabbfe00f2.pdf 0541b60b8bc08a46f2f36b9e37edced0 PDF Text Text No. 2. Bon-Accord Rhymes and Ballads. The Heresy Hunters AND THE HERETIC HUNTERS' SONG. Respectfully Inscribed to the Baffled Inquisitors. "Their reasons are like two grains of wheat hid in two bushels of chaff; you shall seek all day ere you find them ; and when you have them they are not worth the search. " Shakespeare. Aberdeen: GEORGE MIDDLETON, SKENE SQUARE. 1 8 7 8. �TO T H E PUBLISHER. DEAR SIR, Th' enclosed is sent for publication, If it should meet your approbation. It's not a learned lucubration As ye may see, For that's beyond a' expectation From ane like me. As Poet I make nae pretence, But if you think it common sense, And likely to draw in the pence To fill your coffer, Go on, tho' TYKES may tak' offence And ca' you Scoffer. Perhaps ye dinna ken yersel' My name, or even where I dwell, But if you de ye manna tell, Or I may soon Be hurried headlong down to h . . l By Davie B . . n. 15th April, 1878. THE AUTHOR. �The Heresy Hunters. "Opinions and systems, like time, pass away — And yesterday's truth may be falsehood to-day." I'll tell you why the QUACK'S are quakin', Their beaten path has been forsaken, Such liberties were never taken By them at College, A prying youth they find has shaken The Tree of Knowledge. If angels' wings the rogue had clippit, And heels o'er head auld " MOSES" trippit, Nae wonder tho' they raised a rippit— 'Tis nothing odd Tho' SELBIE for salvation grippit To Aaron's rod. But such is really not the case, Although they do not acquiesce ; 'Tis clear, their object's to distress A gifted youth, Who bravely tells them face to face What's gospel truth. �'Tis true, when we survey the lot (We mean the planners of this plot), We do not find a man of note, Whom we could name— And noble minds would scorn to blot A neighbour's fame. Perhaps there's some, if we had space, Whose doubtful writings we could trace, And bring the crimson to their face ; Nor are we sure, That even the leaders in the chase Are Simon Pure ! There's one, who in his younger days Like other fools, was fond of praise, We know he penn'd some pious lays He did acknowledge, But one important " Sceptic " says He wrote " The College !" But whether that be true or not. It matters little what he wrote. 'Tis only with his present vote That we're concerned. Which henceforth must for ever blot What fame he's earn'd. �No wonder tho' the young deride, To see such men puff'd up with pride, And try by stealth to set aside A learned youth, Who's proved himself their safest guide In search of truth. And is he thus to be rewarded— From his Professorship discarded ? Is sense and justice disregarded To please a few ? And must our progress be retarded By such a crew ? Must he be placed in this position, By such unhallowed inquisition, And fairly crush'd to crokinition, Because he's clever, And all to please a few's ambition? No ! surely never. Let dabblerDAVIESspit their spite, A n d CRAVENS croak, a n d BINNIES bite, And slippery SLOANS, and all unite, They've neither pith, Nor can, nor calibre to fight Professor Smith. �6 But yet its sad to see them wink At fulesome fops, who sport and drink, And with the stale tobacco stink, Or steal a sermon, Yet pounce on pious men who think, As vilest vermin! T i s sad to see such men of mark, Attacked by doubtful dogs like C . . . k , Who, had they lived when Noah's Ark Was built of yore, They'd never been allow'd to bark, Even at the door. And yet they hold the grave position Of Judges at the inquisition— Surely a grosser imposition, Could scarcely be, Yet such is now the KIRK'S condition Yclept the "FREE" �The Heretic Hunter's Song. Raise the cry, ye holy few— "Lat's be th' kirk's avenger," A clever loon has spak' his min', And, lo ! the faith's in danger. It's no a case o' fleshly lust, It's no a case o' drinkin' (The kirk can wink at sic sma' fauts)— We've catched a rascal thinkin'. Professor Smith's a wily loon, But faith his zeal we'll quell yet; We'll tak' his jobbie oot his hands, And mak' him live on kail yet. He's broken the foundation stane Whereon oor faith reposes ; He's clippit aff the angels' wings, And ta'en the feet frae Moses. Lawyer Davie, stop yer wark, Sit doon and frame a Libel, Ye'll mak' a figure in the case— " Smith versus Holy Bible." Ye'll mak' yer claim tae heaven sure, And prove yoursel' a brither ; The case'll bring ye fame ; ye ne'er Won fame in ony ither. �8 Heretics maun a' be daft, They dinna think as we dae ; Heretics maun a be blin', They dinna see as we see. In maiters holy and divine Inquiry's oot o' season : Since faith is a' the Lord demands, It's foolishness to reason. Th'gither then lat's pit oor heeds, And hunt the Sceptic doon; Gin he hae learning on his side, We've God and Dr. Broon. Lat's sweer tae neither rest nor stop, Nor mak' the least concession, Till ilka teacher i' the kirk Becomes a live CONFESSION. � https://scottishchapbooks.lib.uoguelph.ca/files/original/69665983a48f68a884306391e7dc56cd.jpg ceef8e430c6d25c8dfd3ce3a9d8c7946 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 1256 Width 815 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Heresy Hunters and The Heretic Hunters' Song. Respectfully Inscribed to the Baffled Inquisitors. Date A point or period of time associated with an event in the lifecycle of the resource 1878 Identifier An unambiguous reference to the resource within a given context <a href="https://ocul-gue.primo.exlibrisgroup.com/permalink/01OCUL_GUE/mrqn4e/alma9953134483505154">s0255b37</a> Abstract A summary of the resource. The chapbook begins with a short address to the publisher, submitting the following ballad for publication while also disavowing the publisher’s knowledge of the author’s own identity (written as Davie B…n) as the contents of the poems may be considered inflammatory. The chapbook includes two poems, both of which defend the actions and speech of one Professor Smith of “the College”, who has apparently been accused of heresy by certain members of the college. The verses name or allude to the identities of certain accusers, declaring them hypocrites or worse, and defends the ideals of higher learning and progress as well as the Professor himself. This chapbook is part of a collection of chapbooks produced in Aberdeen which have been bound together in this volume. Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. No. 2. Bon-Accord Rhymes and Ballads. Subject The topic of the resource Ballads and songs Crime Religion and Ethics Chapbooks - Scotland - Aberdeen Contributor An entity responsible for making contributions to the resource Archival and Special Collections, University of Guelph Library, Guelph, Ontario, Canada Is Referenced By A related resource that references, cites, or otherwise points to the described resource. <a title="University of Glasgow Union Catalogue of Scottish Chapbooks" href="http://special.lib.gla.ac.uk/chapbooks/search/">University of Glasgow Union Catalogue of Scottish Chapbooks&nbsp;</a> Rights Information about rights held in and over the resource In the public domain; For high quality reproductions, contact Archival & Special Collections, University of Guelph. libaspc@uoguelph.ca, 519-824-4120, Ext. 53413 Is Part Of A related resource in which the described resource is physically or logically included. Chapbook #2 in a bound collection of 17 chapbooks Extent The size or duration of the resource. 8 pages Format The file format, physical medium, or dimensions of the resource JPEGs and PDF derived from master file, which was scanned from the original book in 24-bit color at 600 dpi in TIFF format using an Epson Expression 10000XL scanner. Publisher An entity responsible for making the resource available Aberdeen: George Middleton Source A related resource from which the described resource is derived Archival & Special Collections, University of Guelph Library, Guelph, Ontario https://scottishchapbooks.lib.uoguelph.ca/files/original/dc0ebc538642a1ad2199572489046660.jpg b19e0370bcc824baca81a057c2edccc6 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 3137 Width 1772 https://scottishchapbooks.lib.uoguelph.ca/files/original/1e63c9b46c014cc247aac0c76e69b14f.pdf ec3d8bf14010c95777c9f284f7146814 PDF Text Text Kitty- of .Coleraine* Black-eyed Susan* Merrily bounds the Bark* The Hay of Biscay* Tlie Cabin Boy® March, to the Battle Bonny Dundee* Hide ye yet® GLASGOW, P R I N T E D FOR T H E BOOKSELLERS. �S 0 K I T T Y OF N G S. COLERAINE. 'An beautiful Kitty one morning was trippisag, With a pitcher o f milk from the fair of Coieraine, W h e n she saw me she stumbl'd, the pitcher it tumbi ed And ail the sweet butter milk water'd 4 h e plain. Oh! what shall I do n o w , 'twas looking at you now, Sure, sure, such a pitcher III ne'er meet again, Twas the pride o f my dair} ; - O f Barney M'Cleai'y You resent as a plague to the girls o f Coleraifte jl sat down beside her/and gently did chide h^r. That such a misfortune should give her such pain, A kiss tllelrllgjiye her, and, before I did leave her She- vow "3"''for siicIVpleasure,'"she'd break it again, Twas hay making season, I can't tell the reason, Misfortune will never c»>'me single, tis plain, very soon,after poor Kitty,s ; disaster, Mlve de\il a pitcher was whole in CoTerttine. �3 B L A C K - E Y E D SUSAN. v. • T>0 a .•:;;>/:' .. • : All in the Downs the fleet was moor'd, The streamers waving with the wind, W h e n hlapk-eyed Su^san came on board, ()!- vvfierce phal\ I my ,tr,ue love find? Tell me, ye jovial sailors^ tell me true, Does my sweet William sail among your crerr? William who.high upon the yard, Iiock'd with the billows too and fro, Soon as her well-known voice he heard, • He.sighed and cast his eyes b e l o w ; The cord glides swiftly thro' his glowing hands, And quick as lightning on the deck he stands. So sweet the lark—high pois'd in air, Shuts close his pinions to his breast, I f chance his mate's shrill call he hear, And drops at once into her nest; The Noblest Captain in the British fleet Might envy William s lips those kisses swee O, Susan! Susan, lovely dear! M y vows shall ever true remain; L e t me kiss off that falling tear, W e only part to meet again: Change as ye list, £e winds, ray heart shall be, T h e faithful compass that still points to thee. Believe not what the landsmen say, W h o tempt with doubt thy constant mind; They'll tell thee sailors when away, In ev'ryport a m'stress find: Yes, yesv believe them when they tell you* s®, For thou are present wheresoever I go. * �4 IT to fair India's coast we sail, Thy eyes are seen in diamonds bright, Thy breath is * fVic's spicy gale, Thy skin is ivory so white: Thus every beautious object that I view, Wakes in ray soul some charms of lovely Sue, Tho' Battle call me from thy arms, Let not my pretty Susan mourn; Tho'cannons roar, yet save from harm, William shall to his dear return ; L o v e turns aside the balls that round me fly, Lest precious tears should drop from 5usan s eye T h e boatswain gave the dreadful word, The sails their swelling bosoms spread; No longer she must stay on board, They kiss'd, she sigh'd he hung his head; Her lessening boat unwilling rows to land. Adieu!' she cries, and wav'd her lily hand. .MERRILY, M E I U i l L Y BOUNDS T H E BARK. . . . Merrily, merrily bounds the bark, She bounds before the gale; The mountain-breeze from Burn ad arch, Is joyous in her sail. With fluttering sound like laughter, hoarse, The chords and canvass strain, The waves divided by her force, In rippling e idies chased her course, As if they laughed again. �5 Merrily, merrily hounds the b a r k , O'er the broad ocean driven H e r path b y R o u e n ' s mountains dark, T h e steerman's hand has g i v e n . Merrily, merrilv g o e s the bark, On a breeze from the northward f r e e ; So shoots the morning- sky the lark, O r the swan through the summer sea. Merrily, merrily goes the bark, Before the gale she b o u n d s ; So the dolphin from the shark, Or the deer b e f o r e the hounds. THE B A Y OF BISCAY. L o u d roared the dreadful thunder, T h e rain a deluge s h o w e r ; T h e clouds were rent asunder, By lightning's vivid powers. T h e night both drear and dark, Our pour devoted bark , T h e r e she lay, Till next day, In the Bay o f Biscay O N o w dashed upon O e billow, Our opening timbers creak E a c h fears a wat'ry pillow, N o n e stop the dreadful leak, T o dinar to slippery shroucb, E a c h breathless seam&i c r o w d ? , As she lay, Till the day In the Bay of Biscay, 0 , 0! �6 At length the wish'd f o r m o r r o w , Broke through the h a z y ^ k y ; Absorbed in silent sqrrQvy^, Each heav'd $ hitter &ighf;. . T h e dismal wreck to;,view,^ Struck hor m r \to th,ei f r e w n f As she lay, Till the day* . n the Bay of Biscay,, 0 H e r yieilding timbers, se^er, Her pitchy seams ark rent, W h e n heaven, all bounteous ever, Its boundless, m e r c y sent, A sail in sight appears, W e hail her with tlire^ ch^er^, N o w we sail, With a gale, From the Kay of Biscay,. O. THE CABIN BOW ,'fflD T h e sea was rough, the clouds Far distant every j o y , W h e n f o r c e d by fortune to embarjc, I went a cabin boyr M y purse soon filled with ftenchJWi^ I hastened home with j o y ; But wrecked in sight o f port, behold, A helpless cabin b o y . �••MM 7 MA&6H TO THE BATTLE3¥1ELD. M a r c h 16 thb battl^fieid, fo'e is n o w b e f o r e us, E a c h Mkri IsTreeflMMI/ shield, A n d h g a t d i is s a i l i n g o ' e ^ u s . The w p&fftt? 1 the g t i l i t i ^ M f i t J W h i c h kept our spirits under, In p r o u d disdain we've broken again, And tore each link asunder. M a r c h , &e. W h o , f o r his ebuntry brave, W o u l d Hy from the invader; W h o his ba>e life tp save, W o u l d traitor Tike degrade her? Our hallowed c'&use, our home and K*ws, Gainst 11 rant power sustaining, W e ' l l gain a c r W i v o f b r i g h t renown, Or die our rights maintaining. Mar eh, <&e. BONNY DUNDEE. 0 whare gat y e that bonny blue hansel? o silly blind b o d y canna y e see? 1 gat it frae a bonny >eois call an, A tween Saint Johnstone and bonny D u n d e e , I .And €), gin I saw but the laddie that gae me't, Vu eft lias he doudl'd upon his k n e e ; B u t now he's aw a. end I dinna ken whare he's j O gin he was back to his minny and me. �8 My heart has nae room when I think on my dawty His dear rossy haflits bring tears in my e e ; But now he's aw a, and I dinna ken whar he's; Qin we could ance meet, we's ne'er part till we dee. And O, gin I saw but my bonny Scots callan, Fu' aft has he doudi'd me upon his knee; But now his awa, and I dinna ken whar he's; Q gin h | was back to his minny and me. BIDE YE YET. Gin I had a wee house, an' a canty wee fire, A n ' a bonnie wee wifie to praise an* admire, W i ' a bonnie w e e yardie aside a wee burn, Fareweel to the bodies that yaumer and m o w n . $ae bide ye yet, an' bide ye yet, Y e little ken what's to betide ye yet; Some bonnie wee body may fa' to my lot, A n ' I'll aye be canty wi' thinkin' o't. W h e n I gang a field, an' come hame at e'en, I'll get my wee wifie fu' neat an' fu' clean, W i ' a bonnie wee hairnie upon her knee, 'that'll cry papa or daddy to me. Sae bide y e yet, &c. An if there should ever happen to be A difference atween my wee wifie a n ' m e , la hearty good humour, although she be teased, I'll kiss her a n ' c l a p her untill she he pleased. ^ Sae b i d e y e yet, &c � Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Kitty of Coleraine. Black-eyed Susan. Merrily Bounds the Bark. The Bay of Biscay. The Cabin Boy. March to the Battle Field. Bonny Dundee. Bide ye yet. Black-eyed Susan Merrily Bounds the Bark. The Bay of Biscay Identifier An unambiguous reference to the resource within a given context <a href="https://ocul-gue.primo.exlibrisgroup.com/permalink/01OCUL_GUE/mrqn4e/alma9923347283505154">s0255b38</a> Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. The Cabin Boy. March to the Battle Field. Bide ye yet. Bonny Dundee. Date A point or period of time associated with an event in the lifecycle of the resource 1850 per&nbsp;<span><span>University of Glasgow Union Catalogue of Scottish Chapbooks </span></span><span><span><br /></span></span> Extent The size or duration of the resource. 8 pages 17 cm Description An account of the resource woodcut of 2 men beating a man with a bat Abstract A summary of the resource. A collection of several short songs and ballads mostly on the theme of sailing, including: a song about a boy who is so handsome, dairy maids drop milk pitchers when they see him and then count it a blessing when he kisses them; a song where a young woman comes aboard seeking her William who is about to set sail for India, kissing him goodbye and seeking reassurances of his love and return; a sailing song describing the music and beauty of the sailing of a ship; a crew is beset by a storm in the Bay of Biscay and is shipwrecked, but rescued; a cabin boy seeks his fortune on the seas but loses all in a shipwreck; a marching song calling on the valor of those who defend the country; a lament of a lass who is looking for a Scottish rogue who had dandled her on his knee and given her his bonnet before disappearing; and a final Scots song describing the delights of marriage waiting for young men who bide until they are married. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Bay of Biscay, France Subject The topic of the resource Ballads and songs Courtship and Marriage War Is Referenced By A related resource that references, cites, or otherwise points to the described resource. <a title="University of Glasgow Union Catalogue of Scottish Chapbooks" href="http://special.lib.gla.ac.uk/chapbooks/search/">University of Glasgow Union Catalogue of Scottish Chapbooks&nbsp;</a> Contributor An entity responsible for making contributions to the resource Archival and Special Collections, University of Guelph Library, Guelph, Ontario, Canada Rights Information about rights held in and over the resource In the public domain; For high quality reproductions, contact Archival & Special Collections, University of Guelph. libaspc@uoguelph.ca, 519-824-4120, Ext. 53413 Language A language of the resource Scots English Format The file format, physical medium, or dimensions of the resource JPEGs and PDF derived from master file, which was scanned from the original book in 24-bit color at 600 dpi in TIFF format using an Epson Expression 10000XL scanner. Publisher An entity responsible for making the resource available Glasgow: Printed for the Booksellers