36 10 639 https://scottishchapbooks.lib.uoguelph.ca/files/original/ed845cc4df02326c5e5afb3e80b15b61.jpg 6763a8a6373fad237b1f4bd775d2a12f Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 3308 Width 1774 https://scottishchapbooks.lib.uoguelph.ca/files/original/5da8c700e5af6c0283d505a0ee83a559.pdf f704d838f5258e07703d2c3aa95693c3 PDF Text Text SFVEN POPULAR SONGS; TO THE VOICE OE LOVE, LfeADfeR HAUGHS AND YARROW. HAPPY PAIR A Duet, THE MORNING FRESH. " TO CHLOE. HAD I A CAVE, . ?AND MAGGY LAUDER. LISTEN Falkirk—Printed by R. Tayloiyl82S. �LISTEN TO THE VOICE OF LOVE. © rjf-thx, lik.fi-ri to the voica of lovp, iWfatis me Daphne to tl)<6 .grave : The primrose sweet bedecks th4 iVdv, The. t«nefiil'birds mVirtTtd rote/; To softcr joys .let spjeudotif yield, O' listen, listen to the voice of love. Where flowers their b!odiM%' sweets exhajef My Daphne fondly let us stray? Wkere whispVing love breaths forth bis tal% And shepherds sirig their artless lay: 0 listen, listen to the voice of love, He calls me Daphne to the grove, Coine 'share"witK me the sweets of s pring Aiu* leave the town's tumultuous noit-e; The happy swains all cheerful sing, And echo still repeats their joys ; Then liken, listen to the voice of "%ve, He calls me Daphne U the grove. > LB ADER-ll AUGHS AND YARROW, The morn was lair salt was the asr, All nature's sweets, were springing * buds did bow with silver dew, Tea .thousand birds were smghig - �Wken O the bent with blythe content; R Young Jamie sang his marrow, Nae bonnier lass e're trod the grass, On L^ader-haughs and Yarrow, lh*w sweet her face, where every, grase In heav'nly beauty's pruned & Her smiling een, and comely roein, That nae per lection wanted. Ill never fret, nor ban my fate, " But bless my bomkie raaiTow; , If her dear simile my doubts beguile, Mv mind shall ken nae sorrow. Yet though she's fair, and has full fchar* 0f every charm enchanting. Each good tun s ill, andrsoou will kill Poor me,if'love be wanting O bonny lass! have but the grace v To liiiiik ere ye gae further, Your joys maunflifc,if you commit The crying sin of murder. My wand'ring gaist will ne'er gefrestj And day and night affright yet But if ye re kind. with joy 1 til miruh I M study to delight ve. l O ur year ^ around with love thus crowm^, From all things joy shall borrow; Thus noaie shall be more blestiBan we, Da Legder-ittr.gh« kvti Yarrow, �Loaf* ersqpfal&'mgSower thine 'aid, Unveil the liases blushing- shah And gjve them sweet delist delight, Arid rive them sweet dclmfet TO CIILOE. O lovelyffi&K-,how dear thy power, At mice ! love, at onfce adore ; "With.wonder are mv thoughts potest, . While softest'love inspires my breast, Thlv tendefclook, these eyes of mine, Confess their am'rous master thine; These eyes with Strephoirs passion play, First make me love and then betray. Yes, charming victor, 1 am thine* Poor as it is, this heart of mine Was never to another's pow'r, Was never piere'd by love before. In thee I've treasur'd up my joy, Thou can's* give bliss, or bliss destroy; uind thus I've bound myself to love, While bliss, or misery, can move. O ! should I ne'er possess tliy cliams, Ne'er meet my eomibrt in thy a m i , �Lean ereiyfoldingflowerthine aid, UnveE 1 the liases blushing sha<fe And give them sweet delight delight, Arid give thera sweet delight TO CHLOE. O lovely mas-, how dear thypower, At mice ! love, at onfce adore; With, wonder are my thoughts posset, While softest love inspires my breast, TIIIK tender look, these eyes of mine, Confess tlieir am crous master thine; 111 eee eyes with Strephoirs passion play, First make me love and then betray. Yes, charming victor, 1 am thine, Poor as it is* this heart of mine Was never to another's pow'r, Was never piire'd by love before. In thee Tve treasur'd up my joy, Thou can's* give bliss, or bliss destroy; Jfod thus I've bound myself to love, While bliss, or misery, can move. O ! should I ne*er possess thy charms, Ne'er meet my eeraiort in thy a m i , �O meihH tlnnksTmy love o' my beauty, Acdmeude'thinks my love o' my'J:in, But little thinks my love, I ken brawly, Mv tocher's the jew*" tfiat lias charms for him It's a for:the apple hevl nourish the tree, lt>s a for the honey he'd cherish the bee, My laddie's sae meiklein love wi the tochbr Ife canna hae love to spare to me. Your proffer o' love's an airle penny. My 'tocher's the bargain ye wad buy, But gin ye be crafty I am eunnm, '$ae- ye wiani tlier your fortune maun fry, ; Ye're like to the timmer o' yon rotton woad, Ye're 1 ike to the bark o' yon rotten tree, Ye'H'slip frae me like a knotless thread, And yell crack your credit wi' mas than mi HAD I A CAVE. ©h had l a cave on some wild distant shore, Where the winds howl to the waves dashing There would I weep my woes, £i*oar There seek my lost repose, ,i Till grief my eyes should close, Ne'er to wake more. �Fakes t o f woman kind, canst thou declare, AH thy fond vows, fleeting as air, To thy new lover hie, Laugh o'er thy perjury, Then m thy bosom try, What peace Is there. MAGGY LAUDER. Wha wi^l na be in love, * Wi' bonny Maggy Lauder,, A piper met her gmm tr fife. And spier'd what wast they ett'd^lm* li^ht scornfully she answered fam Begoue yeu hallansh&ker, Jog on your gate, you bladders fete My name is Maggy Lauder. Maggy quoth he ami by my bags, Fm fklgihg fain to see the : S5t down fey me'my bonny bird* In throth I \nnr.& steer £ W For I'm a pip-.' to my trade, My name is .Rob the Ranter, ^ The lasses loup as they were &art. When I blaw up my chanter. Piper trioth Meg hae you you r bag%. Or is your drone in ^rder, �8 If you be Eol> Fve hmvxi of yon, LIT a you upon the border, Tha lasses a' baith far. ^nd near. Have -beard of Rob the Ranter, III shake my foot wi' right gwtoiffili, Gif you'll blaw up your chants. Then to his bags he flew wi' About the drone he twisted, Meg up and VvalJop'd oer the green,, For brawly could she frisk it. Weel done quoth lie play up q troth 4he, Weel bob'd quoth Hob tke Renter, ?Tis worth my while to play indeed, When I hae sic a dancer. Weel hae you play'd your part <p*&th Your cheeks are like the crimson, There's sane in Scotland plays sjas iTiBfeh Since we lost flabby Simpson. I've lived in Fife baith maid and wife, These ten years and a qrarter, ©in you should ocme to A uster 'fair, Speer ye for Maggy I^atoter, � Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Seven Popular Songs; Viz. Listen to the Voice Of Love, Leader Haughs and Yarrow. Happy Pair A Duet. The Morning fresh. To Chloe. Had I a cave. and Maggy Lauder. Date A point or period of time associated with an event in the lifecycle of the resource 1825 Identifier An unambiguous reference to the resource within a given context <a href="https://ocul-gue.primo.exlibrisgroup.com/permalink/01OCUL_GUE/mrqn4e/alma9953134473505154">s0100b01</a> Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Listen to the Voice Of Love, Leader Haughs and Yarrow. Happy Pair A Duet. The Morning fresh. To Chloe. Had I a cave. Maggy Lauder. Extent The size or duration of the resource. 8 pages Description An account of the resource Woodcut image of a woman standing in field, circles in each corner of page on the title-page. Is Referenced By A related resource that references, cites, or otherwise points to the described resource. National Library of Scotland<a title="National Library of Scotland" href="http://www.nls.uk/" target="_blank" rel="noopener"> http://www.nls.uk/</a> Is Part Of A related resource in which the described resource is physically or logically included. Chapbook #72 in a bound collection of chapbooks Contributor An entity responsible for making contributions to the resource Archival and Special Collections, University of Guelph Library, Guelph, Ontario, Canada Format The file format, physical medium, or dimensions of the resource JPEGs and PDF derived from master file, which was scanned from the original book in 24-bit color at 600 dpi in TIFF format using an Epson Expression 10000XL scanner. Rights Information about rights held in and over the resource In the public domain; For higher quality reproductions, contact Archival & Special Collections, University of Guelph. libaspc@uoguelph.ca 519-824-4120, Ext. 53413 Publisher An entity responsible for making the resource available Falkirk: R. Taylor, Printers https://scottishchapbooks.lib.uoguelph.ca/files/original/8a9f5d3e0f6c03194c3da3aeae369baf.pdf b88d1b1de3612a40840f810c1b577f6d https://scottishchapbooks.lib.uoguelph.ca/files/original/441fb6132fb4c4eaac6175ff670e4ba7.jpg d9a77ee8fc9d5cdd4b1dcbc59166cb77 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 3139 Width 1841 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Seven Select Songs. Willie brew'd a peck o' maut. This is no my ain Lassie. Willie Wastle. The Day returns. Hey for a lass wi' a tocher. I gaed a waefu' gate yestreen. I hae a wife o' my ain. Identifier An unambiguous reference to the resource within a given context <a href="https://ocul-gue.primo.exlibrisgroup.com/permalink/01OCUL_GUE/mrqn4e/alma9953134473505154">s0100b01</a> Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Willie brew'd a peck o' maut. This is no my ain Lassie. Willie Wastle. The Day returns. Hey for a lass wi' a tocher. I gaed a waefu' gate yestreen. I hae a wife o' my ain. Date A point or period of time associated with an event in the lifecycle of the resource [1815-1825] per National Library of Scotland Extent The size or duration of the resource. 8 pages Description An account of the resource Woodcut image on the title-page. Subject The topic of the resource Chapbooks-Scotland-Edinburgh Songs Ballads Is Referenced By A related resource that references, cites, or otherwise points to the described resource. National Library of Scotland <a title="National Library of Scotland" href="http://www.nls.uk/" target="_blank" rel="noopener">http://www.nls.uk/</a> Is Part Of A related resource in which the described resource is physically or logically included. Chapbook #40 in a bound collection of 77 chapbooks Contributor An entity responsible for making contributions to the resource Archival and Special Collections, University of Guelph Library, Guelph, Ontario, Canada Format The file format, physical medium, or dimensions of the resource JPEGs and PDF derived from master file, which was scanned from the original book in 24-bit color at 600 dpi in TIFF format using an Epson Expression 10000XL scanner. Rights Information about rights held in and over the resource In the public domain; For higher quality reproductions, contact Archival & Special Collections, University of Guelph. libaspc@uoguelph.ca 519-824-4120, Ext. 53413 Publisher An entity responsible for making the resource available Edinburgh: Printed for the Bookseller https://scottishchapbooks.lib.uoguelph.ca/files/original/14c01199a30391cd4f981c48d063ed01.jpg 96f31978ca50047d0716373740596873 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 2835 Width 1838 https://scottishchapbooks.lib.uoguelph.ca/files/original/db7ef9a1a58cb6d736ff7387009a3bec.pdf 9c9ea61c97d0e48db51c6f6db26c7674 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Sir Neil, and Glengyle. The Highland Cheftains. To which is added Unfortunate Miss Bailey! Date A point or period of time associated with an event in the lifecycle of the resource 1825 Identifier An unambiguous reference to the resource within a given context <a href="https://ocul-gue.primo.exlibrisgroup.com/permalink/01OCUL_GUE/mrqn4e/alma9953134473505154">s0100b01</a> Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Unfortunate Miss Bailey! Extent The size or duration of the resource. 8 pages Description An account of the resource Woodcut image of a wolf on the title-page. Is Referenced By A related resource that references, cites, or otherwise points to the described resource. National Library of Scotland <a title="National Library of Scotland" href="http://www.nls.uk/" target="_blank" rel="noopener">http://www.nls.uk/</a> Is Part Of A related resource in which the described resource is physically or logically included. Chapbook #32 in a bound collection of chapbooks Contributor An entity responsible for making contributions to the resource Archival and Special Collections, University of Guelph Library, Guelph, Ontario, Canada Format The file format, physical medium, or dimensions of the resource JPEGs and PDF derived from master file, which was scanned from the original book in 24-bit color at 600 dpi in TIFF format using an Epson Expression 10000XL scanner. Rights Information about rights held in and over the resource In the public domain; For higher quality reproductions, contact Archival & Special Collections, University of Guelph. libaspc@uoguelph.ca 519-824-4120, Ext. 53413 Publisher An entity responsible for making the resource available Falkirk: [No publisher] https://scottishchapbooks.lib.uoguelph.ca/files/original/c3fafb168323c2b559083e9a24836f72.pdf 6a95d4513471523b2f8ae74a8cb5bff9 https://scottishchapbooks.lib.uoguelph.ca/files/original/9ee7cbc6eeceade59220c61759297ee3.jpg cb34dcce80a0a78bd161786db26d0b51 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 2896 Width 1711 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Six Excellent New Songs: Royal Charley's Now Awa'. White Cockade. Farewell my Dame. Will you go to Sherriff-Muir. to Daunton me. Todlen Hame. Date A point or period of time associated with an event in the lifecycle of the resource 1825 Identifier An unambiguous reference to the resource within a given context <a href="https://ocul-gue.primo.exlibrisgroup.com/permalink/01OCUL_GUE/mrqn4e/alma9953134473505154">s0100b01</a> Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Royal Charley's Now Awa'. White Cockade. Farewell my Dame. Will you go to Sherriff-Muir. To Daunton me. Todlen Hame. Extent The size or duration of the resource. 8 pages Description An account of the resource Woodcut image of a sun with a face on the title-page. Subject The topic of the resource Chapbooks-Scotland-Falkirk Songs Ballads Is Referenced By A related resource that references, cites, or otherwise points to the described resource. National Library of Scotland <a title="National Library of Scotland" href="http://www.nls.uk/" target="_blank" rel="noopener">http://www.nls.uk/</a> Is Part Of A related resource in which the described resource is physically or logically included. Chapbook #2 and #48 in a bound collection of chapbooks Contributor An entity responsible for making contributions to the resource Archival and Special Collections, University of Guelph Library, Guelph, Ontario, Canada Format The file format, physical medium, or dimensions of the resource JPEGs and PDF derived from master file, which was scanned from the original book in 24-bit color at 600 dpi in TIFF format using an Epson Expression 10000XL scanner. Rights Information about rights held in and over the resource In the public domain; For higher quality reproductions, contact Archival & Special Collections, University of Guelph. libaspc@uoguelph.ca 519-824-4120, Ext. 53413 Publisher An entity responsible for making the resource available Falkirk: [No publisher] https://scottishchapbooks.lib.uoguelph.ca/files/original/30612cdb25f16bfbed22b616ee66b7f8.pdf 6fbff53a64281f314521feacc19597e8 PDF Text Text Six Excellent Farewell to Lochaber, Harvest home. Mary's Dream. Roslin Castle. The Soldier slumbering after war All's welL NEWTON-STEW ART v . ; Printed and Sold, W ^ M W h U Retail, by J. M'Nai-kn.. �F A R E W E L L TO L O C H A B E I t Farewell to Lochaber, and farewell my Jean, Where heartsome wf thee I hae mony clays been ; For Lochaber no more, Lochaber no more, We'll maybe return to Lochaber no more. These tears that I shed they are a' for my dear, And no for the dangers attending an wier; Though borne on rougli seas to a far bloody shore, Maybe to return to Lochaber no more. Though hurricanes rise, and raise ev'ry wind, They'll ne'er make a tempest like that in my mind : Tho' loudest of thunders on louder waves] roar, That's naething like leaving my love on the shore. To leave thee behind me my heart is sair pain'd, But by ease that's inglorious no fame can be gain'd ; 'And beauty and love's the reward of the brave ; JVnd I maun deserve it before I can craves �Then glory, my Jeany, maun plead my excuse ; Since honour commands me, how can I refuse? Without it I ne'er can have merit for thee, And losing thy favour I'd better not be, I gae, then, my lass, to win glory and fame, And if I should chance to come gloriously hame, I'll bring a heart to thee with love running o'er, And then I'll leave thee and Lochaber no more. T H E H A R V E S T HOME Hail, hail to the merry harvest home, To sports, apt! song, and nappy ale Let Bv^ry friend and neighbour come* No proud distinctions here pravail. The master and the humble hind Pass the jest with equal glee ; The wife is as the master kind, And all is hospitality. �^ssmmsL 4 Now rustic Robin sings-. of Ipve, And giggling Jane approves the Jay ; Anon the merry dancers, move, While gaily gaily glide the hours away. IlaiV 9 I Untied each.tongue,. unlock'd each heart, Good humour ut) corrupted flows : Ho* grief till daylight bids them part, Such joy the harvest home bestows. Hail, MARY'S DREAM. i i T|ie moon had cjimhed the highest hiitl That rises.o'er the source of Dee, And from the Eastren summit ^hed Her silver light on 16w'r and tree ; When Mary laid her dc^vn to sleep, Her thoughts on San dy, far at sea : When soft and low a voice was heard, Saying, "Mary, weep no more for me She from her pillow gently raided Her head, to a^k who there might be, And saw young Sandy shivring stand, With palid cheek and hollow e'e. ^O, Mary dear ! cold is my clay, It lies beneath a stormy sea;.. �| Far, far from tha^e I^leeppn, death, So Mixrf weep no more for me. ^Tln-ee atormy nights and stormy days, We tost upon the raging main, And long we strove our hark to save, But all Aur striving was in vainr. E'en then, wh^n horror chiird my blood, My heart was ftU'd with love for thee, The storm Is past, and I at rest, So, Mary, weep no more for me. ! mai4e^denvl thyself prepare, We soon; .shall meet.upon that shore Where love >s free frow do^bt or care, And thou ^nd I shall part no more. iLfOud erow'd tha cook the sln*dowtled ! Nor^mo^e pi Sandy .could she see ) But soft the passing spirit said, 0 M$ry ! weep np more for mp. Twas in that season of the year, When all things gay and sweet appeal, That Ooliti with the morning ray Arose, and sung his rural lay : Of Nanny^ charms the shepherd sung— The hills and dales with Nanny rung j �6 While Roslin Castle h* a*d the swain, And echo'd back the cheerful strain, Aake, sweet muse! the breathing spr W ith rapture warms, awake arid sing Aake and join the vocal throng, M ho hail the morning with their song. To Nanny raise the cheerful lay, O bid her haste and crime away ; In sweetest smiles herself adorn, And add new graces to the morn. O hark, my love ! on every spray Each feather'd warbler tunes his lay ; 'Tis beauty fires the ravMi'd throng, And love inspires the melting song < i Then hk rny raptured rrotes ^rMe/ For beauty darts from Naiin5^s eyes And love my rising bosom warms, And fills riiy soul with sweet alarms, O ! come, my love ! thy Colirfs lay With rapture calls : O come away ! Come, while the muse this wreath si twine. , j Around that modest brow of thine. C) hither haste, and with thee bringThat beauty blooming like the spring ; Those graces that divinely shine, And charm this ravish'd breast...of mine. �7 THE SOLDIER SLUMBERING AFTER WAR. the soldier slumbering after war, Dreams he Hears the cannons roar ; And mutt'ring trumpets from afar, Rouse him to the tight once more. But, if he wakes, the gentle strains Of happy peace around, him move ; For other.raptures fill his v^ns, And sounds of war give place to tales of love. The soldier, tranquil pfiter Heeds no more the din of arms ; The trumpet, nor the drum from far, Rouse him with their rude alarms ; But softer strains and softer airs His bosom charm, and bid to share All that a grateful land prepares, And hails the hero guardian of the fair, "Wo d* -JsfHf 21 ctno'tB r;;!T The soldier, tranquil still in peace, Thinks how oft the field was won ; And while the strifes of nations cease, Tells the story to his son ; While all around the vet'ran creep, And hear how he has bled to save ; The mother and th^ daughter weep, ^ e t join to bless the hero and the brave, �8 ALL'S WELL, The British tar no ppril knows, But fearless, braves the angry deep ; 1 The ship's his cradle of'repose, And sweetly rocks him to his sleep, He, though the raging surges swell, In his hammock swings, While the steersman sings Steady she go&s —all's well. While to the main-top yard he springs, 1 An English vessel heaves in view, He asks—but 4t no letter brings From bonny Kate, he loves so true. Than sighs he for his native dell, 1 Yet to hope he clings, While the steesmari sings Steady she goes—all's well. \ The storm is past—the battle's o'er, 1 Nature and man repose in peace ; ;1 Then homeward bound, on England's sho •He hopes for joys that ne'er will'cease. His Kate's sweet voice those joys idretf| And his big heart springs, While the steersman sings Steady sh£ goes—airs well. � https://scottishchapbooks.lib.uoguelph.ca/files/original/5a54b68c27ea0854e718e512248dffa7.jpg 5afe705a2c6334befadc14c434af5192 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 3190 Width 1590 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Six Excellent Songs. Farewell to Lochaber. Harvest home. Mary's Dream. Roslin Castle. The Soldier slumbering after war. All's well. Identifier An unambiguous reference to the resource within a given context <a href="https://ocul-gue.primo.exlibrisgroup.com/permalink/01OCUL_GUE/mrqn4e/alma9953134473505154">s0100b01</a> Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Farewell to Lochaber. Harvest home. Mary's Dream. Roslin Castle. The Soldier slumbering after war. All's well. Date A point or period of time associated with an event in the lifecycle of the resource [1820-1837] per National Library of Scotland Extent The size or duration of the resource. 8 pages Description An account of the resource Woodcut image of a mother beside her baby in a cradle on the title-page. Subject The topic of the resource Chapbooks--Scotland--Newton-Stewart Songs Ballads Is Referenced By A related resource that references, cites, or otherwise points to the described resource. National Library of Scotland <a title="National Library of Scotland" href="http://www.nls.uk/" target="_blank" rel="noopener">http://www.nls.uk/</a> Is Part Of A related resource in which the described resource is physically or logically included. Chapbook #4 in a bound collection of chapbooks Contributor An entity responsible for making contributions to the resource Archival and Special Collections, University of Guelph Library, Guelph, Ontario, Canada Format The file format, physical medium, or dimensions of the resource JPEGs and PDF derived from master file, which was scanned from the original book in 24-bit color at 600 dpi in TIFF format using an Epson Expression 10000XL scanner. Rights Information about rights held in and over the resource In the public domain; For higher quality reproductions, contact Archival & Special Collections, University of Guelph. libaspc@uoguelph.ca 519-824-4120, Ext. 53413 Publisher An entity responsible for making the resource available Newton-Stewart: Printed and sold wholesale and retail by J. McNairn https://scottishchapbooks.lib.uoguelph.ca/files/original/cda9b5c3eaf6b377867124d5da2bede3.pdf 2762d2cb3afd3a7945a9b2fb70cf5f40 PDF Text Text SIX EXCELLENT NEW WHY FAIR MAID IN EV'RY FEATURE MARCH AND ON: WI CHARLIE SEE'THE SHIP. KIND ROBIN LOES ME. THE HERO COMES. ANO TWEED SIDE.- Falkirk—Printed in th« year 1826. �2 WHY F A ® MAID IN ETR7 FEAITOH • Why fair maid in- evry. feature. Are such signs of fear exprest. Can a wandering wretelied creature. With such terror fill thy breast. Da my frenzhd looks alarm thee ? Trust me sweet thy fears are vain. Not for kingdoms Would-1- Harm thee. Shun hot then poor Crazy Jane. Dost thou weep totee my ariguiftfi}' Mark irie and avoid my. woe:;. . When men flatter sigh and languish, Think them false I found them so, For I loved, -Qlrm mnem^f* None could ever love again, But the,youth I lovd. so dearly, Stole the wits of Crazy Jane® Fondly my young heart received him, Which was doomed to love but one, He siglrd, he vow'd and I believ'd Lim, He was fake, and I undone. From that hour has reason never, Held her empire ocer my brain, Henry fled—with him for ever, F l e d ' m mU «f Ottoy ta* _ �. • • 4 There's no a traitor in his claw, There's no a'heart there's no a k n ' , Bat when the notes o' weir is blawn, and en wi* Charlie. It's wlia dare now on Charlie fraWn, * Or tread the northern thistle dowp9 Eor Scotland's right and Scotland's crown. We'll owre the Mils wi' Charlie. SEE THE SHIP, Sa9 the ship in the bay is riding* Dearest Helen f go from thee, Boldly go in thy love confiding, O sr the deep' ami the trackless sea. When thy Sov'd form no mo-re is near ms, When thy sweet smile no longer I see, This soothing thought shall at midnight cheer me. My love is breathing a prayer for me* When the thunder of w ir is roaring, And the ballets around m e fly, When the rage of the tempest pouring, Blends the billowy sea and sky. �Now forlorn and brokencarted* And with frenzied'tboughts beset. On that spot where W t we parted,- • On. that spot where iiist we met* Still Ifringmy love-loin dittyj, Still I slowly pace the plain, While, each passerby in pity. Cries Clod jhelptUee Crazy Jane. MARCH AND ON WT CHARLIE Air—'Whistle' o'er the Javep't I've heard the muircodk's .early craw* I've seen -the morning's rosy, daw, But this is Wittiest o* them a9, To march awa Wi Charlie. Our Scottish flags like streamers ware It's Charlie's sel that leads the brav«k We winna flinch nor fear a grave* • But stand or fa' w? Charlie' �6 He's tall m& sonsy frank miI m-m* 1 by a' and dear to me, W¥ him I'd live wi' him f d die, 'Because iny Roliin loes me, • My titty. Mary iakl to me,'- . Our courtship but a joke wad%% And !. or larig be made to gee*' * . That Robin didna loe me. ; . . Put little ken she what has been, Me arid my honest Hob between, And in his woo-ng O, sae keen* Kind Robin is that loes Then Hee ye lazy hours away. And hasten on the happy day, : When "join your handr':Mess Johnshallsay And mak Lim mine that loes me* . Till then let every chance unite, To weigh our love and fix delight, And 111 look down on a wiV Wha doubt that Robin loe® Hie, O hey, Robia quo she* O hey, Robin quo she^ O hey, Robin quo she, .: ' Kisad Robin lorn me» �5 Then shall my heart to fear & stranger, Cherish its fondest hopes for the, This dear reflection disarming danger* My love is breathing a prayer for me. This dear rejection disarming danger. My love is breathing a prayer for me, KIND ROBIN LOES MB, Robin is my osily For Roi iia has the art toloe, So to his snit I mean to bow, Because I ken he loes me. Happy happy was the shower, That led ine to his birken bower, Wbare first of love I fand the power* And ken'd that Kobin loed me. They speak of napkins, speak of ring% Speak of gloves, and kissing-strings^ And name a thoimid bonny things And ca' them sighns he loes me* Bnl I 'd prefer a smack & Rob, Sporting on the velvet fog, To gifts as lang's a plaiden wob* Because I ken he loes me* % �TEE % HEEO COMES, If©. the feero cornug, fdniHis Sound* sound your trumpet^ beat, t&ai ^out From po'i t to port let cannons roar, He's welcome to the British shore. Welcome, welcome, welcome, ^welcome, Welcome t© the British shore. Prepare, prepare, your song prepare, Loudly, loudly, rend the echoing air; F* om jole, to pole your joys rasouiftfc For virtue is vvitfi glory crown'd. • . Virtue, virtue, virtue, virtue, Virtue is with glory crowned. TWEED SIDE, What beauties does Flora disclose, How sweet are her smiles upon tweed, Vet Marys still sweeter than' those, Both nature and fancy-exceed. No daisy nor sweet blushing rose. Nor all the gay flow rs of the field, Nor tweed gliding gently thro" lhosef Such beauty and pleasure does yield* �m I r 1.! K§ gar cltann&r where do thy flocks stray, O tell me at noon where they feed, Shall I seek them en eweet winding tay Or tlie ple&s&uter banks upoii twaed.. FALKIRK: PMmsn It TJUOM» l$26, � https://scottishchapbooks.lib.uoguelph.ca/files/original/589a0bded0b356750900efe28301f60d.jpg 20223d8e8f51780c206c5582b3e3a028 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 2954 Width 1772 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Six Excellent New Songs: Viz. Why Fair Maid in ev'ry Feature. March and on we Charlie. See the Ship. Kind Robin Loes Me. The Hero Comes. and Tweed Side. Date A point or period of time associated with an event in the lifecycle of the resource 1826 Identifier An unambiguous reference to the resource within a given context <a href="https://ocul-gue.primo.exlibrisgroup.com/permalink/01OCUL_GUE/mrqn4e/alma9953134473505154">s0100b01</a> Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Why Fair Maid in ev'ry Feature. March and on we Charlie. See the Ship. Kind Robin Loes Me. The Hero Comes. Tweed Side. Extent The size or duration of the resource. 8 pages Is Part Of A related resource in which the described resource is physically or logically included. Chapbook #43 in a bound collection of 77 chapbooks Subject The topic of the resource Ballads and songs Chapbooks - Scotland - Falkirk Contributor An entity responsible for making contributions to the resource Archival and Special Collections, University of Guelph Library, Guelph, Ontario, Canada Format The file format, physical medium, or dimensions of the resource JPEGs and PDF derived from master file, which was scanned from the original book in 24-bit color at 600 dpi in TIFF format using an Epson Expression 10000XL scanner. Rights Information about rights held in and over the resource In the public domain; For higher quality reproductions, contact Archival and Special Collections, University of Guelph. libaspc@uoguelph.ca 519-824-4120, Ext. 53413 Publisher An entity responsible for making the resource available Falkirk: [No publisher] Source A related resource from which the described resource is derived Archival & Special Collections, University of Guelph Library, Guelph, Ontario https://scottishchapbooks.lib.uoguelph.ca/files/original/c4d10864343bcf20f613b7d79571665c.jpg c6a74b2d09715180579803ae17e64656 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 3072 Width 1900 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Woodcut on title-page portraying a girl holding a flower standing between two pillars with flowers in vases on top. Large house in the background https://scottishchapbooks.lib.uoguelph.ca/files/original/cdf586da5e2115a512d7a253336b1fd4.pdf a9f7dd0e4f79338101c5cc0027484ded PDF Text Text SIX EXCELLENT § © W ® S, CLARINDA. THE HIGHLAND PLAID. v M U S I N G O N T H E R O A R I N G OCEANL A RED, RED ROSE; THE YOUNG HIGHLAND 'Jtm&m^ ' A MOTHER'S L A M E N T FOR T H E .DEATH O F H E R SON. 3tfi g^aua ^ b s r f a w l l a o s r l r ^ s a i l a w fisiil NE WTOmSTJEWART PRINTED, AND RETAIL SOLD : WHOLESALE B Y J. M ' N A i R i N t AND �THE HIGHLAND PLAID, L O W L A N D lassie, wilt thou go Where the hills are clad wi' snow; Where beneath the icy steep, The hardy "shepherd tends his sheep? Ill nor wae ahall thee betide, When row'd within my Highland plaid. Soon the voice of cheery spring Will gar a' our plantings ring ; Soon our bonny heather braes Will put on their simmer claes; On the"xnontain's sunny side, We'll lean us on my Highland plaid. When the simmer spreads the flower's Busk's the glen in leafy bowr's, Then we'll seek thee caller shade, Lean uspn the primrose bed: While the burning hours preside. I'll screen thee wi' my Highland plaid, �M Then we'll leave the sheep and goat, I will launch the honnv boat, Skim the loch wi' canty glee, Rest the oars to pleasure thee ; When chily breezes sweep ,the tide, I'll hap thee wi' my Highland p! aid. Lowland lads may dress mair fin^ .q W o o in words mair saft than mine; Lowland ladshaemair of art, A ' my boast's an honest heart, .V'H) ^fTJW ?fB98 Dili £ LliT Whilk shall ever be my pride; O row thee in my Highland plaid. :hjjh oili 'iw ilslfri bjBoi (nit bnA Bonny lad, ye've been sae leal, M v heart would break at our farewell; Lang your love has made me fain, Take me, take me for your ain! 'Cross the Frith, away then glide, Young Dor,aid and his Lowland bridev>vor yr;i ,nrB|s smo'j (lift I bnA VtuUfifoffa isbt o v m ti 'otfT �A RED, R E D ROSE: O my luve's like a red, red rose. That's newly sprung in June. I 0 my love's like tlie melodie That's sweetly play'd in tune. As fair art tliou, my bonnielass, So deep in hive am I ; And 1 will luve thee still my dear, ! Till i a' the seas gang dry. T i l l a' the seas gang dry, my dear, And the rocks melt wi' the sun; 1 will love thee still my dear, While the sands o' life shall run. And fare thee weel? my only luve, And fare thee weel, a while! And I will come again, my luve, Tho' it vere ten thousand mile, �5 CLAIiiNDAo Clarinda, mistress of my soul, The measured time is run! The wretch beneath the dreary pole. So marks his latest sun. T o what dark cave of frozen night Shall poor Sylvander hie; Depr'v'd of thee, his life and light. The sun of all his joy. W e part,—but by these precious drops ; That fill thy lovely eyes! No other light shall guide my steps. Till thy bright beams arise. '• ' 1 ,^'OfJ ffijfel -JrM W She, the fair sun of all her sex, Has blest my glorious day : And shall a glimmering planet fix M y worship to its ray? n7'J �Q A MOTHER'S L A M E N T FOR OF I i E R SON, Fate gave the word, the i THE I)EAT] < ntekn ^ i^sped^ ^ And pierc'dmy darlings heart : And with him all the joys are fled Life can to me impart. B y cruel hands the sapling drops, In dust dishonour,d laid: So fell the pride of all my hopes, M y age's future shade. <1 The mother linnet in the brake Bewails her ravished young ; So I, for my lost daring's sake, Lament the live-day long. [di Uh teilT rH^il ledio o rid vdi ffiT Death oft I've fear'd thy fatal blow, Now, fond I bare my breast, O do thou kindly lay me low With him I love at rest! (ax tsold eell raib 8 fhsda Im i �THE YOUNG H I G H L A N D ROVER* Loud blaw the fi osty breezes, The snows the mountains cover ; Like winter on me seizes, Since my young highland rover Far wanders nations over. Where'er he go, where'er he stray, May Heaven be his warden : Return him safe to fair Strathspey, And bonnie Castle-Gordon. The trees now naked groaning, Shall soon wi' leaves be hinging, The birdies dowie moaning, Shall a' be blythely singing, And every (lower be springing. Sae I'll rejoice the lee*lang d ay, When by his mighty warden M y youth's returned to fair Strathspey, And bonnie Castle-Gordon. �MUSING ON T H E R O A R I N G OCEAN. Musing on the roaring ocean, Which divides my love and m e ; Wearying heaven in warm devotion, 9iUj For his weal where'er he be. Hope and fear's alternate billow Yielding late to nature's law, Whisp'ring spirits round my pillow Talk of him that's far awa. *:.. ' Ot'-i' * (Oil'. : il j'.l Ye whom sorrow never wounded, Ye who never shed a tear, Care-untroubled, joy-surrounded ? Gaudy day to you is dear. Gentle night do thou befriend me : Downy sleep the curtain draw; Spirits kind, again attend me, Talk of him that's far awa, , i v. '§i:ra r^i oi bwwtei . 1 yd rod'// tiliaoy yrV tes/J oidwd hik � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Woodcut 005: Title-page illustration in a single-ruled rectangular border of a girl holding a flower standing between two pillars in an outdoor scene. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Six Excellent Songs. Clarinda. The Highland Plaid. Musing on the Roaring Ocean. A Red, Red Rose. The Young Highland Rover. A Mother's Lament for the Death of her Son. Identifier An unambiguous reference to the resource within a given context <a href="https://ocul-gue.primo.exlibrisgroup.com/permalink/01OCUL_GUE/mrqn4e/alma9953134473505154">s0100b01</a> Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Clarinda. The Highland Plaid. Musing on the Roaring Ocean. . A Red, Red Rose. The Young Highland Rover. A Mother's Lament for the Death of her Son Date A point or period of time associated with an event in the lifecycle of the resource 1820-1837 per University of Glasgow Union Catalogue of Scottish Chapbooks Extent The size or duration of the resource. 8 pages Is Part Of A related resource in which the described resource is physically or logically included. Chapbook #5 in a bound collection of 77 chapbooks Is Referenced By A related resource that references, cites, or otherwise points to the described resource. University of Glasgow Union Catalogue of Scottish Chapbooks <a title="University of Glasgow Union Catalogue of Scottish Chapbooks" href="http://special.lib.gla.ac.uk/chapbooks/search/" target="_blank" rel="noopener">http://special.lib.gla.ac.uk/chapbooks/search/</a> Contributor An entity responsible for making contributions to the resource Archival and Special Collections, University of Guelph Library, Guelph, Ontario, Canada Format The file format, physical medium, or dimensions of the resource JPEGs and PDF derived from master file, which was scanned from the original book in 24-bit color at 600 dpi in TIFF format using an Epson Expression 10000XL scanner. Rights Information about rights held in and over the resource In the public domain; For higher quality reproductions, contact Archival & Special Collections, University of Guelph. libaspc@uoguelph.ca 519-824-4120, Ext. 53413 Subject The topic of the resource Chapbooks -- Scotland -- Newton Stewart Highlands Source A related resource from which the described resource is derived Archival & Special Collections, University of Guelph Library, Guelph, Ontario Publisher An entity responsible for making the resource available Newton-Stewart: J. McNairn Type The nature or genre of the resource ballads & songs Description An account of the resource Woodcut #05: Illustration on title-page of a girl holding a flower standing between two pillars in an outdoor scene. # of Woodcuts: 1 Architecture: gate Architecture: house Chapbook Date: 1821-1830 Chapbook Genre: ballads & songs Chapbook Publisher - Newton-Stewart: J. McNairn Fashion (Clothing): bloomers Fashion (Clothing): children's clothes Fashion (Clothing): dress Fashion (Clothing): stockings Fashion (Clothing): upper class Gender: girl(s) Outdoor Scene https://scottishchapbooks.lib.uoguelph.ca/files/original/8cf7e23bc7fcf8bf60e9e584029ef39c.jpg a0bf814855d3b3075874e57e5a468e11 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 3124 Width 1758 https://scottishchapbooks.lib.uoguelph.ca/files/original/2bc82f14465833f339c0dcb251713627.pdf 246b13aaab8c6a3764db19a223e404e8 PDF Text Text 3. Six Excellent S O NtheGBrethren of The Farewell to St James' Lodge, Tarbolton. Craigie-Bufn Wood. The Midges Dance aboon the Burn. Gloomy Winter's now Awa. Roy's Wife. Bonnie Lesley, NEWTON-STEWART f Printed and Sold, Wholesale and Retail, by J. M>Naijrn-. �\ wI 7A > & "" i THE FAREWELL TO THE BRETHREN OF ST JAMESLODOE, TARBOLTON. Adieu ! a heart-warm fond adieu Dear brothers of the mystic tie ! Ye favour'd, ye eulightened few, Companions of iny social joy ! Tho' I to foreign lands must hie, Pursuing fortune's sliddr'y ha', With melting heart and brimful eye, I'll mind you still, tho' far awa. Oft have I met your social band, And spent the cheerful, festive night ; Oft honoured with supreme command, Presided o'er the,.sons of light ; And by that ]tierogliphie bright, Which none but craftsmen ever saw ! Strong memory on my heart shall write Those happy scenes when far awa. May freedom, harmony, and love, Unite you in the grand design, Beneath the omniscient eye above, The glorious architect divine ! IKp H �That you may keep the-unerring line, Still rising by the plummets law, Till order bright completely shine, Shall be my prayer, when fata via. And you, farewell ! whose merits..claim Justly that highest badge to wear! Heaven Mess your honour d noble name, T® masonry and Scotia dear! A l as t request, permit me here, When yearly ye assemble a'; One round I ask it with, a,feaiy To him, tile bard that's far a wad CR AIGIE- B UBIi WOGDJ Sweet firs the- eve on Craigie-lmni,. ' And blyth awakes the morrow ; But a* the pride o' spring's- rgiura. Can yield me nocht but sorrow.. I see the flowers and spreading trees, I hear the wild.birds singing But what a weary wight earvpiease, And care hisbQ§om wiMngmg ? Fain, faili would I my griefs impart, Yet dare na for you ganger ; * �But secret love will break my heart.. If I conceal it langer., If lbou refuse to pity me, If thou shalt love anither, When yon green leaves fade frae the trce Around.my grave they'll wither.. ?i THE MIDGES DANCE ABOGN T H E BURN, The midges dance aboon the burn* The dews begin to fa', The "part-rick* down the rushy holnv Set up their e'ening ca\ Now loud and clear the blackbird's sang Rings thro' the briery shew, 'While flitting gay, the swallows play,Around the castle waV Beneath the golden gloaming sky., The mavis mends her lay, The redbreast pours his sweetest strain^ To charm the lingering day ; While weary yeldrins seem to wail Tli-eir little nestlings torn/ �The merry wren, frae den to den,, Gaes jinking through the thorn.. The roses fauld their silken leaves, The foxglove shuts its hell, The honysuckle, and the birk, Spread fragrance thro' the dell.. Let others croud the giddy court Of mirth and revelry, . The simple joys, that nature yields Are clearer far tp me.. GLOOMY' WINTER'S"NOW. AWAv Gloomy winter's now awa,, Saft the westliu breezes hi aw, 'Mang the biiks of Stanely shaw The mavie sings fu' eheary O ; Sweet the crawflower's early bell Decks Gleniffer's dewy delf, Blooming like thy bonnie sel, My young, my artless dearie O., Come, my lassie, let us stray O'er Glenkilloch's sunny brae, Blythly spend the gowden day, 'Midest joys that never weary ; �6 Tow'ring o'er the Newton woods, Laverocks fan the gnaw white cloudy Siller sauchs, with downy brads*. Adorn the hanks sae briery O 5 Hound the sylvan fairy nooks, Feath'ry breckaiis fringe the rooks,; 'Neath the brae the burnie jouks, And ilka thing is cheery O ; "Frees may bud, and birds may sing, Fiowrs may bloom, and verdure springs Joy to me they canna bring, Unless wi thee, my deary O. ROY'S WIFE.. Roy's w 1 fe of A1 d\ vaj 1 oeh,. Roy's wife of Akiivalloeh ; Wat ve how she cheated me As i came o'er the braes o' Bulloch. She vow'd, she swore, she wad be mine ; j She said sjieJoed me best of 01 vy ; But, all the faithless fickle queen ! She's taen.the carl,, and left her Johnny* Roy's wiiCj &c s �Her hair sac fair, her een sae clear*, Her wee bit mou sae sweet and bonny * To me she ever will be dear, Tho' she's for ever left her Johnny, Roy's wife, &c. Rut O she was a canty queen, And weel could dance the Highland walloch: How happy I, had she been mine, Or I'd been Roy of Aklivalloch! Roy's wife, &c. BONNY LESLEY. O saw ye bonnie Lesley As she gaed o'er the border ? She's gane, like Alexander, To spread her conquest farther. To see her is to love her, And love but her for ever ; For nature made her what she is, And ne'er made sic anither. �8 Thou art a queen, fair Lesley, Thy subjects we before thee, Thou art divine, fair Lesley, The hearts o' men adore thee. The Deil he could na scaith thee, Draught that wad belang thee; He'd look into thy bonny face, And say, " I canna wrang thee/' The Powers aboon---will tent thee, Misfortunes shanna steer thee ; Thotf rt like themselves, sae lovely, That ill they'll ne'er let near thee. Return again fair Lesley, Return to Caledonie! That we may brag we hae a las&, There's nane again sae bonnie. FINIS. � Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Six Excellent Songs. The Farewell to the Brethren of St James' Lodge, Tarbolton. Craigie-Burn Wood. The Midges Dance aboon the Burn. Gloomy Winter's now Awa. Roy's Wife. Bonnie Lesley. Identifier An unambiguous reference to the resource within a given context <a href="https://ocul-gue.primo.exlibrisgroup.com/permalink/01OCUL_GUE/mrqn4e/alma9953134473505154">s0100b01</a> Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. The Farewell to the Brethren of St James' Lodge, Tarbolton. Craigie-Burn Wood. The Midges Dance aboon the Burn. Gloomy Winter's now Awa. Roy's Wife. Bonnie Lesley. Date A point or period of time associated with an event in the lifecycle of the resource 1820-1837 per University of Glasgow Union Catalogue of Scottish Chapbooks Extent The size or duration of the resource. 8 pages Is Part Of A related resource in which the described resource is physically or logically included. Chapbook #21 in a bound collection of 77 chapbooks Description An account of the resource Woodcut image of a Masonic (Lodge) symbol on the title-page. No. 8. printed at the top of the title-page. Is Referenced By A related resource that references, cites, or otherwise points to the described resource. University of Glasgow Union Catalogue of Scottish Chapbooks <a title="University of Glasgow Union Catalogue of Scottish Chapbooks" href="http://special.lib.gla.ac.uk/chapbooks/search/" target="_blank" rel="noopener">http://special.lib.gla.ac.uk/chapbooks/search/</a> Contributor An entity responsible for making contributions to the resource Archival and Special Collections, University of Guelph Library, Guelph, Ontario, Canada Format The file format, physical medium, or dimensions of the resource JPEGs and PDF derived from master file, which was scanned from the original book in 24-bit color at 600 dpi in TIFF format using an Epson Expression 10000XL scanner. Rights Information about rights held in and over the resource In the public domain; For higher quality reproductions, contact Archival & Special Collections, University of Guelph. libaspc@uoguelph.ca 519-824-4120, Ext. 53413 https://scottishchapbooks.lib.uoguelph.ca/files/original/d148846335e1987f48d66b96df1ddac3.jpg 1538cf0da4c74eab489d08c299c66d20 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 3018 Width 1714 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Woodcut on title-page portraying a girl holding a flower standing between two pillars with flowers in vases on top. Large house in the background https://scottishchapbooks.lib.uoguelph.ca/files/original/14749013fc1fddcbacb9ea767ba255d4.pdf 3a1edca03c89edaa4c82ea7a7e9365f2 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Woodcut 005: Title-page illustration in a single-ruled rectangular border of a girl holding a flower standing between two pillars in an outdoor scene. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Six Excellent Songs. Farewell. Drucken Jenny Din. The Gallant Weaver. John Anderson My Jo. The Nightingale. Scotland's Hills for me. Identifier An unambiguous reference to the resource within a given context <a href="https://ocul-gue.primo.exlibrisgroup.com/permalink/01OCUL_GUE/mrqn4e/alma9953134473505154">s0100b01</a> Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Farewell. Drucken Jenny Din. The Gallant Weaver. John Anderson My Jo. The Nightingale. Scotland's Hills for me. Date A point or period of time associated with an event in the lifecycle of the resource 1820-1837 per University of Glasgow Union Catalogue of Scottish Chapbooks Extent The size or duration of the resource. 8 pages Is Part Of A related resource in which the described resource is physically or logically included. Chapbook #61 in a bound collection of 77 chapbooks Is Referenced By A related resource that references, cites, or otherwise points to the described resource. University of Glasgow Union Catalogue of Scottish Chapbooks <a title="University of Glasgow Union Catalogue of Scottish Chapbooks" href="http://special.lib.gla.ac.uk/chapbooks/search/" target="_blank" rel="noopener">http://special.lib.gla.ac.uk/chapbooks/search/</a> Contributor An entity responsible for making contributions to the resource Archival and Special Collections, University of Guelph Library, Guelph, Ontario, Canada Format The file format, physical medium, or dimensions of the resource JPEGs and PDF derived from master file, which was scanned from the original book in 24-bit color at 600 dpi in TIFF format using an Epson Expression 10000XL scanner. Rights Information about rights held in and over the resource In the public domain; For higher quality reproductions, contact Archival & Special Collections, University of Guelph. libaspc@uoguelph.ca 519-824-4120, Ext. 53413 Subject The topic of the resource Alcohol Chapbooks -- Scotland -- Newton Stewart Source A related resource from which the described resource is derived Archival & Special Collections, University of Guelph Library, Guelph, Ontario Publisher An entity responsible for making the resource available Newton-Stewart: J. McNairn Type The nature or genre of the resource ballads & songs Description An account of the resource Woodcut #05: Illustration on title-page of a girl holding a flower standing between two pillars in an outdoor scene. # of Woodcuts: 1 Architecture: gate Architecture: house Bib Context: title-page Chapbook Date: 1821-1830 Chapbook Genre: ballads & songs Chapbook Publisher - Newton-Stewart: J. McNairn Fashion (Clothing): bloomers Fashion (Clothing): children's clothes Fashion (Clothing): dress Fashion (Clothing): stockings Fashion (Clothing): upper class Gender: girl(s) Outdoor Scene https://scottishchapbooks.lib.uoguelph.ca/files/original/7adb24ce0bdc16c8a2fd8a22d1ce7b2b.jpg 611960244c6e30518cd64ec715f31dbb Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 2593 Width 1832 https://scottishchapbooks.lib.uoguelph.ca/files/original/1f0740729e06cea300f6d2ba9b28c858.pdf 6451d610e91d9e3e8c8c6dd5ac10cc2e Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Six Excellent Songs. It was upon a Lammas Night. How Cruel are the Parents. The Bonnie Wee Thing. O Condescend Dear Charming Maid. Thine am I. Why, Why tell thy lover. Identifier An unambiguous reference to the resource within a given context <a href="https://ocul-gue.primo.exlibrisgroup.com/permalink/01OCUL_GUE/mrqn4e/alma9953134473505154">s0100b01</a> Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. It was upon a Lammas Night. How Cruel are the Parents. The Bonnie Wee Thing. O Condescend Dear Charming Maid. Thine am I. Why, Why tell thy lover. Date A point or period of time associated with an event in the lifecycle of the resource 1820-1837 per University of Glasgow Union Catalogue of Scottish Chapbooks Extent The size or duration of the resource. 8 pages Is Part Of A related resource in which the described resource is physically or logically included. Chapbook #62 in a bound collection of 77 chapbooks Is Referenced By A related resource that references, cites, or otherwise points to the described resource. University of Glasgow Union Catalogue of Scottish Chapbooks <a title="University of Glasgow Union Catalogue of Scottish Chapbooks" href="http://special.lib.gla.ac.uk/chapbooks/search/" target="_blank" rel="noopener">http://special.lib.gla.ac.uk/chapbooks/search/</a> Description An account of the resource Woodcut image of a mother beside her baby in a cradle on the title-page. Contributor An entity responsible for making contributions to the resource Archival and Special Collections, University of Guelph Library, Guelph, Ontario, Canada Format The file format, physical medium, or dimensions of the resource JPEGs and PDF derived from master file, which was scanned from the original book in 24-bit color at 600 dpi in TIFF format using an Epson Expression 10000XL scanner. Rights Information about rights held in and over the resource In the public domain; For higher quality reproductions, contact Archival and Special Collections, University of Guelph. libaspc@uoguelph.ca 519-824-4120, Ext. 53413