<?xml version="1.0" encoding="UTF-8"?>
<itemContainer xmlns="http://omeka.org/schemas/omeka-xml/v5" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://omeka.org/schemas/omeka-xml/v5 http://omeka.org/schemas/omeka-xml/v5/omeka-xml-5-0.xsd" uri="https://scottishchapbooks.lib.uoguelph.ca/items/browse?collection=36&amp;output=omeka-xml&amp;sort_field=Dublin+Core%2CCreator" accessDate="2026-05-12T14:12:22+00:00">
  <miscellaneousContainer>
    <pagination>
      <pageNumber>1</pageNumber>
      <perPage>10</perPage>
      <totalResults>1</totalResults>
    </pagination>
  </miscellaneousContainer>
  <item itemId="1054" public="1" featured="0">
    <fileContainer>
      <file fileId="1971" order="1">
        <src>https://scottishchapbooks.lib.uoguelph.ca/files/original/37612a07cf6f7236810b0f4742f97443.jpg</src>
        <authentication>fa8a33e42102afe71bd8251c4cbf12f9</authentication>
        <elementSetContainer>
          <elementSet elementSetId="1">
            <name>Dublin Core</name>
            <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
            <elementContainer>
              <element elementId="50">
                <name>Title</name>
                <description>A name given to the resource</description>
                <elementTextContainer>
                  <elementText elementTextId="24786">
                    <text>Woodcut on title-page portraying a bull charging a man on rocky terrain </text>
                  </elementText>
                </elementTextContainer>
              </element>
            </elementContainer>
          </elementSet>
        </elementSetContainer>
      </file>
      <file fileId="1972" order="2">
        <src>https://scottishchapbooks.lib.uoguelph.ca/files/original/675f04f5a6d5dadd02d401394f2dd5c0.pdf</src>
        <authentication>2c78690376c26d798f2bbefa6419abae</authentication>
        <elementSetContainer>
          <elementSet elementSetId="7">
            <name>PDF Text</name>
            <description/>
            <elementContainer>
              <element elementId="119">
                <name>Text</name>
                <description/>
                <elementTextContainer>
                  <elementText elementTextId="22125">
                    <text>STORYS OF
THE

THREE

BEGGARS

SOLDIER'S WIFE,

AND

JACK EASY,

GLASGOW
PRINTED FOR TIIE BOOKSELLERS,

��THE THREE

BEGGARS.

THREE blind beggars were on their way from
Cornpiegne, to seek alms in the neighbourhood. They kept the high road to Seal is,
and walked at a great pace, each holding a
cup and stick in his hand. A young
ecclesiastic, well mounted, who was riding
towards Compiegne, and attended by a valet
on horseback, was struck at a distance with
their steady and rappid strides.
" Those fellows," said he, " for men who
appear blind, make very firm steps; PJ1 endeavour to find them out, and see if they are
not impostors."
Accordingly, as he came near them, and
as the beggars, hearing the trampling of the
horses' feet, had ranged themselves in a line
to ask for charity, he called to them, and
pretending to give them some money, but in
reality giving them nothing, said :—
66
There is a besant; it is intended for
you all three; and you will divide it between
you."
" Yes, your reverence; and may God
bless you in return for it!"
Although no one of them received the

�4
money? yet each was confident his comrade
had got it. Thus, after many thanks and
good wishes to the horseman, they resumed
their march, full of spirits; but at the same
dme slackening their pace.
The churchman feigned also to proceed
on his journey: but at some distance he
alighted, and delivering his horse to the care
of his valet, directed him to wait his arrival
at the gates of Compiegne : he then gently
approached the beggars, and followed them,
10 watch the issue of the adventure.
When they 110 longer heard the noise of
horses, the leader of this little band halted.
" Comrades," said he, " we have made a
good day's work ; and I think we had best
return to Compiegne, and spend the money
this good christian hath given us. It is a
long time since we have had a carousal:
and now we have enough to enjoy ourselves
completely, let us think of nothing but pleasure.
On their arrival in town, they heard aery
of u Good wine!—wine of Soisons!—wine
of Auxerre !—lish and good fare! Walkin gentlemen ; pray walk in."
They would not go any farther, but enter' d the first house; and after having cautioned
the people not tojudge of their means by their
outward appearance, (in the tone of men who
derive confidence from the weight of their

�5
purse) they desired that they might be served
quickly and well.
Nicholas (for that was the name of the
landlord) being used sometimes to see persons
of their vocation spend more than such as
appear to be much more in affluent circumstances, received them respectfully.
He
showed them into his best dining-room;
begged they would be seated, and order what
they liked best; assuring them that there
was nothing in Compiegne but what he could
set before them, and in a style that would
give them perfect satisfaction.
They desired that plenty of good tilings
mi^ht be got ready; and, instantly, master,
waiter, maid, all in the house set about it.
A neighbour was even sent for to assist.
At length, by virtue of several hands and
good speed, they contrived to serve up a
good dinner of live dishes; and immediately
the beggars sat down to it, laughing, singing, drinking to each other, and diverting
themselves with clumsy jokes on the simple
traveller who was at the expence of the
feast.
He had followed them with his valet to
the inn, and was within hearing of the merriment.— He even resolved, that he might
not lose any part of it, to dine and sup in a
snug manner with the landlord. The beggars all this while occupied the best room,

�,:nd were waited on like noblemen. Their
mirth was thus prolonged till the night was
pretty far advanced, when, to make a suitable close to so jovial a day, they each called
ft/r a bed, and went to rest.
The next morning the landlord, who
wanted to get rid of them, sent his servant
to call them up. When they were come
down stairs, he made out their bill, which
amounted to ten pence.
That was the
moment the mischievous churchman so impatiently expected. To enjoy the transaction more at his ease, he came and posted
himself in a corner of the room, but without
showing himself, least his presence might be
a restraint on the guests.
u
Master," says the blind men to the landlord, ' ' we have a besant; take your account,
and give us our change."
He holds out his hand to receive it; and,
ns no one offers it him, he asks them again,
when each says, " It is not I."
The landlord then gets into a passion.—
u
So, gentlemen vagrants, you think I am
to serve here as a butt for your diversion.
Be so good as to end all this mockery, and
pay me immediately my ten-pence, otherwise
I'll give you all three a drubbing."
1 hey then began to enquire of each other
for the piece of money—to suspect each
other's honesty—to call names—to quarrel;

�7
ti!l at length such an uproar and confusion
ensued, that the landlord, after giving each
of them a box on the ear, called his servant
to come down with two good sticks.
The ecclesiastic all this while kept laughing in his hiding-place till he was ready to
fall into convulsions. But when lie found
the affair was becoming serious, and heard
them talk of sticks, he came forward, and,
with an air of surprise, asked the cause of
the quarrel. " Sir, here are three knaves
who came yesterday to consume my provisions ; and now I ask them for my due, they
have the insolence to mock me. But, by
all that's sacred, they shall not get off :n
that manner, and before they go out
."
" Softly, softly, master Nicholas," said
the churchman, "these poor men have not
wherewithal to pay you; and, in that case,
they deserve rather your pity than your resentment. How much does their bill amount
to?"
" Ten-pence."
" W h a t ! is it for so paltry a sum that
you raise all this disturbance?
Come,
make yourselves easy; I will take it upon
myself. And, for my part, what am I to
pay you ?"
"Five-pence, Sir."
" That's enough. I shall pay you fifteenpence ; now let these unfortunate men go;

�8
and know that to harass the poor is a sin of
the first magnitude."
The blind men, who were terrified at the
apprehension of the bastinado, made their
escape with all possible haste; while Nicholas,
who had reckoned 011 losing his ten-pence^
(being delighted to find a person to pay it)
launched out into the most flattering encomiums 011 the churchman.
" What a good man !" cried he; " that
is the kind of priests we should have, and
then they would be respected. But, unfortunately, there are lew such ! Be assured,
Sir, so handsome an action will not go unrewarded. You will prosper in the world,
take my word for it; and will find the good
effects of your generosity."
All that the crafty traveller had been
saying to his host, was but a fresh piece of
roguery on his part; for, in luring the inn- .
keeper with such ostentation of generosity,
he only meant to trick him as he had already
done the beggars.
Just at that moment the parish-bell was
ringing to prayers. He asked who was to
perform the service: they told him it wa3
their parson.
" As he is your pastor, master Nicholas,"
he further said, " you are mopt probably
acquainted with him ?
" Y e s , Sir."

�9
" And if lie would engage to pay the
fifteen-pence that I owe you, would you not
acknowledge us quit ?"
" Undoubtedly, Sir, if it were thirty, and
you desired it."
" Well then, come along with me to the
church, and we will speak to him."
They went out together; but first the
ecclesiastic directed his valet to saddle the
horses, and to keep them in readiness.
The priest, as they entered the church,
had just put on his sacerdotal habit, and was
going- to read prayers.
u
This will keep us very long," said the
traveller to his host; 6 6 1 have not time to
wait, but must proceed immediately upon
my journey. It will satisfy you, I should
imagine, to have the parson's word for the
money ?"
Nicholas having nodded assent, the other
went up to the parson, and dexterously slipping into his hand twelve deniers, said :—
u
Sir, you will pardon my coming so near
the pulpit to speak to you; but much ceremony need not be observed between persons
of the same condition. I am travelling
through your town, and lodged last night
at one of your parishioners', whom in all probability you know, and whom you may see
hard by. He is a well-meaning man, honest,
and entirely exempt f n m vice; but, unfor-

�10
tunately, his head is not so sound as his
heart; his brain is somewhat cracked: last
night one of his fits of madness prevented
us all from sleeping. He is a good deal
better, thank God, this morning; nevertheless, as his head is still aliected, and full ol
religion, he begged we would conduct him
to church, and that he might hear you say
a prayer, that the Lord may, in his good3iess, restore him to perfect health."
" Most cheerfully," answered the parson.
He then turned to his parishioner, and said
to him, u Friend, wait till I have done the
service, when I'll take care that you shall
have what you desire."
Nicholas, who thought this an ample assurance of what he went for, said 110 more :
but attended the traveller back to his inn,
wished him a good journey, and then returned to the church to receive his payment from
the parson.
The latter, as soon as he had performed
the service, came with his stole and book
towards the innkeeper.
" Friend," said he, " go down upon your
knees."
The other, surprised at this preamble,
observed that there was 110 occassion for such
ceremony in receiving fifteen-pence.
66
Truly they are not mistaken," said the
parson to himself; u this man cannot be in

�11
his right senses." Then asuining a tone of
soft insinuation, u Come, my good friend,"
said he, " place your trust in God; he will
havre pity on your condition."
At the same time he puts the Bible on thp
other's head, and begins his prayer.—
Nicholas, in anger, pushes away the book;
declares he cannot stay to be trifled with,
guests being waiting for him at his house;
that he wants his fifteen-pence, and has no
occasion for prayers.
The priest, irritated at this, calls to Lie
congregation, as they were going out KA
church, and desires thern to seize the ma
who was raving.
" No, 110! 1 am not mad; and, by Si.
Corneille, you shall not trick me in this
manner. You engaged to pay me, and 1
will not leave this place till I get my
money."
" Seize him ! seize him!" cried the priest
They accordingly lastened upon the poor
devil; one taking hold of his arms, another
of his legs, a third clasping him round the
middle, while a fourth exhorted him to be
composed. He makes violent efforts to gel
out of their clutches, swears and foams with
rage, like one possessed,—but all in vain ;
for the parson puts the stole round his neck,
and reads quickly his prayer from beginning
to endj without excusing him a single word. - —

tJ

�After which he sprinkles him copiously with
holy water, bestows on him a few benedictions, and lets him loose.
The unlucky wight saw clearly that he
had been made a dupe—He went home,
overwhelmed with shame and vexation at
the loss of his fifteen-pence ; but then he had
in lieu of them, got a prayer and benediction.

�13
THE SOLDIERS

WIFE.

WALDEN was playing on his flute in a slow
and pensive strain, when the mournful cries
of a child, and the complaining voice of a
woman, struck his ears. 66 Oh ! merciful
God ?" exclaimed the poor creature, u hear
with compassion the moans of my unhappy
babe !"
Walden ceased to play, and looking over
the hedge, he surveyed the child with compassion, as the woman lay on the grass to
rest herself: he asked her, in a soft voice,
why the poor infant cried.
u
He is hungry," replied the wroman,
weeping bitterly, u we have not had anything to eat since yesterday morning."
u
Gracious God! since yesterday morning ! wait here a few minutes, and I will
v
eturn."
He flew away with incredible swiftness,
and re-appeared in a short time, with a bowl
of milk and a small loaf, towards which the
child stretched out his little arms, and the
woman to whom he delivered them began to
feed it.
u
Sit down my good woman, and eat of it

�*

4

yourself," said Walden, u I will take jarcof
your infant." Placing himself on the gTaS3
beside it, he dipped a bit of the loaf in tlie
milk, and patiently assisted his little famished charge.
The child looked up in his face and smiled:
Walden, pleased and affected at this intuitive mark of gratitude, kissed its little forehead.
u
What is your occupation?" he asked
the woman, who was eating with avidity;
"you are, I suppose, the mother of this little
creature : where do you live ?"
u
No, it is not my own," replied she, &lt; -and
I did not know its parents. I am the wife
of a poor soldier, my worthy sir, and I have
travelled from beyond Berlin a great way;
my husband had been away from me three
years, and I wanted to see him again—for I
loved him dearly. My own two little children I left with their grandmother, and I
sold every thing I did not absolutely want at
home, that I might carry him a little trifle
of money. Accordingly I set out, and got
to the end of my journey just as my husband
had marched with his corps to drive a party
of Austrians from some little village; so
when it was all over, and they had done
what they had been ordered, 1 ran to the
place to meet him."
Here the poor woman burst into tears.

�15
u

And when I got there lie was dying of his
wounds; yet he knew me, and stretched out
his hand, saying, &lt; Oh, Annete! our child r e n T h e s e were his last words; I thought
I should have died too, but God willed, for
the sake of our little ones and this babe,
that I shoidd live. In the same house where
my poor husband expired, was the wife of an
Austrian soldier, who died two days afterwrards, and left this babe, which nobody on
earth seemed to take care about. Almost all
the village had been burned down, and all
the inhabitants had run away; so that when
our soldiers marched, I begged them to take
the poor child with them ; but then they said
to me, 6 What could wre do with it ?' and
that was very true; but to let the child stay,
and die with hunger, was impossible; so 1
resolved to take it, let what would happen :
and I set out to return to my own home,
with the babe in mine arms. In my way I
was weary enough; but I never met with
any body that took compassion on me or my
burden, so I walked on; but I fell sick, as
you may see by my looks, and spent the
little money I had left, and then I sold my
clothes and every thing I could spare. All
wrent except these poor rags; vet still I
thought if I could but get home I should do
very well. I am used to hard work, and I
could even do for this little creature, who has

�16
nobody in the world but me to put a morsel
of bread into its poor mouth; so I can't bear
to let it starve !"
As she said this, she pressed the child to
her bosom, and her tears dropped upon it,
whilst she repeated, " i f I was but able to
work, or I couM but get enough to keep it
till I reach my home!"
" Poor babe!" said Walden, " poor, yet
happy creature, who, in losing her who gave
thee birth, found a second mother! eyes
that dropt tears of pity on thy lot, and a
heart that loves thee! no, thou slialt not
from hard necessity be deserted!"
Walden then wrote upon a leaf of his
pocket-book the name of the woman, and
that of the village where she informed him
she lived with her family; and giving her a
small sum of money, promised that he would
remit the same to her every year.
The woman, on holding the gold in her
hand, which had never contained so much
before, exclaimed, " O h ! this is to much,
worthy sir:" and being desired to keep it,
die added, " w e shall now be rich indeed!
my own little ones, and this one, and their
grandmother, we shall all be rich !"
"Goodcreature!" exclaimed Walden with
emotion, " y o u are rich indeed, in a heart
to which all other riches are dross! your
humanity to this orphan will be better re-

�warded ; but if this were my last crown you
should have it. Hasten away, or I may be
tempted to take the child, to have the pleasure of bringing it up, that it may love me
as it will you." On hearing this, the woman
hastily pressed the infant to her bosom, and
giving Walden a farewell benediction, pursued her journey with alacrity.

)

�18
BARON TRENCK.
• •
BARON TRENCK, at the time of the first war

between the king of Prussia and the house
of Austria, being young and enterprising,
offered himself, with a small band of determined men, to carry off the king of Prussia,
when he went out from his camp to reconnoitre the position of the Austrians. In fact,
he did attempt the enterprise; but succeeded
so ill that he was taken prisoner himself, and
condemned to perpetual confinement in the
castle of Magdeburgh. The treatment he
received was equally singular and cruel.
He was chained, standing against the wall;
F that, for several years, he coidd neither
O
sit nor lie down. His gaurds had orders not
to let him sleep more than a certain time;
very short, but long enough to prevent his
strength from being entirely exhausted.
He remained four or five years in this dreadfid situation; after which, there being
reason to fear he could not live long in that «
&lt;
state, he was chained in such a manner that
he might sit down, which appeared to him
to be a great alleviation of his sufferings.
He told me himself, that after having suffered

�19
severe illness during the first year of his imprisonment, his constitution, which was
strong and robust, was so unbroken, that he
recovered his health; and though he received
no other sustenance than bread and water,
yet he was remarkably well, and resumed
his former gaiety. In this state of mind he
found means to soothe the tedium of so long
an imprisonment by making verses; which
he set to music as well as he could, and sung
for half the day. As he had nothing worse
to dread, the king of Prussia was frequently
the subject of his songs, and was not spared
in them. He also had recourse to the power
of imagination, to soothe the horrors of his
situation; and the whole time that he did
not spend in singing, was passed in turning
his ideas to all the agreeable conditions whicli
it was possible for him to conceive. He was
almost brought to consider these wanderings
of his imagination as realities, and to regard
his misfortunes as mere dreams. At last the
Empress Queen, who for a long time had
believed that lie was dead, being informed of
his miserable existence, solicited his liberty
from the king of Prussia with so much earnestness, that she obtained his release. I
saw him at Aix-la-Chapelle, enjoying very
good health; having married a handsome
woman, the daughter of one of the principal
inhabitants of that imperial city, to which

�20
lie had retired, that he might not be exposed
to the power of an arbitrary goverment.
He published several German works, some
of which are the fruits of the reflections he
made during the time of his imprisonment;
some poetry against the king of Prussia,
and some details relative to the manner in
which he passed his time at MagdeburgL
He gave them to me himself; and though
his works had no great merit in the style,
yet the singularity of his thoughts, and the
extraordinary fate of the author, rendered
them interesting.
What astonished me
most in him was, the force of mind, the
courage, and the constancy which had supported him in a situation in which there was
no hope of his seeing better days. He appeared now to have forgotten the whole, or to
recall the remembrance of his past sufferings,
only that he might the better enjoy the happiness of his present condition. He was
very gay; and there were moments when
one might have supposed, without doing
him great injustice, that his reason had been
in some degree affected by his long confinement; but it was only surprising that this
did not appear in a more eminent degree.*
* Poor Treiiek, wishing to take a part in the French
Revolution, went to Paris in the year 1 7 9 3 , and was
guillotined on the 25th of July, 1 7 9 4 , two days before
the execution of Robespierre

�21

J A C K EASY.

4

But Hmlibras, who scorn'd to stoop
To Fortune, or be said to droop,
Cheer'd up liiinself with ends of verse,
And sayings of philosophers."

AMONG the happy people in the world, art
those, in whose minds nature or philosophy
has placed a kind of acid, with which care
or disappointment will not easily mix.
This acid differs very much from ill-nature;
it is rather a kind of salt, expressed from
frequent observations on the folly, the vanity,
and the uncertainty of human events; from
that best of all philosophy, which teaches us
to take men as we find them, and circumstances as they occur, good or bad, for better
or lor worse; that dwells not on future prospects, reflects not on past troubles, and cares
not a lig for present difficulties, but dexterously turns them to ridicule or advantage;
snatching, at every opportunity, accidental
pleasures, and nobly bearing up against the
rubs of ill-fortune.
When reflections upon the troubles of life
are mixed up in a disposition naturally illtempered, they compose what is called

�22
melancholy; but as they have no chemical
affinity with good humour, they will not
easily combine; and the small particles that
are miscible, produce only the sweet and acid
salt of true philosophy.
Such a traveller, in his journey through
the world, was my honest friend Jack Easy.
Jack came to a good fortune at the death of
his father, and mounted his hobby without
its ever having been properly broken in ; he
galloped over the plains of Fancy, went off
in a full canter to the road of Dissipation,
and leaped over all the five-barred gates of
Advice and Discretion. It may naturally
be supposed, that before long his filly gave
him a fall: poor Jack came down sure
enough ; but he only shook himself, brushed
off the dirt of the road, and mounted again
in as high spirits as ever; excepting, that
he nowT began to sit firmer in the saddle, and
to look about him : this, however, did not
hinder him from getting into a swamp, called
a law-suit, where he remained a considerable
time before he could get out: his fortune
was now reduced from some thousands to a
few hundreds; and by this time, no man
better knew the way of life than my friend
Jack Easy. He had been through all the
dirty cross-roads of business, money-borrowing, bankruptcy, and law; and at last
arrived at a goal.

�23
My friend Jack did not despond; he
consoled himself with the reflection that he
was a single man; some of his misfortunes
were the consequences of his own imprudence,
others of unforseen accidents, and most of
them originated from his good nature and
generosity. He, however, never excused;
lie lumped them all together, took them in
good part, and blamed nobody but himself;
he whistled away his troubles, and often repeated.
" I am out of Fortune's power :
" H e who is down can sink no lower."

The goddess, however, at last put on her
best smiles, and paid Jack a visit in the
King's-Bench, in the shape of a handsome
legacy. Jack smiled at the thing, being,
as he called it, so extremely a-propos! and
once more mounted his nag. He now rode
more cautiously, and turned into the road of
Economy, which led to a comfortable inn
with the sign of Competency over the door;
lie had borrowed a martingale from an old
hostler called experience; and for the first
time in his life used a curb. He began
already to find, that though he did not gallop
away as formerly, yet he went on in his journey pleasantly enough. Some dashing riders
passed him, laughing at his jog-trot pace;
but he had no occassion to envy them long;
for presently some of them got into nits, others

�24
wore stuck fast in bogs and quagmires, and
the rest were thrown from their saddles to the
great danger of their necks. Jack Easy,
meanwhile, jogged on merrily; hot or cold,
wet or dry, he never complained; he now
preferred getting off, and opening a gate, to
leaping over it; and smiled at an obstacle
as at a turnpike, where lie must necessarily
pay toll.
The man who is contented either to walk,
trot, or canter through life, has by much the
advantage of his fellow travellers. He suits
himself to all paces, and seldom quarrels with
the tricks which the jade Fortune is sometimes disposed to play him. You might now
see Jack Easy walking his hobby along the
road, enjoying the scene around him, with
contentment sparkling in his eyes. If the
way happened to be crowded with horsemen
and carriages, you might observe him very
readily taking his own side of the road, and
letting them pass. * If it began to rain or
blow, Jack only pulled up the collar of his
great-coat, flapped his hat, and retreated to
the best shelter he could find till the storm
was over.
Thus my frienu Jack Easy came in with
a jog-trot to the end of his journey, leaving
his example behind him as a kind of fingerpost for the good of other travellers,
FINIS.

�</text>
                  </elementText>
                </elementTextContainer>
              </element>
            </elementContainer>
          </elementSet>
        </elementSetContainer>
      </file>
    </fileContainer>
    <collection collectionId="36">
      <elementSetContainer>
        <elementSet elementSetId="1">
          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="26636">
                  <text>Woodcut 029_a: Title-page illustration of a bull charging a man on rocky terrain.</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="22110">
                <text>Storys of the Three Beggars, Soldier's Wife, Baron Trenk, and Jack Easy.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="52">
            <name>Alternative Title</name>
            <description>An alternative name for the resource. The distinction between titles and alternative titles is application-specific.</description>
            <elementTextContainer>
              <elementText elementTextId="22111">
                <text>Soldier's Wife</text>
              </elementText>
              <elementText elementTextId="22112">
                <text>Baron Trenk</text>
              </elementText>
              <elementText elementTextId="22113">
                <text>Jack Easy</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="78">
            <name>Extent</name>
            <description>The size or duration of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="22115">
                <text>24 pages</text>
              </elementText>
              <elementText elementTextId="24640">
                <text>16 cm</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="22116">
                <text>&lt;a href="https://ocul-gue.primo.exlibrisgroup.com/permalink/01OCUL_GUE/mrqn4e/alma9934228083505154"&gt;s0585b29&lt;/a&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="22117">
                <text>31 printed at the foot of the title page</text>
              </elementText>
              <elementText elementTextId="27121">
                <text>Woodcut #29a: Illustration on title-page of a bull charging a man on rocky terrain </text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="37">
            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="22118">
                <text>Archival and Special Collections, University of Guelph Library, Guelph, Ontario, Canada</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="22120">
                <text>In the public domain; For high quality reproductions, contact Archival &amp; Special Collections, University of Guelph. libaspc@uoguelph.ca, 519-824-4120, Ext. 53413</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="22121">
                <text>1840-1850 per National Library of Scotland</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="24639">
                <text>JPEGs and PDF derived from master file, which was scanned from the original book in 24-bit color at 600 dpi in TIFF format using an Epson Expression 10000XL scanner.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="24787">
                <text>Glasgow: Printed for the Booksellers</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="24851">
                <text>English</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="26307">
                <text>Archival &amp; Special Collections, University of Guelph Library, Guelph, Ontario</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="26637">
                <text>fairytale/folk lore</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
    <tagContainer>
      <tag tagId="206">
        <name># of Woodcuts: 1</name>
      </tag>
      <tag tagId="253">
        <name>Activity: running</name>
      </tag>
      <tag tagId="254">
        <name>Animal: bull(s)</name>
      </tag>
      <tag tagId="103">
        <name>Bib Context: title-page</name>
      </tag>
      <tag tagId="106">
        <name>Chapbook Date: 1841-1850</name>
      </tag>
      <tag tagId="297">
        <name>Chapbook Genre: fairytale/folk tale</name>
      </tag>
      <tag tagId="105">
        <name>Chapbook Publisher - Glasgow: Printed for the Booksellers</name>
      </tag>
      <tag tagId="91">
        <name>Gender: man/men</name>
      </tag>
      <tag tagId="155">
        <name>Nature: flower(s)</name>
      </tag>
      <tag tagId="255">
        <name>Nature: rock(s)</name>
      </tag>
      <tag tagId="144">
        <name>Nature: tree(s)</name>
      </tag>
      <tag tagId="102">
        <name>Outdoor Scene</name>
      </tag>
    </tagContainer>
  </item>
</itemContainer>
