13 10 639 https://scottishchapbooks.lib.uoguelph.ca/files/original/aa51d8d2eea02d68efef5397f37f8b19.pdf 7f074c5cc721c5fa4511facdf602c29a PDF Text Text THE TAX'D DOGS' GARLAND. To which are added, The Maid ofPrimroseHill. Hap Me with thy Petticoat. Stirling, Printed and Sold by C. Randall. 1806. �THE TAX'D DOGS' GARLAND, UPON the road, the other day, I chanc'd to overtake Sir, T w o country-men upon the road, who great complaint did make, Sir. One of the two right mournful said, oh ! have you heard the news, Sir, A heavy tax is laid on dogs, which are of so great use, Sir. Six shillings now we all must pay, if that a dog we keep, Sir, Poor people cannot this afford, tho' they should lose their sheep, Sir, I'mseventyyears or thereabout, my neighbour's sixty aax Sir, But never saw the like of this, to lay on dogs a tax, Sir. W o w man, I think, there's mony ways, to clear the nation's load , Sir, �3 Than to oppress a poor man so, and tax his very dog, Sir. This morning, or I came frae hame, I saw three collies die, Sir, Their owner's could not pay the tax, tho't had been but shillings three, Sir. O if they had but come to me, or yet to Madge my wife, Sir, This year's taxation we would p a i d , to saved their collie's life, My heart was wae to see the brutes sharesicuntimely fate The country sure must be right poor when they uphold the state. There's mony dogs I frankly own, that useless for to keep, Sir; But country collies useful are, for herding of our sheep, My collie is an unco beast, and meikle sense he has, Sir, And when the sheep strays over far aff, he gives them mony a chase, Sir, I canna want my collie dog, mair than meat to my wime, Sir ; �4 For turning either horse or nout, he is a hunter fine, Sir. He never hunts them by the head, but ay grips at their heels, Sir ; And gathers safely a' the flock, when running thro' the fields, Sir He's careful o ' the house at night, and when that any ill, Sir, Is likely for to come on me, he barks baith loud and shrill, Sir. Were t not for him the robbers sure would take from me my geir, Sir But collie gives a lively bark, when danger it is near, Sir. At kirk or fair there's never a dog, wi' collie can compare, Sir The other day upon the road, he catch'd a running hare, Sir. It's very right that useless dogs, shou'd pay a handsome tax, Sir Each one should twenty shillings pay, If collies must pay sax, Sir. -... The happy time will yet arrive, I hope the t i m e to see, Sir, �5 W h e n useless dogs will all be hang'd, and collie dogs gae free, Sir. THE M \ID OF PRIMROSE-HILL, ' T W A S under Primrose-hill there liv'd, a sweet pretty maid, Not Venus could give more delight, when you her charms furvey'd. For the lillies fair and the roses there, they did combine, and both entwine, To form a beauty rare. This one many suitors had, but treated them with scorn, Till William who could play and dance, came piping o'er the lawn; He sung so sweet, was dress'd so neat, that maidens fair, they did declare, Their love for William great. Sweet maid of Primrose-hill, he cry'd, I come a wooing here, Then do not you mylovereject, nor treat me too fevere. For my heart so true is fix'd on you, • I'll Thou flower of rosy hue. consta �6 The maid she gave her head a toss, replied with scornful air, I wonder that you can to me, your fruitless love declare ; For suitors great, in land estate have offered me their bride to be, So you do come too late. Then William hung his head with grief, and said poor girl, adieu, I'll quit your charms for wars alarms, and glory I'll pursue, For love shall yield to Mars the field, the fife and drum, invite to come, I'll poise the spear and shield. Then with a smile she called him back, and said, dear William s t a y , I did but jest to try your love, sogo not now away Then with a kiss, he seal'd his bliss, she And named the happy day, Then to the church he went with sweet content the bells rang all with joy, Their hands were joined in Hymen's bands, their bless will never cloy ; For they love all day at night toy and pray who'll so happy be, as he and she, For their lives are always May. d �7 H A P ME W I T H THY P E T T I C O A T . O B E L L , thy looks have killed my heart, I pass the day in pain When night returns i feel the smart, and wish for them in vain, I'mstarvingin cold, while thou art w a r m : have pity and incline, And grant me for a hap that charming petticoat of thine. My ravish'd fancy in amaze, still wanders o'er thy charms, Delusive dreams ten thousand ways, present thee to my By waking think what I endure, while crue' you decline, Thosepleasureswho can only cure, this panting breast of mine. I faint, I fail, and wildly rove, becauseyoustilldeny The just reward that's due to love, and let true passion die. Oh ! turn and let compassion seize that lovely breast of thine ; arms �8 Thy petticoat would give me ease, if thou and it were mine. Sure Heaven has fitted for delight, that beauteous form of thine, And thou art too good its law to flight, by hind ring the design. May all the powers of love agree, at length to make thee mine Or lose my chains, and set me free from every charm of thine. F I N I S . � https://scottishchapbooks.lib.uoguelph.ca/files/original/6d8b51c20308f3543c51f93233fa62b2.jpg a67254bf0fa7e7386ffca61ee4828de6 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 3426 Width 1944 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The tax'd dogs' garland. To which are added, The maid of Primrose-hill. Hap me with thy petticoat. Subject The topic of the resource Ballads and songs Courtship and Marriage War Chapbooks - Scotland - Stirling Date A point or period of time associated with an event in the lifecycle of the resource 1806 Contributor An entity responsible for making contributions to the resource Archival and Special Collections, University of Guelph Library, Guelph, Ontario, Canada Rights Information about rights held in and over the resource In the public domain; For high quality reproductions, contact Archival & Special Collections, University of Guelph. libaspc@uoguelph.ca, 519-824-4120, Ext. 53413 Language A language of the resource English Identifier An unambiguous reference to the resource within a given context <a href="https://ocul-gue.primo.exlibrisgroup.com/permalink/01OCUL_GUE/mrqn4e/alma9923426683505154">s0113b06</a> Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Stirling, Scotland Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. The maid of Primrose-hill. Hap me with thy petticoat. Extent The size or duration of the resource. 8 pages 16 cm Abstract A summary of the resource. A collection of ballads and songs on a variety of topics, including: the complaint of two old men against a tax on dogs, speaking also in defense on the usefulness of collie dogs; the courtship of a local beauty by young man who, upon being tested with rejection, vows to join the army until she consents to marry him; and the rantings of a young man to the girl he desires, describing her beauty and suggestively asking her for her petticoat as a covering. Is Referenced By A related resource that references, cites, or otherwise points to the described resource. University of Glasgow Union Catalogue of Scottish Chapbooks <a href="http://www.lib.uoguelph.ca/find/find-type-resource/archival-special-collections/scottish-studies">http://special.lib.gla.ac.uk/chapbooks/search/</a> Format The file format, physical medium, or dimensions of the resource JPEGs and PDF derived from master file, which was scanned from the original book in 24-bit color at 600 dpi in TIFF format using an Epson Expression 10000XL scanner. Publisher An entity responsible for making the resource available Stirling: Printed and sold by C. Randall Source A related resource from which the described resource is derived Archival & Special Collections, University of Guelph Library, Guelph, Ontario https://scottishchapbooks.lib.uoguelph.ca/files/original/0e525e18221c8b291de4e124ce525337.pdf d909a9082f1e86580f056f5c5746f6d2 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource A wonderful account of Mr. George Spearing, (A Lieutenant in the Navy,) Who fell into a coal pit in Northwoodside, near Glasgow; where he remained seven days and seven nights, without any other support than rain water. Also, the surprising manner of his deliverance, with an account of his behaviour while in that melancholy situation. To which is added, A hymn of praise for his deliverance. Published by himself, for the information of his friends and the public. Subject The topic of the resource Religion and Morals Chapbooks - Scotland - Falkirk Date A point or period of time associated with an event in the lifecycle of the resource 1803 Contributor An entity responsible for making contributions to the resource Archival and Special Collections, University of Guelph Library, Guelph, Ontario, Canada Rights Information about rights held in and over the resource In the public domain; For high quality reproductions, contact Archival & Special Collections, University of Guelph. libaspc@uoguelph.ca, 519-824-4120, Ext. 53413 Language A language of the resource English Identifier An unambiguous reference to the resource within a given context <a href="https://ocul-gue.primo.exlibrisgroup.com/permalink/01OCUL_GUE/mrqn4e/alma9923446043505154">s0127b21</a> Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Falkirk, Scotland Glasgow, Scotland Extent The size or duration of the resource. 8 pages 17 cm Abstract A summary of the resource. This is an account, written by the author, surrounding his fall into a coal pit whilst searching for hazelnuts in the woods. He details his many deprivations during his week-long stay at the bottom of the pit, as well as his rescue. Due to the “ignorance” of his physicians, he ends up losing his foot, but survived the encounter, eventually siring nine children. The story is followed by L. G. Spearing’s Hymn of Praise, in gratitude for his escape. Is Referenced By A related resource that references, cites, or otherwise points to the described resource. University of Glasgow Union Catalogue of Scottish Chapbooks <a href="http://www.lib.uoguelph.ca/find/find-type-resource/archival-special-collections/scottish-studies">http://special.lib.gla.ac.uk/chapbooks/search/</a> Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. A hymn of praise for his deliverance Format The file format, physical medium, or dimensions of the resource JPEGs and PDF derived from master file, which was scanned from the original book in 24-bit color at 600 dpi in TIFF format using an Epson Expression 10000XL scanner. Publisher An entity responsible for making the resource available Falkirk: Printed by T. Johnston Source A related resource from which the described resource is derived Archival & Special Collections, University of Guelph Library, Guelph, Ontario Creator An entity primarily responsible for making the resource Spearing, George https://scottishchapbooks.lib.uoguelph.ca/files/original/5273a9bec8c8fe67d0759253022da277.pdf a97e512e67121f95a34b6ffd02d6e037 PDF Text Text Soldier's Dream; T o winch are udik-J, Hap me with thy Petticoat, A t the Dead of the Night, Bonny Mally Stewart, Lochaber no More, Down the Burn Davie. STIRLING: Printed and Sold, Wholesale and Jie!ui!, by 4 W . MACXIE, BooltteHtr. �SOLDIER'S # Gur And And The DREAM. bugles had sung, the nigljt-cload had lowered, the centinel star set the watch in the s k y , thousands had sunk on the ground overpower'd, weary to sleep, and the wounded to die. W h e n reposing that night on my pallet of s t r a w , 13y the wolf-scaring (aggot that guarded the slain, A t the dead of the night, a sweet vision I 9aw, A n d t w i c e ' e r e the c o c k crew I dreamt it again. M e t h c u g h t from the battle-field's dreadful a r r a y , F a r , far I had rgam'd on a desolate t r a c k , T i l l nature and sunshine disclosed the sweet w a y , T o the house of my father, that w e l c o m e me back. 1 flew to the pleasant fields, tfavell'd so oft, I n life's morning march, when my bosom was y o u n g , 1 beared my own mountain-goats bleating aloft, A n d well know the strain that the corn-reapers sung. T h e n pledg'd we the tvlne cup, and fondly we swore, F r o m my home and my weeping friends never to part, M y little ones kiss'd me a thousand times o'er, A n d m y wife sobbM aloud.in the fulness of fccart. �HAP ME WITII THY PETTICOAT. 0 B e l l thy looks have k i l M my heart, I pass the day in pain ; W h e n night returns I (eel the smart, A n d wish for thee in vain. P m starving cold whilst thou art warm, H a v e pity and incline, A n d g r a n t me for a hap that charming petticoat of thine. M y ravished fancy in amaz.e, Still wanders o er thy charms D e l u s i v e dreams ten thousand way», P r e s e n t thee to my arm*. T h e n w a k i n g think what I endure, W h i l e creel you decline, T b o a e pleasures, which can only cure, T h i s pau-ting heart of mine. 1 faint, I fail, I wildly r o v e , Because you still deny, T h e just reward that's due to love. A n d let true passion die. O h Lturn, and let compassion seize, T h a t lovely breast of thine : T h y petticoat wad g i v e nte ease, I f thou and it were mine. Sure H e a v e n has fitted for delight, T h a t beauteous .farm of thjne f �4 A n d thou'rt too good its laws to slight, B y hinu'ring the design. M a y all the powers of love agree* A t length to m a f c thee thine ; O r loose my chains, arid set me f r e e , From e v e r y charm of thine, AT THE DEAD OF THE NIGHT. A t the dead of the night, when by w h i s k y inspir'd, A n d pretty K a t t y F l a n n i n g a n m y bns<.» J»*d fir'd, I rappM at her window when thus she b e g a n , O h , what the de?il aTe you a t ? begone you naughty man. I g a v e ber a look, as sly as a thief, O r when hungry I ' d view a fine sirloin of b e e f j M y heart is red hot, ( s a y s I ) but cold is my skin, So pretty M r s F l a n n i g a n , oh, wont y o u let me in. S^e open'd the door, I sat down by the fire, A n d soon was relieved from the w e t , cold, and mire, A n d I pleaa'd her so w e l l , that long e ' e r 'twas d a y , I stole poor K a t t y ' s tender heart, and so tripp'd a w a y . BONNY MALLY STEWART. T h e cold winter is past and gone, A n d now comes on the spring, A n d I am one of the king's life-guard*, A n d I must gG fiaht for my king, my dear, And must go fight for my k i n g . �N o w sin<ie to the wars yon fans* go,. O n e thing I pray g r a n t me, I t ' s I will dress myself in man'a attire, A n d 1 1 1 travel altmg with thee, m y d e t r , A n d I ' l l travel 1 aleng with tfree. I would not for ten thousand worlds, T h a t my love endangered were T h e rattling of drums and shining of swords, W i l l c a u s e g r e a t sorrow and Wo, my dear, W i l l cause great sorrow and wo. I will do the thing for my true love, T h a t she will not do for me j I t ' s I'll put cuffs of black on my red coat, A n d mourn till the day I die, my dear, A n d mourn till the day I die. I will do more for my true love, T h a t he will do for m e ; I ' l l cut my hair and roll me bare, A n d mourn till the day I die, A n d mourn till the day I die. S o farewell thy mother and father dear, I ' l l bid adieu and farewell, M y sweet and bonny M a l l y S t e w a r t , Y o u ' r e the cause of all my wo, my dear, Y o u ' r e the cause of all my wo. W h e n we c a m e to bonny S t i r l i n g town, A s we lay ail in camp, �6 B y the K i n g ' s orders w e were all taken, A n d to G e r m a n y we were all sent, my dear, A n d to G e r m a n y we were all sent. 80 farewell bonny Stirling town, A n d tbe maids therein also ; A n d farewell bonny M a l l y S t e w a r t , Y o u ' r e the cause of all my wo, my dear, Y o u ' r e the cause of all my wo. She took the slippers off her feet, A n d the cockups off her hair ; Au.d she has ta'en a long j o u r n e y , F o r seven lang years and mair, my dear, F o r seven lang years and mair. Sometimes she rade sometimes she gaed, Sometimes sat down to mourn, A n d it was aye the o'ercome of her t a l e , Shall I e'er see my bonny laddie come, Shall I e'er see my bonny laddie come. T h e trooper turned himself round about, A l l on the Irish shore ; H e has gi'en the bridal reins a shake. S a y i n g adieu for evermore, my dear, S a y i n g adieu for evermore. LOCHABER NO MORE. T h e s e lines from y o u r lover, dear Jenny receive, A t Carlisle confined, will make you to g r i e v e , I prisoner was taken on Culloden plain. 1 wish in the battle I there had been slain. �7 B u t fate has decreed that it must not be so, I was wounded and taken, and with them must go, B u t my fate, dear J e n n y , it troubles me sore, F o r thee and L o c h a b e r 1 ne'er will 6ee more I 0 often was I told by the chiefs of the clan, T h a t C h a r l i e he was a brave valiant man, B u t none of his bravery I e v e r y e t did see, T h e y only deceiv'd, and have ruin'd me. Deluded by flattery, I soon did comply, 1 with them did fight, and with them must die j O my fate, my dear J e n n y , it troubles me sore, F o r thee and L o c h a b e r I ' l l never see more. D e f e a t i n g of Johnny Coup at Prestonpans, Enlivened our hearts, and encourag'd our Clans B e i n g flush'd with success, we to E n g l a n d did steer, B u t v t l i a A t D u k e W i l l i a m put us all in great fear. H e fought us, he beat us, he ruin'd us quite, A n d now we are all in a sorrowful p l i g h t I M a y H e a v e n its blessing upon thee, lo-ve poor, F o r thee nor L o c h a b e r I ne'er shall see more. DOWN THE BURN DAVIE. W h e n trees did bud and fiblds were green, A n d broom bloom'd £air to see : W h e n M a r y was complete fifteen, A n d lave laughed in her ee. B l y t b e D a v i e ' s blinks her heart did move. T o speak h e r roind thus free, �8 G a n g down the b u m D a v i e , love, A n d I shall fallow thee. N o w D a v i e did each lad surpass, T h a t dwt-U ooAhis b u m - s i d e , A n d M a r y was the bonniest lass, J u s t fit to be a bride. H e r cheeks were rosy, red and white, H e r een w e i e bonny blue j H e r looks were l i k e A u r o r a bright, H e r lips like dropping dew. A 3 down the burn they took their w a y , W h e n tender tales they said! H i s cheek to hers he ^ft did l a y , A n d with her bosom played. T i l l baith at last impatient grown, T o be raair fully blest, In yonder vale they Iean'd them-down, She only saw the j e s t . W h a t pass'd, I guess was harmless play, A n d naething sure uumeet, F o r ganging hame I heard them say, T h e y lik'd a w a i t sae sweet. A n d that they aften should return, Such pleasure to re lew, S a y s M a r y , love 1 like the burn, A n d ay shall follow you. FINIS. � https://scottishchapbooks.lib.uoguelph.ca/files/original/f6a1d7b8d205aef1cf1e3db22d6f85ae.jpg d1c13eb1839a000916090409126b1ddd Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 3072 Width 1772 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Soldier's dream; to which are added, Hap me with thy petticoat, At the dead of the night, Bonny Mally Stewart, Lochaber no more, Down the burn Davie Subject The topic of the resource Chapbooks - Scotland - Stirling Jacobites Ballads and songs Courtship and Marriage War Jacobites Germany Date A point or period of time associated with an event in the lifecycle of the resource 1820-1830 per University of Glasgow Union Catalogue of Scottish Chapbooks Contributor An entity responsible for making contributions to the resource Archival and Special Collections, University of Guelph Library, Guelph, Ontario, Canada Rights Information about rights held in and over the resource In the public domain; For high quality reproductions, contact Archival &amp; Special Collections, University of Guelph. libaspc@uoguelph.ca, 519-824-4120, Ext. 53413 Identifier An unambiguous reference to the resource within a given context <a href="https://ocul-gue.primo.exlibrisgroup.com/permalink/01OCUL_GUE/mrqn4e/alma9923418483505154">s0130b29</a> Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Stirling, Scotland Lochaber, Scotland Carlisle, Scotland Culloden, Scotland Prestonpans, Scotland Germany Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Hap me with thy petticoat. At the dead of the night. Bonny Mally Stewart. Lochaber no more. Down the burn Davie. Extent The size or duration of the resource. 8 pages 15 cm Abstract A summary of the resource. A collection of ballads and songs about: a soldier dreaming of home after a battle; a young man who praises the beauty of his lover before suggestively asking for her petticoat as a covering; a short, humorous song about a late night visit inspired by whiskey; a soldier leaving for service in Germany whose lover asks permission to accompany him dressed as a man; a letter from a prisoner to his lover describing the defeat at Culloden and the Jacobite uprising; and two young lovers who dally by the burn-side. Is Referenced By A related resource that references, cites, or otherwise points to the described resource. University of Glasgow Union Catalogue of Scottish Chapbooks <a href="http://www.lib.uoguelph.ca/find/find-type-resource/archival-special-collections/scottish-studies">http://special.lib.gla.ac.uk/chapbooks/search/</a> Format The file format, physical medium, or dimensions of the resource JPEGs and PDF derived from master file, which was scanned from the original book in 24-bit color at 600 dpi in TIFF format using an Epson Expression 10000XL scanner. Publisher An entity responsible for making the resource available Stirling: Printed and sold, wholesale and retail by W. Macnie, Booksellers Source A related resource from which the described resource is derived Archival & Special Collections, University of Guelph Library, Guelph, Ontario https://scottishchapbooks.lib.uoguelph.ca/files/original/4225266dc5af1bed3d4bdf6087707263.pdf bf16f58d48269c03bd6ef790bae96667 PDF Text Text THE COMICAL H I S T O R Y OP THE K M AND THE GOBBLER; M M' Mr CONTAINING The Entertaining and Merry Tricks, and Droll Frolics, played by the Cobbler.—How he got acquainted with the King, became a great man, and lived at Court ever after. » A ars M M i " M SMS || li GLASGOW: PRINTED FOR THE i 56 BOOKSELLERS. �I' A - •<r"; ' 3JIT Y,GOTaiH JAOIMOO %I If' £ )1 E C 10 E 1 D7IXUTK0O HoiCIfrees,*jfcihT v/noM f ir ; ijiaijjif . i'u ! oiiT £ ^ ' k . j m ' <S • > £ 7 M. iw / 40a Oil woli .-f9ki<h') . Mil vij h >f nlq ,^>ii'oV»I Jr V, -m m Jatrig # mi ; ,£fli>l <h!j lisiw .fo-jtcw-v-p^R 'wto n m ' l in ha/ii Lou fete 1 • ' C; I 1 \ t ... ! t v> $I * •i'i m *« . # % • * T W I f;' T | j M: . Sh * : W008A J O .a a a j a a ? a o o « a n t h o a a a t k i a *i ? H ! • �THB COMICAL HISTORY OF THB KING AND THE COBBLER. How King Henry V I I I , used to visit the watches in the city, and how he became acquainted with a merry jovial Cobbler. IT was the custom of King Henry the Eight, to walk late in the night into the city disguised, to observe and take notice how the constables and watch performed their duty, not only in guarding the city gates, but also in diligently watching th,e inner parts of the city, that so they might, in a great measure, prevent those disturbances and casualties which too often happen in great and populous cities in the night; and this he did oftentimes, without the least discovery who he was, returning home to Whitehall early in the morningNow, on his return home through the Strand, be took notice of a certain cobbler who was constantly up at work, whistling and singing every �4 morning. The king was resolved to see him, and he acquainted with him, in order to which he immediately knocks the heel of his shoe by hitting it against a stone, and having so done, he bounced at the cobbler's stall. Who's there ? cries the cobbler. Here's one, cries the king. With that the cobbler opened the stall door, and the king asked him if he could put the heel on his shoe. Yes, that I can, says the cobbler: come in, honest fellow, and sit thee down by me, and I will do it for thee straight, the cobbler scraping his awls and old shoes to one side to make room for the king to sit down. The king being hardly able to forbear laughing at the kindness of the cobbler, asked him if there was not a house hard by that sold a cup of ale, and the people up ? Yes said the cobbler, there is an inn over the way, where I believe the folks are up, for the carriers go from thence very early in the morning With that the king borrowed an old shoe of the cobbler, and went over to the inn, desired the �5 cobbler would bring his shoe to him thither as soon as he had put on the heel again. The cobbler promised he would; so making what haste he could to put on the heel, he carries it over to the king, saying, honest blade, here is thy shoe again, and I warrant thee it will not come off in such haste again. Very well, says the king, what must you have for your pains ? A couple of pence, replied the cobbler. Well, said the king, seeing thou art an honest merry fellow, there is a tester for thee; come, sit down by me, I will drink a full pot with thee; come, here's a good health to the king. With all my heart, said the cobbler, I'll pledge thee were it in water. So the cobbler sat down by the king and was very merry, and drank off his liquor very freely; he likewise sung some of his merry songs and catches, whereat the king laughed heartily, and was very jocund and pleasant with the cobbler, telling him withal that his name was Harry Tudor, that he belonged to the court, and that if he �6 would come and see him there, he would make him very welcome, because he was a merry companion, and charged him not to forget his name, and to ask auy one for him about the court, and they would soon bring him to him; for, said the sing, I am very well known there. Now the cobbler little dreamt that he was the king that spake to him, much less that the king's name was Harry Tudor. Therefore, with a great deal of confidence, he stands up and puts off his hat, m&kes two or three scrapes with his foot, and gives the king many thanks, also telling him that he was one of the most honest fellows he ever met with in all his life time, and although he never had been at court, yet he should not be long before he would make a holy day to come and see him. Whereupon the king, paying for what they had drunk, would have taken his leave of the cobble? j but he, not being willing to part with him, took hold of his hand, and said, by my faith you must not go, you shall not go, you shall first go and see my poor habitation, I have there a tub of good brown ale that was never tapped yet, and you must go and taste it, for you are the most honest blade I ever met withal, and I �7 an honest merry companion with all my heart. C H A P . II. How the Cobbler entertained the King in las cellar, and of the disturbance they had like to hare had by his wife Joan. So the cobbler took the king with him over the way, where he had his cellar adjoining the stall, which was handsomely and neatly furnished for a man of his profession. Into the cellar he took the k i n g ; there, said he, sit down, you are welcome; but I must desire you to speak softly, for fear of waking my wife Joan, who lies hard by, (shewing the king a close bed. made neatly tij> at one corner of the cellar, much like a closet,) for if she should wake she will make our ears ring again. A t which speech of the cobbler's the king laughed, and told him he would be mindful and follow Ms directions. Whereupon the cobbler kindled up a fire, and �8 fetched out a brown loaf, from which, he cut a lusty toast, which he sat baking at the fire; then, he brought out his Chesire cheese. Now, says he, there is as much fellowship in eating as in drinking. Which made the king admire the honest freedom of the cobbler. So having eaten a bit the cobbler began. A health to all true hearts and merry companions; at which the king smiled, saying, friend I'll pledge thee. In this manner they ate and drank together till it was almost break of day ; the cobbler being very free with his liquor, and delighting the king with several of his old stories, insomuch that he was highly pleased with the manner of his entertainment; when, 011 a sudden, the cobblers wife Joan began to awake. I'faith, says the cobbler, you must begone, my wife Joan begings to grumble, she'll awake presently, and I would not for half the shoes in my shop she should find you here. Then taking the king by the hand, he led him up the stairs, saying, farewell honest friend, it shan't be long before I make a holyday to come and see thee at court. �9 Thou shalt be kindly welcome, replied the king, So they parted the king on his way to Whitehall, and the cobbler to his cellar, and there putting all things to rights before bis wife Joan got up, he went to work again, whistling and singing as merry as he used to be, being much satisfied that he happened on so good and jovial a companion, still pleasing himself in his thoughts how merry he should be when he came to court. C H A P . III. How the Cobbler prepared himself to go to court, and how he was set out in the best manner by his wife Joan. Now as soon as the king came home, he sent out orders about the court, that if any one enquired for him by the name of Harry Tudor, they should immediately bring him before him, whatever he was, without any further examination. The cobbler thought every day a month till �10 he had been at court to see his new acfqudhitkiiee, and was troubled how he should get leave of H& i wife Joan, for he could not get without her knowledge, by reason he did respite to make himself as fine as he could, for his wife always keeped the keys of his holyday clothes; whereupon one evening, as they sat at supper finding her iii a very good humour, he N egan to lay open his mind to her, telling her the whol£ story of their acquaintance, repeating it ovefr and Over Again, that he was the most honest fellow that ever he met withal. Husband, quoth she, because you have been so ingenious to tell me the whole truth, I will give you leave to make a holyday, for this once you shall g6 tb court, and I will make you as fine as I can. fefr it M s agreed that he should go to court the next day; whereupon Joan rose betime the next morning to brush up her husband's holyday clothes, and made him as fine as she could. She washed and ironed the lace-band, and made his shoes shine that he might see his face in them ; having done this she made her husband rise and pull of his shirtl Then she washed him with warm water from head to foot, putting on him a clean shirt; afterwards she dressed him in his holyday clothes, pinning his laced band in prim. �11 CHAP. IV. The Cobbler's reception at court, with the manner of his behaviour before the King. The Cobbler being thus set forth, he strutted through the street like crow in a gutter, thinking himself as fine as the best of them all. In this manner he came to the court, staring on this body and that body as he walked up and down, and not knowing how to ask for Harry Tudor. A t last he espied one, as he thought, in the habit of a servant-man, to whom he made his address, saying. Dost thou hear, honest fellow, do you know onfe Harry Tudor who belongs to the court. Yes, said the man, follow me, and I will bring you to him. With that he had him presently up into the guard chamber, telling one of the yeomen of the guard there was one that enquired for Harry Tudor. �12 The yeoman replied; I kwow liirn very well; If you please to go along with me9 Til bring you to him immediately, So the cobbler followed the yeoman, admiring very much the prodigious fmery of the rooms which he carried him through. He thought within himself, that the yeoman was mistaken in the person whom he inquired for; for, said he, he whom I look for is a plain, merry, honest fellow, his name is Harry Tudor; we drank two pots together not long since. I suppose he may belong to some lord or other about the court. I tell you, friend, replied the yoeman, I know him very well, do you but follow me, and I shall bring you to him instanly. So going forward, he came into the room where the king v,as accompanied by several of his nobles, who attended him. As soon as the yeoman had put up by the arras, he spoke aloud, may it please your Majesty, here is one that inquires for Harry Tudor. The cobbler hearing this, thought he had committed no less than treason ; therefore he up with �13 his heels and ran for i t : but not being acquaint ted with the several turning and rooms through which he came, lie was soon overtaken and brought before the king, whom the cobbler little thought to be the person he inquired alter, therefore in a trembling condition, he fell down on his knees, saying. May it please your Grace, may it please your Highness, I am a poor cobbler, who inquired for one Harry Tudor, who is a very honest fellow, I mended the heel of his shoe not long since, and for which he paid me nobly, and gave me two pots to boot: but I had him afterwards to my cellar, where we drank part of a cup of nappy ale, and were very merry, till my wife Joan began to grumble which put an end to our merriment, for that time, but I told him I would come to the court and see him, as soon as conveniently I could. Well, said the king, don't be troubled, would you know this honest fellow again, if you could see him. The cobbler replied, Yes, that I will among a thousand. Then said the king, s*.and up, and be not �14 afraid, but look well about you, peradventure you may find the fellow in this company. Whereupon the cobbler arose, and looked wishfully upon the king and the rest of the nobles, but it was to little or no purpose : for though he saw something in the king's face which he thought he had seen before, yet he could not be Harry Tudor, the lieel of whose shoe he had mended, and who had been so nlerry a companion with him at the inn, and at his own cellar. He therefore told the king he did not expect to find Harry Tudor among such fine folks as he saw there, but that the person he looked for was a plain honest fellow. Adding withal, that he was sure that did Harry Tudor but know he was come to court, he would make him very Weleome: for, says the cobbler, when we parted he charged me to come to court soon and see him, which I promised I would, and accordingly I have made a holy day ;6n purpose to have a glass with hifci. A t which speech of the cobbler's the king had much ado to forbear laughing out, but keeping his countenance as steady as he could before the cobbfer, he spoke to the yeoman of the guard. �15 Here, iaid he, take this honest cobbler down into toy Cellar, and let him drink my health: amj I will give orders that Harry Tudor shall come to him presently. JlKt 4' Mi'ih!hi /•*oftll£ if m i l w 5 f j ij.t d'iot So away they went, the cobbler being fit to leap out of his skin for joy, not only that he had come off so well, but that he should see his friend Harry Tudor. C H A P . V. The CbbblerY enter tainmetat in the K i n g s 'Cellar. The cobbler had not been long in the king's cellar, before the king camfc 46- him in the same habit that he had on when the cobbler mended hisfehoe; whereupon the cobbler knew him immediately, and ran and kissed him$ saying, honest Harrys I have made an holyday on purpose to see yoti, but I had much ado to get leave of my wife Jdari, who was loath to loose so much time from my work; but I was Resolved to see you, and therefore I made myself as fine as I^oUld. But I'll tell thee, Harry, when I came to court �16 I was in a peck of troubles how to find you out; but at last I met with a man who told me he knew you very well, and that he would bring me to you, but instead of doing so, he brought me before the king which almost frightened me out of my seven senses; but faith I'm resolved to be merry with you now, since I have met you al last. Aye, that we shall replied the king, we shall oo as merry as princes. Now after the cobbler had drunk about four or five good healths, he began to be merry, and fell a-singing his old songs and catches, which pleased the king very much, and made him laugh heartily. When on a sudden several ot the nobles came into the cellar, extraordinary rich in apparel, and all stood uncovered before Harry Tudor, which put the cobbler into a great amazement at first, but presently recovering himself, he looked more wishfully upon Harry Tudor, and soon knowing him to be the king, whom he saw in his presence chamber, though in another habit, he immediately fell upon his knees saying. May it please your Grace, may it please your �17 Highness, I am a poor honest cobbler and mean mo harm. No, no, said the king, nor shall receive any here, I assure you. He commanded him therefore to rise, and be as merry as he was before; and though he knew him to be the king, yet he should use the same freedom with him as he did before, when he mended the heel of his shoe. This kind speech of the kings and three or four glasses of wine, made the cobbler be in as good humour as before, telling the king several of his old stories and singing some of his best songs, very much to the satisfaction of the king m i all hh nobles. C O B B L E R ' S SONG IN T J i E KING'S CELLAR. Come let us drink the other pot, our sorrows to confound; �18 We'll laugh and sing before the King* so let his health go round; For I am as bold as bold can be, no cobbler e'er was ruder ; Then here good fellow here's to thee, (remembering Harry Tudor.) MP l i ' M < J f if.ml in<<,*> < l > When I'm at work within my stall, upon him I will think ; His kindness I to mind will cail, whene'er I eat or drink ; His kindness was to me so great, 'the like was never known, His kindness I shall still repeat, and so shall my wife Joan. yil laugh when I sit in my stall, and merrily will sing. That I with my poor last and awl, am fellow with the king. But it is more I must confess, than I at first did know, But Harry Tudor ne'ertheless, resolves it shall be so. And now farewell unto Whitehall, I homeward must retire, �19 T o sing and whistle in my stall, my Joan will me desire; I do but think how she shall laugh, when she hears of this thing* That h£ that drank her nut-brown ale, Was England's Royal King. CHAP. VI. How the Cobbler became a Courtier* Now the king considering the pleasant humour of the cobbler, how innocently merry he was, and free from any design; that he was a person that laboured very hard, and took a great deal of pains for a small livelihood, was pleased, out of his princely grac*7 and favour, to allow him a liberal annuity of fo'^y merks a year, for the better support of his jo-viy humour, and the maintenance of his wife Joai- and that he should be admitted one of hifc courtiers, and that he might have the freedom of his cellar whenever he pleased. Which being so much ! eyond expectation, did highly exalt the cobbler'^ humour, much to the satisfaction of the king. �20 So after a great many legs and scrapes, he returned home to his wife Joan, with the joyful news of his deception at court; which so well pleased her, that she did not think much at the great pains she took in decking him for the journey. * ANECDOTE. When Charles I I was on a progress through his dominions, lie was waited upon by the magistracy of a certain city in the north of England. The Mayor had prepared with 110 little study a splendid oration for so memorable an occasion. Kneeling down to deliver his address the worthy Magistrate (who was excessively fat) commenced by a feu dejoy of rather a singular nature: whether he deemed an expression of loyalty tantamount to a royal salute of the present day, history is silent: certain it is, lie felt greatly embarrassed, and blundered his oration most woefully. " 1 have, please your Majesty, begun at the wrong end/' cried the good Mayor, endeavouring to apologize for the incoherency of his speech. " So I remarked," replied the facetious monarch, but I fear the mistake can't now be corrected llise up, Sir Walter Cannon." �21 THE TWO BEARS. Two very intimate friends, one a painter, the other a goldsmith, travelling together, were benighted near a convent of religious christians* where they were entertained with great humanity. As those travellers wanted money to continue their journey, the painter, who was a proficient in his art, offered to work for the monastery. He soon possessed his hosts with a high opinion of his talents, and even inspired them with a confidence, which they had soon too much reason to repent. The monks having one night left the sacristy of their church open* the painter and his friend the goldsmith went in ; and,after taking out all the vessels of gold and silver which they found there, they ran away as fast as possible. Possessed of so great a booty, they determined to return to their own country. When they arrived there, fearing lest the robbery should be discovered, they put all their riches into a chest, and made an agreement that neither should take any out, without informing the other. Soon after the goldsmith married, and became the father of two children. T o supply his expences, which increased with his family, he appropriated the greatest part of the treasure iathe �22 chest to his own use. The painter'perceived his treachery, and reproached him with it. The other absolutely denied the fact. The painter, provoked at his perfidy, determined to punish him for it; but, to be more certain of his revenge, he pretended to believe every thing his associate swore. With this view he applied to a huntsman, a friend of his, to procure him two young bears alive. When he had them in his possession, he ordered a wooden statue to be made so much resembling the goldsmith in every respect j that the eye was deceived. After having thus prepared every thing necessary to his design, he accustomed the bears to eat out of the hands of the statue. He led them every morning into the room where he kept i t ; and, as soon as they saw it, they always ran and eat the victuals, which had been put in its hands. The painter employed many weeks in teaching them this exercise every day. As soon as he saw the two bears were perfect in their parts, he invited the goldsmith and his two children to Supper. Th& feast being prolonged till midnight, the goldsmith and his two children lay at their host's'. A t day-break the painter dexterously conveyed away the two children, and in their p|ace substituted the two bears. How much was the father, on waking, sun �23 prfeed to find them in his room instead of, hit children I He cried out most dreadfully* The painter ran to him, and appeared greatly astonished : " Perhaps," said he, " you have deserved so great a punishment as this metamorphosis from heaven, for some very extraordinary crime." The goldsmith was not to be deceived by what his friend said; but being convinced that he was the author of the metamorphosis, he obliged him to appear before the cadi; ancl there accused him of having stolen his children. " My lord," said the painter, " It is very easy for you to know the truth; order the two bears to be brought here; and if, by their gestures and caresses, they distinguish the goldsmith from the rest of the company, you cannot doubt their being really his children." The cadi consented to make this trial. As soon as the two little bears, wThom the painter had made to fast two days before, saw the goldsmith, they ran to him, and licked liis hands. So extraordinary a sight astonished the cadi, who was so embarassed that he durst not pronounce sentence. The goldsmith confused, returned to the painter, and on his knees confessed his treachery, conjuring him to pray to God to restore his children to their natural form. The painter pretending �24 to be affected with what he said, passed the night with him in prayers. He had before taken away the two bears, and in their place conveyed the two children, whom he had hid till then. The painter conducted their father into the room where they were; and returning them to him, said, " God has heard my feeble prayers, learn from thi3 time to keep strictly to your engagements." � https://scottishchapbooks.lib.uoguelph.ca/files/original/baa9eb367c60723687e8e321af0705db.jpg dfaceaadc57b9b7d066b704b1643b9f8 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 3255 Width 2004 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The comical history of the king and the cobbler; containing the entertaining and merry tricks, and droll frolics, played by the cobbler. - How he got acquainted with the King, became a great man, and lived at court ever after Subject The topic of the resource Crime Religion and Morals Wit and Humor Fairy Tales & Folklore Alcohol Chapbooks - Scotland - Glasgow Henry VIII, King of England, 1491-1547 Description An account of the resource '56' is printed at the bottom of the title page Date A point or period of time associated with an event in the lifecycle of the resource 1840-1850 per University of Glasgow Union Catalogue of Scottish Chapbooks Contributor An entity responsible for making contributions to the resource Archival and Special Collections, University of Guelph Library, Guelph, Ontario, Canada Rights Information about rights held in and over the resource In the public domain; For high quality reproductions, contact Archival &amp; Special Collections, University of Guelph. libaspc@uoguelph.ca, 519-824-4120, Ext. 53413 Language A language of the resource English Identifier An unambiguous reference to the resource within a given context <a href="https://ocul-gue.primo.exlibrisgroup.com/permalink/01OCUL_GUE/mrqn4e/alma9923288573505154">s0136b10</a> Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Whitehall, London, England Extent The size or duration of the resource. 24 pages Abstract A summary of the resource. In this tale, Henry VIII meets a jovial cobbler while exploring the city one night, in disguise. He is so pleased with the humour, songs, and stories of the cobbler that he spends the night drinking with him and invites him to visit him at court and to inquire after a Harry Tudor there. The cobbler takes him up on the offer – still unaware of his new friend’s status – and sets out to court dressed in his Sunday best. When he arrives, he is brought before the king, who he still does not recognize. Henry sends him to the cellar and meets him there again, this time in his disguise, where the cobbler recognizes him, and they drink together until the king’s identity is unmasked, whereupon the cobbler is rewarded with an annuity and by becoming a popular figure at court. The tale includes the drinking song of the cobbler, and is followed by an anecdote on Charles II, and a short (and ironic) moral story (The Two Bears) about two friends who steal a hoard of treasure from a monastery, and the trickery of one of the friends in temporarily replacing his companion’s children with bears as punishment for taking the greater share of the treasure. Is Referenced By A related resource that references, cites, or otherwise points to the described resource. University of Glasgow Union Catalogue of Scottish Chapbooks <span><a href="http://special.lib.gla.ac.uk/chapbooks/search/"><span>http://special.lib.gla.ac.uk/chapbooks/search/</span></a></span> Format The file format, physical medium, or dimensions of the resource JPEGs and PDF derived from master file, which was scanned from the original book in 24-bit color at 600 dpi in TIFF format using an Epson Expression 10000XL scanner. Publisher An entity responsible for making the resource available Glasgow: Printed for the Booksellers Source A related resource from which the described resource is derived Archival & Special Collections, University of Guelph Library, Guelph, Ontario https://scottishchapbooks.lib.uoguelph.ca/files/original/19eb2c7fda5d93402aeae0d91bf07009.pdf b2d629878320c7fa21fd3cc16ca0fc60 PDF Text Text " vtt H- L . & q T U L L O C H G O R U M , AND J O H N O ' B A D E N T W O F A V O U R I T E SCOTS — SONGS. — BY T H E REVEREND MR. JOHN MINISTER Y O N : AT SKINNER, LINStfART. Fiddlers^ your pins in temper f.x, And rofet ivell your jicldle Jiicksy But banijb vile Italian tricks Frae out your quorum, Jtforfortes n>i pianos mix, Giis Hullochgorum. R. FERGUSON* j G I . A S G O W: PRINTED FOR BraQi & AND SOLD Reid. BY / �TULLOCHGORUM. I. C o m e , g i V s a fang the lady cry'd, And lay your difputes all afide, W h a t fignifies't for folks to chide For what's been done before them ? Let W h i g and T o r y all agree, W h i g and T o r y , W h i g and T o r y , Let W h i g and T o r y all agree, T o drop their whigmegmorum. Let W h i g and T o r y all agree, T o fpend this night with mirth and glee, And chearfu* fmg alang wi ? me, T h e reel of Tullochgorum. II. Tullochgorum's my delight, It gars us a' in ane unite, And ony fumph that keeps up fpite, In confcience I abhor him. Blithe and merry we's be a', Blithe and merry, blithe and merry, Blithe and merry we's be a', T o xnak' a chearfu' quorum. �( 3 ) Blithe and merry we's be a', As lang as we hae breath to draw, And dance, till we be like to fa* T h e reel of Tullochgorum. III. There needfna be fae great a phrafe W i ' dringing dull Italian lays, I wadna' gi'e our ain Strathipeys For half a hundred fcore o'em: They're douffand dowie at the befl, Douff and dowie, douff and dowie, They're douff and dowie at the beft, W i ' a' their variorum: They're douff and dowie at the befl, Their allegros, and a' the reft, T h e y canna pleafe a Highland tafle, Compar'd wi' Tullochgorum. IV. Let warldly minds themfelves opprefs W i ' fear of want and double cefs, And filly fauls themfelves diftrefs W i ' keeping up decorum. Shall we fae four and fulky fit, Sour and fulky, four and fulky, Shall we fae four and fulky fit, Like auld Philofophorum ? Shall we fae four and fulky fit, W i ' neither fenfe, nor mirth, nor wit, And canna rife to fhake a fit At the reel of Tullochgorum. �( 4 ) V. My choiceft blefling ftill attend Each honeft hearted open friend, And calm and quiet be his end, Ee a' that's good before h i m ! May peace and plenty be his lot, Peace and plenty, peace and plenty, May peace and plenty be his lot, And dainties a great ftore o'em ! May peace and plenty be his lot, Unitain'd by any vicious blot i And may he never want a groat That's fond of Tuilochgorum. VI. But for the difcontented fool, W h o want's to be opprefiion's tool, May envy gnaw his rotten foul, And blackefl fiends devour him! May dule and -forrow be his chance* Dule and lorrow, dule and farrow, May dule and forrow be his chance, And honeft fouls abhor him ! May dole and lorrow be his chance, And a7 the ills that come frae France Wha'er he be that winna* dance The reel of Tuilochgorum I �< J O H N O' BADEN-YON. X. W h e n firft I came to be a man, O f twenty years or fo, I thought myfelf a handfome youth, And fain the world wou'd know. In beft attire I ftept abroad, With fpirits briik and gay, A n d here and there, and every where^ W a s like a morn in May. N o care I had, nor fear of want, But rambled up and down, And for a beau I might have pafs'd. In country or in town. I ftill was pleas'd where'er I went, And when I was alone, I tun'd my pipe, and pleas'd myfelf^ W i ' Johji o ' Badenyon. II. N o w in the days of youthful prime, A miftrefs I muft find; For love they fay, gives one an air, And ev'n improves the mind: �\ ( 6 ) On Phillis fair, above the reft, Kind fortune fix'd my eyes, Her piercing beauty ftruck my heart, And fhe became my choice ; T o Cupid then, with hearty pray'r I offer'd many a vow, And danc'd and fung, and figh'd and fworcj As other lovers do ; But when at laft I breath'd my flame, I found her cold as ftone ; I left the girl, and tun'd my pipe T o John o ' Badenyon. III. W h e n love had thus my heart beguil'd, With foolifti hopes and vain, T o friendlhip's port I fteer'd my courfe^ And laugh'd at lovers' pain ; A friend I got by lucky chance, 'Twas fomething like divine; Anhoneft friend's a precious gift, And fuch a gift was mine : And now, whatever might betide, A happy man was I, In any ftrait I knew to whom I freely might apply ; A ftrairfoon came, my friend I try'd, He laugh'd and fpurn'd my moan: I hy'd me home, and pleas'd myfell W i John o' Badenyon. �( 7 ) IV. I thought I fhould be wifer next, And would a patriot turn ; Began to doat on Johnny Wilkes, And cry up Parfon H o m e ; Their noble fpirit I admir'd, And prais'd their manly zeal, W h o had, with flaming tongue and pen, Maintain'd the public weal; But ere a month or two was pafl, I found myfelf betray'd ; 'Twas felf and party after all, For all the itir they made. At laft I faw thefe fa&ious knaves Infu.lt the very throne ; I curs'd them all, and tun'd my pipe T o John o' Badenyon. V. What next to do I mus'd a while, Still hoping to fucceed, I pitch'd on books for company, And gravely try'd to read ; I bought and borrowed ev'ry where, And ftudt'd night and day ; Nor mifs'd what dean or docflcr wrote, That happen'd in my w a y : Philofophy I now efteem'd The ornament of youth, And carefully, thro* many a page, I hunted after truth: �( 8 ) A thoufand various fehemes I try'd. And yet was pleas'd with none I threw them by, and tun'd my pipe T o John o' Badenyon. VI. And now, ye youngfters, ev'ry where, W h o want to make a ftiow, Take heed in time, nor vainly hope For happinefs below; What you may fancy pleafure here, Is but an empty name ; For girls, and friends, and books, andfo, , You'll find them all the fame. T h e n be advis'd, and warning take, From fuch a man as me, I'm neither Pope nor Cardinal, N o r one of low degree ; You'll find difpteafure every where Then do as -I have done, E'en tune your pipe, and pleafe yoWfell W i ' John o ' Badenyon. � https://scottishchapbooks.lib.uoguelph.ca/files/original/76279eb45fdf3fb04d73cb23516dca35.jpg fdc3bf9da5890cc3ce1273196b0ac247 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 3135 Width 1536 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Tullochgorum, and John O'Badenyon: two favourite Scots songs. By the Reverend Mr. John Skinner, Minister at Linshart Subject The topic of the resource Courtship and Marriage Religion and Morals Chapbooks - Scotland - Glasgow Ballads and songs Description An account of the resource Woodcut image of musical instruments on title-page. Woodcut image of scroll with quill 'finis' on page 8. Date A point or period of time associated with an event in the lifecycle of the resource 1798 per English Short Title Catalogue Language A language of the resource English Identifier An unambiguous reference to the resource within a given context <a href="https://ocul-gue.primo.exlibrisgroup.com/permalink/01OCUL_GUE/mrqn4e/alma9953133953505154">s0141b34</a> Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Glasgow, Scotland Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. John O'Badenyon Extent The size or duration of the resource. 8 pages Abstract A summary of the resource. Two popular ballads are included in this chapbook, the first being the popular <a href="https://en.wikisource.org/wiki/The_Book_of_Scottish_Song/Tullochgorum">reel Tullochgorum</a>, followed by John O’ Badenyon, which details a young man’s various efforts in love, education, and politics. Is Referenced By A related resource that references, cites, or otherwise points to the described resource. English Short Title Catalogue #T51999 Is Part Of A related resource in which the described resource is physically or logically included. Chapbook #1 in an bound collection of 52 chapbooks (s0141b34) Contributor An entity responsible for making contributions to the resource Archival and Special Collections, University of Guelph Library, Guelph, Ontario, Canada Format The file format, physical medium, or dimensions of the resource JPEGs and PDF derived from master file, which was scanned from the original book in 24-bit color at 600 dpi in TIFF format using an Epson Expression 10000XL scanner. Rights Information about rights held in and over the resource In the pubic domain; For high quality reproductions, contact Archival & Special Collections, University of Guelph. libaspc@uoguelph.ca 519-824-4120, Ext. 53413 Publisher An entity responsible for making the resource available Glasgow: Printed and sold by Brash & Reid Source A related resource from which the described resource is derived Archival & Special Collections, University of Guelph Library, Guelph, Ontario https://scottishchapbooks.lib.uoguelph.ca/files/original/f2ffc0c0324e10cbcbe5dea2208d9c26.pdf a46c602156824238eced2d9fa772c98d PDF Text Text A D D R E S S T O C L Y D E S D A L E . T o w h i c h is added, K A T T A BY I E. SONG, R O B E R T B U R N ^ OF H A M I L T O N . (Mydefdale, thy bonnie fertile plains, Thy lajfes blythe, thy toil-hrmvn fivahis> Warm glows the blood ivithln my veins. Their fame to raife Till echo back returning Jlralns Repeat my lays. GLASGOW: PRINTED FOR A N D Brafli & SOLD Reid, BY �ADVE R TIS E ME N T. 'THE following are the Poems already publifhed> written by R O B E R T B U R N S of Hamilton, viz. I. The Echo of Friar s Carfe Hermitage, an infeription for the ruins of Cadzoru cajile> on the banks of near Avon, Hamilton. 1. Avon s Stream^ a Dirge. 3. Addrefs from the Genius of Caledonia to His Grace the Duke of Hamiltony on the fuppofition of a French Invafion. 4. Emma, a Song, on the approach of Summer. 5. fenny y a Song. All the above may be had of the PublifoerSy BRASH* AND REID, Glajgoxc. Price Twopence. �A D D R E S S TO > C L Y D E S D A L E . i. C l y d ^ d a l e , thy Bonnie fertile plains., Thy lafie6 blythe, thy toil-brown fwains, Warm glows the blood within my veins Their fame to raile. Till echo back returning ftrains Repeat my lays. a Hail, to my oatal place of birth? The fpat 1 value maift on earth, Lang may the noble Patriot's worth Rife ftedfaft there, And beauty's boaft.and facial mirth The Mules care., in. Thy worth in fang fhall be expreft, Tho' B u r n s , that glory o' the Weft, By chance, or choice, ne'er thought a bl?ifc O* thee to tune, A humble bard will do his beft Thy praife to croon, �( 4 ) IV. Tho' doom'd by Fortune to the loom, And time denied book-fhelves to toom, Wild warbling fancy full in bloom Now fpreads her wing, And burnies felvag'd a1 wi' broom I lang to fing. V. Weel hedg'd with clofe embowering thorn, Thy lang deep waving rigs o' corn, Salute the bonnie fimmer morn Wi' dewy twinkle^ And fpire bell's clink fleet airy bom Gar echo tinkle, VI. Thy brooks and rills, and copious floods^ Thy dams and lins wild gurgling thuds, Thy far wide ftretching blooming woods, All, all con fpire, T p wake the Mufe (where maukin whuds) With kindling fire, VII. When Ev'ning's pencil paints the fey, With colour'd clouds of various dye, When bleeting fheep or lowing kye Feed on thy plain^ 0 ! how it ftrikes my ravifh'd eye Tq fee that fcene^ �{ 5 ) VIII. O n Plotcock fpring invites to love, On Coven fummer loes to move, On Cadgy autumn kind doth prove To mony a creature, That focial league.or wildly rove Whate'er their nature. IX. Here fun and fhade the eye provokes, There breezy dens and jutting rocks, Here age-unken'd tall fpreading oaks The Foreft's pride, There heathy muirs wihas fcanty fiocks $tray far and wide* X. A* Nature's fcenes, exclude their harming, To rapt poetic hearts are charming, The very thunders loud alarming Can pleafure gie, And fields bedeck'd with robes like ermine They loe to fee. XI. Bleak Winter's dark brow'd cloudy ftore, Rough Avon'? rain-fwoln dajhing roar, Keen gelling £roft!s mildewing hoar, Are fweet in feafon, T o man they fpeak, 44 Thy God adore, " And lift' to reafon " �(6 ) XII. Clydefdale thy waters, woods and braes, Might beet the firft rate poet's lays, Thy juicy thorns, geen trees or flaes Whan bloffom'd white,, Infpire the heart that wand'ring gaes With true delight. XIII. Thy Cotton^niills ingenious plann'd, Bid eident labour ply his hand, Thy buildings rife majeftic grand Rich coftly domes, And jnduliry now fills the land With pleafing homes, XIV. Thy courts are juft ice partial care, The glib, the meek, ftand equal there, Thy judges hang the balance fair, Right ftridly weighing But potcher loons they never fpare If trapped leeing. XV. In other times along thy banks Fierce warriors rul'd their hoftile ranks, Now love and friendfhip lightly pranks " In frolic mood," And wearied labour refls, with thanks, Where camps ance floesl �( 7 ) XVI. Where Heal fhod arrows huiTd difmay, The Cufhat's croud, and rabits play, And Bothivell cajile, hoary gray, Now fmiles in peace? As earneft of that future day When ftrife fhall ceafe XVII. Clydefdale, thy Bonnie fertile plains, Thy lajffes blythe, thy toil-brown fwains, Warm glows the blood within my veins Their fame to raifc, Till echo back returning ftrains Repeat my lays. K Tune. A T T Jolly Mortals,fill I E. your Glajfesi* I. JF A R beneath the craggy mountain, , Down in yonder pleafant vale, By the margin of a fountain, Kattie fung her tender tale. II. 61 Farewell care, corroding forrow, " Farewell, rivals buftiing ftrife, « Soon I hope the blifsful morrow t( Comes, when I'll be made a wife- �{ 8 J III. « Welcome Summer, thy returning* « Here the birds on every fpray, " Some lone Cufhat's only mournings " All the reft are blyth and gay. IV. « SnoW White daifies, crimfon tipit, " Sweetly deck the graffy mead, u How my heart heaves while I trip it? " Thinking on my Shepherd lad. V. « Soon as night fliall draw the curtain, " O'er yon Weft era azure iky, " Jocky promis'd, and I'm. certain, " To my longing arms he'll fly. VI. " Fondnefs Slewing then he'll prefs me, " To his wildly beating breaft, " Fonder ft ill, more fonder kifs me, u And declare how much he's blefs'd, VII. " Fools in town may fpend their treafure., " Balls and plays may rack their mind* " Heart exulting raptur'd pleafure, " We in rural love can find. VIII. " But I fee my Jocky yonder, " Blythly whiftlmg o'er the lee,. " Now, me thinks, I hear him ponder? " What he'll fay at meeting me." FINIS, � https://scottishchapbooks.lib.uoguelph.ca/files/original/e89d45ec6029c82e4829d136d5103d1c.jpg cb0c3f39a7b2342e385521eea5209863 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 3135 Width 1597 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Address from the genius of Caledonia to His Grace The Duke of Hamilton on the supposition of a French invasion. To which are added, two songs. Subject The topic of the resource Courtship and Marriage War Chapbooks - Scotland - Glasgow Language A language of the resource English Identifier An unambiguous reference to the resource within a given context <a href="https://ocul-gue.primo.exlibrisgroup.com/permalink/01OCUL_GUE/mrqn4e/alma9953133953505154">s0141b34</a> Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Caledonia, Scotland Gallia, Scotland The River Avon Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Two Songs Extent The size or duration of the resource. 8 pages Abstract A summary of the resource. The chapbook begins with an advertisement on inside cover indicating that Robert Burns’ earlier poems had been received very favourably and included in a volume of poetry, which has led to these next poems being published. The first poem is a nationalistic declamation of the heroism of the Duke of Hamilton, in the case of a hypothetical French invasion of the Scottish countryside. The second is a love poem on the beauty and charm of Emma, who is compared to the loveliness of the countryside the poem is set in. The final untitled Song is about two young lovers, Jenny and Willy, a shepherd. The song emphasizes the joy and beauty and earnestness of young love as she runs out into the fields and woods to see Willy one evening and he praises and sings for her. At the end, speaks of how love is the best blessing, more than wealth, or power. Is Part Of A related resource in which the described resource is physically or logically included. Chapbook #4 in a bound collection of 54 chapbooks Date A point or period of time associated with an event in the lifecycle of the resource 1797? per ESTC Is Referenced By A related resource that references, cites, or otherwise points to the described resource. English Short Title Catalogue T20360 Contributor An entity responsible for making contributions to the resource Archival and Special Collections, University of Guelph Library, Guelph, Ontario, Canada Format The file format, physical medium, or dimensions of the resource JPEGs and PDF derived from master file, which was scanned from the original book in 24-bit color at 600 dpi in TIFF format using an Epson Expression 10000XL scanner. Rights Information about rights held in and over the resource In public domain; For high quality reproductions, contact Archival & Special Collections, University of Guelph. libaspc@uoguelph.ca 519-824-4120, Ext. 53413 Publisher An entity responsible for making the resource available Glasgow: Printed and sold by Brash & Reid Source A related resource from which the described resource is derived Archival & Special Collections, University of Guelph Library, Guelph, Ontario https://scottishchapbooks.lib.uoguelph.ca/files/original/69b6a6c02221e485303e160ba7f19dd5.pdf c67382d2580bebcda84d62c2bc40a077 https://scottishchapbooks.lib.uoguelph.ca/files/original/f9149c2a36caf127a85e3dd1ea3f0409.jpg 3306473ff30d6cc5ce5d775bc2b0e9ab Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 3072 Width 1773 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The volunteer Subject The topic of the resource Chapbooks, Scottish Chapbooks-Scotland Poetry, Scottish Language A language of the resource English Identifier An unambiguous reference to the resource within a given context <a href="https://ocul-gue.primo.exlibrisgroup.com/permalink/01OCUL_GUE/mrqn4e/alma9953133953505154">s0141b34</a> Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Scotland Date A point or period of time associated with an event in the lifecycle of the resource Unknown Extent The size or duration of the resource. 2 pages Contributor An entity responsible for making contributions to the resource Archival and Special Collections, University of Guelph Library, Guelph, Ontario, Canada Format The file format, physical medium, or dimensions of the resource JPEGs and PDF derived from master file, which was scanned from the original book in 24-bit color at 600 dpi in TIFF format using an Epson Expression 10000XL scanner. Rights Information about rights held in and over the resource In the public domain; For high quality reproductions, contact Archival & Special Collections, University of Guelph. libaspc@uoguelph.ca 519-824-4120, Ext 53413 https://scottishchapbooks.lib.uoguelph.ca/files/original/a52cfb8155d88288744d61e423af928a.pdf fb1100ed984a508a4068a509b596766d https://scottishchapbooks.lib.uoguelph.ca/files/original/8154e4839983cd52b714d8741fd404f4.jpg 6174f8246b5c4389647b0f4a328dec52 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 2836 Width 1602 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Drum. Verses written on hearing a drum beat for the recruiting service. Subject The topic of the resource Chapbooks, Scottish Chapbooks-Scotland Songs, Scottish Language A language of the resource English Identifier An unambiguous reference to the resource within a given context <a href="https://ocul-gue.primo.exlibrisgroup.com/permalink/01OCUL_GUE/mrqn4e/alma9953133953505154">s0141b34</a> Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Scotland Date A point or period of time associated with an event in the lifecycle of the resource unknown Extent The size or duration of the resource. 1 page Contributor An entity responsible for making contributions to the resource Archival and Special Collections, University of Guelph Library, Guelph, Ontario, Canada Format The file format, physical medium, or dimensions of the resource JPEGs and PDF derived from master file, which was scanned from the original book in 24-bit color at 600 dpi in TIFF format using an Epson Expression 10000XL scanner. Rights Information about rights held in and over the resource In the public domain; For high quality reproductions, contact Archival & Special Collections, University of Guelph. libaspc@uoguelph.ca 519-824-4120, Ext. 53413 https://scottishchapbooks.lib.uoguelph.ca/files/original/6950575dde6ec92fb7e1bbd25ab56306.pdf d6fc4b4739933316379923f7aafaca0d https://scottishchapbooks.lib.uoguelph.ca/files/original/7fc84e3fa44091e3def689eefa77e7a7.jpg 42f9c62bcfbe5a172ab65441bfb1f706 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 3131 Width 1536 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Scenes of my youth; or, such things were Subject The topic of the resource Chapbooks, Scottish Chapbooks-Scotland Poetry, Scottish Language A language of the resource English Identifier An unambiguous reference to the resource within a given context <a href="https://ocul-gue.primo.exlibrisgroup.com/permalink/01OCUL_GUE/mrqn4e/alma9953133953505154">s0141b34</a> Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Scotland Contributor An entity responsible for making contributions to the resource Archival and Special Collections, University of Guelph Library, Guelph, Ontario, Canada Format The file format, physical medium, or dimensions of the resource JPEGs and PDF derived from master file, which was scanned from the original book in 24-bit color at 600 dpi in TIFF format using an Epson Expression 10000XL scanner. Rights Information about rights held in and over the resource In the public domain; For high quality reproductions, contact Archival & Special Collections, University of Guelph. libaspc@uoguelph.ca 519-824-4120, Ext. 53413 Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Such things were Date A point or period of time associated with an event in the lifecycle of the resource unknown Extent The size or duration of the resource. 3 pages https://scottishchapbooks.lib.uoguelph.ca/files/original/dea5462d40956de9df31f8f51d0d183f.pdf 3ee2d1b836d1bf65af6159040d0bc94b PDF Text Text Roys Wife of Aldivalloch, , WITH THE HAPPY RELIEF; O R, O'er the MUIR amang the HEATHER. T O W H I C H ARE A D D E D , A L L I N T H E T A S T E. WAP TOUR WEALTH TOGETHER. CLEAN PATERNAL'SEAT. FAIR ELIZA, BLOOMING MAID. G L A S G O W , Printtd by J, fc M, Robertfon, Saltraarket, I-80J. �( 2 H O Y ' S W I F E of ) ALDIVALLOGH. O Y ' S wift of Aldivalloch, Hoy's wife of Aldivalloch, Ken ye how (he cheated me, As I came by the Braes of Balloch. R She vow'd, file fwore, fhe wad be mine, and fwore (he lo'ed my beft of ony } But^ O h ! the fickle, faithlefs quean, fhe's ta'en the carle and left her Johny, Roy's wife of Aldivalloch, &c.( But, O h ! the fickle, faithlefs quean, lhe's ta'en the carle and left her Johny. Ay ihe was a canty quean, ^ {loch: and weel cou'd dance the Highland waU Happy l f had lhe been mine, or I'd been Roy of Aldivalloch. Roy's wife of Aldivalloch, &c# Hapj>y f, had lhe been mine, or I f d been Roy of Aldivalloch. Her face fae fair, her een fae clear, her wee bit mou' was aye fae b o n s f l T o me fhe ever (hall prove dear tho' flie's for ever left her Jotmy* Roy's wife of Aldivalloch, fee* T o me flic ever fhall prove dear, tho' flie'g for ever left her Johny* �C T H E 3 > H A P P Y O O'er the MUIR R, R E L I E F : . amang the HEATHER* A R Y mourn'd ia formal weeds, the death of Roy of Aldivalloch, her foul with paflion burn'd, for Johny and the braes of Balloch. M CHORUS. O'er the muir amang the heather, O'er the muir amang the heather, Q the days that I ha'e feen, Amang the bonny blooming heather® Her curling locks wav'd in the wind, the tears ftream'd down her cheeks fae And ay the burden o* her fong, (bonny, was wae's my heart I've lolt my johny* O'er the muir, &c. And ay the burden o ' her fong, was waes my heart I've loft my Johny* O 9?rfc upon the warld's pelf, tiiat won my Mammy and my Daddy j, tWha gae me to auld Roy's arms; ana t>aJe me leave my ain true laddie. O'er the muir, &c. Wha gae rue to auld Roy's arms, and bade mc leave my aiu true laddk* �But gin I had my Johny here, in fpite o* Mam and canker'd Daddy, Vd clafp him to this faithfu1 breaft, and row him in my tartan plaidie, Orer*th« muir, &c. Fd clafp him to this faithfu* breaft, and row him in ray tartan plaidie. Johny heard her waefu* plaint, like lightening flew acrofs the Balloch, Crying, tak me to thy faithfu* arms, thou leelefl lafs in AJdivalioch. O'er the muir, &c. Johny met wi* Roy's wife, and they gade o'et the muir the githcr* ALL IN THE TASTE. E beaux and ye belles of the city, that ftrive for to ogle the tafte, Give ear to a comical di^ty,. in which Lady Fafliion is placed,. Y For I'll {how you fome tafie alamode, fo well turn'd in a lecture on heads* And fiep into Steven's road, in fpite of all critical dreads. Fir ft, Obferve the good Lady of Fafliion 9 pray mark but her porcupine head, With her brains (he can fettle a nation, while, the poor $ ftarving for bread* �( 5 ) Obferve but her Turkey eock'd hat, pray fee how it dwells on her nofe, Which makes her as blind as a bat, and behind all for nothing jhe ifaows. Mifs Polly juft come from the fchool, in the falhion mull cut a great figure, For no more»fhe'll be reckoned a fool, when her head's made fomething biggcr# And ftay*making John play'd his part, for he fo well fitted her (haps; So (he's fairly refign'd him her heart, and borrowed the form of an ape« Next a man of Derry comes in, for he, firs a maa of the town, With Eagle-court mark'd on his chin, and Durf-fields all dullnefs he'll drowa* With a wig of the bull forehead kind, on which Stev'ns once made a comment, And open'd the eyes of the blind, #and fold wit at twenty per cent. Pray ogle the tub bottom'd hat, fee the virtues of Weatherby there % For the lamp-breaking magic's in that, you may fee it quite plain I declare. But leave off my good lufty Robin, for with tafte you're always intriguing, Or by chance you may get a good mobbing, btv the help of young M'after G'figgan* �( « ) WAP YOUR W E A L T H TOGETHER, Mither dear, I 'gin to fear, tho' Pm baith good and bonny, I wmna keep; for in my fleep, I ftart and dream o ' Johnny, O CHORUS. Up flairs, down flairs, timber flairs fear me, Pm laith to ly a' night my lane, and Johnny's bed fae near me# When Johnny then comes down the gleni to woo me do not hinder \ But with content gi' your confent, for we twa ne'er can finder. Up, &c# Better to marry, than mifearry; for fhame and lkaith's the clink o't, T o thole the dole* to mount the (tool, 1 downa bide ta think o't. Up, &c# Sae while 'tis time I'll fliun the crime, that gars poor Epps gae whinging, With haunches fow, and ecu fae blew, to a* the bedrals hinging Up, &C» Had Eppy's apron bidden down, the kirk wad ne'er a kend it $ But when the word's gane thro' the town} alake how can Ihe mend it! Up, &c* �Now Tam mamt face the minifter, and die maun mount the p'jllar: And that's the way that they maun gae, for poor folk has m® filler. Up, &e» Now ha'd your tongue, my daughter young^ reply'd the kindly mither, Get Johnny's haod in haly band, fyne wap your wealth together. Up, &c» I'm o* the mind, if he be kind, ye'll do your part difcreedy $ And prove a wife, will gar his life, and barrel run right fweetly. Up, &c; C L E A N P A T E R N A L SE A f . O hug yourfelf in perfed cafe, What would you wifh for more than thefcf A healthy, clean, pateraaffeat, Well fhaded from the fummer heat. A light parlour, a ftove to hold A conftant fire, from winter's cold, Where you may fit, and think, and fing, Far off from court, God blefs the King. Safe from the harpies of the law, From party-rage, and great men's paw; Have a few choice friends of your own caft$ A wife agreeable and chafte. An open, but yet a conftant mini, Where guilty cares no entrance find j Nor mifer's fears, nor envy's fpightf T o break the fabbath of the night* T �( 8 ) Plain equipage, and temperate meals, Few taylors, and no doctor's bills ; Content to lake as Heaven (hall pleafe,, A large* or a fhortir leafe. FAIR ELIZA, BLOOMING MAID. T beauty's (hrine I long have bow'd, At each new face my heart has glow'd, With Something like a paffion. But dull infipid joys I found, The blifs no genuine raptures crown'd, The fair but love from fa&ion, The fair but love from fafhion* A Inconftaht I of courfe became, N o care kept up the'lambent flame, Which thus unheeded died : T o whim was facrific'd each grace, T o vanity each pleafing face, And lov'd too oft to pride. And, &c» At length I fair feliza faw, Whofe beauty fire—-whofe virtue awe j I gaz'd. admir'd, and lov'd. Her lweet attention foothes each carc, Nought can our mutual bills impair, Time has our flame improved. Time, &ci G L A S G O W, |Prifltcd by J. & II. ftobmfoi), Sdtmarkct, � https://scottishchapbooks.lib.uoguelph.ca/files/original/e018dd5a0bd05903b973bbaddf5e8ff2.jpg acd9090280c5a301ebc9a6f2230407d2 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 3326 Width 2148 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Roy's wife of Aldivalloch, with the happy relief; or, O'er the muir amang the heather. To which are added, All in the taste. Wap your wealth together. Clean paternal seat. Fair Eliza, blooming maid. Subject The topic of the resource Ballads and songs Courtship and Marriage Crime Highlands Religion and Morals Wit and Humor Chapbooks - Scotland - Glasgow Date A point or period of time associated with an event in the lifecycle of the resource 1802 per University of Glasgow Union Catalogue of Scottish Chapbooks Rights Information about rights held in and over the resource In the public domain; For high quality reproductions, contact Archival & Special Collections, University of Guelph. libaspc@uoguelph.ca, 519-824-4120, Ext. 53413 Identifier An unambiguous reference to the resource within a given context <a href="https://ocul-gue.primo.exlibrisgroup.com/permalink/01OCUL_GUE/mrqn4e/alma9923406373505154">s0146b38</a> Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Aldivalloch, Scotland Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. O'er the muir amang the heather. All in the taste. Wap your wealth together. Clean paternal seat. Fair Eliza, blooming maid. Extent The size or duration of the resource. 8 pages 15 cm Abstract A summary of the resource. A collection of songs and ballads. The first song is the complaint of a young Highland man whose love interest had left him in order to marry Roy of Aldivalloch instead of himself, followed by a second song is a reply that is written from the perspective of the same girl, lamenting the fact that her parents had forced her to marry Roy of Aldivalloch instead of her true love; after the death of Roy, the two lovers are reunited. The next song is a satirical piece making fun of some of the current fashions and their foolishness and cost. Following this is an amusing song about a young girl who begs her mother to consent to her marrying early, arguing that waiting would only encourage illicit meetings. This is an interesting piece as it details some of the common punishments meted out to transgressors in the local kirk session. The next song urges temperance and sensible living, listing the benefits and practices of these, while the last song details a young man’s inconstancy in love and passion until he finally meets the fair Eliza who inspires him to higher virtue, love, and constancy. Is Referenced By A related resource that references, cites, or otherwise points to the described resource. University of Glasgow Union Catalogue of Scottish Chapbooks <a href="http://www.lib.uoguelph.ca/find/find-type-resource/archival-special-collections/scottish-studies">http://special.lib.gla.ac.uk/chapbooks/search/</a> Contributor An entity responsible for making contributions to the resource Archival and Special Collections, University of Guelph Library, Guelph, Ontario, Canada Format The file format, physical medium, or dimensions of the resource JPEGs and PDF derived from master file, which was scanned from the original book in 24-bit color at 600 dpi in TIFF format using an Epson Expression 10000XL scanner. Publisher An entity responsible for making the resource available Glasgow: Printed by J. & M. Robertson Source A related resource from which the described resource is derived Archival & Special Collections, University of Guelph Library, Guelph, Ontario