1
10
7
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Dublin Core
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Title
A name given to the resource
Woodcut on title-page portraying a girl holding a flower standing between two pillars with flowers in vases on top. Large house in the background
https://scottishchapbooks.lib.uoguelph.ca/files/original/14749013fc1fddcbacb9ea767ba255d4.pdf
3a1edca03c89edaa4c82ea7a7e9365f2
Dublin Core
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Title
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Woodcut 005: Title-page illustration in a single-ruled rectangular border of a girl holding a flower standing between two pillars in an outdoor scene.
Document
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Title
A name given to the resource
Six Excellent Songs. Farewell. Drucken Jenny Din. The Gallant Weaver. John Anderson My Jo. The Nightingale. Scotland's Hills for me.
Identifier
An unambiguous reference to the resource within a given context
<a href="https://ocul-gue.primo.exlibrisgroup.com/permalink/01OCUL_GUE/mrqn4e/alma9953134473505154">s0100b01</a>
Alternative Title
An alternative name for the resource. The distinction between titles and alternative titles is application-specific.
Farewell.
Drucken Jenny Din.
The Gallant Weaver.
John Anderson My Jo.
The Nightingale.
Scotland's Hills for me.
Date
A point or period of time associated with an event in the lifecycle of the resource
1820-1837 per University of Glasgow Union Catalogue of Scottish Chapbooks
Extent
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8 pages
Is Part Of
A related resource in which the described resource is physically or logically included.
Chapbook #61 in a bound collection of 77 chapbooks
Is Referenced By
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University of Glasgow Union Catalogue of Scottish Chapbooks <a title="University of Glasgow Union Catalogue of Scottish Chapbooks" href="http://special.lib.gla.ac.uk/chapbooks/search/" target="_blank" rel="noopener">http://special.lib.gla.ac.uk/chapbooks/search/</a>
Contributor
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Archival and Special Collections, University of Guelph Library, Guelph, Ontario, Canada
Format
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JPEGs and PDF derived from master file, which was scanned from the original book in 24-bit color at 600 dpi in TIFF format using an Epson Expression 10000XL scanner.
Rights
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In the public domain; For higher quality reproductions, contact Archival & Special Collections, University of Guelph. libaspc@uoguelph.ca 519-824-4120, Ext. 53413
Subject
The topic of the resource
Alcohol
Chapbooks -- Scotland -- Newton Stewart
Source
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Archival & Special Collections, University of Guelph Library, Guelph, Ontario
Publisher
An entity responsible for making the resource available
Newton-Stewart: J. McNairn
Type
The nature or genre of the resource
ballads & songs
Description
An account of the resource
Woodcut #05: Illustration on title-page of a girl holding a flower standing between two pillars in an outdoor scene.
# of Woodcuts: 1
Architecture: gate
Architecture: house
Bib Context: title-page
Chapbook Date: 1821-1830
Chapbook Genre: ballads & songs
Chapbook Publisher - Newton-Stewart: J. McNairn
Fashion (Clothing): bloomers
Fashion (Clothing): children's clothes
Fashion (Clothing): dress
Fashion (Clothing): stockings
Fashion (Clothing): upper class
Gender: girl(s)
Outdoor Scene
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Dublin Core
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Title
A name given to the resource
Woodcut on title-page portraying a girl holding a flower standing between two pillars with flowers in vases on top. Large house in the background
https://scottishchapbooks.lib.uoguelph.ca/files/original/87ce8154b113c2438b5f4b399cda58d7.pdf
d447397d5e9b6be4cb997324306ba0ab
PDF Text
Text
Seven Excellent
SONGS.
The year that's awa.
Blue Bonnets over the Border.
The Laird o' Cockpen.
Jock o' Hazeldean.
Pity and protect the Slave.
Hurrah for the bonnets of blue.
Here's a health to all good lasses—A Glee.
NEWTON-STEWART
:
Printed and Sold, Wholesale and
Retail, BY J. M ' N A I R N .
�THE YEAR
THAT'S AWA.
Oh ! here's to the year that's awa,
We'll drink it in strong and in sma ;
And here's to the bonnie young lassie we
loe'd,
While swift flew the year that's awa.
And here's to the, &c.
And here's to the soldier wha bled,
To the sailor wha bravely did fa' ;
Their fame is alive tho' their spirits are
fled
On the wings of the year that's awa.
Their fame is alive, &c.
And here's to the friend we can trust.
When the storms of adversity blaw ;
May he join in our song, and lie nearest
our heart,
Nor depart like the year that's awa.
May he join in, &c.
BLUE BONNETS OVER THE BORDER
March, march, Ettrick and Tivotdale :
Why, my lads, dinna ye march forward
in order
?
March, march, Eskdale and Liddesdale ;
All the blue bonnets are over the border,
�3
Many a banner spread,
Flutters above your head,
Many a crest that is famous in story ;
Mount and make ready then,
Sons of the mountain glen,
[glory.
Fight for your Queen and your old Scotish
Come from the hills where your hirsels are
grazing ;
Come from the glen of the buck and the
roe ;
Come to the craig where the beacon is
blazing ;
Come with the buckler the lance and the
bow.
Trumpets are sounding,
War-steeds are
bounding;--[order,
Stand to your arms and march in good orEngland shall many a day
Tell of the bloody fray,
When the blue bonnets came over the
border.
T H E LAIRD O' COCKPEN.
The Laird o' Cockpen he's proud and he's
great ;
His mind is taen up wi' things o' the state.
�4
He wanted a wife his braw house to keep,
But favour wi wooin' was fashous to seek.
Doun by the dyke-side a lady did dwell,
At his table-head he thought she'd look well
M'Clish's ae dochter o' Claverseha Lee,
A pennyless lass, wi a lang pedigree.
His wig was weel pouthered, as guid as
when new,
His waistcoat was white, his coat It was
blue,
He put on a ring, a sword and cocked hat,
And wha could refuse the Laird wi a that?
He took the gray mare and rade cannily ;
An' rapped at the yett o' Claverseha Lee,
" G a e tell Mistress Jean to come speedly
ben ;
She's wanted to speak to the Laird o'
Cockpen."
Mistress Jean was makin' the elder-flower
wine—
"An' what brings the Laird at sic a like
time ?"
She pat aff her apron an' on her silk gown,
Her mutch wi' red ribbons an' gaed awa
down.
�5
An' when she came ben he boued fu' low ;
An' what was his errand he soon let her
know.
Amazed was the Laird, when the lady
said—"Na !"
An' wi a laigh courtly she turned awa.
Dumfundered he was—but nae sigh did
he gie ;
He mounted his mare and rade cannily :
An' aften he thocht as he gaed through the
glen,
"She's daft to refuse the Laird o'
Cockpen."
Near to the house amang the lang trees,
There did he meet sweet Jeanie Greenlees.
She sits at his table like a white tappet
hen. —
Thus ended the courtships o' the Laird o'
Cockpen.
JOCK O'
HAZELDEAN.
"Whyweep ye by the tide lady ?
Why weep ye by the tide ?
I'll wed ye to my youngest son,
And ye sall be his bride.
�6
And ye sall be his bride, lady,
Sae comely to be seen:" —
But aye she loot the tears down fa'
For Jock o' Hazeldean.
"Now let this wilful grief be done,
And dry that cheek so pale ;
Young Frank is chief of Errington,
And Lord of Langley dale.
His step is first in peaceful ha',
His sword in battle keen:" —
But aye she loot the tears down fa'
For Jock o' Hazeldean.
"A chain of gold ye sall not lack,
Nor braid to bind your hair,
Nor mettled hound, nor managed hawk,
Nor palfrey fresh and fair.
And you the foremost o' them a'
Shall ride our forest queen:"--But aye she loot the tears down fa'
For Jock o' Hazeldean.
The kirk was decked at morning tide
The tapers glimmered fair—
The priest and bridegroom wait the bride,
And dame and knight are there.
They sought her both by bower and ha'-—
The lady was not seen :—
She's o'er the border and awa
Wi' Jock o' Hazeldean.
�7
PITY AND PROTECT THE SLAVE
Sons of freedom ! hear my story,
Mercy well becomes the brave,
Humanity is Britain's glory —
Pity and protect the slave !
Free-born daughters ! who possessing
Eyes that conquer, hearts that save,
Greet me with a sister's blessing—
Oh ! pity and protect the slave !
HURRAH FOR THE BONNETS OF BLUE.
Here's a health to them that's awa,
Here's a health to them that's awa,
And wha winna wish guid luck to our
cause,
May never guid luck be their fa'.
It's guid to be merry and wise,
It's guid to be honest and true,
It's guid to support Caledonia's cause,
And bide by the bonnets of blue.
Hurrah for the bonnets of blue,
Hurrah for the bonnets of blue.
It's guid to support Caledonia's cause,
And bide by the bonnets of blue.
�8
Here's a health to them that's awa,
Here's a health to them that's awa,
Here's a health to Charlie the chief o'
the clan,
Although that his band be sae sma'.
Here's freedom to them that would read,
Here's freedom to them that would write,
There's nane ever fear'd that the truth
should be heard,
But they whom the truth wad indite.
Hurrah for the bonnets of blue,
Hurrah for the bonnets of blue,
It's guid to be wise, to be honest and true,
And bide by the bonnets of blue.
HERE'S A HEALTH TO ALL GOOD LASSES.
A Glee
Heres' a health to all good lasses,
Pledge it merrily fill your glasses,
Let a bumper toast go round !
May they lead a life of pleasure,
Without mixture, without measure,
For with them true joys are found.
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Woodcut 005: Title-page illustration in a single-ruled rectangular border of a girl holding a flower standing between two pillars in an outdoor scene.
Document
A resource containing textual data. Note that facsimiles or images of texts are still of the genre text.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Seven Excellent Songs. The year that's awa. Blue Bonnets over the Border. The Laird o 'Cockpen. Jock o' Hazeldean. Pity and protect the Slave. Hurrah for the bonnets of blue. Here's a health to all good lasses-A Glee.
Identifier
An unambiguous reference to the resource within a given context
<a href="https://ocul-gue.primo.exlibrisgroup.com/permalink/01OCUL_GUE/mrqn4e/alma9953134473505154">s0100b01</a>
Alternative Title
An alternative name for the resource. The distinction between titles and alternative titles is application-specific.
The year that's awa.
Blue Bonnets over the Border.
The Laird o 'Cockpen.
Jock o' Hazeldean.
Pity and protect the Slave.
Hurrah for the bonnets of blue.
Here's a health to all good lasses-A Glee
Contributor
An entity responsible for making contributions to the resource
Archival and Special Collections, University of Guelph Library, Guelph, Ontario, Canada
Rights
Information about rights held in and over the resource
In the public domain; For high quality reproductions, contact Archival & Special Collections, University of Guelph. libaspc@uoguelph.ca, 519-824-4120, Ext. 53413
Date
A point or period of time associated with an event in the lifecycle of the resource
[1820-1837?] per University of Glasgow Union Catalogue of Scottish Chapbooks
Extent
The size or duration of the resource.
8 pages
Is Part Of
A related resource in which the described resource is physically or logically included.
Chapbook #65 in a bound collection of 77 chapbooks
Is Referenced By
A related resource that references, cites, or otherwise points to the described resource.
University of Glasgow Union Catalogue of Scottish Chapbooks <a title="http://special.lib.gla.ac.uk/chapbooks/search/" href="http://special.lib.gla.ac.uk/chapbooks/search/" target="_blank" rel="noopener">http://special.lib.gla.ac.uk/chapbooks/search/</a>
Format
The file format, physical medium, or dimensions of the resource
JPEGs and PDF derived from master file, which was scanned from the original book in 24-bit color at 600 dpi in TIFF format using an Epson Expression 10000XL scanner.
Subject
The topic of the resource
Chapbooks -- Scotland -- Newton Stewart
Supernatural
Source
A related resource from which the described resource is derived
Archival & Special Collections, University of Guelph Library, Guelph, Ontario
Publisher
An entity responsible for making the resource available
Newton-Stewart: J. McNairn
Type
The nature or genre of the resource
ballads & songs
Description
An account of the resource
Woodcut #05: Illustration on title-page of a girl holding a flower standing between two pillars in an outdoor scene.
# of Woodcuts: 1
Architecture: gate
Architecture: house
Bib Context: title-page
Chapbook Date: 1821-1830
Chapbook Genre: ballads & songs
Chapbook Publisher - Newton-Stewart: J. McNairn
Fashion (Clothing): bloomers
Fashion (Clothing): children's clothes
Fashion (Clothing): dress
Fashion (Clothing): stockings
Fashion (Clothing): upper class
Gender: girl(s)
Outdoor Scene
-
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Omeka Image File
The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.
Bit Depth
8
Channels
3
Height
2905
Width
1772
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Woodcut on title-page portraying a girl holding a flower standing between two pillars with flowers in vases on top. Large house in the background
https://scottishchapbooks.lib.uoguelph.ca/files/original/6cc13c759d257e1875f19f04580659c2.pdf
96622c2d68c252a186febfa8f6b07b5a
PDF Text
Text
Four New
SONGS.
Daft Jamie.
The Two Emigrants.
The Lea rig.
Irish hafts for English Blades,
NEWTON-STEWART:
Printed
and Sold, Wholesale and
Retail, by J.
M'Nairn.
�D A F T JAMIE.
O
! dark was the midnight when H
Not
a
star in the sky gave him one cheering ray,
But Still now and then, would the blue lightnings glare,
And some strange cries assail'd him, like shrieks of despair
Over vale, over hill, I will watch thee for ill,
I
But l o ! as the savage run down the wild glen,
For no place did he fear like the dwellings of men,
Where the heath lay before him all dismal and bare,
The ghost of Daft Jamie appeared to him there.
Over vale, &c.
I am come, said the shade, from the land of the dead,
Though there is for Jamie no grass cover'd bed,
Yet I'm come to remind you of deeds that are past,
And to tell you that justice will find you at last.
Over vale, &c.
O ! Hare, thou hast been a dark demon o f blood,
But vengeance shall chace thee o'er field and o'er flood,
Though you fly far away from the dewllings of men,
The shades of thy victims shall rise in thy den.
Over vale, &c.
When night falls on the world, O ! how can you sleep,
In your dreams do you ne'er see my poor mother weep ?
Sadly she wept, but O ! long shall she mourn,
E'er poor wandering Jamie from the grave shall return.
Over vale, &c.
will haunt all thy wanderings and follo
�3
From the grave, did I say, and though calm is the bed,
Where slumber is dreamless, the home of the dead,
Where friends may lament, there sorrow, may he,
Yet no grave rises as green as the world for me.
Over vale, &c.
O ! Harp, go and shelter thy fugitive head,
In some land that is not of the living or dead,
For the living against thee may justly combine,
And the dead must despise such a spirit as thine.
Over vale, &c.
O ! Hare fly away but this world cannot be
The place of abode to a demon like t h e e ,
There is gall in your heart—poison is in your breath,
And the glare of your eyes is as fearful as death.
Over vale, &c.
Then the blue lightnings flash'd through the glen, and
it shone,
And there rose a wild cry, and there heaved a deep groan,
As the Ghost of the innocent boy disappear'd,
But its shreiks down the glen, in the night breeze were
heard.
Over vale, &c.
THE T W O EMIGRANTS,
Clyde's bonny banks are a wet wi' the e'ening dew,
Sweetly the wee birdies chaunt in the wild wood,
�4
Jeanie amang these green fields, by the bonny brew.
Calmly ha'e pass'd a' the days o' our childhood.
Down to this thorny bow'r aft at the gloamin' hour,
Glad ha'e I come frae our cottage to see ye,
Now I am gaun awa soon to America,
O
! will you let your fond Emigrant leave you ?
Follow me, follow me, love wilt thou follow me,
Lang ha'e I woo'd thee and lov'd thee sincerely,
Come then my lassie braw, come tae America,
Fair is our hame, on the banks of Loch E r i e .
Blissful and calm shall our days aye unskaithed be,
Puirtith shall ne'er mak enjoyment grow weary,
Walth shall we ha'e, for a frien' has bequeathed to me,
Braw bonny lands on the banks of the Erie.
Groves of the maple tree orange and apple tree,
Fields o' the sugar cane, grow for my dearie,
Trees of the bonny vine rich with the rosy wine,
Bloom fur us love, on the banks of Loch Erie.
Follow me, &c.
O ! e'er the beams o' anither day's setting sun,
Redden the tops o' yon blue Highland mountains,
Fareweel I maun bid to my country, O ! Caledon,
Peace to thy, streams and thy clear siller fountains.
Caledon! Caledon ! land of the brave that's gone,
Lang on thy fields were thy sons victorious,
Country of hill and glen, laid of the brightest men,
O! be thou independant and glorious.
Follow me, &c.
�5
Scotland, clear ! land of my fore-father's fare thee-well,
Wallace and Bruce were the sons of thy bravery,
Fam'd Bannockburn, and many a red battle-field,
Tell that a grave was mair welcome than slavery,
Bold as the stormy seas, free as the mountain breeze,
Rush'd thy old heros to battle fu' cheery,
O ! I shall lo'e thee still, land of the heathy hill,
Still shall thy; Emigrant fondly revere thee.
Follow me, &c.
O ! my dear Jeanie, just say you will come awa,
Comewi'your Willie, there's naething to fear ye,
Tho' dear to your bosom be your own father's ha',
None like your Willie can lo'e ye so dearly,
With thee, my sweet treasure, life maun be a pleasure.
The toils of this warld will ne'er make me weary,
Then O ! leave your native vale, let the Atlantic gale,
Waft us awa to the banks o' Loch Erie.
Follow me, &c.
Jeanie look'd round wi' a sigh on her native land,
Bright to her red rosy cheeks came the tear aye,
Willie, she says, and she gied him her lillie hand,
Tak me awa to the banks o' Loch Erie.
Faiens o' my father's ha' though I revere ye a'.
Braid though the sea is, and trackless and dreary,
Fare ye weel ane and a' friens o' my father's ha',
I'll gang wi' Willie awa to Loch Erie.
Follow thee, follow thee, lad I will follow thee,
Lang hae I lo'ed thee, my Willie sincerely,
Gang then, my laddie braw, gang to America,
Thy hame shall be my hame, awa at Loch Erie.
�6
I R I S H H A F T S FOR E N G L I S H B L A D E S
All you who delight in a comical jest,
Now I will tell you , one you may add to the rest,
Which happened of late near the town of Carlisle,
I'm sure when you hear it, it will cause you to smile.
The first of last april I cannot forget.
When three English blades for pleasure were met,
They mounted their horses and swore solemnly,
That they, would play trick on the first man they'd see.
One Campbell a drover they chanced to spy,
He came from Tyrone near a town called Fermoy,
They saluted Campbell and he did the same,
So in close conversation together they came.
They came to an Inn where they made a full stop,
And ask'd Paddy in with them for to take a drop,
Then Campbell consented, and said with a smile,
I would like well to taste your strong ale of Carlisle.'
They gave up their horses in charge to the groom,
And then stepped into a well-furnish'd room,
It being in the morning between eight and nine,
They called for a breakfast and after that wine.
They sat and they drank, and they sported at will,
Until they had twenty-four shillings of a bill,
And four of their horses for oats and for hay,
But they thought they'd leave Pat the reckoning to pay.
So then one by oneoneoutof the door they stole,
A n d left Campbell there to pay for the whole,
�7
The landlord came inrwith a smile and thus said,
I think Pat you're trick'd by the English blades.
On the first of April it is always a rule,
For the one man to' make the other a fool,
When I saw you sitting in their company,
I knew these blades would play a trick upon thee.
Never mind then says Pat, since they are gone away,
I have plenty of money the reckoning to pay,
Come sit you down by me before I do go,
I will tell you a secret perhaps you don't know.
I will show you a trick though contrary to law,
How two kinds of drink from one vessel to draw;
The landlord being eager to find out this plan,
lt's down to the cellar with Paddy he ran.
Pat bored a hole in a very short space,
And bad the landlord clap his hand on that place.
The second he bore, saying place the other there,
For I for a tumbler must go up the stair.
He went up to the room I will give you to know t,
And there he with chalk on the table thus wrote,
With two sorts of liquor the reckoning I've paid,
That's an Irish haft for your English blades.
He mounted his horse and was soon out of sight,
The waiter went in to see if all was right,
And search'd the house from the top to the ground,
Half dead inthecellar his master he found.
O, what is the matter, dear master, he said,
He says, Irish Paddy a trick on me played,
i ' v e both hands engaged, I'm hubbled you see,
I thought to fool Pat, but he has out-witted me.
�T H E LEA RIG.
When o'er-the hill the eastern star,
Tells bughtin-time is near, my j o e ;
And owsen frae the furrowed field,
Return sae dowf and weary O ;
Down by the burn, where scented birks
Wi' dew are hanging clear, my joe,
I'll meet thee on the lea-rig,
My ain kind dearie O.
In mirkest glen, at midnight hour,
I'd rove and ne'er be eerie O,
If through that glen I gade to thee,
My ain kind dearie O.
Although the night was e'er sae wild,
And I were ne'er sae weary O,
I'd meet thee on the lea-rig,
My ain kind deaeie O.
The huntes loes the morning sun,
To rouse the mountain deer, my joe ;
At noon the fisher seeks the glen,
Alang the burn to steer, my joe ;
Gie me the hour o' gloaming gray,
It maks my heart sae cheery O
To meet thee on the lea-rig,
My ain kind dearie O
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Woodcut 005: Title-page illustration in a single-ruled rectangular border of a girl holding a flower standing between two pillars in an outdoor scene.
Document
A resource containing textual data. Note that facsimiles or images of texts are still of the genre text.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Four New Songs: Daft Jamie; The Two Emigrants; The Lea rig; Irish Hafts for English Blades
Subject
The topic of the resource
Chapbooks -- Scotland -- Newton Stewart
emigration
Date
A point or period of time associated with an event in the lifecycle of the resource
1829-1837? per National Library of Scotland
Language
A language of the resource
English
Identifier
An unambiguous reference to the resource within a given context
<a href="https://ocul-gue.primo.exlibrisgroup.com/permalink/01OCUL_GUE/mrqn4e/alma9953134473505154">s0100b01</a>
Extent
The size or duration of the resource.
8 pages
Is Part Of
A related resource in which the described resource is physically or logically included.
Chapbook #19 in a bound collection of 77 chapbooks
Is Referenced By
A related resource that references, cites, or otherwise points to the described resource.
<p dir="ltr"><span>University of Glasgow Union Catalogue of Scottish Chapbooks<br /></span><a href="http://special.lib.gla.ac.uk/chapbooks/search/">http://special.lib.gla.ac.uk/chapbooks/search/</a></p>
<div> </div>
Alternative Title
An alternative name for the resource. The distinction between titles and alternative titles is application-specific.
Daft Jamie
The Two Emigrants
The Lea rig
Irish Hafts for English Blades
Format
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JPEGs and PDF derived from master file, which was scanned from the original book in 24-bit color at 600 dpi in TIFF format using an Epson Expression 10000XL scanner.
Contributor
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Archival and Special Collections, University of Guelph Library, Guelph, Ontario, Canada
Rights
Information about rights held in and over the resource
In the public domain; For high quality reproductions, contact Archival & Special Collections, University of Guelph. libaspc@uoguelph.ca 519-824-4120 Ext. 53413
Source
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Archival & Special Collections, University of Guelph Library, Guelph, Ontario
Publisher
An entity responsible for making the resource available
Newton-Stewart: J. McNairn
Type
The nature or genre of the resource
ballads & songs
Description
An account of the resource
Woodcut #05: Illustration on title-page of a girl holding a flower standing between two pillars in an outdoor scene.
# of Woodcuts: 1
Architecture: gate
Architecture: house
Chapbook Date: 1821-1830
Chapbook Genre: ballads & songs
Chapbook Publisher - Newton-Stewart: J. McNairn
Fashion (Clothing): bloomers
Fashion (Clothing): children's clothes
Fashion (Clothing): dress
Fashion (Clothing): stockings
Fashion (Clothing): upper class
Gender: girl(s)
Outdoor Scene
-
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Title
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Woodcut on title-page portraying a girl holding a flower standing between two pillars with flowers in vases on top. Large house in the background
https://scottishchapbooks.lib.uoguelph.ca/files/original/a9919d36342f115a750230ac77ec4d12.pdf
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Dublin Core
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Title
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Woodcut 005: Title-page illustration in a single-ruled rectangular border of a girl holding a flower standing between two pillars in an outdoor scene.
Document
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Dublin Core
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Title
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Six Songs. Braes of Galloway. Mine ain Dear Somebody. Oh! Send me Lewis Gordon hame. Bonny Winsome Mary. Why Unite to Banish Care. Wat Ye Wha's in Yon Town.
Identifier
An unambiguous reference to the resource within a given context
<a href="https://ocul-gue.primo.exlibrisgroup.com/permalink/01OCUL_GUE/mrqn4e/alma9953134473505154">s0100b01</a>
Alternative Title
An alternative name for the resource. The distinction between titles and alternative titles is application-specific.
Braes of Galloway.
Mine ain Dear Somebody.
Oh! Send me Lewis Gordon hame.
Bonny Winsome Mary.
Why Unite to Banish Care.
Wat Ye Wha's in Yon Town.
Date
A point or period of time associated with an event in the lifecycle of the resource
1820-1837 per National Library of Scotland
Extent
The size or duration of the resource.
8 pages
Is Part Of
A related resource in which the described resource is physically or logically included.
Chapbook #71 in a bound collection of 77 chapbooks
Description
An account of the resource
No. 6. printed at the top of the title-page.
Woodcut #05: Illustration on title-page of a girl holding a flower standing between two pillars in an outdoor scene.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Galloway, Scotland
Is Referenced By
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National Library of Scotland <a title="National Library of Scotland" href="http://www.nls.uk/" target="_blank" rel="noopener">http://www.nls.uk/</a>
Contributor
An entity responsible for making contributions to the resource
Archival and Special Collections, University of Guelph Library, Guelph, Ontario, Canada
Format
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JPEGs and PDF derived from master file, which was scanned from the original book in 24-bit color at 600 dpi in TIFF format using an Epson Expression 10000XL scanner.
Rights
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In the public domain; For higher quality reproductions, contact Archival & Special Collections, University of Guelph. libaspc@uoguelph.ca 519-824-4120, Ext. 53413
Subject
The topic of the resource
Chapbooks -- Scotland -- Newton Stewart
Source
A related resource from which the described resource is derived
Archival & Special Collections, University of Guelph Library, Guelph, Ontario
Publisher
An entity responsible for making the resource available
Newton-Stewart: J. McNairn
Type
The nature or genre of the resource
ballads & songs
# of Woodcuts: 1
Architecture: gate
Architecture: house
Bib Context: title-page
Chapbook Date: 1821-1830
Chapbook Genre: ballads & songs
Chapbook Publisher - Newton-Stewart: J. McNairn
Fashion (Clothing): bloomers
Fashion (Clothing): children's clothes
Fashion (Clothing): dress
Fashion (Clothing): stockings
Fashion (Clothing): upper class
Gender: girl(s)
Outdoor Scene
-
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Omeka Image File
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Bit Depth
8
Channels
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Dublin Core
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Title
A name given to the resource
Woodcut on title-page portraying a girl holding a flower standing between two pillars with flowers in vases on top. Large house in the background
https://scottishchapbooks.lib.uoguelph.ca/files/original/cdf586da5e2115a512d7a253336b1fd4.pdf
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PDF Text
Text
SIX
EXCELLENT
§ © W ® S,
CLARINDA.
THE HIGHLAND PLAID. v
M U S I N G O N T H E R O A R I N G OCEANL
A RED, RED ROSE;
THE YOUNG HIGHLAND 'Jtm&m^ '
A MOTHER'S L A M E N T FOR T H E .DEATH
O F H E R SON.
3tfi g^aua
^ b s r f a w l l a o s r l r ^ s a i l a w fisiil
NE
WTOmSTJEWART
PRINTED,
AND
RETAIL
SOLD
:
WHOLESALE
B Y J. M ' N A i R i N t
AND
�THE HIGHLAND
PLAID,
L O W L A N D lassie, wilt thou go
Where the hills are clad wi' snow;
Where beneath the icy steep,
The hardy "shepherd tends his sheep?
Ill nor wae ahall thee betide,
When row'd within my Highland plaid.
Soon the voice of cheery spring
Will gar a' our plantings ring ;
Soon our bonny heather braes
Will put on their simmer claes;
On the"xnontain's sunny side,
We'll lean us on my Highland plaid.
When the simmer spreads the flower's
Busk's the glen in leafy bowr's,
Then we'll seek thee caller shade,
Lean uspn the primrose bed:
While the burning hours preside.
I'll screen thee wi' my Highland plaid,
�M
Then we'll leave the sheep and goat,
I will launch the honnv boat,
Skim the loch wi' canty glee,
Rest the oars to pleasure thee ;
When chily breezes sweep ,the tide,
I'll hap thee wi' my Highland p! aid.
Lowland lads may dress mair
fin^
.q
W o o in words mair saft than mine;
Lowland ladshaemair of art,
A ' my boast's an honest heart,
.V'H) ^fTJW ?fB98 Dili £ LliT
Whilk shall ever be my pride;
O row thee in my Highland plaid.
:hjjh oili 'iw ilslfri bjBoi (nit bnA
Bonny lad, ye've been sae leal,
M v heart would break at our farewell;
Lang your love has made me fain,
Take me, take me for your ain!
'Cross the Frith, away then glide,
Young Dor,aid and his Lowland bridev>vor yr;i ,nrB|s smo'j (lift I bnA
VtuUfifoffa isbt o v m ti 'otfT
�A RED, R E D ROSE:
O my luve's like a red, red rose.
That's newly sprung in June.
I
0 my love's like tlie melodie
That's sweetly play'd in tune.
As fair art tliou, my bonnielass,
So deep in hive am I ;
And 1 will luve thee still my dear,
! Till
i
a' the seas gang dry.
T i l l a' the seas gang dry, my dear,
And the rocks melt wi' the sun;
1 will love thee still my dear,
While the sands o' life shall run.
And fare thee weel? my only luve,
And fare thee weel, a while!
And I will come again, my luve,
Tho' it vere ten thousand mile,
�5
CLAIiiNDAo
Clarinda, mistress of my soul,
The measured time is run!
The wretch beneath the dreary pole.
So marks his latest sun.
T o what dark cave of frozen night
Shall poor Sylvander hie;
Depr'v'd of thee, his life and light.
The sun of all his joy.
W e part,—but by these precious drops ;
That fill thy lovely eyes!
No other light shall guide my steps.
Till thy bright beams arise.
'• '
1
,^'OfJ ffijfel -JrM W
She, the fair sun of all her sex,
Has blest my glorious day :
And shall a glimmering planet fix
M y worship to its ray?
n7'J
�Q
A
MOTHER'S
L A M E N T FOR
OF I i E R SON,
Fate gave the word, the i
THE
I)EAT]
< ntekn
^ i^sped^
^
And pierc'dmy darlings heart :
And with him all the joys are fled
Life can to me impart.
B y cruel hands the sapling drops,
In dust dishonour,d laid: So fell the pride of all my hopes,
M y age's future shade.
<1
The mother linnet in the brake
Bewails her ravished young ;
So I, for my lost daring's sake,
Lament the live-day long.
[di Uh teilT
rH^il ledio o
rid vdi ffiT
Death oft I've fear'd thy fatal blow,
Now, fond I bare my breast,
O do thou kindly lay me low
With him I love at rest!
(ax tsold eell
raib 8 fhsda Im i
�THE YOUNG H I G H L A N D
ROVER*
Loud blaw the fi osty breezes,
The snows the mountains cover ;
Like winter on me seizes,
Since my young highland rover
Far wanders nations over.
Where'er he go, where'er he stray,
May Heaven be his warden :
Return him safe to fair Strathspey,
And bonnie Castle-Gordon.
The trees now naked groaning,
Shall soon wi' leaves be hinging,
The birdies dowie moaning,
Shall a' be blythely singing,
And every (lower be springing.
Sae I'll rejoice the lee*lang d ay,
When by his mighty warden
M y youth's returned to fair Strathspey,
And bonnie Castle-Gordon.
�MUSING ON T H E R O A R I N G
OCEAN.
Musing on the roaring ocean,
Which divides my love and m e ;
Wearying heaven in warm devotion,
9iUj
For his weal where'er he be.
Hope and fear's alternate billow
Yielding late to nature's law,
Whisp'ring spirits round my pillow
Talk of him that's far awa.
*:.. ' Ot'-i' * (Oil'.
:
il j'.l
Ye whom sorrow never wounded,
Ye who never shed a tear,
Care-untroubled, joy-surrounded ?
Gaudy day to you is dear.
Gentle night do thou befriend me :
Downy sleep the curtain draw;
Spirits kind, again attend me,
Talk of him that's far awa,
, i
v. '§i:ra
r^i oi bwwtei
. 1 yd rod'//
tiliaoy yrV
tes/J oidwd
hik
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Woodcut 005: Title-page illustration in a single-ruled rectangular border of a girl holding a flower standing between two pillars in an outdoor scene.
Document
A resource containing textual data. Note that facsimiles or images of texts are still of the genre text.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Six Excellent Songs. Clarinda. The Highland Plaid. Musing on the Roaring Ocean. A Red, Red Rose. The Young Highland Rover. A Mother's Lament for the Death of her Son.
Identifier
An unambiguous reference to the resource within a given context
<a href="https://ocul-gue.primo.exlibrisgroup.com/permalink/01OCUL_GUE/mrqn4e/alma9953134473505154">s0100b01</a>
Alternative Title
An alternative name for the resource. The distinction between titles and alternative titles is application-specific.
Clarinda.
The Highland Plaid.
Musing on the Roaring Ocean. .
A Red, Red Rose.
The Young Highland Rover.
A Mother's Lament for the Death of her Son
Date
A point or period of time associated with an event in the lifecycle of the resource
1820-1837 per University of Glasgow Union Catalogue of Scottish Chapbooks
Extent
The size or duration of the resource.
8 pages
Is Part Of
A related resource in which the described resource is physically or logically included.
Chapbook #5 in a bound collection of 77 chapbooks
Is Referenced By
A related resource that references, cites, or otherwise points to the described resource.
University of Glasgow Union Catalogue of Scottish Chapbooks <a title="University of Glasgow Union Catalogue of Scottish Chapbooks" href="http://special.lib.gla.ac.uk/chapbooks/search/" target="_blank" rel="noopener">http://special.lib.gla.ac.uk/chapbooks/search/</a>
Contributor
An entity responsible for making contributions to the resource
Archival and Special Collections, University of Guelph Library, Guelph, Ontario, Canada
Format
The file format, physical medium, or dimensions of the resource
JPEGs and PDF derived from master file, which was scanned from the original book in 24-bit color at 600 dpi in TIFF format using an Epson Expression 10000XL scanner.
Rights
Information about rights held in and over the resource
In the public domain; For higher quality reproductions, contact Archival & Special Collections, University of Guelph. libaspc@uoguelph.ca 519-824-4120, Ext. 53413
Subject
The topic of the resource
Chapbooks -- Scotland -- Newton Stewart
Highlands
Source
A related resource from which the described resource is derived
Archival & Special Collections, University of Guelph Library, Guelph, Ontario
Publisher
An entity responsible for making the resource available
Newton-Stewart: J. McNairn
Type
The nature or genre of the resource
ballads & songs
Description
An account of the resource
Woodcut #05: Illustration on title-page of a girl holding a flower standing between two pillars in an outdoor scene.
# of Woodcuts: 1
Architecture: gate
Architecture: house
Chapbook Date: 1821-1830
Chapbook Genre: ballads & songs
Chapbook Publisher - Newton-Stewart: J. McNairn
Fashion (Clothing): bloomers
Fashion (Clothing): children's clothes
Fashion (Clothing): dress
Fashion (Clothing): stockings
Fashion (Clothing): upper class
Gender: girl(s)
Outdoor Scene
-
https://scottishchapbooks.lib.uoguelph.ca/files/original/595a4a78c46d9b706bdba2a6bc9eb6df.pdf
b52e3f70107ce6c24dca4ed28f1ecd74
PDF Text
Text
No. 13.
Four Excellent
S O N G S .
Home, sweet Home.
Up and warn a' Willie.
R o y a l Charlie.
The piper o' Dundee.
NEWTON- S T E W A R T .
Printed and Sold, Wholesale and
Retail, by J. M'NAIRN.
�HOME!
SWEET
HOME.
'Mid pleasures and palaces tho' we may
roam,
Be it ever so humble, there's no place like
home ;
A charm from the skies seems to hallow
us there,
Which, seek thro' the world, is ne'er met
with elsewhere.
Home, home! sweet, sweet home.
There's no place like home ! there"s no
place like home.
An exile from home, splendour dazzles in
vain,
O h ! give me my lowly thatch'd cottage
again,
The birds singing gaily, they came at my
call
Give me them with the peace of mind
clearer than all.
Home, home! sweet, sweet home,
There's no place like home! there's no
�3
U P A N D W A R N A', W I L L I E .
Up and warn a' Wille,
Warn, warn a' ;
T o hear my canty Highland sang
Relate the thing I saw, Wille.
When we gaed to the braes o' Mar,
And to the weapon shaw, Willie,
Wi' true design to serve our king
And banish Whigs awa, Willie.
Up and warn a', Willie.
Warn, warn a' ;
For lords and lairds cam here bedeen,
And wow but they were braw, Willie.
But when the standard was set up
Right fierce the wind did blaw, Willie;
The royal nit upon the tap
Down to the ground did fa', Willie,
Up and warn a' Willie,
Warn, warn a' :
Then second sighted Sandy said,
We'd do nae gude at a', Willie.
�4
But when the army joined at Perth,
The bravest e'er ye saw, Willie,
W e did na doubt the rogues to rout,
Restore our king and a', Willie,
Up and warn a' Willie,
Warn, warn a' ;
The pipers play'd frae right to left,
O whirry Whigs awa', Willie,
But when we marched to Sherramuir,
And there the rebels, saw, Willie ;
Brave Argyle attacked our right,
Our flank, and front and a', Willie,
Up and warn a', Willie,
Warn, warn a ' ;
Traitor Huntly soon gave way,
Seaforth, St Clair and a', Willie.
But brave Glengary on our right,
The rebel's left did claw, Willie,
He their the greatest slaughter made,
That ever Donald s a w , W i l l i e ,
Up and warn a' Willie,
Warn, warn a' ;
And Whittam fyl'd his breeks for fear,
A n d fast did rin awa, Willie.
�5
For he called us a Highland mob,
And swore he'd slay us a' Willie ;
But we chass'd him back to Stirling brig
Dragoons arid foot and a' Willie.
Up and warn a' Willie,
Warn, warn a' ;
At length we rallied on a hill,
And briskly up did draw, Willie.
But when Argyle did view our line,
And them in order saw, Willie,
He straight gaed to Dumblane again,
And back his left did draw, Willie.
Up and warn a' Willie,
Warn, warna';
Then we to Auchterarder march'd,
T o wait a better fa', willie.
Now if ye speir wha wan the day,
I've tell'd ye what I saw, willie.
W e baith did fight and baith were beat,
And baith did rin awa, willie.
Up and warn,a'willie,
Warn, warn a' ;
For second sighted Sandy said
We'd do nae good at a', willie.
�6
ROYAL
CHARLIE.
When France had her assistance lent,
Our darling prince to us she sent,
Towards the north his coarse he bent,
His name was Royal Charlie,
But O, he was lang o' c o m i n g ,
O, he was lang o' Coming,
O, he was lang o ' coining ; —
Welcome Royal Charle.
When he upon the shore did stand,
The friends he had within the land
Came down and shook him by the hand,
And welcomed Royal Chalie.
O, ye've ben lang o' coming, & c .
The dress that our Prince Charlie had
Was bonnet blue and tartan plaid
And O he was a handsome lad !
Few could compare w' Charlie.
But O, he was lang o' coming, &c.
;
�7
T H E P I P E R O' D U N D E E .
T h e piper came to our town,
T o our town, to our town,
The piper came to our town,
And he play'd bonnilie.
He play'd a spring the laird to please,
A spring brent new frae yont the seas ;
And then he gae his bags a wheeze,
And play'd anither key.
And wasna he a roguy,
A roguy, a roguy,
And wasna he a roguy,
The piper o' Dundee ?
He play'd " T h e welcome o'er the Main,"
And " Y e ' s e be fu' and I'se be fain,"
And "Auld Stuarts back again,"
Wi' muckle mirth and glee.
And wasna, &c.
He play'd " T h e Kirk" he play'd " T h e
Queer,"
"The Mullin dhu," and "Chevalier,"
�8
And "Lang away, but welcome here,"
Sae sweet, sae bonnilie.
And wasna, &c.
It's some gat swords, and some gat nane,
And some were dancing mad their lane,
And mony a vow o' weir was taen
That night at Amulrie.
And wasna, &c.
There was Tullibardine and Burleigh,
And Struan, Keith and Ogilvie,
And brave Carnegie, wha but he,
The piper o' Qundee ?
F I N I S
�
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Omeka Image File
The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.
Bit Depth
8
Channels
3
Height
2855
Width
1644
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Woodcut on title-page portraying a girl holding a flower standing between two pillars with flowers in vases on top. Large house in the background
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Woodcut 005: Title-page illustration in a single-ruled rectangular border of a girl holding a flower standing between two pillars in an outdoor scene.
Document
A resource containing textual data. Note that facsimiles or images of texts are still of the genre text.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Four Excellent Songs. Home, sweet home. Up and warn a ' Willie. Royal Charlie. The piper o' Dundee.
Identifier
An unambiguous reference to the resource within a given context
<a href="https://ocul-gue.primo.exlibrisgroup.com/permalink/01OCUL_GUE/mrqn4e/alma9953134473505154">s0100b01</a>
Alternative Title
An alternative name for the resource. The distinction between titles and alternative titles is application-specific.
Home, sweet home.
Up and warn a ' Willie.
Royal Charlie.
The piper o' Dundee.
Date
A point or period of time associated with an event in the lifecycle of the resource
[1820-1837?] per National Library of Scotland
Extent
The size or duration of the resource.
8 pages
Is Part Of
A related resource in which the described resource is physically or logically included.
Chapbook #22 in a bound collection of 77 chapbooks
Description
An account of the resource
No. 13. is printed at the top of the title-page.
Woodcut #05: Illustration on title-page of a girl holding a flower standing between two pillars in an outdoor scene.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Dundee, Scotland
Contributor
An entity responsible for making contributions to the resource
Archival and Special Collections, University of Guelph Library, Guelph, Ontario, Canada
Is Referenced By
A related resource that references, cites, or otherwise points to the described resource.
<a title="University of Glasgow Union Catalogue of Scottish Chapbooks" href="http://special.lib.gla.ac.uk/chapbooks/search/">University of Glasgow Union Catalogue of Scottish Chapbooks </a>
<a title="National Library of Scotland" href="http://www.nls.uk/">National Library of Scotland</a>
Rights
Information about rights held in and over the resource
In the public domain; For high quality reproductions, contact Archival & Special Collections, University of Guelph. libaspc@uoguelph.ca, 519-824-4120, Ext. 53413
Format
The file format, physical medium, or dimensions of the resource
JPEGs and PDF derived from master file, which was scanned from the original book in 24-bit color at 600 dpi in TIFF format using an Epson Expression 10000XL scanner.
Subject
The topic of the resource
Chapbooks -- Scotland -- Newton Stewart
Jacobites
Source
A related resource from which the described resource is derived
Archival & Special Collections, University of Guelph Library, Guelph, Ontario
Publisher
An entity responsible for making the resource available
Newton-Stewart: J. McNairn
Type
The nature or genre of the resource
ballads & songs
# of Woodcuts: 1
Architecture: gate
Architecture: house
Bib Context: title-page
Chapbook Date: 1821-1830
Chapbook Genre: ballads & songs
Chapbook Publisher - Newton-Stewart: J. McNairn
Fashion (Clothing): bloomers
Fashion (Clothing): children's clothes
Fashion (Clothing): dress
Fashion (Clothing): stockings
Fashion (Clothing): upper class
Gender: girl(s)
Outdoor Scene
-
https://scottishchapbooks.lib.uoguelph.ca/files/original/772b5e7ad43dade20461599d6e10b624.pdf
85b4d932d9c8c6ed1dfde92931a759b9
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Five Favourite
SONGS.
Royal Charlie.
John Anderson my Jo.
Whistle and I'll Come to you my Lad.
Love and Glory.
Nobody Coming to Marry me.
NEWTON-STEWART :
Printed and SoLd, Wholesale and
Retail, by J.
M'NAIRN.
�R O Y A L CHARLIE.
The wind comes frae the land I love,
It moves the flood fu' rarely;
Look for the lily on the lea,
And look for royal Charlie.
Ten thousand swords shall leave their
And smite fa' sharp and sairly, [sheaths
And Gordon's might and Erskine's pride,
Shall live and die wi' Charlie.
The sun shines out—wide smiles the s e a ,
The lily blossoms rarely; ;
O yonder comes his gallant ship,
Thrice welcome, royal Charlie !
"Yes,yon's a good and gallant ship,
Wi' banners flaunting fairly ;
But should it meet your darling, prince,
'Twill feast the fish wi' Charlie.
Wide rustled site wi' silks in state,
And waved her white hand proudlie,
And drew a bright sword from the sheath,
And answered high and loudlie.
�3
" I had three sons, and a good lord,
Wha sold their lives fu' dearlie ;
And wi' their dust I'd mingle mine,
For love of gallant Charlie.
It wad hae made a hale heart sair,
T o see our horsemen flying ;
And my three bairns, and my good lord,
Amang the dead and dying :
" I snatched a banner—led them back—
The white rose flourish'd rarely :
The deed I did for royal James
I'd do again for Charlie.
JOHN ANDERSON, M Y
John Anderson my jo, John,
Ye were my first conceit,
I think nae shame to say, John,
I loe'd ye ear and late ;
JO.
�4
They say you're turning auld, John,
And what though it be so ?
Ye are ay the same kind man to me,
John Anderson my jo.
John Anderson my Jo, John,
When we were first acquent,
Your locks were like the raven,
Your bonny brow was brent ;
But now ye're turned bald, John,
Your locks are like the snow ;
My blessings on that frosty pow,
John Anderson my jo.
John Anderson my jo, John,
We've seen our bairn's bairns,
And yet my dear John Anderson,
I'm happy In your arms ;
And sae are ye in mine, John,
I'm sure ye'll no say no,
Tho' the days are past that we hae seen,
John Anderson my jo.
�5
John Anderson my jo, John,
We clamb the hill thegither,
And mony a canty day, John,
We've had wi' ane anither ;
Now we maun totter down, John,
But hand in hand we'll go,
And sleep thegither at the foot,
John Anderson my jo.
WHISTLE, AND I'LL COME TO YOU, MY LAD.
O whistle, and I'll come to you my lad;
O whistle, and I'll come to you, my lad:
Tho' father and mither and a' should gae
mad,
O whistle, and I'll come to you, my lad.
But warily tent when ye come to court me,
And come nae unless the back-yet he a-jee;
Syne up the hack style, and let naebody see
And come as ye war na comin' to me.
And COME, & c .
�6
At kirk or at market, whene'er ye meet me
Gang by me as though that ye cared na a flie,
But steal me a blink o' your bonny black e'e,
Yot look as ye war, na lookin at me.
Yet look, &c.
Ay vow and protest that ye carena for me,
And whiles ye may lightly my beauty a wee;
But court na anither, though jokin ye be,
For fear that she wyle your fancy frae me.
For fear, &c.
L O V E AND
GLORY.
Young Henry was as brave a youth
As ever graced a martial story :
And Jane was fair as lovely truth—
She sighed for love, and he for glory.
With her his faith he meant to plight,
And told her many a gallant story;
�7
Till war, their honest joys to blight;
Called him away from love to glory.
Brave Henry met the foe with pride ;
Jane followed, fought—ah! hapless story!
In man's attire by Henry's side,
She died for love, and he for glory.
NOBODY COMING T O M A R R Y
ME.
Last night the dogs did barky,
I went to the gate to see :
When every lass had a spark,
But nobody comes to me.
And it's oh dear! what will become of me
Oh dear ! what will I do ?
Nobody coming to marry me,
Nobody coming to woo.
My father' s a hedger and ditcher,
My mother does nothing but spin,
�8
And I'm a pretty young girl,
But the money comes slowly in.
They say I'm beauteous and fair,
They say I'm scornful and cold ;
Alas ! i must now despair,
For ah ! I am grown very old.
And now I must die an old maid,
Oh dear! how shocking the thought!
And all my beauty must fade,
But I'm sure it is not my fault.
FINIS.
�
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Woodcut on title-page portraying a girl holding a flower standing between two pillars with flowers in vases on top. Large house in the background
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Title
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Woodcut 005: Title-page illustration in a single-ruled rectangular border of a girl holding a flower standing between two pillars in an outdoor scene.
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Title
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Five Favourite Songs. Royal Charlie. John Anderson my Jo. Whistle and I'll Come to you my lad. Love and Glory. Nobody coming to marry me.
Identifier
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<a href="https://ocul-gue.primo.exlibrisgroup.com/permalink/01OCUL_GUE/mrqn4e/alma9953134473505154">s0100b01</a>
Alternative Title
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Royal Charlie.
John Anderson my Jo.
Whistle and I'll Come to you my lad.
Love and Glory.
Nobody coming to marry me.
Date
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[1820-1837?] per National Library of Scotland
Extent
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8 pages
Is Part Of
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Chapbook #68 in a bound collection of 77 chapbooks
Contributor
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Archival and Special Collections, University of Guelph Library, Guelph, Ontario, Canada
Is Referenced By
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<a title="University of Glasgow Union Catalogue of Scottish Chapbooks" href="http://special.lib.gla.ac.uk/chapbooks/search/">University of Glasgow Union Catalogue of Scottish Chapbooks</a>
<a title="National Library of Scotland" href="http://www.nls.uk/">National Library of Scotland</a>
Rights
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In the public domain; For high quality reproductions, contact Archival & Special Collections, University of Guelph. libaspc@uoguelph.ca, 519-824-4120, Ext. 53413
Format
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JPEGs and PDF derived from master file, which was scanned from the original book in 24-bit color at 600 dpi in TIFF format using an Epson Expression 10000XL scanner.
Publisher
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Newton-Stewart: J. McNairn
Type
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ballads & songs
Subject
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Chapbooks -- Scotland -- Newton Stewart
Jacobites
Charles Edward, Prince, grandson of James II, King of England, 1720-1788
War
Courtship and Marriage
Description
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Woodcut #05: Illustration on title-page of a girl holding a flower standing between two pillars in an outdoor scene.
# of Woodcuts: 1
Architecture: gate
Architecture: house
Bib Context: title-page
Chapbook Date: 1821-1830
Chapbook Genre: ballads & songs
Chapbook Publisher - Newton-Stewart: J. McNairn
Fashion (Clothing): bloomers
Fashion (Clothing): children's clothes
Fashion (Clothing): dress
Fashion (Clothing): stockings
Fashion (Clothing): upper class
Gender: girl(s)
Outdoor Scene