39 10 639 https://scottishchapbooks.lib.uoguelph.ca/files/original/c3fafb168323c2b559083e9a24836f72.pdf 6a95d4513471523b2f8ae74a8cb5bff9 https://scottishchapbooks.lib.uoguelph.ca/files/original/9ee7cbc6eeceade59220c61759297ee3.jpg cb34dcce80a0a78bd161786db26d0b51 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 2896 Width 1711 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Six Excellent New Songs: Royal Charley's Now Awa'. White Cockade. Farewell my Dame. Will you go to Sherriff-Muir. to Daunton me. Todlen Hame. Date A point or period of time associated with an event in the lifecycle of the resource 1825 Identifier An unambiguous reference to the resource within a given context <a href="https://ocul-gue.primo.exlibrisgroup.com/permalink/01OCUL_GUE/mrqn4e/alma9953134473505154">s0100b01</a> Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Royal Charley's Now Awa'. White Cockade. Farewell my Dame. Will you go to Sherriff-Muir. To Daunton me. Todlen Hame. Extent The size or duration of the resource. 8 pages Description An account of the resource Woodcut image of a sun with a face on the title-page. Subject The topic of the resource Chapbooks-Scotland-Falkirk Songs Ballads Is Referenced By A related resource that references, cites, or otherwise points to the described resource. National Library of Scotland <a title="National Library of Scotland" href="http://www.nls.uk/" target="_blank" rel="noopener">http://www.nls.uk/</a> Is Part Of A related resource in which the described resource is physically or logically included. Chapbook #2 and #48 in a bound collection of chapbooks Contributor An entity responsible for making contributions to the resource Archival and Special Collections, University of Guelph Library, Guelph, Ontario, Canada Format The file format, physical medium, or dimensions of the resource JPEGs and PDF derived from master file, which was scanned from the original book in 24-bit color at 600 dpi in TIFF format using an Epson Expression 10000XL scanner. Rights Information about rights held in and over the resource In the public domain; For higher quality reproductions, contact Archival & Special Collections, University of Guelph. libaspc@uoguelph.ca 519-824-4120, Ext. 53413 Publisher An entity responsible for making the resource available Falkirk: [No publisher] https://scottishchapbooks.lib.uoguelph.ca/files/original/30612cdb25f16bfbed22b616ee66b7f8.pdf 6fbff53a64281f314521feacc19597e8 PDF Text Text Six Excellent Farewell to Lochaber, Harvest home. Mary's Dream. Roslin Castle. The Soldier slumbering after war All's welL NEWTON-STEW ART v . ; Printed and Sold, W ^ M W h U Retail, by J. M'Nai-kn.. �F A R E W E L L TO L O C H A B E I t Farewell to Lochaber, and farewell my Jean, Where heartsome wf thee I hae mony clays been ; For Lochaber no more, Lochaber no more, We'll maybe return to Lochaber no more. These tears that I shed they are a' for my dear, And no for the dangers attending an wier; Though borne on rougli seas to a far bloody shore, Maybe to return to Lochaber no more. Though hurricanes rise, and raise ev'ry wind, They'll ne'er make a tempest like that in my mind : Tho' loudest of thunders on louder waves] roar, That's naething like leaving my love on the shore. To leave thee behind me my heart is sair pain'd, But by ease that's inglorious no fame can be gain'd ; 'And beauty and love's the reward of the brave ; JVnd I maun deserve it before I can craves �Then glory, my Jeany, maun plead my excuse ; Since honour commands me, how can I refuse? Without it I ne'er can have merit for thee, And losing thy favour I'd better not be, I gae, then, my lass, to win glory and fame, And if I should chance to come gloriously hame, I'll bring a heart to thee with love running o'er, And then I'll leave thee and Lochaber no more. T H E H A R V E S T HOME Hail, hail to the merry harvest home, To sports, apt! song, and nappy ale Let Bv^ry friend and neighbour come* No proud distinctions here pravail. The master and the humble hind Pass the jest with equal glee ; The wife is as the master kind, And all is hospitality. �^ssmmsL 4 Now rustic Robin sings-. of Ipve, And giggling Jane approves the Jay ; Anon the merry dancers, move, While gaily gaily glide the hours away. IlaiV 9 I Untied each.tongue,. unlock'd each heart, Good humour ut) corrupted flows : Ho* grief till daylight bids them part, Such joy the harvest home bestows. Hail, MARY'S DREAM. i i T|ie moon had cjimhed the highest hiitl That rises.o'er the source of Dee, And from the Eastren summit ^hed Her silver light on 16w'r and tree ; When Mary laid her dc^vn to sleep, Her thoughts on San dy, far at sea : When soft and low a voice was heard, Saying, "Mary, weep no more for me She from her pillow gently raided Her head, to a^k who there might be, And saw young Sandy shivring stand, With palid cheek and hollow e'e. ^O, Mary dear ! cold is my clay, It lies beneath a stormy sea;.. �| Far, far from tha^e I^leeppn, death, So Mixrf weep no more for me. ^Tln-ee atormy nights and stormy days, We tost upon the raging main, And long we strove our hark to save, But all Aur striving was in vainr. E'en then, wh^n horror chiird my blood, My heart was ftU'd with love for thee, The storm Is past, and I at rest, So, Mary, weep no more for me. ! mai4e^denvl thyself prepare, We soon; .shall meet.upon that shore Where love >s free frow do^bt or care, And thou ^nd I shall part no more. iLfOud erow'd tha cook the sln*dowtled ! Nor^mo^e pi Sandy .could she see ) But soft the passing spirit said, 0 M$ry ! weep np more for mp. Twas in that season of the year, When all things gay and sweet appeal, That Ooliti with the morning ray Arose, and sung his rural lay : Of Nanny^ charms the shepherd sung— The hills and dales with Nanny rung j �6 While Roslin Castle h* a*d the swain, And echo'd back the cheerful strain, Aake, sweet muse! the breathing spr W ith rapture warms, awake arid sing Aake and join the vocal throng, M ho hail the morning with their song. To Nanny raise the cheerful lay, O bid her haste and crime away ; In sweetest smiles herself adorn, And add new graces to the morn. O hark, my love ! on every spray Each feather'd warbler tunes his lay ; 'Tis beauty fires the ravMi'd throng, And love inspires the melting song < i Then hk rny raptured rrotes ^rMe/ For beauty darts from Naiin5^s eyes And love my rising bosom warms, And fills riiy soul with sweet alarms, O ! come, my love ! thy Colirfs lay With rapture calls : O come away ! Come, while the muse this wreath si twine. , j Around that modest brow of thine. C) hither haste, and with thee bringThat beauty blooming like the spring ; Those graces that divinely shine, And charm this ravish'd breast...of mine. �7 THE SOLDIER SLUMBERING AFTER WAR. the soldier slumbering after war, Dreams he Hears the cannons roar ; And mutt'ring trumpets from afar, Rouse him to the tight once more. But, if he wakes, the gentle strains Of happy peace around, him move ; For other.raptures fill his v^ns, And sounds of war give place to tales of love. The soldier, tranquil pfiter Heeds no more the din of arms ; The trumpet, nor the drum from far, Rouse him with their rude alarms ; But softer strains and softer airs His bosom charm, and bid to share All that a grateful land prepares, And hails the hero guardian of the fair, "Wo d* -JsfHf 21 ctno'tB r;;!T The soldier, tranquil still in peace, Thinks how oft the field was won ; And while the strifes of nations cease, Tells the story to his son ; While all around the vet'ran creep, And hear how he has bled to save ; The mother and th^ daughter weep, ^ e t join to bless the hero and the brave, �8 ALL'S WELL, The British tar no ppril knows, But fearless, braves the angry deep ; 1 The ship's his cradle of'repose, And sweetly rocks him to his sleep, He, though the raging surges swell, In his hammock swings, While the steersman sings Steady she go&s —all's well. While to the main-top yard he springs, 1 An English vessel heaves in view, He asks—but 4t no letter brings From bonny Kate, he loves so true. Than sighs he for his native dell, 1 Yet to hope he clings, While the steesmari sings Steady she goes—all's well. \ The storm is past—the battle's o'er, 1 Nature and man repose in peace ; ;1 Then homeward bound, on England's sho •He hopes for joys that ne'er will'cease. His Kate's sweet voice those joys idretf| And his big heart springs, While the steersman sings Steady sh£ goes—airs well. � https://scottishchapbooks.lib.uoguelph.ca/files/original/5a54b68c27ea0854e718e512248dffa7.jpg 5afe705a2c6334befadc14c434af5192 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 3190 Width 1590 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Six Excellent Songs. Farewell to Lochaber. Harvest home. Mary's Dream. Roslin Castle. The Soldier slumbering after war. All's well. Identifier An unambiguous reference to the resource within a given context <a href="https://ocul-gue.primo.exlibrisgroup.com/permalink/01OCUL_GUE/mrqn4e/alma9953134473505154">s0100b01</a> Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Farewell to Lochaber. Harvest home. Mary's Dream. Roslin Castle. The Soldier slumbering after war. All's well. Date A point or period of time associated with an event in the lifecycle of the resource [1820-1837] per National Library of Scotland Extent The size or duration of the resource. 8 pages Description An account of the resource Woodcut image of a mother beside her baby in a cradle on the title-page. Subject The topic of the resource Chapbooks--Scotland--Newton-Stewart Songs Ballads Is Referenced By A related resource that references, cites, or otherwise points to the described resource. National Library of Scotland <a title="National Library of Scotland" href="http://www.nls.uk/" target="_blank" rel="noopener">http://www.nls.uk/</a> Is Part Of A related resource in which the described resource is physically or logically included. Chapbook #4 in a bound collection of chapbooks Contributor An entity responsible for making contributions to the resource Archival and Special Collections, University of Guelph Library, Guelph, Ontario, Canada Format The file format, physical medium, or dimensions of the resource JPEGs and PDF derived from master file, which was scanned from the original book in 24-bit color at 600 dpi in TIFF format using an Epson Expression 10000XL scanner. Rights Information about rights held in and over the resource In the public domain; For higher quality reproductions, contact Archival & Special Collections, University of Guelph. libaspc@uoguelph.ca 519-824-4120, Ext. 53413 Publisher An entity responsible for making the resource available Newton-Stewart: Printed and sold wholesale and retail by J. McNairn https://scottishchapbooks.lib.uoguelph.ca/files/original/cda9b5c3eaf6b377867124d5da2bede3.pdf 2762d2cb3afd3a7945a9b2fb70cf5f40 PDF Text Text SIX EXCELLENT NEW WHY FAIR MAID IN EV'RY FEATURE MARCH AND ON: WI CHARLIE SEE'THE SHIP. KIND ROBIN LOES ME. THE HERO COMES. ANO TWEED SIDE.- Falkirk—Printed in th« year 1826. �2 WHY F A ® MAID IN ETR7 FEAITOH • Why fair maid in- evry. feature. Are such signs of fear exprest. Can a wandering wretelied creature. With such terror fill thy breast. Da my frenzhd looks alarm thee ? Trust me sweet thy fears are vain. Not for kingdoms Would-1- Harm thee. Shun hot then poor Crazy Jane. Dost thou weep totee my ariguiftfi}' Mark irie and avoid my. woe:;. . When men flatter sigh and languish, Think them false I found them so, For I loved, -Qlrm mnem^f* None could ever love again, But the,youth I lovd. so dearly, Stole the wits of Crazy Jane® Fondly my young heart received him, Which was doomed to love but one, He siglrd, he vow'd and I believ'd Lim, He was fake, and I undone. From that hour has reason never, Held her empire ocer my brain, Henry fled—with him for ever, F l e d ' m mU «f Ottoy ta* _ �. • • 4 There's no a traitor in his claw, There's no a'heart there's no a k n ' , Bat when the notes o' weir is blawn, and en wi* Charlie. It's wlia dare now on Charlie fraWn, * Or tread the northern thistle dowp9 Eor Scotland's right and Scotland's crown. We'll owre the Mils wi' Charlie. SEE THE SHIP, Sa9 the ship in the bay is riding* Dearest Helen f go from thee, Boldly go in thy love confiding, O sr the deep' ami the trackless sea. When thy Sov'd form no mo-re is near ms, When thy sweet smile no longer I see, This soothing thought shall at midnight cheer me. My love is breathing a prayer for me* When the thunder of w ir is roaring, And the ballets around m e fly, When the rage of the tempest pouring, Blends the billowy sea and sky. �Now forlorn and brokencarted* And with frenzied'tboughts beset. On that spot where W t we parted,- • On. that spot where iiist we met* Still Ifringmy love-loin dittyj, Still I slowly pace the plain, While, each passerby in pity. Cries Clod jhelptUee Crazy Jane. MARCH AND ON WT CHARLIE Air—'Whistle' o'er the Javep't I've heard the muircodk's .early craw* I've seen -the morning's rosy, daw, But this is Wittiest o* them a9, To march awa Wi Charlie. Our Scottish flags like streamers ware It's Charlie's sel that leads the brav«k We winna flinch nor fear a grave* • But stand or fa' w? Charlie' �6 He's tall m& sonsy frank miI m-m* 1 by a' and dear to me, W¥ him I'd live wi' him f d die, 'Because iny Roliin loes me, • My titty. Mary iakl to me,'- . Our courtship but a joke wad%% And !. or larig be made to gee*' * . That Robin didna loe me. ; . . Put little ken she what has been, Me arid my honest Hob between, And in his woo-ng O, sae keen* Kind Robin is that loes Then Hee ye lazy hours away. And hasten on the happy day, : When "join your handr':Mess Johnshallsay And mak Lim mine that loes me* . Till then let every chance unite, To weigh our love and fix delight, And 111 look down on a wiV Wha doubt that Robin loe® Hie, O hey, Robia quo she* O hey, Robin quo she^ O hey, Robin quo she, .: ' Kisad Robin lorn me» �5 Then shall my heart to fear & stranger, Cherish its fondest hopes for the, This dear reflection disarming danger* My love is breathing a prayer for me. This dear rejection disarming danger. My love is breathing a prayer for me, KIND ROBIN LOES MB, Robin is my osily For Roi iia has the art toloe, So to his snit I mean to bow, Because I ken he loes me. Happy happy was the shower, That led ine to his birken bower, Wbare first of love I fand the power* And ken'd that Kobin loed me. They speak of napkins, speak of ring% Speak of gloves, and kissing-strings^ And name a thoimid bonny things And ca' them sighns he loes me* Bnl I 'd prefer a smack & Rob, Sporting on the velvet fog, To gifts as lang's a plaiden wob* Because I ken he loes me* % �TEE % HEEO COMES, If©. the feero cornug, fdniHis Sound* sound your trumpet^ beat, t&ai ^out From po'i t to port let cannons roar, He's welcome to the British shore. Welcome, welcome, welcome, ^welcome, Welcome t© the British shore. Prepare, prepare, your song prepare, Loudly, loudly, rend the echoing air; F* om jole, to pole your joys rasouiftfc For virtue is vvitfi glory crown'd. • . Virtue, virtue, virtue, virtue, Virtue is with glory crowned. TWEED SIDE, What beauties does Flora disclose, How sweet are her smiles upon tweed, Vet Marys still sweeter than' those, Both nature and fancy-exceed. No daisy nor sweet blushing rose. Nor all the gay flow rs of the field, Nor tweed gliding gently thro" lhosef Such beauty and pleasure does yield* �m I r 1.! K§ gar cltann&r where do thy flocks stray, O tell me at noon where they feed, Shall I seek them en eweet winding tay Or tlie ple&s&uter banks upoii twaed.. FALKIRK: PMmsn It TJUOM» l$26, � https://scottishchapbooks.lib.uoguelph.ca/files/original/589a0bded0b356750900efe28301f60d.jpg 20223d8e8f51780c206c5582b3e3a028 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 2954 Width 1772 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Six Excellent New Songs: Viz. Why Fair Maid in ev'ry Feature. March and on we Charlie. See the Ship. Kind Robin Loes Me. The Hero Comes. and Tweed Side. Date A point or period of time associated with an event in the lifecycle of the resource 1826 Identifier An unambiguous reference to the resource within a given context <a href="https://ocul-gue.primo.exlibrisgroup.com/permalink/01OCUL_GUE/mrqn4e/alma9953134473505154">s0100b01</a> Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Why Fair Maid in ev'ry Feature. March and on we Charlie. See the Ship. Kind Robin Loes Me. The Hero Comes. Tweed Side. Extent The size or duration of the resource. 8 pages Is Part Of A related resource in which the described resource is physically or logically included. Chapbook #43 in a bound collection of 77 chapbooks Subject The topic of the resource Ballads and songs Chapbooks - Scotland - Falkirk Contributor An entity responsible for making contributions to the resource Archival and Special Collections, University of Guelph Library, Guelph, Ontario, Canada Format The file format, physical medium, or dimensions of the resource JPEGs and PDF derived from master file, which was scanned from the original book in 24-bit color at 600 dpi in TIFF format using an Epson Expression 10000XL scanner. Rights Information about rights held in and over the resource In the public domain; For higher quality reproductions, contact Archival and Special Collections, University of Guelph. libaspc@uoguelph.ca 519-824-4120, Ext. 53413 Publisher An entity responsible for making the resource available Falkirk: [No publisher] Source A related resource from which the described resource is derived Archival & Special Collections, University of Guelph Library, Guelph, Ontario https://scottishchapbooks.lib.uoguelph.ca/files/original/c4d10864343bcf20f613b7d79571665c.jpg c6a74b2d09715180579803ae17e64656 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 3072 Width 1900 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Woodcut on title-page portraying a girl holding a flower standing between two pillars with flowers in vases on top. Large house in the background https://scottishchapbooks.lib.uoguelph.ca/files/original/cdf586da5e2115a512d7a253336b1fd4.pdf a9f7dd0e4f79338101c5cc0027484ded PDF Text Text SIX EXCELLENT § © W ® S, CLARINDA. THE HIGHLAND PLAID. v M U S I N G O N T H E R O A R I N G OCEANL A RED, RED ROSE; THE YOUNG HIGHLAND 'Jtm&m^ ' A MOTHER'S L A M E N T FOR T H E .DEATH O F H E R SON. 3tfi g^aua ^ b s r f a w l l a o s r l r ^ s a i l a w fisiil NE WTOmSTJEWART PRINTED, AND RETAIL SOLD : WHOLESALE B Y J. M ' N A i R i N t AND �THE HIGHLAND PLAID, L O W L A N D lassie, wilt thou go Where the hills are clad wi' snow; Where beneath the icy steep, The hardy "shepherd tends his sheep? Ill nor wae ahall thee betide, When row'd within my Highland plaid. Soon the voice of cheery spring Will gar a' our plantings ring ; Soon our bonny heather braes Will put on their simmer claes; On the"xnontain's sunny side, We'll lean us on my Highland plaid. When the simmer spreads the flower's Busk's the glen in leafy bowr's, Then we'll seek thee caller shade, Lean uspn the primrose bed: While the burning hours preside. I'll screen thee wi' my Highland plaid, �M Then we'll leave the sheep and goat, I will launch the honnv boat, Skim the loch wi' canty glee, Rest the oars to pleasure thee ; When chily breezes sweep ,the tide, I'll hap thee wi' my Highland p! aid. Lowland lads may dress mair fin^ .q W o o in words mair saft than mine; Lowland ladshaemair of art, A ' my boast's an honest heart, .V'H) ^fTJW ?fB98 Dili £ LliT Whilk shall ever be my pride; O row thee in my Highland plaid. :hjjh oili 'iw ilslfri bjBoi (nit bnA Bonny lad, ye've been sae leal, M v heart would break at our farewell; Lang your love has made me fain, Take me, take me for your ain! 'Cross the Frith, away then glide, Young Dor,aid and his Lowland bridev>vor yr;i ,nrB|s smo'j (lift I bnA VtuUfifoffa isbt o v m ti 'otfT �A RED, R E D ROSE: O my luve's like a red, red rose. That's newly sprung in June. I 0 my love's like tlie melodie That's sweetly play'd in tune. As fair art tliou, my bonnielass, So deep in hive am I ; And 1 will luve thee still my dear, ! Till i a' the seas gang dry. T i l l a' the seas gang dry, my dear, And the rocks melt wi' the sun; 1 will love thee still my dear, While the sands o' life shall run. And fare thee weel? my only luve, And fare thee weel, a while! And I will come again, my luve, Tho' it vere ten thousand mile, �5 CLAIiiNDAo Clarinda, mistress of my soul, The measured time is run! The wretch beneath the dreary pole. So marks his latest sun. T o what dark cave of frozen night Shall poor Sylvander hie; Depr'v'd of thee, his life and light. The sun of all his joy. W e part,—but by these precious drops ; That fill thy lovely eyes! No other light shall guide my steps. Till thy bright beams arise. '• ' 1 ,^'OfJ ffijfel -JrM W She, the fair sun of all her sex, Has blest my glorious day : And shall a glimmering planet fix M y worship to its ray? n7'J �Q A MOTHER'S L A M E N T FOR OF I i E R SON, Fate gave the word, the i THE I)EAT] < ntekn ^ i^sped^ ^ And pierc'dmy darlings heart : And with him all the joys are fled Life can to me impart. B y cruel hands the sapling drops, In dust dishonour,d laid: So fell the pride of all my hopes, M y age's future shade. <1 The mother linnet in the brake Bewails her ravished young ; So I, for my lost daring's sake, Lament the live-day long. [di Uh teilT rH^il ledio o rid vdi ffiT Death oft I've fear'd thy fatal blow, Now, fond I bare my breast, O do thou kindly lay me low With him I love at rest! (ax tsold eell raib 8 fhsda Im i �THE YOUNG H I G H L A N D ROVER* Loud blaw the fi osty breezes, The snows the mountains cover ; Like winter on me seizes, Since my young highland rover Far wanders nations over. Where'er he go, where'er he stray, May Heaven be his warden : Return him safe to fair Strathspey, And bonnie Castle-Gordon. The trees now naked groaning, Shall soon wi' leaves be hinging, The birdies dowie moaning, Shall a' be blythely singing, And every (lower be springing. Sae I'll rejoice the lee*lang d ay, When by his mighty warden M y youth's returned to fair Strathspey, And bonnie Castle-Gordon. �MUSING ON T H E R O A R I N G OCEAN. Musing on the roaring ocean, Which divides my love and m e ; Wearying heaven in warm devotion, 9iUj For his weal where'er he be. Hope and fear's alternate billow Yielding late to nature's law, Whisp'ring spirits round my pillow Talk of him that's far awa. *:.. ' Ot'-i' * (Oil'. : il j'.l Ye whom sorrow never wounded, Ye who never shed a tear, Care-untroubled, joy-surrounded ? Gaudy day to you is dear. Gentle night do thou befriend me : Downy sleep the curtain draw; Spirits kind, again attend me, Talk of him that's far awa, , i v. '§i:ra r^i oi bwwtei . 1 yd rod'// tiliaoy yrV tes/J oidwd hik � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Woodcut 005: Title-page illustration in a single-ruled rectangular border of a girl holding a flower standing between two pillars in an outdoor scene. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Six Excellent Songs. Clarinda. The Highland Plaid. Musing on the Roaring Ocean. A Red, Red Rose. The Young Highland Rover. A Mother's Lament for the Death of her Son. Identifier An unambiguous reference to the resource within a given context <a href="https://ocul-gue.primo.exlibrisgroup.com/permalink/01OCUL_GUE/mrqn4e/alma9953134473505154">s0100b01</a> Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Clarinda. The Highland Plaid. Musing on the Roaring Ocean. . A Red, Red Rose. The Young Highland Rover. A Mother's Lament for the Death of her Son Date A point or period of time associated with an event in the lifecycle of the resource 1820-1837 per University of Glasgow Union Catalogue of Scottish Chapbooks Extent The size or duration of the resource. 8 pages Is Part Of A related resource in which the described resource is physically or logically included. Chapbook #5 in a bound collection of 77 chapbooks Is Referenced By A related resource that references, cites, or otherwise points to the described resource. University of Glasgow Union Catalogue of Scottish Chapbooks <a title="University of Glasgow Union Catalogue of Scottish Chapbooks" href="http://special.lib.gla.ac.uk/chapbooks/search/" target="_blank" rel="noopener">http://special.lib.gla.ac.uk/chapbooks/search/</a> Contributor An entity responsible for making contributions to the resource Archival and Special Collections, University of Guelph Library, Guelph, Ontario, Canada Format The file format, physical medium, or dimensions of the resource JPEGs and PDF derived from master file, which was scanned from the original book in 24-bit color at 600 dpi in TIFF format using an Epson Expression 10000XL scanner. Rights Information about rights held in and over the resource In the public domain; For higher quality reproductions, contact Archival & Special Collections, University of Guelph. libaspc@uoguelph.ca 519-824-4120, Ext. 53413 Subject The topic of the resource Chapbooks -- Scotland -- Newton Stewart Highlands Source A related resource from which the described resource is derived Archival & Special Collections, University of Guelph Library, Guelph, Ontario Publisher An entity responsible for making the resource available Newton-Stewart: J. McNairn Type The nature or genre of the resource ballads & songs Description An account of the resource Woodcut #05: Illustration on title-page of a girl holding a flower standing between two pillars in an outdoor scene. # of Woodcuts: 1 Architecture: gate Architecture: house Chapbook Date: 1821-1830 Chapbook Genre: ballads & songs Chapbook Publisher - Newton-Stewart: J. McNairn Fashion (Clothing): bloomers Fashion (Clothing): children's clothes Fashion (Clothing): dress Fashion (Clothing): stockings Fashion (Clothing): upper class Gender: girl(s) Outdoor Scene https://scottishchapbooks.lib.uoguelph.ca/files/original/8cf7e23bc7fcf8bf60e9e584029ef39c.jpg a0bf814855d3b3075874e57e5a468e11 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 3124 Width 1758 https://scottishchapbooks.lib.uoguelph.ca/files/original/2bc82f14465833f339c0dcb251713627.pdf 246b13aaab8c6a3764db19a223e404e8 PDF Text Text 3. Six Excellent S O NtheGBrethren of The Farewell to St James' Lodge, Tarbolton. Craigie-Bufn Wood. The Midges Dance aboon the Burn. Gloomy Winter's now Awa. Roy's Wife. Bonnie Lesley, NEWTON-STEWART f Printed and Sold, Wholesale and Retail, by J. M>Naijrn-. �\ wI 7A > & "" i THE FAREWELL TO THE BRETHREN OF ST JAMESLODOE, TARBOLTON. Adieu ! a heart-warm fond adieu Dear brothers of the mystic tie ! Ye favour'd, ye eulightened few, Companions of iny social joy ! Tho' I to foreign lands must hie, Pursuing fortune's sliddr'y ha', With melting heart and brimful eye, I'll mind you still, tho' far awa. Oft have I met your social band, And spent the cheerful, festive night ; Oft honoured with supreme command, Presided o'er the,.sons of light ; And by that ]tierogliphie bright, Which none but craftsmen ever saw ! Strong memory on my heart shall write Those happy scenes when far awa. May freedom, harmony, and love, Unite you in the grand design, Beneath the omniscient eye above, The glorious architect divine ! IKp H �That you may keep the-unerring line, Still rising by the plummets law, Till order bright completely shine, Shall be my prayer, when fata via. And you, farewell ! whose merits..claim Justly that highest badge to wear! Heaven Mess your honour d noble name, T® masonry and Scotia dear! A l as t request, permit me here, When yearly ye assemble a'; One round I ask it with, a,feaiy To him, tile bard that's far a wad CR AIGIE- B UBIi WOGDJ Sweet firs the- eve on Craigie-lmni,. ' And blyth awakes the morrow ; But a* the pride o' spring's- rgiura. Can yield me nocht but sorrow.. I see the flowers and spreading trees, I hear the wild.birds singing But what a weary wight earvpiease, And care hisbQ§om wiMngmg ? Fain, faili would I my griefs impart, Yet dare na for you ganger ; * �But secret love will break my heart.. If I conceal it langer., If lbou refuse to pity me, If thou shalt love anither, When yon green leaves fade frae the trce Around.my grave they'll wither.. ?i THE MIDGES DANCE ABOGN T H E BURN, The midges dance aboon the burn* The dews begin to fa', The "part-rick* down the rushy holnv Set up their e'ening ca\ Now loud and clear the blackbird's sang Rings thro' the briery shew, 'While flitting gay, the swallows play,Around the castle waV Beneath the golden gloaming sky., The mavis mends her lay, The redbreast pours his sweetest strain^ To charm the lingering day ; While weary yeldrins seem to wail Tli-eir little nestlings torn/ �The merry wren, frae den to den,, Gaes jinking through the thorn.. The roses fauld their silken leaves, The foxglove shuts its hell, The honysuckle, and the birk, Spread fragrance thro' the dell.. Let others croud the giddy court Of mirth and revelry, . The simple joys, that nature yields Are clearer far tp me.. GLOOMY' WINTER'S"NOW. AWAv Gloomy winter's now awa,, Saft the westliu breezes hi aw, 'Mang the biiks of Stanely shaw The mavie sings fu' eheary O ; Sweet the crawflower's early bell Decks Gleniffer's dewy delf, Blooming like thy bonnie sel, My young, my artless dearie O., Come, my lassie, let us stray O'er Glenkilloch's sunny brae, Blythly spend the gowden day, 'Midest joys that never weary ; �6 Tow'ring o'er the Newton woods, Laverocks fan the gnaw white cloudy Siller sauchs, with downy brads*. Adorn the hanks sae briery O 5 Hound the sylvan fairy nooks, Feath'ry breckaiis fringe the rooks,; 'Neath the brae the burnie jouks, And ilka thing is cheery O ; "Frees may bud, and birds may sing, Fiowrs may bloom, and verdure springs Joy to me they canna bring, Unless wi thee, my deary O. ROY'S WIFE.. Roy's w 1 fe of A1 d\ vaj 1 oeh,. Roy's wife of Akiivalloeh ; Wat ve how she cheated me As i came o'er the braes o' Bulloch. She vow'd, she swore, she wad be mine ; j She said sjieJoed me best of 01 vy ; But, all the faithless fickle queen ! She's taen.the carl,, and left her Johnny* Roy's wiiCj &c s �Her hair sac fair, her een sae clear*, Her wee bit mou sae sweet and bonny * To me she ever will be dear, Tho' she's for ever left her Johnny, Roy's wife, &c. Rut O she was a canty queen, And weel could dance the Highland walloch: How happy I, had she been mine, Or I'd been Roy of Aklivalloch! Roy's wife, &c. BONNY LESLEY. O saw ye bonnie Lesley As she gaed o'er the border ? She's gane, like Alexander, To spread her conquest farther. To see her is to love her, And love but her for ever ; For nature made her what she is, And ne'er made sic anither. �8 Thou art a queen, fair Lesley, Thy subjects we before thee, Thou art divine, fair Lesley, The hearts o' men adore thee. The Deil he could na scaith thee, Draught that wad belang thee; He'd look into thy bonny face, And say, " I canna wrang thee/' The Powers aboon---will tent thee, Misfortunes shanna steer thee ; Thotf rt like themselves, sae lovely, That ill they'll ne'er let near thee. Return again fair Lesley, Return to Caledonie! That we may brag we hae a las&, There's nane again sae bonnie. FINIS. � Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Six Excellent Songs. The Farewell to the Brethren of St James' Lodge, Tarbolton. Craigie-Burn Wood. The Midges Dance aboon the Burn. Gloomy Winter's now Awa. Roy's Wife. Bonnie Lesley. Identifier An unambiguous reference to the resource within a given context <a href="https://ocul-gue.primo.exlibrisgroup.com/permalink/01OCUL_GUE/mrqn4e/alma9953134473505154">s0100b01</a> Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. The Farewell to the Brethren of St James' Lodge, Tarbolton. Craigie-Burn Wood. The Midges Dance aboon the Burn. Gloomy Winter's now Awa. Roy's Wife. Bonnie Lesley. Date A point or period of time associated with an event in the lifecycle of the resource 1820-1837 per University of Glasgow Union Catalogue of Scottish Chapbooks Extent The size or duration of the resource. 8 pages Is Part Of A related resource in which the described resource is physically or logically included. Chapbook #21 in a bound collection of 77 chapbooks Description An account of the resource Woodcut image of a Masonic (Lodge) symbol on the title-page. No. 8. printed at the top of the title-page. Is Referenced By A related resource that references, cites, or otherwise points to the described resource. University of Glasgow Union Catalogue of Scottish Chapbooks <a title="University of Glasgow Union Catalogue of Scottish Chapbooks" href="http://special.lib.gla.ac.uk/chapbooks/search/" target="_blank" rel="noopener">http://special.lib.gla.ac.uk/chapbooks/search/</a> Contributor An entity responsible for making contributions to the resource Archival and Special Collections, University of Guelph Library, Guelph, Ontario, Canada Format The file format, physical medium, or dimensions of the resource JPEGs and PDF derived from master file, which was scanned from the original book in 24-bit color at 600 dpi in TIFF format using an Epson Expression 10000XL scanner. Rights Information about rights held in and over the resource In the public domain; For higher quality reproductions, contact Archival & Special Collections, University of Guelph. libaspc@uoguelph.ca 519-824-4120, Ext. 53413 https://scottishchapbooks.lib.uoguelph.ca/files/original/d148846335e1987f48d66b96df1ddac3.jpg 1538cf0da4c74eab489d08c299c66d20 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 3018 Width 1714 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Woodcut on title-page portraying a girl holding a flower standing between two pillars with flowers in vases on top. Large house in the background https://scottishchapbooks.lib.uoguelph.ca/files/original/14749013fc1fddcbacb9ea767ba255d4.pdf 3a1edca03c89edaa4c82ea7a7e9365f2 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Woodcut 005: Title-page illustration in a single-ruled rectangular border of a girl holding a flower standing between two pillars in an outdoor scene. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Six Excellent Songs. Farewell. Drucken Jenny Din. The Gallant Weaver. John Anderson My Jo. The Nightingale. Scotland's Hills for me. Identifier An unambiguous reference to the resource within a given context <a href="https://ocul-gue.primo.exlibrisgroup.com/permalink/01OCUL_GUE/mrqn4e/alma9953134473505154">s0100b01</a> Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Farewell. Drucken Jenny Din. The Gallant Weaver. John Anderson My Jo. The Nightingale. Scotland's Hills for me. Date A point or period of time associated with an event in the lifecycle of the resource 1820-1837 per University of Glasgow Union Catalogue of Scottish Chapbooks Extent The size or duration of the resource. 8 pages Is Part Of A related resource in which the described resource is physically or logically included. Chapbook #61 in a bound collection of 77 chapbooks Is Referenced By A related resource that references, cites, or otherwise points to the described resource. University of Glasgow Union Catalogue of Scottish Chapbooks <a title="University of Glasgow Union Catalogue of Scottish Chapbooks" href="http://special.lib.gla.ac.uk/chapbooks/search/" target="_blank" rel="noopener">http://special.lib.gla.ac.uk/chapbooks/search/</a> Contributor An entity responsible for making contributions to the resource Archival and Special Collections, University of Guelph Library, Guelph, Ontario, Canada Format The file format, physical medium, or dimensions of the resource JPEGs and PDF derived from master file, which was scanned from the original book in 24-bit color at 600 dpi in TIFF format using an Epson Expression 10000XL scanner. Rights Information about rights held in and over the resource In the public domain; For higher quality reproductions, contact Archival & Special Collections, University of Guelph. libaspc@uoguelph.ca 519-824-4120, Ext. 53413 Subject The topic of the resource Alcohol Chapbooks -- Scotland -- Newton Stewart Source A related resource from which the described resource is derived Archival & Special Collections, University of Guelph Library, Guelph, Ontario Publisher An entity responsible for making the resource available Newton-Stewart: J. McNairn Type The nature or genre of the resource ballads & songs Description An account of the resource Woodcut #05: Illustration on title-page of a girl holding a flower standing between two pillars in an outdoor scene. # of Woodcuts: 1 Architecture: gate Architecture: house Bib Context: title-page Chapbook Date: 1821-1830 Chapbook Genre: ballads & songs Chapbook Publisher - Newton-Stewart: J. McNairn Fashion (Clothing): bloomers Fashion (Clothing): children's clothes Fashion (Clothing): dress Fashion (Clothing): stockings Fashion (Clothing): upper class Gender: girl(s) Outdoor Scene https://scottishchapbooks.lib.uoguelph.ca/files/original/7adb24ce0bdc16c8a2fd8a22d1ce7b2b.jpg 611960244c6e30518cd64ec715f31dbb Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 2593 Width 1832 https://scottishchapbooks.lib.uoguelph.ca/files/original/1f0740729e06cea300f6d2ba9b28c858.pdf 6451d610e91d9e3e8c8c6dd5ac10cc2e Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Six Excellent Songs. It was upon a Lammas Night. How Cruel are the Parents. The Bonnie Wee Thing. O Condescend Dear Charming Maid. Thine am I. Why, Why tell thy lover. Identifier An unambiguous reference to the resource within a given context <a href="https://ocul-gue.primo.exlibrisgroup.com/permalink/01OCUL_GUE/mrqn4e/alma9953134473505154">s0100b01</a> Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. It was upon a Lammas Night. How Cruel are the Parents. The Bonnie Wee Thing. O Condescend Dear Charming Maid. Thine am I. Why, Why tell thy lover. Date A point or period of time associated with an event in the lifecycle of the resource 1820-1837 per University of Glasgow Union Catalogue of Scottish Chapbooks Extent The size or duration of the resource. 8 pages Is Part Of A related resource in which the described resource is physically or logically included. Chapbook #62 in a bound collection of 77 chapbooks Is Referenced By A related resource that references, cites, or otherwise points to the described resource. University of Glasgow Union Catalogue of Scottish Chapbooks <a title="University of Glasgow Union Catalogue of Scottish Chapbooks" href="http://special.lib.gla.ac.uk/chapbooks/search/" target="_blank" rel="noopener">http://special.lib.gla.ac.uk/chapbooks/search/</a> Description An account of the resource Woodcut image of a mother beside her baby in a cradle on the title-page. Contributor An entity responsible for making contributions to the resource Archival and Special Collections, University of Guelph Library, Guelph, Ontario, Canada Format The file format, physical medium, or dimensions of the resource JPEGs and PDF derived from master file, which was scanned from the original book in 24-bit color at 600 dpi in TIFF format using an Epson Expression 10000XL scanner. Rights Information about rights held in and over the resource In the public domain; For higher quality reproductions, contact Archival and Special Collections, University of Guelph. libaspc@uoguelph.ca 519-824-4120, Ext. 53413 https://scottishchapbooks.lib.uoguelph.ca/files/original/97d48de710b22fdabbe9406aef1cf27a.pdf 4f5aeabd59711450c5100b9f5bcc1c8f PDF Text Text Six Favourite John Anderson my J o . There's nae Luck about the Hotnste, I G a e d a waefu Gate Yestreen. Auld Langsyne. Blythe and Happy are we. T h e Rose will cease to blow* Nte W T O N - S T E W A & T Printed and S o l d , ' m l Retail, by J. -M^Nairs. �J O H N A N D E R S O N , M Y JO. John Anderson, my jo, John, When we were first aequent, Your locks were like the raven, Your bonriie brow was brent ; But now your brow is beld, John* Your locks are like the snow, Yet blessings on your frosty pow, John Anderson, my j o . John Aaderson, m y j o , John, W e clanab the hill thegither, And mony a canty day, John, We've had wi' ane anither, Now we maun totter down, John, But hand in hand we'll go, And steep thegither at the foot, John Anderson, my j<o* THERE'S NAE LUCK ABOUT THE HOUSE. And are ye sure the i*ews is true 9 And are ye sura he's weel ? Is this a time to think o' wark ? Mak haste, set by your wheel. Is this a time to think o* wark, When Colin's at the door ? �me my cloak 111 to the quay,. And see him come ashore. CHORUS. For there's nae luck about the house* There's nae luck at a* ; There's little pleasure in the house, When our gudeman's awa.. O g'i'fc me down my higonet, My bishop's satin gown,. For i maun tell tell the bailie's wife That Colin's come to town, My Sunday's shoon they maun gae on» My hose o* pearl blue, It's a' to please my ain gudeman. For he's baith leal and true; Rise up and make a clean fire-side, Put on tlie muckle p o t ; W e little Kate her cotton gown, And Jock his Sunday's coat : And mak their shoon, as black as Their hose as white as snaw ; It's a' to please my ain gudeman, For he's been Jang awa. There are twa hens upon the bank, They've fed this month and mair ^ �# Mak haste and thraw their necks about* That Colin wee! may fare ; And spread the table neat and clean, Gar ilka thing look braV ; \t'6 a ' f o r love'6' my gad em an, For he^ been lang aw a. Sae true his heart, sae smooth his speech* His breath like caller air, His very foot has music in't, When he qomes up the stain. And will I see his face again ? And will I hear him speak ? Vni downright dizzy w? the thocht. In troth 1'in like to greet. The cauld blast o9 the winter wind, Thftt thirled through n)y heart, T h e y ' l l a* blawn by, I hae him safe, Till death we'll never part ? But what/puts parting in my head ? It may be far awa ; The'present moment is our ain, ' The ncist vVe never saw, Si^ce Colin's weel Fm weel content, I ha'e nae qiair to aray^ ; Could 1 but live tp make ^i tn blest, 4 blest aboon the lave. �And will; I see bis face again ?' And will I hear him speak. ? I'm downright dizzy wi* the thochi In troth, I'm like to greet. I GAED A W AEFU; GATE YESTREEN. % gaed a waefu' gate yestreen, A gate, I fear, Til dearly rufe ; I gat my death frae twd sweet een, Twa lovely een o' bourne blue. •'Twas not her golden ringlets bright. Her lips like roses wat \vV dew, Her heaving bosom liy-white, It was her een sae boimle blue. She talked she smiled, my heart she wiled. She charmed my soul, I wistna ho\V; ; And ay the s to and, the deadly wound, Cam frae her een sae bonnie blue. But. spare to speak and spare to.'spee<4, ^ Shellablins^isten.to my* vow ; Should she refuse, I'll lay my dead Xo : her twa een sae bonnie blue.. �AULD langsyne; Should auld acquaintance be forgot, And never brougjit to min^ t Should auld acquaintance be forgot, And days o' langsyne ? For auld langsyne, my dear*, For auld langsyne, W e'll tak a cup o' kindness yet,. Far auld, langsyne.. W e tvva ha'e run about the braes,. And pu'd the go wans fine ; But we'ue wander'd niony as weary foot** Sin' auid langsynei For auld langsyne* W e twa h-affe; paid el*t i' the burn Frae morning sun till dine ; But seas between, us braid hae roar'd Sin auid langsyne Far auld langsyne &c. Now there^ a hand my trusty fiere, And giVs a hand o' thine, And we'll tak a right guid willie wauchfc For auld langsyne. For auld langsyne, �And surely ye'II be your pint stoup, And surely Til be mine, And and we'll tak a cup o9 kindness yet, For atild langsyne. For auld langsyne, &c. BLYTHE AND HAPPY ARE WE, Blythe, blythe, an'happy are we, Cauld care is fley?d awa ; This is but ae night o' our lives, And wha could grudge tho' it were twa? The evening shade around is spread, The shilling tempest sweeps the sky ; We're kindly met, and warmly set, An' streams o' nappy rinning by. Blythe, blythe, See. The days o' man are but a span, This mortal life a passing dream, Nought to illume the dreary gloom, Save love and friendship's sacred gleam, Blythe, blythe, Then tootn your glass to my sweet lass, And neist we'll turn it o'er to thine ; The. glowing breast that lo'es them best, Shall dearest eyer be to mine. Blythe, blythe, �8 An' here's to you, my friend sac true, May discord ne'er a feeling wonnd, An' should we flyte, ne'er harbour spite, But in a bowl be't quickly drown'd. Blythe, blythe, 3fow rap and ring, and gar them bring The biggest stoupfu' yet we've seen ; Why should we part, when hand and heart At ilka bumper grows mare keen ? Blythe, blythe, &c. TriE ROSE WILL CEASE TO BLOW, The rose will cease to blcrr, The eagle turn a dove, The stream will cease to flow, Ere I will cease to love. The sun will cease to shine, The world will cease to ifteve* The stars their light resign, Ere I can cease to love. � https://scottishchapbooks.lib.uoguelph.ca/files/original/fc624d11398734b5c793f7f146c26be9.jpg 7bff36b7d63a3a6aba97bcf77d144d32 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 3256 Width 1772 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Six Favourite Songs. John Anderson my Jo. There's nae Luck about the House. I Gaed a waefu Gate Yestreen. Auld Langsyne. Blythe and Happy are we. The Rose will cease to blow. Identifier An unambiguous reference to the resource within a given context <a href="https://ocul-gue.primo.exlibrisgroup.com/permalink/01OCUL_GUE/mrqn4e/alma9953134473505154">s0100b01</a> Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. John Anderson my Jo. There's nae Luck about the House. I Gaed a waefu Gate Yestreen. Auld Langsyne. Blythe and Happy are we. The Rose will cease to blow. Date A point or period of time associated with an event in the lifecycle of the resource 1820-1837 per University of Glasgow Union Catalogue of Scottish Chapbooks Extent The size or duration of the resource. 8 pages Is Part Of A related resource in which the described resource is physically or logically included. Chapbook #26 in a bound collection of 77 chapbooks Subject The topic of the resource Chapbooks--Scotland--Newton-Stewart Songs Ballads Is Referenced By A related resource that references, cites, or otherwise points to the described resource. University of Glasgow Union Catalogue of Scottish Chapbooks <a title="University of Glasgow Union Catalogue of Scottish Chapbooks" href="http://special.lib.gla.ac.uk/chapbooks/search/" target="_blank" rel="noopener">http://special.lib.gla.ac.uk/chapbooks/search/</a> Description An account of the resource Woodcut image of two men with a young boy pointing at them on the title-page. Contributor An entity responsible for making contributions to the resource Archival and Special Collections, University of Guelph Library, Guelph, Ontario, Canada Format The file format, physical medium, or dimensions of the resource JPEGs and PDF derived from master file, which was scanned from the original book in 24-bit color at 600 dpi in TIFF format using an Epson Expression 10000XL scanner. Rights Information about rights held in and over the resource In the public domain; For higher quality reproductions, contact Archival & Special Collections, University of Guelph. libaspc@uoguelph.ca 519-824-4120, Ext. 53413 Publisher An entity responsible for making the resource available Newton-Stewart: Printed for the Booksellers, by J. McNairn https://scottishchapbooks.lib.uoguelph.ca/files/original/756892b9351e64d2d55ee01ed7158869.jpg 321b031b438a3703aeee8736b90b124f Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 3072 Width 1825 https://scottishchapbooks.lib.uoguelph.ca/files/original/4fd5d579129c111e0cb3bc1d3d7eb95e.pdf 14425703ee0015ef09397869288e1a51 PDF Text Text SIX LOVE SONGS. See the Ship. I sigh for the girl 1 adore. Hand awa frae me, Donald, Had I the wyte. The fair young Knight Banks of Doun. F a l k i r k : — P r i n t e d for the Booksellers, ioi all ifahdrf �SONGS. See the Ship. $ee the ship in the bay is riding, Dearest Ellen, I go from thee ; Boldly go, in thy love confiding, O'er the deep and the trackless sea. W h e n thy loved form no more is near me, When thy sweet smile no longer I see, i h i s soothing thought shall at midnight cheer K M y love is breathing a prayer for me. Nor can Heaven, a deaf ear lending T o its loveliest work below, T h e boon she begs, on her krnees low bending, Refuse -in goodness to bestow. So then, my Ellen, all doubts defying, H e n r y shall dauntless cross the wide sea, His heart on this firm anchor relying, M y love is breathing a prayer for me. W h e n the thunder of war is roaring, A n d the bullets around me fly ; W h e n the rage of the tempests pouring, Blends the billowy sea and sky ; T h e n shall my heart, to fear a stranger. Cherish its fondest hopes for thee, �T i m dear reflection disarming danger. My love is breathing a prayer for me. And when the din of war is over. And sweet peace sets the sailor free, With what joy shall your faithful lover Fly on love sweetest wings to thee 1 Then with delight each other caressing, D a y after day we shall happier be, And as my Ellen tells o'er each blessing, She still will whisper a prayer for me. I sigh for the Girl I addre. When fairies trip o'er the gay green, And all nature seems sunk into r e s t ; T h r o ' valleys I wander unseen, My heart with sad sorrow opprest There oft by the murmuring 'streams, Fair Eleanor's loss I d e p l o r e ; As alone by the moons silver beams, I sigh for the girl I adoro. When my flocks wander o'er the wide plain T o some thicket of woodbine I rove i T h e I pensively tune some soft strain, Or sing forth the praise of my love. Where does my fair Eleanor stray ? M u s t I ne'er see the nymph any more ? T h u s destracted I mourn the long day, And sigh fol the girl 1 adore. �% 4 When first I beheld the sweet maid, Bv moonlight alone in the vale, Far, far from the vil'age we strav'd, Where I tenderly told my soft tale. How long must I wander forlorn ? Ah ! when will my sorrows be o'er ? Such grief it can never be born : I sigh for the girl I adore. Hand alva frae mc, Donald, H a u d awa, bide awa, B a u d awa frae me, Donald ; W h a t care I for a' your wealth, A n ' a' that ve can gie, D o n a l d ? I wadna lea' my Lowland lad For a' your gowd an' gear, Donald Sae tak your plaid an o er the hill, An' stay nae langer here, Donald. H a u d awa, bide awa, &c. My Jeamie is a gallant youth, I lo'e but him alane, Donald, And in bonny Scotland's isle, Like him there is nane, Donald. H a u d awa, bide awa, Aaud awa frae me, Donald, W h a t care I for a' your wealth,. An' a' that ye can gie, Donald ? �5 He wears nae plaid nor tartan hose, Nor garter at his knee, Donald, But, oh ! he wears a faithfu heart, And love blinks in his e'e, Donald. Sae baud awa, bide awa, Come nae rnair at e'en, D o n a l d ; 1 wadna break my Jeamie's lvjart, To be a Highland queen, Donald. Had I the tvyte she bade me. Had I the wyte, had I the wyte, Had I the wyte she bade me ? She watch'd me by the hiegate side, And up the loan she show'd me. And when I wadna venture in, A coward loon she ea'd me : Mad kirk and state been in the gate, i d lighted when she bade me. l a e craftilly she took me ben, Aud bade me make nae c l a t t e r ; For our rumgunshock, glum gudemaii i* o'er ayont t h e water. Whae'er shall say I wanted grace, When I did kiss and daut her, �5 Let him be planted in ray place. Syne say, I wns a fautor. Could I for shame, could I for shame, Could I for shame refus'd h e r ? And wadna manhood been to blame, Had I unkindly us'd heiv H e ela vd her wi' the rippling-kame, And blae and bluitly bruis d h e r ; When sic a husband was frae hame. W h a t wife but wad excus'd her ? I dighted ay her een sae blue, And bann'd the cruel randy ; And weel I wat, her willing mou Was e'n like sugarcandy. At gloanin-shot it was I wat, I lighted on the Monday ; But 1 cam' thro' the, Tiseday's dew, To wanton Willie's b r a n d y . . The fait young Knight. At the Baron of Mowbray's gate was seen A page with a courser blacK; There came out a knight of noble mein, And he leapt on the courses back. �/ His arms were bright, his heart was light, And he sung this merry lay, " H o w jollily lives this fair young knight, H e loves and h e rides away." A lady look'd over the castle .wall, And she heard the knight thus sing: T h e lady's tears began to fall, And her hands she began to wring. " And didst thou then my true love plight, And was it but to betray ? Ah ! tarry a while, my own dear knight, In pity don't ride away." T h e knight of her tears he took no heed, While scornful laugh d his eye ; H e gave the spur to his prancing steed,—" Good b'ye, sweetheart, good b'ye." And soon he While she H Ah ! ladies He'll love vanish'd from her sight, was heard te say, beware of a fair young knight and he'll ride away." Banks of Doun, Ye banks and braes of bonny Doun, H o w can ye bloom so fresh and f a i r ; H o w can ye chant ye little birds, While I ' m so wae and fu' o' care ? �5 Ye*l! break my heart ye little bird?, That wanton thro' the flow'ring thorn, Ye mind me of departed joys, Departed never to return. Oft have I roam'd by bonny Doun. To see the rose and woodbine twine, Where ilka bird sung o'er its note, A n d cheerfully I join'd wi' mine. Wi' heartsome glee I pu'd a rose, A rose out o' yon thorny t r e e ; £ u t my fause love has stown the rose, And left the thorn behind to me. Ye roses blaw your bonny blooms, And draw the wild birds to thy burw ; For L u m e n promis'd me a ring, And ye maun aid me should I mourn. Ah ! na, na, na, ye needna mourn, M y een are dim and drowsy w o t n ; Ye bonny birds ye needna sing, For L u m a n never can return. My L u m a n ' s love, in broken sighs, At dawn of day by Doun ye'se hear, And mid-day, by the willow green, For him I'll shed a silent tear. gweet birds, I ken ye'll pity me, A n d join rne wi' a plantive sang, While echo wakes, and joins the mane I niak for him I lu'ed sae iang. � Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Six Love Songs. See the Ship. I sigh for the girl I adore. Haud awa frae me, Donald. Had I the wyte. The fair young Knight. Banks of Doun. Identifier An unambiguous reference to the resource within a given context <a href="https://ocul-gue.primo.exlibrisgroup.com/permalink/01OCUL_GUE/mrqn4e/alma9953134473505154">s0100b01</a> Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. See the Ship. I sigh for the girl I adore. Haud awa frae me, Donald. Had I the wyte. The fair young Knight. Banks of Doun. Date A point or period of time associated with an event in the lifecycle of the resource 1830-1840 per University of Glasgow Union Catalogue of Scottish Chapbooks Extent The size or duration of the resource. 8 pages Is Part Of A related resource in which the described resource is physically or logically included. Chapbook #69 in a bound collection of 77 chapbooks Subject The topic of the resource Ballads and songs Chapbooks - Scotland - Falkirk Is Referenced By A related resource that references, cites, or otherwise points to the described resource. University of Glasgow Union Catalogue of Scottish Chapbooks <a title="University of Glasgow Union Catalogue of Scottish Chapbooks" href="http://special.lib.gla.ac.uk/chapbooks/search/" target="_blank" rel="noopener">http://special.lib.gla.ac.uk/chapbooks/search/</a> Contributor An entity responsible for making contributions to the resource Archival and Special Collections, University of Guelph Library, Guelph, Ontario, Canada Format The file format, physical medium, or dimensions of the resource JPEGs and PDF derived from master file, which was scanned from the original book in 24-bit color at 600 dpi in TIFF format using an Epson Expression 10000XL scanner. Rights Information about rights held in and over the resource In the public domain; For higher quality reproductions, contact Archival & Special Collections, University of Guelph. libaspc@uoguelph.ca 519-824-4120, Ext. 53413 Publisher An entity responsible for making the resource available Falkirk: Printed for the Booksellers Source A related resource from which the described resource is derived Archival & Special Collections, University of Guelph Library, Guelph, Ontario https://scottishchapbooks.lib.uoguelph.ca/files/original/dc369a7d67e748a0422f9e31cfc58b49.jpg 90fd8de560773e4e857582f3cf4ca680 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 2954 Width 1890 https://scottishchapbooks.lib.uoguelph.ca/files/original/1bfc3ac8c409210d25b40fa80fbe904b.pdf 95b5eb12e328d32bc5b587a9bd00b52e Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Six Popular Songs; Viz: Donald Card. Gin a body meet a body. Come auld Acquaintance, stop awee. Donald O' Dunblane. The Thistle. Address to the Wood-Lark. Identifier An unambiguous reference to the resource within a given context <a href="https://ocul-gue.primo.exlibrisgroup.com/permalink/01OCUL_GUE/mrqn4e/alma9953134473505154">s0100b01</a> Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Donald Card. Gin a body meet a body. Come auld Acquaintance, stop awee. Donald O' Dunblane. The Thistle. Address to the Wood-Lark. Date A point or period of time associated with an event in the lifecycle of the resource 1825-1826 per National Library of Scotland Extent The size or duration of the resource. 8 pages Is Part Of A related resource in which the described resource is physically or logically included. Chapbook #46 in a bound collection of 77 chapbooks Subject The topic of the resource Ballads and songs Chapbooks - Scotland - Falkirk Is Referenced By A related resource that references, cites, or otherwise points to the described resource. National Library of Scotland <a title="National Library of Scotland" href="http://www.nls.uk/" target="_blank" rel="noopener">http://www.nls.uk/</a> Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Dunblane, Scotland Contributor An entity responsible for making contributions to the resource Archival and Special Collections, University of Guelph Library, Guelph, Ontario, Canada Format The file format, physical medium, or dimensions of the resource JPEGs and PDF derived from master file, which was scanned from the original book in 24-bit color at 600 dpi in TIFF format using an Epson Expression 10000XL scanner. Rights Information about rights held in and over the resource In the public domain; For higher quality reproductions, contact Archival & Special Collections, University of Guelph. libaspc@uoguelph.ca 519-824-4120, Ext 53413 Publisher An entity responsible for making the resource available Falkirk: R. Taylor, Printers Source A related resource from which the described resource is derived Archival & Special Collections, University of Guelph Library, Guelph, Ontario