22 10 639 https://scottishchapbooks.lib.uoguelph.ca/files/original/b0ccec8180bf432af8d1c00419707717.png b97976f305f7a87726e43c216f9101f5 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Height 101 Width 459 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Man with one eye Subject The topic of the resource Chapbooks, Scottish Chapbooks - Scotland-Glasgow Wit and humor Description An account of the resource Taken from page 11 of the Scrap-Book Creator An entity primarily responsible for making the resource Unknown Date A point or period of time associated with an event in the lifecycle of the resource 1856 per National Library of Scotland Contributor An entity responsible for making contributions to the resource Archival and Special Collections, University of Guelph Library, Guelph, Ontario, Canada Rights Information about rights held in and over the resource In the public domain; For high quality reproductions, contact Archival & Special Collection, libaspc@uoguelph.ca, 519-824-4120, Ext. 53413 Language A language of the resource English Identifier An unambiguous reference to the resource within a given context <a href="https://ocul-gue.primo.exlibrisgroup.com/permalink/01OCUL_GUE/mrqn4e/alma9953133963505154">s0098b48</a> Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Scotland Format The file format, physical medium, or dimensions of the resource JPEGs and PDF derived from master file, which was scanned from the original book in 24-bit color at 600 dpi in TIFF format using an Epson Expression 10000XL scanner. https://scottishchapbooks.lib.uoguelph.ca/files/original/911f926c1bb0849d7e5f8a84464ce9f5.pdf b2a90af1643f3a785eea197b17b63902 https://scottishchapbooks.lib.uoguelph.ca/files/original/e02276b51b2f925de51a644d9d0766d7.jpg 383564ab5cbc0f2a2be61384ccd17f33 https://scottishchapbooks.lib.uoguelph.ca/files/original/6ee7b665f82051dca7354f093f47f347.jpg fd3e032af429f47cc329d6f10a61a8ae https://scottishchapbooks.lib.uoguelph.ca/files/original/2811c9c6ec1c25d2bf9e89baf29a836e.jpg 0c2db468cc6ac60e0cec29748c03ae0a https://scottishchapbooks.lib.uoguelph.ca/files/original/fb569fe2a158f0c647abca2947d73f04.jpg 9606a5faca88294b7d5fdbb6d0dbcbf0 https://scottishchapbooks.lib.uoguelph.ca/files/original/f2cb20b0337941b00dfa30253077fced.jpg 945be52b1e206fb4af571a2d0cbc75b7 https://scottishchapbooks.lib.uoguelph.ca/files/original/a1267a7f9e513b0fe8afd586c3cb28f1.jpg baea1a496b7812b4d2e2efe5270dbba4 https://scottishchapbooks.lib.uoguelph.ca/files/original/db658443245ce9cfd11dea5c62ef9c46.jpg 72befbc350bca262fd3e27ba107b5ce4 https://scottishchapbooks.lib.uoguelph.ca/files/original/02362d9dd7e07edb282ef08b26884ef5.jpg d89728e90c9055b6765d6bb774296372 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Woodcut 058: Title-page illustration of a woman on a donkey holding a crop in her left hand and reins in her right hand. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Margaret and the minister, a true tale. Hey for a lass wi' a tocher. Rest, warrior, rest. The bonnie bark. Subject The topic of the resource Ballads and songs Religion and Morals War Chapbooks - Scotland - Glasgow Description An account of the resource '12' is printed at the bottom of the title page Date A point or period of time associated with an event in the lifecycle of the resource 1830 per National Library of Scotland Language A language of the resource English Identifier An unambiguous reference to the resource within a given context <a href="https://ocul-gue.primo.exlibrisgroup.com/permalink/01OCUL_GUE/mrqn4e/alma9953133973505154">s0042b27</a> <a href="https://ocul-gue.primo.exlibrisgroup.com/permalink/01OCUL_GUE/mrqn4e/alma9923361193505154">s0018Db34</a> Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Glasgow, Scotland Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. The comic tale of Margaret and the minister Hey for a lass wi' a tocher Rest, warrior, rest The bonnie bark Extent The size or duration of the resource. 8 pages 16 cm Abstract A summary of the resource. This collection begins with a humourous song wherein a woman brings her minister a gift of some butter and chickens and is consequently invited to dine with him and his family. In her nervousness at dining with “gentle folk” betrays her as she is met with many unfamiliar manners and foods, ultimately ending in dinner disaster. Three more short songs are included; one humorous song on the author’s preference for marrying a woman of good tocher (dowry) rather than a beautiful one; one song on the rest of a warrior after battle wherein he dreams of his love; and one where a woman points out her love in his tartan and later meets him by moonlight. Is Referenced By A related resource that references, cites, or otherwise points to the described resource. National Library of Scotland <a>http://www.nls.uk/</a> Is Part Of A related resource in which the described resource is physically or logically included. A bound collection of chapbooks (s0042b27) Contributor An entity responsible for making contributions to the resource Archival and Special Collections, University of Guelph Library, Guelph, Ontario, Canada Format The file format, physical medium, or dimensions of the resource JPEGs and PDF derived from master file, which was scanned from the original book in 24-bit color at 600 dpi in TIFF format using an Epson Expression 10000XL scanner. Rights Information about rights held in and over the resource In the public domain; For high quality reproductions, contact Archival & Special Collections, University of Guelph libaspc@uoguelph.ca 519-824-4120 Ext 53413 Publisher An entity responsible for making the resource available Glasgow: Printed for the Booksellers Source A related resource from which the described resource is derived Archival & Special Collections, University of Guelph Library, Guelph, Ontario https://scottishchapbooks.lib.uoguelph.ca/files/original/354b85379ead89d11ed26f1c7ff8cef0.pdf 1c2a5d0e785af4e236a078e19da8a8ee https://scottishchapbooks.lib.uoguelph.ca/files/original/fb3d50e03a3a979fc2c4c3b3bfc8e6fd.jpg 6a5c7899c675cba3f57d1e026b72cfb6 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Publisher An entity responsible for making the resource available Printed by G. Caldwell Date A point or period of time associated with an event in the lifecycle of the resource no date Title A name given to the resource Woodcut on title-page of a man sitting at a dinner table reaching out to a dog. https://scottishchapbooks.lib.uoguelph.ca/files/original/b0c0f026851ecb569093e5acc2b55e6f.jpg 1c84f4a8d86798a3a31ef47196c5b3e0 https://scottishchapbooks.lib.uoguelph.ca/files/original/dab710eda351b987a1e0c37daa484f41.jpg d9674c63aa9780b63d709a68615b3482 https://scottishchapbooks.lib.uoguelph.ca/files/original/4a582effd7ba96a8acf7b2546909938f.jpg b95f6248e7f780fdc3b6a64f88ee1973 https://scottishchapbooks.lib.uoguelph.ca/files/original/0292a3e323df85b410372092f0b9edf2.jpg 6fe25eb7cbee41552c85534038b721ff https://scottishchapbooks.lib.uoguelph.ca/files/original/36fc6d4506d4d79827ada015a11d73a0.jpg 066bf677338d043322a13a4041b386d2 https://scottishchapbooks.lib.uoguelph.ca/files/original/041301e929478a4f5f61f1bd8efcb905.jpg e9b965ff0396972fc156b3c2fbaa5f0a https://scottishchapbooks.lib.uoguelph.ca/files/original/c1cad5448532de9e1b9e8a41e75fcb94.jpg 044a634070008b1a13261e833c080df5 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Woodcut 006: Title-page illustration of a man sitting at a dinner table; he is reaching out to a dog. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Margaret And The Minister; A True Tale, To Which is Added, Soda Water Description An account of the resource Printed below title: 'She ne'er before saw sicken fairlies, Sae mony antic turly-whurlies' printed below title Woodcut #06: Illustration on title-page of a man sitting at dinner table reaching out to a dog. Contributor An entity responsible for making contributions to the resource Archival and Special Collections, University of Guelph Library, Guelph, Ontario, Canada Rights Information about rights held in and over the resource In the public domain; For high quality reproductions, contact Archival &amp; Special Collections, University of Guelph. libaspc@uoguelph.ca, 519-824-4120, Ext. 53413 Language A language of the resource English Identifier An unambiguous reference to the resource within a given context <a href="https://ocul-gue.primo.exlibrisgroup.com/permalink/01OCUL_GUE/mrqn4e/alma9953133973505154">s0042b27</a> Extent The size or duration of the resource. 8 pages Is Referenced By A related resource that references, cites, or otherwise points to the described resource. Scottish Chapbook Catalogue: Glasgow, Edinburgh Central Is Part Of A related resource in which the described resource is physically or logically included. A bound collection of 37 chapbooks; Chapbook #20 Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Soda Water Format The file format, physical medium, or dimensions of the resource JPEGs and PDF derived from master file, which was scanned from the original book in 24-bit color at 600 dpi in TIFF format using an Epson Expression 10000XL scanner. Subject The topic of the resource Religion and Morals Chapbooks - Scotland - Paisley Alcohol Source A related resource from which the described resource is derived Archival & Special Collections, University of Guelph Library, Guelph, Ontario Publisher An entity responsible for making the resource available Paisley: G. Caldwell Type The nature or genre of the resource poetry Creator An entity primarily responsible for making the resource Lochore, Robert, 1762-1852 Date A point or period of time associated with an event in the lifecycle of the resource no date Activity: dining Animal: dog(s) Bib Context: title-page Chapbook Date: no date Chapbook Publisher - Paisley: G. Caldwell Fashion (Clothing): breeches Fashion (Clothing): jacket Fashion (Clothing): pants Fashion (Clothing): scarves Fashion (Clothing): upper class Fashion (Clothing): waist coat Food & Drink Furniture: chair(s) Furniture: table(s) Gender: man/men Indoor Scene https://scottishchapbooks.lib.uoguelph.ca/files/original/bc1a06be5930a35674ee72508d59bb5f.pdf 0f41fade472e24793176b122ab7b67f8 https://scottishchapbooks.lib.uoguelph.ca/files/original/bb561f24f119da5889f7debca6c1b30e.jpg 1f4a87fcb15d4e22149b3810cc19487c https://scottishchapbooks.lib.uoguelph.ca/files/original/bc5766a9b6409b80e3c00d8a70600a68.jpg 83ee5a772e3b3eed124c07f4ac348363 https://scottishchapbooks.lib.uoguelph.ca/files/original/3b75d68b1b87eec2e8a5bea05547998a.jpg 076202d939d76c972468da411aaeb427 https://scottishchapbooks.lib.uoguelph.ca/files/original/dcfac7d69e01b0b7d61c18d31fe005f1.jpg f9925c3bd43a3f103a330675bdc6a703 https://scottishchapbooks.lib.uoguelph.ca/files/original/2ef0460741cd50a81591d93850885663.jpg a31f1aff84b556622c03ad188de5c957 https://scottishchapbooks.lib.uoguelph.ca/files/original/a971f852131a221bed61e3dd18d4d096.jpg 656de3a81e5c0cb6e86f295f7e10f9f9 https://scottishchapbooks.lib.uoguelph.ca/files/original/407ec9bbccc27a89518c4afaa7547e8e.jpg 0a2b18cb064dd4f02fa3109c39ac73af https://scottishchapbooks.lib.uoguelph.ca/files/original/e850a1aa3dd55bcf557c3b549a077dc1.jpg 872afa7927e11e91b2d408d3a36f22bb Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Woodcut 043: Title-page illustration in a single ruled border of a women in a long dress, shawl and hat walking in an outdoor scene. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Mary of Castle-Cary: To which are added, Roslin Ruins, Rob’s Jock, The Lass of Humber-side. Subject The topic of the resource Chapbooks - Scotland - Stirling Courtship and Marriage Wit and Humor Date A point or period of time associated with an event in the lifecycle of the resource 1806 Contributor An entity responsible for making contributions to the resource Archival & Special Collections, University of Guelph Library, Guelph, Ontario Canada Rights Information about rights held in and over the resource In the public domain; For high quality reproductions, contact Archival &amp; Special Collections, University of Guelph. libaspc@uoguelph.ca, 519-824-4120, Ext. 53413 Identifier An unambiguous reference to the resource within a given context <a href="https://ocul-gue.primo.exlibrisgroup.com/permalink/01OCUL_GUE/mrqn4e/alma9923361763505154">s0006Eb37</a> Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Castle Cary, England Iceland Abstract A summary of the resource. Four ballads about love and women. Some are sad or bitter, others are humorous, but none have happy endings. Mary of Castle-Cary: Two young men fight over the love of the beautiful young Mary who apparently has been kissing them both, if not more. Roslin’s Ruins: a young man escapes to Roslin Ruins to brood on loneliness and the rejection of his love. Rob’s Jock: a humorous song where a young man woos a young woman, but the majority of the song appears to list the tocher (dowry) that Jenny brings with her. The Lass of Humber-Side: a lament of young woman whose love has drowned in Iceland Bay. Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Roslin Ruins Rob’s Jock The Lass of Humber-side Extent The size or duration of the resource. 8 pages 17 cm Language A language of the resource English Format The file format, physical medium, or dimensions of the resource JPEGs and PDF derived from master file, which was scanned from the original book in 24-bit color at 600 dpi in TIFF format using an Epson Expression 10000XL scanner. Source A related resource from which the described resource is derived Archival & Special Collections, University of Guelph Library, Guelph, Ontario Publisher An entity responsible for making the resource available Stirling: C. Randall Type The nature or genre of the resource ballads & songs # of Woodcuts: 1 Activity: walking Architecture: fence Bib Context: title-page Chapbook Date: 1801-1810 Chapbook Genre: ballads & songs Chapbook Genre: wit & humor Chapbook Publisher - Stirling: C. Randal Fashion (Clothing): upper class Gender: woman/women Nature: tree(s) Outdoor Scene https://scottishchapbooks.lib.uoguelph.ca/files/original/1998b25189f8e6c7ae4737bc2d871a67.png 0427a9ce995f3073f7c1fdb0e150ab00 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Height 599 Width 382 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Mary Queen of Scots Picture Extent The size or duration of the resource. 1 image Contributor An entity responsible for making contributions to the resource Archival and Special Collections, University of Guelph Library, Guelph, Ontario, Canada Format The file format, physical medium, or dimensions of the resource JPEGs and PDF derived from master file, which was scanned from the original book in 24-bit color at 600 dpi in TIFF format using an Epson Expression 10000XL scanner. Rights Information about rights held in and over the resource In the public domain; For higher quality reproductions, contact Archival and Special Collections, University of Guelph. libaspc@uoguelph.ca 519-824-4120, Ext. 53413 https://scottishchapbooks.lib.uoguelph.ca/files/original/ccbba3af2f02400ff9c8ef7483f8e234.pdf 0b1b894f659b6b2562027947ebd19b22 PDF Text Text M A R A O R I P O Y N G E , I M N A . R E C O M M E N D E D TO T H E A T T E N T I O N L A D I E S OF T H E . " Sweet lovely maid, accept thefe lays, " Thy merit only gave them birth, " Yho' poor the fwain that fwgs thy fraije, " Ne'er Jung he, but in praife of -worth* L �7 I t is prefumed t h a t t h e following P o e m will not be deemed undeferving of attention, as it is defcriptive of a chara&er worthy of imitation* M A R T . i. T O V E L Y power, that o'er the heart, With gentle defpotifm reigns, And, with manners void of art, Leads mankind in willing chains: II. Lovely power, of fweetefl joys, The courteous fmile, the eye benign, The accent foft, th' affenting voice, Th' attentive, affable de%n: �( 3 ) III. Gentle power, poffefs my breaft, And, images of foftnefc raife, And, banifh thence each thought unbleft, While I ling in Mary's praife. IV. I feek not beauty's power to trace, Tho' of beauty fhe has flore : Small's beauty's power, and foon its grace, Will lofe its charm to chafm no more. V. Nor praife I yet her wealth, or birth, Poor the triumphs they beftow, She prides not things fo void of worth, Nor ftoops my inufe to praife fo low, VI. Nor yet the witty things fhe fays Seek I on the lyre to found, Wit is a momentary blaze, A fpark that dazzles but to wound. VII. Let wit, ne'er touch thy firings, my lyre, A fatal fpark, however its fame, And O! it kindles many a fire, Where withers many a lovely name. VIII. Thy firings, my lyre, ne'er found its praife, Wit many a blufning pang hath given, Drawn many a fon from virtue's ways, And many a daughter fit for heaven. �C 4 > IX. Let wit, my lyre, ne'er touch thy firings, 'Mid many a wild, and many a thorrt^ Its wandering votaries it brings, And leaves a phantom in return. X. I praife thee, Mary, not for wit; Good humour'd fenfe is better far, And that thou haft with manners fit^ Manners mild as morning-ftar. XI. It is becaufe thou'rt virtue's child. Virtue in her fofteft drefs, Virtue, lovely, fweet and mild, Virtue, feeking how to blefs* XII. The foft addrefs, the fmiling eyes, The manners gentle and benign, In thefe, a woman's glory lies, And thefe, fweet Mary, all are thine. XIII. Stealing upon the heart they feize, With windings foft, yet clofely wove, When lovely woman {loops to pleafe The hardeft heart mull bend to love. XIV. O! why then lovely females, wander From where your pride and glory lies^ Why leave the gentle, foft meander, For boift'rous feas, and ftormy fkies. �( 5 ) XXI. Cold difdain and looks of ftate, Laughter boifTrous, noify wit, Proud negledt, or loud debate, Ah! lovely woman ill befit. XVI. Sweet courtefy, and winning fmlles, Manners foft, and void of art— Thefe, are Love's engaging wiles, Thefe are they which win the heart. XVII. But rougher talks, O! furely never, For fweet woman were ordain'd. You lofe by driving to be clever, What your native charms had gain'cL XVIII. Nature made ye gentle creatures, Take the way where nature leads, Maidens, view your lovely features, And feek the vales and fiow'iy meads* XIX. Sweetly, flows the foft meander, On its banks grow every flower, There, the loves and graces wander, There, arifes Venus' bower. XX. And there, fweet Mary, thou doft {tray, No mafc'line airs doft thou affume, Sweet Mary bends her graceful way Where violets and lilies bloom. �( 6 ) XXI. No cold difdain or haughty mien, On Mary's brow yet ever fate, Nor proud negled, in her was feen To children of a lowly fate. XXII. For, well fhe argued, birth and power, And riches, ne'er for pride were given; The {hining pageants of an hour, Talents lent by favouring heaven. XXIII. Nor e'er the wit did Mary try, Which flains the model! cheek with fhame,; Far lefs what with a varnifh'd lie Difcolours all a fpotiefs name. XXIV. Ah! no, for a much nobler end, Her wit the lovely Mary us'd; To cheer the humble, or defend The fame of innocence abus'd. XXV. Qft, have I fat, and, with an eye* Of filent pieafure, on her gaz'd, While the bent flower of modeft dye, All drooping, fhe has gently rais'd. XXVI. How oft delighted have I fat, And view'd the charmer's gentle fchefnes, To lead the humble to forget And. flill his fears in pleafing dreams* �( 7 ) XXVII. How oft delighted have I feen Her fondly take the fallen's part, With quickeft thought, and nobleft mien, And yet with fuch a gentle art— XXVIII. A manner, fearful to ofFend, Yielding, yet firm, to virtue's right, She argued only to befriend, Delighting, only to delight. XXIX. 0 lovely maid! oft have I turn'd, Prom brows of haughty fcorn to thee, When infults in my bofom burn'd, For haughty looks have wounded jne. XXX. And infults haughty looks I deem, And cold replies, or proud negle&, More galling far, becaufe they feem Convey'd with manners of r e f p e d - ^ XXXI. 1 turn'd, and found a gentle balm, That 'jfwag'd the tumults of my bread, Thy fweet replies, bade all be calm. Thy fmiles, reftor'd my foul to reft. XXXII. Then, lovely maid, accept thefe lays, Thy merit, only, gave them bjjrth, Tho' poor the fwain that fings thy praife, Ne'j^r fung he, but in praife of worth. �( 3 ) xxxnr. Nor ftoop'd he e'er to fawn the great, Or praife what fell from folly's tongue, He faw no charms in pomp or ftate, And what he faw not, ne'^r he fung* XXXIV; Tho' poor the fwain that fings thy praife, He fcorns to bow at flatt'ry's fhrine, Put on this crown of humble bays, For not a wreath is there but thine. XXXV. And find you in this crown of bays, A flow'r lil-chofen, or ill-weav'd, Blame not a youth who feeks no praife, Nor wiflies but to be believ'd. XXXVI. Too proud to fawn, to hope too low, He never fann'd love's gentle fire, Sweet worth to praife, and praifing (how. Was all his fwelling heart's defire. � https://scottishchapbooks.lib.uoguelph.ca/files/original/3347e7fc579523b319c51dd0098a0638.jpg 40e3513efb20102faf9bb7b31b246e0b Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Mary, an Original Poem. Recommended to the attention of the Ladies. Identifier An unambiguous reference to the resource within a given context <a href="https://ocul-gue.primo.exlibrisgroup.com/permalink/01OCUL_GUE/mrqn4e/alma9953133953505154">s0141b34</a> Date A point or period of time associated with an event in the lifecycle of the resource [1795?] per ESTC Extent The size or duration of the resource. 8 pages Description An account of the resource Quote at bottom of title-page.: "Sweet lovely maid, accept these lays, Thy merit only gave them birth, Tho' poor the swain that sings thy praise, "Ne'er sung he, but in praise of worth." 2 copies Is Referenced By A related resource that references, cites, or otherwise points to the described resource. ESTC T91534 (BL) <a title="National Library of Scotland" href="http://www.nls.uk/">National Library of Scotland&nbsp;</a> Is Part Of A related resource in which the described resource is physically or logically included. Chapbook #50 in a bound collection of 54 chapbooks Subject The topic of the resource Poetry Religion and Morals Contributor An entity responsible for making contributions to the resource Archival and Special Collections, University of Guelph Library, Guelph, Ontario, Canada Rights Information about rights held in and over the resource In the public domain; For high quality reproductions, contact Archival & Special Collections, University of Guelph. libaspc@uoguelph.ca, 519-824-4120, Ext. 53413 Format The file format, physical medium, or dimensions of the resource JPEGs and PDF derived from master file, which was scanned from the original book in 24-bit color at 600 dpi in TIFF format using an Epson Expression 10000XL scanner. Publisher An entity responsible for making the resource available [Glasgow?: Brash & Reid?] Source A related resource from which the described resource is derived Archival & Special Collections, University of Guelph Library, Guelph, Ontario # of Woodcuts: 0 Chapbook Date: 1791-1800 Chapbook Genre: poetry Chapbook Genre: religion & morals Chapbook Publisher - Glasgow: Brash & Reid https://scottishchapbooks.lib.uoguelph.ca/files/original/697454576264064179d5c84ecdfc8350.png 09a030bf095563e1c79ae705a05e16c1 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Height 348 Width 241 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medieval Chivalry Subject The topic of the resource Medieval Description An account of the resource Painting depicting a man on one knee in front of woman, shows medieval romance. Format The file format, physical medium, or dimensions of the resource JPEGs and PDF derived from master file, which was scanned from the original book in 24-bit color at 600 dpi in TIFF format using an Epson Expression 10000XL scanner. Rights Information about rights held in and over the resource In the public domain; For high quality reproductions, contact Archival & Special Collections, University of Guelph libaspc@uoguelph.ca 519-824-4120 Ext 53413 https://scottishchapbooks.lib.uoguelph.ca/files/original/e88d7b864ae6cab44fb426ed70384b14.pdf c5795e56ed890b5aeda200506f045b1c PDF Text Text MOLLY O'RIGGE. Sit ye awhile and tipple a bit. The Delights of Wine. Caledonia!Native Land ! The Warrior Bard. Beadle of the Parish. Glasgow-Printed for the Booksellers. �MOLLY O'RIGGE, AND TOM TREACLE. At Cork lived Miss Molly O'Rigge, With a nose like the snout of a pig, Long carroty locks, And ten pounds in the stocks, Was the fortune of Molly O'Rigge, What a beautiful Molly O'Rigge. Tom Treacle lov'd Moll O' Rigge, A pert little tea-dealing prig, Says he, Molly my dove, My heart is brim full of love. Says she, Grocer, I don't care a fig, What a hard hearted Molly O'Rigge. I hate men, quoth Molly O'Rigge. In love they're a mere whirligig : But Cornelius O' Whack, Gave her heart such a smack, That to church they both caper'd a jig, What a false-hearted Molly O'Rigge. Says the tea-dealer, Molly O'Rigge, My heart is with jealousy big, �3 Says she, hold your clack, I'm now Mrs O' Whack I'm no longer Molly O'Rigge, Good bye, Mistress Molly O'Rigge. SIT YE AWHILE AND T I P P L E A B I T . We're gaily yet, and we're gaily yet, And we're no yery fou but we're gaily yet, Then sit ye awhile and tipple a bit, For we're no very fou but we're gaily yet. There was a lad, and they ca'd him Dick, He gae me a kiss, and I bit his lip, And down in the garden he shew'd me a trick And we're no very fou, but we've gaily yet, And we're gaily yet, &c. There were three lads, and they were clad, There were three lasses, and them they had, Three trees in the orchard are newly sprung, And we's a get geer enough, we're but young. And we're gaily yet, &c. Then up wi't Ailey, Ailey, Up wi't Aily now, Then up wi't Ailey,quo'kimmer, We'sagetroaringfou. �4, One was kiss'd in the barn, Another was kiss'd on the green, And the t'other behind the pease-stack, Till the mow flew up in her e'en. Then up wi't Ailey, &c. Now f y e John Thomson, rin, Gin ever ye ran in your life, De'il get ye, but bye, my dear Jock, There's a man got to bed with your wife. Then up wi't Ailey &c. Then away John Thomson ran, And I true he ran with speed, But, before he had run his length, The false loon had done the deed. Then up wi't Ailey, &c. We're gaily yet, and we're gaily yet, And we're no very fou but we're gaily yet Then sit ye a-while and tipple a bit, For we're no very fu' but we're gaily yet. T H E DELIGHTS OP W I N E . Let's be merry with jest and song, Time as he swiftly flies, my boys, Will not a second our bliss prolong, But with his scythe mow down our joys ; �5 Then seize him by the forelock, Mirth, pleasure drown Him in the bowl— We'll toast each laughter-loving soul. O the delights which wine can give, It every gen'rous bosom fires, Can make the sad again to live, And adds to Venus' fond desires. Sly Cupid sips the potent draft, The little urchin drinks to love, While mortals of the heavy heart, Own it celestial from above. Sorrow but comes too soon my boys, Fill your glass to each beauty bright, Talk not to us of flames or darts, We'll drink all day, and love all night. Care,—be thou banish'd from our board, Momus,—assist with all thy crew : Come,—Humour,—ape thy merry board. And—Wit,—assist thy chosen few. CALEDONIA ! NATIVE LAND ! Native land ! I'll love thee ever, Let me raise the welcome strain ; Mine were banish'd feet, that never Hop'd to press thy turf again, �6 Now these eyes illum'd with gladness, As they scan'd thy beauties o'er, Ne'er again shall melt in sadness, Parting to return no more, Caledonia, native land, Native land, I'll love the ever. Native land, tho' fate may banish, And command me far to part, Never can thy mem'ry vanish, From this glowing, grateful heart, Let an Indian solstice burn me, Or the snows of Norway chill, Hither still, my heart, I turn thee, Here, my country, thou art still, Caledonia, native land, Native land, I'll love thee ever. T H E WARRIOR BARD. The Minstrel Roy to the war is gone, In the ranks of death you'll find him, His father's sword he has girded on, And his wild harp slung behind him.— "Land of song!" said the warrior-bard, "Tho' all the world betrays thee, " One sword, at least thy rights shall guard, " One faithful harps shall praise thee ! " �7 The minstrel fell!—But the foeman's chain Could not bring his proud soul under, The harp be lov'd ne'er spoke again, For he tore its cords asunder; And said, " No chains shall sully thee, " Thou soul of love and bravery! " Thy songs we're made for the pure and free "They shall never sound in slavery." BEADLE OF T H E PARISH. I'm a very knowing prig, With my laced coat and wig, Though they say I am surly and bearish Sure I look a might man, When I flourish my rattan, To fright the little boys, Who in church-time make a noise, Because I'm beadle of the Parish. Here and there,—every where? Hollo now, —What's the row ? Fine to do,—Who are you? Why, zounds, I'm the Beadle of the Parish. Whenever I come nigh, How I make the beggars fly, My looks are so angry and scarish, Like other city folks, I do business in the stocks. �8 That whatever is lost I tell, For you know I bear the bell, Because I'm the Beadle of the Parish, Noise and clatter,—What's the matter? Holla, fellow—You are mellow, Finetodo,—don't you see, Why, zounds—I'm the Beadle of the Parish. I'm an officer, don't laugh, But indeed I'm on the staff, And all sax I do pretty fairish; On a Sunday strut about, And I keep the rabble out, The Church-wardens march before, Just to open the pew door. Because I am Beadle of the Parish, Puff away,—merry day, Drink about,—See it out, There will be—snacks for me, Because I'm the Beadle of the Parish, FINIS. � https://scottishchapbooks.lib.uoguelph.ca/files/original/ae3dcdc1358698509581ce5ab5a02083.jpg f985d5501949d78535e1f8a5e9761e34 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 3072 Width 1825 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Molly O'Rigge. Sit ye awhile and tipple a bit. The delights of wine. Caledonia! Native land! The warrior bard. Beadle of the parish. Subject The topic of the resource Alcohol Ballads and songs Courtship and Marriage Crime emigration Religion and Ethics War Chapbooks - Scotland - Glasgow Date A point or period of time associated with an event in the lifecycle of the resource circa 1825 per National Library of Scotland Language A language of the resource English Identifier An unambiguous reference to the resource within a given context <a href="https://ocul-gue.primo.exlibrisgroup.com/permalink/01OCUL_GUE/mrqn4e/alma9923368023505154">s0259b28</a> Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Cork, Ireland India Norway Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Sit ye awhile and tipple a bit. The delights of wine. Caledonia! Native land! The warrior bard. Beadle of the parish. Extent The size or duration of the resource. 8 pages 16 cm Abstract A summary of the resource. A collection of songs and ballads on a variety of topics. The first is a humorous song describing the beauty (or lack of it) of the sharp-tongued Molly O’Rigge who still manages to be courted by the local tea-dealer, who she rejects, and Cornelius O’Whack, who she marries and becomes Mrs. O’Whack. The next two songs are drinking songs, discussing the pleasures of both alcohol and sexual escapades, followed the tribute of an emigrant to the beauty of his native shores of Scotland. The next song tells of the warrior bard, Ministrel Roy, who dies in battle and destroys his harp so that it will never be used by his foes, while the final song pokes fun at the local Beadle—or minor church official—of the parish who struts about, sticks his nose into other people’s business, and more or less tries to ruin everyone else’s fun. Is Referenced By A related resource that references, cites, or otherwise points to the described resource. University of Glasgow Union Catalogue of Scottish Chapbooks <a title="University of Glasgow Union Catalogy of Scottish Chapbooks" href="http://special.lib.gla.ac.uk/chapbooks/search/" target="_blank" rel="noopener">http://special.lib.gla.ac.uk/chapbooks/search/</a> Description An account of the resource Woodcut image of a highland warrior with a sword on the title-page. Contributor An entity responsible for making contributions to the resource Archival and Special Collections, University of Guelph Library, Guelph, Ontario, Canada Format The file format, physical medium, or dimensions of the resource JPEGs and PDF derived from master file, which was scanned from the original book in 24-bit color at 600 dpi in TIFF format using an Epson Expression 10000XL scanner. Rights Information about rights held in and over the resource In public domain; For higher quality reproductions, contact Archival & Special Collections, University of Guelph. libaspc@uoguelph.ca 519-824-4120, Ext. 53413 Publisher An entity responsible for making the resource available Glasgow: Printed for the Booksellers Source A related resource from which the described resource is derived Archival & Special Collections, University of Guelph Library, Guelph, Ontario https://scottishchapbooks.lib.uoguelph.ca/files/original/5a0ee2a1f01e295a3faf6a74dbef772b.pdf eabdec1176bd730310a752dd2434e7e5 PDF Text Text MONODY ON THE D E A T H OF R O BERT BURNS. To which are prefixed, OBSERVATIONS ON HIS C H A R A C T E R AND G E N IU S . The winter nights I ' ve cheer'd by turns, W i' Rams ay, Fergusson, and Burns: The f irst tw a cauld are in their urns, Their s auls at rest: Now weeping Caledonia mourns, Him last and be . t s GLASGOW: p r in t e d fo r a n d so l d b Y Brash Reid. & �CHARACTER OF ROBERT BURNS, WITH OBSERVATIONS on Hi s W RITINGS. R O B E R T B U R N S was literally a ploughman, but neither in that state of servile dependance, or degrading ignorance, which the situation might bespeak in this country . He had the common education of a Scotch peasant, perhaps something more, and that spirit of independence, which is sometimes to be found, in a high degree, in the humbles classes of society. He had genius sarting t t y e b ond the obsacles of poverty, and which would have t disinguished itself in any situation. t His early days were occupied in procuring bread by the labour of his own hands, in the honourable talk of cultivating the earth, but his nights were devoted to books and the muse, except when they were wase d in those t haunts of village fesivity, and in the indulgences of the t social bowl, to which the poet was but too immoderately attached in every period of his life. He wrote not wi th a view to encounter the public eye, or in the hope to c o r pure fame by his productions, but to give vent to the feelins g of his own genius—-to indulge the impulse of an ardent and poetical mind. �( 3 ) B u rn s, fro m am bition, or fro m th a t r e s l e ss ac tiv ity , t w hich is th e peculiar ch arac te ris i c of his c o u n try m en , t p o sed to em ig rate to Jam aica, in o rd er to seek his fo rtu n e r o b y th e exertion of th o se talen ts of w h ich he felt h im self p o ssessed. It w as upon this occasion, th a t one of his friends su g g e s e d to h im th e idea of publish in g his poem s, in o rd er t to ra ise a few pounds to defray th e expences of his p a ssage. T h e idea w as eagerly em braced. A cheap edition of his po em s w as fi r st p u b lished at K ilm arn o ck . T h e y w e re soon n o ticed b y th e g en tlem en in th e neig h b o u rh o o d . Proofs of such u n co m m o n genius, in a situ atio n so h u m b le, m ad e th e acquaintance of th e a u th o r eagerly so u g h t after. H is poem s reach in g E d in b u rg h , som e e x tracts, and a n account of th e a u th o r w e re in se rted in th e periodical p a p e r The Lounger, w h ic h w as a t th a t tim e in th e course of p u b licatio n . T h e voyage of th e a u th o r w as delayed in th e ho p e th a t a suitab le p ro v ision w o u ld be m ade fo r h im by th e g e n e ro sity of th e public. A subscription, w as set on foot for a n ew edition of his w o rk s, an d w as fo rw ard ed b y th e exertions of som e of th e firs c h a ra c ters in Scotland. t T h e su b scrip tio n lis contains a g re a te r n u m b e r of r e spectab t le nam es th a n alm os hav e ever ap p eared to an y sim ilar t p ro d u c tio n ; b u t as th e boo k w as set a t a low price, w e hav e re a son to k n o w th a t th e re tu rn to th e a u th o r w as n o t v ery considerable. B urns w as b ro u g h t to E d in b u rg h , for a few m o n th s ev ery w h e re in v ited an d caressed, an d a t last one o f his p atro n s p ro cu red h im th e situ atio n of an Excisem a n , w ith an incom e of so m ew h at less th a n 50I. p e r a n n u m . "We believe, th a t no se p s w e re ta k e n to b e tte r th is t hm incom e, an d h e w as soon disg u s e d w ith his situ a tio n . ub le t H is talen ts w e re often obscured , an d finally im p aire d by excess, an d his p riv a te circumsta n c e s w e re im b itte re d b y p ecuniary d istress. W ith regard to his Poems, it has been ju stly observed. �(4 ) that, without the apologies arising from his stuation in life, i they are fully entitled to command our feelings, and to obtain our applause. Some of his productions, especially those of the grave sy le, possess a high tone of feeling, a t power and energy of expression, particularly and srongly t characterisic of the mind and the voice of a Poet. Of the t solemn and sublime, the Poems entitled The Vis ion, D esp ondn,y ec The Lam ent, W in ter, a Dirge, and the Invocation to R uin , afford sri k in g examples. Of the tender and the t r oal, m many advantageous specimens may be found, in the Elegiac Verses, intitled M a n w as made to mourn, in The Cottar' s Saturday night, the Stanzas to a M ou e , and those to s a M ountain Daisy . There is scarcely an image more truly pastoral than that of the Lark, in the second Stanza of the last mentioned Poem. It is one of those strokes that mark the pencil of the Poet, which delineates nature with the delicate colouring of beauty and of taste. Against some passages of his Poems it has been objected, that they breathe a spirit of libertinism and irreligion. But it ought to be considered that he attacks only the ignorance and fanaticism of the lower class of people, a fanaticism of that pernicious sort which sets faith in opposition to good works. Of religion he expresses, in several places, the jus e st t sentiments, though he has been sometimes sufficiently open in his ridicule of hypocrisy. Such, we believe, is the faithful portrait of a man, who in his compositions, has discovered the force of native h our, the warmth and tenderness of paso n , the glowing m u i s touches of a descriptive pencil, and that honest pride and independence of soul whc h are often the Muses only i dower.—-A man who was the pupil of nature, the Poet of inspiration, and who possessed, in an extraordinary degree, the powers and the failings of genius. �MONODY. M elpomene , thou mournfu’ muse, Dinna to aid me now refuse, My paper mony a tear bedews, My heart’s like lead, Now while I write the waefu’ news, That Robin’s dead, II. For serling genius, blyth and free, t Fam’d Robin’s match when shall we see? Ye sons o' music rise and gie A waefu’ screed, The pith and saul o’ mirth and glee Wi’ Burns are fled. III. Ye lasses, gathering heather bells, By Scotia's mosses, glens, or fells, Ye bardies “ crooning to yoursels’' By burn or brae, Echo thro' a’ her hills and dells The sang of wae; IV. He sang of nature’s “ soggage green," And a' her sweets that charm our een, In strains that ne’er shall fail, I ween, Our sauls to cheer; For in a crack they drive the spleen Frae a’ that hear. V. In spring, when Sol span out the day, And Boreas’ blass were fled away, t Sax rood of ground Rab o’er could lay, Syne on his reed, At night untir’d fine could he play, But ah! he’s dead. �( 6 ) V I. He lash’d the canting whining race, Wha wear an artificial face, Tho’ blest wi’ kirks, or out of place Rab did na care, Hypocrisy weel could he trace And ne’er did spare. V II. His Ordination, Holy Fair, And Pries wha like a calf did rair, t Some thought these hurt religion fair. That heav’nly maid, But what was wrang Rab wadna spare, For a’ they said. VIII. And whan he sings the Holy Fair, W hat man of sense can ca’ it mair? Tho’ bigotry, with ideot-sare, t Offence may tak ; Yet pure religion when or where Does he attack ? IX. Na, na, religion heav’nly fair! Thy dictates Rab did ay revere,. And tho’ he did na practise mair, Yet ah! waes me, Whare dwalls the man that disna err As well as he? X. He paints religion a’ fae sweet, As true devotions fire may beet; But satyrizes most complete And fair taks aff, A' them that mix our heav’nly wheat W i’ common c ’aff. �( XI. ) 7 L et poor dull rhymers rack their brains, His native wild enchanting srains t Shall charm a’ Caledonia’s swains, Baith young and aul, While mountain dais es -deck our plains They’ll touch the saul. XII. And far awa, as weel’s at hame, His merit shallb e kend the same ; For time shall dry up baith the Thame And silver Tweed, Before he shall destroy the fame Of him now dead. XIII. Ambitious fools hae mony a time Striven to outrival Robin’s rhyme; But pith was wanting—poor dull chyme Was a’ they gied; Rab was the boy hit a’ things prime, But ah! he’s dead. XIV. Parnassus’ basards, mony a gelping, t Hae deev’d us wi’ their dinsome yelping; But his sweet fangs ne’er needed helping. To send to prent; F or rank and file his words cam’ skelping, Afore he kent. XV. Some feckless rhymers’ wit’s fae scarce They’re pinch’d to screed an antrin verse; But Robin’s fertile muse was fierce, And slout and baul': H er pithy style had power to pierce The very saul. �( 8 ) XVI. H is death wi’ Tar mair grief we learn, T hat on reflection we d iscern, Lang might we had our favorite bairn, In health fu’ sicker: O cnrfe the fallows did him learn To toom the bicker. XVII. O dool ! that e’er he left the plough, And took him to a trade was new, And bade sweet Temperance adieu! For wae to tell, Then up like W atson's cock he flew, And tint himself. XVIII. But let us not, as chatt’ring fools, "Proclaim his fauts, like envy’s tools Wha seek out darkness jus like owls, t Dark, dark indeed; But a' his failings co’er wi’ mools, Now since he’s dead. XIX. As bright a genius death has torn, Frae us, as Scotia did adorn, L ike Phoebus whan he springs at morn, Clear was his head; W hat news could mak’ us mair forlorn, Than Robin’s dead? XX. The winter nights I’ve cheer’d by turn W i’ Ramsay, Fergusson, and Burns: The firs twa cauld are in their urns, t Their sauls at rest : Now weeping Caledonia mourns, Him las and best. t F I N I S. � https://scottishchapbooks.lib.uoguelph.ca/files/original/e08315ac577e02092ff401fa881d710b.jpg 5d0b8fa6411525025459cccf0d7e13d0 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Monody on the Death of Robert Burns. To which are prefixed, Observations on his Character and Genius. Identifier An unambiguous reference to the resource within a given context <a href="https://ocul-gue.primo.exlibrisgroup.com/permalink/01OCUL_GUE/mrqn4e/alma9953133953505154">s0141b34</a> Is Part Of A related resource in which the described resource is physically or logically included. Chapbook #6 &nbsp;and #30 in a bound collection of 54 chapbooks Description An account of the resource Quoted on title-page: "The winter nights I've chear'd by turns, Wi' Ramsay, Fergusson, and Burns: The first twa cauld are in their urns, Their souls at rest: Now weeping Caledonia mourns, Him last and best. Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Observations on his character and genius Date A point or period of time associated with an event in the lifecycle of the resource [1797?] per National Library of Scotland Extent The size or duration of the resource. 8 pages Subject The topic of the resource Burns, Robert, 1759-1796 Is Referenced By A related resource that references, cites, or otherwise points to the described resource. <a title="National Library of Scotland" href="http://www.nls.uk/">National Library of Scotland&nbsp;</a> ESTC#: T41385 Contributor An entity responsible for making contributions to the resource Archival and Special Collections, University of Guelph Library, Guelph, Ontario, Canada Rights Information about rights held in and over the resource In the public domain; For high quality reproductions, contact Archival & Special Collections, University of Guelph. libaspc@uoguelph.ca, 519-824-4120, Ext. 53413 Format The file format, physical medium, or dimensions of the resource JPEGs and PDF derived from master file, which was scanned from the original book in 24-bit color at 600 dpi in TIFF format using an Epson Expression 10000XL scanner. Publisher An entity responsible for making the resource available Glasgow: Brash & Reid # of Woodcuts: 0 Chapbook Date: 1791-1800 Chapbook Genre: elegy Chapbook Genre: poetry Chapbook Publisher - Glasgow: Brash & Reid https://scottishchapbooks.lib.uoguelph.ca/files/original/7c5d0ac35ca5c744eff21996e4884b99.pdf d9b1181fb96da08c2e195113279fce58 https://scottishchapbooks.lib.uoguelph.ca/files/original/7d0d33f17c1f176cfb09c51faa53d7d2.jpg 326eb47084f306ec63d81c3b09572d8c Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Monsieur Tonson: A Tale. Writtten by Mr. Taylor, and Recited in London by Mr. Fawcet, To crowded audiences with Universal Applause. Identifier An unambiguous reference to the resource within a given context <a href="https://ocul-gue.primo.exlibrisgroup.com/permalink/01OCUL_GUE/mrqn4e/alma9953133953505154">s0141b34</a> Is Part Of A related resource in which the described resource is physically or logically included. Chapbook #22 in a bound collection of 54 chapbooks Description An account of the resource Quoted on title-page: "There liv'd as Fame reports, in days of yore, "At least some fifty years ago, or more, "A pleasant wight on town, named Tom King, "A fellow that was clever at a joke, "Expert in all the arts to teaze and smoke, "In short for strokes of humour quite the thing." Date A point or period of time associated with an event in the lifecycle of the resource [1796] per National Library of Scotland Extent The size or duration of the resource. 8 pages Is Referenced By A related resource that references, cites, or otherwise points to the described resource. <a title="National Library of Scotland" href="http://www.nls.uk/">National Library of Scotland&nbsp;</a> ESTC#: T131002 Contributor An entity responsible for making contributions to the resource Archival and Special Collections, University of Guelph Library, Guelph, Ontario, Canada Rights Information about rights held in and over the resource In the public domain; For high quality reproductions, contact Archival & Special Collections, University of Guelph. libaspc@uoguelph.ca, 519-824-4120, Ext. 53413 Format The file format, physical medium, or dimensions of the resource JPEGs and PDF derived from master file, which was scanned from the original book in 24-bit color at 600 dpi in TIFF format using an Epson Expression 10000XL scanner. Publisher An entity responsible for making the resource available Glasgow: Brash & Reid Type The nature or genre of the resource ballads & songs # of Woodcuts: 2 Animal: bird(s) Bib Context: title-page Chapbook Date: 1791-1800 Chapbook Genre: poetry Chapbook Publisher - Glasgow: Brash & Reid