1 10 4 https://scottishchapbooks.lib.uoguelph.ca/files/original/74126c72dd8e019e8929639a84342b97.jpg b4ca622ade21429384eb6e0c68f354ba Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Illustration on title- page a woman in conversation with a man in front of building. https://scottishchapbooks.lib.uoguelph.ca/files/original/44fbe0b77ea97939b7cfacf7bf3ff73c.pdf 76eb4ef55ec8a0930bcb4db70ec46b9e PDF Text Text KATHARINE 0G1E, T o which is added, JOHN ANDEUSON, MY JO, JEAN ANDERSON,-MY JO, M A 11 I A GLASGOW: JVWistitd and Sold, Wholesale and Retail, by R , Hutchison, Bookseller, 19. Soltoarket. �fi • K A T H A R I N E OGIEL ' As walking forth to view the plaiDy Upon a. morning early, While J^lpy's sweet 6Ceiy; did efceer my braiw, From flowers which grew so rarely; 1 chanced to nwret a pretty mak], V She shined though it Mas fo#ie: 1 jtsk^d her name^ sweet Sir, she said, My oame is K<|fch'rinc Ogic. V I stood Awhile, and did admire, To a j*ymph so stately; brisk iw air tjicre did appear 1,0 a country it aid so neatly:— gijcfr i>atVa! sweetness ihe displayed, Like lilies in a bogie; Ifeifta's self ww ne'er arrayed Like this same Kath'i ine Ogie. [Pfl^*. ... 4 w #Hiou flaw'r of females, beauty's quem> ' j : •. W h o secsAbeP.fcurp tppst prize theo; Though thou art drest i« robes but me&v, Yet these cannot disguise thee: T h y "handsome graceful l#ok, Excels each clownish togie; Tbou'rt match for4, tSlrd^or lord, or duke, My charming JCath'rijpe Ogie. >r ; �O ! wcte I bnt some shepherd strain, To feed my flock beside thee: At bughting-time to leave the plain, In flwlking to abide thlft; I'd think myself a happier man, With Kate, my clufb, and dogie, Than he that hugs his thousands ten, Ha<l I but Kath'rine Ogie. Then I'd despise th' imperial throno, And statesmen's dgng'rous stations, I'd be no king, I ' d wear ik> crown, I'd smile at co*Kjto*ring nations, M^rht I caress, and still possess This lass of whom I'm vogie; For they arc toys, and still look lesd, Compared with Kath'rine Ogie. h fear the gods have not decreed £or me so fine a creature, Whose beauty rare makes her exceed All other works in nature* Clouds of de-pair surround my love, That are both dark and foggie; Pitv my case, ye powers above! Else I die for Kath'rine Ogie. J O H N ANDERSON, MY JO. John Anderson, my jo, John, When we were first acquent, �4 Your locks were like the ravert, Your bonnif brow was brent; But now your head's turned bald, John, Your locks are like the anow, Yet, blessings on your frosty pow, John Anderson, tny jo. John Anderson, my jo, John, When uature first began To try her cannie hand, John, Her master-work was man: And you amang them a' John, Sae trig frae tap to toe, She proved to be nae journey-work, John Anderson, my jo. John A-nderson, my jo, John, Ye were my first conceit, And ye need na think it strange, John, Though I ca' ye trim and neat; Though some folks say ye're ait* J, John, 1 never think you so, But I think ye're aye the same to rive, JoIih Anderson, my jo. J.>hn Anderson, my jo, John, We've seen *ur bairns' bairns, And yet, my dear John Anderson, - I'm hnppy in your arms; And sue are ye in mine John, X'ni suie ye'il ne'er say no, �S Ffcougfi the days are gane that we ha*e J dim Anderson, my jo, Jplta Andersou, my jo, John, What pleasure does it gie, To see sae many sprouts John, spring up 'tween you and me; And ilka lad and lass, John, In our footsteps to go, Makes perfect heaven here on earttr, John Anderson, my jo. John Anderson, my jo, John, Frae year to year we've past, And soon that year maun come, J;ohn, Will bring us to our last; But let na that affright us, Johti, Our hearts were ne'er our foe, While in innocent delight we lived, John Anderson, my jo. John Anderson, my jo, John, We clamb the hill thc^ithcr, And money a can tie dkyi John, V 1 We've had wltli ail6 aiiithef; Now we maun totter df>wn, JohtJ, But hand in hand \4'l\ And we'll sleep the^nHher'ut the fwofj Jtdjp Andersoj^ my jo. j a w p i i i iat3 c r w < w > ' �6 1 J&AN A N D E R S O N , M Y JO. W U t f Nature first b ^ n n , Jean, Ta try her Dannie hand, It*s true she first made manx Jwti, And ga'e him great commanA; But iiaethin^ wad consent him, Jcart, Though king of a* below, Till Heaven in pity sent him, Jefctt, 1ft"hat niaisi he wished—a jo! 'Bhough some may say Tm auld, Je'an, And say the same of thee, ISVer fret to hear it tauld, Jean, You still look young to. me: Ami weel t mind the day, Jean, Yonr breast was white as snotv, And waist sae jimp ane might it spa ft, Jerfft Anderson, my jo! ' Our bonnie bairns' bairns, Jean, With rapture do I see, Come todlin to the fire-side, Or ?it upon my knee; I f there k pleasure hcje, Jean, Or happiness helow, Tbi* surely maup be likest it, Jean Anderson, my jo. Though age has sillafred oWre my pow Siupe we were first acquent, �7 And changed njy flossy raveti loek>, It's left us still content; Aad eild ne'er conies &anp, JeaTL But aft brings mony a wo, Yet wu'vpnae e^usefor sic.jcoinpl^n^ Jean Anderson, my jo. In innocence we've spent our And pleasant looks the past; Nae anxious thoughts alarm u^ Wc'er chqarful t;o the last: Till Death knock at pur door, Jean, Aud wnrn us With to go, Contented we will and love, Jean Anderson, my jo, ltf* now a Ipng time, Jc&nf Since you arid I begun To ftptachel up life's hill, Jean, Our race is nearly run; W e baith hae done our best, Jean, Our sun is wearing low: Sae let ns quietly sink to rest, Jean Anderson, my jo. 'Twas near a thicket's caloi retrcr**, Under a poplar tree, Maria chose her lonely seat, To mourn her sorrows frrq. �8 Wef ioyplj form wa^ tweet to view, As dawn at opening d^y; ' liui, ah ! she mourn'd her love aot tme, Am! wept her cares away. T he iirook flmvM gently at her fef!, ID murmurs smooth aloiiir; " Her pipe, which once she tun'd so ill c . Had now forgot its song. N® more tP chai m, the va)e «he trie*, For gnet%jis fill'd her breast; Fled are the joys us'd to prize, Arid fled with them licr rest. Poor hepless maid ! who can bebo&l Thy anguish so severe,1 (>r hear thy lovq-lorn story told. Without a pilying leor ! Maria, hapless maid, adieu ! Thy Sorrows soon must cease; £0011 heaven will take a maid so tru* To everlasting pcaee. tflNIS. it** Tjfano! nod ^ffeiic. i3ft ciuoia t>i � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Woodcut 072: Title-page illustration in a single ruled rectangular border of a woman in conversation with a man standing in front of building. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Katherine Ogie, to which is added, John Anderson, my jo, Jean Anderson, my jo, Maria. Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. John Anderson, my jo, Jean Anderson, my jo, Maria. Date A point or period of time associated with an event in the lifecycle of the resource 1829 Extent The size or duration of the resource. 8 pages 16 cm Identifier An unambiguous reference to the resource within a given context <a href="https://ocul-gue.primo.exlibrisgroup.com/permalink/01OCUL_GUE/mrqn4e/alma9923346353505154">s0361b07</a> Contributor An entity responsible for making contributions to the resource Archival and Special Collections, University of Guelph Library, Guelph, Ontario, Canada Rights Information about rights held in and over the resource In the public domain; For high quality reproductions, contact Archival & Special Collections, University of Guelph. libaspc@uoguelph.ca, 519-824-4120, Ext. 53413 Format The file format, physical medium, or dimensions of the resource JPEGs and PDF derived from master file, which was scanned from the original book in 24-bit color at 600 dpi in TIFF format using an Epson Expression 10000XL scanner. Publisher An entity responsible for making the resource available Glasgow: R. Hutchinson, Bookseller Source A related resource from which the described resource is derived Archival & Special Collections, University of Guelph Library, Guelph, Ontario Description An account of the resource Woodcut #72: Illustration on title- page a woman in conversation with a man in front of building. Type The nature or genre of the resource ballads & songs Subject The topic of the resource Chapbooks - Scotland - Glasgow Courtship and Marriage # of Woodcuts: 1 Architecture: window(s) Bib Context: title-page Chapbook Date: 1821-1830 Chapbook Publisher - Glasgow: R. Hutchinson Gender: man/men Gender: woman/women Nature: tree(s) Outdoor Scene https://scottishchapbooks.lib.uoguelph.ca/files/original/7327135fcaab7ccfdb26bb12f7f93a68.jpg e22f63dcb776ac3bc4b7c0ac05bc79da Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 3308 Width 1939 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Illustration on title- page a woman in conversation with a man in front of building. https://scottishchapbooks.lib.uoguelph.ca/files/original/a92a47f65001bb969210847a8c80c999.pdf 54973a5ef3fc0cd6af8fde1e69f3a99d PDF Text Text T H E Buxom Dame of Reading; © R, T H E CUCKOLD S CAP TO WHICH IS ADDED, A A S U M M E R P I E C E. W I N T E R P I E C E. H a s l h e n o t D e l e e a o u g h has an Auld Man, The K I N G A N D T H E M I L L E R , A S M I L 1 N G F U L L B O W L, G L A S G O W , Printed by J. & M. Robertfcn, SaUmarket, tUot �• t ^ V ' , THE B U X O M D & h t £ OF R E A D I N G ^ E A R Reading there lived a buxom dame, The wife of a cobler, Joan was her name, -She had a fine hen of a delicate fizfc, The like you never beheld with your eyes. N ; She had a red head, grey wings, yellow k g s , Each Summer (he laid a buftiel of eggs ; And Joan la ft Summer v^oald fet her indeed, For fhe was refdlv'd to have more of her treed. And as (lie was fet ting her upon a day, A ffcepherd came to her, arsi thus he did fay ; Oh ! what are you doing ! (he anfwer'd him then, I ' m going to fet a miraculous'be a / Why than fays the fbepherd to keep the egg's warm* ^ n d that they-may profper and come to no harm i You 'natfft fet the eggs in a hrgc cuckpW's car, And then, all the chickens wiR come to good hap, I have neVr a cuckold's cap, fltephcrd. fays fhe, But rseverthelefs Twill be ruled by thee. For this very momfnlTil trudgeup and down, A n d borrow one, If there be one in the town. She went to her neighbour, and thus die did fay, Came lend me thy cuckold's cap* neighbour, I pray, I am going to fet a miraculous hen, And when I've done with it, Pil brmg.it again. The neighbour's tvife anfwer'd, & thus reply'd, Had 1 fuch a thing, y^u fliould not he denyM ; Years fourteen or fifteen I have been a wife, Jind my huihaad had rse'ct fukch 3 thing it his life. < �[ 3 J But go to my coufra that lives at the milljShe had one 1 know, may have it iilli; Tell her i fent you, ilie'll'lend it I know I thank you, faid Joan, and away (he did go* Then fir sight to the houfs oT the miller (he wentp And told her that fne by her con fin was-fept, T o borrow a thing that was ablblute Tare, A large cuckold's cap which her hufband did wean I do not deny but fuch things there may be, But why ftiould my caufin dire& you to m £ ! Thefe nineteen or twenty years I have been wed5 And my hulband had ne'er fuch a cap on his head. But go to the Quaker that lives by the $wan s If I am not mift&ken, I think fhe has one, v And tell her, fhe'il lend it I know for my fake, " Add I for the fame a great favour will take. So (lie went to the-houfe of old Yea and Nay ? And fpoke to his wife that was youthf ul and gay % Saying,I'm come for to borrow, if you will but lend A large cuckold's cap, I was fent by a friend. T h e Quaker's wife nodded, & faid with a frewtf* 1 hzvJt fuch a thing if thou'd givcrae a.crown; Bcfides, I'd not lend it, fuppofe that I had, For fe^r it &ovld make my poor hufband run mad. In town there are many young women, perhaps Are cunning and artful in making fuch caps j But what are their nature, I cannot well fay, Therefore excufe me friend Joan, I thee pray. Now Joan being tired, and weary withal, Says (he, I have no "good fortune St all ; It is the beginning, I think of all farrow, (row. TQ trudge up and down, "and of neighbours to bor? �£ 4 3 . A poor cuckold's cap, I would borrow indeed* A thing of fmall value, bur yet could not fpeed| But 28 I'm a woman, adzooks, cries young Joan* Before it be long, I'll have one of my own. A S U M M E R P I E C E . Hen the treesall their beautiful verdure renew, W and the meadows look charmingly gay, When Trailing Creation looks blooming to view, . replete with ths beauties of May. When the light-kearted fhepherd chants mufical as he pipes to his ilocks on the hiii; (ilrains, An d t h el a mbk ins d el ig b te d, fkip bl y th o'er the plain, or frifk by the murmuring rill. "When the cows round the country a gadding repair, or beneath the cool (hade (hun the heat; When the crimfon-cheekM milk-maid does kindly for her fwectheart a fyllabub treat. (prepare, When the country girls wantonly /port in the deep, fo cautious, that all muft be hufh, ¥et oft the fly ruftic procures a full peep, from the fide of a hillock or bufh. At eve when the lads and the lafies d o m e c t , in a circle to dance on the green ; What a native finQplicity void of deceit, and modefty ftampt on their mein * While the birds feem infpir'd by the fouling fererte, in muGcal melody vie ; (ftiain, And;the hares midft the corn fields they fafely re* mJkc%wre hi the green meadows lie. �[ s 3 In a fnugTural cottage furrounded with tree^ whetc murmuring rivulets glid?, My attendants be plenty, contentment and eafe* in folitude let me refute. Where grant me kind Powers in this feafon oflove ? a fond fay* one my blefk to complete, Whofe tender endearments can fadnefs remove^ and imparadife this my retreat. A W I N T E R P I E C E , Hen'the trees were all bare,not aleaf to be feen, and the meadows their beauty had l o f t : W h e n all Nature difrob'd of her mantle of green* and the rivers bound up by the frofi. W When thepeafanUnaftiveftandsihjv'ring with cold^ as the bleak winds northerly b l o w ; The innocent lambs feud away to their fold, with their fleeces all covered with fnow. In the yard where the cattle were fodder5 d withftraw* and they/end forth their breath like a ftream j And the neat looking dairy-msid fees ihe muft thaw flakes o f ice beholds on the cream« There the fweet country maiden as frefli as a rofe f {he carcltily flips and thenilides ; T t r h the ruftiq laughs loud, if by falling fee fcow3g all the charms which her modefty hides. When the lads and ik* laffes in company join, and fet round the e bers, they chat * Talk of Witches and F ries, that ride on the wind f and of Ghofts tiU they're all in a fwcau �• < 1 C 5 Whem the birds to the barn door come hearing for and they eameflly drop from theirfpray; (food, Then i he poor f righted hare in vain walks the wood, leit her foot^eps her CQD.rie'fhou'd betray* Heaven grant in tl>at feafon it may be my lot, with the maid whom I love and admire, While ice-fickles hing from the eves of my cot, . may we live therein fafely retir'd. In peace and in pieafure, and free from all care, may we live and each other admire And thus in due feafon when fjchiefs foils out, then £ach of each other .may take care. H a s (He not DOLE enough that has an A U L D MAS!, LL young damfels both handfome and pretty, Come draw near unto me,-fitdo#ri and fing, A fong of mifcarriage, concerning my marriage, And by daily dolour my hands 1 da wring. My age is fcarce twenty as plain doth appear, I married an old man of (eventy-three year, And by my mifguiding you may very well ken, What mould a young ttom-ando with an auld man! f He's fnuffing & freezing he's banning & fwearHc'S hard o* the hewing, he canna well fee*, (ing, l i e fumbles and grumbVcs3 and over he tumlJb, And what is his'fnoring, alas I unto mju? His pate it is bald, his beard it is thin, Rough is his hair, and hard is his fida : Bis breath it is ftrong, his face pate and wan, And that's the hail properties of an auld man. �t 7 I When be down Herb, he groaneth, he cneih, A s a n c -were a dying in dolour and pain ; In ilea d of love-kiiles he itches arid fejatcjVes, _ Hirnfdf he outftref^eth with groaning again, But when he Kes down at ten q9 the dock, Turns fir (I to the wall, and then to the (lock ; I then wipe the tears, now as they down rum, And fay Wo to the dayt ere I faw an auld man ! Young giglet hz ca's me, & fays he will lame me, Young gimlet he names me, & fometi-rnes a yfvore, But haud (bytongue auld.man, & fay nae mair fuch, Fain would I fay cuckold but I think as much. But I will lay by my mafic And my fan, Ancf bid wo to the day ere I (jtw an auld man! Otherwife for to crop-.Vim I will do the bed, And with his old feathers I'll build a new neft. THE K I N G ANB THE MILLER, ¥ o W, hippy a Oat'*'-: does1 the miller j^oflefs, T 1 W h o wou'd be no^reatrr, nor fears to He left. O n his mill and himf^if h * depends for fupport, Which is better tfen Jervilly cringing at court, Wh at tho* be all dufly and whit'ned do p s The more hc's bept>wd£%• M the-more Like a bean4 A clown in Ms drefa may be h'on'efler far, Than a courtier who ftiuts in his garter and ftar. Tho* his hands are fo daub'd, they're not fit C5 be The hands of his betters are not very clean ; {feen, A palm more polite may as dirtily deal, Gold ia handling wrli ftick to his fingers Like-meal. �C 1 ] What i f when a pudding for dinner he Jacks, H e Cribs without fcruple from other men's facks : In this ©f right noble example he brags, W h o borrow as freely from other mens' bags. Or (hould be endeavour to heap an eftate, In this too he ffiimicks the tools of the ftate, W h o f e aim is alone their coffers to fill, And all his concern's to bring grift to his mill. He eats when he's hungry, and drinks when heV And down when he's weary contented does ly, (dry, Then rifes up cheerful to work and to fing: If fo happy a Miller, then wh®'d be a King ! A SMILING FULL BOWL. ill you credit a Mifer, 'tis gold makes us wife r The blifs of his life, the joy of his eyes t And a(k a fond lover, where wifdom he places, , ^ o be fure in his miftrefs}her charms & her gracea* But let the free lad fpeak the joy of his foul, f f i s a fparkling Glafs, and a fmiling full Bowl. W The Mifer is wretched, unhappy and poor i B e fuffers great want in the midft of his (tore : T h e lover's difconfolate, mopilh, and fad, Forthat which when gain'd will foon make him mad, T h e Mifer's a Fool, and the Lover's an Afs> And he only's Wife, who adores the full Glafs. Let the Mifer then hug up his ill gotten Pelf, And to feed empty bags,he may ftarve his ownfelf^ Let the Lover ftill langutfh 'twixt hope & defpair, And doat on a face as inconftant as fair : But ftill may his^blifs be as great as his foul, W h o pays no devoir but to Wine and the Bowl. Printed by ]* & M. Robcrtfon, Saltrntrket, i S o a . � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Woodcut 072: Title-page illustration in a single ruled rectangular border of a woman in conversation with a man standing in front of building. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Buxom Dame of Reading; or, the Cuckold's Cap. To which is added, A Summer Piece. A Winter Piece. Has the not Dole enough has an Auld Man. The King and the Miller. A Smiling Full Bowl. Date A point or period of time associated with an event in the lifecycle of the resource 1802 Identifier An unambiguous reference to the resource within a given context <a href="https://ocul-gue.primo.exlibrisgroup.com/permalink/01OCUL_GUE/mrqn4e/alma9923277663505154">s0314b19</a> Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. The Cuckold's Cap. A Summer Piece. A Winter Piece. Has the not Dole enough has an Auld Man. The King and the Miller. A Smiling Full Bowl. Extent The size or duration of the resource. 8 pages 15 cm Description An account of the resource Woodcut #<span>72: Illustration on title-page a woman in conversation with a man in front of building.</span> Contributor An entity responsible for making contributions to the resource Archival and Special Collections, University of Guelph Library, Guelph, Ontario, Canada Is Referenced By A related resource that references, cites, or otherwise points to the described resource. <a title="University of Glasgow Union Catalogue of Scottish Chapbooks" href="http://special.lib.gla.ac.uk/chapbooks/search/">University of Glasgow Union Catalogue of Scottish Chapbooks&nbsp;</a> Rights Information about rights held in and over the resource In the public domain; For high quality reproductions, contact Archival & Special Collections, University of Guelph. libaspc@uoguelph.ca, 519-824-4120, Ext. 53413 Format The file format, physical medium, or dimensions of the resource JPEGs and PDF derived from master file, which was scanned from the original book in 24-bit color at 600 dpi in TIFF format using an Epson Expression 10000XL scanner. Publisher An entity responsible for making the resource available Glasgow: J. & M. Robertson Type The nature or genre of the resource ballads & songs Subject The topic of the resource Chapbooks - Scotland - Glasgow Courtship and Marriage Source A related resource from which the described resource is derived Archival & Special Collections, University of Guelph Library, Guelph, Ontario # of Woodcuts: 1 Archictecture: window(s) Bib Context: title-page Chapbook Date: 1801-1810 Chapbook Genre: ballads & songs Chapbook Publisher - Glasgow: J. & M. Robertson Gender: man/men Gender: woman/women Nature: tree(s) Outdoor Scene https://scottishchapbooks.lib.uoguelph.ca/files/original/40f3c56fa61a7065c44740f7e31d1229.pdf 6825f4742d53caea01469f0e805cbc39 PDF Text Text T H E O L D SCOTS B A L L A D OF ANDREW LAMMIE, OR, Mill of Tifty's Annie. O mother dear make me my bed, And lay my face to Fyvie, Thus will I lie, and thus will die, For my dear Andrew Lammie. FALKIRK: PRINTED FOR THE B O O K S E L L E R S . �ANDREW LAMMIE. AT Mill of Tifty lived a man, In the neighbourhood of Fyvie, He had a lovely daughter fair, Was called bonny Annie. Her bloom was like the springing flower. That hails the rosy morning, With innocence and graceful mien, Her beauteous form adorning. Lord Fyvie had a trumpeter, Whose name was Andrew Lammie, He had the art to gain the heart O f Mill of Tiftie's Annie. Proper he was both young and gay, His like was not in Fyvie, Nor was ane there that could compare, With this same Andrew Lammie. Lord Where lived Tiftie's Annie, His trumpeter rode him before, Even this same Andrew Lammie. Her mother called her to the door, Comehereto me my Annie, Did e'er you see a prettier man Then the trumpeter of Fyvie. �Nothing she said, but sighing sore, Alas ! for bonnie Annie : She durst not own her heart was won By the trumpeter of Fyvie. At night when all went to their bed, All slept full soon but Annie, Love so oppressed her tender breast, . And love will waste her body. Love comes in at my bed side, And love lies down beyond me, Love so oppressed my tender breast, And love will waste my body. The first time me and my love met, Was in the woods o f Fyvie, His l o v e l y form, and speech so soft, Soon gained the heart of Annie. He called me mistress, I said no, ' I'm Tiftie's bonny Annie; With apples sweet he did me treat, And kisses soft and many. It's up and down in Tiftie's den, Where the burn runs clear and bonny, I've often gane to meet my love, My bonny Andrew Lammie. But now, alas ! her father heard, That the trumpeter of Fyvie, Had had the art to gain the heart Of Mill of Tifties Annie. m* �4 Her father soon a letter wrote, And sent it on to Fyvie, To tell his daughter was bewitched By his servant, Andrew Lammie. Then up the stair his trumpeter, He called soon and shortly, Pray tell me soon what's this you've done, To Tiftie's bonny Annie. Woe be to Mill of Tiftie's pride, For it has ruined many, They'll not have't said that she should wed The trumpeter of Fyvie. In wicked art I had no part, Nor therein am I canny, True love alone the heart has won Of Tiftie's bonny Annie. Where will I find a boy so kind, That will carry a letter canny, Who will run to Tiftie's town, Give it to my love Annie. Tifty he has daughters three, Who all are wonderous bonnie, But ye'll ken her o'er a' the rest, Give that to bonny Annie. It's up and down it Tiftie's den, Where the burn runs clear and bonnie, There wilt thou come and I'll attend, My love I long to see thee. �5 Thou may'st come to the Brig of Shigh, And there I'll come and meet thee, It's there we will renew our love, Before I g o and leave you. My love, I go to Edinburgh town, And for a while must leave thee; She sighed sore, and said no more, But I wish that I were with you. I'll buy to thee a bridal gown, M y love I'll buy it bonny, But I'll be dead ere ye.come back, To see your bonny Annie. If ye'll be true and constant too, A s I am Andrew Lammie, I shall ye we wed when I come back T o see the lands of Fyvie. I will be true and constant too, T o thee my Andrew Lammie ; But my bridal bed or then'll be made, In the green church-yard of Fyvie. The time is gone and now comes on, M y dear, that I m u s t leave thee, If longer here I should appear, Mill of Tifty he would see me. I now for ever bid adieu T o thee, m y Andrew Lammie, Or ye come back I will be laid in the green church-yard of Fyvie. �6 He hied him to the head of the house, To the house top of Fyvie, He blew his trumpet loud and shrill, It was heard at Mill of Tifty. Her father locked the door at night, Laid by the keys fu' canny, And when he heard the trumpet sound, Said, your cow is lowing, Annie. My father dear, I pray forbear, And reproach not your Annie ; I'd rather hear that cow to low, Than all the kye in Fyvie. I would not for my braw new gown, And all your gifts so many, That it was told in Fyvie land, How cruel ye are to Annie. But if ye strike me I will cry, And gentlemen will hear me, Lord Fyvie will be riding by, And he'll come in and see me. At the same time the lord came in, He said, what ails thee, Annie ? It's all for love now I must die, For bonny Andrew Lammie. Pray Mill of Tifty give consent, And let your daughter marry ; It will be with some higher match, Than the trumpeter of Fyvie. �If she were come of as high a kind, As she's advanced in beauty, I would take her unto myself, And make her my own lady. Fyvie lands are far and wide, Aud they are wonderoas bonny, But I would not leave my own true love, For all the lands in Fyvie. Her father struck her wonderous sore, As also did her mother ; Her sisters also did her scorn, But woe be to her brother. Her brother struck her wonderous sore, With cruel strokes and many, He broke her back in the hall door, For liking Andrew Lammie. Alas ! my father and mother dear, Why so cruel to your Annie; My heart was broken first by love, My brother has broke my body. O mother dear make me my bed, And lay my face to Fyvie, Thus will I lie, and thus will die, For my dear Andrew Lammie. Ye neighbours hear baith far and near. And pity Tifty's Annie, Who dies for love of one poor lad, For bonny Andrew Lammie. �8 No kind of vice e'er stained my life, Or hurt my virgin honour ; My youthful heart was won by love, But death will me exoner. Her mother then she made her bed, And laid her face to Fyvie, Her tender heart it soon did break, And never saw Andrew Lammie. Lord Fyvie he did wring his hands, Said, alas! for Tifty's Annie ; The fairest flower cut down by love, That ever sprang in Fyvie. Woe be to Mill of Fifty's pride, He might have let them marry, I should have given them both to live, Into the lands of Fyvie. Her father sorely now laments, The loss of his dear Annie, And wishes he had given consent, To wed with Andrew Lammie. Whan Andrew home from Edinburgh came, With muckle grief and sorrow ; My love is dead for me to-day, I'll die for her to-morrow, Now I will run to Tifty's den, Where the burn runs clear and bonny, With tears I'll view the Brig of Shigh, Where I parted with my Annie. � https://scottishchapbooks.lib.uoguelph.ca/files/original/eb234cf58299ea3a17271cfed6aebd63.jpg 186f6931e74c2ad15e11b78f3c4d5cde Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 3258 Width 1836 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Illustration on title- page a woman in conversation with a man in front of building. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Woodcut 072: Title-page illustration in a single ruled rectangular border of a woman in conversation with a man standing in front of building. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Old Scots Ballad of Andrew Lammie, or, Mill of Tifty's Annie. O mother dear make me my bed, and Lay my face to Fyvie, Thus will I lie, and thus will I die, For my dear Andrew Lammie. Identifier An unambiguous reference to the resource within a given context <a href="https://ocul-gue.primo.exlibrisgroup.com/permalink/01OCUL_GUE/mrqn4e/alma9953134473505154">s0100b01</a> Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Mill of Tifty's Annie. O Mother dear make me my bed and lay my face to Fyvie Thus will I lie, and thus will I die, for my dear Andrew Lammie Date A point or period of time associated with an event in the lifecycle of the resource [1830-1840?] per University of Glasgow Union Catalogue of Scottish Chapbooks Extent The size or duration of the resource. 8 pages Is Part Of A related resource in which the described resource is physically or logically included. Chapbook #54 in a bound collection of 77 chapbooks Subject The topic of the resource Chapbooks - Scotland - Falkirk Contributor An entity responsible for making contributions to the resource Archival and Special Collections, University of Guelph Library, Guelph, Ontario, Canada Is Referenced By A related resource that references, cites, or otherwise points to the described resource. University of Glasgow Union Catalogue of Scottish Chapbooks <a title="http://special.lib.gla.ac.uk/chapbooks/search/" href="http://special.lib.gla.ac.uk/chapbooks/search/" target="_blank" rel="noopener">http://special.lib.gla.ac.uk/chapbooks/search/</a> Rights Information about rights held in and over the resource In the public domain; For high quality reproductions, contact Archival & Special Collections, University of Guelph. libaspc@uoguelph.ca, 519-824-4120, Ext. 53413 Format The file format, physical medium, or dimensions of the resource JPEGs and PDF derived from master file, which was scanned from the original book in 24-bit color at 600 dpi in TIFF format using an Epson Expression 10000XL scanner. Publisher An entity responsible for making the resource available Falkirk: Printed for the Booksellers Source A related resource from which the described resource is derived Archival & Special Collections, University of Guelph Library, Guelph, Ontario Description An account of the resource Woodcut #72: Illustration on title- page a woman in conversation with a man in front of building. Type The nature or genre of the resource ballads & songs Archictecture: window(s) Bib Context: title-page Chapbook Date: 1831-1840 Chapbook Genre: ballads & songs Chapbook Publisher - Falkirk: Printed for the Booksellers Nature: tree(s) Gender: man/men Outdoor Scene https://scottishchapbooks.lib.uoguelph.ca/files/original/4af0b303559e123fff66455662c59341.pdf 3acce62d6529946eadd20c35cdc30747 https://scottishchapbooks.lib.uoguelph.ca/files/original/e9afeb0ebfe902355570771bc094214c.jpg 3071b5926900eaaaf1490507cb7a342b Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 3359 Width 1891 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Woodcut 072: Title-page illustration in a single ruled rectangular border of a woman in conversation with a man standing in front of building. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The farmer's son. Or, The unfortunate lovers. To which are added, The captain of love. My mother did so before me. Just the thing. The wild rover. Date A point or period of time associated with an event in the lifecycle of the resource 1803 Language A language of the resource English Identifier An unambiguous reference to the resource within a given context <a href="https://ocul-gue.primo.exlibrisgroup.com/permalink/01OCUL_GUE/mrqn4e/alma9923312863505154">s0438b21</a> Description An account of the resource Woodcut #72: Illustration on title- page a woman in conversation with a man in front of building. Contributor An entity responsible for making contributions to the resource Archival and Special Collections, University of Guelph Library, Guelph, Ontario, Canada Rights Information about rights held in and over the resource In the public domain; For high quality reproductions, contact Archival & Special Collections, University of Guelph. libaspc@uoguelph.ca, 519-824-4120, Ext. 53413 Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. The unfortunate lovers The captain of love My Mother did so before me Just the thing The wild rover Format The file format, physical medium, or dimensions of the resource JPEGs and PDF derived from master file, which was scanned from the original book in 24-bit color at 600 dpi in TIFF format using an Epson Expression 10000XL scanner. Extent The size or duration of the resource. 8 pages 16 cm Publisher An entity responsible for making the resource available Glasgow: J. & M. Robertson Type The nature or genre of the resource ballads & songs Subject The topic of the resource Chapbooks - Scotland - Glasgow Courtship and Marriage Source A related resource from which the described resource is derived Archival & Special Collections, University of Guelph Library, Guelph, Ontario Archictecture: window(s) Bib Context: title-page Chapbook Date: 1801-1810 Chapbook Genre: ballads & songs Chapbook Publisher - Glasgow: J. & M. Robertson Gender: man/men Gender: woman/women Nature: tree(s) Outdoor Scene