1
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8
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Omeka Image File
The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.
Bit Depth
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Height
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Width
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Illustration on title-page of a young woman wearing a
hat, dress, and shawl standing before a gate.
https://scottishchapbooks.lib.uoguelph.ca/files/original/4cec8e3c61b88d1f389d79bba316ad05.pdf
34d6a37f0dc0fc4e6817b0b26a9f331c
PDF Text
Text
FIVE
Favourite Songs
—p rr
>?
K A T E KEARNEY,
A SOLDIER'S SONG.
PATIE'S WEDDING.
THE LASS OF GOWRIE,
YOUNG WILLIAM.
GLASGOW:
F E I N T ^ FOR THE WQ&SELh}ffi&
43.
�ST/II
SONGS.
ir(y(fiA3X
ai'A/i
oMoa B'hmalioz A
SOLDIER'S SONG.
• !ua:gw
, ;
How Stands the glass around,
For shame you take no care, my hoy%
How stands the glass around,
Let mirth and wipe abound,
The trumpets sound,
The colours they are flying, boys.
To fight, kill, or wound,
May we still be found,
Content with our hard fate, my boys,
On the cold ground,
Why, soldiers, why,
Whose business tistodie!
What sighing fie,
Damn fear, drink on, be jolly, boys,
'Tis he, you or I,
Cold, hot wet, or dry,
Are always bound to follow, boys.
And scorn to fly,
'Tis but in vain,
I mean not to upbraid ye, boys;
'Tis but in vain.
For soldiers to complain,.
Should next campaign
Bond its to him who made its boy&
M
�3
We're free from pain;
But if we remain,
A bottle and kind landlady
Cure all again.
KATE
KEARNEY.
O did you not hear of Kate Kearnj ?
She lives on the banks of Killarney:
From the glance of her eye, shun danger and fl/f
For fatal's the glance of Kate Kearney.
For that eye is so modestly beaming,
You'd ne'er think of mischief she's dreaming,
Yet, oh! I can't tell how fatal's the spell
That lurks in the eye of Kate Kearney, v _
/ " '
"
' '
. ; \
^ "
£
Oh, should you e'er meet this Kate Kearney,
Who lives on the banks of Killarney,
Beware of her smile, for many a wile
Lies hid in the bosom of Kate Kearney.
Though she looks so bewitchingly simple,
There's mischief in every dimple,
And who dare inhale her mouth's spicy gale,
Must die by the breath of Kate Kearney.
Y"
1
'
'
P A T I E ' S WEDDING.
As Patie cam* up frae the glen,
Driving his wethers before him,
He met bonny Meg ganging liame,
Her beauty was like for to smoor him.
�0 dinna ye ken, beanie Mfcg* I etfsW
That you and I s gamitfco be maniiiad ?
X rather had broken any leg, • *• ''•.•* A
.
Before such a bargain miscarried.
Na, Patie, 0 ilia's teWd
tfeat ?
I think that of n^w^they ye b^eii^aasj^^
That I should he married-so soon,
Or yet should ha'e been sae yaxml}\
1 Winn a'- w married.the year,
Suppose 1 were courted by twenty ;
»Sae Patie, ye needna ma/ir spier,
For weel I wat I dinna want ye.
Now 'Kfaggie, what makes ye sae sweert,
Is it because that I ,U^na a m&ilin?
The lad that has plenty o' gear
Need-rietfer want a liauf or a hale ana
My dad hasago^d grey.i)i,are,
And yours lias twa cows and a lilly.
And that will be plenty of gear,
Sae Maggie, be nae sae ill-willy.
Indeed, Patie, I dinna ken,
But first ye maun spier at my daddy,
You are as well born as Ben,
And I oaM&Uiy but i am reaMv ;
There is plentyof yarn,i^^JjUQ^
To make me a. coat and a j w p y ;
And plaide^ e n e i i g h ^
G i f j c get it, I shanna scrimp ye.
B
�Now, fare ye weel, my bonny Meg,
I'se W a weo smacky fa' on yen ; May my neck be as lang as my leg f ; .
^
4fV
If I be an ill hii%nd unto you.
Sae gang ypixr way ham6 e now, '
~
Mak' ready this day fifteen days,
And tell your father the news
That I'll be his son in great kindness.
Hi ffi ... .. 1
tlU )V I
Then Maggie as bly.the as a wren
After a blast o* ill weather,
Gaed a' the haj^ gate singing hame,
To tell the glad news to her (father.,
But ay the auld man said to her, •
Ye'11 no be in this mind till Monday ^
0 never you mind, quo' Maggie,
For I got a kiss, to the bounty,
,ow bxiB t iiiodrfQion Itoos
Ik oT
It was nae lang after that,
Wha came to our bigging but Patie,
Weel drest in a braw new coat,
. Jmd wow but lie f o u g h t himself pretty,
His "bannet was little fr$e new,
In i t was a laop and a flitty,
, ";
To tie in a ribbon sae blue,
To bab at the neck o' his coatv,
1 a Iml
.ihufoid* .bV^Y?. * nh f*7/?!
Then Patie caane in with a
Said,'peace be here to the bigging,
You re welcome, quo' Willi am. come1 ben.
Or I wish5 it may rive frae the ^iggiiigf
Now draw in your seat and sit down, ,
And tell-us a^ydiir riews in a hurry ; :
�6
And haste ye Meg, and be done,
And hing on the* pan wi' the berry.
Quoth Fatie, my news is nae thrang,
Yestreen I was wi' his honour,
Fve ta'en three rigs o' braw land,
And ha'e bound myself under a bonnar.
And now my errant to you,
Is for Maggie to help me to labour,
I think you maun gi'es the best cow,
Because that our biddins but sober.
Well now, for to help you through,
Fll be M the cost o' the bridal,
111 cut the craig of the ewe
That had maist died of the side ill.
And that'll be plenty of bree,
Sae lang as our will is nae reisted,
TQ all the good neighbours and we,
j think we'll no be that ill feasted,
Quoth Patie' 0 that'll do well,
And I'll gi'e you your brose in the mornmg\
O kail that was made yestreen,
For I like it best in the forenoon,
Sae Tam the piper did play,
And ilka ane danc'd that was willing ;
And a' the lave they rank'd through,
And they held the stoupy ay filling.
The auld wives sat and they chow'd,
And when that the carles grew nappy,
They danc'd as weel as they dow'd,
Wi' a crack o' their thumbs and a kappie.
�7d
The lad that wore the white band,
tfdT
I think they caVl him Jamie Mather,
And he took the brWe h j the handr v
And cried to play up Maggy L'awderA
.maijIHTozuoy
THE LASS Q' GOWRIE.
)Y
Twas on a simmer s afternoon, d) -nlT
A wee before the sun gaed down,
My lassie wi' a braw new gown
Came o'er the hills to Gowrie.
H
.bnitlod jlal ed oiijsL 'iori
The rose-bud tingVI with morning showers*
Bloom'd fresh within the sunny bowers,
But Kitty was the fairest flower i()
That ever bloom'd in Gowrie.
'gnoi oa vorii jiohanq edT
I had nae thought to dae her' wrang,
But round her ne9k my arms I fla^g,
And said, My lassie, will ye gang, ?
To view the Carse o' Gowrie ?
\< \i H J
<L>
J
L
JjooJ* '§n3to 'jfh 'io't labnei 9ilT
111 tak' ye to my father's ha*,
; f
In yon green field- beside the shaw,
And mak' ye lady o' them a',
The brawest od? { ,in Gowrie.
wife >!ooi.f> uJj/o'ii i).»iA
•
Soft kisses on her cheek I laid,
The blush upon lier cheek soon spread,
She whisper'd modestly, arid said,
4
I'll gang wi' you to G6#rie.
�The auld folk s&on gi
tbiw consent^
So? to . Mess John we quickly went,,
Wha tied us . to our heaift^ con tout,.
And now she's tady Gowrie!
YOUNG WILLIAM.
Young William was a seamair tiAie,
The darfijag of our bonny ereW!
k -r«
For blythe was h%l and kind; ./.
For thfwghvw iag^wf lubber
; ;
Right, loth he was to; go to-sea* ;
For Jane he left behind.
And Jemiy lovM, lint; all by- stealth,
Rer father hadmueh store of wmJtii,
Of Will fie would not hear; A M
Till criel change atdengtb reveaM'
The passion they so long conceal'd,
And William tet his 4?&r. ,
A friendly voice poor
A ruffian gang the youth assai Pd»
'Twa^ cfoiifr by cursed gold ;
The tender for the offing stood.
The cutte^ikimi#Vl tjie yieldjn^f
They cateh^hi^ihth& hold,;
She, troubled wqlks the be&qU in haste,
And troubl'd look'd the waste,
And by, the jio^f jng, w^xe.;
jx ^corpsp was warfiM, upon
>rFwa$ William, and >vit|i £,c&rs thajv^ore
Two loyers to the. graye,
"it *
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Woodcut 062: Title-page illustration of a young woman wearing a hat, dress, and shawl standing before a gate.
Document
A resource containing textual data. Note that facsimiles or images of texts are still of the genre text.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Five Favourite Songs. Kate Kearney. A Soldier's Song. Patie's Wedding. The Lass of Gowrie. Young William.
Identifier
An unambiguous reference to the resource within a given context
<a href="https://ocul-gue.primo.exlibrisgroup.com/permalink/01OCUL_GUE/mrqn4e/alma9923314953505154">s0427b19</a>
Alternative Title
An alternative name for the resource. The distinction between titles and alternative titles is application-specific.
Kate Kearney.
A Soldier's Song.
Patie's Wedding.
The Lass of Gowrie.
Young William.
Date
A point or period of time associated with an event in the lifecycle of the resource
[1840-1850] per University of Glasgow Union Catalogue of Scottish Chapbooks
Extent
The size or duration of the resource.
8 pages
16 cm
Description
An account of the resource
43 printed at the bottom of the title-page.
Woodcut #62: Illustration on title-page of a young woman wearing a hat, dress, and shawl standing before a gate.
Subject
The topic of the resource
Ballads and songs
Chapbooks - Scotland - Glasgow
Contributor
An entity responsible for making contributions to the resource
Archival & Special Collections, University of Guelph Library, Guelph, Ontario Canada
Is Referenced By
A related resource that references, cites, or otherwise points to the described resource.
<a title="University of Glasgow Union Catalogue of Scottish Chapbooks" href="http://special.lib.gla.ac.uk/chapbooks/search/">University of Glasgow Union Catalogue of Scottish Chapbooks </a>
Rights
Information about rights held in and over the resource
In the public domain; For high quality reproductions, contact Archival & Special Collections, University of Guelph. libaspc@uoguelph.ca, 519-824-4120, Ext. 53413
Format
The file format, physical medium, or dimensions of the resource
JPEGs and PDF derived from master file, which was scanned from the original book in 24-bit color at 600 dpi in TIFF format using an Epson Expression 10000XL scanner.
Publisher
An entity responsible for making the resource available
Glasgow: Printed for the Booksellers
Source
A related resource from which the described resource is derived
Archival & Special Collections, University of Guelph Library, Guelph, Ontario
# of Woodcuts: 1
Architecture: gate
Bib Context: title-page
Chapbook Date: 1841-1850
Chapbook Genre: ballads & songs
Chapbook Publisher - Glasgow: Printed for the Booksellers
Gender: woman/women
Outdoor Scene
-
https://scottishchapbooks.lib.uoguelph.ca/files/original/8b33d59d1c454deb9837c17ea3cf2d84.jpg
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Omeka Image File
The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.
Bit Depth
8
Channels
3
Height
3126
Width
1891
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Illustration on title-page of a young woman wearing a hat, dress, and shawl standing before a gate.
https://scottishchapbooks.lib.uoguelph.ca/files/original/37d5b8073ebf2f9eb00928ceba0226c0.pdf
df666593f61b9b43ddee43bf5f7383bd
PDF Text
Text
Jim Crow.
HEY FOR A LASS W F A TOCHER.
MARY OF CASTLECARY.
HAUD AWA FRAE M E DONALD.
T H I S IS N O MY PLAID.
O F A' T H E A I R T S T H E - W I N D € A N BLAW*
AULD LANGSYNE.
GLASGOW:
PRINTED FOR THE B OOIl SELLERS.
66.
�SONGS.
a iA
J I M CROW.
I came from ole Kentucky,
A long time ago,
Where 1 first larned to wheel about,
And jump Jim Crow.
Wheel about, and turn about, and do jis so
Ebry time I wheel about, I jump Jim Crow
I us'd to take him fiddle,
Ebry morn and afternoon,
And charm de ole buzzard,
And dance to de racoon.
Wheel about, &c.
I landed fust at Liverpool,
Dat place of ships and docks,
I strutted down Lord Street,
And ask'd de price of stocks.
Wheel about, &c.
1 paid my fare den up to town,
On de coach to cut a dash
De axle-tree soon gave way,
And spilt us wid a smash.
Wheel about, &c.
�3
I lighted den upon my head,
All in de nassy dirt,
Dey all thought that I was dead,
But I laughed and was'nt hurt.
Wheel about, &e.
Dis head you know am pretty tick,
Cause dere it makes a hole,
On de dam macadamis road,
Much bigger dan a bowl.
Wheel about, &c.
When I got into Lunnon,
Dey took me for a savage,
B u t I war pretty well behaved,
So I 'gaged wid Massa Davidge.
Wheel about, &e.
Dem young J i m Crows 'bout de streets,
More like a raven rader,
Pray good people don't mistake,
Indeed I'm not dare fader.
Wheel about, &c.
Dem urchin's dat sing my song,
Had better mind dar books,
For any how dey can' be Crows,
You see d'are only Rooks.
Wheel about, &e.
HEY FOR A LASS WI' A TOCHER.
Awa wi' your witchcraft o' beauty's alarms,
The slender bit beauty you grasp in your arms,
�4
«
O gie me the lass that has acres o* ctiarms,
O gie me the lass wi' the weel stockit farms.
Then hey for a lass wi' a tocher,
Then hey for a lass wi' a tocher •
Then hey For a lass wi' a tocher.
The nice yellow guineas for me.
Your beauty's a flower in the morning that blows,
And withers the faster, the faster it grows :
But the rapturous charm o' the bonny green knowes,
Ilk spring they're new decked wi' bonnv white yowes.
'Then hey, &e.
And e'en when this beauty your bosom has blest,
The brightest o' beauty may cloy when possest;
But the sweet yellow darlings wi' Geordie imprest.
The langer ye hae them—the mair they're carest.
Then hey, &c.
MARY O F CASTLECARY.
Saw ye my wee thing ? saw ye my ain thing ?
SawT ye my true love down by yon lea ?
Crossed she the meadow yestreen at the gloaming,
Sought she the burnie wbare flowers the haw tree?
Her hair it is lint-white, her skin it is milk-white,
Dark is the blue o' her saft-rolling e'e,
Red, red her ripe lips, and sweeter than roses,
Where could my wee thing wander frae me ?
I saw your ain Mary, she's frae Castlecary,
I saw your ain true love down on yon lea,
�5
Proud as her heart is, and modest her nature,
Sweet were the kisses that she gae to me.
Sair gloom'd his dark brow, blood red his cheek grew,
Wild flash'd the fire frae his dark rolling e'e;
Ye'll rue sair this morning your boasts and your scorning,
Defend ye, fause traitor, fu' loudly ye lie!
Awa wi' beguiling, cried the youth smiling,
AfF went the bonnet, the lint-white locks flow,
Trie belted plaid fa'ing, her white bosom shawing,
Fair stood the loved maid wi' the dark-rolling e'e.
Is it my wee thing? is it my ain thing?
Is it my true love here that I see ?
Oh, Jamie ! forgie me, your heart's constant to me,
I'll never mair wander, dear laddie, frae thee !
HAUD AWA FRAE ME, DONALD.
Haud awa, bide awa,
Haud awa frae me, Donald ;
What care I for a' your wealth,
And a' that ye can gie Donald ?
I wadna lea my lowland lad,
For a' your goud an.' gear, Donald,
Sae tak your plaid, and o'er the hill,
And stay nae langer here, Donald.
Haud awa, bide awa, &c.
My Jamie is a gallant youth—
I loe but him alane, Donald;
And in bonny Scotland's isle,
Like him there is nane, Donald.
�Haud awa, bide awa,
Haud awa frae me, Donald;
What care I for a your wealth,
An a' that ye can gi'e, Donald ?
He wears nae plaid, nor tartan hose,
Nor garters at his knee, Donald;
But O he wears a faithfu' heart,
And love blinks in his e'e, Donald.
Sae haud awa, bide awa,
Come nae mair at e'en, Donald;
I wadna break my Jamie's heart,
To be a Highland Queen, Donald.
T H I S IS N O MY PLAID.
O this is no my plaid,
My plaid, my plaid,
0 this is no my plaid,
Bonny though the colours be.
The ground of mine was mix'd wi' blue,
1 got it frae the lad I loe;
He ne'er has gi'en me cause to rue,
And O the plaid was dear to me.
Farewell ye lowland plaids o' grey,
Nae kindly charms for me ye hae,
The tartan shall be mine for aye,
For O the colour's dear to me.
For mine was silky, saft and warm,
It wrapped me round frae arm to arm,
And like mysel' it bore a charm,
And O the plaid is dear to me.
�7
Although the lad the plaid who wore,
Is now upon a distant shore;
And cruel seas between us roar,
I'll mind the plaid that sheltered me.
The lad that gied me't likes me wee!,
Although his name I darna tell,
He likes me just as weel's himsel',
And O the plaid is dear to me.
O may the plaidie yet be worn,
By Caledonians yet unborn ;
111 fa' the wretch that e'er doth scorn,
The plaidie that's sae dear to me.
:
mjz-gaBl bluB somZ
O F A' T H E A I R T S T H E W I N D C A N B L A W ,
Of a' the airts the wind can blaw,
I dearly loe the west,
For there the bonny lassie lives,
The lassie I loe best.
Though wild-woods grow, and rivers row
Wi' mony a hill between,
Baith day and night my fancy's flight
Is ever wi' my Jean.
I see her in the dewy flower,
Sae lovely, sweet and fair ;
I hear her voice in ilka bird,
Wi' music charm the air.
There's no a bonnie flower that springs*
By fountain, shaw, or green,
N o r yet a bonny bird that sings,
But minds me o' my Jean.
�AULD L A N G S Y N E .
Should auld acquaintance be forgot.
And never brought to min' ?
Should auld acquaintance be forgot,
And days o' langsyne ?
For auld langsyne, my dear,
For auld langsyne,
We'll take a cup of kindness yet,
For auld langsyne.
We twa hae run about the braes,
And pu'd the gowans fine;
But we've wander'd mony a weary foot,
Since auld langsyne.
For auld langsyne, &c.
We twa ha'e paidel'tin the burn,
Frae morning sun till dine,;
But seas between us braid hae roared
Sin' auld langsyne.
For auld langsyne, &c.
Now there's a hand my trusty frien',
And gie's a hand o' thine,
And we'll take a right gude wallie-waucbt.
For auld langsyne.
For auld langsyne, &c.
And surely yell be your pfint-stoup,
As sure as I'll be mine,
And we'll take a cup o kindness yet,
For auld ladgsyne.
For auld langsyne, &c.
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Woodcut 062: Title-page illustration of a young woman wearing a hat, dress, and shawl standing before a gate.
Document
A resource containing textual data. Note that facsimiles or images of texts are still of the genre text.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Jim Crow. Hey for a Lass Wi' a Tocher. Mary of Castlecary. Haud Awa Frae Me Donald. This is No My Plaid. Of A' The Airts The Wind Can Blaw. Auld Langsyne.
Identifier
An unambiguous reference to the resource within a given context
<a href="https://ocul-gue.primo.exlibrisgroup.com/permalink/01OCUL_GUE/mrqn4e/alma9923344533505154">s0362b23</a>
Alternative Title
An alternative name for the resource. The distinction between titles and alternative titles is application-specific.
Hey for a Lass Wi' a Tocher.
Mary of Castlecary.
Haud Awa Frae Me Donald.
This is No My Plaid.
Of A' The Airts The Wind Can Blaw.
Auld Langsyne.
Date
A point or period of time associated with an event in the lifecycle of the resource
[1840-1850?] per National Library of Scotland
Extent
The size or duration of the resource.
8 pages
16 cm
Description
An account of the resource
Woodcut #62: Illustration on title-page of a young woman wearing a hat, dress, and shawl standing before a gate.
66 is printed at the bottom of the title-page.
Contributor
An entity responsible for making contributions to the resource
Archival and Special Collections, University of Guelph Library, Guelph, Ontario, Canada
Is Referenced By
A related resource that references, cites, or otherwise points to the described resource.
<a title="National Library of Scotland" href="http://www.nls.uk/">National Library of Scotland </a>
Rights
Information about rights held in and over the resource
In the public domain; For high quality reproductions, contact Archival & Special Collections, University of Guelph. libaspc@uoguelph.ca, 519-824-4120, Ext. 53413
Format
The file format, physical medium, or dimensions of the resource
JPEGs and PDF derived from master file, which was scanned from the original book in 24-bit color at 600 dpi in TIFF format using an Epson Expression 10000XL scanner.
Publisher
An entity responsible for making the resource available
Glasgow: Printed for the Booksellers
Type
The nature or genre of the resource
ballads & songs
Subject
The topic of the resource
Chapbooks - Scotland - Glasgow
Courtship and Marriage
Source
A related resource from which the described resource is derived
Archival & Special Collections, University of Guelph Library, Guelph, Ontario
# of Woodcuts: 1
Architecture: gate
Bib Context: title-page
Chapbook Date: 1841-1850
Chapbook Genre: ballads & songs
Chapbook Publisher - Glasgow: Printed for the Booksellers
Gender: woman/women
Outdoor Scene
-
https://scottishchapbooks.lib.uoguelph.ca/files/original/e950dd15eccdecbf505e4eb6e980c820.pdf
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
illustration on title-page of a young woman wearing a
hat, dress, and shawl standing before a gate.
https://scottishchapbooks.lib.uoguelph.ca/files/original/96a935db69b8b8546ef02a7b3f38cfd8.jpg
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Woodcut 062: Title-page illustration of a young woman wearing a hat, dress, and shawl standing before a gate.
Document
A resource containing textual data. Note that facsimiles or images of texts are still of the genre text.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Tragical History of Jane Arnold, Commonly called Crazy Jane; and Mr. Henry Percival; Giving an account of their birth, parentage, courtship, and melancholy end.
Identifier
An unambiguous reference to the resource within a given context
<a href="https://ocul-gue.primo.exlibrisgroup.com/permalink/01OCUL_GUE/mrqn4e/alma9953133973505154">s0042b27</a>
<a href="https://ocul-gue.primo.exlibrisgroup.com/permalink/01OCUL_GUE/mrqn4e/alma9953134493505154">s0231b06</a>
<a href="https://ocul-gue.primo.exlibrisgroup.com/permalink/01OCUL_GUE/mrqn4e/alma9953133963505154">s0098b48</a>
Alternative Title
An alternative name for the resource. The distinction between titles and alternative titles is application-specific.
History of Crazy Jane.
Jonathan's hunting excursion.
Holding one's own.
An American jury.
Sweets of liberty.
An Irish coachman gaining his first place.
No wish to intrude.
Scene in a school-room.
Date
A point or period of time associated with an event in the lifecycle of the resource
1840-1850 per National Library of Scotland
Extent
The size or duration of the resource.
24 pages
Is Part Of
A related resource in which the described resource is physically or logically included.
Chapbook #5 in a bound collection of 20 chapbooks (s0231b06)
Chapbook #15 in a bound collection of 34 chapbooks (s0098b48)
Chapbook #31 in bound collection of 37 chapbooks (s0042b27)
Description
An account of the resource
71 printed at the bottom of the title-page.
Woodcut #62: Illustration on title-page of a young woman wearing a hat, dress, and shawl standing before a gate.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Wiltshire, England
Subject
The topic of the resource
Courtship and Marriage
Crime
Chapbooks - Scotland - Glasgow
Supernatural
Is Referenced By
A related resource that references, cites, or otherwise points to the described resource.
<a title="National Library of Scotland" href="http://www.nls.uk/">National Library of Scotland </a>
Contributor
An entity responsible for making contributions to the resource
Archival and Special Collections, University of Guelph Library, Guelph, Ontario, Canada
Rights
Information about rights held in and over the resource
In the public domain; For high quality reproductions, contact Archival & Special Collections, University of Guelph. libaspc@uoguelph.ca, 519-824-4120, Ext. 53413
Abstract
A summary of the resource.
This chapbook provides a moral tale that advises young women to be wary of the promises of young men by describing the potential dangers of giving up one’s virtue before marriage. The story describes the courtship of the beautiful and virtuous Jane Arnold by the deceptive Henry Percival, who seduces her with promises of love and marriage. She eventually succumbs to his deceptions and gives up her virtue, only to be strung along with more promises until he finally abandons her altogether to make his fortune in the West Indies. These tragic events cause her to miscarriage and lose her sanity. When Henry’s deceptions become known to both families, Henry is disowned and disinherited, while Jane continues to be doomed to madness until she eventually dies, presumably of a broken heart. Years later, Henry returns, haunted by regrets of what he had done to Jane, as well as by the ghost of Jane herself, until he eventually commits suicide. The tale concludes with a brief reminder to all young lovers of the tragic end awaiting all such couples who fail to wait for marriage. The tale itself is followed by seven short, humorous anecdotes.
Format
The file format, physical medium, or dimensions of the resource
JPEGs and PDF derived from master file, which was scanned from the original book in 24-bit color at 600 dpi in TIFF format using an Epson Expression 10000XL scanner.
Publisher
An entity responsible for making the resource available
Glasgow: Printed for the Booksellers
Source
A related resource from which the described resource is derived
Archival & Special Collections, University of Guelph Library, Guelph, Ontario
Type
The nature or genre of the resource
moral tales
# of Woodcuts: 1
Architecture: gate
Bib Context: title-page
Chapbook Date: 1841-1850
Chapbook Genre: religion & morals
Chapbook Publisher - Glasgow: Printed for the Booksellers
Gender: woman/women
Outdoor Scene
-
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PDF Text
Text
THREE
Excellent Songs.
BONNY B A R B A R A ALLAN.
SIR PATRICK SPENCE.
LORD JOHN'S MURDER.
GLASGOW:
PRINTED FOR THE BOOKSELLERS.
22.
�S O N G S .
BONNY B A R B A R A ALLAN.
I
was in and about the Martinmas time,
When the green leaves were a falling,
That Sir John Graeme in the west countrie
Fell in love with Barbara Allan.
He sent his man down thro the town,
To the place where she was dwelling:
O haste and cum to my master dear,
Gin ye be Barbara Allan.
O hooly, hooly rose she up,
To the place where he was lying,
And when she drew the curtin by,
Young man, I think youre dying.
O
its I'm sick, and very very sick,
And 'tis a' for Barbara Allan.
O the better for me ye's never be,
Tho your heart's blood were a spilling.
O dinna ye mind, young man, said she,
When ye was in the tavern a drinking,
That ye made the healths gae round and round,
And slighted Barbara Allan.
�m
He turn'd his face into the wa',
And death was with him dealing,
Adieu, adieu, my dear friends a'
And be kind to Barbara* Allan.
And slowly, slowly raise she up, ;
And slowly, slowly left him";
And sighing, said she cou'd not stay,
Since death of life had reft him.
She had nae gane a mile but; twa,
When she heard the deid-bell ringuag,
And ey'ry jow that the deid-bell geid.
It cry'd, woe to Barbara Allan!
0 mother, mother, mak my bed,
0 mak it saft and narrow ;
Since my luve died for me to-day
I'll die for him to morrow.
1
SIR PATRICK SPEN'CE.
"
The king sits in Dunfermlin town,
Sae merrily drinkm' the wine r
"Whar will I get<a mariner.
Will sail this ship o/ mine ?"
Then up bespak a bonnie boy,
Sat just at the king's kf*@e;
" Sir Patrick Spenee is the- best seamaa
That e'er set foot on sea."
�4
The king has written a braid letter,
Seal'd it wi' his ain hand ;
He has sent word to Sir Patrick,
To come at his command.
"
O wha is this, or wha is that,
Has tald the king o' me?
For I was never a good seaman,
Nor ever intend to be."
" Be't wind, be't weet, be't snaw, be't sleet,
Our ships maun sail the morn."
" Ever alack ! my master dear,
For I fear a deadly storm."
They mounted sail on Munenday morn
Wi' a' the haste they may ;
And they hae landed in Norraway,
Upon the Wednesday.
They hadna been a month, a month
In Norraway but three,
Till lads o' Norraway began to say,
" Ye spend a' our white monie.
" Ye spend a' our good king's gowd,
But and our queen's fee.''
"Ye lie, ye lie, ye liars loud,
Sae weel's I hear you lie ;
" For I brought as much white monie
As will gain my men and me :
I brought half a fou o' good red gowd
But ower the sea wi' me."
�5
"
Be't wind or weet, be't snaw or sleet,
Our ships maun sail the morn."
"Oever lack! my master clear,
I fear a deadly storm."
" I saw the new moon late yestreen,
Wi' the auld moon in her arm ;
And if we gang to sea, master,
I fear we'll suffer harm,"
They hadna sail'd a league on sea,
A league but barely ane,
Till anchors brak, and tapraasts lap
There cam a deadly storm.
" Whar will I get a bonnie boy
Will tak thir sails in hand ;
That will gang up to the tapmast,
See an he ken dry land?"
Laith, laith were our good Scots lords
To weet their leather shoon ;
But ere the morn, at fair day-light.
Their hats were wat aboon.
Mony was the feather-bed
That flotter'd on the faem ;
And mony was the good Scots lord
Gaed awa that ne'er cam hame ;
And mony was the fatherless bairn
That lay at hame greetin.
Tis forty miles to Aberdeen,
And fifty fathoms deep ;
�6
And there lyes a' our good Scots lords,
Wi' Sir Patrick at their feet.
The ladies wrung their hands sae white,
The maidens tore their hair,—
A' for the sake o' their true loves
For them they'll see nae mair.
Lang lang may our ladies stand
Wi' their fans in their hand,
Ere they see Sir Patrick and his men
Come sailing to dry land.
LORD JOHN'S MURDER,
Lord John stands in his stable door,
Says he, I will gae ride ;
His lady, in her bigly bower,
Desired him to bide.
" How can I bide, how can I bide?
How shall I bide wi' thee ?..
When I hae kill'd your ae brother
You hae nae mair but he.
"
If ye hae kill'd my ae brother,
Alas! and wae is me ;
If ye be weel yoursel, my love,
The less matter will it be !
" Ye'll go you to yon bigly bower,
And take a silent sleep,
And I'll watch in my highest tower,
Your fair body to keep.
�7
She has shut her bigly bower,
All wi' a silver pin ;
And gone her to the highest tower,
To watch that nane come in.
But as she looked round about,
To see what she could see,
There she saw nine armed knights
Come riding o'er the lea.
"
God mak you safe and free, lady,
God mak you safe and free!
Did you see a bluidy knight
Come riding o'er the lea ?"
" O what like was his hawk, his hawk?
And what like was his hound?
If his steed has ridden well,
He's pass'd fair Scotland's strand,
"Gome in, come in, gude gentlemen,
And tak white bread and wine ;
And aye the better ye'll pursue,
The lighter that ye dine."
"
We thank you for your bread, lady,
We thank you for the wine ;
And
I would gie my lands sae broad,
Your fair body were mine."
She has gane to her bigly bower,
Her ain gude lord to meet;
A trusty brand he quickly drew,
Gae her a wound sae deep.
�8
" What harm, my lord, provokes thine ire,
To wreak itself on me,
When thus I strove to save thy life,
Yet served for sic a fee?"
" Ohon, alas! my lady gay,
To come so hastilie ;
I thought it was my deadly foe,
Ye had trysted into me."
"Olive, O live, my gay lady,
The space o' ae half hour,
And nae a leech in a' the land
But I'se bring to your bower."
" How can I live, how shall I live ?
How can I live for thee ?
Ye see my bluid rins on the ground,
My heart's bluid by your knee."
" O tak to flight, and flee, my love,
O tak to flight, and flee!
I wouldna wish your fair body
For to get harm for me."
" Ae foot I winna flee, lady,
Ae foot I winna flee;
I've dune the crime worthy o' death,
It's right that I should die.
"Odeal ye well at my love's lyke,
The beer but an' the wine ;
For, ere the morn, at this same time,
Ye'll deal the same at mine.''
�
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Omeka Image File
The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.
Bit Depth
8
Channels
3
Height
3190
Width
1772
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Illustration on title-page of a young woman wearing a hat, dress, and shawl standing before a gate.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Woodcut 062: Title-page illustration of a young woman wearing a hat, dress, and shawl standing before a gate.
Document
A resource containing textual data. Note that facsimiles or images of texts are still of the genre text.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Three Excellent Songs. Bonny Barbara Allan. Sir Patrick Spence. Lord John's Murder.
Identifier
An unambiguous reference to the resource within a given context
<a href="https://ocul-gue.primo.exlibrisgroup.com/permalink/01OCUL_GUE/mrqn4e/alma9923429073505154">s0106b36</a>
Alternative Title
An alternative name for the resource. The distinction between titles and alternative titles is application-specific.
Bonny Barbara Allan
Sir Patrick Spence
Lord John's Murder
Abstract
A summary of the resource.
A collection of ballads and songs, all featuring certain lords in Scotland. In the first, Sir John Graeme falls sick with love for Barbara Allan, but when she visits him, she rejects him due to a slight he had given her once. Consequently, the young man dies and she goes home declaring that she would die herself on the next day since her lover had died for her. In the second, the king nominates Sir Patrick Spence to sail his vessels, even though the man declares that he has no knowledge of the sea. After spending three months in Norway, Sir Patrick and his men are kicked out, whereupon they sink in a storm on their way back to Scotland. In the last, a lord kills his wife’s brother and tries to flee. Regardless, the wife convinces him to stay and vows to protect him. When the dead man’s kin come hunting the killer, she welcomes them and entertains them while her lover hides, but when she visits him later that evening, he mistakes her for his enemies and stabs her, whereupon he declares he will gladly die himself the next day.
Date
A point or period of time associated with an event in the lifecycle of the resource
1840-1850 per University of Glasgow Union Catalogue of Scottish Chapbooks
Description
An account of the resource
22 printed at bottom of title-page
Woodcut #62: Illustration on title-page of a young woman wearing a hat, dress, and shawl standing before a gate.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Norway
Scotland
Subject
The topic of the resource
Courtship and Marriage
Crime
Chapbooks - Scotland - Glasgow
Is Referenced By
A related resource that references, cites, or otherwise points to the described resource.
University of Glasgow Union Catalogue of Scottish Chapbooks <a title="University of Glasgow Union Catalogue of Scottish Chapbooks" href="http://special.lib.gla.ac.uk/chapbooks/search/" target="_blank" rel="noopener">http://special.lib.gla.ac.uk/chapbooks/search/</a>
Extent
The size or duration of the resource.
8 pages
16 cm
Contributor
An entity responsible for making contributions to the resource
Archival and Special Collections, University of Guelph Library, Guelph, Ontario, Canada
Rights
Information about rights held in and over the resource
In the public domain; For high quality reproductions, contact Archival & Special Collections, University of Guelph. libaspc@uoguelph.ca, 519-824-4120, Ext. 53413
Language
A language of the resource
English
Format
The file format, physical medium, or dimensions of the resource
JPEGs and PDF derived from master file, which was scanned from the original book in 24-bit color at 600 dpi in TIFF format using an Epson Expression 10000XL scanner.
Publisher
An entity responsible for making the resource available
Glasgow: Printed for the Booksellers
Source
A related resource from which the described resource is derived
Archival & Special Collections, University of Guelph Library, Guelph, Ontario
Type
The nature or genre of the resource
ballads & songs
# of Woodcuts: 1
Architecture: gate
Bib Context: title-page
Chapbook Date: 1841-1850
Chapbook Genre: ballads & songs
Chapbook Publisher - Glasgow: Printed for the Booksellers
Fashion (Clothing): working class
Gender: woman/women
Outdoor Scene
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Illustration of a young woman wearing a hat, dress, and shawl standing before a gate.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Woodcut 062: Title-page illustration of a young woman wearing a hat, dress, and shawl standing before a gate.
Document
A resource containing textual data. Note that facsimiles or images of texts are still of the genre text.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
The Wandering Shepherdess; or the Betrayed Damsel.
Description
An account of the resource
9 printed at the bottom of the title-page
Woodcut #62: Illustration of a young woman wearing a hat, dress, and shawl standing before a gate.
Identifier
An unambiguous reference to the resource within a given context
<a href="https://ocul-gue.primo.exlibrisgroup.com/permalink/01OCUL_GUE/mrqn4e/alma9923442443505154">s0077b48</a>
Abstract
A summary of the resource.
A rather shocking cautionary ballad meant to encourage young women to guard their virginity and not be coaxed by men into pre-marital relations. In the tale, a merchant’s daughter is courted by a squire’s son at Oxford. A marriage date is agreed upon by her family, but she allows herself to be talked into sleeping with him before they marry, after which he abandons her and disappears to London for two years. After he leaves her, she decides to go become a wandering shepherdess. Years later, her betrothed returns to Oxford where he is confronted by her parents, but he blames it on her own falsity. When he hears about a beautiful shepherdess in the country, he tracks down this beauty and, not recognizing her at first as his jilted lover, attempts to convince her to sleep with him. When he recognizes her and she refuses him, he comes back the next day and rapes and kills her and throws her body in a river. As a moral tragedy, her death is punishment for her original transgression, while her lover is tormented by the thought of what he has done, which drives him to his own deathbed, where he confesses to her father, which causes his death as well.
Date
A point or period of time associated with an event in the lifecycle of the resource
1840-1850 per University of Glasgow Union Catalogue of Scottish Chapbooks
Extent
The size or duration of the resource.
8 pages
16 cm
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Oxford, England
Is Referenced By
A related resource that references, cites, or otherwise points to the described resource.
University of Glasgow Union Catalogue of Scottish Chapbooks http://special.lib.gla.ac.uk/chapbooks/search/
Alternative Title
An alternative name for the resource. The distinction between titles and alternative titles is application-specific.
The betrayed damsel
Contributor
An entity responsible for making contributions to the resource
Archival and Special Collections, University of Guelph Library, Guelph, Ontario, Canada
Format
The file format, physical medium, or dimensions of the resource
JPEGs and PDF derived from master file, which was scanned from the original book in 24-bit color at 600 dpi in TIFF format using an Epson Expression 10000XL scanner.
Rights
Information about rights held in and over the resource
In the public domain; For higher quality reproductions, contact Archival & Special Collections, University of Guelph. libaspc@uoguelph.ca 519-824-4120, Ext. 53413
Publisher
An entity responsible for making the resource available
Glasgow: Printed for the Booksellers
Subject
The topic of the resource
Courtship and Marriage
Crime
Religion and Morals
Chapbooks - Scotland - Glasgow
Source
A related resource from which the described resource is derived
Archival & Special Collections, University of Guelph Library, Guelph, Ontario
Type
The nature or genre of the resource
ballads & songs
-
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Omeka Image File
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Bit Depth
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Dublin Core
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Title
A name given to the resource
Illustration on titel-page of a young woman wearing a hat, dress, and shawl standing before a gate.
https://scottishchapbooks.lib.uoguelph.ca/files/original/42d7baa1d81c007882f189e674c91130.pdf
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PDF Text
Text
SIX
L O V E SONGS
JOCKEY TO THE FAIR.
W H A ' S AT T H E WINDOW,
WHA?
FAIREST OF THE FAIR.
THE F L O W E R O' D U M B L A N E .
THE MAID OF ARUNDEL.
F A R EWELL,
F A R E W E L L.
GLASGOW r
PRINTED FOR THE BOOKSELLERS.
34.
�SONGS.
WHA'S AT THE WINDOW,
WHA?
O wha's at the window, wha ? wha ?
0 wha's at tli© window, wha ? wha ?
Wha but blythe Jamie Glen,
He's come sax miles and ten,
To tak bonnie Jeanie awa, awa,
To tak bonnie Jeanie awa.
He has plighted his troth, an' a', an' a\
Leal love to gi'e, an' a', an' a',
And sae has she dune,
By a' that's aboon ;
For he loe's her, she lo'es him 'boon a', 'boon a*
He lo'es her, she lo'es him 'boon a'.
Bridal maidens are braw, braw,
0 bridal maidens are braw, braw,
But the bride's modest e'e,
And warm cheek, are to me
'Boon pearl ens and brooches, an* a', an' a\
'Boon pearlens and brooches, an' a'.
There's mirth on the green, in the ha', the ha\
There's mirth on the green, in the ha',
�There's laughing, there's quaffing,
There's jesting, there's daffing,
But the bride's father's blythest of a', of a',
But the bride's father's blythest of a'.
It's no that she's Jamie's ava, ava,
It's no that she's. Jamie's ava, ava,
That my heart is sae wearie,
When a' the lave's cheerie,
But it's just that she'll aye be awa, awa,
But it's just that she'll aye be awa.
THE FLOWER 0 '
DUMBLANE.
The sun had gane down o'er the lofty Benlomond,
And left the red clouds to preside o'er the scene ;
While lanely I stray in the calm simmer gloaming,
To muse on sweet Jessie, the flower o' Dumblane.
0 sweet is the brier wi' its saft faulding blossom,
And sweet is the birk wi' its mantle o' green;
Yet sweeter and fairer, and dear to this bosom,
Is lovely young Jessie, the flower o' Dumblane.
She's modest as ony, and blythe as she's, bonny,
For guileless simplicity marks her its ain ;
And far be the villain, divested of feeling,
Wha'd blight in its blossom the flower o' Dumblane
Sing on, thou sweet mavis, thy hymn to the e'ening,
Thou'rt dear to the echoes of Calderwood glen,
Sae dear to this bosom, sae artless and winning,
Is charming young Jessie, the flower o' Dumblane.
�4
How lost were my days till I met with my Jessie,
The sports of the city seem'd foolish and vain ;
I ne'er saw a nymph I would ca' my dear lassie,
Till charm'd wi* sweet Jessie, the flower o* Dumblane,
Tho' mine were the station of loftiest grandeur,
Amidst its profusion I'd languish in pain ;
And reckon as naething the height o' its splendour,
If wanting sweet Jessie, the flower o* Dumblane.
T H E M A I D OF A R U N D E L .
Thou fairest of the fairest maids,
In Arundel's embowering shades,
When beauty smiles in all her charms,
And love's delighted bosom warms,
With thee I woo each sylvan scene,
Of fragrant bower and arbour green,
While smiling hope our care dispels,
We bless the shades of Arundel.
When twilight steals along the world,
And wandering shepherds leave the fold,
To woo the bower, the scented grove,
And sigh upon the lips of love ;
Again my lovely Rosalie,
With bounding heart I fly to thee,
Love's dear and fond delights to tell
Amid the shades of Arundel.
As wandering by the castle mound,
Or moving in the festive round,
�o
I feel the power of love divine,
Bright beaming in these eyes of thine.
And sweeter is thine artless tale,
Than midnight song of nightingale,
Soft dying on the breezy swell
That fan the shades of Arundel.
JOCKEY TO T H E
FAIR.
'Twas on the morn of sweet May-day,
When Nature painted all things gay,
Taught birds to sing, and lambs to play,
And gild the meadows fair ;
Young Jockey early on the morn
Arose, and tript it o'er the lawn,
For Jenny vow'd away to run
With Jockey to the Fair ;
For Jenny vow'd away to run
With Jockey to the Fair.
The cheerful parish bells had rung,
With eager steps he trudg'd along,
While garlands round him hung
Which shepherds us'd to wear:
He tapt the window, 44 Haste my dear,"
Jenny impatient cried, " Who's there I"
" 'Tis I, my love, and no one near,
Step gently down, you've nought to fear,
With Jockey to the Fair ;
Step gently down, &c.
�6
" My dad and mammy's fast asleep,
My brother's up and with the sheep,
And will you still your promise keep
Which I have heard you swear ?
And will you ever constant prove ?
44 1 will, by all the powers above,
And ne'er deceive my charming dove:
Dispel those doubts, and haste my love,
With Jockey to the Fair
Dispel those doubts, &c.
" Behold the ring," the shepherd cried,
" Will Jenny be my charming bride?
Let Cupid be our happy guide,
And Hymen meet us there."
Then Jockey did his vows renew,
He would be constant, would be true,
His word was pledg'd, away she flew
With Jockey to the Fair ;
O'er cowslips tript, &c.
In raptures meet the joyful train,
Their gay companions, blithe and young,
Each join the dance, each join the throng.
To hail the happy pair ;
In turns there's none so fond as they,
They bless the kind propitious day,
The smiling morn of blooming May,
When lovely Jenny ran away
With Jockey to the Fair ;
When lovely Jenny, &c.
�7
F A I R E S T OJ? T H E
FAIR.
0 Nannie, wilt thou gang wi' me,
Nor sigh to leave the flaunting town ;
Can silent glens have charms for thee,
The lowly cot, and russet gown ?
Nae langer drest in silk and sheen,
Nae langer deck'd wi' jewels rare,
Say, canst thou quit each courtly scene,
Where thou wert fairest of the fair O Nannie, when thou'rt far away,
Wilt thou not cast a look behind ?
Say, canst thou face the parching ray,
Nor shrink before the wintry wind ?
0 can that saft and gentlest mien
Severest hardships learn to bear,
Nor sad, regret each courtly scene,
Where thou wert fairest of the fair ?
O Nannie, canst thou love so true,
Thro' perils keen wi' me to gae ?
Or when thy swain mishap shall rue,
To share with him the pang of wae.
And when invading pains befal,
Wilt thou assume the nurse's care,
Nor wishful those gay scenes recal,
Where thou wert fairest of the fair ?
And when at last thy love shall die,
Wilt thou receive his parting breath ?
Wilt thou repress each struggling sigh,
And cheer with smiles the bed of death
�8
And wilt thou o'er his much-lov'd clay
Strew flowers, and drop the tender tear ;
Nor then regret those scenes so gay,
Where thou wert fairest of the fair I
FAREWELL,
FAREWELL.
Farewell, farewell, dear Erin's Isle!
My native land, adieu!
I've seen thy hours of sunshine smile,
And mark'd thy sorrows too.
The pale moon trembles on the deep,
But ere the morning dawn,
Th© winds will only hear me weep
For thee, my Peggy Bawn.
And though I haste beyond the sea,
Where sweeter scenes may smile,
My heart unchanged will turn to tliee,
My own, my native isle.
But now a long, a kind farewell,
To mountain, grove, and lawn,
While tears alone my parting tell,
From thee, my Peggy Bawn.
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Woodcut 062: Title-page illustration of a young woman wearing a hat, dress, and shawl standing before a gate.
Document
A resource containing textual data. Note that facsimiles or images of texts are still of the genre text.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Six love songs. Jockey to the fair. Wha's at the window, wha? Fairest of the fair. The flower o' Dumblane. The maid of Arundel. Farewell, farewell.
Subject
The topic of the resource
Courtship and Marriage
Chapbooks - Scotland - Glasgow
Date
A point or period of time associated with an event in the lifecycle of the resource
1840-1850 per University of Glasgow Union Catalogue of Scottish Chapbooks
Language
A language of the resource
English
Identifier
An unambiguous reference to the resource within a given context
<span class="EXLResultStatusAvailable"><span class="EXLAvailabilityCallNumber"><a href="https://ocul-gue.primo.exlibrisgroup.com/permalink/01OCUL_GUE/mrqn4e/alma9943830973505154">s0615b35</a></span></span>
Alternative Title
An alternative name for the resource. The distinction between titles and alternative titles is application-specific.
Jockey to the fair.
Wha's at the window, wha?
Fairest of the fair.
The flower o' Dumblane.
The maid of Arundel.
Farewell, farewell.
Extent
The size or duration of the resource.
8 pages
15 cm
Description
An account of the resource
Woodcut #62: Illustration on title-page of a young woman wearing a hat, dress, and shawl standing before a gate.
'34' is printed at the bottom of the title page
Accrual Method
The method by which items are added to a collection.
Purchased through Jane Grier Family Trust. 2012
Is Referenced By
A related resource that references, cites, or otherwise points to the described resource.
University of Glasgow Union Catalogue of Scottish Chapbooks <a href="%20University%20of%20Glasgow%20Union%20Catalogue%20of%20Scottish%20Chapbooks%20%20http%3A//special.lib.gla.ac.uk/chapbooks/search/">http://special.lib.gla.ac.uk/chapbooks/search/</a>
Contributor
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Archival and Special Collections, University of Guelph Library, Guelph, Ontario, Canada
Format
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JPEGs and PDF derived from master file, which was scanned from the original book in 24-bit color at 600 dpi in TIFF format using an Epson Expression 10000XL scanner.
Rights
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In the public domain; For higher quality reproductions, contact Archival & Special Collections, University of Guelph. libaspc@uoguelph.ca 519-824-4120, Ext 53413
Publisher
An entity responsible for making the resource available
Glasgow: Printed for the Booksellers
Type
The nature or genre of the resource
ballads & songs
# of Woodcuts: 1
Architecture: gate
Bib Context: title-page
Chapbook Date: 1841-1850
Chapbook Genre: ballads & songs
Chapbook Publisher - Glasgow: Printed for the Booksellers
Gender: woman/women
Outdoor Scene
-
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PDF Text
Text
ROSANNA;
THE OXFORD TRAGEDY.
IN
T W O
P A R T S .
PART I.—How Fair Rosanna, of the City of Oxford,
was by a young Gentleman betrayed of her virginity.
PA&T II.—His cruelty in murdering her, and how a
rose-bush sprung upon her grave, which blossoms
all the year through ; and how the murder came to
be found out, by his cropping the rose, &c.
GLASGOW:
PRINTED FOR TIIE BOOKSELLERS.
�TBE
OXFORDSHIRE TRAGEDY.
PART
I.
Young virgins fair, of beauty bright,
And you tliat are of Cupid's fold,
Unto my tragedy draw near,
F o r it's as true as ever was told.
In Oxford liv'd a lady fair,
The daughter of a worthy knight,
A gentleman that lived near,
Was enamoured with her beauty bright.
Rosanna was this maiden's name,
The flower of fair Oxfordshire
This gentleman a-courting caie.
Begging her to be his dear.
Her youthful heart to love inclin'd,
Young Cupid bent bis golden bow,
And left his golden dart behind,
Which proved Rosanna's overthrow.
Within the private groves they'd walk,
And valleys where the lambs d o play,
Sweet pleasant tales of love they'd talk,
For to pass away the summer's day.
My charming lovely Rose, said he,
See how the pleasant flowers spring
The pretty birds on every tree,
With melody the groves do ring.
�3
I nothing want for to delight
M y soul, but those charms of thine ;
Our hearts are fix'd, therefore my dear
Like turtle-doves let us combine.
Let me embrace my heart's delight
Within this pleasant bower here,
This bank of violets for our bed,
Shaded with these sweet roses fair.
She said, what can you mean, I pray?
I am a noble lady born,
W h a t signifies my beauty bright,
That's a trifle when my honour's gone.
M y parents they will me disdain,
Young virgins they will me deride,
Oh ! do not prove my overthrow,
If you love me, stay till I am your bride.
Sweet angel bright, I here do vow,
By all the powers that are divitie,
I'll ne'er forsake my dearest dear,
Y o u re the girl that doth my heart confine.
But if you will me still delay,
This sword shall quickly end the woe ;
Then from her arms he flew straightway,
In fury out his sword he drew.
Her hands as white as lilies fair,
Most dreadfully she-then did wring,
And for the j e w e l she had lost,
She said, my death's approaching.
�4
It only brings my fatal fall.
It's I that must receive the wound :
T h e crimson dye forsook his cheek,
At his feet she dropp'd upon the ground.
Thus innocence he did betray,
Full sore against her chaste desire,
True love is a celestial charm,
But the flame of love is a raging fire.
But when her senses did revive,
H e many vows and oaths did make,
That he'd for ever true remain,
Her company, would not forsake.
PART
II.
Into the lonely valley she
W o u l d often wander all alone;
Sighing sadly to assuage her grief,
Thus in the bower would often mourn.
Oh that I was some pretty bird,
That I might fly and hide my shame,
Oh silly maid, for to believe
All the fair delusions of a man.
The harmless lamb can sport and pray,
T h e turtle constant to his mate,
Nothing so wretched is as I,
T o love a man that does me hate.
�5
I will to him a letter send,
Remembering of the oath he made,
Within the tender bower where
M y tender heart he first betrayed.
Her trembling hand a letter wrote,
M y dearest dear, what must I do ?
Alas I what have I done, that I
A m forsaken and forgot by yon ?
I could have many a lord of fame,
W h o little knows my misery ;
I did forsake a worthy knight,
'Tis for the love I bear to thee.
And now my little infant dear
Will quickly spread abroad my shame,
One line of comfort to me send,
Ere by your cruelty I am slain.
This answer he to her did send,
Y o u r insolence amazeth me,
T o think that I should marry one
With whom before I have been free.
Indeed I will no father be
Unto any bastard you may bear,
So take no further thought of rne,
No more from you pray let me hear.
When she this letter did receive.
She wrung her hands and wept full sore,
And every day she still would range,
T o lament within that pleasant bower
�6
The faithless wretch began to think
H o w noble were her parents dear.
H e said, I sure will punished be,
Soon as the story they shall hear.
So then the devil he did begin
T o enter in his wretched mind,
H e r precious life he then must have,
An opportunity thus he did find.
H e many times had watch'd her out
Into the pleasant valley, where
One day he privately did go,
W h e n he knew the lady was not there.
And privately he dug a grave,
Underneath an oaken tree ;
Then in the branches he did hide,
For to act this piece of cruelty.
Poor harmless soul, she nothing knew,
A s usual she went there alone,
And on a bank of violets she
In mournful silence sat her down.
Of his unkindness did complain,
At length she did the grave espy,
She rose indeed to view the same,
Little thinking he was so nigh.
Y o u gentle gods so kind, said she,
Did you this grave for me prepare :
H e then descended from the tree,
Saying, strumpet, thy death is near.
�7
Oh, welcome, welcome, she replied,
As long as by your hands I die,
This is a pleasant marriage bed,
I'm ready—use your cruelty.
But may the heavens bring to light
T h y crime, and thus let it appear:
Winter and summer on this grave,
May the damask rose in bloom spring here.
Never wither though 'tis cropp'd,
But when thy hand doth touch the same,
Then may the bloom that minute blast,
T o bring to light thy bitter shame.
More she'd have said, but with his sword
H e pierced her tender body through,
Then threw her in the silent grave,
A n d filled the grave close up again.
With weeds the same did overspread,
Then unconcerned straight went home,
Immediately went he to his bed,
And thought no more of what he'd done.
The loss of their young daughter dear,
Her parents much did grieve,
She was sought after far and near,
For to all the riches she was heir.
'Tis twelve months since that this was done,
There's thousands for a truth doth know't
And many wonder'd at the same,
For all the winter it did spring.
�If any one did crop that rose,
In a moment it would grow again ;
This thing was blaz'd the country round,
A n d thousands went the same to see.
He amongst the rest must curious be,
T o go and see if it was true,
And when unto the place he came,
The beauteous rose he saw in bloom.
The leaves did fall from off the bush,
The rose within his hand did d i e ;
He cried, 'tis fair Rosanna's blood.
That did spring from her fair body.
Many people that were there,
T o o k notice of what he did say,
They told he had some murder done,
H e the truth confess'd without delay.
They dug and found the body there,
The first of April it was known,
He was seiz'd and carried off to jail,
And shortly after suffer'd his doom.
�
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Omeka Image File
The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Illustration on title-page of a young woman wearing a hat, dress, and shawl standing before a gate.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Woodcut 062: Title-page illustration of a young woman wearing a hat, dress, and shawl standing before a gate.
Document
A resource containing textual data. Note that facsimiles or images of texts are still of the genre text.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Rosanna; the Oxford tragedy. In two parts.
Subject
The topic of the resource
Courtship and Marriage
Crime
Chapbooks - Scotland - Glasgow
Description
An account of the resource
'20' is printed at the bottom of the title page
Woodcut #62: Illustration on title-page of a young woman wearing a hat, dress, and shawl standing before a gate.
Date
A point or period of time associated with an event in the lifecycle of the resource
1840-1850 per National Library of Scotland
Language
A language of the resource
English
Identifier
An unambiguous reference to the resource within a given context
<a href="https://ocul-gue.primo.exlibrisgroup.com/permalink/01OCUL_GUE/mrqn4e/alma9923406183505154">s0172b29</a>
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Oxford, England
Alternative Title
An alternative name for the resource. The distinction between titles and alternative titles is application-specific.
The Oxford tragedy
Extent
The size or duration of the resource.
8 pages
16 cm
Abstract
A summary of the resource.
A young girl from Oxfordshire is courted by a gentleman who persuades her to go out walking with him one day and rapes her. When she discovers she is with child, she writes to him begging him to marry her and save her from the public shame that would follow an illegitimate birth. The young man scorns her proposal but secretly fears what will happen when the pregnancy comes to light, so he decides to return home and murder her. He digs a grave under a tree that he knows she will walk by, and jumps out of the tree when she notices the grave. He kills her and buries her in the grave, but before she dies she claims that a damask rose will bloom upon her grave in winter as well as spring as proof of his deed. When this comes to pass and many marvel at the rose one year later, he returns to see if the rumours are true. When he touches the rose, it withers into dust, thereby proving that he is the murderer for all to see, which he immediately confesses to and is imprisoned.
Is Referenced By
A related resource that references, cites, or otherwise points to the described resource.
National Library of Scotland <a href="http://www.lib.uoguelph.ca/find/find-type-resource/archival-special-collections/scottish-studies">http://www.nls.uk/catalogues/main-catalogue-overview/</a>
Contributor
An entity responsible for making contributions to the resource
Archival and Special Collections, University of Guelph Library, Guelph, Ontario, Canada
Format
The file format, physical medium, or dimensions of the resource
JPEGs and PDF derived from master file, which was scanned from the original book in 24-bit color at 600 dpi in TIFF format using an Epson Expression 10000XL scanner.
Rights
Information about rights held in and over the resource
In public domain; For higher quality reproductions, contact Archival & Special Collections, University of Guelph. libaspc@uoguelph.ca 519-824-4120, Ext. 53413
Publisher
An entity responsible for making the resource available
Glasgow: Printed for the Booksellers
Source
A related resource from which the described resource is derived
Archival & Special Collections, University of Guelph Library, Guelph, Ontario
Type
The nature or genre of the resource
ballads & songs
# of Woodcuts: 1
Architecture: gate
Bib Context: title-page
Chapbook Date: 1841-1850
Chapbook Genre: ballads & songs
Chapbook Publisher - Glasgow: Printed for the Booksellers
Gender: woman/women
Outdoor Scene
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
62: Illustration of a young woman wearing a hat, dress, and shawl standing before a gate.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Woodcut 062: Title-page illustration of a young woman wearing a hat, dress, and shawl standing before a gate.
Document
A resource containing textual data. Note that facsimiles or images of texts are still of the genre text.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
The blaeberry courtship; to which is added, the crook and plaid
Subject
The topic of the resource
Courtship and Marriage
Highlands
Chapbooks - Scotland - Glasgow
Description
An account of the resource
‘1’ is printed at the bottom of the title-page
Woodcut #62: Illustration on title-page of a young woman wearing a hat, dress, and shawl standing before a gate.
Date
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1840-1850 per University of Glasgow Union Catalogue of Scottish Chapbooks
Identifier
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<a href="https://ocul-gue.primo.exlibrisgroup.com/permalink/01OCUL_GUE/mrqn4e/alma9923273723505154">s0030Cb10</a>
Coverage
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Caithness, Scotland
Alternative Title
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The crook and plaid
Extent
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8 pages
16 cm
Abstract
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Two songs about love. The first is the story of the love between a Highland lad and a Lowland girl. The girls’ father is against the match and disinherits her when she decides she runs off with him. In the beginning, it looks like she has made the wrong choice as she is forced to walk and beg for them both on the way to the Highlands, but when they arrive it turns out he is a laird and she is treated as the lady of a great estate. In the end they both go back to visit and reconcile with the father. The second song is a short ballad about a young girl’s love for a shepherd.
Is Referenced By
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University of Glasgow Union Catalogue of Scottish <a>Chapbooks <br />http://special.lib.gla.ac.uk/chapbooks/search/</a>
Contributor
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Archival and Special Collections, University of Guelph Library, Guelph, Ontario, Canada
Format
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JPEGs and PDF derived from master file, which was scanned from the original book in 24-bit color at 600 dpi in TIFF format using an Epson Expression 10000XL scanner.
Rights
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In the public domain; For high quality reproductions, contact Archival & Special Collections, University of Guelph libaspc@uoguelph.ca 519-824-4120 Ext 53413
Publisher
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Glasgow: Printed for the Booksellers
Source
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Archival & Special Collections, University of Guelph Library, Guelph, Ontario
Type
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ballads & songs
# of Woodcuts: 1
Architecture: gate
Bib Context: title-page
Chapbook Date: 1841-1850
Chapbook Genre: ballads & songs
Chapbook Publisher - Glasgow: Printed for the Booksellers
Gender: woman/women
Outdoor Scene