12
10
639
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https://scottishchapbooks.lib.uoguelph.ca/files/original/089112e54579f350233e5498a9e65f24.pdf
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PDF Text
Text
The Anchor's weigh'd.
Here's a health to all good Lasses.
'Twas merry in the Hall.
Cherry Ripe.
Pray Goody, please to moderate.
And has she then fail'd.
The young May moon.
Flv not vet.
'
B>
KILMARNOCK:
PRINTED FOR THE BOOKSELLERS.
4
�POPULAR SONGS.
THE ANCHOR'S
WEIGHS
THE tear fell gently from her eye.
When last we parted on rhe shore:
M y bosom heav'd with many a sigh,
T o think I ne'er might see her more*
Bear youth, she cried, and canst thou haste
,aw a y ;
M y heart will break—a little moment stay.
Ah&\ I cannot—I cannot part from thee*
The anchor's weighM—farewell! farewell! remember me I
Weep not, my love, I trembling said ;
Doubt not a constant heart like mijie.
X pe er can meet another maid
Whosp charms can tlx my heart like thine*
G o , then, she cried, but let thy constant miri4
Oft think of her thou leiv'st in tears behind,
A maid—this last embrace my pledge shall be.
The anchor's weigh'd—farewellI farewell! rt»
member me i
�HERE'S
A
HEALTH TO ALL
LASSES.
GOOD
H E R E ' S a health to all good lasses,
Pledge it merrily, fill your glasses,
Let a bumper toast go round!
May they live a life of pleasure,
Without mixture, without measure,
For with them true joys are found,
T W A S M E R R Y IN T H E
HALL,
Now ancient English melodies
Are banish*ti out of doors,
And nothing's heard in modern dayt$f
But Sigftoras and Signorg.
Such airs I hate
Like a pig in a gate,
Give me the good old strain*
When 'twas merry in the hall,
The beards wagg'd all,
We shall ne?efr see the liVe ?gi\n$
W e -shall ne'er see - the like again.
On beds of down our dandies lay,
And waste the cheerful morn,
�4
While cur squires o f old would rouse the day
•(I T o the sound of the bugle horn.
And rheir wives took care
The feast to prepare ;
For when they left the plain,
O h ! 'twas merry in the hall,
The beards wagg'd all,
W e shall ne'er see the like again,
W e shall ne'er see the like again.
T w a s then the Christmas tale was told
Of goblin, ghost, or fairy,
And they cheer'd the hearts of the tenants old
With a cup of good canary.
And they each took a smack
< * At the cold blackjack,
Till the fire burn'd in their brain;
O h ! 'twas merry in the hall,
The beards wagg'd all,
May we all see the like again ! *
May we all see the like again !
CHERRY
RIPE.
Cherry ripe, cherry ripe, ripe, X c r y ;
Full and fair ones come and buy.
Cherry ripe, cherry ripe, ripe, I c r y ;
Full and fair ones come and buy.
If so be you ask me where
They do grew, I answer there*
�5
Where the sunbeams sweetly smile.
There's the land or cherry isle.
Cherry ripe, &c.
Where the sunbeams sweetly smile,
There's the land or cherry isle.
There plantations fully shew
All the year wh*re clierries grow.
Cherry ripe, ripe, cherry ripe., I cry %
Full aiad fair ones come and buy,
Fall and fair ones come and buy.
PRAY
GOODY.
PRAY, Goody, please to moderate the rancour of
your tongue*
Why flash those sparks of fury from your eyes?
Remember when the judgment's weak the pre«
judice is strong,
A stranger why will you despise ?
Ply me,
Try me,
Prove ere you deny me,
If you cast me
Off, you blast me
Never more to rise.
Pray Goody, &e.
�§
H 45
SHE
T H E N FAILED
TRUTH-?
IN
HER
A k b has she then fail f d in her truth,
T h e beautiful maicl I dchre ?
Shall I never again hear her voice,
I or
N
U r lov'd form any more ?
N o , no, no, I shall never c©^? her more,
N o , ncfe no, I shall never see her more,
N o , no, no, I shall never, never see her more.
A h I Selima, cruel you prove?
Y e t sure my hard lot you'll bewail,
I could not presume you would love,
Yet pity I hop'd would prevail.
Yet pity, pity, pity, I hop*dj> I hop'd, would
prevail.
And since hatred alone I inspire*
Life henceforth is not worth my care}
Death-now is my only desire,
I give myself up to despair.
And has. she, & c .
THE Y O U N G M A Y
MOON.
THE young May moon is beaming, love,
The glow-worm's lamp is gleaming, love,
H o w sweet to rove,
Thro' Morna's grove,
While the drowsy world is dreaming love.
�7
Then awake, the heavens look bright, my dear*
'Trs never too late for delight* my deai>!
And the best of all ways.
T o lengthen our d a p ,
Is to steal a lew hours from the night, my dear,
Now all the world is sleeping, love,
But the sage, his star-watch keeping* love,
And I, whose star,
More glorious far,
Is the eye from that casement peeping, love*
Then awake till rise of sun, mv dear.
The sage's glass we'll shun, my dear,
Or in watching the flight
O f bodies light,
He might happen to take thee for one, my dean
FLY N O T Y E T .
TUNE—* Planxty Kelly!
Fur not yet, 'tis just the hour,
When pleasure, like the midnight flow'*
That scorns the eye of vulgar light,
Begins to bloom for sons of night,
And maids who love the moon.
*Twas but to bless these ho<urs of shade
That beauty and the moon were rnvde;
* Fis then the soft attractions, glowing.
Set the tides and goblets Rowing.
�8
Oh stay ! Oh stay !
Joy to seldom weaves a chain
l i k e this tonight, that oh ! 'tis pain
T o break its links so soon.
Fly not yet, the fount that play'd
In times of old, thro* Amnion's shade,
Tho' icy cold by day it ran,
Yet still, like souls of mirth, began
T o burn when night was near;
And thus should woman's heart and looks*
A t noon be cold as winter brooks,
Nor kindle till the night returning,
Brings their genial hour for burningOh stay ! Oh stay \
When did morning ever break,
And End such beaming eyes awake
As those that sparkle here i
FINIS.
�
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The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.
Bit Depth
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Dublin Core
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Title
A name given to the resource
Illustration on title-page of a tall ship at sea.
Dublin Core
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Title
A name given to the resource
Woodcut 090: Title-page illustration of a tall ship at sea.
Document
A resource containing textual data. Note that facsimiles or images of texts are still of the genre text.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Eight Songs. The Anchor's weigh'd. Here's a health to all good Lasses, 'Twas merry in the Hall. Cherry Ripe. Pray Goody, please to moderate. And has she then Fail'd. The young May moon. Fly not yet.
Identifier
An unambiguous reference to the resource within a given context
<a href="https://ocul-gue.primo.exlibrisgroup.com/permalink/01OCUL_GUE/mrqn4e/alma9953133903505154">s0499b33</a>
Alternative Title
An alternative name for the resource. The distinction between titles and alternative titles is application-specific.
The Anchor's weigh'd.
Here's a health to all good Lasses,
'Twas merry in the Hall.
Cherry Ripe.
Pray Goody, please to moderate.
And has she then Fail'd.
The young May moon.
Fly not yet.
Extent
The size or duration of the resource.
8 pages
Is Part Of
A related resource in which the described resource is physically or logically included.
Chapbook #34 in a bound collection of 40 chapbooks
Subject
The topic of the resource
Chapbooks--Scotland--Kilmarnock
Contributor
An entity responsible for making contributions to the resource
Archival and Special Collections, University of Guelph Library, Guelph, Ontario, Canada
Rights
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In the public domain; For high quality reproductions, contact Archival & Special Collections, University of Guelph. libaspc@uoguelph.ca, 519-824-4120, Ext. 53413
Language
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English
Format
The file format, physical medium, or dimensions of the resource
JPEGs and PDF derived from master file, which was scanned from the original book in 24-bit color at 600 dpi in TIFF format using an Epson Expression 10000XL scanner.
Publisher
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Kilmarnock: Printed for the Booksellers
Source
A related resource from which the described resource is derived
Archival & Special Collections, University of Guelph Library, Guelph, Ontario
Description
An account of the resource
Woodcut #90: Illustration on title-page of a tall ship at sea.
Type
The nature or genre of the resource
ballads & songs
# of Woodcuts: 1
Bib Context: title-page
Chapbook Genre: ballads & songs
Chapbook Publisher - Kilmarnock: Printed for the Booksellers
Outdoor Scene
Transportation: ship/boat(s)
-
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Document
A resource containing textual data. Note that facsimiles or images of texts are still of the genre text.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Elegiac Stanzas, Applicable to the Untimely Death of the Celebrated Poet, Robert Burns. To which are added, Verses on Time, and on The Shortness of Life.
Identifier
An unambiguous reference to the resource within a given context
<a href="https://ocul-gue.primo.exlibrisgroup.com/permalink/01OCUL_GUE/mrqn4e/alma9953133953505154">s0141b34</a>
Alternative Title
An alternative name for the resource. The distinction between titles and alternative titles is application-specific.
Verses on Time
The Shortness of Life
Date
A point or period of time associated with an event in the lifecycle of the resource
[1796?] per English Short Title Catalogue
Extent
The size or duration of the resource.
8 pages
Is Part Of
A related resource in which the described resource is physically or logically included.
Chapbook #8 in a bound collection of 54 chapbooks
Description
An account of the resource
Verse quoted on title-page: "Have we not seen him sporting on these plains? Have we not heard him strike the Mase's lyre? Have we not felt the magic of his strains, Which often glow'd with fancy's warmest fire?"
Subject
The topic of the resource
Burns, Robert, 1759-1796
Chapbooks - Scotland - Glasgow
Is Referenced By
A related resource that references, cites, or otherwise points to the described resource.
ESTC#: <span>T131011</span>
<a title="National Library of Scotland" href="http://www.nls.uk/">National Library of Scotland</a>
Contributor
An entity responsible for making contributions to the resource
Archival and Special Collections, University of Guelph Library, Guelph, Ontario, Canada
Rights
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In the public domain; For high quality reproductions, contact Archival & Special Collections, University of Guelph. libaspc@uoguelph.ca, 519-824-4120, Ext. 53413
Format
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JPEGs and PDF derived from master file, which was scanned from the original book in 24-bit color at 600 dpi in TIFF format using an Epson Expression 10000XL scanner.
Publisher
An entity responsible for making the resource available
Glasgow: Brash & Reid
Type
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elegy
Source
A related resource from which the described resource is derived
Archival & Special Collections, University of Guelph Library, Guelph, Ontario
# of Woodcuts: 0
Chapbook Date: 1791-1800
Chapbook Genre: elegy
Chapbook Publisher - Glasgow: Brash & Reid
-
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PDF Text
Text
ELEGY
,
•
ON
%
'
Jamie Gemmill,
TAILOR.
PRINTED THIS YEA
*
��ELEGY
,1 •
ON
JAMIE
GEMMILL,
Knichts of the thumle far an* near,
Unto my tale pray lend an' ear,
It 5rae your e'e will draw the tear
Wi* muckle speed,
As soon the waefu* tale ye hear
That Jamie s s dead.
G reader, cam he e'er to thee,
An* winkin' at you wi* his e'e*
Saying will til gie me a bawbee
T o get a glass;
For whilk ye wad in a moment see
Him on his arse.
�4
O r hae ye $601111101 on the street,
Wi ? twa auld baiichles on his feet,
Gaun todlin thro' t£e rain an9 weet
Like wan'ring jew,
T o see gin he wad chance to meet
A Men* sae true.
As bid him come and get a gill,
O r yet a drink o' nappy yiil;
For Jamie weel coijd drink his fill
O ' them I t r e w ;
And laith was he to rise, until
He did get foil.
O r hae y e seen him sittm9 cfackin,
In Tammy's Taproom ower a chappin,
For to keep aV the company lauchin
l i e was ira laith,
By tellin them he breeks wad mak them
Without the claith.
�5
Or hae ye taen him to yer hame,
To mak claes for yersel or wean ?
An' bottle by his side has lain
O' reemin nappy,
That Jamie ilka ndo and then
Micht tak a drappy.
For Jamie weel coud use the thumle.
An 9 was wi' needle aye fu* nimle,
An' ne'er about the price wad grumle
O9 o n y j o b ,
But aft wad drink until he'd turn le
Clean aff the broad.
But noo alas ! puir Jamie's gane,
Like mony mae to his lang h a m e ;
An' in the cauld kirk yard is laifi
Past a* remead,
Nae mair for to return again
Sin* he is dead.
�Nae mair about the corse ye'll see him
Nae mair a bawbee will ye gie him,
Nae mair his hat he'll gar flee frae him
Upon t]he street,
An* cry noo Jamie Gemmill gie them
The Tailors leap.
But noo I maun lay doun my pen,
An' to my verses mak an' en',
Whare'er he's gaen weel may he fen',
An* let ilk chiel
Unto his prayer say Amen.
Sae fare ye weel.
EPITAPH.
Here in this Kirk yard
There lieth interr'd
The Body of wee Jamie G/...J,
W h o on earth was aye frisky
�7
W i ' drinkm' o9 whisky ;
A n ' wi' needle an' thread
W a s fu' nimle.
But ae day alas !
When takin' a glass.
Death cam and awa
Wi' him jumpet;
An* nop here he lies, .
Till the dead shall arise,
At the soim* o9 the
Archangel's trumpet.
FINIS.
�PER
CONTRA,
Dry your tears and cease your grievin,
Jamie Gemmill yet is leevin;
If a glass yeM like to.pie him,
At the Cotfse ye'll ablins see him.
�
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The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.
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A resource containing textual data. Note that facsimiles or images of texts are still of the genre text.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Elegy on Jamie Gemmill, Tailor.
Date
A point or period of time associated with an event in the lifecycle of the resource
[ca. 1820] per University of Glasgow Union Catalogue of Scottish Chapbooks
Identifier
An unambiguous reference to the resource within a given context
<a href="https://ocul-gue.primo.exlibrisgroup.com/permalink/01OCUL_GUE/mrqn4e/alma9923304763505154">s0451b36</a>
Extent
The size or duration of the resource.
8 pages
15 cm
Subject
The topic of the resource
Chapbooks - Scotland - Glasgow
elegy
Contributor
An entity responsible for making contributions to the resource
Archival and Special Collections, University of Guelph Library, Guelph, Ontario, Canada
Is Referenced By
A related resource that references, cites, or otherwise points to the described resource.
<a title="University of Glasgow Union Catalogue of Scottish Chapbooks" href="http://special.lib.gla.ac.uk/chapbooks/search/">University of Glasgow Union Catalogue of Scottish Chapbooks </a>
<a title="National Library of Scotland" href="http://www.nls.uk/">National Library of Scotland</a>
Rights
Information about rights held in and over the resource
In the public domain; For high quality reproductions, contact Archival & Special Collections, University of Guelph. libaspc@uoguelph.ca, 519-824-4120, Ext. 53413
Alternative Title
An alternative name for the resource. The distinction between titles and alternative titles is application-specific.
Per contra
Format
The file format, physical medium, or dimensions of the resource
JPEGs and PDF derived from master file, which was scanned from the original book in 24-bit color at 600 dpi in TIFF format using an Epson Expression 10000XL scanner.
Publisher
An entity responsible for making the resource available
Glasgow and London: Cameron & Ferguson
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Document
A resource containing textual data. Note that facsimiles or images of texts are still of the genre text.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Elizabeth or the Exiles of Siberia. New and Improved Series, No. 31
Date
A point or period of time associated with an event in the lifecycle of the resource
1851
Identifier
An unambiguous reference to the resource within a given context
<a href="https://ocul-gue.primo.exlibrisgroup.com/permalink/01OCUL_GUE/mrqn4e/alma9923305223505154">s0006Cb11</a>
Description
An account of the resource
Price One Penny printed at bottom of title-page
Abstract
A summary of the resource.
A tale of filial piety, love, and the determination of a young woman to earn pardon for her parents with whom she has lived in exile in the wilds of Siberia for the last twelve years. Particular emphasis on the virtues of devotion and love for one’s parents, religious piety, and the positive influence women can have.
Extent
The size or duration of the resource.
24 pages
15 cm
Is Part Of
A related resource in which the described resource is physically or logically included.
National Library of Scotland Catalogue
Subject
The topic of the resource
Religion and Morals
Chapbooks - Scotland - Glasgow
Is Referenced By
A related resource that references, cites, or otherwise points to the described resource.
National Library of Scotland
Contributor
An entity responsible for making contributions to the resource
Archival and Special Collections, University of Guelph Library, Guelph, Ontario, Canada
Format
The file format, physical medium, or dimensions of the resource
JPEGs and PDF derived from master file, which was scanned from the original book in 24-bit color at 600 dpi in TIFF format using an Epson Expression 10000XL scanner.
Rights
Information about rights held in and over the resource
In the public domain; For higher quality reproductions, contact Archival & Special Collections, University of Guelph. libaspc@uoguelph.ca 519-824-4120, Ext. 53413
Alternative Title
An alternative name for the resource. The distinction between titles and alternative titles is application-specific.
The exiles of Siberia
Publisher
An entity responsible for making the resource available
Glasgow: Printed for the Booksellers
Source
A related resource from which the described resource is derived
Archival & Special Collections, University of Guelph Library, Guelph, Ontario
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Title
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Elizabethan Era
Description
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Woodcut image Elizabethan era styled group of people.
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JPEGs and PDF derived from master file, which was scanned from the original book in 24-bit color at 600 dpi in TIFF format using an Epson Expression 10000XL scanner.
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In the public domain; For high quality reproductions, contact Archival & Special Collections, University of Guelph libaspc@uoguelph.ca 519-824-4120 Ext 53413
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Document
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Dublin Core
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Title
A name given to the resource
Evan’s Sketch of all Religions a<span>bridged : exhibiting a concise view </span><span class="searchword">of</span><span> the different sects and denominations into which the Christian world is divided.</span>
Date
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1851
Extent
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24 pages
Identifier
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<a href="https://ocul-gue.primo.exlibrisgroup.com/permalink/01OCUL_GUE/mrqn4e/alma9953133963505154">s0098b48</a>
Is Part Of
A related resource in which the described resource is physically or logically included.
Chapbook #29 in a bound collection of 34 chapbooks
Abstract
A summary of the resource.
A brief review of many different religions practiced at this time with a focus on the different sects of Christianity. Paganism, Deism, Atheism, Judaism, and Islam are also covered in addition to the various Christian religions, but the sects of Christianity receive the greatest attention by far. The section on Paganism is particularly interesting as all religions not listed above are lumped into this category and many atrocities, such as human sacrifice, infanticide, spousal sacrifice, and cannibalism, are attributed to this group.
Description
An account of the resource
"Price one penny." on title-page
Contributor
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Archival and Special Collections, University of Guelph Library, Guelph, Ontario, Canada
Rights
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In the public domain; For high quality reproductions, contact Archival & Special Collections, University of Guelph. libaspc@uoguelph.ca, 519-824-4120, Ext. 53413
Subject
The topic of the resource
Chapbooks - Scotland - Glasgow
Religion and Morals
Islam
Judaism
Christianity
Is Referenced By
A related resource that references, cites, or otherwise points to the described resource.
<a title="National Library of Scotland" href="http://www.nls.uk/">National Library of Scotland </a>
<a title="University of Glasgow Union Catalogue of Scottish Chapbooks" href="http://special.lib.gla.ac.uk/chapbooks/search/">University of Glasgow Union Catalogue of Scottish Chapbooks </a>
Format
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JPEGs and PDF derived from master file, which was scanned from the original book in 24-bit color at 600 dpi in TIFF format using an Epson Expression 10000XL scanner.
Publisher
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Glasgow: Printed for the Booksellers
Source
A related resource from which the described resource is derived
Archival & Special Collections, University of Guelph Library, Guelph, Ontario
# of Woodcuts: 0
Chapbook Date: 1851-1860
Chapbook Genre: religion & morals
Chapbook Publisher - Glasgow: Printed for the Booksellers
-
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PDF Text
Text
Fair Margaret of Craignargat:
OR,
THE
Indulgent Mother and disobedient Daughter.
TO WHICH ARE ADDED,
My GODDESS, or, My DEVIL.
AND
LOVE
AND
FRIENDSHIP.
Printed by J. andM.Robertson,Saltmarket, 1802.
�2
FAIR
F
AIR Margaret of Craignargat,
was the flower of a' her kin,
Andshehas fallen in love with a false
young man, her ruin to begin.
T h e more she lov'd, the more it prov'd
her fatal destiny :
And he that sought her overthrow,
shar'd of her misery.
Before that Lady she was born,
her Mother as we find,
She dream'd she had a fair Daughter,
that was both dumb and blind.
But as she sat in her bow'r door,
a viewing of her charms,
There came a raven from the south,
and pluck'd her from her arms.
Three times on end she dream'd this dream,
which troubled sore her mind,
That from that very night and hour,
she could no comfort find.
Now she has sent for a wise woman,
liv'd nigh unto the Port,
Who being call'd instantly came
that Lady to comfort.
MARGARET
O
�( 3 )
To her she told her dreary dream,
with salt tears in her eye.
hoping that she would read the same,
her mind to satisfy.
Set not your trust in children young,
whate'er their fortune be,
And if I tell what shall befal,
lay not the blame on me.
The Raven which you dreamed of,
he is a false young man,
With subtile heart and flattering tongue,
your Daughter to trapan.
Both night and day, 'to you I pray,
for to be on your guard,
For many are the subtile wyles,
by which youth are ensnar'd.
When she had read the dreary dream,
it vex'd her more and more,
For Craignargat of birth and state,
liv'd nigh unto the shore.
But as in age her Daughter wax'd,
her beauty did excel
All the Ladies far and near,
that in the land did dwell.
The Gordon, Hey, and brave Agnew,
three Knights of high degree,
Unto the Lady a courting came,
all for her fair beauty.
�( 4 )
Which of these men they ask'd her then,
that should her husband be !
But scornfully she did reply,
I'll wed none of the three.
Since it is so, where shall we go
That is so fair and beautiful
that none can suit thy mind.
With scorn and pride she answer made,
you'll ne'er choose one for me,
Nor will I wed against my mind,
for all their high degree.
The brave Agnew whose heart was true,
a solemn vow did make.
Never to love a woman more,
all for that Lady's sake.
Which griev'd her tender parents dear,
to judgement she was blind ;
T o counsel this Lady was deaf,
and troubled sore their mind.
From the Isle of Man a Courter came,
and a false young man was he.
With subtile heart and flattering tongue,
to court that fair Lady.
This young man was a bold out-law,
a robber and a thief.
But soon he gain'd that Lady's heart,
which caused all that grief.
a
�( 5 )
O will you wed, her Mother said,
a man you do not know,
For to break your Parent's heart,
withsorrow,grief, and woe !
Yes, I will go with him, she faid,
either by land or sea,
For he's the man I've pitched on
my husband for to be.
O let her go, her Father said,
for she shall have her will
;
My Curse and Mallison she's get,
for to pursue her still.
Your Curse, Father, I don't regard,
your Blessing I'll ne'er crave;
T o the man I love I'll faithful prove,
and never him deceive.
On board with him fair Marg'ret's gone,
in hopes his bride to be
;
But mark you well and I shall tell,
of their sad destiny.
They had not sail'd a league but five,
till the s t o r m began to rise
;
The swelling seas ran mountains high,
and dismal were the skies.
In deep despair, that Lady fair,
for help aloud she cries,
Whilst crystal tears like fountains ran
down from her lovely eyes.
�Oh ! I have got my Father's Curse,
ray pride for to subdue ;
With sorrows great my heart will break,
alas! what shall I do?
O were I at my Father's house,
his Blessing to receive,
Then on my bended knees I'd fall,
his pardon for to crave.
To aid my grief, there's no relief
to speak it is in vain
Likewise my loving Parents dear,
I ne'er shall see again.
;
;
The winds and waves did both conspire,
their lives for to devour,
That gallant ship that night was lost,
and never was seen more.
When tidings to Craignargat came,
of their sad overthrow.
It grieved her tender Parents' heart,
afresh began their woe.
Of the dreary dream that she had seen,
and often thought upon
O fatal news her Mother cries,
my darling she is gone.
O fair Margaret I little thought,
the seas would be thy grave,
When first thou left thy Father's house,
without thy Parents' leave.
;
�( 7 )
May this tragedy a warning be,
to children while they live,
That they may love their parents dear,
their blessings to receive.
M Y G O D D E S S , OR, M Y D E V I L .
A
H ! bright Belinda, hither fly,
and such a light discover,
As may the absent sun supply,
and cheer the drooping lover.
Arise, my day, with speed arise,
and all my sorrows banish :
Before the sun of thy bright eyes,
all gloomy terrors vanish.
No longer let mes i g hin vain,
and curse the hoarded treasure:
Why should you love to give us pain,
when you were made for pleasure !
The petty powers of hell destroy;
to save's the pride of heaven :
To you the first, if you prove coy ;
if kind, the last is given.
The choice then sure's not hard to make,
betwixt a good and evil:
Which title had you rather take,
myGoddess,or,myDevil?
�(
LOVE
8
)
AND F R I E N D S H I P .
L E A V E off your foolish pratting,
Talk no more of Whig and Tory,
But drink your glass round let it pass,
The bottle stands before ye,
Fill it up to the top,
Let the night with mirth be crown'd,
Drink about, see it out,
Love and friendship still go round.
If claret be a blessing,
This night devote to pleasure;
Let worldly cares, andstateaffairs,
Be thought on at more leisure ;
Fill it up to the top,
Let the night with joy be crown'd,
Drink about, see it out
Love and friendshipstillgo round.
If any is so zealous,
To be a party-minion,
Let him drink like me, we'll soon agree,
And be of one opinion :
Fill your glass, name your lass,
See her health go sweetly round,
Drink about, see it out,
Let the night with joy be crown'd.
GLASGOW,
Printed by J. & M. Robertson, Saltmarket, 1802.
�
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Omeka Image File
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Bit Depth
8
Channels
3
Height
3245
Width
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Document
A resource containing textual data. Note that facsimiles or images of texts are still of the genre text.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Fair Margaret of Craignargat: or, The Indulgent Mother and Disobedient Daughter. To which are added, My Goddess, or, My Devil. and Love and Friendship.
Date
A point or period of time associated with an event in the lifecycle of the resource
1802
Identifier
An unambiguous reference to the resource within a given context
<a href="https://ocul-gue.primo.exlibrisgroup.com/permalink/01OCUL_GUE/mrqn4e/alma9923311613505154">s0440b09</a>
Alternative Title
An alternative name for the resource. The distinction between titles and alternative titles is application-specific.
The Indulgent Mother and Disobedient Daughter
My Goddess
My Devil
Love and Friendship
Extent
The size or duration of the resource.
8 pages
15 cm
Description
An account of the resource
woodcut image of portrait of a fashionable woman on t.p.
Subject
The topic of the resource
Chapbooks-Scotland-Glasgow
Contributor
An entity responsible for making contributions to the resource
Archival and Special Collections, University of Guelph Library, Guelph, Ontario, Canada
Is Referenced By
A related resource that references, cites, or otherwise points to the described resource.
<a title="University of Glasgow Union Catalogue of Scottish Chapbooks" href="http://special.lib.gla.ac.uk/chapbooks/search/">University of Glasgow Union Catalogue of Scottish Chapbooks</a>
<a title="National Library of Scotland" href="http://www.nls.uk/">National Library of Scotland </a>
Rights
Information about rights held in and over the resource
In the public domain; For high quality reproductions, contact Archival & Special Collections, University of Guelph. libaspc@uoguelph.ca, 519-824-4120, Ext. 53413
Format
The file format, physical medium, or dimensions of the resource
JPEGs and PDF derived from master file, which was scanned from the original book in 24-bit color at 600 dpi in TIFF format using an Epson Expression 10000XL scanner.
Publisher
An entity responsible for making the resource available
Glasgow: Printed by J. & M. Robertson
-
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Dublin Core
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Title
A name given to the resource
Illustration on title-page of a woman praying before an altar on top of which is an open book
https://scottishchapbooks.lib.uoguelph.ca/files/original/b27b59778afb179513e79310cc45164a.pdf
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PDF Text
Text
Fair Margaret's Misfortunes
T o which arc added,
A Cogie of Ale.
The weary pund o' Tow.
Song in Rosina.
EDINBURGH—
rRINTXD FOR TH6 BOOKSELLERS.
�fair Margarets misfortunes.
As it fell out upon a day,
two lovers they sat upon a hill:
They sat together a long summed day,
and could not take their fill.
1 see no harm hy you Marjaret,
and you sec none by me;
Before to morrow at eight clock,
a rich we J ding you shall sot*
Fair Margaret sat in her bower window
a combing of her hair ;
There 6he ip>M sweet William and bri If,
as they were a riding near.
©own the laid her iv.ry comb,
and up she bound her hair,
She went away forth from the bower,
and never more e&jse there.
Whc-n day was gone, and night was iiosae,
and all m:n frst asleep,
There came the spirit of Pair Margaret,
and stood at WillismVbed-feet.
�God give you joy, you true lovers,
in bride-bed fast asleep,
Lo 1 I a« going to my green-gTais grove,
an] I am is my winding sheet
When Jay was come aad ni^ht was gone,
and all men wak'd from sleep.
Sweet Wilium to his lady said,
my dear, I've cause to weep.
I dream'd a dream my dear Lidy
such dreams are never good s
I dream'd thy bow'r was full of red swfne,
and thy bride-bed ful of blood*
Such dreams such dreams, my honoured Sir,
they never do prjve good ;
To dretaa my bower was full of red swin?,
and my bri'le-bed full of blood.
He called up his merry men ail,
by one by two and by three,
Saying, I'll away to fair Margaret's bower,
by the have of ray fair lady.
And when he came to fair Margaret's bo*er,
he knocked at t'.e ring:
�4
So ready were the seven bn tbren
to let 8wetf William in,
Then he turned up the winding s^eet,
pray let me set the dead
Methinks she looks both pale anl wan,
she ba4 lost her cherry reJ.
I will do more for the«, Margtiet,
th»n any of thy kio,
For \ will kisa thy psle wan lips,
though a w$iie I cannot win.
With that Uspokt the seven brethren,
making most piteous moan,
You may go kiss your jolly brow* dame,
and let our sister alone.
If I do kiss my jolly brown dame,
I da but what is right,
For I made DO VOW to your sister dear,
by day nor yet by eight.
Fray tel/ me then how much you'll deal
oi white bread and of wine,
So mnc i as is dealt at he,; funeral to-iay,
t;-mcrrcw shall be desit ss mine.
l
�5
Fair Margaret dy'd to-day to-day,
•weet William hp dy d the morrow;
Fair Margaret dy d for pure true love,
•weet William ha dy d for aorro*.
Margaret wai buried in the totrtr chancel,
and Williaai in the higher
Out of her breast there «pr**g,
and out of hie a briar.
N
%
They greJ* a« high a« the church top,
'till they could grow no Hghsr ;
A*d there grew in a True-lover'a knot,
that mado all people admire.
Then came the clerk of the pariah,
as you this truth ahall hear,
And by misfortunes cut them dowa,
or they had BOW b2en there.
A COGIE OF ALE.
A C O G I E of ale, and a pickle alt meal,
And a dainty wee drappie o' whisky,
Was our forefather'* dose to swell down'thiir brcie
Aod make them blytje cheery, and frisky.
�6
Then hey for the cogie and bey for the ale,
Acd hey for the whisky and bey for the mt*l,
When m:Vd a' thtgitler they do unco weel;
TG> &&k a cbicld cheery and brisk ay,
As I view our Scots lads in their kilts cod cotkad*6,
A' blofimiig tnii fresh as a rose, man;
I ifeink wi znysel 0* the meal and the ale,
Aod the frui's o* our Scottish kail brose maa;
Ttien hey for the co^ie. &J.
x
Whoa our brave Htghlaad blades, wf tkeir clay*
mores and plaids,
In the field, drive like #be*p a1 our fres, fttaa,
"Fheir courage andpow'r, spring frae thif, to besurt,
They're the noblt effrcU of the bro*e, wan,
T£en hey fop the cogie, &c.
t
Tut your spindle-shack'd sparks, wha but ill »et
their sarks,
And ycur pale-vbaged milksops, and beaua, t&aa.
I think when I see them 'twei^e kindneal to gi'e
them,
& A cogie of *le aa3 pf brose man.
Then h*y for the co^ie,
�t h e w e a r y PUND 0 ' TOIV.
The weary pun& the weary punl>
The weary pnnd o' tow;
I think my wife will and her life
Before she spin her tow,
I bought m? wife a staae o' lint,
as good as e'er did grow,
And a that she has made o' tint
Is ae puir puud o tow.
The-e sat a bottle in a nook
Ayont the ingle low,
And ay she took the ither souk
to drouk the stourie tow.
Quoth I, for shame, ye dirty dame,
Gae 6pin your tap o* tow:
She took the rock, and w: knock,
She brak it o'er my pow.
At last her feet, (I fang to tee't)
Gaed foremost o'er a knowe;
And ere I wed another j&de,
I'll wallop in a tow.
9
x
�?
SONG IN R3S1M
When William at eve meets me dowa at the »til<%
UQW gwtet is the nightingale^ song,
Of the day I forget all the labour and toil
whilst the mo< n plays yon branches ameeg.
By her beams without blushing I hear hitt complain
and believe every word of his seng:
You know tot bow sweet Hi* to love the dear swab),
whilst the moon plays yon branches among.
FINIS.
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Woodcut 025: Title-page illustration in a single ruled border of a woman praying before an altar on top of which is a book.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Fair Margaret's Misfortunes; to which are added, A Cogie of Ale. The weary pund o' Tow. Song in Rosina.
Alternative Title
An alternative name for the resource. The distinction between titles and alternative titles is application-specific.
A Cogie of Ale
The weary pund o' Tow
Song in Rosina
Extent
The size or duration of the resource.
8 pages
16 cm
Identifier
An unambiguous reference to the resource within a given context
<a href="https://ocul-gue.primo.exlibrisgroup.com/permalink/01OCUL_GUE/mrqn4e/alma9934220883505154">s0585b51</a>
Contributor
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Archival and Special Collections, University of Guelph Library, Guelph, Ontario, Canada
Rights
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In the public domain; For high quality reproductions, contact Archival & Special Collections, University of Guelph. libaspc@uoguelph.ca, 519-824-4120, Ext. 53413
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JPEGs and PDF derived from master file, which was scanned from the original book in 24-bit color at 600 dpi in TIFF format using an Epson Expression 10000XL scanner.
Date
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1815-1825?
Publisher
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Edinburgh: Printed for the Bookseller
Source
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Archival & Special Collections, University of Guelph Library, Guelph, Ontario
Subject
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Chapbooks - Scotland - Edinburgh
Courtship and Marriage
Alcohol
Type
The nature or genre of the resource
ballads & songs
Description
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Woodcut #25: Illustration on title-page of a woman
praying before an altar on top of which is an
open book.
Activity: praying
Architecture: window(s)
Bib Context: title-page
Chapbook Date: 1811-1820
Chapbook Date: 1821-1830
Fashion (Clothing): upper class
Furniture: altar
Gender: woman/women
Indoor Scene
Object: book(s)
-
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Title
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Woodcut on title-page portraying man wearing a top hat with arm linked to a woman holding a parasol; building, wall, and trees in background (blue tint)
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Title
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Woodcut portrays an older man with a hat, pointy nose and chin, a hunched back outside a home and is holding canes; Circle frame
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Title
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Woodcut portrays a sunset/sunrise coming over hills/mountain, a cottage is set near a body of water; circle frame
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Title
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Woodcut portrays a bird nest with four baby birds with mouths open
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Title
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Woodcut on title-page portraying bird perched on a tree branch
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Title
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Woodcut portrays an outdoor scene; older man with bent knees, hunched back, pointy nose and chin holding a cane is talking to a young man with a top hat
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Title
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Woodcut portrays an indoor scene where four children are interacting with various mathematical and geographical tools such as a globe
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Title
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Woodcut portrays an indoor scene where a man is sitting on a chair reading to a young child who is sitting on his lap. The room has a window with sun shining through, and a table in front of the two figures.
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Title
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Woodcut portrays a man sowing seed by hand
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Title
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Woodcut portrays a woman grabbing wheat from ground; text explains it is a woman gathering corn that was dropped by the reaper
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Title
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Woodcut portrays a beehive sitting on a bench with flora around it; Bees are flying around hive.
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Title
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Woodcut portrays a still life of a flower arrangement in vase
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Title
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Woodcut portrays an indoor scene of a woman sitting on a chair with hands reaching out to a baby in a bassinet
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Woodcut portrays a young woman who is downcast/sad, her elbow rests on a table and her face rests on her hand, a large vessel is also on the table; on blue paper
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Woodcut 015_a: Title-page illustration in single ruled octangular border of a well dressed man with his arm linked to a well dressed woman who is holding a parasol They are standing in front of a building. Printed on blue paper.
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Title
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Familiar Objects Described
Contributor
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Archival and Special Collections, University of Guelph Library, Guelph, Ontario, Canada
Rights
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In the public domain; For high quality reproductions, contact Archival & Special Collections, University of Guelph. libaspc@uoguelph.ca, 519-824-4120, Ext. 53413
Identifier
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<a href="https://ocul-gue.primo.exlibrisgroup.com/permalink/01OCUL_GUE/mrqn4e/alma9951097683505154">s0037Ab006</a>
Extent
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16 pages
10 cm
Format
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JPEGs and PDF derived from master file, which was scanned from the original book in 24-bit color at 600 dpi in TIFF format using an Epson Expression 10000XL scanner.
Date
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ca.1830
Subject
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Chapbooks - Scotland - Edinburgh
Source
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Archival & Special Collections, University of Guelph Library, Guelph, Ontario
Publisher
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Edinburgh: Oliver and Boyd
Type
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children's instruction book
Architecture: fence
Architecture: house
Bib Context: title-page
Chapbook Date: 1821-1830
Chapbook Genre: children's instruction book
Chapbook Publisher - Edinburgh: Oliver & Boyd
Fashion (Clothing): bonnet
Fashion (Clothing): bonnet (women)
Fashion (Clothing): breeches
Fashion (Clothing): cape
Fashion (Clothing): coat
Fashion (Clothing): dress
Fashion (Clothing): jacket
Fashion (Clothing): pants
Fashion (Clothing): scarves
Fashion (Clothing): top hat
Fashion (Clothing): upper class
Fashion (Clothing): waist coat
Gender: man/men
Gender: woman/women
Nature: tree(s)
Object: umbrella(s)
Outdoor Scene
-
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PDF Text
Text
FASHIONABLE SONGS.
1
2
3
4
5
6
7
8
The Death of Nelson.
'Tis the last Rose of Summer.
The bonnie wee Rosebud.
Blue Bonnets over the Border.
Loch-na-Garr.
The Lass o' Gowrie.
Jenny, the Maid of the Moor.
Cease your Funning.
T H E D E A T H OF NELSON.
f
TwA5 in Trafalgar's bay,
W e saw the f r e n c h m e n lay.
Each heart was bounding t h e n ;
W e scorn'ti the foreign yoke
O u r ships were British oak,
H e s r t s of oak our m e n .
O u r Nelson mark'd them on the wave,
T h r e e cheers our call ant seamen g w e ,
Nor thought of home or beauty j
Along the Jine this signal ran—
England expects that every man
This day will do his duty.
�2
A n d now the cannons roar
Along the affrighted shore.
O u r Nelson led the way*
H i s ship the V i c t ' r y nam'd ;
L o p g be that Victory fam'd I
f o r victory crowri'd the day !
B a t dearly was that conquest bought,
T o o well the gallant hero f o u g h t
For England* home, and beauty ;
H e criedj as 'midst the fire he r a n —
E n g l a n d expects that every m m
T h i s day will do his duty.
A t last the fatal wound,
W h i c h spread dismay around*
T h e hero's breast received;
H e a v ' n fights on o u r side.
T h e day 9 s our o w n , he cried ;
N o w long enough I've Hv'd ?
I n honour's cause my life was past.
I n honour's cause I fail at last
F o r England,, home, - and beauty !
T h u s ending life as he began^
England confessed that ev'ry man
T h a t day had done his duty.
T I 3 THE LAST ROSE OF
SUMMER.
T i s the last rose of summer left blooming alone;
All her lovely companions are faded and g o n e ;
�s
-No flower of her k i n d r e d — n o rosebud is nigh
To reflect back her blushes* or give sigh for sigh.
I'll not leave thee, thou lone one* to pine on the
stem;
Since the lovely are sleeping* go^ sleep thou with
t he on
T h u s kindly I scatter thy leaves o'er the bed,
W h e r e thy mates of the garden lie scentless and
dead.
So soon may I follow w hen friendships decay*
And f r o m love's shining circle the gems drop
away.
W h e n true hearts lie withered, and fond ones are
flown,
'
O h ! who would inhabit this bleak world alone ?
THE BONNIE WEE
ROSEBUD.
A bonnie wee rosebud grows d o w n by yon burnie,
A bonnie wee rosebud as e'er you did see ;
W"i5 saf't silken leaves, underneath a green ihornie :
O spare the wee rosebud ! O spare it for me t
T h e redbreast sings- wanton around this sweet
posie,
F o n d , fond to make love doth the wee birdie
flee,
Sure nane'd be sae cruel as steal frae my breastie,
- This bonnie wee r o s e b u d — Q - s p a r e it for m e !
�H o w fain would I change for the wee birdie's station !
H o w blythe wad I peep 'neath the green thorny
tree !
Enraptured to muse, and transported to gaze on
This faonrne w e e rosebud—O spare it for me S
O hasten the moment, blest moment of pleasure,
W h e n Joek'd to ray breast the wee rosebud
will be,
United for ever* my soul's dearest treasure—
D o spare the wee rosebud, spare, spare it for
me!
BLUE BONNETS OVER
THE
BORDER.
MARCH, march, Ettrick and T e v l o t d a l e :
W h y , my lads, dinna ye march forward in
order ?
M a r c h , march, Eskdale and L i d d e s d d e ;
All the blue bonnets are over the border.
M a n y a banner spread flutters abov'e your head,
Many a crest that is famous in story;
Mount and make ready then, sons of the mountain gleiij
for your Queen, and the old Scottish
glory.
Come from the hills where your hirsels are grazing;
Come from the glen of the buck and the roe;
�5
Come to the crag where the beacon is blazing r
Come with the buckler, the lance, and the
bow.
Trumpets are sounding, war-steeds are bound*
ing; —
Stand to your arms and march in good order:
England shall many a day tell of the bloody
fray,
W h e n the blue bonnets came over the border.
LOCH-NA-GARR. AWAY, ye gay landscapes, ye gardens of roses,
In you let the minions of luxury r o v e ;
Restore me the rocks w h e r e the snow-flake reposes,
If still they are sacred to ireedom and love.
Y e s , Caledonia, dear are thy m o u n t a i n s ,
R o u n d their white summits tho ? elements war,
The* cataracts foam 'stead of smooth Sowing
fountains,
I sigh for the valley of daik Loch«na-garr.
A h 1 there my voung footsteps in infancy w a n der'd;
My cap was the bonnet, my cloak was the plaid;
O n chieftains departed my memory ponder'd,
As daily I strayM through the pine covered glade,
I sought not my home till the day's dying glory
Gave place to the rays of the bright polar star j
�6
For fancy was cheer'd by traditional story*
Disclosed by the natives of dark Loch-na^garr.
Shades of the dead ! have I not heaid your voices
R i s e on the night-rolling breath of the gale !
S u r e l y the soul of the hero rejoices,
A n d rides on the w i n d , o'er his o w n Highland
dale.
R o u n d Loch-na-garr, while the stormy mist gathers,
W i n t e r presides in his cold icy c a r ;
Clouds there encircle the forms of my fathers.
T h e y dwell *mid the tempests of dark L o c h - n a garr.
T H E LASS Q'
GOWRIE*
' T w a s on a simmer's afternoon,
A wee before the sua gaecl down,
M y lassie wi* a braw n e w gown,
Came o'er the hill to G o w r i e .
T h e rosebud, tinged wi* morning showers,
Bloom'd fresh within the sunny bower?,
B u t Kitty was the fairest flower
T h a t ever bloom* d in G o w r i e .
I had nae t h o u g h t to do her wrang,
But round her waist my arms I flang,
A n d said, 6 M y lassie, will ye gang
T o view the Carse o* G o w r i e ?
�7
FM take ye to m y father's h a ' ,
I n yon green field beside the shaw,
A n d make you lady o' them a',
T h e bra west wife in C o w r i e /
Saft kisses on her lips I laid,
T h e blush upon her cheek soon s p r e a d ;
She whisper'd modestly, and said,
« Fll gang wi* you to C o w r i e . "
T h e auld folk soon gied their consent,
A n d to Mess J o h n we quickly w e n t ,
W h a tied us to our heart's content,
A n d now she's-Lady C o w r i e . .
SWEIT
JENNY,
THE MAID
MOOR.
OF
THE
THE lasses of Scotland a r e bonnie and free -.;
T h e maidens of Erin are f a i r ;
"Die sweet girls of Britain are lovely to see—
And let them deny it who dare ;
But the fairest of lasses that all those surpasses,
Is Jenny, the maid of the moor.
S w e e t Jenny, dear Jenny,
Sweet Jenny, t h e maid of the moor.
T h e lasses of Scotland are tender and t r u e ;
The maidens of Erin are k i n d ;
T h e sweet girls of Britain can monarchs subdue!
A n d lovely in person and mind':
�s
Yet the. fairest of lasses, that all those surpasses,
i s Jenny, the maid of the moor.
Sweet Jenny, dear Jenny,
Sweet Jenny, the maid of the moor.
T h e lasses of Scotland are fam'd far and near;
T h e maidens of Erin breathe love;
T h e sweet girls of Britain to Britons are dear,
And soft as the down on the dove ;
Still the fairest of lasses, that alJ those surpasses,
Is Jenny, the maid of the moor.
Sweet Jenny, dear Jenny,
Sweet Jenny, the maid of the moor.
CEASE Y O U R
FUNNING.
Cease your funning, force or cunning
Never shall my heart trepan;
AH these sallies are but malice,
T o seduce my constant man.
*Tis most certain, by their flirting,
W o m e n oft have envy shown ;
Pieas'd to ruin other's wooing,
Never happy in their o w n ,
KILMARNOCK;
Printed jor the Booksellers.
�
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Omeka Image File
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Bit Depth
8
Channels
3
Height
4176
Width
2520
Document
A resource containing textual data. Note that facsimiles or images of texts are still of the genre text.
Dublin Core
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Title
A name given to the resource
Fashionable Songs. The Death of Nelson. "Tis the Last Rose of Summer. The bonnie wee Rosebud. Blue Bonnets over the Border. Loch-na-Garr. The Lass o 'Gowrie. Jenn, the Maid of the Moor. Cease you Funning.
Identifier
An unambiguous reference to the resource within a given context
<a href="https://ocul-gue.primo.exlibrisgroup.com/permalink/01OCUL_GUE/mrqn4e/alma9953133903505154">s0499b33</a>
Alternative Title
An alternative name for the resource. The distinction between titles and alternative titles is application-specific.
The Death of Nelson.
"Tis the Last Rose of Summer.
The bonnie wee Rosebud.
Blue Bonnets over the Border.
Loch-na-Garr.
The Lass o 'Gowrie.
Jenn, the Maid of the Moor.
Cease you Funning.
Date
A point or period of time associated with an event in the lifecycle of the resource
[1815-1825?] per University of Glasgow Union Catalogue of Scottish Chapbooks
Extent
The size or duration of the resource.
8 pages
Is Part Of
A related resource in which the described resource is physically or logically included.
Chapbook #36 in a bound collection of 40 chapbooks
Subject
The topic of the resource
Courtship and Marriage
Chapbooks--Scotland--Kilmarnock
Is Referenced By
A related resource that references, cites, or otherwise points to the described resource.
<a title="University of Glasgow Union Catalogue of Scottish Chapbooks" href="http://special.lib.gla.ac.uk/chapbooks/search/">University of Glasgow Union Catalogue of Scottish Chapbooks </a>
<a title="National Library of Scotland" href="http://www.nls.uk/">National Library of Scotland </a>
Contributor
An entity responsible for making contributions to the resource
Archival and Special Collections, University of Guelph Library, Guelph, Ontario, Canada
Rights
Information about rights held in and over the resource
In the public domain; For high quality reproductions, contact Archival & Special Collections, University of Guelph. libaspc@uoguelph.ca, 519-824-4120, Ext. 53413
Language
A language of the resource
English
Format
The file format, physical medium, or dimensions of the resource
JPEGs and PDF derived from master file, which was scanned from the original book in 24-bit color at 600 dpi in TIFF format using an Epson Expression 10000XL scanner.
Publisher
An entity responsible for making the resource available
Kilmarnock: Printed for the Booksellers
Source
A related resource from which the described resource is derived
Archival & Special Collections, University of Guelph Library, Guelph, Ontario
Type
The nature or genre of the resource
ballads & songs
# of Woodcuts: 0
Chapbook Date: 1811-1820
Chapbook Date: 1821-1830
Chapbook Genre: ballads & songs
Chapbook Publisher - Kilmarnock: Printed for the Booksellers