17
10
639
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https://scottishchapbooks.lib.uoguelph.ca/files/original/c80b19e865bb25ed64f26f664c5337d8.jpg
aeb3081bc54252d901962b852b36f04a
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Illustration on title-page of a tall ship at sea.
https://scottishchapbooks.lib.uoguelph.ca/files/original/5d8c78482499df09e8063f1995cd5d33.pdf
75338055f62b625882f2b5db9ddb43c1
PDF Text
Text
George and Britain Save;
o wh c
\ d ed.
The Plowman's Dittv,
Lay thy loof
in Mine, Lassie,
By Logan Streams.
STIRLING:
P R I C E D BY W MACNIS«
1S&5.
�I
G E ^ R G E A N D BR T U N S A V E .
W h i h reeds of Uei! deface the world,
and Gallia% thfon; in iuin lies.
Whil r und be wo id n v o t t is burlNl,
and Dhco*d># banefuii boni er fi e f .
Loud s all th loyal Briton sii>g
T o a r ^ s ! to arms ! your biiCAlers biiag f
T o s i 4d . ur C o u n t r y gua d our Kiag,
And George and Britain save*
Nc^er t>hall th* d*sol#ti: g wOp,
Th 1 sh* es iviti ho. ror Europe o'ar,
T o u«
U hideous iim c s ew\
Of 1 ep in bio m this happy ihore*
Firm a* out lock-bouod i J e we'll &tMid,
Wi;h *va'chfuJ eye an^i iion batii,
T 6 wit:l«i the n r ^ h t ot Biiiain'ft land,
A n d G orge anci Britain save-
/
T h i e wUe t r e a t i n g f r u *y buma*
A n i p i o s t w e netim> iiiourn in rflgflf,
Hi^rrly
e \ c th* Baton turns
To Edward*® an4 ra H m a i ' i
/
/
V
�5
A« o'er tft ir c o r q u e r i n g U r n h* suh&,
T o u e h ' d b y t e ; r fitness p r o u d fi e h i cries>
M
T h u s o ' e r o u r foes «*ell evfcr ri e ,
gt
A n d G e o r e a n d B i i a t a •ive.'*
0 f t F«RCy viawg t h e m on t h e d e a p ,
A n d t u r n i n g u t h .ir
ia-ron» roll,
W h e r e g r e a t EHz t * a hes s l e - p ,
W i t h t r i u m »h fills e a c S
'ritoraS soul*
A s D r a k e an J Raleigh e t c h (he g l a n c e t
11
Advance
h e c i t*, r a s i f ioU a i v a n e e I
T h e g r v* of ^pai» sh II
4<
p a for P r a n c e t
And G e o r g e a id B r i t o n $ a v e V
"What prompts these restless foes of life
T o dare our dreaded arms again ?
W h a t , but the hope that party strife
H a s broke Britannia s shield in twain ?
B u t know thev not, when F r a n c e is near,
T b e war of tongues' is silent here,
T h a t all my grasp B r i t a n n i a ' s spear,
A n d G t o r g e and Britain save,
N e ' e r in the pinch of Britain's F a t e ,
Shall Statesmen's rival Feuds be known,
O r Faction strive, with thwarting hate,
T » break the British B u l w a r k d«wn ;
�4
N o ! round the Alter of our Land,
Llnk v d in one soul, the British Bar<!#
$iiall firm in sacred Union stand,
And George and Britain Save.
Though Moral Order sink to the ground.
Though all thi' Virt ues trodden lie
Though Fury tear the nations round,
And Blood «nd Rapine fill each eye J
N e ' e r khall rhe Storm here turn his flight;
While Britinh hearts at home*unite
To gaide our thought, to guard our rigbfc,
And George and Britain save.
O happy I*le 1 wise ordered State \
Well tempered work of Freedom's
N o shock of realms can touch thy Fato
If Union binds thy §^a-girt Land :
Vniiily the «torm shall round thee ring.
While Britain's Sons in concord sing,
4i
We'll shield our country guard our
i{
And George and Britain save/*
THE PLOWMAN S DITTY.
B'-c.^We I'm but poor,
And slendor my store,
�5
Bhat I've nothing to lose is the cry p
L e t who will declare it,
I vow I can't bea» it,
I give all such prater® the lie.
Tho* my house is but small,
Y e t to have none at all,
W#«ld sure be a greater distress, Sir,
Shall my garden, so sweet,
And my orchard, so neat,
Be the prize of a foreign oppressor ?
On Saturday's night,
Tis still my delight,
W i t h my wages to run home the faster,
But if Frenchmen rule here,
T may look far and near,
But I never shall find a Pay-master.
4
I>ve a dear little wife,
W h o m I love as my life,
T * lose her f should not much like,
And it would make me run wild.
T o see my sweet child,
W i t h it's head on the point of a pike.
I've my Church too to save,
And will go to my grave
�§
lit defence of a Church that's the best}
my King, too, God bless hiro,
L e t no one oppress him
F t r Bene has be ever opprest,
British Laws for my guard,
M y cottage is barr'd j
x
Tis safe in the light or the dark,
If the 'Squire shou'd oppress,
1 get instant redress,
M y Orchard's as safe as his P a r k .
M y Cot is my Throne,
W h a t 1 hare is m< own,
A»4 what is my own 1 will keep,
Should Boni come now,
' T i s true 1 may plow,
B u t I'm sure that I never shall reap*
N o w do but reflect
W h a t 1 have to protect \
T h e a doubt if to fight 1 shall choose,
King, Church* Babes and Wife,
Laws, Liberty, Life,
N e w tell me 1 have nothing to lose.
Then I'll beat my ploughshare
To a sword or a sptar,
�And rush on those desperate m e n :
L i k e a lion I'll fight>
That my spear, now so bright,
M a y soon turn to a ploughshare again I
L A Y T H Y L O O F IN M I N E L A S S .
• L a y thy loof in mine
In mine lass, in mine las?,
And sweat on thy white hand. Lass,
T h a t thou wilt be m
ain.
A slave to love s unbounded swav»
H e aft has wrought me m d k l e wae
i u t now he is mv deadly fae
Unless thou be mine ain.
O l*v thv loof in mine Las«.
)n mine Lass in mine Lass, &<?«
monk? a Las;? has broke my m t ,
That for a blink 1 ha o lo < d best j
l i t thou art Queen mthitt my breast,
Fqv evtr to remain*
0 lay tby loof U\ m m Lans,
In mine Laua in m m I<aw«
A&d Bweav on thy white Imml, h m ,
T h a t thou wilt be tny aia*
Tfcsce's
�8
-Dear L a d gin we'll be lee.l and true,
T h e r e ' s nane 1 like sae weel as \ou f
there's mv loof I swear and vow f
F o r life to be vonr ain.
H o w there's m loof in thine Lad»
fo thine L * d , Jn thine L a d
h hopes you will prove kin* L a d *
And tak me for vour ain.
BY LOGAN S
REAMS.
B y L o g a n streams that rins sae deep^
H o w a f t wi' jalre l y e herded >h» ep f
H e r d e d sheep and gather'd slaes.
W i ' my dear lad on Logan brae*.
B u t lacVa-r.ee ! these da
are gane,
And 1 wi' grief mav benl my lane
While mv dear lad mauu fare bis faea,
F a r , far frae me and Lo^an braes,
N a e mair at Lotrnn k u n will b©
Atsveen the preaching* meet wi* me j
M e e t wi' me and when i t s m u k ,
Convev me hame frae Logan Mrk.
W e e ! may I sing the days are gane,
F r a e kirk or fair I come mv lans j
While mv dpar lad maun face his f g ^
F a r f a r lYas me an«! Logan braes*
FiNIS.
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N o ! round the Altc;r of our L a n d ,
B h a t I ' v e nothing to lose is the cry \
Link v d in one soul, the British B a r 3 ,
L e t who will declare it,
$iiall firm in sacred Union stand,
I vow I can't bea» it,
And George and Britain Save.
Though Moral O r d e r sink to the ground,
Though nil th^ V i r t u e s trodden lie
Though F u r y tear the nations round,
And Blond Bud Rapine fill each eye 5
f
N e e r Jiall rlie Storm here turn his (light;
W h i l e Britinh hearts at home* unite
T o gaide our thought, to guard our r i g h t ,
And George and Britain save.
O happy Isle ' wise order'd State \
W e l l tempered work of Freedom's h&nd^
I give all such prater* the lie.
T h o ' my house is but small,
Y e t to have none at all,
Wetild sure be a greater distress, Sir,
Shall my garden, so sweet,
And my orchard, so neat,
• e the prize of a foreign oppressor ?
On Saturday's night,
' T i s still my delight,
W i t h my wages to run home the faster,
B u t if Frenchmen rule here,
N o shocjl of realms can touch thy F a t e
T may look far and near,
I f Union binds thy S-a-gii t L a n d :
But I never shall find a P a y - m a s t e r .
Vainly the «torm shall round thee ring.
While Britain's Sons in concord sing,
" W e ' l l shield our country guard our
And George and Britain save/*
P v e a dear little wife,
W h o m I love as my life,
T * lose her F should not much like,
And i t would make me run wild.
T o see my sweet child,
THE P L O W M A N S DITTY-
W i t h it's head on the point of a pike.
B'-c m<- I ' m hut poor,
I ' v e m y Church too to save,
And slendor my store,
A n d will go to m y grave
�4
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G E O R G E A N D BR T U N S A V E .
Whil* reeds of IIei! deface the world,
and Gallia's th?on; in iuin lies.
Whil r nod he wo Id n volt is butM,
and Di*co r d^ banefuU b°nr tr fi e f .
Loud s bll t*i loyai Brit on sing
T o arms ! to artos ? your hiiCAlers bitog t
T o s v i ld • ur Court'y gua d our Kiog f
And George and Britain savec
Ht^er shall thV d^solsti: g wbP t
Th t sh* es wit'i ho.rur Europe o'tf,
T o u« is niveous inn e s ew,
O r 1 ep in bio jo this happy dhore*
Jirm a* out lock-bound ule we^U *imiB
Wiih watchful eye ana iton baiil,
T i witda the niftght ot Britain'* b a d ,
Ami G orge ana Bnt-in save*
•J
.;
'r •
\
"TW e wlio thjeatia^ frtr,*y barnl.
And piostrare i ^ e t l m tiiourn in
tli^rrly 1ms e \ e lU* Baton turns
To E o w A f t ^ s ana to H s a i t f ' a
And rush on tho«e desperate men i
L i k e a lion I'll fight \
That my spear, now so bright,
May soon turn to a ploughshare again |
L A Y T H Y L O G F IN M I N E LASS.
0 L a y thy loof in mine
In mine lass, in mine lass*
And sweat on toy white hand ; Lass,
That thou wilt be ov ain.
A slave to love s unbounded sway,
Me aft has wrought me meikle wae
But now he is mv deadly fae
Unless thou be mine ain,
O Itfv thv loof in mine Las<
la mine Lass in mine Lass, See*
monle a Lass ha* broko my m t f
That for a blin* 3 ha« lo< d btst \
Bat thou art Queen within my b ^ a t f ,
X?or evfer to
0 lay thy loof in m m
Tfcare's
In mitm trm
in mrm l.m**
A*d sweav on thy white Imnd, h m ,
That thou wilt be my
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Woodcut 071: Title-page illustration in single ruled border of a tall ship at sea.
Document
A resource containing textual data. Note that facsimiles or images of texts are still of the genre text.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
George and Britain save; to which was added, The plowman's ditty, Lay thy loof in mine, lassie, By Logan Streams
Alternative Title
An alternative name for the resource. The distinction between titles and alternative titles is application-specific.
The plowman's ditty, Lay thy loof in mine, lassie
Date
A point or period of time associated with an event in the lifecycle of the resource
1825
Extent
The size or duration of the resource.
10 pages
15 cm
Identifier
An unambiguous reference to the resource within a given context
<a href="https://ocul-gue.primo.exlibrisgroup.com/permalink/01OCUL_GUE/mrqn4e/alma9923321943505154">s0410b38</a>
Contributor
An entity responsible for making contributions to the resource
Archival and Special Collections, University of Guelph Library, Guelph, Ontario, Canada
Rights
Information about rights held in and over the resource
In the public domain; For high quality reproductions, contact Archival & Special Collections, University of Guelph. libaspc@uoguelph.ca, 519-824-4120, Ext. 53413
Format
The file format, physical medium, or dimensions of the resource
JPEGs and PDF derived from master file, which was scanned from the original book in 24-bit color at 600 dpi in TIFF format using an Epson Expression 10000XL scanner.
Publisher
An entity responsible for making the resource available
Stirling: W. Macnie
Source
A related resource from which the described resource is derived
Archival & Special Collections, University of Guelph Library, Guelph, Ontario
Type
The nature or genre of the resource
ballads & songs
Subject
The topic of the resource
Chapbooks - Scotland - Stirling
Description
An account of the resource
Woodcut #71: Illustration on title-page of a tall ship at sea.
# of Woodcuts: 1
Bib Context: title-page
Chapbook Date: 1821-1830
Chapbook Genre: ballads & songs
Chapbook Publisher - Stirling: W. Macnie
Outdoor Scene
Transportation: ship/boat(s)
-
https://scottishchapbooks.lib.uoguelph.ca/files/original/93b5131148f41568dd603a4725fbbf57.pdf
a864568749ef8b9d84fccf38aac49eb9
https://scottishchapbooks.lib.uoguelph.ca/files/original/4452731759ed1ba50fd548f05ca54120.jpg
d7fab0e341ccc48dc4965018fbfeac30
Document
A resource containing textual data. Note that facsimiles or images of texts are still of the genre text.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
George Barnwell. An Old English Ballad. Upon Which The Chief Incidents In The Tragedy of George Barnwell Are Founded.
Identifier
An unambiguous reference to the resource within a given context
<a href="https://ocul-gue.primo.exlibrisgroup.com/permalink/01OCUL_GUE/mrqn4e/alma9953133953505154">s0141b34</a>
Date
A point or period of time associated with an event in the lifecycle of the resource
[1796?] per National Library of Scotland
Extent
The size or duration of the resource.
16 pages
Is Part Of
A related resource in which the described resource is physically or logically included.
Chapbook #45 in a bound collection of 54 chapbooks
Subject
The topic of the resource
Ballads and songs
Is Referenced By
A related resource that references, cites, or otherwise points to the described resource.
English Short Title Catalogue T184508
<a title="National Library of Scotland" href="http://www.nls.uk/">National Library of Scotland</a>
Alternative Title
An alternative name for the resource. The distinction between titles and alternative titles is application-specific.
The London merchant: or, the history of George Barnwell
Contributor
An entity responsible for making contributions to the resource
Archival and Special Collections, University of Guelph Library, Guelph, Ontario, Canada
Rights
Information about rights held in and over the resource
In the public domain; For high quality reproductions, contact Archival & Special Collections, University of Guelph. libaspc@uoguelph.ca, 519-824-4120, Ext. 53413
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
London, England
Format
The file format, physical medium, or dimensions of the resource
JPEGs and PDF derived from master file, which was scanned from the original book in 24-bit color at 600 dpi in TIFF format using an Epson Expression 10000XL scanner.
Source
A related resource from which the described resource is derived
Archival & Special Collections, University of Guelph Library, Guelph, Ontario
Publisher
An entity responsible for making the resource available
Glasgow: Cameron & Murdoch
Type
The nature or genre of the resource
ballads & songs
# of Woodcuts: 0
Chapbook Date: 1791-1800
Chapbook Genre: ballads & songs
Chapbook Publisher - Glasgow: Cameron & Murdoch
-
https://scottishchapbooks.lib.uoguelph.ca/files/original/d752c2cb4a39052ff2d1c9169c4b10d2.pdf
585f0997f0520a3d67347ef3de598601
https://scottishchapbooks.lib.uoguelph.ca/files/original/c82dba7cda60e4ed604e7dfb74c71d3d.jpg
ce856c78af1c376efab609addf77ea0b
Document
A resource containing textual data. Note that facsimiles or images of texts are still of the genre text.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Gil Morrice. A Scottish Ballad. Upon which The Chief Incidents In the Tragedy of Douglas are Founded.
Identifier
An unambiguous reference to the resource within a given context
<a href="https://ocul-gue.primo.exlibrisgroup.com/permalink/01OCUL_GUE/mrqn4e/alma9953133953505154">s0141b34</a>
Date
A point or period of time associated with an event in the lifecycle of the resource
[1796] per National Library of Scotland
Extent
The size or duration of the resource.
8 pages
Is Part Of
A related resource in which the described resource is physically or logically included.
Chapbook #46 in a bound collection of 54 chapbooks
Subject
The topic of the resource
Ballads and songs
Is Referenced By
A related resource that references, cites, or otherwise points to the described resource.
ESTC T185320
<a title="National Library of Scotland" href="http://www.nls.uk/">National Library of Scotland</a>
Description
An account of the resource
Quoted on title-page,: "His hair was like the threeds of gold, Drawne frae Minerva's Loome: His lipps like roses drapping dew, His breath was a ' perfume. His brow was like the mountain snow Gilt by the morning beam: His cheeks like living roses glow: His een like azure stream."
Contributor
An entity responsible for making contributions to the resource
Archival and Special Collections, University of Guelph Library, Guelph, Ontario, Canada
Rights
Information about rights held in and over the resource
In the public domain; For high quality reproductions, contact Archival & Special Collections, University of Guelph. libaspc@uoguelph.ca, 519-824-4120, Ext. 53413
Format
The file format, physical medium, or dimensions of the resource
JPEGs and PDF derived from master file, which was scanned from the original book in 24-bit color at 600 dpi in TIFF format using an Epson Expression 10000XL scanner.
Source
A related resource from which the described resource is derived
Archival & Special Collections, University of Guelph Library, Guelph, Ontario
Publisher
An entity responsible for making the resource available
Glasgow: Cameron & Murdoch
Type
The nature or genre of the resource
ballads & songs
# of Woodcuts: 0
Chapbook Date: 1791-1800
Chapbook Genre: ballads & songs
Chapbook Publisher - Glasgow: Cameron & Murdoch
-
https://scottishchapbooks.lib.uoguelph.ca/files/original/b1685e9ba97b673ff35429fb2e042744.jpg
4fde162cab5051d0a7a216d371e5aef6
Dublin Core
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Title
A name given to the resource
Illustration on title-page of a young woman in profile
sitting with hands crossed on lap, gazing downwards.
https://scottishchapbooks.lib.uoguelph.ca/files/original/f063fbc13f66ac992cbb9911f766af94.pdf
e9556fdd350c0082e8b26c1aea66fc6e
PDF Text
Text
GLASGOW PEGGY;
TO WHICH IS ADDED
THE FAVOURITE BALLAD OF
THE DROWNED
LOVERS.
GLASGOW:
PRINTED FOR THE BOOKSELLERS.
74.
�GLASGOW PEGGY
A
B O N N I E laddie brisk and gay,
A handsome youth sae brisk and gaddie;
And he is on to Glasgow town,
To steal awa' his bonnie Peggy.
When he came into Glasgow town*
Upon her father's green sae steady ;
" C o m e forth, come forth, old man," he says,
44 For I am come for bonnie Peggy."
Out it spake her father then,
" Begone from me, ye Highland laddie ;
There's nane in a' the west country
Dare steal from me my bonnie Peggy."
I've ten young men all at my back,
That ance to me were baith true and steady;
If ance I call, they'll soon be nigh,
And bring to me my bonnie P e g g y . "
w
Out it spake her mother then,
Dear but she spake wond'rous saucy;
Says, " Ye may steal my cow or ewe,
But I'll keep sight o' my am lassie."
�3
" Hold your tongue, old woman," lie says,
" Ye think your wit it is fu ready ;
For cow nor ewe I ever stole,
But I will steal your bonnie Peggy."
f
Then all liis men they boldly came,
That was to him baith true and steady;
And through the ha' they quickly went,
And forth they carried bonnie Peggy.
Her father gae mony shout and cry.
Her mother cursed, the Highland laddie
But he heard tliem as he heard them not,
But-fix'd his eye on bonnie Peggy.
He set her on his milk-white steed,
And he liimsel' on his grey naigie,
Still along the way they rode,
And he's awa' wi' bonnie Peggy.
**
Says, " I would gi'e baith cow and ewe,
And sae would I this tartan plaidie,
That I was far into the north,
And alang wi' me my bonnie Peggy."
As they rode down yon pleasant glen,
For trees and brambles were right mony
There they met the Earl o' Hume,
And his young son, were riding bonnie.
Then out it spake the young Earl Hume,
Dear but he spake wond'rous gaudie ;
" Ijai wae to see sae fair a dame
Riding alang wi' a Highland laddie."
�4
" Hold your tongue, ye young Earl Hume,
0 dear but you do speak right gaudie ;
There's nae a lord in a* the south,
Dare e'er compete wi' a Highland laddie/'
Then he rade five miles through the north,
Through mony hills sae rough and scroggie,
Till they came down to a low glen,
And he lay down wi' bonnie Peggy.
Then he enclosed her in his arms,
And row'd her in his tartan plaidie ;
" There are blankets ^and sheets in my father's house,
How have I lien down wi' a Highland laddie! "
Says he, " There are sheep in my father's fauld,
And every year their wool is ready ;
By the same our debts we pay,
Although I be but a Highland laddie.
" There are fifty cows in my father's byre,
That all are tyed to the stakes, and ready;
Five thousand pounds I ha'e ilk year,
Although I be but a Highland laddie.
" My father has fifty well shod horse,
Besides your steed and my grey naigie ;
I'm Donald o' the Isle o' Sky,
W h y may not you be ca'd a lady ?
* See ye not yon fine castle,
On yonder hill that stands sae gaudie ;
And there we'll win this very night,
Where ye'll enjoy your Highland laddie."
4
�THE DROWNED
LOVERS
stands in his stable door,
And clapping at his steed ;
And looking o'er his white fingers
His nose began to bleed.
WILLIE
Gi'e-corn to my horse, mother,
And meat to my young man ;
And I'll awa' to Meggie's bower,
I'll win ere she lie down."
44
O bide this night wi* me, Willie,
0 bide this night wi' me ;
The best an' cock o' a' the reesfc
At your supper shall be."
44
*4 A' your cocks, and a* your reests,
1 value not a prin ;
For I'll awa' to Meggie's bower,
I'll win ere she lie down."
" Stay this night wi' me, Willie,
0 stay this night wi' m e ;
The best an' sheep in a' the flock
At your supper shall b e . "
A ' your sheep, and a' your flocks,
1 value not a prin ;
For I'll awa' to Meggie's bower,
I'll win ere she lie down."
44
" 0 an' ye gang to
Sae sair against
The deepest pot in
My malison ye's
Meggie's bower,
my will;
Clyde's water.
feel.
�6
" The gude steed that I ride upon,
Cost me thrice thretty pound ;
And I'll put trust in his swift feet,
T o ha'e me safe to land."
\r
As he rade ower yon high, high hill,
And down yon dowie den,
The noise that was in Clyde's water
Would fear'd live huner men.
" O roaring Clyde, ye roar ower loud,
Your streams seem wond'rous Strang,
Make me your wreck as I come back,
But spare me as I gang."
Then he is on to Meggie's bower,
And tirled at the pin ;
44 O sleep ye, wake ye, Meggie," he said,
44 Ye'll open, lat me come i n . "
" O wha is this at my bower door,
That calls me by my name ? "
44 It is your first love, sweet Willie,
-This night newly come hame."
I ha'e few lovers thereout, thereout,
A s few ha'e I therein ;
The best an' love that ever I had,
Was here ju-st late yestreen."
44
The warstan stable in a' your stables,
For my puir steed to stand ;
The warstan bower in a' your bowers,
For me to lie therein:
My boots are fu' o' Clyde's water,
I'm shivering at the chin."
44
�7
" My barns are fu' o' corn, Willie,
My stables are fu' o' h a y ;
My bowers are fu' o' gentlemen,
They'll nae remove till day."
" O fare-ye-well, my fause Meggie,
0 farewell, and adieu ; *
I've gotten my mither's malison,
This night coming to you."
As he rode ower yon high, high hill,
And down yon dowie den ;
The rushing that was in Clyde's water,
Took Willie's cane frae him.
He lean'd him ower his saddle bow,
To patch his cane again ;
The rushing that was in Clyde's water,
Took Willio's hat frae him.
He lean'd himto'er his saddle bow,
To catch his hat through force.;
The rushing; that was in Clyde's water.
Took Willie frae his horse.
His britlier stood upo' the bank,
Says, " Fye, man, will ye drown?
Ye'11 turn ve to your high horse head,
And learn how to sowni."
" How can I turn to my horse head,
And learn how to sovvm ?
I've gotten my mither's malison,
It's here that I maun drown!"
The very hour this young m?n sank
Into the pot sae deep,
�8
Up waken'd his love, Meggie,
Out o' her drowsy sleep.
" C o m e here, come here,,my mither dear,
And read this dreary dream ;
I dream'd my love was at our yates,
And nane wad let him in."
Lye still, I s t i l l now, my Meggie,
Lye still and tak' your rest;
Sin your true love was at our yates,
It's but twa quarters past."
44
Nimbly, nimbly, raise she up,
And nimbly pat she on ;
And the higher that the lady cried,
The louder blew the win'.
The first an* step that she stepp'd in,
She stepped to the queet:
" Ohon, alas ! " said that lady,
" This water's wondrous deep."
The next an' step that she wade in,
She wadit to the knee ;
Says she, 44 1 could wade farther in,
If I my love could see."
The next an' step that she wade in,
She wadit to the chin ;
The deepest pot in Clyde's water
She got sweet Willie in.
" You've had a cruel mither, Willie,
And I have had anither;
But we shall sleep in Clyde's water,
Like sister an' like brither."
�
Dublin Core
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Title
A name given to the resource
Woodcut 070: Title-page illustration of a young woman in profile sitting with her hands crossed on her lap and gazing downwards.
Document
A resource containing textual data. Note that facsimiles or images of texts are still of the genre text.
Dublin Core
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Title
A name given to the resource
Glasgow Peggy; to which is added the favourite ballad of the drowned lovers.
Alternative Title
An alternative name for the resource. The distinction between titles and alternative titles is application-specific.
the favourite ballad of the drowned lovers.
Extent
The size or duration of the resource.
8 pages
16 cm
Identifier
An unambiguous reference to the resource within a given context
<a href="https://ocul-gue.primo.exlibrisgroup.com/permalink/01OCUL_GUE/mrqn4e/alma9923323403505154">s0411b21</a>
Description
An account of the resource
74 printed at foot of title page
Woodcut #70: Illustration on title-page of a young woman in profile sitting with hands crossed on lap, gazing downwards.
Contributor
An entity responsible for making contributions to the resource
Archival and Special Collections, University of Guelph Library, Guelph, Ontario, Canada
Rights
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In the public domain; For high quality reproductions, contact Archival & Special Collections, University of Guelph. libaspc@uoguelph.ca, 519-824-4120, Ext. 53413
Date
A point or period of time associated with an event in the lifecycle of the resource
1840-1850 per National Library of Scotland
Format
The file format, physical medium, or dimensions of the resource
JPEGs and PDF derived from master file, which was scanned from the original book in 24-bit color at 600 dpi in TIFF format using an Epson Expression 10000XL scanner.
Publisher
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Glasgow: Printed for the Booksellers
Source
A related resource from which the described resource is derived
Archival & Special Collections, University of Guelph Library, Guelph, Ontario
Type
The nature or genre of the resource
ballads & songs
Subject
The topic of the resource
Chapbooks - Scotland - Glasgow
Courtship and Marriage
# of Woodcuts: 1
Bib Context: title-page
Chapbook Date: 1841-1850
Chapbook Genre: ballads & songs
Chapbook Publisher - Glasgow: Printed for the Booksellers
Gender: woman/women
-
https://scottishchapbooks.lib.uoguelph.ca/files/original/8639624075a8fef947ad5d573d15922b.pdf
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Document
A resource containing textual data. Note that facsimiles or images of texts are still of the genre text.
Dublin Core
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Title
A name given to the resource
Glasgow: A Poem. To which is added, Prince Robert: An Old Scottish Ballad. (Never before published.)
Identifier
An unambiguous reference to the resource within a given context
<a href="https://ocul-gue.primo.exlibrisgroup.com/permalink/01OCUL_GUE/mrqn4e/alma9953133953505154">s0141b34</a>
Alternative Title
An alternative name for the resource. The distinction between titles and alternative titles is application-specific.
Prince Robert: An Old Scottish Ballad. (Never before published.)
Is Part Of
A related resource in which the described resource is physically or logically included.
Chapbook #19 in a bound collection of 54 chapbooks
Description
An account of the resource
Quoted on title-page: " Hail, Glasgow! fam'd for ilka thing That heart can wish or siller bring; Lang may thy canty Musics ring, Our souls to chear; And plenty gar thy childer sing, Frae year to year."
Woodcut image of an herald angel Finis on page 8.
Date
A point or period of time associated with an event in the lifecycle of the resource
[1797?] per National Library of Scotland
Extent
The size or duration of the resource.
8 pages
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Glasgow, Scotland
Is Referenced By
A related resource that references, cites, or otherwise points to the described resource.
<a title="National Library of Scotland" href="http://www.nls.uk/">National Library of Scotland </a>
ESTC#: T40823
Contributor
An entity responsible for making contributions to the resource
Archival and Special Collections, University of Guelph Library, Guelph, Ontario, Canada
Rights
Information about rights held in and over the resource
In the public domain; For high quality reproductions, contact Archival & Special Collections, University of Guelph. libaspc@uoguelph.ca, 519-824-4120, Ext. 53413
Format
The file format, physical medium, or dimensions of the resource
JPEGs and PDF derived from master file, which was scanned from the original book in 24-bit color at 600 dpi in TIFF format using an Epson Expression 10000XL scanner.
Publisher
An entity responsible for making the resource available
Glasgow: Brash & Reid
Type
The nature or genre of the resource
poetry
# of Woodcuts: 2
Animal: bird(s)
Bib Context: title-page
Chapbook Date: 1791-1800
Chapbook Genre: poetry
Chapbook Publisher - Glasgow: Brash & Reid
-
https://scottishchapbooks.lib.uoguelph.ca/files/original/a62085803cb3c771fb13d948d5f9fb30.pdf
c788ebd62530ee2b614dbff194a98340
Dublin Core
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Title
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Grimm Brothers "Cinderella"
Extent
The size or duration of the resource.
4 pages
Contributor
An entity responsible for making contributions to the resource
Archival and Special Collections, University of Guelph Library, Guelph, Ontario, Canada
Format
The file format, physical medium, or dimensions of the resource
JPEGs and PDF derived from master file, which was scanned from the original book in 24-bit color at 600 dpi in TIFF format using an Epson Expression 10000XL scanner.
Rights
Information about rights held in and over the resource
In the public domain; For higher quality reproductions, contact Archival & Special Collections, University of Guelph. libaspc@uoguelph.ca 519-824-4120, Ext. 53413
-
https://scottishchapbooks.lib.uoguelph.ca/files/original/64acf6d9d7f49b364238e7afd885bbab.pdf
d66dd590b96d3dbbabc88a028fcb90c1
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Grimm Brothers "Cinderella" PDF
Extent
The size or duration of the resource.
4 pages
Contributor
An entity responsible for making contributions to the resource
Archival and Special Collections, University of Guelph Library, Guelph, Ontario, Canada
Format
The file format, physical medium, or dimensions of the resource
JPEGs and PDF derived from master file, which was scanned from the original book in 24-bit color at 600 dpi in TIFF format using an Epson Expression 10000XL scanner.
Rights
Information about rights held in and over the resource
In the public domain; For higher quality reproductions, contact Archival & Special Collections, University of Guelph Library. libaspc@uoguelph.ca 519-824-4120, Ext. 53413
-
https://scottishchapbooks.lib.uoguelph.ca/files/original/3e25ec3d4b22f3b7681bfa26e33aec0d.pdf
3fc5a95c1d63ae4d8a6c6aa2dc414a6e
PDF Text
Text
GROANS
FROM THE
BELIEVERS'
GALLERY
ON THE
RESEATING OF THE "AULD WEST."
Aberdeen:
GEORGE
M I D D L E T O N , SKENE SQUARE.
1874.
��Groans from the Believers' Gallery.
It is a custom, and no doubt you know it,
With every suckling bard and would-be poet,
When brain or heart nears parturition's hour,
T' invoke the aid of Heaven, or some such power,
The Muse or St. John, angel-like or " dowdy,"
To act the part of intellectual " howdy,"
And bring to birth in all the pomp of form,
What in their " num skulls" raised so vast a storm.
Of course I know that in this age of reason,
Such invocation's little short of treason,
Since't has been shown (by reasons rather quizzical),
That such belongs t' th' stage called metaphysical;
And every cobbler that ere swill'd in " swats,"
Has learned from Bradlaugh and their Charles Watts,
That Heaven had never anything to spare,
Of what some folks call providential care.
But as for me, who, born out of season,
Finds faith the basis of all human reason,
I needs must when I'm in poetic plight,
Seek for some guardian soul to keep me right.
�4
Oh shed thy light my darkling page upon,
Thou bard of St. Cecilia, Glorious John !
A spice of wit be pleased to sprinkle on it
(You know there's little 'neath a Scotchman's bonnet),
Of grace and polish add a little share,
My limping lines be thy peculiar care;
For lines will limp when passion is not full,
And the keen edge of wit unused, turns dull:
I ask no guidance into nature's plan,
But rather sing of city life and man.
The big-wigs o' the West in conclave met,
To catch the fore-lock of Time's honour'd pate,
As recent circumstances raised the thought,
That certain alterations might be wrought
Within the Kirk, 0 venerable pile !
To make it more complete and of a style.
Who leads the van but Lawyer " Black-a-vis,"
In truth, I wot, a business man he is,
Straight as a bullet he goes to the mark,
To renovate our old ancestral ark;
Galleries and pulpit, railings, windows too,
Are swept within his comprehensive view
�5
As being out of keeping with the place,
Even tho' the biggin' got a whitewash'd face.
But who is this, of sullen portly mein
?
Big with the fate of Guildry-Fund's I ween,
Pompous as portly, learned—as he looks—
Cramfull of notions garbled from old books ;
In architectural technic, " he's nae blate,"
Echinus, talon, plinth, and stylobate,
He knows a torus from an astragal,
And glibly can give Latin for " brick-wall."
This is the Dean, the Lord Dean, some folks say,
Wha's been at E'nbro' for his F.S.A. !
But where's his Crispin poet, who " sans rogans"
Attempted with him lately to " mix moggans
He'd sing in loftier numbers than I can,
The greatness that belongs to little man ;
MacFlecknoe-like lift up the lauding lays.
And twine around his "stool" the poet's bays.
He is not here, and thus it falls to me
To chronicle the sage buffoonery.
?"
�Who's next, with voice so pleasing, soft, and low,
His nasal feature glorying in a glow
Which sheds a radiance o'er his homely face,
And adds a lustre where it wants a grace ?
" What will it cost?" is all he wants to know—
What will it cost!
Three hundred pounds or so,
To seat the area only of the Church,
And leave the " garret people " i' the lurch.
For't has been said by F.S.A. & Co.,
No vandal hands must to the galleries go,
They're part and parcel of old Gibb's plan—
Perfect! and wont improve by any man.
Quite right, they wont improve—then take them down,
The only frightful boxes in the town :
Dreary and dusty—death to ladies' wares—
Abandon comfort all that sit up stairs !
We all admit they're perfect in their way
If perfect nuisances they mean to say—
Where half the people hear but cannot see,
In very truth " believers''' they must be.
In front the Provost's dismal tester-bed,
Foot thick with dust, holds up its heavy head.
What then ? The same authorities declare
�7
The asthetic glory of the Kirk lies there !
Perchance the father to this flattering thought,
In luring fancy its illusion wrought,
With hopes as thick as midges i' the sun,
Of civic honours that may yet be won,
Hopes that its vacant pillars yet may grace
The stoic stillness of some stupid face.
Full well I know that once outside the kirk,
Into the " press" steps many a stately stirk,
To crush opponents, whom they cannot carry,
By the sheer weight of their vocabulary ;
Some will claim hearing by their strength of cash,
And social status consecrate their trash—
But we plain mortals of the upper-flats
Would reason with you,—Come, pray tell us, what's
Basilica to us, or we to it,
If by perpetuation we're to sit,
Behind the pulpit among dusty timmers,
Where sleep alone relieves us weary sinners ?
We want to hear and see as well as you,
Who sit beneath in easy, cushioned pew,
And all the bunkum you may choose to scrawl,
Of apsis, nave, pilaster, astragal,
Can never justify our seeming doom,
�8
To the perpetual shades of dust and gloom.
Just take a twal-month up 'mang th' believers,
Facts are the chiels that never turn deceivers,
You'd shortly veer your " talkee talkee" round,
Give more of sense, if less of empty sound.
The plan on which we formed our Committee,
Was " I'll claw your back, an' then ye'll claw me" ;
It worked " richt bravely," for the parson smiled,
To see how nicely each his neighbour oiled;
Little was said, but " muckle thocht," that day,
As each moved off, reflecting by the way.
�
https://scottishchapbooks.lib.uoguelph.ca/files/original/20e65d787299d50d0b10240d524e53b9.jpg
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Omeka Image File
The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.
Bit Depth
8
Channels
3
Height
3356
Width
2180
Document
A resource containing textual data. Note that facsimiles or images of texts are still of the genre text.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Groans from the Believers' gallery on the reseating of the "Auld West"
Subject
The topic of the resource
Religion and Morals
Carrickfergus (Northern Ireland) -- History -- Siege, 1760
Chapbooks - Scotland - Aberdeen
Date
A point or period of time associated with an event in the lifecycle of the resource
1874
Language
A language of the resource
English
Identifier
An unambiguous reference to the resource within a given context
<a href="https://ocul-gue.primo.exlibrisgroup.com/permalink/01OCUL_GUE/mrqn4e/alma9953134483505154">s0255b37</a>
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Aberdeen, Scotland
Extent
The size or duration of the resource.
8 pages
Abstract
A summary of the resource.
A diatribe against certain recent rulings and individuals who have been in charge of making decision regarding church reforms, construction, and the movement of seats within the ‘Auld West Kirk’. Certain individuals are lampooned, as are the changes in the congregation, in this invective against the upper class and business-like management of the kirk. This chapbook is part of a collection of chapbooks produced in Aberdeen which have been bound together in this volume.
Is Referenced By
A related resource that references, cites, or otherwise points to the described resource.
National Library of Scotland <span><a href="http://www.nls.uk/"><span>http://www.nls.uk/</span></a></span>
Is Part Of
A related resource in which the described resource is physically or logically included.
Chapbook #3 in a bound collection of 17 chapbooks
Contributor
An entity responsible for making contributions to the resource
Archival and Special Collections, University of Guelph Library, Guelph, Ontario, Canada
Format
The file format, physical medium, or dimensions of the resource
JPEGs and PDF derived from master file, which was scanned from the original book in 24-bit color at 600 dpi in TIFF format using an Epson Expression 10000XL scanner.
Rights
Information about rights held in and over the resource
In the public domain; For high quality reproductions, contact Archival & Special Collections, University of Guelph libaspc@uoguelph.ca 519-824-4120 Ext 53413
Publisher
An entity responsible for making the resource available
Aberdeen: George Middleton
Source
A related resource from which the described resource is derived
Archival & Special Collections, University of Guelph Library, Guelph, Ontario
Type
The nature or genre of the resource
poetry
# of Woodcuts: 0
Chapbook Date: 1871-1880
Chapbook Genre: poetry
Chapbook Publisher - Aberdeen: George Middleton
-
https://scottishchapbooks.lib.uoguelph.ca/files/original/021a757d183d922eceb1d8696f6d9507.pdf
41f2e4d79674108021d886ae97b152eb
PDF Text
Text
GROG
Row, Brothers, Row.
ON A BANK OF FLOWERS.
Here's to the Soger wha bled
Glasgow—printed for the Booksellers.
�GROG.
A plague on these musty old lubbers,
W h o tell us to fast and to think,
And with patience fall in with life's rubbers,
With nothing but water to drink;
A cann of good stuff had they twigg'd it.
Would have set them with pleasure a gog,
In spite of the rules
Of the schools,
The old fools
Would all of them swigg'd it,
And swore there was nothing like grog.
M y father, when last I from Guinea,
Returned with abundance of wealth,
Cried Jack, never be such a ninny
As to drink...says I, Father your health;
So I shew'd him the stuff, and he twigg'd it,
And it set the old cadger agog,
And he swigg'd, and mother
And sister, and brother,
And I swigg'd, and all of us swigged it,
And swore there was nothing like grog.
�3
'Tother day as the chaplain was preaching,
Behind him I curiously slunk,
And while he our duty was teaching,
How we should never get drunk,
I shew'd him the stuff and he twigg'd it,
And it soon set his reverence agog,
And he swigged and Nick swigg'd
And Ben swigg'd and Dick swigg'd
And I swigg'd, all of us swigged it,
And swore there was nothing like grog.
Then trust me there's nothing like drinking.
So pleasant on this side the grave ;
It keeps the unhappy from thinking,
And makes e'en more valiant the brave,
As for me the moment I twigg'd it,
The good stuff has so set me agog
Sick or well, late and early,
Wind fouly or fairly,
Helm a-lee or a wether,
Four hours together.
I've constantly swigg'd it,
And damme, there's nothing like grog.
ROW, BROTHERS, ROW.
Faintly as tolls the evening chime,
Our voices keep tune and our oars keep time,
Soon as the woods on shore look dim,
We'll sing at Saint Ann's our parting hymn.
�4
Row, brothers, row, the stream runs fast,
The rapids are near, and the day-light's past
Why should we yet our sail unfurl ?
There is not a breath the blue wave to curl.
But when the wind blows off the shore,
speedy, we'll rest our weary oar.
Blow, breezes, blow, &c.
Utawa tide, this trembling moon
Shall see us float over thy surges soon :
Saint of this green isle, hear our prayer,
Grant us cool heavens and favouring air,
B l o w , breezes blow, &c.
ON A BANK O F FLOWERS.
On a bank of flowers in a summer's day,
Inviting and undress'd
In her bloom of years, bright Celia lay;
With love and sleep oppress 'd;
When a youthful swain, with admiring eyes
Wished he durst the fair maid surprise,
With a fa, la, la, &c.
But he fear'd approaching spies.
As he gazed, a gentle breeze arose,
That fann'd her robes aside;
�5
And the sleeping nymph did charms disclose
Which, waking, she would hide.
Then his breath grew short, and his pulse
beat high,
He long'd to touch what he chanc'd to spy,
With a fa, la, la, &c.
But durst not yet draw nigh.
All amazed he stood, with her beauties fir'd,
And bless'd the courteous wind;
Then in whispers sigh'd, and the gods desir'd,
That Celia might be kind.
Then, with hope grown bold, he advanc'd
amain:
But she laugh'd aloud in a dream, and again,
With a fa, la, la, &c.
Repelled the tim'rous swain.
Yet, when once desire has enflamed the soul,
All modest doubts withdraw,
And the god of love does each fear controul
That would the lover awe.
Shall a prize like this, says the vent'rous boy,
Escape, and I not the means employ,
With a fa, la, la, &c.
To seize proffer'd joy ?
Here the glowing youth, to relieve his pain,
The slumb'ring maid caress'd,
�6
And with tremb'ling hands (oh, the simple
swain,)
Her glowing bosom press'd
Then the virgin wak'd and affrighted flew,
Yet look'd as wishing he would pursue,
With a fa, la, la, &c.
But Damon miss'd his cue,
Now repenting that he had let her fly,
Himself he thus accus'd:
What a dull and stupid thing was I,
That such a chance abus'd !
T o my shame 'twill now on the plains be said,
Damon a virgin asleep betray'd,
With a fa, la, la, &c.
Yet let her go a maid.
H E R E S ' TO THE SODGER WHA BLED.
Here's to the year that's awa,
W e will drink it strong and in sma';
An' here's to ilk bonny young lassie we lo'e ;
While swift flew the year that's awa.
An' here's to ilk, &c.
Here's to the soger wha bled,
An' the sailor wha bravely did fa':
Though their fame is alive, yet their spirits
are fled,
On the wings of the year that's awa.
Though their fame is alive, &c.
�7
Here's to the friend we can trust,
While the storms of adversity blaw;
May they live in our song, and be nearest our
hearts,
Nor depart like the year that's awa.
May they live, &c.
LOVELY
JEAN,
Of a' the airts the wind can blaw,
I dearly like the west,
For there the bonnie lassie lives,
The lass that I loo best;
Tho' wild woods grow, and rivers row,
W i ' monie a hill between,
Baith day and night, my fancy's flight
Is ever wi' my Jean.
I see her in the dewy flow'r,
Sae lovely, sweet and fair ;
I
hear her voice, in ilka bird,
W i ' music charm the air :
There's not a bonnie flower that springs,
By fountain, shaw, or green,
Nor yet a bonnie bird that sings,
But minds me o' my Jean,
Upon the banks o' flowing Clyde
The lasses busk them braw ;
But when their best they hae put
My Jeanie sings them a ' ;
�8
In hamely weeds she far exceeds
The fairest o' the town ;
Baith sage and gay confess it sae,
Tho' drest in russet gown.
The gamesome lamb, that sucks its dam,
Mair harmless canna be;
She has nae faut, (if sie ye ca't)
Except her love for me :
The sparkling dew, o'clearest hue,
Is like her shining een ;
In shape and air, wha can compare
Wi' my sweet lovelv Jean ?
O blaw, ye westlin winds, blaw saft
Amang the leafy trees;
Wi' gentle gale, frae muir and dale,
Bring hame the laden bees,
And bring the lassie back to me
That's aye sae neat and clean ;
Ae blink o' her wad banish care,
Saelovelyis my Jean.
What sighs and vows, amang the
Hae past atween as twa,
How fain to meet, how wae to part
That day she gaed awa !
The powers aboon can only ken,
T o whom the heart is seen,
That nane can be sae dear to me,
As my sweet lovely Jean.
�
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The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.
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Document
A resource containing textual data. Note that facsimiles or images of texts are still of the genre text.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Grog. Row, Brothers, Row. On a Bank of Flowers. Here's to the Soger wha bled. Lovely Jean.
Identifier
An unambiguous reference to the resource within a given context
<a href="https://ocul-gue.primo.exlibrisgroup.com/permalink/01OCUL_GUE/mrqn4e/alma9953133973505154">s0042b27</a>
<a href="https://ocul-gue.primo.exlibrisgroup.com/permalink/01OCUL_GUE/mrqn4e/alma9923325443505154">s0401b28</a>
Date
A point or period of time associated with an event in the lifecycle of the resource
[1825?] per National Library of Scotland
Extent
The size or duration of the resource.
8 pages
Description
An account of the resource
Woodcut image of an emblem on the title-page
Subject
The topic of the resource
Alcohol
Chapbooks-Scotland-Glasgow
Contributor
An entity responsible for making contributions to the resource
Archival and Special Collections, University of Guelph Library, Guelph, Ontario, Canada
Rights
Information about rights held in and over the resource
In the public domain; For high quality reproductions, contact Archival & Special Collections, University of Guelph. libaspc@uoguelph.ca, 519-824-4120, Ext. 53413
Is Referenced By
A related resource that references, cites, or otherwise points to the described resource.
<a title="University of Glasgow Union Catalogue of Scottish Chapbooks" href="http://special.lib.gla.ac.uk/chapbooks/search/">University of Glasgow Union Catalogue of Scottish Chapbooks</a>
<a title="National Library of Scotland" href="http://www.nls.uk/">National Library of Scotland</a><a title="National Library of Scotland" href="http://www.nls.uk/" target="_blank" rel="noopener"><br /></a>
Is Part Of
A related resource in which the described resource is physically or logically included.
Chapbook #4 in a bound collection of 37 chapbooks (s0042b27)
Format
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JPEGs and PDF derived from master file, which was scanned from the original book in 24-bit color at 600 dpi in TIFF format using an Epson Expression 10000XL scanner.
Publisher
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Glasgow: Printed for the Booksellers
-
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Document
A resource containing textual data. Note that facsimiles or images of texts are still of the genre text.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Hardyknute. A heroic Scottish Ballad.
Identifier
An unambiguous reference to the resource within a given context
<a href="https://ocul-gue.primo.exlibrisgroup.com/permalink/01OCUL_GUE/mrqn4e/alma9953133973505154">s0042b27</a>
Alternative Title
An alternative name for the resource. The distinction between titles and alternative titles is application-specific.
Paisley Repository no. 9
Is Part Of
A related resource in which the described resource is physically or logically included.
Chapbook #37 in a bound collection of 37 chapbooks
Extent
The size or duration of the resource.
24 pages
Subject
The topic of the resource
Ballads and songs
War
Chapbooks - Scotland - Paisley
Description
An account of the resource
Authorship uncertain; sometimes attributed to Lady Wardlaw
Date
A point or period of time associated with an event in the lifecycle of the resource
1810 per G. Ross Roy Collection, University of South Carolina Libraries
Is Referenced By
A related resource that references, cites, or otherwise points to the described resource.
G. Ross Roy Collection, University of South Carolina Libraries http://library.sc.edu/spcoll/britlit/roycol.html
Contributor
An entity responsible for making contributions to the resource
Archival and Special Collections, University of Guelph Library, Guelph, Ontario, Canada
Format
The file format, physical medium, or dimensions of the resource
JPEGs and PDF derived from master file, which was scanned from the original book in 24-bit color at 600 dpi in TIFF format using an Epson Expression 10000XL scanner.
Rights
Information about rights held in and over the resource
In the public domain; For higher quality reproductions, contact Archival & Special Collections, University of Guelph. libaspc@uoguelph.ca 519-824-4120, Ext. 53413
Publisher
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[Paisley]
Source
A related resource from which the described resource is derived
Archival & Special Collections, University of Guelph Library, Guelph, Ontario