1
10
8
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https://scottishchapbooks.lib.uoguelph.ca/files/original/83903cea1fd110f68fc5a3be57875b08.jpg
29ed4ddf89eedde47df0e246bb6f0581
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Woodcut on title-page portraying a soldier wearing a helmet with feathers and cloak with ace turned to left
https://scottishchapbooks.lib.uoguelph.ca/files/original/d109ba6b9a91e7ec5795ade1514de657.pdf
7378d3154a122f449a1a9c53dea237f4
PDF Text
Text
CAPTAIN
W E D D E R B U
UN'S
COURTSHIP.
TO WHICH IS ADDED,
H E Y JOHNNIE COUP.
GLASGOW:
PRINTED FOR THE BOOKSEI.LEKS,
21
�• M
I A
H
A
D
CAPTAIN WEDDERBURN'S COURTSHIP,
' - " • i ^ ^ v %»* ; *< f t
The Lo*4 of Roslrn^ daughter, ^
Walk'd thro* the WooSs lier lane,'
And bye came Captain Wedderburn,
A servant to the lting :
He said unto his servant man,
Were it not against the law,
^ £ j
* I would take her to my own beef,
And lay her next the wa\
I'm walking here albn^she says,
Amang my father's tfees ;
And you may let, m*0 :wklk«alone,
Kind Sir, now if you please ;
The supper-bell it will be furig,
And I'll be miss'd, you.know ;
So I will not lie in you-r bed,.
Neither at stock: nomwaf:
He says, My pretty lady,
I pray lend me jopr'h^nd ;
And you'll have drums and trumpets,
Always at your* command ;
And fifty men to guard you,
Who weirtTieir swords can "draw :
And we'll both lie in ae bed,
And thou'll be next- the wa\
0 hold away from me, kind Sir,
I pray let go my tend ;
'
�The supper-bell it will be rung,
No longer must I stand ;
My father he'll no supper take,
If I be miss'd j o u know :
So I'll not lie in your bed,
Neither at stock nor wa\
Then says the pretty lady,
I pray tell me your name ;
My name is Captain Wedderburn,
A servant to the king:
Tho' thy father and his men were here,
Of them Pd have no awe*
But would take thee into my bed,
And lay thee next the wa\
He lighted off his milk-white steed,
And set this lady ori, .
And held her by the milk-white hand,
Even as they rode along ;
He held her by the middle jimp,
For fear that she should fa',
And said, 111 take thee to my bed,
And lay thee next the wa\
He took her to his lodging-house,
His landlady looked ben,
Says, Many ladies in Edinburgh I've seen,
But never such a one.
For such a pretty face as this,
In it I never saw;
�i
Go make lier up a down bed,
And lay her next the wa\
0 hold away from me, kind Sir,
1 pray you let me be ;
For I will not go to your bed,
Till you dress me dishes three ;
Dishes three you must dress to me,
And I must have them a',
Before that I lie in your bed,
Either at stock or wa\
O I must have to my supper
A cherry without a stone,
And I must have to my supper
A chicken without a bone ;
And I must have to my supper
A bird without a ga\
Before I lie into your bed
Either at stock or wa\
When the cherry is in the bloom,
I'm sure it hath no stone,
And when the chicken is in its shell,
I'm sure it hath no bone ;
The dove it is a gentle bird,
It flies without a ga\
And we shall both lie in ae bed,
And thou's lie next the wa\.
Hold away from me, kind Sir,
I pray you give me o'er,
�$
For I will not go to your bed,
Till you answer me questions four ;
Questions four you must tell me,
And that is twa and twa ;
Or I will not lie in your bed,
Neither at stock nor wa'.
• v Oil r •> •
•;' '
;i j I«7
You must get me some winter fruit,
That in December grew ;
And I must have a silken mantle,
That waft was ne'er ca'd through ;
What bird sings first ? what wood budsfirst?
What dew does 011 them fa' ?
And then I'll lie in your bed,
Either at stock or wa\
My father has winter fruit,
That in December grew ;
My mother has a silken mantle,
That waft was ne'er ca'd through ;
The cock crows, ciders buds first,
The dew does on them fa' :
80 we shall both lie in ae bed,
And thou's lie next the wa\
Hold away from me, kind sir,
And do not me perplex ;
For I'll not lie in your bed,
Till you answer questions six ;
Questions six you must answer me,
And that is four and twa,
�6
Before I lie in your
Either at stock or wa'.
Iktf tanm noy Tjjot sfroitein^
What is greener than the grass ?
What is higher than the-trees!
And what is worse than woman's voice ?
What's deeper than the seas ?
A sparrow's horn, a priest unborn,
This night to join us twa •
Before I lie in yoitr bed,
Either at stock or Wa'.,
Death is greener, than the gras.if;
Skies higher than the trees.;
The devil's worse than woman's voice,
Hell's deeper than the seas ;
A sparrow's horn you may well get,
There's one on every pa,
And two upon the:gab of it,
And you shall have them a'.
;<i8uondiVaono'en
AmterfT'
The priest he's standing1 at the gate,
Just ready to come in,
No man can say that he'was bofcn
No man without a sin.
A hole cut in his mother's side,
He from the same did fa';
So we shall lie in ae bed,
And thou's lie next the wa'.
0 little did this ladj^ .think,t
That morning when she
......
�&J
That it was to be the very last,
Of all her maiden days.
But there's not in the kiiig's realVn,To be found blyther twa l
And now they lie into ae bed, ™ i m o{>
And she lies next the wa\
, >3lI{J>Ji9#l III 6r10U n 0*8(1 ol
.^nitriorn aito x \ WS jih ol
BJ
,-)•>/
» nnnoL ^oH
OrmnaZWArdK \
.y/iiirioifi .*ii'h.!J»«j J !hI iliw-j*
Coup sent a challenge frae Duiaknv
Charlie meet me an ye dare,
And I'll learn you.Ghe art of war,
If you '11 .meet wi' me in >h 2 morning, i
i<
,HJ}\ I nil! ridrt bflootiioo Iiofo ortT
Hey Johnnie Coup1 are ye* waktng Vet',
Or are your drums a-Weatirig yet,
If you were waking I would wait,
To gang to thb hills V the morning. 5
tWSiSb tun too? o sw9M efli tw ecaoo of
• ')]•' ai iV K 'HJ07
/M
'
bt./
When Charlie look'd the letter upon,
. c:
He drew his sword the scabbed, fecte
Come follow me my merry, merry men,
And we'll mee$ Johnnie Ck>jup i' ttemorniiig.
Hey
Artenr^ab liecft xfoiW
\ (xi ^'.-.riil liob ,au3£is msiiJ eosl X W
Now Johnnie be z V g m ^ f i & ^ M , 1 0 8
Come let us try baitfi > m i &
�3
And diima rin away like a frighted bird,
That's chas'd frae its nest in the morning.
Hey Johnnie Coup, (fee.
When Johnnie Coup lie heard of this,
He thought it wadna be amiss,
To bae a horse in readiness,
To flio awa' i' the morning.
Hey Johnnie Coup, &e.
Fy now Johnnie get up and rin,
The Highland bagpipes makes a din,
It's best to sleep in a hale skin,
For 'twill be a bluddie morning,
Hey Johnnie Coup, &c.
.•'/;,;[> ;>in; a:
o
When Johnnie Coup to Dunbar came,
They speir'd at him where's a' your men ;
The deil confound me gin I ken,
For I left them a' in the morning.
Hey Johnnie Coup, &t\
Now Johnnie, troth, ye wasna blate,
To come wi' the news o' your ain defeat,
And leave your men in sic a strait,
So early in the morn itig.
Hey Johnnie Coup, &c,
• • > •; • > r
/ /* ; u
•'v
...
Ah, faith, quo* Johnnie, I got a fleg,
With their claymores and philabegs,
If I face them again, deil break my legs,
80 I wish you a good morning.
Hey Johnnie Coup, &c.
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Woodcut 032: Title-page illustration of a soldier with his face turned to the left in an outdoor scene. He is wearing a feathered helmet and cloak.
Document
A resource containing textual data. Note that facsimiles or images of texts are still of the genre text.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Captain Wedderburn's courtship. To which is added, Hey Johnnie coup.
Alternative Title
An alternative name for the resource. The distinction between titles and alternative titles is application-specific.
Hey Johnnie coup
Extent
The size or duration of the resource.
8 pages
16 cm
Identifier
An unambiguous reference to the resource within a given context
<a href="https://ocul-gue.primo.exlibrisgroup.com/permalink/01OCUL_GUE/mrqn4e/alma9923281033505154">s0514b40</a>
Description
An account of the resource
21 printed at foot of title page
Contributor
An entity responsible for making contributions to the resource
Archival and Special Collections, University of Guelph Library, Guelph, Ontario, Canada
Rights
Information about rights held in and over the resource
In the public domain; For high quality reproductions, contact Archival & Special Collections, University of Guelph. libaspc@uoguelph.ca, 519-824-4120, Ext. 53413
Date
A point or period of time associated with an event in the lifecycle of the resource
1840-1850 per National Library of Scotland
Format
The file format, physical medium, or dimensions of the resource
JPEGs and PDF derived from master file, which was scanned from the original book in 24-bit color at 600 dpi in TIFF format using an Epson Expression 10000XL scanner.
Publisher
An entity responsible for making the resource available
Glasgow: Printed for the Booksellers
Source
A related resource from which the described resource is derived
Archival & Special Collections, University of Guelph Library, Guelph, Ontario
Type
The nature or genre of the resource
ballads & songs
Subject
The topic of the resource
Courtship and Marriage
Chapbooks - Scotland - Glasgow
# of Woodcuts: 1
Bib Context: title-page
Chapbook Date: 1841-1850
Chapbook Genre: ballads & songs
Chapbook Publisher - Glasgow: Printed for the Booksellers
Fashion (Clothing): military
Gender: man/men
Weapons: sword(s)
-
https://scottishchapbooks.lib.uoguelph.ca/files/original/e33f18ca29803ec9ae2d1c233be0fa77.jpg
e816c332cf9b1cad97929bb9def497c6
https://scottishchapbooks.lib.uoguelph.ca/files/original/a793fb526e3b17708df7c5dcbf3ebdaf.pdf
60acd917e9d72a4d4b28d848ab791c74
PDF Text
Text
THE
Bill OF GORDON'S THREE DAUGHTERS
TO WHICH AttE ADDED,
THE B R E W E R LADDIE;
AND
THE HERO MAY PERISH.
GLASGOW:
FEINTED FOR THE BOOKSELLER*
18.
�inmriin m u m n o w
SONGS.
j jy | (|
;
;
t
,r
g /s
T H E D U K E OF G O R D O N ' S
3 ,, ,v
DAUGHTERS.
The Duke of Gordon had three daughters,
Elizabeth, Margaret, and Jean ;
They would not -stay in bonny Castle Gordon,
But they went away to bonny Aberdeen.
They had not been in bonny Aberdeen,
A twelvemonth and a day,
Till Jean fell in, lore with Captain Ogilvie,
And away with him went she.
Word came to the Dul^e of Gordon,
In the chamber where he lay,
How lady Jean fell in love with a Captain,
And from him she would not stay.
Go saddle me the black horse, he cried,
M y servant shall ride on the grey,
And 1 11 go to bonny Aberdeen,
Fortwith to bring her away.
They were not a mile from Aberdeen,
A mile but only one,
Till he met with his two daughters,
But away was lady Jean.
0 where is your sister, maidens?
Where is your sister, now ;
0 where is your sister, maidens,
That she's not walking with you ?
�3
0 pardon us honoured father!
O pardon they did say :
Lady Jean is with Captain Ogilvie,
And from him she will not stay.
When he came to bonny Aberdeen,
And down upon the green,
There she did see Captain Ogilvie,
A training of his men,
O woe he to thee Captain Ogilvie !
An ill death thou shalt die,
For taking to thee my daughter,
High hanged shalt thou be.
The Duke of Gordon wrote a broad letter,
And sent it to the king,
T o cause him hang brave Captain Ogilvie,
If ere he caused hang any man.
N o I will not hang Captain Ogilvie,
For any offence that I see,
But 111 cause him to put off the scarlet,
And put on the single livery.
Now word came to Captain Ogilvie,
In the chamber where he lay,
To strip off the gold and scarlet,
And put on the single livery.
If this be for bonny Jeannie Gordon,
This penance I'll take wi',
If this be for bonny Jeannie Gordon,
All this and more I'll dree.
�Lady Jean had not been married,
A year but only three,
Till she bad a babe in every arm,
And another on her knee.
0 but I ' m weary wandering!
0 but my fortune is bad,
It sets not the Duke of Gordon's daughter,
T o follow a soldier lad.
O hold your tongue, bonny Jean Gordon,
O hold your tongue my lamb,
For once I was a noble captain,
Now for thy sake a single man.
O high was the hills and the mountains,
Cold was the frost and s n o w ;
Lady Jean's shoes were all torn.
N o farther could she go.
0 if I was in the glens of Foudlen,
Where hunting I have been,
1 could go to bonny castle Gordon,
Without either stockings or sheen.
>
0 hold your tongue bonny Jean Gordon,
0 hold your tongue m y dow ;
I've but one half-crown in the world,
I'll buy hose and shoon to you.
W h e n she came to bonny castle Gordon,
And coming over the green,
The Porter cried out, with a loud voice.
Yonder
*es our'lady Jean.
�5
Yon are welcome bonny Jeannie Gordon,
Y o u are dearly welcome to me ;
Y o u are welcome, dear Jeanie Gordon,
But away with your Ogilvie.
Now over the seas went the Captain,
As a soldier under command ;
But a messenger soon followed after,
W h i c h caused a countermand.
Come home now, pretty Captain Ogilvie;
T o enjoy your brother's land ;
Come home now, pretty Captain Ogilvie,
You're the heir of Northumberland.
O what does this mean? says the Captain,
Where's my brother's land :
Come home now, pretty Captain Ogilvie,
You're the heir of Northumberland.
0 what does this mean ? says the .Captain,
Where's my brother's children three ?
0 they are all dead and buried,
The lands are all ready for thee.
Then hoist up your sails brave Captain,
And let's be jovial and free ;
m go home and have my estate,
And then my dear Jeannie I'll see.
He soon came to bonny castle Gordon.,
And then at the gate stood he ;
The Porter cried out with a loud shout,
Here comes Captain Ogilvie!
�6
You're welcome pretty Captain Ogilvie,
Your fortune's advanced I hear,
N o stranger can come to m y gates,
That I do love so dear.
Sir, the last time I was at your gate
Y o u would not let me in ;
I am come for m y wife and children,
N o friendship else I claim.
Then she came tripping clown the stair,
W i t h the saut tear in her ee,
One babe she had at every foot,
Another upon her knee.
You're welcome, bonny Jean Gordon,
You're dearly welcome to me,
You're welcome, bonny Jean Gordon,
Countess of Northumberland to be.
Now the Captain came off with his lady,
A n d his sweet babies three,
Saying, I ' m as good blood by descent,
Though the great Duke of Gordon yon be.
THE
BREWER
LADDIE.
In Perth there lived a bonny lad,
A brewer to his trade 0 ,
A n d he has courted P e g g y R o y ,
A rum and handsome maid 0 .
Chorus—She's a rum one fal de reedle ay*do,
�He courted her for seven long years,
All for to gain her favour.
But there came a lad out of Edinburgh town,
And he swore that he would have her.
Wilt thou go along with me,
W i l t thou go my honey ?
And wilt thou go alongst with me,
A n d leave your own dear Johnnie ?
Yes, I'll go along with you,
And along with you I'll ride O,
Yes, I'll go along with you,
Altho' I'm the brewer's bride 0 ,
The brewer he came home at e'en,
Enquiring for his honey,
Her father he made this reply,
I never seen her since Monday.
Be it not or be it so,
Little it does grieve me,
I'm a young man free as you may see,
A n d a small thing will relieve me.
There is as good fish in the sea,
As ever yet was taken,
I'll cast my net once o'er again,
Altho' 1 am forsaken.
She's rambled up, she's rambled down,
She's rambled through Kirkaldy,
And many V the time she's rued the day
She forsaked her brewer laddie,
�8
She's rambled up, she's rambled down,
She's rambled through Perth town O,
And when she came to the brewer's door.
She was ashamed to gang in 0 !
He's drawn his course where e'er he's gane,
His country he has fled 0 !
He's not left a shift upon her back,
Nor a blanket on her bed 0 !
The brewer he set up in Perth,
A n d often brewed strong ale 0 !
And he has courted a bonny las*,
And ta'en her to his sell 0 !
Ye lovers all where'er ye be,
B y me now take a warning,
And never slight your airi true love,
For fear you get a vvaur ane.
THE HERO M A Y
PERISH.
The hero may perish, his country to save,
And he lives in the records of fame ;
The sage may the dungeons of tyranny brave—
Ever honour'd and blest be his n a m e !
But virtue that silently toils or expires,
No wreath for the brow to entwine:
That asks but a smile—but a fond sigh requires
0 woman! that virtua is thine.
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Woodcut 032: Title-page illustration of a soldier with his face turned to the left in an outdoor scene. He is wearing a feathered helmet and cloak.
Document
A resource containing textual data. Note that facsimiles or images of texts are still of the genre text.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
The Duke of Gordon's three daughters; to which are added, The Brewer Laddie; and The Hero May Perish.
Alternative Title
An alternative name for the resource. The distinction between titles and alternative titles is application-specific.
The Brewer Laddie
The Hero May Perish
Extent
The size or duration of the resource.
8 pages
16 cm
Identifier
An unambiguous reference to the resource within a given context
<a href="https://ocul-gue.primo.exlibrisgroup.com/permalink/01OCUL_GUE/mrqn4e/alma9923302203505154">s0459b39</a>
Description
An account of the resource
18 printed at foot of title page
Contributor
An entity responsible for making contributions to the resource
Archival and Special Collections, University of Guelph Library, Guelph, Ontario, Canada
Rights
Information about rights held in and over the resource
In the public domain; For high quality reproductions, contact Archival & Special Collections, University of Guelph. libaspc@uoguelph.ca, 519-824-4120, Ext. 53413
Date
A point or period of time associated with an event in the lifecycle of the resource
1840-1850 per National Library of Scotland
Format
The file format, physical medium, or dimensions of the resource
JPEGs and PDF derived from master file, which was scanned from the original book in 24-bit color at 600 dpi in TIFF format using an Epson Expression 10000XL scanner.
Publisher
An entity responsible for making the resource available
Glasgow: Printed for the Booksellers
Source
A related resource from which the described resource is derived
Archival & Special Collections, University of Guelph Library, Guelph, Ontario
Type
The nature or genre of the resource
ballads & songs
Subject
The topic of the resource
Courtship and Marriage
Bib Context: title-page
Chapbook Date: 1841-1850
Chapbook Genre: ballads & songs
Chapbook Publisher - Glasgow: Printed for the Booksellers
Fashion (Clothing): military
Gender: man/men
Outdoor Scene
Weapons: sword(s)
-
https://scottishchapbooks.lib.uoguelph.ca/files/original/6d2e047d7802ae8df0b0ff505ffb22f2.jpg
1c3689d7072a653128b19f28a5931712
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Woodcut on title-page portraying a soldier wearing a helmet with feathers and cloak with ace turned to left
https://scottishchapbooks.lib.uoguelph.ca/files/original/97fec4f3de0d3eeeceac8efcdf8cd130.pdf
3c5b42fda3c0654aa983fcaf3e0c1988
PDF Text
Text
THE
DRUNKEN EXCISEMAN
TO W H I C H IS ADDED,
YOUNG DONALD OF DUNDEE.
WHEN I WAS YOUNG.
LANGSYNE BESIDE THE WOODLAND BURN.
AND
ROBIN HOOD.
GLASGOW:
PRINTED FOR TIIE
m .
BOOKSELLERS.
�SONGS.
n
• >'. i
THE DRUNKEN EXCISEMAN.
1 KNOW that JQWg
lii^ to h^oo* a n$w song
Of something that's funny and not very long.
It is of an Exciseman the truth I will tell,
Who thought that one night he was going to hell.
Fal de lal, &c.
One night he went out to look for his prey;
He did meet with some smugglers, as I heard them
say,
In tasting the liquo?s they were going to sell,
The Exciseman got drunk, the truth I will tell.
He got so intoxicated he fell to the ground,
And like a fat sow was forced to lie down,
Just nigh to a coal pit fe. Exciseman did lie,
When four or five colliers b j chance did come by.
They shouldered him up and hois$(l him away,
Like a pedlar's pack, without any delay ;
Into the bucket they handled him down,
This jollj Exciseman they got under ground.
/ft
�3
The Exciseman awakened with terrible fear,
Upstarted a collier, says what brought yon hear,
Indeed Mr Devil, I don't very well know,
But I think I am come to the regions below.
Says the collier, what was you in the world above,
I was an Exciseman and few did me love;
Indeed Mr. Devil the truth I will tell,
Since I've got here, Til be what you will.
Since you're an Exciseman, here you must remain,
You will never get out of this dark cell again;
The gates they are fast, and bind you secure.
All this you must suffer fot robbing the poor.
Indeed Mr. Devil if you'll pity me,
No more will I rob the poor you shall see;
If you will look over, as you've done before,
I never will rob the poor any more.
Come give me your money, which now I demand
Before you can get to the christian land,
0 yes, Mr. Devil, the Exciseman did say,
1 wish to get back, for to see light of day.
DONALD OF DUNDEE.
Young Donald is tbe blithest lad
That e'er made love to me,
Whene'er he's by my heart is glad,
He seems so gay and free;
�Then on his pipe he plays so sweet,
And in his plaid he looks so neat,
It cheers my heart at eye to meet
Young Donald of Dundee.
Whene'er I gang to yonder grove,
Young Sandy follows me.
And fain he wants to be my love
But ah ! it canna be.
T W mither frets both ear and late,
For me to wed this youth I hate,
There's nane need hope to gain young Kate
But Donald of Dundee.
When last we ranged the banks of Tay
The ring he showed to me,
And bade me name the bridal day,
Then happy would he be.
I ken the youth will aye prove kind,
Nae mair my mither will I mind,
Mess John to me shall quickly bind
Young Donald of Dundee.
WHEN I WAS YOUNG.
When I was young and in my prime,
My mother selt good ale;
I let the young men kiss my mouth,
But guarded well my tail
�5
Till on a day came the young laird,
And he spoke wondrous crouse,
He'd make me lady of all his land,
Likewise my mother's house.
I answered him right sharply,
I said that will not do,
But give me fifty pounds in hand
And I'll be at bour bow.
The money then was telled down,
In silver and bright gold,
And I gave him my maidenhead,
And thought it was well sold.
The next he was a weaver lad,
Had plenty of yarn and cloth,
I got from him fifteen guineas
Besides a web of cloth.
I put a cod upon my wame,
In purpose to enrage him;
I got ten guineas then from him,
And he begged I would discharge him.
The next he was a bold merchant lad,
Who had good horse and packs,
He swore that he would marry me
Whenever he came back.
I got from him thirteen guineas,
Besides ribbons and rings,
And gave him my maidenhead,
Which he took in exchange.
�6
I put a pack on every haunch,
A cod upon my wame.
And went unto the market place
My merchant for to find.
When he saw me he held out his paw,
And said, How do you do,
But weel I kent he did repent
For shame blushed on his brow.
I said I came to speak with him,
If once the fair was done;
So that very night he took the flight,
And travelled with the moon.
The next was a bold butcher lad,
Came past in search of veal,
And he was wanting to comply,
The flank and wame to fill.
He rifled me and touzled me,
And made me to comply,
I got no more but a veals head,
And a gill when he came by.
I was tochered now with lint and woo,
A purse well worth the picking,
I fancied a taylor lad,
To whom I had a liking.
I sent for him, he came to me,
And then I told to him,
If he'd agree to marry me
I had a house to hold him.
�The last of seven maidenheads,
So freely then I gave him;
'Twas far better than the rest,
For weel I wat it pleased him.
ROBIN HQOD.
A famous man is Robin Hood,
The English ballad-singers' joy ;
But Scotland has a thief as good,
She has her bold outlaw Rob Roy \
A dauntless heart MKJregor shows,
And wond'rous length and strength of arm
He long has quelled his Highland foes,
And kept his Highland friends from harm.
A famous man, &c.
• •
' .
His daring mood p?tftects him still,
For 'tis the robber's simple plan,
That they should take who have thq will,
. nd they should keep who flan.
A
And while Rob Roy is free to rove,
In summer's heat, and winter's snow, - A
The eagle he is lord above,
And bold Rob Roy is lord below.
A famous man, &c.
�8
LANGSYNE BESIDE THE WOODLAND
BURN.
L a n g s y n e beside the woodland burn,
Amang the broom sae yellow,
I lean'd me 'neath the milkwhite thorn,
On nature's mossy pillow;
Around my seat the flow'rs were strew'd,
That frae the wildwood I had pu'd,
To weave mysel' a simmer snood,
To pleasure my dear fellow.
I twin'd the woodbine round the rose,
Its richer hues to mellow,
Green sprigs of fragrant birk I chose,
To busk the sedge sae yellow.
The craw-flow'r blue, and meadow-pink,
I wove in primrose braided link,
But little, little did I think,
I should have wove the willow.
My bonnie lad was forced afar,
Toss'd on the raging billow,
Perhaps he's fa'n in bloody war,
Or wrecked on rocky shallow;
Yet, aye I hope for his return,
As round our wonted haunts I mourn,
And aften by the woodland burn,
I pu' the weeping willow.
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Woodcut 032: Title-page illustration of a soldier with his face turned to the left in an outdoor scene. He is wearing a feathered helmet and cloak.
Document
A resource containing textual data. Note that facsimiles or images of texts are still of the genre text.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
The Drunken Exciseman; to which is added, Young Donald of Dundee. When I was Young. Langsyne beside the woodland burn. and Robin Hood.
Alternative Title
An alternative name for the resource. The distinction between titles and alternative titles is application-specific.
Young Donald of Dundee
When I was Young
Langsyne beside the woodland burn
Robin Hood
Extent
The size or duration of the resource.
8 pages
15 cm
Identifier
An unambiguous reference to the resource within a given context
<a href="https://ocul-gue.primo.exlibrisgroup.com/permalink/01OCUL_GUE/mrqn4e/alma9923302103505154">s0456b37</a>
Description
An account of the resource
65 printed at foot of title page
Contributor
An entity responsible for making contributions to the resource
Archival and Special Collections, University of Guelph Library, Guelph, Ontario, Canada
Rights
Information about rights held in and over the resource
In the public domain; For high quality reproductions, contact Archival & Special Collections, University of Guelph. libaspc@uoguelph.ca, 519-824-4120, Ext. 53413
Format
The file format, physical medium, or dimensions of the resource
JPEGs and PDF derived from master file, which was scanned from the original book in 24-bit color at 600 dpi in TIFF format using an Epson Expression 10000XL scanner.
Publisher
An entity responsible for making the resource available
Glasgow: Printed for the Booksellers
Source
A related resource from which the described resource is derived
Archival & Special Collections, University of Guelph Library, Guelph, Ontario
Type
The nature or genre of the resource
ballads & songs
Subject
The topic of the resource
Alcohol
Crime
Religion and Morals
Date
A point or period of time associated with an event in the lifecycle of the resource
[1840-`1850?]
# of Woodcuts: 1
Bib Context: title-page
Chapbook Date: 1841-1850
Chapbook Genre: ballads & songs
Chapbook Publisher - Glasgow: Printed for the Booksellers
Fashion (Clothing): military
Gender: man/men
Weapons: sword(s)
-
https://scottishchapbooks.lib.uoguelph.ca/files/original/d8b251a9aeae5d803d0c18a4f346c607.jpg
a39c60e00a0ba450e96e60986e90fdec
Omeka Image File
The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.
Bit Depth
8
Channels
3
Height
3544
Width
2060
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Woodcut on title-page portraying a soldier wearing a helmet with feathers and cloak with ace turned to left
https://scottishchapbooks.lib.uoguelph.ca/files/original/a1951f405d84d1507e53b42eab206d4c.pdf
ade3dc6fbbb3760f1b527e2cb06e4780
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Woodcut 032: Title-page illustration of a soldier with his face turned to the left in an outdoor scene. He is wearing a feathered helmet and cloak.
Document
A resource containing textual data. Note that facsimiles or images of texts are still of the genre text.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Spouter's Companion. Outalissi's Death Song How-d'ye-do and Goodbye Gertrude Von De Wart Billy Dip Tell's Speech The Country Schoolmaster Alonzo the Brave The Old Man, his Son, and Ass On the Downfall of Poland The Fate of Richmond the Spy Parody on Lord Ullin's Daughter Hohenlinden
Identifier
An unambiguous reference to the resource within a given context
<a href="https://ocul-gue.primo.exlibrisgroup.com/permalink/01OCUL_GUE/mrqn4e/alma9923421393505154">s0124b26</a>
Alternative Title
An alternative name for the resource. The distinction between titles and alternative titles is application-specific.
Outalissi's Death Song
How-d'ye-do and Goodbye
Gertrude Von De Wart
Billy Dip
Tell's Speech
The Country Schoolmaster
Alonzo the Brave
The Old Man, his Son, and Ass
On the Downfall of Poland
The Fate of Richmond the Spy
Parody on Lord Ullin's Daughter
Hohenlinden
Date
A point or period of time associated with an event in the lifecycle of the resource
1840-1850 per University of Glasgow Union Catalogue of Scottish Chapbooks
Extent
The size or duration of the resource.
24 pages
16 cm
Description
An account of the resource
105 printed at the bottom of the title-page.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Poland
Paisley, Scotland
Hohenlinden, Germany
Subject
The topic of the resource
Crime
War
Wit and Humor
Chapbooks - Scotland - Glasgow
Supernatural
Is Referenced By
A related resource that references, cites, or otherwise points to the described resource.
University of Glasgow Union Catalogue of Scottish Chapbooks <a title="University of Glasgow Union Catalogue of Scottish Chapbooks" href="http://special.lib.gla.ac.uk/chapbooks/search/" target="_blank" rel="noopener">http://special.lib.gla.ac.uk/chapbooks/search/</a>
Abstract
A summary of the resource.
A collection of ballads, recitations, and other items. Topics include: a death-song of a Native American chief; a playful song about saying hello and goodbye; a martyr’s lament who refuses to leave her husband’s side as he is tortured to death; a humorous song about an aging widow and a dyer; a celebration of liberty and landscape; a humorous song about a schoolmaster; a gothic tale of an unfaithful woman visited by the ghoulish apparition of her betrayed lover at her wedding; a moral tale encouraging young men not to pay mind to jeerers; a lament describing the fall of Poland; a declamation of crimes of the notorious spy, Richmond; the story of a weaver who loses his pack in the snow; and a description of the battle of Hohenlinden; the song of a drunkard before and after drinking; a description of the death of Marmion at Flodden; and a conversation between a father and son detailing the evils of drinking.
Type
The nature or genre of the resource
ballads & songs
Contributor
An entity responsible for making contributions to the resource
Archival and Special Collections, University of Guelph Library, Guelph, Ontario, Canada
Format
The file format, physical medium, or dimensions of the resource
JPEGs and PDF derived from master file, which was scanned from the original book in 24-bit color at 600 dpi in TIFF format using an Epson Expression 10000XL scanner.
Rights
Information about rights held in and over the resource
In the public domain; For higher quality reproductions, contact Archival & Special Collections, University of Guelph. libaspc@uoguelph.ca 519-824-4120, Ext. 53413
Publisher
An entity responsible for making the resource available
Glasgow: Printed for the Booksellers
Source
A related resource from which the described resource is derived
Archival & Special Collections, University of Guelph Library, Guelph, Ontario
# of Woodcuts: 1
Bib Context: title-page
Chapbook Date: 1841-1850
Chapbook Genre: ballads & songs
Chapbook Publisher - Glasgow: Printed for the Booksellers
Fashion (Clothing): military
Gender: man/men
Weapons: sword(s)
-
https://scottishchapbooks.lib.uoguelph.ca/files/original/dce4c92897363dc61c59ae264346bd54.pdf
27560582efd22bb0b5cfffdaf2807307
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e2169dc6950c64a6d363434b29b8718b
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Woodcut on title-page portraying a soldier wearing a helmet with feathers and cloak with ace turned to left
https://scottishchapbooks.lib.uoguelph.ca/files/original/5614df60ef2b4f0117d510caa1d8f4ae.jpg
f8ee5eaaa30b807f13c432adf7fed57f
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1fb1fe353e712446025ea679990dcee3
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afc6c170d269be04b3676a37a5bb1176
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3acd9875f580e74751a671932f8439c6
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b7c6aaba71c7569e4a2cb8c6849870ff
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fd7077bf37d5480db340df13d5ee4235
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Woodcut 032: Title-page illustration of a soldier with his face turned to the left in an outdoor scene. He is wearing a feathered helmet and cloak.
Document
A resource containing textual data. Note that facsimiles or images of texts are still of the genre text.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
The Hunting of Chevy-Chase, A bloody battle fought by Earls Douglas and Percy. Where above fourteen hundred Scotsmen, and near two thousand Englishmen, were slain in one day.
Identifier
An unambiguous reference to the resource within a given context
<a href="https://ocul-gue.primo.exlibrisgroup.com/permalink/01OCUL_GUE/mrqn4e/alma9923338033505154">s0094b31</a>
Description
An account of the resource
8 printed at bottom of page
Abstract
A summary of the resource.
A popular ballad describing the battle of Chevy-Chase which resulted from the Earl Percy deciding to hunt deer across the Scottish border, which the Earl of Douglas had expressly forbidden. Percy brings his English force with him, which is then attacked by Scottish forces, leading to extremely large casualties on both sides, including both Earls and many named knights.
Date
A point or period of time associated with an event in the lifecycle of the resource
[1840-1850?] ; per University of Glasgow Union Catalogue of Scottish Chapbooks
Extent
The size or duration of the resource.
8 pages
16 cm
Is Referenced By
A related resource that references, cites, or otherwise points to the described resource.
<a title="University of Glasgow Union Catalogue of Scottish Chapbooks" href="%20http%3A//special.lib.gla.ac.uk/chapbooks/search/">University of Glasgow Union Catalogue of Scottish Chapbooks</a>
Contributor
An entity responsible for making contributions to the resource
Archival and Special Collections, University of Guelph Library, Guelph, Ontario, Canada
Rights
Information about rights held in and over the resource
In the public domain; For high quality reproductions, contact Archival & Special Collections, University of Guelph. libaspc@uoguelph.ca, 519-824-4120, Ext. 53413
Subject
The topic of the resource
War
Chapbooks - Scotland - Glasgow
Otterburn, Battle of, Otterburn, England, 1388
Percy, Henry, Lord, 1364-1403
Format
The file format, physical medium, or dimensions of the resource
JPEGs and PDF derived from master file, which was scanned from the original book in 24-bit color at 600 dpi in TIFF format using an Epson Expression 10000XL scanner.
Publisher
An entity responsible for making the resource available
Glasgow: Printed for the Booksellers
Source
A related resource from which the described resource is derived
Archival & Special Collections, University of Guelph Library, Guelph, Ontario
Type
The nature or genre of the resource
ballads & songs
# of Woodcuts: 1
Bib Context: title-page
Chapbook Date: 1841-1850
Chapbook Genre: ballads & songs
Chapbook Publisher - Glasgow: Printed for the Booksellers
Fashion (Clothing): military
Gender: man/men
Weapons: sword(s)
-
https://scottishchapbooks.lib.uoguelph.ca/files/original/3f3d80030c235181af97f2701da0e3a1.pdf
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Woodcut on title-page portraying a soldier wearing a helmet with feathers and cloak with ace turned to left
https://scottishchapbooks.lib.uoguelph.ca/files/original/8ed94d9fb0dd5fa42c81d9edfbfe611d.jpg
82c9ac828992315fef6cf63b3e99dd96
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3eee5ff68ba97e8e4cbfe28b1f3b2ae7
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4be691eb5ed2b68258c056cb86881421
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4b45a10cfd61d485a6d25b209f0fc8a9
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Woodcut 032: Title-page illustration of a soldier with his face turned to the left in an outdoor scene. He is wearing a feathered helmet and cloak.
Document
A resource containing textual data. Note that facsimiles or images of texts are still of the genre text.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Two Favourite Songs. Sheriff-Muir. The Bonny Boatman.
Identifier
An unambiguous reference to the resource within a given context
<a href="https://ocul-gue.primo.exlibrisgroup.com/permalink/01OCUL_GUE/mrqn4e/alma9923436593505154">s0009b17</a>
Alternative Title
An alternative name for the resource. The distinction between titles and alternative titles is application-specific.
Sheriff-Muir
The Bonny Boatman
Abstract
A summary of the resource.
The first of the two songs is a Jacobite ballad on the battle of Sheriff-Muir, with a detailed description of the parts played by many individuals, including Rob Roy. The second song is of the singer’s longing for her sailor lover to return to her. They had married in secret when her parents had urged her to marry for wealth, not love, and now she waits for him to return from sea
Date
A point or period of time associated with an event in the lifecycle of the resource
1840-1850 per Scottish Chapbook Catalogue, University of Glasgow
Extent
The size or duration of the resource.
8 pages
16 cm
Description
An account of the resource
29 printed at the bottom of title-page
Subject
The topic of the resource
Jacobites
Courtship and Marriage
War
Chapbooks - Scotland - Glasgow
Is Referenced By
A related resource that references, cites, or otherwise points to the described resource.
<p>University of Glasgow Union Catalogue of Scottish Chapbooks</p>
<p><a href="http://special.lib.gla.ac.uk/chapbooks/search/">http://special.lib.gla.ac.uk/chapbooks/search/</a></p>
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Sheriffmuir, Scotland
Language
A language of the resource
English
Contributor
An entity responsible for making contributions to the resource
Archival and Special Collections, University of Guelph Library, Guelph, Ontario, Canada
Format
The file format, physical medium, or dimensions of the resource
JPEGs and PDF derived from master file, which was scanned from the original book in 24-bit color at 600 dpi in TIFF format using an Epson Expression 10000XL scanner.
Rights
Information about rights held in and over the resource
In the public domain; For higher quality reproductions, contact Archival & Special Collections, University of Guelph. libaspc@uoguelph.ca 519-824-4120, Ext. 53413
Publisher
An entity responsible for making the resource available
Glasgow: Printed for the Booksellers
Source
A related resource from which the described resource is derived
Archival & Special Collections, University of Guelph Library, Guelph, Ontario
Type
The nature or genre of the resource
ballads & songs
# of Woodcuts: 1
Bib Context: title-page
Chapbook Date: 1841-1850
Chapbook Genre: ballads & songs
Chapbook Publisher - Glasgow: Printed for the Booksellers
Fashion (Clothing): military
Gender: man/men
Weapon: sword(s)
-
https://scottishchapbooks.lib.uoguelph.ca/files/original/7606fcf75117e92fdd679cbe87b45d7f.pdf
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Woodcut on title-page portraying a soldier wearing a helmet with feathers and cloak with ace turned to left
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Woodcut 032: Title-page illustration of a soldier with his face turned to the left in an outdoor scene. He is wearing a feathered helmet and cloak.
Document
A resource containing textual data. Note that facsimiles or images of texts are still of the genre text.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Ali Baba: or the Forty Thieves, an interesting tale.
Identifier
An unambiguous reference to the resource within a given context
<a href="https://ocul-gue.primo.exlibrisgroup.com/permalink/01OCUL_GUE/mrqn4e/alma9923258323505154">s0024AFb05</a>
Description
An account of the resource
3 printed at the bottom of the title-page
Abstract
A summary of the resource.
This chapbook presents the traditional tale of Ali Baba and the Forty Thieves presented for popular entertainment. <br /><br /><span>In the story, Ali Baba is a poor woodcutter who discovers the secret of a thieves' den, entered with the phrase<span style="text-decoration: underline;"> "</span></span><span style="text-decoration: underline;"><a title="Open Sesame (phrase)" href="http://en.wikipedia.org/wiki/Open_Sesame_(phrase)">Open Sesame</a></span><span>". The thieves learn this, and try to kill Ali Baba. But Ali Baba's faithful slave-girl foils their plots; Ali Baba gives his son to her in marriage and keeps the secret of the treasure.( http://en.wikipedia.org/wiki/Ali_Baba)</span>
Subject
The topic of the resource
Chapbooks - Scotland - Glasgow
Alternative Title
An alternative name for the resource. The distinction between titles and alternative titles is application-specific.
One Thousand and One Nights
The forty thieves
Date
A point or period of time associated with an event in the lifecycle of the resource
c. 1850 per Scottish Chapbook Catalogue, University of Glasgow
Extent
The size or duration of the resource.
24 pages
15 cm
Is Referenced By
A related resource that references, cites, or otherwise points to the described resource.
Scottish Chapbook Catalogue, University of Glasgow
Contributor
An entity responsible for making contributions to the resource
Archival and Special Collections, University of Guelph Library, Guelph, Ontario, Canada
Format
The file format, physical medium, or dimensions of the resource
JPEGs and PDF derived from master file, which was scanned from the original book in 24-bit color at 600 dpi in TIFF format using an Epson Expression 10000XL scanner.
Rights
Information about rights held in and over the resource
In the public domain; For higher reproductions, contact Archival & Special Collections, University of Guelph. libaspc@uoguelph.ca 519-824-4120, Ext. 53413
Publisher
An entity responsible for making the resource available
Glasgow: Printed for the Booksellers
Source
A related resource from which the described resource is derived
Archival & Special Collections, University of Guelph Library, Guelph, Ontario
Type
The nature or genre of the resource
fairytale/folk lore
# of Woodcuts: 1
Bib Context: title-page
Chapbook Date: 1841-1850
Chapbook Genre: fairytale/folk tale
Chapbook Publisher - Glasgow: Printed for the Booksellers
Fashion (Clothing): military
Gender: man/men
Weapon: sword(s)
-
https://scottishchapbooks.lib.uoguelph.ca/files/original/d8e99e87e85167cfab2751c66f483ac8.pdf
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Woodcut on title-page portraying a soldier wearing a helmet with feathers and cloak with ace turned to left
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Woodcut 032: Title-page illustration of a soldier with his face turned to the left in an outdoor scene. He is wearing a feathered helmet and cloak.
Document
A resource containing textual data. Note that facsimiles or images of texts are still of the genre text.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Adam Bell, Clym of the Clough, and William of Cloudeslie
Subject
The topic of the resource
Courtship and Marriage
Crime
Chapbooks - Scotland - Glasgow
Description
An account of the resource
111 is printed at the bottom of the title page
Date
A point or period of time associated with an event in the lifecycle of the resource
1840-1850 per University of Glasgow Union Catalogue of Scottish Chapbooks
Identifier
An unambiguous reference to the resource within a given context
<a href="https://ocul-gue.primo.exlibrisgroup.com/permalink/01OCUL_GUE/mrqn4e/alma9923255923505154">s0024Kb30</a>
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Carlisle, Cumbria, England
Extent
The size or duration of the resource.
24 pages
16 cm
Abstract
A summary of the resource.
A Robin Hood-like tale of three bowmen who have been living in the woods after being outlawed for poaching. One of the bowman, William of Cloudeslie, attempts to visit his wife and children in town, where he is welcomed by her but turned in by an old woman to the authorities. William fights back but is captured when they attempt to burn down his house with him and his children inside. He is ordered to be hanged the next day by the Justice and Sheriff, but his two friends charge in and rescue him, slaughtering the entire garrison in the attempt. Before word of this reaches court, the three men go directly to the King to ask for pardons for their poaching. The King is not at first inclined to grant their request, but the Queen intercedes on their behalf, asking for mercy. The yeomen leave with their pardons, but word of the slaughter of the Justice and Sheriff and 300 of their men soon reaches the king. He sends men out to return the men and threatens to hang them unless they can explain how three men managed to kill so many. They demonstrate their skill with the bow first with sticks and then with an apple on the head of William’s son, after which the king and queen, both overwhelmed with the demonstration of such skill, pardon them and reward them with land, title, and money.
Is Referenced By
A related resource that references, cites, or otherwise points to the described resource.
University of Glasgow Union Catalogue of Scottish Chapbooks <a>http://special.lib.gla.ac.uk/chapbooks/search/</a>
Contributor
An entity responsible for making contributions to the resource
Archival and Special Collections, University of Guelph Library, Guelph, Ontario, Canada
Format
The file format, physical medium, or dimensions of the resource
JPEGs and PDF derived from master file, which was scanned from the original book in 24-bit color at 600 dpi in TIFF format using an Epson Expression 10000XL scanner.
Rights Holder
A person or organization owning or managing rights over the resource.
In the public domain; For high quality reproductions, contact Archival & Special Collections, University of Guelph libaspc@uoguelph.ca 519-824-4120 Ext 53413
Publisher
An entity responsible for making the resource available
Glasgow: Printed for the Booksellers
Source
A related resource from which the described resource is derived
Archival & Special Collections, University of Guelph Library, Guelph, Ontario
Type
The nature or genre of the resource
fairytale/folk lore
# of Woodcuts: 1
Bib Context: title-page
Chapbook Date: 1841-1850
Chapbook Genre: fairytale/folk tale
Chapbook Publisher - Glasgow: Printed for the Booksellers
Fashion (Clothing): military
Gender: man/men
Weapon: sword(s)